Search results for ""Author Ammiel Alcalay""

This book not only makes a significant contribution to the literature but, by breaking new ground, seeks to create a new frame of reference for further studies of the Mediterranean. Alcalay has pulled together many strands of scholarship to present a view of the Middle East that is starkly at odds with that put forth in the establishment press and academic journals - while taking care not to sacrifice the erudition and research, whether literary critical, historical or linguistic, that have traditionally sanctioned the orientalists' version of Levantine history in the service of Western control over the region. Ammiel Alcalay is a writer, translator, and poet living in New York City. Currently an associate professor of Classical and Oriental Literatures at Queens College (CUNY), he has written many articles on literary and historical politics in the cultures of the Mediterranean. "Ammiel Alcalay is a writer, translator, and poet living in New York City. Currently an associate professor of Classical and Oriental Literatures at Queens College (CUNY), he has written many articles on literary and historical politics in the cultures of the Mediterranean.".

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This first anthology of twentieth-century Israeli literature to feature the work of writers who were born in-or whose families originated from-the Levant, Turkey, Iran, India, and Arab worlds represents twenty-four authors whose concerns with cultural identity, race, class, gender, and political allegiances place their work alongside today's emerging rediscovered and reinvented Arab, African, Indian, African-American, and Caribbean traditions. "This brilliant collection makes the emphatic point that translation is of necessity political and gives us ample evidence of those who have been thus silenced. Our imagination of the Middle East and its peoples must alter, reading these completely moving texts by so many diverse writers of consummate authority. Ammiel Alcalay has done us all a great service." --Robert Creeley "We need this book! The soil is so deeply mixed, the stories and voices redolent with shared fragrances and new seedlings. Anyone who imagines Jews and Arabs to be strictly oppositional needs to explore the rich twining of roots offered here, and consider how this cross-pollination may hold the hope for the whole region. Ammiel Alcalay is a fine, wise gardener." -- Naomi Shihab Nye "Having established himself as one of the most attentive readers of the Jewish-Arab Mediterranean past, Ammiel Alcalay sets out in this remarkable anthology to subversively redraw the boundaries and strata of modern Hebrew literature, introducing to the American reader key-notes that are almost inaudible within the Israeli literary establishment, and tracing the Oriental characters, long erased from the palimpsest of Hebrew literature." --Anton Shammas "A Jew writing in Arabic is not read in Israel...' So writes Samir Naqqash. Ammiel Alcalay's remarkable selection of texts is a plea on behalf of Israeli imaginations in spiritual exile. One is driven to meditate on the genius of truth in every re-visionary monument of home." --Wilson Harris Ammiel Alcalay is poet, translator, critic, and scholar who teaches at Queens College and the CUNY Graduate Center. He is the author of, among other books, After Jews and Arabs (1993); the cairo notebooks (1993); Memories of Our Future (1999); from the warring factions (2002); Scrapmetal (2007), and A Little History (2010). He was one of the initiators of the Poetry Is News Coalition, and helped to organize the Olson Now project. He launched Lost & Found: The CUNY Poetics Document Initiative, a publishing venture whose mission is to retrieve and make available key texts falling widely under the rubric of the New American Poetry.

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Voted one of the Top 25 Books of 1999 by the Village Voice. As a poet, translator, critic, and scholar, Ammiel Alcalay has written for The New York Times, The Village Voice, The New Republic, and Middle east Report, as well as for such literary journals as Grand Street, Conjunctions, and Paper Air. In Memories of Our Future, the unique intellectual and political path forged by Alcalay over the past fifteen years has now been collected in one volume. In a mix of personal narrative, political commentary, and literary criticism, Alcalay surveys diverse subjects, among them Mediterranean culture, Arabic literature, the destruction of Carthage, the Israeli/Palestinian conflict, and the war in Bosnia. "In the truest sense, the essays in Memories of Our Future bear witness to events and ideas that shape the world. Poet, translator, scholar, Ammiel Alcalay brings to any subject an acute sensitivity to writing and a sophisticated understanding of the way politics works to produce and maintain literature. Whether thinking about diaspora, memory, modernism, sacred texts, or Juan Goytisolo, he attends to voices that are excluded or silenced. Ammiel Alcalay is a unique and important figure in contemporary world literature." --Lynne Tillman, author of No Lease On Life "Few contemporary intellectuals can boast of as diverse a range of skills and talents as Ammiel Alcalay. His work is cosmopolitan in the best sense: in an epoch of superficial globalism his approach to the cultures he deals with is always rigorous, always meticulously respectful of particularities and differences. Unlike many contemporary literary theoreticians, he is also profoundly alive to the social and political realities that shape cultural production. There is no one better qualified to explore the meaning of today's 'culture wars', locally and globally." --Amitav Ghosh, author of The Glass Palace "An outstanding anthology of essays surveying the complexities of Mediterranean cultures; the diverse, changing space of the Balkans, Middle East, and North Africa--areas of diasporas, dislocations, and genocidal exterminations provoked by nationalism and religious fanaticism. Of special interest are his observations and analysis of the Israeli/Palestinian confrontation, Arab/Jewish poetics, and Jewish identity in America." --Midwest Book Review Ammiel Alcalay is poet, translator, critic, and scholar who teaches at Queens College and the CUNY Graduate Center. He is the author of, among other books, After Jews and Arabs (1993); The Cairo Notebooks (1993); Memories of Our Future (1999); From the Warring Factions (2002); Scrapmetal (2007), and A Little History (2010). He was one of the initiators of the Poetry Is News Coalition, and helped to organize the Olson Now project. He launched Lost & Found: The CUNY Poetics Document Initiative, a publishing venture whose mission is to retrieve and make available key texts falling widely under the rubric of the New American Poetry.

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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Haroun Soussan, narrator of Outcast and a Jewish convert to Islam, is a civil engineer and historian who's just completed his life's work, The Jews and History. The book opens with him getting an award from Saddam Hussein during the time of the Iran-Iraq war. Written in the form of an autobiography, the narrative moves in and out of the present, the recent, and more distant past, providing a unique and intimate chronicle of Iraq's contemporary political history. Shimon Ballas was born in Baghdad in 1930 and immigrated to Israel in 1951.

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A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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