Search results for ""Author Allan Massie""

Klaus is a novella that recounts the last days of Klaus Mann's life, while referring back to the trials of the Mann family (Klaus being Thomas Mann's son) and Klaus's own autobiographical novel, Mephisto, one of his better known works partly because it was banned in West Germany for decades. This unlocks his relationship with both his father and his former lover, Gustaf, who was a communist before collaborating with the Nazi regime and becoming one of its most celebrated actors. On his return to Germany after the war, Klaus was outraged to see that Gustaf had now switched seamlessly to the post-war regime, and was once more the darling of the theatre world. Klaus, who had been isolated as both a homosexual and an anti-fascist, felt that Germans or rather those Germans in prominent positions were refusing to acknowledge their culpability. His isolation was now complete.

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Like The Death of Men, one of Massie's great novels, Surviving is set in contemporary Rome. The main characters, Belinda (the heroine of the Massie's second novel, The Last Peacock), Kate, an author who specialises in studies of the criminal mind, and Tom Durward, a scriptwriter, attend an English-speaking group of Alcoholics Anonymous. All have pasts to cause embarrassment or shame. Tom sees no future for himself and still gets nervous "come Martini time". Belinda embarks on a love-affair that cannot last. Kate ventures onto more dangerous ground by inviting her latest case-study, a young Londoner acquitted of a racist murder, to stay with her. There is another murder, but this is not a murder mystery. What matters is the responses of the characters to the catastrophe. The atmosphere of Rome is lovingly evoked. The dialogue, in which the characters reveal themselves or seek to avoid doing so, is sharp and edgy. Allan Massie dissects this group of ex-pats in order to say something about our inability to know, still less to understand, the actions of our fellow human beings, even when relationships are so intense. It is also, therefore, impossible or at least difficult to make informed moral judgements of others. This is an intelligent book that examines human nature with a deft and light touch.

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Klaus, the core work in this collection, is a a novella that recounts the last days of Klaus Mann's life, while referring back to the trials of the Mann family (Klaus being Thomas Mann's son) and Klaus's own autobiographical novel, Mephisto, one of his better known works partly because it was banned in West Germany for decades for its portrayal of his ex-lover Gustaf Grundgens, before being turned into an Academy Award-winning film. Massie's novella attempts to unlock Klaus's relationship with his father, his former lover and his art. Klaus is an appropriate follow-on from Surviving (Vagabond Voices, 2009) in that writing is a major theme. With his usual thoroughness disguised by concision and a masterly light touch, Massie sets about examining how human relatinoships and artistic endeavour interact, and this book also goes back to those "public" themes that dominate so much of his other works of fiction set in the twentieth century. The novella alone would make this collection worthy of note, but the short stories will also fascinate the many who know Massie's work and admire it. They come from his long writing career and have been published under one cover for the first time. Klaus and two other stories has just been written, while there are others from the nineties, the eighties and even the seventies.

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It is 1978. Corrado Dusa is head of Italy's Christian Democrat Party and the country's Senior Minister. He is also considered to be the key figure in resolving the crisis of dissent and violence that permeates political life. But Dusa has been kidnapped and now his son, Bernardo, a member of a militant extremist group, has disappeared. The press is aghast while the family sense disaster. Can Dusa's release be negotiated? Under what conditions? And - most importantly - with what results? First published in 1981 (The Bodley Head Press) Massie's stylish and enthralling thriller won a Scottish Arts Council Award: exploring America's influence on Europe and the causes of terrorism, The Death of Men is sure to have an arresting affect on readers today.

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Widely acclaimed as Massie's finest novel, A Question of Loyalties engages with all the complexities and ambiguities of loyalty, nationality and family as they are put under threat by betrayal, by errors of judgement, or simply friendship.Etienne de Balafré, half French, half English and raised in South Africa, returns to post-war France to unravel the tangled history of his own father. Was Lucien de Balafré a patriot who served his country as best he could in difficult times, or a treacherous collaborator in the Vichy government?Rife with the anguish of hindsight and the irony of circumstance, this powerful book brilliantly explores the ties between fathers and sons and the pains of love and duty in a period of European history that is still characterised by wilful denial and hatred.

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THE THREE MUSKETEERS has proved enduringly popular for more than a century and a half. Inspiration for many a movie and TV adaptation, this swashbuckling epic of chivalry, honour and derring-do, set in France during the 1620s, is satisfyingly peopled with romantic heroes, unattainable heroines, kings, queens, cavaliers and criminals, and contains in abundance adventure, espionage, conspiracy, murder, vengeance, love, scandal and suspense. Taking as its starting point the memoirs of the historical Comte d'Artagnan, Dumas's imagination transforms the bit-players of history into larger-than-life characters: d'Artagnan himself, the impetuous young man in pursuit of glory but ever ready to respond to an insult; the beguilingly evil seductress 'Milady' (entirely his own creation) and of course the Three Musketeers of the title, Athos, Porthos and Aramis, whose motto 'all for one, one for all' has come to epitomize devoted friendship. Interwoven amongst them are vivid fictionalized portraits of major historical figures, amongst them the powerful and devious Cardinal Richelieu, the weak and ineffectual Louis XIII and Anne of Austria, his unhappy Spanish queen. Throw in some stolen diamonds, masked balls, purloined letters, a crumbling medieval prison and a great deal of sword-fighting together with a gripping plot, tremendous narrative drive and a hint of discreet humour, and you have a book totally impossible to put down.

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Ken Scotland was born on 29 August 1936 within sight of Heriot’s Goldenacre ground, which he would go onto grace with great panache and skill several years later. A prodigious talent at fly-half while at school, he was converted into a full-back during the international trials of 1957 and was capped in that position against France at Colombes just a few weeks later, scoring all of his country’s points as the Scots recorded their first win on French soil since 1949. Having joined the army after leaving school, Scotland then attended Cambridge University and it was from there that he was selected for the 1959 British & Irish Lions tour to Australia and New Zealand. During this epic four-month tour he won plaudits far and wide as one of the superstars of the Lions’ team. Using entries from the dairy he kept during this tour, Scotland brings to life one of the great Lions expeditions, taking us right into the heart of the changing rooms, hotels, bars and in the heat of battle on the field. Scotland played in five Tests for the Lions and won a total of twenty-seven caps for his country before retiring in 1965 with a reputation as one of the finest players ever to play for Scotland well established. He would continue to play club rugby for several years afterwards while enjoying a successful business career. At eighty-three he has finally decided to tell his life story. Working with Allan Massie, the doyen of Scottish rugby journalism, he has created a rich and powerful testimony to his life and rugby career, throwing new light on his own achievements as well as providing fresh insight the great players of his era. It is as fascinating as it is evocative of a time and a game long past and a must-read for rugby fans of all generations.

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Caroline Rose has a problem. She hears voices and the incessant tapping of typewriter keys, and she seems to be a character in a novel . . . A comedy of errors, a crime novel, a book about books, Spark’s debut remains as otherworldly and mischievous as it was when first published sixty years ago. The publishers acknowledge investment from Creative Scotland towards the publication of this book. Supported by the Muriel Spark Society.

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