Search results for ""Author Alexander Moffat""

The latent liability in energy is anarchy, but when it's working in a direction with a sense of purpose like the independence movement, and according to the priorities of the arts, and not violence, there's a lot you can do. There's a lot of self-respect to be regained. There's a lot of fun to be had. There’s a lot to be learned. A panorama of ideas about nationality and culture, Arts and the Nation arose from the conviction that Scotland can never be really democratic until it gives the arts the priority of place and attention they demand. This book is a fresh take on subjects new and old, with multifaceted ideas of nationality and culture. Those featured include: William Dunbar, Duncan Ban MacIntyre and Elizabeth Melville are read alongside international authors such as Wole Soyinka and Edward Dorn. J.D. Fergusson, Joan Eardley and John Bellany are considered with American Alice Neel and the art of the ancient Celts. Composers like John Blackwood McEwen, Cecil Coles and Helen Hopekirk are introduced, amongst discussions of education, politics, social priorities, the mass media and different genres of writing.

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There is only one argument for Scottish independence: the cultural argument. It was there long before North Sea oil was discovered, and it will be here long after the oil has run out… We believe, as teachers, artists, a painter and a poet, both of us travellers in other lands, both of us residents in Scotland, that Scotland should be an independent nation. ALEXANDER MOFFAT AND ALAN RIACHArts of Independence takes a hard look at the most neglected aspect of the argument for Scotland’s distinctive national identity: the arts. The proposition is that music, painting, architecture, and, pre-eminently, literature are the fuel and fire of political change.Following the success of Arts of Resistance, this new work by the same authors takes the argument over Scottish independence out of the hands of politicians and economists and beyond the petty squabbles of party politics.

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Arts of Resistance is an original exploration that extends beyond the arts into the context of politics and political change. In three wide-ranging exchanges prompted by American blues singer Linda MacDonald-Lewis, artist Alexander Moffat and poet Alan Riach discuss cultural, political and artistic movements, the role of the artist in society and the effect of environment on artists from all disciplines. Arts of Resistance examines the lives and work of leading figures from Scotland's arts world in the twentieth century, concentrating on poets and artists but also including writers, musicians and architectural visionaries such as Charles Rennie Mackintosh and Patrick Geddes. Poets studied include Hugh MacDiarmid, Sorley MacLean, Iain Crichton Smith, Edwin Morgan and Liz Lochhead; artists include William McTaggart, William Johnstone and the Scottish Colourists. The investigation into the connection between the arts and political culture includes historical issues, from British imperialism to a devolved Scotland. Finally, the contribution to poetry and art of each major Scottish city is discussed: Edinburgh, Glasgow, Aberdeen, Dundee. Highly illustrated with paintings and poems, Arts of Resistance is a beautifully produced book providing facts and controversial opinions.

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In 1939, Scottish artist and sculptor J.D. Fergusson was commissioned to write a fully illustrated book on modern Scottish painting. The Second World War made this difficult and the first edition of Modern Scottish Painting was published in 1943 without illustrations. This new edition – edited, introduced and annotated by Alexander Moffat and Alan Riach – finally brings Fergusson’s project to fruition, illustrating the argument with colour reproductions of Fergusson’s own work. Moffat and Riach frame Fergusson’s important art manifesto for the 21st-century reader, illuminating his views on modern art as he explores questions of technique, education, form and what it means for a painting to be truly modern. Fergusson relates these aspects of modern painting to Scottishness, showing what they mean for Scottish identity, nationalism, independence and the legacy that puritanical Calvinism has left on Scottish art – a particular concern for Fergusson given his recurring subject matter of the female nude.

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In 1939, Scottish artist and sculptor J.D. Fergusson was commissioned to write a fully illustrated book on modern Scottish painting. The Second World War made this difficult and the first edition of Modern Scottish Painting was published in 1943 without illustrations. This new edition – edited, introduced and annotated by Alexander Moffat and Alan Riach – finally brings Fergusson’s project to fruition, illustrating the argument with colour reproductions of Fergusson’s own work. Moffat and Riach frame Fergusson’s important art manifesto for the 21st-century reader, illuminating his views on modern art as he explores questions of technique, education, form and what it means for a painting to be truly modern. Fergusson relates these aspects of modern painting to Scottishness, showing what they mean for Scottish identity, nationalism, independence and the legacy that puritanical Calvinism has left on Scottish art – a particular concern for Fergusson given his recurring subject matter of the female nude.

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Alan Riach’s The MacDiarmid Memorandum is a work of epic, category-defying scope; blending biography and national history, poetry and prose; an intimate portrait of an old friend and mentor, and a political manifesto calling for revolution. Riach’s poems begin with MacDiarmid’s childhood in Langholm and his first attempts to navigate the Scottish landscape. We travel from the Borders to Shetland, from Edinburgh to rural Lanarkshire. The poems map a nation where nature is inseparable from political history. They explore a peculiarly Scottish kind of consciousness, willing itself to be free yet bowed under the weight of self-suppression. There is confrontation on various fronts. MacDiarmid experienced trauma, divorce, breakdown, wildness and later, domestic affection. At the same time, Scotland endured two world wars, each triggering a continuing renaissance of Scottish artists and intellectuals, struggling to regenerate international recognition and self-determination. Alongside Riach’s poems, the book includes reproductions of paintings by the artists Alexander Moffat and Ruth Nicol, focusing on some of the landscapes, friends and associates MacDiarmid knew most closely through his long life, plus a frontispiece portrait by William Johnstone and a song-setting by Ronald Stevenson.

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