Search results for ""Author Alan Nadel""
Rutgers University Press Flatlining on the Field of Dreams: Cultural Narratives in the Films of President Reagan's America
"Flatlining on the Field of Dreams takes a apart some of the most commercially successful films of the epoch, demonstrating how they reflected, debated, and played with the dominant ideology of the time. . . . cleverly and wittily written . . . . The book will work extremely well in the classroom." -Film Quarterly "From Back to the Future to Forrest Gump, Nadel shows not only how notions of cinematic time re-script political change but how our very conceptualizations of change are thematized by our experiences of watching movies. This is not simply film history, or film as history, but film affirming "history" in the same way that Ronald Reagan affirmed film narratives." -Susan Jeffords, University of Washington "Flatlining on the Field of Dreams brilliantly restages the cultural narratives associated with Reaganism within a neo-imperialist cinematic space and reveals the heretofore unexamined role class played in the reproduction of those narratives." -Donald E. Pease, Dartmouth CollegeFlatlining on the Field of Dreams demonstrates, with witty prose and careful analysis, how the overindulgent, image-conscious years of the Reagan administration are reflected in sundry aspects of American films produced during that era. Discussing dozens of films, including Home Alone, Beetlejuice, Ghost, The Little Mermaid, Working Girl, Who Framed Roger Rabbit?, and Trading Places, Alan Nadel identifies narratives about credit, deregulation, gender, race, and masculinity that defined "President Reagan's America." Linking the way Hollywood films work to the stories they tell, he explains how the ideas and values of Reaganism became the symbolic food of a hyper-consumptive society. The book provides hard-to-ignore demonstrations of the extensive synergy between politics, history, and popular culture.
£31.50
Duke University Press Containment Culture: American Narratives, Postmodernism, and the Atomic Age
Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence. An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.
£23.39
Rutgers University Press Demographic Angst: Cultural Narratives and American Films of the 1950s
Prolific literature, both popular and scholarly, depicts America in the period of the High Cold War as being obsessed with normality, implicitly figuring the postwar period as a return to the way of life that had been put on hold, first by the Great Depression and then by Pearl Harbor. Demographic Angst argues that mandated normativity—as a political agenda and a social ethic—precluded explicit expression of the anxiety produced by America’s radically reconfigured postwar population. Alan Nadel explores influential non-fiction books, magazine articles, and public documents in conjunction with films such as Singin’ in the Rain, On the Waterfront, Sunset Boulevard, and Sayonara, to examine how these films worked through fresh anxieties that emerged during the 1950s.
£120.60
Rutgers University Press Demographic Angst: Cultural Narratives and American Films of the 1950s
Prolific literature, both popular and scholarly, depicts America in the period of the High Cold War as being obsessed with normality, implicitly figuring the postwar period as a return to the way of life that had been put on hold, first by the Great Depression and then by Pearl Harbor. Demographic Angst argues that mandated normativity—as a political agenda and a social ethic—precluded explicit expression of the anxiety produced by America’s radically reconfigured postwar population. Alan Nadel explores influential non-fiction books, magazine articles, and public documents in conjunction with films such as Singin’ in the Rain, On the Waterfront, Sunset Boulevard, and Sayonara, to examine how these films worked through fresh anxieties that emerged during the 1950s.
£33.30
