Search results for ""Author Alan Hess""

Learning the basics of photography can seem like a daunting task. Unless luck strikes, the resulting images are usually not very good. But it doesn't have to be this way. Enter Make Great Photos: A Friendly Guide and Journal for Improving Your Photographs.In this book, photographer and author Alan Hess teaches you the basics of photography by breaking down the topic into its fundamental parts. In the first section of the book, Alan explains what makes a great photo in the first place, examining a selection of images and working through why each one is successful. In the second, Alan addresses specific shooting situations — categorized into travel, action, events, and people — discussing the challenges that each scenario poses and how to conquer them. Finally, you'll learn the top five basic edits you need to know to make your images pop when you share them online.

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If you’re a passionate photographer and you’re ready to take your work to the next level, The Enthusiast’s Guide book series was created just for you. Whether you’re diving head first into a new topic or exploring a classic theme, Enthusiast’s Guides are designed to help you quickly learn more about a topic or subject so that you can improve your photography. The Enthusiast’s Guide to Night and Low-Light Photography: 50 Photographic Principles You Need to Know teaches you how to shoot compelling images at night and in low-light situations. Chapters are broken down into a series of numbered lessons, with each lesson providing what you need to improve your photography. In this book, which is divided into five chapters that include 50 photographic principles to help you create great images, photographer and author Alan Hess covers all the necessary gear and camera settings, as well as topics such as light painting, photographing the night sky, shooting great cityscapes, and post-processing techniques that will bring out the best in your photographs. Example lessons include: Using Manual exposure mode is the best way to go Focusing in low light Mounts, clamps, and other ways to keep the camera stable How high can you push the ISO Creating low-light portraits How to get those starburst street lights Correcting the tones in your image Written in a friendly and approachable manner and illustrated with examples that drive home each lesson, The Enthusiast’s Guide to Night and Low-Light Photography is designed to be effective and efficient, friendly and fun. Read an entire chapter at once, or read just one topic at a time. With either approach, you’ll quickly learn a lot so you can head out with your camera to capture great shots.

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If you're a passionate photographer and you're ready to take your work to the next level, The Enthusiast's Guide book series was created just for you. Whether you're diving head first into a new topic or exploring a classic theme, Enthusiast's Guides are designed to help you quickly learn more about a topic or subject so that you can improve your p

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An unsung prophet of today’s green movement in architecture, Frank Lloyd Wright was an innovator of eco-sensitive design generations ahead of his time. An architect and designer of far-reaching vision, it is not surprising that Frank Lloyd Wright anticipated many of the hallmarks of today’s green movement. Across his work—which stands upon a philosophy Wright termed "organic"—widespread evidence is seen of a refined sensitivity to environment, to social organization as impacted by buildings, and to sustainable and sensible use of space. The desire to work and live with nature to create livable homes and cities is an ongoing theme of American architecture and planning. This book explores Wright’s lessons on how climate, sustainability, sunlight, modern technology, local materials, and passive environmental controls can become the inspiration for excellent design, and highlights a selection of Wright’s buildings to show how he dealt with these issues. The book is organized by the green concepts Wright used—including passive solar design and the use of thermal massing, passive berm insulation, environmentally sensitive landscaping, passive ventilation systems, passive natural light, and intelligent and artful adaptation of technology—with examples from different houses. It shows how Wright evolved certain ideas that continue to spur discussions of green architecture design today.

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The inimitable, haunting films of Alfred Hitchcock took place in settings, both exterior and interior, that deeply impacted our experiences of his most unforgettable works. From the enclosed spaces of Rope and Rear Window to the wide-open expanses of North by Northwest, the physical worlds inhabited by desperate characters are a crucial element in our perception of the Hitchcockian universe. As Christine Madrid French reveals in this original and indispensable book, Hitchcock’s relation to the built world was informed by an intense engagement with location and architectural form—in an era marked by modernism’s advance—fueled by some of the most creative midcentury designers in film.Hitchcock saw elements of the built world not just as scenic devices but as interactive areas to frame narrative exchanges. In his films, building forms also serve a sentient purpose—to capture and convey feelings, sensations, and moments that generate an emotive response from the viewer. Visualizing the contemporary built landscape allowed the director to illuminate Americans’ everyday experiences as well as their own uncertain relationship with their environment and with each other.French shares several untold stories, such as the real-life suicide outside the Hotel Empire in Vertigo (which foreshadowed uncannily that film’s tragic finale), and takes us to the actual buildings that served as the inspiration for Psycho’s infamous Bates Motel. Her analysis of North by Northwest uncovers the Frank Lloyd Wright underpinnings for Robert Boyle’s design of the modernist house from the film’s celebrated Mount Rushmore sequence and ingeniously establishes the Vandamm House as the prototype of the cinematic trope of the villain’s lair. She also shows how the widespread unemployment of the 1930s resulted in a surge of gifted architects transplanting their careers into the film industry. These practitioners created sets that drew from contemporary design schools of thought and referenced real structures, both modern and historic. The Architecture of Suspense is the first book to document how these great architectural minds found expression in Hitchcock’s films and how the director used their talents and his own unique vision to create an enduring and evocative cinematic world.

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Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

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Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard Neutra’s Kaufmann House and Albert Frey’s Raymond Loewy House, to Paul R. Williams’ house for Lucille Ball and Desi Arnaz, Frank Sinatra’s house, John Lautner’s house for Bob Hope, as well as other famous landmarks. The book features more than sixty buildings by fifteen of the most notable mid-twentieth-century architects. With new photography and images culled from his personal collection as well as the Getty Center, this book includes many images never before seen.

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Over the course of a career that lasted more than fifty years, Andrew Geller—architect, artist, and designer—quietly produced a large and culturally significant body of work, leaving an invaluable mark in his field. Geller's impact was first felt in the heady post-World War II years he spent at the Raymond Loewy design firm, where one highlight amongst many was his improvisational and free-handed influence on the Lord & Taylor brand. He is undoubtedly most well-known, though, for his architecture, and his stunning modernist beach houses in particular, houses that still grace our shores and which, not unlike Andrew Geller himself, were innovative, unconventional, and saturated with a delight for beauty and form.In Andrew Geller: Deconstructed, Jake Gorst celebrates the life and work of his grandfather, bringing together two-decades worth of interviews, both formal and informal, as well as many artifacts and treasures culled from Geller's vast personal collection of drawings and photographs. Included within are stories and images not only of his now famous beach houses, but also of the many lesser-known buildings and early artworks, making this the definitive volume on this architectural icon. Gorst's intent in writing this volume - to share this wealth of information and provide an intimate glimpse into the inner workings of an artist—is here fully actualized, rendering a vivid portrait of a man whose main drive in life was to create beauty whatever he did.

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