Search results for ""Author Akili""

Vampire Love is TimelessIt's time for the field trip arc and Ichika is ecstatic! But when she finds out that her best friend and her new love may have secrets, a sense of awkwardness begins to loom over the Japanese wilderness.

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Ichika's life has taken a sudden turn. Her grandmother has passed away, so as family and friends come from far and wide to pay their respects, she finds herself in the spotlight as many of these old faces have taken an interest in her youth. As a fourteen-year-old Ichika could be dating. She could be participating in extra-curricular activities. She could be looking to her future. ...But she hasn't done any of that. All of that will change, when a young guest who she does not recognize visits her home. Aria seems to know quite a bit about her family and property, and while she may be there to say goodbye, she may have found her way into Ichika's heart.

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As the school year progresses, it is now time for a field trip. And this one takes Ichika and Aria to the mountains for a class camping trip. Out in the woods and nature, there is plenty of time to get to know friends and partners on levels that are much more intimate than what is commonly seen in normal society. People have to work together to survive, and in this case with an accident threatening their lives that is at a premium. And then we get a long flashback to Ichika''s grandmother''s teens. How was her relationship with Aria? Were her heartstrings also pulled tight?!

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Ichika is in love! In love with Aria, a vampire! And now Aria has decided to transfer to Ichika's school! Her whole life is Aria! At home...there's Aria! At school...there's Aria! In her dreams...Aria is there feasting on her and later kissing her!

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A new vampire is in town, but whose side is she on? On the surface Khara appears to be a threat to Aria but this immortal appears to have motives that are not quite threatening.

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‘Johnson is a leading voice of his generation.’ – New York Times The most comprehensive publication to date on widely celebrated artist Rashid Johnson Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.

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Bowling's transition to abstraction, seen against the backdrop of 1960s–’70s debates on abstract art and the Black Arts movement “Modernism belonged to me also.” So resolved the British Guiana–born artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice. Bowling’s relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction. Frank Bowling’s Americas assembles more than 30 paintings—many rarely seen—from this critical period, and places them in the context of both Bowling’s own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion. Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in London’s art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World.

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A new retrospective of the work of trailblazing artist Barbara Chase-RiboudBarbara Chase-Riboud is a bestselling novelist, an award-winning poet, and a renowned visual artist whose sculpture and drawings are in museum collections around the world. Among her best-known sculptural work is the Malcolm X series of flowing cast bronze forms combined with braided fiber elements. Barbara Chase-Riboud Monumentale traces this pioneering artist’s remarkable career from the 1950s to the present, providing the most comprehensive account of her important body of work to date.The book features both celebrated and never-before-seen artworks that highlight Chase-Riboud’s groundbreaking contributions to contemporary sculpture. In addition to some forty sculptures, the book presents nearly twenty works on paper, a selection of Chase-Riboud’s poetry, and excerpts from an interview with the artist.Exploring the many different aspects of Chase-Riboud’s artistic practice, Barbara Chase-Riboud Monumentale provides unprecedented insights into her meditations on form, memory, and monument, while revealing the rich array of inspiration she has drawn from global art history and literature.Published in association with the Pulitzer Arts FoundationExhibition SchedulePulitzer Arts Foundation, St. LouisSeptember 16, 2022–February 5, 2023

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