Search results for ""Author Adam Zagajewski""

"Wahre Poesie kann nicht ohne die Begegnung mit dem Geist existieren." Diese Begegnung färbt die Poesie laut Adam Zagajewski mit Fragen, mit Begeisterung und mit Zweifeln, und das ist seiner Meinung nach das Wesen der Poesie. In seinem Festvortrag anlässlich der Verleihung des Leopold Lucas-Preises 2016 beschreibt er sein Verständnis von Dichtung sowie seine Forderungen an sie. Poesie dürfe sich nicht vom Alltäglichen abwenden, da sie sich vom Wirklichen, vom Konkreten nähre. Adam Zagajewski versteht Poesie nicht als Antwort, sondern als Pause von den Geschehnissen in der Welt, die nicht zu begreifen sind. Zagajewskis Werke sind von philosophischen und theologischen Aspekten geprägt und schlagen Brücken der Begegnung und des Verstehens zwischen Ost- und Westeuropa und dem nordamerikanischen Kontinent.

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A stunning, intimate collection by the late, great Polish poet Adam Zagajewski. . . . I think I sought wisdom (without resignation) in poems and also a certain calm madness. I found, much later, a moment's joy and melancholy's dark contentment. In True Life, Adam Zagajewski, one of the most gifted poets of our time and a revolutionary Polish writer and thinker, turns his gaze to the past with piercing clarity and a tone of wry, lyrical melancholy. He captures the rhythms of a city street on the page and the steady beat of the passage of time against it ("Roads cannot be destroyed // Even if peonies cover them / smelling like eternity") and writes of the endless struggle between stasis and change, between movement and stillness ("We knew / it would be the same / as always // It would all go back to normal"). Mary Oliver called Zagajewski "the most pertinent, impressive, meaningful poet of our time," and Philip Boehm wrote in The New York Times Book Review that his poems "pull us from whatever routine threatens to dull our senses, from whatever might lull us into mere existence." True Life, first published in Polish in 2019 and fluidly translated into English by Clare Cavanagh, reveals the astonishing depth of his insight and artistry.

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Following her 2010 publication dedicated to roses, Cologne-based artist Sabine Moritz here turns her attention to lilies, which she first began depicting in the mid 1990s. Working on paper to produce fifty-nine charcoal, pastel and oil pastel drawings, similiarly she often approaches works as studies or exercises in observation and representation. During the development of this publication, which was originally conceived as a collection of Moritz s drawings of lilies, the artist had the idea to introduce another ongoing body of work drawings of objects alongside the lilies. These objects are primarily statues, statuettes and figurines hand-made works of art from different periods in history, such as a classical torso, an African figurine, and a Buddhist head. Moritz s drawings of objects reflect a range of ideas and registers, moods and sentiments. Including the objects alongside the lilies opens up questions of time, life, death, belief, truth, human psychology and the very process o

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