Search results for ""Author Adam Thorpe""

Immerse yourself in the stories of Ulverton, as heard on BBC Radio 4 Book at Bedtime'Sometimes you forget that it is a novel, and believe for a moment that you are really hearing the voice of the dead' Hilary MantelAt the heart of this novel lies the fictional village of Ulverton. It is the fixed point in a book that spans three hundred years. Different voices tell the story of Ulverton: one of Cromwell's soldiers staggers home to find his wife remarried and promptly disappears, an eighteenth century farmer carries on an affair with a maid under his wife's nose, a mother writes letters to her imprisoned son, a 1980s real estate company discover a soldier's skeleton, dated to the time of Cromwell... Told through diaries, sermons, letters, drunken pub conversations and film scripts, this is a masterful novel that reconstructs the unrecorded history of England. WITH AN INTRODUCTION FROM ROBERT MACFARLANE

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'An intricately crafted novel, sharp-eared, current and full of heart' Guardian, Books of the YearA spirited fourteen-year-old, Fay, goes missing from a Lincoln council estate. Is she a runaway, or a victim – another face on a poster gradually fading with time? The story of her last few days before she vanishes is interwoven with the varied lives of six locals – all touched in life-changing ways. David is on a family holiday on the bleak Lincolnshire coast; Howard, a retired steel worker with some dodgy friends; Cosmina, a Romanian immigrant; Sheena, middle-aged and single, running a kiddies’ clothes shop; Mike, owner of a second-hand bookshop and secretly in love with Cosmina; and Chris, a TV-producer-become-monk struggling to leave the ordinary world behind. All are involuntary witnesses to the lost girl; paths cross, threads touch, connections are made or lost. Is Fay alive or dead? Or somewhere in between?

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Adam Thorpe’s home for the past 25 years has been an old house in the Cévennes, a wild range of mountains in southern France. Prior to this, in an ancient millhouse in the oxbow of a Cévenol river, he wrote the novel that would become the Booker Prize-nominated Ulverton, now a Vintage Classic. In more recent writing Thorpe has explored the Cévennes, drawing on the legends, history and above all the people of this part of France for his inspiration. In his charming journal, Notes from the Cévennes, Thorpe takes up these themes, writing about his surroundings, the village and his house at the heart of it, as well as the contrasts of city life in nearby Nîmes. In particular he is interested in how the past leaves impressions – marks – on our landscape and on us. What do we find in the grass, earth and stone beneath our feet and in the objects around us? How do they tie us to our forebears? What traces have been left behind and what marks do we leave now? He finds a fossil imprinted in the single worked stone of his house’s front doorstep, explores the attic once used as a silk factory and contemplates the stamp of a chance paw in a fragment of Roman roof-tile. Elsewhere, he ponders mutilated fleur-de-lys (French royalist symbols) in his study door and unwittingly uses the tomb-rail of two sisters buried in the garden as a gazebo. Then there are the personal fragments that make up a life and a family history: memories dredged up by ‘dusty toys, dried-up poster paints, a painted clay lump in the bottom of a box.’ Part celebration of both rustic and urban France, part memoir, Thorpe’s humorous and precise prose shows a wonderful stylist at work, recalling classics such as Robert Louis Stevenson’s Travels with a Donkey in the Cévennes.

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These remarkable poems are despatches from the edges of experience: from the remote coast of northern Iceland where tree-trunks and dead whales lie beached, to the furthest outposts of the Roman empire in the title poem – ‘From the very limit of the world,/Flavius sends you greetings, my lord.’ The collection is concerned with borders and brinks – the liminal spaces where distinctions blur between outer and inner, known and unknown, between what is familiar and what is other. This is the terrain of the displaced and deracinated but also the shimmering space where all is volatile, mutable, in flux – and it is also, of course, the thin, transparent veil between waking and sleep, between life and death.Shadowed by mortality, lit by lyrical grace, Words from the Wall includes poems about the killing fields of Agincourt, Flanders, Vietnam and a memorial poem to the victims of the 2015 Bataclan attack where the dead are ‘stations of flame’, and it begins and ends at the boundaries of the Roman territory, at the edge of life: ‘The girls I laughed with once/in the baths’ atrium/are withered and wattle-necked./I love them still…’

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Mysterious disappearances, domestic cases, noiseless, bloodless snuffings-out… the law can look as deep as it likes, but when the crime itself goes unsuspected… oh yes, there's many a murderer basking in the sun...When Thérèse Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband’s friend, Laurent, and Thérèse throws herself headlong into an affair. There seems only one obstacle to their happiness; Camille. They plot to be rid of him. But in destroying Camille they kill the very desire that connects them…First published in 1867, Thérèse Raquin has lost none of its power to enthral. Adam Thorpe’s unflinching translation brings Zola’s dark and shocking masterwork to life.A NEW TRANSLATION BY ADAM THORPE‘Adam Thorpe's version deserves to become the standard English text’ Daily Telegraph

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Silbury Hill in Wiltshire has perplexed people for generations: was it part of a ritual landscape, an island, a way of remembering the dead, a place of celebration? In this acclaimed memoir Adam Thorpe returns to the landscape of his youth to explore its many meanings for him, and for us.

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'She wanted to die, and she wanted to live in Paris.'This is the story of Emma, trapped in a disappointing marriage with a dull country doctor, she dreams for a life more like the sentimental novels she reads. In an attempt to break from the drab reality of her provincial life in Normandy, Emma takes a lover, and disaster soon follows.Greedy, delusional and selfish, the character of Emma Bovary scandalised readers from the novel's first publication in 1857, yet her magnetism is undeniable. A landmark work in modern realism, Madame Bovary vibrates with the inner life of a woman hungry for more.Meet ten of literature's most iconic heroines, jacketed in bold portraits by female photographers from around the world.

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A NEW TRANSLATION BY ADAM THORPE‘A great novel that is also an inexhaustible pleasure to read' GuardianEmma Bovary is an avid reader of sentimental novels; brought up on a Normandy farm and convent-educated, she longs for romance. At first, Emma pins her hopes on marriage, but life with her well-meaning husband in the provinces leaves her bored and dissatisfied. She seeks escape through extravagant spending sprees and, eventually, adultery. As Emma pursues her impossible reverie she seals her own ruin. Madame Bovary is one of the greatest, most beguiling novels ever written.‘Thorpe's new translation is stunning and heartily recommendedScotsman‘Thorpe's new translation is to die for’Independent‘[Thorpe’s] hard work has yielded beauty. The rhythms are perfectly judged, unexpected enough to make the reader attend to every word’Robert Chandler, TLS

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