Search results for ""Author Aaron Betsky""

Renny Ramakers is realizing projects that combine virtual technologies and social media with the craft of design to develop new social relations. For more than three decades, the Dutch art historian, critic, and curator has been changing the nature and purpose of design. As co-founder of the Droog Design collective, she has championed the notion of furniture and industrial design as a rethinking of today's world. When Droog first exhibited at the Milan furniture fair in 1993, its assemblies of found materials and witty forms instantly changed the landscape of design. Since then, Ramakers has worked with makers and creators to move beyond slick objects and towards critical projects that open our eyes to our multifaceted realities while offering easy access and great joy to users.

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Andrew Bromberg, of global architecture and design practice Aedas, was born and raised in the Rocky Mountains of the United States and now lives and works in Asia. He is a leading light in the design of cutting-edge skyscrapers and large-scale development projects that consider cities not just as collections of buildings but as human-made landscapes shaped by social and economic forces as gradual or as abrupt as the erosions, accretions, uplifts and explosions that shape the natural world. Now inhabiting the craggy mixture of natural and human-made structures that define Hong Kong, Bromberg has long modelled his work on his knowledge of nature and his understanding of tectonic forces, both natural and human. Drawing on a series of conversations and exploratory walks in major Asian cities – including Singapore and Ghuangzou – architecture critic Aaron Betsky reveals how Bromberg visualizes his settings and locates his designs within the complex and dynamic contexts in which they appear. Interspersed amid these urban reflections is a largely visual presentation of over twenty of Bromberg’s most exciting recent projects across Asia and the Middle East. Together these comprise a monograph/manifesto that offers a singular vision for the cities that will shape our future world.

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This book provides a privileged glimpse into the conception and execution of this superlative structure with a text by the renowned architectural critic Aaron Betsky, an introduction and interview with the architect by James Moore McCown, sumptuous photography by Stetson Ybarra, Stephen Morgan and Daniel Joseph Chenin, illuminating drawings, diagrams and layouts. An homage to the forts built when the area was first being settled, the building sits resplendently alone in the tranquility of the landscape: truly a modern masterpiece.

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How can the discipline of architecture be used as a human-centred practice? Crafting Character presents architecture as a spatial dialogue and an exchange between character and audience, book and reader, building and city in a series of fourteen cinematic vignettes. Fourteen cinematic vignettes highlight projects as personified characters that have their own histories, dreams, secrets and stories to tell. Each vignette emphasises this relational culture and the practice of Chybik + Kristof in working with the common bonds within a space as being more important than any individual arguments and divisions within it. The first monograph of the Brno-based studio, this volume marks an exciting collaboration between Chybik + Kristof, Lukas Kijonka and ExLovers Studio, Adrian Madlener and Frame Publishers. With a passion for experimentation from all parties, the resulting pages stand apart from traditional monographs. From the design to the prose, the values of relationality and human-centric approaches are imbued in the pages, creating a cinematic reference guide to the practice of Chybik + Kristof.

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The work of [STRANG] is beautifully explored in this comprehensive monograph which highlights the firm’s site-specific and climate-driven designs. The ability to create stunning architectural designs while maintaining an acute awareness of the surrounding environment has come to define their work. Under the creative direction of Max Strang FAIA, the Miami-based firm continues to advance many of the timeless concepts set forth by the famed Sarasota School of Architecture. Strang’s early exposure to that mid-century modernism movement resulted in a deep respect for structures that are intimately connected to their surroundings as they celebrate the Florida climate.

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Everybody is a designer! But why? Why do we color, organize, and form the world around us - and why do we call that a profession? In this book, Thonik, an Amsterdam-based studio led by lauded designers Nikki Gonnissen and Thomas Widdershoven, researches eleven personal reasons why they design - from the need to create impact to a constant search for independence; from the benefits of systems to the urgency of play. Why We Design looks back on twenty-five years of design practice and speculates on the future of graphic design.

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The book provides a privileged insight into how this groundbreaking architectural studio works, especially their innovative approach in which their primary inspiration is derived from the constraints of a given project, hence the subtitle, Inspired by constraints. It shows how XRANGE’s unconventional architecture places an emphasis on systemization and tactility, resulting in audacious but grounded and utterly unique buildings. To do so, it features texts by the principal architects, leading architecture critics, lavish documentation and photography, and in-depth examinations of such significant projects as The Wandering Walls, Ant Farm House, Stone Cloud, and many more.

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The white worlds Kim Utzon has created in Denmark and southern Sweden over the last few decades are stage sets for the ordered appearance of rational and reasonable human beings at work, at home, or at play. Clear in their composition, sequence, and scale, sensuous in their responseto light, and conducive to rest and reason more than anything else, theare a refinement of the Scandinavian Modern tradition in which he works. Combining sparse and light-filled rooms surrounded or defined by open grids with expressive roofs or objects, Utzon’s work is able to make sense out of complex programs and create relaxed and continuous spaces.

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