Search results for ""Author A. E. Stallings""

Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In Like, her most ambitious collection to date, A. E. Stallings continues her archaeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character. Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance 'Lost and Found', a meditation in ottava rima on a parent’s sublunary dance with daily-ness and time, set in the moon’s Valley of Lost Things.

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A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator. This Afterlife: Selected Poems brings together poetry from A. E. Stallings's four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings's earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems. Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat's-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.

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'Stallings's new translation of Hesiod's Works and Days - witty, gritty, and unsettlingly relevant - is not to be missed' TLS, Books of the YearSHORTLISTED FOR THE 2019 RUNICMAN AWARDA new verse translation of one of the foundational ancient Greek works by the award-winning poet A. E. Stallings.Hesiod was the first self-styled 'poet' in western literature, revered by the ancient Greeks. Ostensibly written to chide and educate his lazy brother, Works and Days tells the story of Pandora's jar and humanity's place in a fallen world. Blending the cosmic and the earthy, and mixing myth, lyrical description, personal asides, astronomy, proverbs and down-to-earth advice on rural tasks and rituals, it is also a hymn to honest toil as man's salvation. This vibrant new verse translation by award-winning poet A. E. Stallings conveys the clarity and unexpected humour of a founding work of classical literature.

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One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks.Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

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Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

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