Search results for ""Author Édith""

Quickly master architectural programming concepts, skills, and techniques In the essential discipline of architectural programming, the ideas of philosophy, sociology, anthropology, psychology, and history find their focus in the realities of site conditions, budgets, and functionality. Author Edith Cherry vividly demonstrates in this inspiring tutorial that the programming process not only helps architects avoid the endless design revisions occurring in most projects, but that it is also the key to designing for optimal form and function. Programming for Design lets you rapidly acquire the knowledge and skills needed to successfully program a moderate-size space. Rather than simply describe basic principles and practices, this straightforward guide helps you master architectural programming by actually doing it. Professor Cherry identifies the central issues involved and describes the skills needed to work with clients to identify problems to be solved by a design effort. Emphasizing designing for people, she offers proven strategies and techniques for goal setting, information gathering and analysis, concept development, program synthesis, and communicating with clients. The book is also devoted to practical applications. The author walks you step-by-step through a project of your own choosing, providing numerous examples and four case studies within each step that vividly illustrate how to effectively gather, process, and communicate information. Programming for Design features more than 200 supporting illustrations, diagrams, and sidebars appearing throughout the text, reproducing pithy sayings by such far-flung figures as Plato and Yogi Berra, Einstein and Lao Tzu, that help relate the programming process to other disciplines.

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After conquering the Internet, cats are now taking on linguistics! Since the advent of social media, cats have become a topic central to online communication, and the multitude of cat-related accounts now online has made this a world-wide phenomenon. Through cat-inspired varieties of language, we have developed a genre of cat-inspired vocabulary. And on our special social media accounts for our cats, we take on their identities, as we post, write, talk, and chat - as our feline friends. This innovative book provides linguistic analyses of the cyber 'Cativerse', exploring online language variation, and explaining key linguistic concepts – all through the lens of cat-related communication. Each chapter explores a different sociolinguistic phenomena, drawing on fun and engaging examples including memes, hashtags, captions and 'LOLcats', from platforms such as Instagram, Facebook, YouTube and Twitter. Innovative yet accessible, it is catnip for all 'hoomans' interested in how language is used online.

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The history of Japanese memoir literature began over a thousand years ago, its greatest practitioners being women of the "middle ranks" whose literary talents won many of them positions as ladies-in-waiting at the Heian imperial court. As female writers they both inhabited and helped create a discursive world obsessed with the arts of concealment and self-display, the perils and possibilities—erotic, political, and literary—of real and metaphorical peepholes. As memoirists they were virtuosos in the exacting art of feminine self-representation. Fictions of Femininity explores the Heian memoirists' creations of themselves in four texts: Kagero nikki (The Kagero Memoir, after 974), Makura no soshi (The Pillow Book, after 994), Sarashina nikki (The Sarashina Memoir, after 1058), and Sanuki no suke nikki (The Memoir of the Sanuki Assistant Handmaid, after 1108). Essays on the individual memoirs pursue a dual interest, asking how each text works as a rhetorical construct and how it reflects the author's negotiations with Heian fictions about women and writing. Letting the memoirs themselves set the terms for exploring gender constructions, Fictions of Femininity addresses a spectrum of related issues. The reading of The Kagero Memoir probes two traditional avenues of feminine expression: the writing of waka and the discourse of Buddhist nunhood. Two essays on The Sarashina Memoir reveal a fine weave of literary, religious, and autoerotic fantasies, highlighting the intellectual gifts of a memoirist long misread as naive and girlish. The essay on The Memoir of the Sanuki Assistant Handmaid examines the use of spirit possession as metaphor for commemorative writing, tracing the balancing act its author performed in the midst of political intrigues at court. The relationship between the memoir and voyeurism takes center stage in the closing essay on The Pillow Book, which compares its author's treatment of the thematics of "seeing and being seen" with that of her chief rival, Murasaki Shikibu, creator of The Tale of Genji. Taken together, the essays in this book underscore the diversity of the Heian memoirists' responses to their roles as women and as writers in one of the most unusual epochs of Japanese history.

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Demography is the scientific study of human populations. Classical demography has at its core three processes: fertility, migration, and mortality. To be human is to be part of the demographic process, so contemporary studies of population focus not only on the implications of population size and change, but also on how social influences affect individual behaviour and how actions at the individual level contribute to the composition of the population.Globally, population issues are of increasing concern to governments and other policy-makers. Particularly over the last fifty years or so, there have been many iterations of the population problem'. From overpopulation to population ageing, to ultra-low fertility, this new four-volume collection from Routledge brings together the most important thinking about, and theories on, population to enable users to make sense of a vastand rapidly expandingcorpus of scholarship.With a full index, together with a comp

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THE AWARD-WINNING INTERNATIONAL BESTSELLEREven in hell, hope can flower''I''ll be forever changed by her story'' - Oprah Winfrey''Extraordinary ... will stick with you long after you read it'' - Bill Gates''One of those rare and eternal stories you don''t want to end'' - Desmond Tutu''A masterpiece of holocaust literature. Her memoir, like her life, is extraordinary, harrowing and inspiring in equal measure'' - The Times Literary Supplement''I can''t imagine a more important message for modern times. Eger''s book is a triumph'' - The New York TimesIn 1944, sixteen-year-old ballerina Edith Eger was sent to Auschwitz. Separated from her parents on arrival, she endures unimaginable experiences, including being made to dance for the infamous Josef Mengele. When the camp is finally liberated, she is pulled from a pile of bodies, barely alive.The horrors of

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A radiant, unforgettable memoir of one woman’s 450 days spent in captivity, and her defiant refusal to have her humanity stripped away. When Edith meets Luca in a small Northern town, the two connect instantly. Under the Northern Lights, they develop a deep friendship over their shared passions: travel, living off the land, a bohemian life. In search of wanderlust, they embark on an epic road trip from Italy to Togo, where they will join their friend’s sustainable farming project. Upon arriving on the African continent, they change their itinerary and drive through Africa’s Sahel region, a haven for militant groups, where they are surrounded and captured. Little was known about Edith’s and Luca’s fate until they reappeared in Mali more than one year later, having mysteriously escaped their captors. Now, Edith shares her harrowing story with the world for the first time—complete with the poems that became a lifeline for her in captivity, which she wrote in secret with a pen borrowed from another hostage. Against the stunning but cruel backdrop of the desert, Edith recounts her months as a hostage: the oppressive heat, violent sandstorms, constant relocations, hunger strikes, and her eventual heart-pounding escape. Separated from Luca early on, she finds solidarity and comfort with a group of other female hostages, who lend her a pen to write poetry, a creative outlet that helps save her life. Edith is steadfast in her will to remain sane: she reveals her dedication to her art, and her striking ability to unsettle her captors and identify their vulnerabilities. A compelling descent into a strange, brutal universe, The Weight of Sand is ultimately a life-affirming book and a poetic celebration of one woman’s resilience.

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The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word.Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel.

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From the celebrated translator of Cervantes and Garciá Márquez, a testament to the power of the translator’s art “Groundbreaking.”—New York Times Why Translation Matters argues for the cultural importance of translation and for a more encompassing and nuanced appreciation of the translator’s role. As the acclaimed translator Edith Grossman writes in her introduction, “My intention is to stimulate a new consideration of an area of literature that is too often ignored, misunderstood, or misrepresented.” For Grossman, translation has a transcendent importance: “Translation not only plays its important traditional role as the means that allows us access to literature originally written in one of the countless languages we cannot read, but it also represents a concrete literary presence with the crucial capacity to ease and make more meaningful our relationships to those with whom we may not have had a connection before. Translation always helps us to know, to see from a different angle, to attribute new value to what once may have been unfamiliar. As nations and as individuals, we have a critical need for that kind of understanding and insight. The alternative is unthinkable.” Throughout the four chapters of this bracing volume, Grossman’s belief in the crucial significance of the translator’s work, as well as her rare ability to explain the intellectual sphere that she inhabits as interpreter of the original text, inspires and provokes the reader to engage with translation in an entirely new way.

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From Edith Pargeter, who also wrote as Ellis Peters, A BLOODY FIELD BY SHREWSBURY is a vivid medieval tale of Henry IV's kingdom in crisis. 'Chivalry, treachery, conflict of loyalties... The clash of wills is as stirring as the clash of steel' Observer England, 1399. A treacherous plot has been hatched to depose King Richard and install Henry Bolingbroke on the English throne.With the aid of his powerful friend Hotspur, Henry is victorious. But, crowned Henry IV, he rules a kingdom in crisis. In Wales, rebellion threatens. Henry's heir, Hal, is named Prince of Wales but the Welsh have a prince of their own blood and he is calling them to arms.More dangerous still, a rift is opening between Henry, Hotspur and Hal. As tension mounts, the three men are inexorably drawn into a bloody collision on which the fate of the realm will hang...

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'Prepare to be dazzled. Edith Pearlman's latest, elating work confirms her place as one of the great modern short-story writers' Sunday Times'A genius of the short story' Guardian'A moreish treat from a master of the form' New Statesman'This majestic new collection is cause for celebration' Scotsman'A fortifying pleasure to read' Financial Times'One of the most essential short-story visionaries of our time' New York TimesOver the last few decades, Edith Pearlman has staked her claim as one of the great short-story writers.The stories in Honeydew are unmistakably by Pearlman; whole lives in ten pages. They are minutely observant of people, of their foibles and failings, but also of their moments of kindness and truth. Whether the characters are Somalian women who've suffered circumcision, a special child with pentachromatic vision or a staid professor of Latin unsettled by a random invitation to lecture on the mystery of life and death, Pearlman knows each of them intimately and reveals them with generosity.

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'A charming and brilliantly entertaining novel... shot through with the light-hearted Nesbit touch' Penelope Lively, from the introduction"When did two girls of our age have such a chance as we've got - to have a lark entirely on our own? No chaperone, no rules, no...""No present income or future prospects," said Lucilla.It's 1919 and Jane and her cousin Lucilla leave school to find that their guardian has gambled away their money, leaving them with only a small cottage in the English countryside. In an attempt to earn their living, the orphaned cousins embark on a series of misadventures - cutting flowers from their front garden and selling them to passers-by, inviting paying guests who disappear without paying - all the while endeavouring to stave off the attentions of male admirers, in a bid to secure their independence.'To come upon any Nesbit today, hitherto unread... is like receiving a letter from a friend whom you have believed dead' New York Times'A wry, charming delight of a book' The Pool

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The Penguin English Library Edition of The House of Mirth by Edith Wharton'It was characteristic of her that she always roused speculation, that her simplest acts seemed the result of far-reaching intentions'A searing, shocking tale of women as consumer items in a man's world, The House of Mirth sees Lily Bart, beautiful and charming, living among the wealthy families of New York but reluctant to finally commit herself to a husband. In her search for freedom and the happiness she feels she deserves, Lily is ultimately ruined by scandal. Edith Wharton's shattering novel created controversy on its publication in 1905 with its scathing portrayal of the world's wealthy and the prison that marriage can become.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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In recent years, the apology has become an important feature of politics. States are asking their own citizens or the citizens of other countries for forgiveness. ''Oh, sorry that we rounded up people in West Africa, shipped them across the Atlantic and sold them as slaves''. ''Oh, sorry that we convicted homosexuals as criminals.'' ''Oh, sorry that we burnt so many women as witches.'' Sometimes the issue arises as a demand for an apology. Thus, Lopez Obrador, the Mexican president, has asked the Spanish government to apologise for the conquista. The zapatistas, on the other hand, said of their recent trip to Spain that they were not going to ask for an apology. How do we understand the rise of the public apology and how do we relate to it politically? In a moment of severe social crisis, the institutional acts of apology and forgiveness could be theorised as a specific type of ritual which aims to respond to public anger and to reestablish social cohesion. In doing so, the state legit

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