Search results for ""Atelier Editions""

Sunshine and nature: California as a beacon of better health Since the mid-19th century, the idea of California has lured many waves of migrants. Here, writer and editor Lyra Kilston explores a less examined attraction: the region’s promise of better health. From ailing families seeking a miracle climate cure to iconoclasts and dropouts pursuing a remedy to societal corruption, the abundance of sunshine and untamed nature around the small but growing Los Angeles area offered them refuge and inspiration. In the wild west of medical practice, eclectic nature-cure treatments gained popularity. The source for this trend can be traced to the mountains and cold-water springs of Europe, where early sanatoriums were built to offer the natural cures of sun, air, water and diet; this sanatorium architecture was exported to the West Coast from Central Europe, and began to impact other types of building. Sun Seekers: The Cure of California constitutes the second volume of The Illustrated America (following 2016's Old Glory), Atelier Éditions’ ongoing series excavating America’s cultural past. Lyra Kilston is a writer and editor focused on architecture, history, design and urbanism. Her work has appeared in Artforum, Los Angeles Review of Books, Time, Wired and Hyperallergic, among other publications. She was on the curatorial team of Overdrive: LA Constructs the Future, 1940–1990, exhibited at the J. Paul Getty Museum and the National Building Museum.

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An archival delve into the remarkable life, expeditions and voyages of Thor Heyerdahl, author of the bestselling adventure classic The Kon-Tiki Expedition Norwegian archaeologist, anthropologist, migration theorist, author and explorer Thor Heyerdahl (1914–2002) spent decades substantiating unorthodox migration theories, with equally unconventional research methodologies: namely, practicable experiments that employed the construction of ancient vessels, driven across open oceans and waterways to retrace the movement and settlements of our ancestors. With October 2022 commemorating the 75th anniversary of Thor Heyerdahl’s extraordinary 1947 voyage upon a balsa-wood raft, Kon-Tiki, from coastal South America to Polynesia across the Pacific Ocean, an enviable opportunity arises to reexplore Heyerdahl’s innovative yet frequently contested theories and expeditions. Afforded unprecedented access to Oslo’s Kon-Tiki Museum’s extensive Heyerdahl archive, Thor Heyerdahl: Voyages of the Sun assembles a wealth of little-known and previously unseen correspondence, expedition logbooks, journals and photographs. Offering readers new and unexamined narratives from an explorer famed for his radical ideas and vehement rejections of abstracted academic theory, Thor Heyerdahl: Voyages of the Sun reviews the enduring relevance of the explorer’s research and assesses it within larger narratives of modern archaeological, anthropological, marine science and migration research; international conservation initiatives; evolving globalization; and essential human–nature symbiosis.

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The extraordinary story of the Chicago bellhop who attempted to transfer mental images to Polaroid film Our thoughts are known to us, and us alone. But for a brief period in the 1960s, Ted Serios (1918–2006) attempted to prove that his inner reality could be documented. Serios demonstrated an ostensibly psychic act termed “thoughtography,” involving the transfer of mental images onto undeveloped Polaroid film. In studies supervised by respected Denver-based psychiatrist Dr. Jule Eisenbud, Serios produced over 1,000 anomalous photographs, a feat that has never been fully dismissed or wholly verified. Existing as an uncomfortable knot in time, the details of the Serios phenomenon can’t be disentangled without questioning the social conditions that produced it in the first place. Contextualizing Serios’ story within the twilight zone of 1960s America, Ted Serios: The Mind’s Eye considers the reaches and restraints of belief and explores the multiple dimensions at play in the Serios phenomenon, including interpersonal relationships, scientific methods, photographic technologies, state militaristic operations and popular culture. Rather than seeking absolute truth, the volume allows the reader to arrive at their own conclusions through a series of thematic essays, narrative photographic stories, select ephemera and contemporary cultural artifacts.

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A fascinating glimpse into an experimental British nudist culture that radically challenged and transformed conventional attitudes to bodies and their representations This richly illustrated volume examines the idiosyncratic phenomenon of social nudism in mid-20th-century Britain, an island nation fabled for its lack of sunshine and its reserved social attitudes. Structured across three interrelated phases, readers first encounter the movement at its genesis in the 1920s, when nudism was synonymous with vegetarianism, intellectualism and utopianism. That nascent culture proliferated in the postwar era, with a widening landscape of amateur clubs and governing organizations alongside high-circulation publications and censorship-challenging photographers. Finally, Annebella Pollen examines the movement’s redefinition as naturism, its cultural battles and its struggle to survive amid shifts in sexual liberation in the permissive 1960s. Unadorned bodies were the central campaigning tool of British naturism’s photographic propaganda. They drew attention to the cause and drove publication sales but they also attracted regular public opprobrium. Naturism’s shifting visual culture thus provides a microcosmic view of British moral, legal and aesthetic transformations in a period of rapid social change, revealing evolving perspectives on health and sex, gender and ethnicity, pleasure and power. Annebella Pollen is Reader in History of Art and Design at the University of Brighton. Her first book, Mass Photography: Collective Histories of Everyday Life, explored 55,000 amateur snapshots taken on one day in 1987. The Kindred of the Kibbo Kift examined the modernist craft and occult spirituality of former scoutmasters in 1920s England.

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A kaleidoscopic celebration of the USDA’s pomological collection, offering an engaging, biophillic meditation upon the sweetest of the earth’s produce The United States Department of Agriculture Pomological Watercolor Collection encompasses 7,497 botanical watercolor paintings of evolving fruit and nut varieties, alongside specimens introduced by USDA plant explorers from the late 19th and early 20th centuries. Assembled between 1886 and 1942, the collection's remarkable, botanically accurate watercolors were executed by some 21 professional artists (including nine women). Authored largely before the widespread application of photography, the watercolors were intended to aid accurate identification and examination of fruit varietals, for the nation’s fruit growers. Documenting the transformation of American pomology, the science of fruit breeding and production, and the horticultural innovations accountable for contemporary fruit cultivation and consumption, the USDA’s collection offers fascinating anthropological and horticultural insights concerning the fruits we ecstatically devour, and why. With an abundance of reproductions from the collection, this gorgeous volume encompasses fruit-suffused anecdotes and observations drawn from the fields of archaeology and anthropology, horticulture and literature, ancient representation and contemporary visual art. It includes contributions by authors Jacqueline Landy, John McPhee, Michael Pollan and Marina Vitaglione.

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Named one of one of Time’s best photobooks of 2019, this portrait of spiritualist communities across the US and Europe is now redesigned with additional archival images American photographer Shannon Taggart’s fascination with spiritualism, the belief in deceased individuals’ ability to communicate with the living, began during her adolescence when a medium revealed additional information about the circumstances of Taggart’s grandfather’s death. A decade later, Taggart, then a practicing photojournalist, found herself obsessively drawn to Lily Dale, New York—the world’s largest spiritualist community. Her transformative experiences there catalyzed an 18-year odyssey documenting spiritualist communities throughout the world in search of “ectoplasm”—an emanation exorcised from the body of the medium, believed to be both spiritual and material. Named one of Time’s best photobooks of 2019, and now revisited by Atelier Éditions, Séance offers readers a remarkable series of supernatural photographs exploring spiritualist practices and beliefs within communities found across the US, the UK and Europe. The photos are accompanied by Taggart’s commentary on her experiences, a foreword by Dan Aykroyd, creator of the Ghostbusters franchise and fourth-generation spiritualist, and illustrated essays by Andreas Fischer and Tony Oursler. Atelier Éditions’ reissue also features new commentary by writer and filmmaker J.F. Martel, additional archival images and a new design. Based in St. Paul, Minnesota, Shannon Taggart (born 1975) has contributed to Time, Newsweek, New York Times Magazine, Discover, New York, Wall Street Journal and Reader’s Digest. Her first monograph, Séance (Fulgur Press), was published in 2019. She is currently working on an illustrated book about the Society for Research on Rapport and Telekinesis (SORRAT), one of the most exotic cases within the history of psychical research.

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San Francisco based photographer Michael Jang spent nearly four decades working as a successful commercial portrait photographer. Unbeknownst to the world, however, he was simultaneously assembling a vast archive of thousands of remarkable images documenting, variously: college days, Hollywood celebrities, would-be weather-presenters, San Francisco street scenes, his family, Bay Area punks and adolescent garage bands. Jang revealed nothing of his ever-expanding, eclectic archive for almost 40 years until 2003, when he submitted a number of images for consideration to San Francisco's Museum of Modern Art. Jang's work attracted immediate acclaim, and for the past decade he has continued to unveil his considerable oeuvre in national and international exhibitions and monographs. The photographer's first major monograph, Who Is Michael Jang? highlights the photographer's most important bodies of work. Introduced by Jang's longtime collaborator and SFMoMA curator emerita of photography, Sandra Phillips, this volume offers readers a long-overdue introduction to Jang's incredible images.Michael Jang (born 1951) has practiced photography in San Francisco for more than 50 years. Expanding the medium's perceived parameters from the very outset of his engagement, Jang's eclectic images, many of which were authored throughout America's photographic golden age, have more recently drawn broad renown. After decades of successful commercial portraiture, Jang began to revisit the vast archive of unseen, spontaneous images he has amassed, many of which betray the influence of celebrated street photographers such as Lee Friedlander, Garry Winogrand and Lisette Model.

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An engrossing look at the rich and turbulent history of coloring cloth Over the centuries our manipulation of the natural world has resulted in an explosion of synthetic dye production and application globally. To gain insight into the history of how folk practices have been lost and technical processes found, anthropologist and textile artist Lauren MacDonald explores a practice that is both ancient and wholly modern: coloring cloth. The pursuit of color has long spurred economic and social contest, and through this deeply researched volume we explore the stories that the materials used to dye cloth tell us about our complex relationship to nature, our troubling ideas about progress and our understanding of power and labor. In Pursuit of Color brings together historic techniques, archive photography, specimens and present-day events to tell the histories of some of the world’s most important dyestuffs. A 32-page supplement accompanies the volume, detailing practical applications and the chemistry behind dyeing processes. The book comes in three different covers (red, yellow and blue) which are shipped randomly as a further happy surprise. Lauren MacDonald (born 1990) is a Canadian-born multidisciplinary artist, designer and founder of the London, UK textiles studio Working Cloth. She has a background in material culture, textile science and fashion.

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Thirty illuminating profiles of working artists sharing the influences and experiences that inspire them to create art in America today This compelling volume explores the practices and life stories of artists across multiple mediums, including painting, photography, sculpture and land art. Offering readers an intimate, contemplative view of each remarkable creator, Why I Make Art examines themes as varied as music and skateboarding, immigration and statelessness, community and identity. Gathered from the archives of Sound & Vision, a podcast directed by American artist and educator Brian Alfred, Why I Make Art presents interviews with artists conducted between 2016 and 2020—four tumultuous years in America and around the world. Artists include: Diana Al-Hadid, Jules de Balincourt, Dove Bradshaw, Gregory Crewdson, Heather Day, Inka Essenhigh, Amir H. Fallah, Louis Fratino, Dominique Fung, Karel Funk, vanessa german, Allison Janae Hamilton, Loie Hollowell, Kahlil Robert Irving, Clinton King, Chris Martin, Tony Matelli, Tomokazu Matsuyama, Geoff McFetridge, Maysha Mohamedi, Liz Nielsen, Helen O’Leary, Carl Ostendarp, Hilary Pecis, Erin M. Riley, Devan Shimoyama, James Siena, Cauleen Smith, Salman Toor and Robin F. Williams.

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