Search results for ""Aiwanose Odafen""

From Aiwanose Odafen, the author of Tomorrow I Become a Woman, an ambitious, moving novel that charts three women's shifting relationships against a modernising, volatile Nigeria in the 1990s and beyond.‘We were three: complete, as we were meant to be…’   Ego, Zina and Eriife were always destined to be best friends, ever since their grandmothers sat next to each other on a dusty bus to Lagos in the late 1940s, forging a bond that would last generations. But over half a century later, Nigeria is a new and modern country. As the three young women navigate the incessant strikes and political turmoil that surrounds them, their connection is shattered by a terrible assault. In the aftermath, nothing will remain the same as life takes them down separate paths. For Ego, now a high-powered London lawyer, success can’t mask her loneliness and feelings of being an outsider. Desperate to feel

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‘Searing and beautifully rendered’Koa Beck, author of White Feminism'This story of love, loss and resilient female friendship is a definite must read.’Tola Rotimi Abraham, author of Black Sunday'Unflinching and cuts to the core'Chika Unigwe, author of On Black Sisters Street‘An accomplished and emotional triumph’Louise Beech, author of How To Be Brave What can I do?’ she asked. You can fight, I thought, you can fight for your daughters. But then again, who was I to speak of such things When Gozie and Obianuju meet in August 1978, it is nothing short of fate. He is the perfect man: charismatic, handsome, Christian, and – most importantly – Igbo. He reminds her of her beloved Uncle Ikenna, her mother’s brother who disappeared fighting in the Civil War that devastated Nigeria less than a decade before. It is why, when Gozie asks her to marry him within months of meeting, she says yes, despite her lingering and uncertain feelings for Akin – a man her mother would never accept, as his tribe fought on the other side of the war. Akin makes her feel heard, understood, intelligent; Gozie makes her heart flutter.For Uju, the daughter her mother never wanted, marriage would mean the attainment of that long elusive state of womanhood, and something else she has desired all her life – her mother’s approval. All will be well; he is the perfect match, the country will soon be democratic again and the economy is growing, or so she thinks …Loosely based on the stories of real women known to the author, Tomorrow I Become a Woman follows a complex relationship between mother and daughter as they grapple to come to terms with tremendous loss. This powerful debut by Aiwanose Odafen is a sensitive exploration of a woman’s struggle to meet societal and cultural expectations within the confines of a difficult marriage, a tribute to female friendship and a love story that spans two decades and continents against a backdrop of political turmoil and a fast-changing world.

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'This story of love, loss and resilient female friendship is a definite must read.’ Tola Rotimi Abraham, author of Black Sunday‘Aiwanose Odafen’s novel has entered popular feminist discourse.’ Afrocritik On a Sunday in 1978, Obianuju meets Chigozie at church – the perfect place for an upstanding girl to find a husband. Uju is in her last months studying economics at the University of Lagos; Gozie is a journalist ten years her senior. Crucially, he is Igbo and meets her mother’s approval. Months later, they are married, and Uju’s life is set on a new course. Over the next two decades, Uju and her friends Adaugo and Chinelo must navigate traumas both personal and political as they learn how to live on their own terms in a traditional society beset by turmoil.Tomorrow I Become a Woman is a nuanced and powerful story of friendship and resilience, set against the backdrop of a fast-changing Nigeria.‘Searing and beautifully rendered.’ Koa Beck, author of White Feminism'Unflinching and cuts to the core.' Chika Unigwe, author of On Black Sisters Street‘An accomplished and emotional triumph.’ Louise Beech, author of How To Be Brave

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''A gripping call to actionand a daring triumph of a novel'' ADORAH NWORAH''Masterfully portrays the splintering of the mind in its most striking, unfiltered form'' AIWANOSE ODAFEN''A playful, powerful debut'' ZAKIYA DALILA HARRISA RAZOR-SHARP NOVEL FROM AN UTTERLY UNIQUE NEW VOICE.A lot is happening to Me. Will Me survive?Sahara is a student at one of the most elite universities in America and she is Not Okay. Her grades are subpar, she's not Nigerian enough for her family, and her long-term Life Partner* is threatening to take over. When she's not contemplating killing herself or the wealthy white students around her, she's receiving an increasing number of Unfortunate News' emails, which inform her that the few Black classmates she has are disappearing.Will Sahara end up joining the ranks of The Unfortunates', or can she avoid becoming yet another statistic?Written in the style of a thesis, J K Chukwu's highly original debut is a darkly funny and biting take on the campus novel, se

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‘Unique, bold and unsettling’ Aiwanose Odafen ‘Perfect for fans of Silvia Moreno-Garcia and Daisy Johnson’ Amy Gentry ––– My name is Ikemefuna Nwosu, and I am your wife. One day in Lagos, young dancer Ikemefuna is put on a plane to Houston to meet her new husband, Nna. Promises are made to her – about her education, about the man she will marry, about her freedom. None of them are kept. A few months later, self-professed feminist Nna finds a beautiful woman cooking in his parents’ kitchen. They tell him Ikemefuna is his wife, there to give them the grandson they’ve been waiting for. She appears obedient, malleable. But she is no ordinary wife. In the Texas heat, patience runs on short supply and the atmosphere in the house becomes increasingly strained, increasingly violent. Desperation makes people do strange things… Unpredictable and unsettling, HOUSE WOMAN is a delicious thriller you will never be able to forget. ––– ‘Haunting . . . a neo-gothic thriller, complete with a magnificently horrifying villain’ Daily Mail ‘A modern successor to Gaslight: disorienting and disturbing’ Kirkus Review ‘Unflinching, unforgettable’ Layne Fargo ‘Gripping’ Glamour ‘Impressive and moving’ Irish Times

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