Search results for ""ACR Edition""

Of all the world's great cities, Paris is perhaps the one that marks its visitors and inhabitants the most, both in their discovery of the city, and their memories. With its many monuments, it is also a fabulous theatre where adventure, chance meetings, and the unexpected have fascinated the painters, poets and photographers that we meet in the pages of this book. While its history is ancient, and very long, its present is lively and attractive. This is a history of Paris that invites readers to wander in the city, to discover it. It presents the major events of the city, together with the most charming examples of daily life in its streets, which is always vibrant. It shows it crowds, who are delighted to find all the odours of the world, all the colours of life, and the marvels of everyday that are seen in this city. We also meet those writers who have praised Paris, such as Victor Hugo, Jacques Prevert, Gerard de Nerval and Leon Paul Fargue, and all those who have immortalised the city in their paintings, from the anonymous painters of the Renaissance up to the Impressionists. This is an intelligent history of Paris, but also friendly, entertaining, accessible, to wet your appetite for the city, and to arouse your curiosity.

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The interior designer Susanna Biedermann (1943-2007) described herself in her curriculum vitae as a painter as well. The compass of her works is in fact greater still. The book that was edited by her long-term partner Max Alioth and the graphic designer Beat Keusch from Basel begins with the sketchbooks where so many of her creations have their origin. The succession of drawings, watercolours, paintings, murals, objects, photographs, posters, logos, plans, models, builduings and words together give rise to a mosaic which is itself a reflection of Susanna Biedermann's practice of working on several projects simultaneously. Yet what all her many-facetted works have in common is a lightness of touch, a magical quality and a gift for transforming reality. Her many different spheres of interest can all be traced back to her spontaneous fascination with everything around her. Viewed in isolation, her works are simply different parts of a larger whole, which together led to the founding of the Marrakech School of Visual Arts.

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It had been a desert, its dunes languorously meeting the lapping sea which has played its part in world trade since the beginning of time. There had been the gold and spices from nearby India, and the petroleum of today, extracted from its sands or brought from elsewhere, from off the shores of its coasts. It is difficult to imagine that these seven Emirates have a history, as understood in Western canons. Here, the past seems to have been dug away with excavators, drowned in concrete, built over with metropolitan motorways. This does not prevent it from seeming to surge forth at the slightest provocation, at the smallest of solicitations. Proud of what the world acknowledges as his country's achievements, the most insolent of Emiratis grows less arrogant when recalling his father's fathers. Fathers who, hardly more than four decades ago, were Bedouins, traders, camel drivers, almost all pearl fishers. It is in this way that this modern history was written. Twenty centuries of hard seasonal migration of their livestock, intensive trade, fierce competition, destructive setbacks and creative imagination forged mentalities that have made this desert into one of the richest and most envied places in the world. What seems a modern miracle is no more than the culmination of an ancient culture having survived mishap and change to forge a modern economy.

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Buried in deep valleys, there are citadels of ochre earth. Near the sea there are white chalked casbahs and vast tranquil palm-gardens and deserts of coloured sands run into soot black mountains. Pungent and bustling souks offer spices and potions to ward off malevolent spirits. Slender arched doorways open out into darkened alleys. Scented mint tea is served in pattern-draped tents. The sky is as clear as ever over the Sahara. This is the Moroccan South - a legendary land, sumptuous and austere. This series presents a fascinating chronology of the spread of Islamic art in the form of 12 Exhibition Trails in 11 countries. The programme is based on the unique idea of visitors viewing exhibitions without the works of art being transported - discovering artefacts in their natural environments and within their cultural and historical context. Each trail is presented and written by experts who live in the specified areas and are accompanied by beautiful illustrations.

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