Search results for ""10/18""

The present volume is the fifth publication of a Frontinus-conference edited by Gilbert Wiplinger as a BABESCH supplement volume on historical water science. At the place of activity of Sextus Iulius Frontinus as curator aquarum and the capital of the Roman Empire it was probably one of the most important and challenging events of this congress series. For the first time a new path was taken, as the organizer and publisher wanted to approach the topic water from the artistic side. This was realized in the opening lecture with the presentation of a novel in which Frontinus plays the main character and a photo exhibition at the Austrian Historical Institute about the integration of the Aqua Claudia and the Aqua Anio Novus in the new building of the waterworks of Limburg (Holland). In eight sections 33 contributions are published in this volume. The first section deals with the different approaches to the topic of water. The second section is dedicated to the award of the Frontinus Medal to Hubertus Manderscheid, who was honoured during the conference for his fundamental research on the history of ancient water supply over many decades. The third section is dedicated to the aqueducts of Rome. After a general introduction, Colle Papese in Tivoli, the Aqua Alsietina and the distribution of the Aqua Claudia and Anio Novus within the city were discussed. The next section was devoted to aqueducts and water supply outside of Rome, presenting Pompeii, Tauromenion (Italy), Spalato (Croatia), Parion, the Şirince Aqueduct of Ephesus, Syedra (Turkey), Gerasa (Jordan), Sepphoris (Israel) and the pre-desert areas along the African Limes. The topic of the fifth section are toilets and baths: the toilets of Rome, the latrines of the baths of Caracalla, public baths in Late Antique Rome and the Roman baths of Parion (Turkey). Fountains was the topic of the sixth section with supply devices and water effects in Roman Imperial nymphaea, a fountain of a triclinium near the Temple Mount in Jerusalem, fountains in the Terrace Houses of Ephesus and the multi-sensory effects of water in Roman and Late Antique elite houses. The seventh section deals with hydraulic engineering: Frontinus' quinaria, the Nîmes aqueduct and castellum and planning and building an aqueduct without the use of surveying instruments. In the last section various topics were summarized with the feeling of water in Trajanian times, downdrains in Ostia and water machines in Medieval Arabic texts. The conference programme was impressively complemented by several full-day and half-day excursions. It offered the opportunity to visit monuments that are otherwise not accessible to the public. Once again it became clear that neither a lecture, nor a publication or pictures can replace the encounter with real archaeological findings. The presentation of new research results on ancient hydraulic engineering and the enhancement of knowledge by visiting comparative examples on site is the declared aim of this conference series.

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The Musée du Louvre boasts an exceptional collection of 17th- and 18th-century European pastels. Due to their fragility, there have been scant opportunities to view and learn from these spectacular artworks. This in-depth examination of the collection, reproduced here for the first time in color, delves into their history and how they were created. Produced primarily during the reigns of Louis XV and Louis XVI, the works—whose beautiful delicacy has been likened to the powder covering the wings of a butterfly—offer insights into society during the period of the Enlightenment. Featured artists include Rosalba Carriera, Maurice Quentin de La Tour, Jean-Baptiste Perronneau, Jean Étienne Liotard, Jean-Marc Nattier, and Élisabeth Louise Vigee Le Brun, as well as lesser-known masters such as Marie-Suzanne Giroust, Adélaïde Labille-Guirard, Joseph Bose, and Joseph Ducreux.Distributed for Editions Hazan, ParisExhibition Schedule:Musée du Louvre, Paris (06/07/18–09/10/18)

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This book offers the first-ever survey of artistic depictions of the legend of Saint George defeating the dragon. The earliest existing references to this episode in the hagiography of Saint George date from the 11th century, and the mythical conflict has entertained the imaginations of artists ever since. Copiously illustrated, this book includes varied representations in painting, sculpture, engraving, and more by artists from Raphael and Peter Paul Rubens to Odilon Redon and Andy Warhol. In addition, the artists David Claerbout, Giuseppe Penone, Luc Tuymans, and Angel Vergara Santiago have been invited to contribute their own interpretations of the story, and these new works are also featured. The contemporary perspective is further explored in the book through essays that trace the shifting resonance of the allegory, positing that it has evolved to become symbolic of man’s internal struggle as he attempts to fulfill his destiny.Distributed for MercatorfondsExhibition Schedule:Musée des Arts Contemporains au Grand-Hornu (10/18/15–01/17/16)

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Part fantasy, part travelogue, Diary Of A Yokai Ghost Hunter follows the adventures of two foreign visitors as they tour Japan. When they buy an antique camera along the way, they discover they can capture images of Japan's invisible spirit world. The forgotten spirits they meet can be kindly, mischievous, and some, downright dangerous. Everywhere they go from forests to Shinto temples to fishing villages they are met with Yokai, the Japanese word for supernatural monsters, ghosts, and demons. The subject of Yokai is wildly popular right now and is featured prominently in books, websites, and online videos. Google receives thousands of searches on the topic daily. Readers 10-18 who cherished books like Cool Japan Guide and Diary of a Tokyo Teen will delight in this comic book style adventure. The graphic novel format will appeal to diehard anime and manga fans while stressing the importance this ancient spirit world is to the Japanese culture.

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God is good. 'Taste and see that the Lord is good,' the Psalmist writes (Psalm 34:8). And to those who called him good, Jesus said, 'No one is good – except God alone (Mark 10:18). Christopher Holmes explores the divine attribute of God’s goodness by offering a theological interpretation of the Psalter and engaging with the church’s rich theological tradition, especially Augustine and Aquinas. He contends that in the very depths of God’s being, God is goodness itself, and goodness is preeminent in God’s nature. Thus, he argues that God not only does good, as seen in the person and work of Jesus Christ, but that God is good such that the good that God does – and that God calls us to do – is anchored in the fullness of good that God is. Leading us in this journey through the Psalms and the church’s tradition, Holmes helps us to understand what it means to make that simple affirmation: God is good.

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Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts’s work within an art-historical framework of methods, process, and style, but also examine her paintings’ philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. Distributed for the Art Institute of ChicagoExhibition Schedule:Serpentine Galleries, London (06/06/18–09/09/18) Art Institute of Chicago (10/18/18–02/17/19)

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This authoritative manual presents an accessible 18-step program widely used by clinicians working with challenging teens. Steps 1-9 comprise parent training strategies for managing a broad range of problem behaviors, including those linked to oppositional defiant disorder (ODD) and attention-deficit/hyperactivity disorder (ADHD). Steps 10-18 focus on teaching all family members to negotiate, communicate, and problem-solve more effectively, while facilitating adolescents' individuation and autonomy. In a convenient large-size format, the book includes practical reproducible handouts and forms. Purchasers also get access to a Web page where they can download and print the reproducible materials. New to This Edition *Incorporates 15 years of research advances and the authors' ongoing clinical experience. *Fully updated model of the nature and causes of ODD. *Revised assessment tools and recommendations. *Reflects cultural changes, such as teens' growing technology use. See also the authors' related parent guide, Your Defiant Teen, Second Edition: 10 Steps to Resolve Conflict and Rebuild Your Relationship, an ideal client recommendation. For a focus on younger children, see also Dr. Barkley's Defiant Children, Third Edition (for professionals) and Your Defiant Child, Second Edition (for parents).

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With a career spanning more than sixty years, Anthony Caro (b. 1924) is one of Britain's most acclaimed and best-known sculptors. Caro: Close Up accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975. Although celebrated for his large, brightly painted abstract sculptures, Caro has also produced drawings and small-scale works of a more private nature throughout his career. The full range of his oeuvre includes works on paper, sculptures constructed in paper and cardboard, and abstract works of steel, bronze, and clay.Featuring new photography of more than sixty works drawn almost entirely from Caro's studio and family collections, this publication examines the critical responses that Caro's work has elicited from the 1950s to the present and considers his role in current artistic practice. The authors explore the ways the sculptor has used the physical properties of his materials, while Caro himself discusses his exhibition and installation practices.Published for the Yale Center for British ArtExhibition Schedule:Yale Center for British Art(10/18/12–12/30/12)

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No fuiste creado para vivir en la decepción, en la desilusión ni en la derrota; Dios te ha proporcionado las herramientas para que lleves una vida que no se defina por tus pruebas, sino por tus victorias.Vivimos en un tiempo de profunda incertidumbre. Aun así, la Biblia promete que podemos vivir la vida de libertad que fue diseñada para nosotros, incluso en tiempos en los que el mundo que nos rodea parece lleno de oscuridad. Fuimos creados para ser vencedores, y para superar los mayores obstáculos de nuestras vidas.En su nuevo libro Vencedor, el estimado profesor David Jeremiah dirige su entendimiento a uno de los pasajes más citados, pero menos comprendido de la Biblia: la recomendación del apóstol Pablo a los efesios de que tomen toda la armadura de Dios (Efesios 6:10-18). Con la profundidad de lo caracteriza, de su sabiduría y de su compasión, el Dr. Jeremiah analiza la poderosa importancia de la armadura espiritual como herramienta crítica en nuestra vida cotidiana, al confrontar los retos específicos de nuestras vidas y de nuestra época.Si ya estás harto de vivir en derrota, es hora de encontrar una fuerza renovada y reclamar las promesas de la palabra de Dios de vencer las mayores amenazas de la vida.

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Ten archive editions of the the much-loved BBC Radio 4 panel game plus two very special programmes, chaired by Nicholas Parsons.Seasons come and go, and years fly by, but Just a Minute has been a constant ray of sunshine on Radio 4 for over 50 years. Now, in this new collection of programmes, ten previously unpublished editions — from the 1970s to the 2010s — are presented alongside two very special half hours: Just a Minute: 50 Years in 28 Minutes and 50 Years of Just a Minute: Paul Merton in Conversation with Nicholas Parsons. Among the many guest performers attempting to speak for 60 seconds without hesitation, repetition or deviation from the subject are Kenneth Williams, Clement Freud, Derek Nimmo, Peter Jones, Paul Merton, Andrée Melly, Patrick Moore, Kenny Everett, Tim Rice, Wendy Richard, Richard Murdoch, Jenny Eclair, Kit Hesketh-Harvey, Stephen Frost, Gyles Brandreth, Sue Perkins and Frank Skinner.Who will win enough points to take a commanding lead, who will find themselves trailing a little, and who will finish in a strong fourth place? Find out as we play Just a Minute!1. 12 October 1971: Featuring Clement Freud, Peter Jones, Andrée Melly, Kenneth Williams2. 18 April 1978: Featuring Clement Freud, Patrick Moore, Derek Nimmo, Kenneth Williams3. 5 February 1980: Featuring Kenny Everett, Clement Freud, Peter Jones, Kenneth Williams4. 16 June 1984: Featuring Clement Freud, Peter Jones, Tim Rice, Kenneth Williams5. 16 June 1988: Featuring Clement Freud, Derek Nimmo, Wendy Richard, Kenneth Williams6. 28 April 1990: Featuring Peter Jones, Paul Merton, Richard Murdoch, Wendy Richard7. 2 August 1999: Featuring Jenny Eclair, Stephen Frost, Kit Hesketh-Harvey, Peter Jones 8. 19 January 2004: Featuring Clement Freud, Paul Merton, Graham Norton, Linda Smith9. 9 January 2006: Featuring Clement Freud, Stephen Fry, Paul Merton, Tim Rice 10. 18 August 2014: Featuring Gyles Brandreth, Paul Merton, Sue Perkins, Frank Skinner11. 25 December 2017: Just a Minute: 50 Years in 28 Minutes. Featuring panellists from across the years12. 1 January 2018: 50 Years of Just a Minute - Paul Merton in conversation with Nicholas ParsonsDevised by Ian MessiterChaired by Nicholas ParsonsEpisode selection by Michael StevensMusic: The Minute Waltz (Waltz in D Flat Major, Op. 64) by ChopinDuration: 5 hours 50 mins approx.Please note: The humour in these programmes sometimes reflects the era in which they were first broadcast. Contains strong language and mild innuendo. Due to the archive nature of some of the episodes, sound quality may vary.

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