Search results for ""university of chicago press""

Zookeepers are responsible for the care and welfare of animals in zoos and aquariums and also serve as public ambassadors for the animals. As species extinction, environmental protection, animal rights, and workplace safety issues come to the fore, zoos and aquariums need keepers who have the technical expertise and scientific knowledge to keep animals healthy, educate the public, and create regional, national, and global conservation and management communities. This textbook offers a comprehensive and practical overview of the profession geared toward new animal keepers and anyone who needs a foundational account of the topics most important to the day-to-day care of zoo and aquarium animals. The editors, all three experienced in zoo animal care and management, have put together a cohesive and broad-ranging book that tackles each of its subjects carefully and thoroughly. The contributions cover professional zookeeping, evolution of zoos, workplace safety, animal management, taxa-specific animal husbandry, animal behavior, veterinary care, public education and outreach, and conservation science. Using the newest techniques and research gathered from around the world, Zookeeping is a progressive textbook that seeks to promote consistency and the highest standards within global zoo and aquarium operations.

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In this groundbreaking work, Christa Davis Acampora offers a profound rethinking of Friedrich Nietzsche's crucial notion of the agon. Analyzing an impressive array of primary and secondary sources and synthesizing decades of Nietzsche scholarship, she shows how the agon, or contest, organized core areas of Nietzsche's philosophy, providing a new appreciation of the subtleties of his notorious views about power. By focusing so intensely on this particular guiding interest, she offers an exciting, original vantage from which to view this iconic thinker: "Contesting Nietzsche". Though existence - viewed through the lens of Nietzsche's agon - is fraught with struggle, Acampora illuminates what Nietzsche recognized as the agon's generative benefits. It imbues the human experience with significance, meaning, and value. Analyzing Nietzsche's elaborations of agonism - his remarks on types of contests, qualities of contestants, and the conditions in which either may thrive or deteriorate - she demonstrates how much the agon shaped his philosophical projects and critical assessments of others. The agon led him from one set of concerns to the next, from aesthetics to metaphysics to ethics to psychology, via Homer, Socrates, Saint Paul, and Wagner. In showing how one obsession catalyzed so many diverse interests, "Contesting Nietzsche" sheds fundamentally new light on some of this philosopher's most difficult and paradoxical ideas.

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In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line and The Fog of War. Kuhn, meanwhile, was--and, posthumously, remains--a star in his field, the author of The Structure of Scientific Revolutions, a landmark book that has sold well over a million copies and introduced the concept of "paradigm shifts" to the larger culture. And Morris thought the idea was bunk. The Ashtray tells why--and in doing so, it makes a powerful case for Morris's way of viewing the world, and the centrality to that view of a fundamental conception of the necessity of truth. "For me," Morris writes, "truth is about the relationship between language and the world: a correspondence idea of truth." He has no patience for philosophical systems that aim for internal coherence and disdain the world itself. Morris is after bigger game: he wants to establish as clearly as possible what we know and can say about the world, reality, history, our actions and interactions. It's the fundamental desire that animates his filmmaking, whether he's probing Robert McNamara about Vietnam or the oddball owner of a pet cemetery. Truth may be slippery, but that doesn't mean we have to grease its path of escape through philosophical evasions. Rather, Morris argues powerfully, it is our duty to do everything we can to establish and support it. In a time when truth feels ever more embattled, under siege from political lies and virtual lives alike, The Ashtray is a bracing reminder of its value, delivered by a figure who has, over decades, uniquely earned our trust through his commitment to truth. No Morris fan should miss it.

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Are humans at their core seekers of their own pleasure or cooperative members of society? Paradoxically, they are both. Pleasure seeking can take place only within the context of what works within a defined community, and central to any community are the evolved codes and principles guiding appropriate behavior or morality. The complex interaction of morality and self-interest is at the heart of Geoffrey M. Hodgson's approach to evolutionary economics, which is designed to bring about a better understanding of human behavior. In "From Pleasure Machines to Moral Communities", Hodgson casts a critical eye on neoclassical individualism, its foundations and flaws, and turns to recent insights from research on the evolutionary bases of human behavior. He focuses his attention on the evolution of morality, its meaning, why it came about, and how it influences human attitudes and behavior. This more nuanced understanding sets the stage for a fascinating investigation of its implications for a range of pressing issues drawn from diverse environments, including the business world and crucial policy realms like health care and ecology. This book provides a valuable complement to Hodgson's earlier work with Thorbjorn Knudsen on evolutionary economics in Darwin's Conjecture, extending the evolutionary outlook to include moral and policy-related issues.

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As one of the leading proponents of the nouveau roman, Nathalie Sarraute is often remembered for her novels, including "The Golden Fruits", which earned her the Prix international de litterature in 1964. But her carefully crafted and evocative memoir "Childhood" may in fact be Sarraute's most accessible and emotionally open work. Written when the author was eighty-three years old, but dealing with only the first twelve years of her life, "Childhood" is constructed as a dialogue between Sarraute and her memory. Sarraute gently interrogates her interlocutor in search of her own intentions, more precise accuracy, and, indeed, the truth. Her relationships with her mother in Russia and her stepmother in Paris are especially heartbreaking: long-gone actions are prodded and poked at by Sarraute until they yield some semblance of fact, imbuing these maternalistic interactions with new, deeper meaning. Each vignette is bristling with detail and shows the power of memory through prose that is by turns funny, sad, and poetic. Capturing the ambience of Paris and Russia in the earliest part of the twentieth century, while never giving up the lyrical style of Sarraute's novels, this book has much to offer both memoir enthusiasts and fiction lovers.

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Toronto prides itself on being "the world's most diverse city," and its officials seek to support this diversity through programs and policies designed to promote social inclusion. Yet this progressive vision of law often falls short in practice, limited by problems inherent in the political culture itself. In "Everyday Law on the Street", Mariana Valverde brings to light the often unexpected ways that the development and implementation of policies shape everyday urban life. Drawing on four years spent participating in council hearings and civic association meetings, and shadowing housing inspectors and law enforcement officials as they went about their day-to-day work, Valverde reveals a telling transformation between law on the books and law on the streets. She finds, for example, that some of the democratic governing mechanisms generally applauded - public meetings, for instance - actually create disadvantages for marginalized groups, whose members are less likely to attend or articulate their concerns. As a result, both officials and citizens fail to see problems outside the point of view of their own needs and neighborhood. Taking issue with Jane Jacobs and many others, Valverde ultimately argues that Toronto and other diverse cities must reevaluate their allegiance to strictly local solutions. If urban diversity is to be truly inclusive - of tenants as well as homeowners, and recent immigrants as well as longtime residents - cities must move beyond microlocal planning and embrace a more expansive, citywide approach to planning and regulation.

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Until the nineteenth century, the Russian legal system was subject to an administrative hierarchy headed by the tsar, and the courts were expected to enforce, not interpret the law. Richard S. Wortman here traces the first professional class of legal experts who emerged during the reign of Nicholas I (1826-56). Discussing how new legal institutions fit into the traditional system of tsarist rule, Wortman analyzes how conflict arose from the same intellectual processes that produced legal reform. He ultimately demonstrates how the stage was set for later events, as the autocracy and judiciary pursued contradictory - and mutually destructive - goals.

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Far from being the serene, natural streams of yore, modern rivers have been diverted, dammed, dumped in, and dried up, all in efforts to harness their power for human needs. But these rivers have also undergone environmental change. The old adage says you can't step in the same river twice, and Ellen Wohl would agree - natural and synthetic change are so rapid on the world's great waterways that rivers are transforming and disappearing right before our eyes. "A World of Rivers" explores the confluence of human and environmental change on ten of the great rivers of the world. Ranging from the Murray-Darling in Australia and the Yellow River in China to Central Europe's Danube and the Mississippi, the book journeys down the most important rivers in all corners of the globe. Wohl shows us how pollution, such as in the Ganges and in the Ob of Siberia, has affected biodiversity in the water. But rivers are also resilient, and Wohl stresses the importance of conservation and restoration to help reverse the effects of human carelessness and hubris. What all these diverse rivers share is a critical role in shaping surrounding landscapes and biological communities, and Wohl's book ultimately makes a strong case for the need to steward positive change in the world's great rivers.

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The baby boom generation's entry into old age has led to an unprecedented increase in the elderly population. The social and economic effects of this shift are significant, and in "Research Findings in the Economics of Aging", a group of leading researchers takes an eclectic view of the subject. Among the broad topics discussed are work and retirement behavior, work disability, and their relationship to the structure of retirement and disability policies. While the choice of when to retire is made by individuals, those decisions are influenced by a set of incentives, including retirement benefits and health care, and this volume includes cross-national analyses of the effects of such programs on those decisions. Furthermore, the volume also offers in-depth analysis of the effects of retirement plans, employer contributions, and housing prices on retirement. It explores well-established relationships among economic circumstances, health, and mortality, as well as the effects of poverty and lower levels of economic development on health and life satisfaction. By combining the micro and the macro, this latest volume continues the tradition of expanding the research agenda both through the questions it asks and the empirical domain it examines.

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The Key to the City brings together work that has long been admired by readers of literary magazines and quarterlies. The collection opens with "The Ruins," a group of poems set in poor neighborhoods in New York City—some so cut off from midtown that they seem part of another continent or another age. The people in these poems are schoolgirls, a cleaning lady in the laundromat, derelicts, a prostitute stabbed in the street. Their interwoven voices contribute to a complex, grave vision of remote causes and immediate suffering in the city. The poems of the second section explore a broad range of experience: pregnancy and nursing, inward solitude, the textures of Renaissance painting and American landscapes.

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Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life. In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum. To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.

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The congregation is a distinctly American religious structure, and is often overlooked in traditional studies of religion. But one cannot understand American religion without understanding the congregation.Volume 1: "Portraits of Twelve Religious Communities" chronicles the founding, growth, and development of congregations that represent the diverse and complex reality of American local religious cultures. The contributors explore multiple issues, from the fate of American Protestantism to the rise of charismatic revivalism.Volume 2: "New Perspectives in the Study of Congregations" builds upon those historical studies, and addresses three crucial questions: Where is the congregation located on the broader map of American cultural and religious life? What are congregations' distinctive qualities, tasks, and roles in American culture? And, what patterns of leadership characterize congregations in America?These essays are an indispensable tool for understanding American congregations and American religion as a whole.

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This text argues for the possibility of theological thinking in a postmodern secular milieu. Moving beyond the now familiar reiteration of postmodernity's losses - the death of God, the displacement of the self, the end of history, the closure of the book - Winquist equates a desire to think theologically with a desire, amidst postmodernity's disappointments, for a thinking that does not disappoint. To desire theology in this sense is to desire to know an "other" in and of language that can be valued in the forming of personal and communal identity. In this book, "desiring theology" carries another sense as well, for Winquist argues that, in the wake of psychoanalysis, theology must elaborate the meaning and importance of desire in its own discourse. Winquist's work is tactical as well as theoretical, showing what kind of work theology can do in a postmodern age. He suggests that theology is closely akin to what Gilles Deleuze and Felix Guattari refer to as a minor intensive use of a major language. The minor intensive theological use of language, Winquist argues, pressures the ordinary weave of discourse and opens it to desire. Thus theology becomes a work against "the disappointment of thinking". Engaged with the work of Nietzsche, Derrida, Tillich, Robert P. Scharlemann and Mark C. Taylor, among others, this book aims to provide a contribution to contemporary theology.

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For many of us, one of the most important ways of coping with the death of a close relative is talking about them, telling all who will listen what they meant to us. Yet the Gypsies of central France, the Manus, not only do not speak of their dead, they burn or discard the deceased's belongings, refrain from eating the dead person's favourite foods and avoid camping in the place where he or she died. In "Gypsy World", Patrick Williams argues that these customs are at the centre of how Manus see the world and their place in it. The Manus inhabit a world created by the "Gadzos" (non-Gypsies) , who frequently limit or even prohibit Manus's movements within it. To claim this world for themselves, the Manus employ a principle of cosmological subtraction: just as the dead seem to be absent from Manus society, argues Williams, so too do the Manus absent themselves from Gadzo society - and in so doing they assert and preserve their own separate culture and identity. Anyone interested in Gypsies, death rituals or the formation of culture should enjoy this fascinating and sensitive ethnography.

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How do Balinese manage to present to the world the clear, bright face, the grace and poise, that they regard as crucial to self-respect and social esteem? How can the anthropologist pass behind the conventions of such a complex culture to recognize what is going on between people, in terms that convey their own experience?Wikan's study of the Indonesian island of Bali is an absorbing debate with previous anthropological interpretations as well as an innovative development of the anthropology of experience."This is indeed an important book, a landmark in studies of Bali and one surely destined to have major theoretical impact on anthropological research well beyond that famous Indonesian island."—Anthony R. Walker, Journal of Asian and African Studies

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If you drive into any American city with the car stereo blasting, you'll undoubtedly find radio stations representing R&D/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats-constructed mainstreams designed to appeal to distinct populations-showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status - for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished. Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard's stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.

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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City - military occupation and pilgrimage being two familiar forms of "ownership." Wharton makes the innovative argument, here, that the West has also sought to possess Jerusalem by acquiring its representations. From relics of the True Cross and Templar replicas of the Holy Sepulchre to Franciscan recreations of the Passion to nineteenth-century mass-produced prints and contemporary theme parks, Wharton describes the evolving forms by which the city has been possessed in the West. She also maps those changing embodiments of the Holy City against shifts in the western market. From the gift-and-barter economy of the early Middle Ages to contemporary globalization, both money and the representations of Jerusalem have become progressively incorporeal, abstract, illusionistic, and virtual. "Selling Jerusalem" offers a penetrating introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture, as well as those who want to better understand Jerusalem's problematic place in history.

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Paul Klee—one of the preeminent artists of the twentieth century—was associated with all of the major movements of the first half of the century: expressionism, cubism, surrealism, and abstraction. In this economic and political history, O. K. Werckmeister traces Klee's career as a professional artist, concentrating on the years 1914-20 in which Klee rose from obscurity to recognition in the visual culture of the incipient Weimar Republic. Werckmeister reveals the degree to which Klee, who has been traditionally portrayed as aloof from politics and the vicissitudes of the art market, was subject to and interacted with material conditions. Drawing on rich documentary evidence—records of Klee's sales, reviews of his exhibitions, the artist's published writings about his art, unpublished correspondence, as well as contemporary criticism—Werckmeister follows Klee's transformation from an idiosyncratic abstract individualist to a metaphysical storyteller to mystical sage. Werckmeister argues that this latter image was promoted by a number of influential art critics and dealers acting in cooperation with the artist himself. This posture prompted Klee's success first in the war-weary modernist art world of 1916-18 and then in the pseudo-revolutionary art world of 1919-20. This work is a critical challenge to the myth of Klee's art and to the hagiography of his artistic personality. Werckmeister's historical account is sure to be a controversial yet significant contribution to Klee studies—one that will change the nature of Klee scholarship for some time to come.

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"Weinstein explores the attitudes and organizations of artists and architects in Berlin, Munich, and Dresden in response to the tumultuous events associated with the end of WWI and the (failed) Revolution. She traces the initial excitement and zeal and then the disillusionment as utopian dreams were dimmed by social, political, and military realities as well as by inherent contradiction within the arts movements itself. The accompanying b&w illustrations, fascinating in themselves, directly depict textual themes."—Booknews

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Middle-class family life in the 1950s brings to mind images of either smugly satisfied or miserably repressed nuclear families with breadwinning husbands, children and housewives, much like the families depicted in "Ozzie and Harriet" and "Father Knows Best". Jessica Weiss delves beneath these mythic images and paints a far more complex picture that reveals strong continuities between the baby boomer and their parents. Drawing on interviews with American couples from the 1950s to the 1980s, Weiss creates a dynamic portrait of family and social change in the postwar era. She pairs these firsthand accounts with a deft analysis of movies, television shows, magazines and advice books from each decade, providing an unprecedented and intimate look at ordinary marriages in a time of sweeping cultural change. Weiss shows how young couples in the 1950s attempted to combine egalitarian hopes with traditional gender roles. Middle-class women encouraged their husbands to become involved fathers. Midlife wives and mothers reshaped the labour force and the home by returning to work in the 1960s. And couples strove for fulfilling marriages as they dealt with the pressures of childrearing in the midst of the sexual and divorce revolutions of the 1960s and 1970s. By the 1980s, they were far more welcoming to the ideas of the women's movement than has often been assumed. More than simply changing with the times, the parents of the baby boom contributed to changing times themselves. Weiss's use of family interviews that span three decades, her imaginative examination of popular culture, and her incisive conclusions make her book a valuable contribution not only to our understanding of the past but also to our understanding of men's and women's roles in today's family.

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Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's Poetics, the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's Poetics.

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Now known internationally through the recordings of King Sunny Ade and others, juju music originated more than fifty years ago among the Yoruba of Nigeria. This history and ethnography of juju is the first detailed account of the evolution and social significance of a West African popular music. Enhanced with maps, color photographs of musicians and dance parties, musical transcriptions, interviews with musicians, and a glossary of Yoruba terms, Juju is an invaluable contribution to scholarship and a boon to fans who want to discover the roots of this vibrant music. "What's most impressive about Juju is how much Waterman makes of his purism. By concentrating on one long- lived, well-defined genre, he helps the Western reader experience 'rock' the way any proud Yoruba would--as a tributary of African music rather than vice versa."--Robert Christgau, The Village Voice

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Scott Warren’s ambitious and enduring work sets out to resolve the ongoing identity crisis of contemporary political inquiry. In the Emergence of Dialectical Theory, Warren begins with a careful analysis of the philosophical foundations of dialectical theory in the thought of Kant, Hegel, and Marx. He then examines how the dialectic functions in the major twentieth-century philosophical movements of existentialism, phenomenology, neomarxism, and critical theory. Numerous major and minor philosophers are discussed, but the emphasis falls on two of the greatest dialectical thinkers of the previous century: Maurice Merleau-Ponty and Jürgen Habermas.Warren’s shrewd critique is indispensable to those interested in the history of social and political thought and the philosophical foundations of political theory. His work offers an alternative for those who find postmodernism to be at a philosophical impasse.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things, but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Wall argues that the shift involved not just literary representation, but an evolution in cultural perception. In "The Prose of Things", Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, "The Prose of Things" is the first full account of the historic shift in the art of describing.

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The inevitability of gravitational collapse for stellar bodies of sufficient mass was convincingly demonstrated by S. Chandrasekhar in the 1930s, black holes and neutron stars played a minor role in serious analyses of physical or astrophysical phenomena until the discovery of quasars and pulsars in the 1960s. Black holes and neutron stars are now generally recognized as key components of many astrophysical systems, and play a central role in the understanding of gravitational phenomena at both the classical and quantum levels. Based on a symposium held in honour of S. Chandrasekhar, these papers provide a comprehensive summary of progress made in the 1990s on the theory of black holes and relativistic stars.

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In the early 1980s, the radical group MOVE settled into a rowhouse in a predominantly African-American neighborhood of west Philadelphia, beginning years of confrontations with neighbours and police over its anti-establishment ways and militant stance against all social and political institutions. On May 13, 1985, following a period of increased MOVE activity and threats by neighbours to take matters into their own hands, the city moved from bureaucratic involvement to violent intervention. Police bullhorned arrest warrants, hosed down the rowhouse, sprayed tear gas through its walls and dropped explosives from a helicopter. By the end of the day, eleven MOVE members were dead, an entire block of the neighbourhood was destroyed, and Mayor Wilson Goode was calling for an investigation. How did this struggle between the city and MOVE go from memos and meetings to tear gas and bombs? And how does the mandate to defend public order become a destructive force? Sifting through the hearings that followed the deadly encounter, Robin Wagner-Pacifici reconstructs the conflict between MOVE and the city of Philadelphia. Against this account, in which the participants - from the mayor and the police officers to members of MOVE and their neighbours - offer opposing versions of their aims, assumptions and strategies, Wagner-Pacifici develops an analysis of the relation between definition and action, between language and violence. Was MOVE simply a radical, black separatist group with an alternative way of life? Or was it a terrorist cult that held a neighbourhood and politicians hostage to its offensive language and bizarre behaviour? This book shows how competing definitions of MOVE led to different strategies for managing the conflict.

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When Nathan Wachtel, the historical anthropologist, returned to the village of Chipaya, the site of his extensive fieldwork in the Bolivian Andes, he learned a group of Uru Indians was being incarcerated and tortured for no apparent reason. Even more strangely, no one - not even his closest informant and friend - would speak about it. Wachtel discovered that a series of recent deaths and misfortunes in Chipaya had been attributed to the evil powers of the Urus, a group usually regarded with suspicion by the other ethnic groups. Those incarcerated were believed to be the chief sorcerers and vampires whose paganistic practices had brought death to Chipaya by upsetting the social order. Wachtel's investigation, told in "Gods and Vampires: Back to Chipaya", reveals much about relations between the Urus and the region's dominant ethnic groups and confronts some of the most trenchant issues in contemporary anthropology. His analysis shows that the Urus had become victims of the same set of ideals the Spanish had used, centuries before, to establish their hegemony in the region. Presented as a personal detective story, "Gods and Vampires" is Wachtel's latest work in a series studying the ongoing impact of the Spanish conquest on the Andean consciousness and social system. It should be of interest to scholars of anthropology, Latin American studies and Native American studies.

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Harlem's nightclubs in the 1920s and '30s were a crucible for testing society's racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage. Deftly combining performance theory, literary criticism, historical research, and biographical study, "The Scene of Harlem Cabaret" brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.

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The Baroque period stretched from the end of the 16th to the second half of the 17th century. In this book, 13 scholars develop a portrait of institutions, ideologies, intellectual themes and social structures as they are reflected in Baroque personae, or characteristic social roles. Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.

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For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture - but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay. Photographer Camilo Jose Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood's urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing - some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pop shops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara's own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the stories of how Harlem and its residents navigated the segregation, dereliction, and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

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Verdi's Attila, his ninth opera, had its premiere at Venice's Teatro La Fenice in March 1846. This title discusses the opera's origins, sources, and performance questions, and details editorial problems and their solutions.

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"La traviata" was initially far from a success, Verdi declared its 1853 premiere a "fiasco," and later reworked parts of five pieces in the first two acts, retaining the original setting for the rest. The first performance of the new version in 1854 was a tremendous success, and the opera was quickly taken up by theatres around the world. This critical edition presents the 1854 version as the main score, and also makes available the full score and the original 1853 settings of the revised pieces. For this text Fabrizio della Seta used the composer's autograph and many secondary sources, but also Verdi's previously unknown sketches. These sketches helped corroborate the original readings and illuminate the work's compositional stages. A detailed critical commentary discusses source problems and anbiguities.

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In this survey of political participation in seven nations—Nigeria, Austria, Japan, India, the Netherlands, Yugoslavia, and the United States—the authors examine the relationship between social, economic, and educational factors and political participation.

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A popular and critical success when it first appeared in France, Yoga and the Hindu Tradition has freed Yoga from the common misconceptions of the recent Yoga vogue. Jean Varenne, the distinguished French Orientalist, presents the theory of classical Yoga, in all its richness, as a method—a concrete way to reach the Absolute through spiritual exercises—which makes possible the transition from existence to essence. This excellent translation, including line drawings and charts, a glossary of technical terms, and a complete translation of the Yoga Darshana Upanishad, begins with a brief description of the metaphysical and religious history on which Yoga is based. Varenne discusses the theoretical conception of Yoga as the search for liberating knowledge, concluding with a brief indication of the physical practices and extra Yogic themes such as Kundalini and Tantrism. It is the author's hope that "those who read [this book] will come to realize that it is in fact dishonest to reduce Yoga to some sort of physical training, or to just an occult doctrine; it is a 'world view' a Weltanschauung that comprehends reality in its totality." "The straightforward, well-organized presentation makes the book itself a microcosm of what Varenne singles out as a dominant feature of classical Hindu thought—a bringing of the complex and multitudinous into a unity."—Judith Guttman, Yoga Journal

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By necessity, by proclivity, by delight, Ralph Waldo Emerson said in 1876, 'we all quote'. But often the phrases that fall most readily from our collective lips - like 'fire when ready', 'speak softly and carry a big stick', or 'nice guys finish last' - are those whose origins and true meanings we have ceased to consider. Restoring three-dimensionality to more than fifty of these American sayings, "Tippecanoe and Tyler Too" turns cliches back into history by telling the life stories of the words that have served as our most powerful battle cries, rallying points, laments, and inspirations. In individual entries on slogans and catchphrases from the early seventeenth to the late twentieth century, Jan R. Van Meter reveals that each one is a living, malleable entity that has profoundly shaped and continues to influence our public culture. From John Winthrop's 'We shall be as a city upon a hill' and the 1840 Log Cabin Campaign's "Tippecanoe and Tyler Too" to Martin Luther King Jr.'s 'I have a dream' and Ronald Reagan's 'Mr. Gorbachev, tear down this wall', each of Van Meter's selections emerges as a memory device for a larger political or cultural story. Taken together in Van Meter's able hands, these famous slogans and catchphrases give voice to our common history even as we argue about where it should lead us.

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Judge Dee presided over his Imperial Chinese court with a unique brand of Confucian justice. A near-mythic figure in China, he distinguished himself as a tribunal magistrate, inquisitor, and public avenger. Long after his death, accounts of his exploits were celebrated in Chinese folklore and later immortalized by Robert van Gulik in his electrifying mysteries. These lively and historically accurate tales, written by a Dutch diplomat and scholar during the 1950s and '60s and brought back into print to critical acclaim in the 1990s, have entertained a devoted following around the world. Van Gulik's Judge Dee stories often based on actual cases and illustrated with the author's charming line drawings, offer vivid insight into life in traditional China. The eight short stories in "Judge Dee at Work" cover a decade during which the judge served in four different provinces of the Tang Empire. From the suspected treason of a general in the Chinese army to the murder of a lonely poet in his garden pavilion, the cases here are among the most memorable in the "Judge Dee" series.

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Menstruation, seen alternately as something negative—a "curse" or a failed conception—or as a positive part of the reproductive process to be celebrated as evidence of fertility, has long been a universal concern. How women interpret and react to menstruation and its absence reflects their individual needs both historically as well as in the contemporary cultural, social, economic, and political context in which they live. This unique volume considers what is known of women's options and practices used to regulate menstruation—practices used to control the periodicity, quantity, color, and even consistency of menses—in different places and times, while revealing the ambiguity that those practices present.Originating from an Internet conference held in February 1998, this volume contains fourteen papers that have been revised and updated to cover everything from the impact of the birth control pill to contemporary views on reproduction to the pharmacological properties of various herbal substances, reflecting the historical, contemporary, and anthropological perspectives of this timely and complex issue.

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"This admirably produced and well-translated volume of stories from the Sanskrit takes the Western reader into one of the Golden Ages of India. . . . The world in which the tales are set is one which placed a premium upon slickness and guile as aids to success. . . . Merchants, aristocrats, Brahmins, thieves and courtesans mingle with vampires, demi-gods and the hierarchy of heaven in a series of lively or passionate adventures. The sources of the individual stories are clearly indicated; the whole treatment is scholarly without being arid."—The Times Literary Supplement "Fourteen tales from India, newly translated with a terse and vibrant effectiveness. These tales will appeal to any reader who enjoys action, suspense, characterization, and suspension of disbelief in the supernatural."—The Personalist

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Valeri presents an overview of Hawaiian religious culture, in which hierarchies of social beings and their actions are mirrored by the cosmological hierarchy of the gods. As the sacrifice is performed, the worshipper is incorporated into the god of his class. Thus he draws on divine power to sustain the social order of which his action is a part, and in which his own place is determined by the degree of his resemblance to his god. The key to Hawaiian society—and a central focus for Valeri—is the complex and encompassing sacrificial ritual that is the responsibility of the king, for it displays in concrete actions all the concepts of pre-Western Hawaiian society. By interpreting and understanding this ritual cycle, Valeri contends, we can interpret all of Hawaiian religious culture.

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Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

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Red Man's America meets the great need for a comprehensive study of Indian societies from the first Stone Age hunters to the American citizens of today. Beginning with the first migrations of primitive man from Siberia in the Old World to Alaska in the New, probably during the latter part of the Pleistocene glaciations, and his subsequent migration southward and eastward, the author takes up in turn the tribes and cultures of the various regions of North America. The material Professor Underhill has gathered from the fields of archaeology, ethnology, and history, together with that drawn from her own experience in the United States Indian Service, produces a fascinating narrative. Red Man's America is an important contribution to our heritage of Indian life and lore. "A work for which both sociologist and historian will be forever grateful. The author has combined a long period of study with actual field work in the service of the Indian to produce a work that gives a brief, but well written and accurate, sketch of the origins, backgrounds, and customs of the various North American tribes. . . . There is no other modern single volume that contains as much information on the subject."—E.R. Vollmar, The Historical Bulletin"Liveliness in style and illustration, together with perspicacity in content, makes this book a useful introduction to the civilization of the original inhabitants of the land."—Pacific Historical Review

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The coming-of-age story of a master musician in mid-twentieth century colonial Rhodesia as he learns his community's most cherished art, all while navigating profound social transformation. Ethnomusicologist Paul F. Berliner has been studying Zimbabwean mbira for more than fifty years. When he first arrived in what was then Rhodesia after the nation declared independence from the United Kingdom, he met Cosmas Magaya, a mbira player who would become his teacher and lifelong collaborator. A Prodigy's Calling chronicles the early years of Magaya's life, documenting the master mbira player's journey from child prodigy to established expert. As a child, Magaya was immersed in mbira music through his father's work as a healer and spirit medium. As Magaya grew, so too did his world; his performances extended beyond the family compound as his skill and knowledge increased, bringing him into contact with a society fraught with decolonial conflict. Following Magaya's childhood, readers w

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A reimagining of Devotions upon Emergent Occasions as an original treatment of human life shaped by innovations in seventeenth-century science and medicine. In 1624, poet and preacher John Donne published Devotions upon Emergent Occasions, a book that recorded his near-death experience during a deadly epidemic in London. Four hundred years later, in the aftermath of our own pandemic, Harvey and Harrison show how Devotions crystalizes the power, beauty, and enduring strangeness of Donne's thinking. Arguing that Donne saw human life in light of emergent ideas in the study of nature (physics) and the study of the body (physick), John Donne's Physics reveals Devotions as a culminating achievement, a radically new literary form that uses poetic techniques to depict Donne's encounter with death in a world transformed by new discoveries and knowledge systems.

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A mind-bending invitation to experience the impossible as fundamentally human. From precognitive dreams and telepathic visions to near-death experiences, UFO encounters, and beyond, so-called impossible phenomena are not supposed to happen. But they do happenall the time. Jeffrey J. Kripal asserts that the impossible is a function not of reality but of our everchanging assumptions about what is real. How to Think Impossibly invites us to think about these fantastic (yet commonplace) experiences as an essential part of being human, expressive of a deeply shared reality that is neither mental nor material but gives rise to both. Thinking with specific individuals and their extraordinary experiences in vulnerable, open, and often humorous ways, Kripal interweaves humanistic and scientific inquiry to foster an awareness that the fantastic is real, the supernatural is super natural, and the impossible is possible.

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An illuminating look at the emotional costs of mobility faced by first-generation and low-income college students. While college initiates a major transition in all students' lives, low-income and first-generation students attending elite schools are often entering entirely new worlds. Amid the financial and academic challenges of adapting to college, their emotional lives, too, undergo a transformation. Surrounded by peers from different classes and cultural backgrounds, they are faced with an impossible choice: turn away from their former lives to blend in or stay true to themselves and remain on the outside. An ethnography that draws on in-depth interviews with one hundred and fifty first-generation and low-income students across eighteen elite institutions, Polished uncovers the hidden consequences of the promise of social mobility in today's educational landscape. Sociologist Melissa Osborne reveals how the very support designed to propel first-generation students forward c

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A new collection of essays reflecting on the centrality of writing anthropological practice from one of the discipline's most influential thinkers. Michael Taussig's work is known for its critical insights and bold, experimental style. In the eleven essays in this new collection, Taussig reflects on the act of writing itself, demonstrating its importance for anthropological practice and calling for the discipline to keep experiential knowledge from being extinguished as fieldnotes become scholarship. Setting out to show how this can be done, And the Garden Is You exemplifies a form of exploratory writing that preserves the spontaneity of notes scribbled down in haste. In these essays, the author's reflections take us from his childhood in Sydney to trips to Afghanistan, Colombia, Finland, Italy, Turkey, and Syria. Along the way, Taussig explores themes of fabulation and provocation that are central to his life's work, in addition to the thinkers dearest to himBataille, Benjamin

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How inequality was forged, fought over, and forgotten through public policy in metropolitan Chicago. As in many American metropolitan areas, inequality in Chicagoland is visible in its neighborhoods. These inequalities are not inevitable, however. They have been constructed and deepened by public policies around housing, schooling, taxation, and local governance, including hidden state government policies. In Structuring Inequality, historian Tracy L. Steffes shows how metropolitan inequality in Chicagoland was structured, contested, and naturalized over time even as reformers tried to change it through school desegregation, affordable housing, and property tax reform. While these efforts had modest successes in the city and the suburbs, reformers faced significant resistance and counter-mobilization from affluent suburbanites, real estate developers, and other defenders of the status quo who defended inequality and reshaped the policy conversation about it. Grounded in comprehens

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