Search results for ""author ross"

In this provocative and historically detailed reading of the relations between Victorian liberalism and aestheticism, David Wayne Thomas challenges current critical assumptions concerning modern liberal agency and aesthetic experience more generally. Through meticulous examinations of literature, visual arts, popular culture, and politics, Cultivating Victorians shows how a mid-Victorian liberal discourse of individual "many-sidedness"—understood as a cultivated disposition toward self-criticism and open-mindedness—was taken up by artists and writers as they claimed for art a self-reflecting agency at the core of the liberal ideal. Thomas makes plain, as well, the ongoing but often repressed stake of latter-day critics in the aesthetics of many-sidedness. As Thomas shows, an increasingly dominant mid-Victorian liberal culture employed its rhetoric of cultivation in projects as varied as aesthetic appreciation, self-improvement, and social amelioration. By looking to topics across both elite and popular culture, Thomas demonstrates how this liberal culture had to take shape in competition with other dimensions of Victorian public life. Thus several uncommon but illuminating contexts come under inspection here: the bizarre sensation of the Tichborne Claimant, a low-born imposter claiming a noble inheritance; the reportage on life-scale historical city replicas fashioned for temporary public exhibitions in the 1880s; and Dante Gabriel Rossetti's practice of producing and reproducing his artwork for a newly constituted consumer market. Thomas also reads extensively in notable Victorian intellectuals such as George Eliot, John Stuart Mill, John Ruskin, Matthew Arnold, and Oscar Wilde. Theoretically inventive, engagingly written, and vividly illustrated, Cultivating Victorians is a timely invitation to rethink liberal values—like autonomy and reflective judgment—that have been routinely condemned as atomistic individualism and false universalism in recent decades.

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Winner of the Margaret W. Rossiter History of Women in Science PrizeA new history uncovers the crucial role women played in the great transformations of medical science and health care that accompanied the Italian Renaissance.In Renaissance Italy women played a more central role in providing health care than historians have thus far acknowledged. Women from all walks of life—from household caregivers and nurses to nuns working as apothecaries—drove the Italian medical economy. In convent pharmacies, pox hospitals, girls’ shelters, and homes, women were practitioners and purveyors of knowledge about health and healing, making significant contributions to early modern medicine.Sharon Strocchia offers a wealth of new evidence about how illness was diagnosed and treated, whether by noblewomen living at court or poor nurses living in hospitals. She finds that women expanded on their roles as health care providers by participating in empirical work and the development of scientific knowledge. Nuns, in particular, were among the most prominent manufacturers and vendors of pharmaceutical products. Their experiments with materials and techniques added greatly to the era’s understanding of medical care. Thanks to their excellence in medicine urban Italian women had greater access to commerce than perhaps any other women in Europe.Forgotten Healers provides a more accurate picture of the pursuit of health in Renaissance Italy. More broadly, by emphasizing that the frontlines of medical care are often found in the household and other spaces thought of as female, Strocchia encourages us to rethink the history of medicine.

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This handsome volume is the first authoritative survey of one of the most intriguing periods of British art—the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.Published for the Paul Mellon Centre for Studies in British Art

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Live your dream of Italy...Here is your chance to buy your own home in southern Italy for less than the price of a cup of coffee. The picturesque mountain town of Montenello is selling off some of its historic buildings for just ONE EURO each. The only conditions are that purchasers must renovate their new home within the next three years and that they plan to contribute in a meaningful way to this small community.To be considered as a future resident of Montenello contact the town's mayor, Augusto Rossi. Live your dream of Italy for just one euro.When the Mayor of a picturesque Italian town launches a new scheme to rejuvenate the community, his advertisement is read with interest and excitement by many. Zara is in her thirties and desperate to get on the property ladder. Tim and Lynda are retiring and need a project. Some are looking for a peaceful bolthole. Others hope to make a profit, start a business, escape a dull life or an unhappy relationship. And there is someone who just might be hiding their true motivation...Their lives are about to change forever - but can they make their dream of Italy into a reality? A deliciously escapist summer read.******Readers are loving Nicky Pellegrino!'I could smell the fresh pasta, feel the sunshine, smell the sea breeze and feel my worries wash away. It was lovely to stumble down the cobbled paths and stroll along the beautiful scenery''Through Italy, through food, through heartbreak, through love, through family. Add in a pinch of karmic justice and you have the perfect read with a joyful ending!''Once again Nicky Pellegrino had me captivated with this amazing story. It made me laugh, made me cry. I read it in one afternoon''I will say that if you are a woman on the cusp of discovering who you are and what your heart desires...then you will devour this book as I did''Such a great escapism read, full of emotions and family drama with love'

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The proliferation of virtual and augmented reality technologies into society raise significant questions for judges, legal institutions, and policy makers. For example, when should activities that occur in virtual worlds, or virtual images that are projected into real space (that is, augmented reality), count as protected First Amendment 'speech'? When should they instead count as a nuisance or trespass? Under what circumstances would the copying of virtual images infringe intellectual property laws, or the output of intelligent virtual avatars be patentable inventions or works of authorship eligible for copyright? And when should a person (or computer) face legal consequences for allegedly harmful virtual acts?The Research Handbook on the Law of Virtual and Augmented Reality addresses these questions and others, drawing upon free speech doctrine, criminal law, the law of data protection and privacy, and of jurisdiction, as well as upon potential legal rights for increasingly intelligent virtual avatars in VR worlds. The Handbook offers a comprehensive look at challenges to various legal doctrines raised by the emergence - and increasing use of - virtual and augmented reality worlds, and at how existing law in the USA, Europe, and other jurisdictions might apply to these emerging technologies, or evolve to address them. It also considers what legal questions about virtual and augmented reality are likely to be important, not just for judges and legal scholars, but also for the established businesses and start-ups that wish to make use of, and help shape, these important new technologies.This comprehensive Research Handbook will be an invaluable reference to those looking to keep pace with the dynamic field of virtual and augmented reality, including students and researchers studying intellectual property law as well as legal practitioners, computer scientists, engineers, game designers, and business owners.Contributors include: W. Barfield, P.S. Berman, M.J. Blitz, S.J. Blodgett-Ford, J. Danaher, W. Erlank, J.A.T. Fairfield, J. Garon, G. Hallevy, B. Lewis, H.Y.F. Lim, C. Nwaneri, S.R. Peppet, M. Risch, A.L. Rossow, J. Russo, M. Supponen, A.M. Underhill, B.D. Wassom, A. Williams, G. Yadin

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365 poems celebrating nature and the changing seasons. This is the perfect bedside companion for any nature or poetry fan, featuring famous odes from big-name poets alongside unsung poems from less-well-known writers. Each poem is chosen to chime with the natural world through the seasons. Spring is a time of hope, a season of new life with William Wordsworth’s daffodils, John Clare’s lambs and Christina Rossetti’s birdsong. Summer shifts into a time of leisure with long idyllic holidays in the countryside. According to Henry James, the two most beautiful words in the English language were ‘summer afternoon’, a sentiment echoed by Edward Thomas and Emily Dickinson. John Keats, William Blake and W. H. Auden are the poets we associate with autumn and this is possibly the most poetic season. The natural world, and the human one, hold onto the last lingering memories of summer before they turn to face the oncoming hardships of winter. Amy Lowell and George Meredith perfectly frame this time of year with their silver-fringed leaves and crimson berries. Winter can be savoured in poetry, rather than endured; bleak grey days are transformed into a world of glittering frost and snow-blanketed landscapes. Even in the darkest days life continues and soon we can turn our attention to the rebirth of spring. A wonderful collection of poems that help mark the daily turn of the seasons and all the rituals marking the significant moments of the year, from Candlemas to Christmas.

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Clementina, Viscountess Hawarden (1822–1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio—a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor’s hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden’s girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer—a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs’ interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden’s works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor’s voice unveils the peculiarities of the erotic in Lady Hawarden’s images through a writerly approach that remembers and rewrites adolescence as sustained desire. In turn autobiographical, theoretical, historical, and analytical, Mavor’s study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography.

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While the work of Frank Lloyd Wright, Richard Neutra, and their contemporaries frequently influences our ideas about house design at the midcentury, most Americans during this period lived in homes built by little-known builders who also served as developers of the communities. Often dismissed as "little boxes, made of ticky-tacky," the tract houses of America's postwar suburbs represent the twentieth century's most successful experiment in mass housing. Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population. Focusing on twelve developments in the suburbs of Boston, Philadelphia, Chicago, and Los Angeles, Barbara Miller Lane tells the story of the collaborations between builders and buyers, showing how both wanted houses and communities that espoused a modern way of life--informal, democratic, multiethnic, and devoted to improving the lives of their children. The resulting houses differed dramatically from both the European International Style and older forms of American domestic architecture. Based on a decade of original research, and accompanied by hundreds of historical images, plans, and maps, this book presents an entirely new interpretation of the American suburb. The result is a fascinating history of houses and developments that continue to shape how tens of millions of Americans live. Featured housing developments in Houses for a New World: Boston area: * Governor Francis Farms (Warwick, RI) * Wethersfield (Natick, MA) * Brookfield (Brockton, MA) Chicago area: * Greenview Estates (Arlington Heights, IL) * Elk Grove Village * Rolling Meadows * Weathersfield at Schaumburg Los Angeles and Orange County area: * Cinderella Homes (Anaheim, CA)* Panorama City (Los Angeles) * Rossmoor (Los Alamitos, CA) Philadelphia area: * Lawrence Park (Broomall, PA)* Rose Tree Woods (Broomall, PA)

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From Lonely Planet, the world's leading travel guide publisher Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet Washington DC City Map is your conveniently-sized passport to traveling with ease. Get more from your map and your trip with images and information about top city attractions,& transport maps, itinerary suggestions, extensive street and site index, and practical travel tips and directory. With this easy-to-use, full colour navigation tool in your back pocket, you can truly get to the heart of Washington DC, so begin your journey now! Durable and waterproof Easy-fold format and convenient size Handy slipcase Full colour and easy-to-use Extensive street and site index Images and information about top city attractions Handy transport maps Practical travel tips and directory Itinerary suggestions Covers Capitol Hill, Adams Morgan, Logan Circle, Columbia Heights, Kalorama, Woodley Park, Pleasant Plains, Meridian Hill, Le Droit Park, Georgetown, Upper Northeast DC, Dupont Circle, Bloomingdale, Foggy Bottom, Penn Quarter, National Mall, Rosslyn, Southwest DC, Arlington, Courthouse Check out Lonely Planet Washington DC, our most comprehensive guidebook to the city, covering the top sights and most authentic off-beat experiences. Or check out Lonely Planet Pocket Washington DC, a handy-sized guide focused on the can't-miss experiences for a quick trip. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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The Victorians worried about many things, prominent among their worries being the 'condition' of England and the 'question' of its women. Sex, Crime and Literature in Victorian England revisits these particular anxieties, concentrating more closely upon four 'crimes' which generated especial concern amongst contemporaries: adultery, bigamy, infanticide and prostitution. Each engaged questions of sexuality and its regulation, legal, moral and cultural, for which reason each attracted the considerable interest not just of lawyers and parliamentarians, but also novelists and poets and perhaps most importantly those who, in ever-larger numbers, liked to pass their leisure hours reading about sex and crime. Alongside statutes such as the 1857 Matrimonial Causes Act and the 1864 Contagious Diseases Act, Sex, Crime and Literature in Victorian England contemplates those texts which shaped Victorian attitudes towards England's 'condition' and the 'question' of its women: the novels of Dickens, Thackeray and Eliot, the works of sensationalists such as Ellen Wood and Mary Braddon, and the poetry of Gabriel and Christina Rossetti. Sex, Crime and Literature in Victorian England is a richly contextual commentary on a critical period in the evolution of modern legal and cultural attitudes to the relation of crime, sexuality and the family.

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A cosy Dandy Gilver mystery set in 1920s Scotland. For fans of PG Wodehouse, Dorothy L Sayers and Agatha Christie.1st May 1926 - Dear Alec, Just when those who should be working are all downing tools for this wretched strike (and I still can't believe it - I mean to say: riots, Alec - in Edinburgh of all places) guess who is setting her virgin shoulder to its very first wheel? I am dressed in serge and sensible footwear, sleeping in an iron bed and dining off pickled tongue at six o'clock each day. I am, in short, that nice young Mrs Balfour's new maid. But don't worry, Alec dear: things haven't got as bad as all that. It's just that that nice young Mr Balfour is going to kill his wife. At least, she thinks so, and the more I hear about him from butler, cook and bootboy the more I'm inclined to agree. So I'm undercover, in disguise, bent upon foiling. And jolly hard work it is too - tomorrow is my half-day free if you'd care take me out for a restorative bun. (Every maid needs a beau to buy buns for her.) Yours, Dandy xx p.s. Ask for Miss Rossiter: below stairs I am she.Catriona McPherson's latest novel in the series, Dandy Gilver and a Spot of Toil and Trouble is now available for pre-order.

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Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles. Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts. Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.

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Lonely Planet’s Pocket Lisbon is your guide to the city’s best experiences and local life - neighbourhood by neighbourhood. Ride the scenic Tram 28E, take in the beauty of the fairy-tale Mosteiro dos Jeronimos, and sample the famous pasteis de nata; all with your trusted travel companion. Uncover the best of Lisbon and make the most of your trip!Inside Lonely Planet’s Pocket Lisbon: Full-colour maps and travel photography throughoutHighlights and itineraries help you tailor a trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential info at your fingertips - hours of operation, phone numbers, websites, transit tips, pricesHonest reviews for all budgets - eating, sightseeing, going out, shopping, hidden gems that most guidebooks missConvenient pull-out Lisbon map (included in print version), plus over 16 colour neighbourhood mapsUser-friendly layout with helpful icons, and organised by neighbourhood to help you pick the best spots to spend your timeCovers Bairro Alto & Chiado, Baixa & Rossio, Alfama, Castelo & Graça, Belém, Parque das Nações, Marquês de Pombal, Rato & Saldanha, Estrela, Lapa & Alcântara and moreThe Perfect Choice: Lonely Planet’s Pocket Lisbon, an easy-to-use guide filled with top experiences - neighbourhood by neighbourhood - that literally fits in your pocket. Make the most of a quick trip to Lisbon with trusted travel advice to get you straight to the heart of the city. Looking for more extensive coverage? Check out Lonely Planet’s Portugal guide or the Experience Portugal guide for a comprehensive look at all that the country has to offer.eBook Features: (Best viewed on tablet devices and smartphones)Downloadable PDF and offline maps prevent roaming and data chargesEffortlessly navigate and jump between maps and reviewsAdd notes to personalise your guidebook experienceSeamlessly flip between pagesBookmarks and speedy search capabilities get you to key pages in a flashEmbedded links to recommendations' websitesZoom-in maps and photos Inbuilt dictionary for quick referencingAbout Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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A lively, inspiring account of the pioneers who sought toaccurately predict the weather Benjamin Franklin . . . James P. Espy . . . Cleveland Abbe . . .Carl-Gustaf Rossby . . . Jule G. Charney . . . just a few of theremarkable individuals who struggled against formidable odds tounderstand the atmosphere and predict the weather. Where they sawpatterns and processes, others saw randomness and tumult-and yetthey strove to make their voices heard, often saving lives in theprocess. Storm Watchers takes you on a fascinating journey through time thatcaptures the evolution of weather forecasting. From the age whenmeteorology was considered one step removed from sorcery to themodern-day wizardry of supercomputers, John Cox introduces you tothe pioneering scientists whose work fulfilled an ancient dream andmade it possible to foretell the future. He tells the little-knownstories of these weathermen, such as Ptolemy's weather predictionsbased on astrology, John Finley's breakthrough research inidentifying tornadoes, and Tor Bergeron's new techniques of weatherforecasting, which contributed to its final worldwideacceptance. Filled with extraordinary tales of bravery and sacrifice, StormWatchers will make you think twice the next time you turn on thelocal news to catch the weather report.

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The grid often hides in plain sight, from notepads and spreadsheets to halftone photographic reproductions. It dominates the organisation, perception, and representation of the modern world, especially in print. Deeply embedded in a Western worldview, the grid visualises control, mastery, and order. As an invisible framing device, it has become so pervasive that we habitually ignore it. Yet when artists call our attention to the grid, its layered meanings come fully into view. On the Grid: Ways of Seeing in Print surveys photographs, prints, artist’s books, and printed sculptures from the dynamic permanent collection of the Frances Lehman Loeb Art Center at Vassar College. From 19th-century scientific and portrait photography to avant-garde and conceptual photography; from mid- 20th-century Minimalist, Pop Art, and Op Art printmaking to experimental bookmaking and photography in the 21st century, this richly illustrated volume explores how artists have embraced, rejected, and reclaimed the grid. By altering and challenging perception, they offer new ways of seeing the world. With contributions by Jared Bark, Jessica D. Brier, Lukas Felzmann, Stephen Frailey, John P. Murphy, Werner Pfeiffer, Alison Rossiter, Stephanie Syjuco, Rhiannon Skye Tafoya, Massimo Tarrida.

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A compelling and persuasive account of how the Romantic Movement permanently changed the way we see things and express ourselves.Three great revolutions rocked the world around 1800. The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching. From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's sparkling, wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.

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How can we distinguish between injustice and misfortune? What can we learn from the victims of calamity about the sense of injustice they harbor? In this book a distinguished political theorist ponders these and other questions and formulates a new political and moral theory of injustice that encompasses not only deliberate acts of cruelty or unfairness but also indifference to such acts. Judith N. Shklar draws on the writings of Plato, Augustine, and Montaigne, three skeptics who gave the theory of injustice its main structure and intellectual force, as well as on political theory, history, social psychology, and literature from sources as diverse as Rosseau, Dickens, Hardy, and E. L. Doctorow. Shklar argues that we cannot set rigid rules to distinguish instances of misfortune from injustice, as most theories of justice would have us do, for such definitions would not take into account historical variability and differences in perception and interest between the victims and spectators. From the victim's point of view—whether it be one who suffered in an earthquake or as a result of social discrimination—the full definition of injustice must include not only the immediate cause of disaster but also our refusal to prevent and then to mitigate the damage, or what Shklar calls passive injustice. With this broader definition comes a call for greater responsibility from both citizens and public servants. When we attempt to make political decisions about what to do in specific instances of injustice, says Shklar, we must give the victim's voice its full weight. This is in keeping with the best impulses of democracy and is our only alternative to a complacency that is bound to favor the unjust.

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Winner of the Wolfson History Prize, and described by A.S.Byatt as 'one of the finest biographies ever published', this is Fiona MacCarthy's magisterial biography of William Morris, legendary designer and father of the Victorian Arts and Crafts movement. 'Thrilling, absorbing and majestic.' Independent'Wonderfully ambitious ... The definitive Morris biography.' Sunday Times 'Delicious and intelligent, full of shining detail and mysteries respected.' Daily Telegraph'Oh, the careful detail of this marvellous book! . . . A model of scholarly biography'. New StatesmanSince his death in 1896, William Morris has been celebrated as a giant of the Victorian era. But his genius was so multifaceted and so profound that its full extent has rarely been grasped. Many people may find it hard to believe that the greatest English designer of his time - possibly of all time - could also be internationally renowned as a founder of the socialist movement, and ranked as a poet with Tennyson and Browning.In her definitive biography - insightful, comprehensive, addictively readable - the award-winning Fiona MacCarthy gives us a richly detailed portrait of Morris's complex character for the first time, shedding light on his immense creative powers as artist and designer of furniture, fabrics, wallpaper, stained glass, tapestry, and books; his role as a poet, novelist and translator; on his psychology and his emotional life; his frenetic activities as polemicist and reformer; and his remarkable circle of friends, literary, artistic and political, including Dante Gabriel Rossetti and Edward Burne-Jones. It is a masterpiece of biographical art.

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'Captivating, intimate, dazzling epic and revelatory' SIMON SEBAG-MONTEFIORE The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologized. Yet half the Rothschilds, the women, remain virtually unknown. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Determined to challenge and subvert expectations, they supported each other, building on the legacies of their mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with Rossini and Mendelssohn, Disraeli, Gladstone and Chaim Weizmann, amphetamine-dealers, temperance campaigners, Queen Victoria, and Albert Einstein. They broke code, played a pioneering role in the environmental movement, scandalised the world of women's tennis by introducing the overarm serve and drag-raced with Miles Davies in Manhattan.Absorbing and compulsive THE WOMEN OF ROTHSCHILD gives voice to the complicated, privileged and gifted women whose vision and tenacity shaped history.

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'Captivating, intimate, dazzling epic and revelatory' SIMON SEBAG-MONTEFIORE The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologized. Yet half the Rothschilds, the women, remain virtually unknown. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Determined to challenge and subvert expectations, they supported each other, building on the legacies of their mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with Rossini and Mendelssohn, Disraeli, Gladstone and Chaim Weizmann, amphetamine-dealers, temperance campaigners, Queen Victoria, and Albert Einstein. They broke code, played a pioneering role in the environmental movement, scandalised the world of women's tennis by introducing the overarm serve and drag-raced with Miles Davies in Manhattan.Absorbing and compulsive THE WOMEN OF ROTHSCHILD gives voice to the complicated, privileged and gifted women whose vision and tenacity shaped history.

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This Elgar Research Agenda showcases insights from leading researchers on the charged issues and questions that lie ahead in the multidisciplinary field of digital politics. Covering the political implications of the Internet, social media, datafication and computational analytics, it looks to the future of how research might address the political challenges of the digital age and maps the key emerging trends in this field. Contributors outline and engage with major questions related to the transformation of campaigns, elections and political partisanship through digital media, and identify the methodological pathways and problems that impact the field. Exploring the implications of digitisation for governance, democracy, privacy, surveillance, advocacy, activism, and political talk, this book highlights the emergent ethical issues that will shape the future of this burgeoning focus of research. Featuring crucial insights into an increasingly pertinent subject, this Research Agenda will be key reading for researchers and graduate students of Internet studies, new media studies and political science. Policy makers, political consultants and anyone with a serious interest in research into digital politics will also benefit from this book's forward-looking approach. Contributors include: N. Anstead, J.G. Blumler, A. Chadwick, S. Coleman, A. Drew, E. Dubois, W.H. Dutton, L. Fernandez, H. Ford, M.I. Franklin, P. Gerbaudo, D. Karpf, L. Lievrouw, W.-Y. Lin, F. Martin-Bariteau, D. McDowell-Naylor, G. Moss, B. O'Loughlin, P. Rossini, V. Schneider, L. Sorenson, S. Wright, X. Zhang

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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A fearsome young woman stormsinger and pirate hunter join forces against a deathless pirate lord in this swashbuckling Jacobean adventure on the high-seas. Launching the Winter Sea series, full of magic, betrayal and redemption, for readers of Adrienne Young, R. J. Barker and Naomi Novik Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection - and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships. Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary. Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves. Come sail the Winter Sea, for action-packed, high-stakes adventures, rich characterisation and epic plots full of intrigue and betrayal.

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It is the first time that the different strategic advertising mechanisms are explained in a single book. And this is also the first time that a book has brought together the most important and transcendent (for its applicability to the advertising market) strategic advertising mechanisms. The text explains from classic mechanisms such as Rosser Reeves's USP or Procter & Gamble's copy strategy to modern mechanisms such as Kevin Roberts's Lovemarks or Douglas Holt's iconic brands. It also considers European mechanisms such as Jacques Séguéla’s star strategy or Henri Joannis’s psychological axis. The book has the most complete academic review. Strategic Advertising Mechanisms: From Copy Strategy to Iconic Brands, integrates the most important strategic advertising mechanisms developed throughout the time: USP, brand image, positioning, Lovemarks... This is the first and only book to date that compiles the most consolidated methods by advertisers or advertising agencies (P&G, Bates, Ogilvy or Euro) in the history of modern advertising. Primary readership will be among practitioners, researchers, scholars and students in a range of disciplines, including communication, advertising, business and economic, information and communication, sociology, psychology and humanities. There may also be appeal to the more general reader with an interest in how advertising strategic planning works.

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Pizza is simple: dough, sauce, cheese, toppings. But inside these ordinary ingredients lies a world of extraordinary possibility. With The Joy of Pizza, you'll make the best pizza of your life. Dan Richer has devoted his career to discovering the secrets to a transcendent pie. The pizza at his restaurant, Razza, is among the best one can eat in the United States, if not the world. Now, Richer shares all he has learned about baking pizza with a crisp, caramelized rim; a delicate, floral-scented crumb; and a luscious combination of sauce, cheese, and toppings that gets as close to perfection as any mortal may dare.You'll learn how to make Razza specialties such as:*Jersey Margherita, a new classic improving on Neapolitan tradition with * Meatball Pizza, the first time Richer has shared the recipe for Razza's legendary meatballs* Project Hazelnut, pairing the rich flavor of the nuts with honey and mozzarella* Santo, topped with caramelized fennel sausage and drizzled with chile oil * Pumpkin Pie, a cold-weather pie with roasted pumpkin, ricotta salata, and caramelized onions* And many more inventive and seasonal pizzas, from Funghi (mushroom) and Montagna (arugula and speck) to Bianca (white pizza) and Rossa (vegan tomato pie)Suited to beginning home bakers and professionals alike, these crusts begin with store-bought yeast as well as sourdough starter. Richer shows how to achieve top results in ordinary home ovens as well as high-temperature ovens such as the Ooni and Roccbox, and even wood-fired outdoor pizza ovens. The Joy of Pizza is rich with step-by-step photography, links to instructional videos, and portraits of every pizza before and after it meets the heat of the oven-so you'll know exactly what to do to create superior results.The ingredients are simple. The methods are straightforward. And the results are deliriously delicious.

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Biography of three artists closely associated with the Pre-Raphaelites whose letters give a vivid insight into the dramas of their personal life. Joanna, George and Henry tells the story of the intertwined lives of three young artists in the 1850s. When the transcript of the material on which this group portrait is based came to light ten years ago, no one could haveimagined the drama within. They were family letters: letters from a young woman to her brother and later to her suitor - of interest chiefly because all three were painters, and all were active participants in the youthful Pre-Raphaelite revolution that swept England in the 1850s. They turned out to be a revelation - giving not only a comprehensive picture of what it was like to be an artist in the mid-19th century, but containing within them a powerful family drama and a most unusual love story. It is a love story, moreover, told largely from a woman's point of view. Joanna Boyce's dedication to her art was absolute: she studied in Paris under Thomas Couture and had her first painting exhibited at the Academy when she was only 24. She was headstrong, self-critical, opinionated and teasing - "an artist with her pen as well as her brush". She died tragically young. Between them, Joanna, her brother George and suitor Henry Wells knew all the artistic luminaries of the day, among them Ruskin, Millais and Rossetti (with whom George shared a great deal, including mistresses). They wrote to each other not just about art, butabout their friends, their favourite books, their travels, their illnesses, their passions and their quarrels. In this book, they tell their story in their own vivid words - a story which portrays the age in which they lived andthe powerful drama of their emotional and professional lives.

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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A fresh twist on 24 classic poems, these visual interpretations by comic artist Julian Peters will change the way you see the world.This stunning anthology of favorite poems visually interpreted by comic artist Julian Peters breathes new life into some of the greatest English-language poets of the nineteenth and twentieth centuries.These are poems that can change the way we see the world, and encountering them in graphic form promises to change the way we read the poems. In an age of increasingly visual communication, this format helps unlock the world of poetry and literature for a new generation of reluctant readers and visual learners.Grouping unexpected pairings of poems around themes such as family, identity, creativity, time, mortality, and nature, Poems to See By will also help young readers see themselves differently. A valuable teaching aid appropriate for middle school, high school, and college use, the collection includes favorites from the Western canon already taught in countless English classes.Includes poems by Emily Dickinson, Langston Hughes, Carl Sandburg, Maya Angelou, Seamus Heaney, e. e. cummings, Robert Frost, Dylan Thomas, Christina Rossetti, William Wordsworth, William Ernest Henley, Robert Hayden, Edgar Allan Poe, W. H. Auden, Thomas Hardy, Percy Bysshe Shelley, John Philip Johnson, W. B. Yeats, Gerard Manley Hopkins, Edna St. Vincent Millay, Tess Gallagher, Ezra Pound, and Siegfried Sassoon.

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This wide-ranging selection combines popular choices of traditional poems read at funerals with powerful poems by contemporary writers more tuned to our present age of doubt and disbelief. There are poems here for churchgoers and believers, including classic verses of grief and consolation by John Donne, Christina Rossetti, Emily Bronte and Emily Dickinson, the anonymous Do not stand at my grave and weep, and the poems read at Princess Diana's funeral. But there are also poems for people of all faiths and religions, for agnostics and atheists, and most importantly for those who aren’t sure what they believe, whose grief over loss is the more intense for not knowing what happens to the soul after death. Grief isn’t denied but experienced and made more bearable by being put into memorable words. Searing poems of lament are followed by moving elegies celebrating the lives of those we will always love. Whether and how the spirit survives is then explored in an extraordinary gathering of poems by writers as different and diverse as the Persian mystic Rumi, Zen Buddhist composers of Japanese haiku, and American poets Mary Oliver and Jane Kenyon. Buttressed against their assertions of faith in an afterlife are modern sceptics, from Auden and Larkin to William Carlos Williams and C.K. Williams, whose wrestling with the meaning of death helps us make sense of no sense, mirroring our own anxieties and difficulties. But however various and contradictory these poems, their message chimes with Larkin’s famous words, proving 'Our almost-instinct almost true:/ What will survive of us is love.' Unlike other poetry anthologies of loss, mourning and remembrance, Do Not Go Gentle offers a selection of poems specifically for reading at funerals and memorial services. It can also be used for reading aloud to friends and family, or for reading while numbed and bewildered – all times when the right poem can help us share and bear the burden of immediate grief.

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The first full edition of the correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London, including the Pre-Raphaelites. This correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, whom she eventually married, dates from the period 1845 to 1861. They were all friends of Rossetti and the Pre-Raphaelite circle, but in addition Henry and Joanna both studied in Paris, and Joanna wrote extensively about her time there, training with Thomas Couture. She wrote for The Saturday Review as well as painting a small number of very interesting and much admired pictures. Her brother George established himself as a successful watercolourist and member of the Old Watercolour Society, having been encouraged both by David Cox on his Welsh sketching expeditions,and by Ruskin, whose letters advising him what to paint in Venice are included here. Henry Wells was primarily a portrait painter. At first he specialised in miniatures, and was commissioned to paint Mary, princess of Cambridge byQueen Victoria. There are vivid accounts of visits to country houses to carry out commissions from their owners. The three wrote constantly about techniques of painting and about the new colours that became available at this period, and about their visits to exhibitions both in Paris and London. They all contributed to the Royal Academy and other exhibitions. In addition, there is the extraordinary story of Joanna's and Henry's courtship and marriage, at first encouraged and then viciously opposed by Joanna's recently widowed mother. The correspondence survives only in an unpublished transcript made in the 1940s, as the originals were all destroyed in a bombing raid on Bath during the second world war. Excerpts from George P. Boyce's diaries were published in the 1930s, but the present edition contains a considerable amount of new material.

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The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change. With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow. Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Viganò. Topics range from the European historic city to the Las Vegas Strip and the megacity of São Paulo, taking in the global sustainable city.

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Winner, 2024 Haskins Medal, Medieval Academy of America Winner, 2023 Margaret W. Rossiter History of Women in Science Prize, History of Science SocietyWinner, 2022 Award for Excellence in the Study of Religion: Historical Studies, American Academy of Religion Honorable Mention, 2023 John Boswell Prize, The Committee on Lesbian, Gay, Bisexual & Transgender History (CLGBTH) Longlisted, 2022 Lambda Literary Award for LGBTQ Studies, Lambda Literary AwardsThe Shape of Sex is a pathbreaking history of nonbinary sex, focusing on ideas and individuals who allegedly combined or crossed sex or gender categories from 200–1400 C.E. Ranging widely across premodern European thought and culture, Leah DeVun reveals how and why efforts to define “the human” so often hinged on ideas about nonbinary sex.The Shape of Sex examines a host of thinkers—theologians, cartographers, natural philosophers, lawyers, poets, surgeons, and alchemists—who used ideas about nonbinary sex as conceptual tools to order their political, cultural, and natural worlds. DeVun reconstructs the cultural landscape navigated by individuals whose sex or gender did not fit the binary alongside debates about animality, sexuality, race, religion, and human nature. The Shape of Sex charts an embrace of nonbinary sex in early Christianity, its brutal erasure at the turn of the thirteenth century, and a new enthusiasm for nonbinary transformations at the dawn of the Renaissance. Along the way, DeVun explores beliefs that Adam and Jesus were nonbinary-sexed; images of “monstrous races” in encyclopedias, maps, and illuminated manuscripts; justifications for violence against purportedly nonbinary outsiders such as Jews and Muslims; and the surgical “correction” of bodies that seemed to flout binary divisions.In a moment when questions about sex, gender, and identity have become incredibly urgent, The Shape of Sex casts new light on a complex and often contradictory past. It shows how premodern thinkers created a system of sex and embodiment that both anticipates and challenges modern beliefs about what it means to be male, female—and human.

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Winner, 2024 Haskins Medal, Medieval Academy of America Winner, 2023 Margaret W. Rossiter History of Women in Science Prize, History of Science SocietyWinner, 2022 Award for Excellence in the Study of Religion: Historical Studies, American Academy of Religion Honorable Mention, 2023 John Boswell Prize, The Committee on Lesbian, Gay, Bisexual & Transgender History (CLGBTH) Longlisted, 2022 Lambda Literary Award for LGBTQ Studies, Lambda Literary AwardsThe Shape of Sex is a pathbreaking history of nonbinary sex, focusing on ideas and individuals who allegedly combined or crossed sex or gender categories from 200–1400 C.E. Ranging widely across premodern European thought and culture, Leah DeVun reveals how and why efforts to define “the human” so often hinged on ideas about nonbinary sex.The Shape of Sex examines a host of thinkers—theologians, cartographers, natural philosophers, lawyers, poets, surgeons, and alchemists—who used ideas about nonbinary sex as conceptual tools to order their political, cultural, and natural worlds. DeVun reconstructs the cultural landscape navigated by individuals whose sex or gender did not fit the binary alongside debates about animality, sexuality, race, religion, and human nature. The Shape of Sex charts an embrace of nonbinary sex in early Christianity, its brutal erasure at the turn of the thirteenth century, and a new enthusiasm for nonbinary transformations at the dawn of the Renaissance. Along the way, DeVun explores beliefs that Adam and Jesus were nonbinary-sexed; images of “monstrous races” in encyclopedias, maps, and illuminated manuscripts; justifications for violence against purportedly nonbinary outsiders such as Jews and Muslims; and the surgical “correction” of bodies that seemed to flout binary divisions.In a moment when questions about sex, gender, and identity have become incredibly urgent, The Shape of Sex casts new light on a complex and often contradictory past. It shows how premodern thinkers created a system of sex and embodiment that both anticipates and challenges modern beliefs about what it means to be male, female—and human.

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Subtitled An Anglo-American Tragedy, Evelyn Waugh's The Loved One is a witty satirical novel on artistic integrity and the British expat community in Hollywood, published in Penguin Modern Classics.The more startling for the economy of its prose and plot, this novel's story, set among the manicured lawns and euphemisms of Whispering Glades Memorial Park in Hollywood, satirizes the American way of death and offers Waugh's memento mori. Following the death of a friend, poet and pets' mortician Dennis Barlow finds himself entering into the artificial Hollywood paradise of the Whispering Glades Memorial Park. Within its golden gates, death, American-style, is wrapped up and sold like a package holiday. There, Dennis enters the fragile and bizarre world of Aimée, the naïve Californian corpse beautician, and Mr Joyboy, the master of the embalmer's art...A dark and savage satire on the Anglo-American cultural divide, The Loved One depicts a world where love, reputation and death cost a very great deal.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed The Loved One, you might like Waugh's Vile Bodies, also available in Penguin Modern Classics.'The master of black comedy'Sunday Times'One of the funniest and most significant books of the century'Alice Thomas Ellis, Daily Telegraph

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Choice Outstanding Academic Title 2023 From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from the first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant-garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others. 100 Bible Films is the indispensable guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.

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This book investigates what a case study of a northern market town and its rural hinterland can tell us about village differentiation, exploring how and why rural communities developed in what was chiefly an industrial region and, notably, how the relationship between town and country influenced rural communities. It looks at six villages close to Doncaster - Sprotbrough, Warmsworth, Rossington, Fishlake, Stainforth and Braithwell - chosen to represent the diversity of landownership and land type of the Doncaster district. Rural communities, and more specifically the development of English villages, have proved fertile ground for historians. This book makes an original contribution to these debates. In particular, it engages with existing models of village typology, suggesting that not only are they too restrictive to account for nuanced differences, but also that they fail to acknowledge the importance of the relationships between rural communities and between town and country. Following Sarah Holland’s detailed research into different aspects of rural communities, the book offers new perspectives on how rural communities in close proximity developed, often differently, during the mid-nineteenth century. Themes looked at in detail include living and working conditions, agriculture and industry, religion and education, and through these Holland considers existing theories of village typology, before setting out her ideas regarding social hierarchies, spheres of influence and agency, which combine to create complex patterns of differentiation. Communities in Contrast will appeal to all those interested in rural life and economy in the nineteenth century, the relationship between town and country, as well as the history of Yorkshire.

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Bob Dawson has had a vast of experience, spanning over 35 years, with both the Spirit World, and the Spiritualist Movement and its periphery. During this time he has developed as a Healer and a Spiritualist Medium, and he has taken Spiritualist Church Services, workshops, and demonstrated Mediumship throughout the North West of England. In the past he was a committee member and former President of Rawtenstall Spiritualist Church, and is the Founder and Trustee of Rossendale Spiritualist Centre, which was established in 2003. During his life Bob has witnessed an array of what people would describe as paranormal events. Many would consider these magical, or even impossible, but in fact they are a reality, and adhere precisely to the Laws of Creation. He describes these events as life changing, in particular the physical phenomena that he has witnessed, and these are documented and critically examined within his book. In recounting these experiences Bob adds his own thought-provoking insight into the workings of Creation, and the function of the Spirit World through the evidence they have provided. He also explains the manifestation of our Spirit incarnation and reason for our progressive experiences in this world. This book provides the reader with an insight to what the Spirit World can achieve and demonstrate at our physical level, and points the way towards the self-discovery of who you truly are, which is not who you think you are. You Can’t Die for The Life In You is a fascinating account which will continue to stimulate the readers’ curiosity about the evidence, their identity, and life itself.

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MotoGP is enjoying a period of unprecedented popularity and Ring of Fire details the acclaim, the heroism and the pressures of riding motorbikes at speeds of more than 200mph. This is a world where manufacturers invest millions and the world champion celebrates by staging mock jail breaks and giving pillion rides to a blow-up doll. One rider warms up for major races by singing Hank Marvin songs on his karaoke machine and a rising Italian star sees the world in terms of black and white energy tubes. Another sees nothing strange in racing with two broken ankles.Ring of Fire covers the recent history of MotoGP, from American Nicky Hayden spectacularly overturning established champion Valentino Rossi in 2006, through the emergence of wild young Australian Casey Stoner as the new champion in 2007, to the fierce rivalry between them and Spaniards Dani Pedrosa and Jorge Lorenzo in what would prove to be one of the most closely-contested years of racing in 2008. It gives a behind the scenes look at World Superbike Champion James Toseland's attempts to break into this elite, and looks back at the tradition of reprobates, romance and debauchery in the paddock dating back to the 60s and stars like Mike Hailwood and Giacomo Agostino.Rick Broadbent introduces us not just to the stars and the multi-million pound contracts, but also to the officals, mechanics, doctors, team owners and fans who make up this white-knuckle ride of a sport. By turns funny, sad, shocking and uplifting, Ring of Fire brings us face to face with those who battle to emerge unscathed, or who just ignore the pain and ride to win against all odds.

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Brideshead Revisited is Evelyn Waugh's stunning novel of duty and desire set amongst the decadent, faded glory of the English aristocracy in the run-up to the Second World War.The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly disappearing world of privilege they inhabit. Enchanted first by Sebastian Flyte at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognise his spiritual and social distance from them.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed Brideshead Revisited, you might like Waugh's Vile Bodies, also available in Penguin Classics.'Lush and evocative ... Expresses at once the profundity of change and the indomitable endurance of the human spirit'The Times

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Luchino Visconti (1906-1976) was one of Europe’s most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure. Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti’s production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods. Reading these films and their decadence in light of the time of filming and Visconti’s own sense of cultural doom, Resina further demonstrates the relevance of Visconti’s philosophy today and how much they still have to say to our contemporary situation.

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Let Secret Lisbon guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Lisbon guide book and let our local experts show you the well-hidden treasures of this amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. Now in it's third edition, Secret Lisbon features 160 secret and unusual locations. Inside Secret Lisbon : The most beautiful hidden tiles of the city, the head of the serial killer Lisbon preserved in formalin, the Kabbalistic principles of the south portal of the Jeronimos Monastery or the theory of the fifth Portuguese empire of which we find so many traces in the geography of the city, charming forgotten dead ends, the outstanding panoptic architecture of a former hospital, the impressive wax masks from the Dermatology Museum, a secret passage at the hotel Avenida Palace, the mysterious abbey below Palacio Foz, the reason why the coat of arms of the Portugal is inclined at 17 Degrees on the facade of the Rossio station ... Don't miss - Each chapter of this Secret Lisbon travel guide book corresponds to a different neighbourhood of the city so that one can always find a hidden or secret place to discover. Perfectly planned walks - Make sure that you do not miss any Secret location, by discovering each one featured in this guide by planning a walking tour of each neighbourhood.

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Here is a treasure-house of over seven centuries of English poetry, chosen and introduced by Christopher Ricks, whom Auden described as 'exactly the kind of critic every poet dreams of finding'. The Oxford Book of English Verse, created in 1900 by Arthur Quiller-Couch and selected anew in 1972 by Helen Gardner, has established itself as the foremost anthology of English poetry: ample in span, liberal in the kinds of poetry presented. This completely fresh selection brings in new poems and poets from all ages, and extends the range by another half-century, to include many twentieth-century figures not featured before -- among them Philip Larkin and Samuel Beckett, Thom Gunn and Elaine Feinstein -- right up to Ted Hughes and Seamus Heaney. Here, as before, are lyric (beginning with medieval song), satire, hymn, ode, sonnet, elegy, ballad . . . but also kinds of poetry not previously admitted: the riches of dramatic verse by Marlowe, Shakespeare, Jonson, Webster; great works of translation that are themselves true English poetry, such as Chapman's Homer (bringing in its happy wake Keats's 'On First Looking into Chapman's Homer'), Dryden's Juvenal, and many others; well-loved nursery rhymes, limericks, even clerihews. English poetry from all parts of the British Isles is firmly represented -- Henryson and MacDiarmid, for example, now join Dunbar and Burns from Scotland; James Henry, Austin Clarke, and J. M. Synge now join Allingham and Yeats from Ireland; R. S. Thomas joins Dylan Thomas from Wales -- and Edward Taylor and Anne Bradstreet, writing in America before its independence in the 1770s, are given a rightful and rewarding place. Some of the greatest long poems are here in their entirety -- Wordsworth's 'Tintern Abbey', Coleridge's 'Rime of the Ancient Mariner', and Christina Rossetti's 'Goblin Market' -- alongside some of the shortest, haikus, squibs, and epigrams. Generous and wide-ranging, mixing familiar with fresh delights, this is an anthology to move and delight all who find themselves loving English verse.

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For centuries, distinguished writers have taken on the challenge of describing great music and its significance in their lives. From Joseph Addison to Virgil Thomson, writers in and out of the music field have used their most vivid language to conjure the sounds and emotions of the music that mattered most to them. Yet until this book, no single volume has ever collected the best of this writing in one place. Scattered in magazines, essay collections, and program notes, this literature is largely unknown to the general reader—who often thinks that music essays are for musicians only—and even to the musician—who often reads only narrow specialty publications. Words on Music is thus the first book of its kind. Covering instrumental and vocal music from the eighteenth through the twentieth centuries, it features essays distinguished by their literary quality, their readability, and their appeal to a wide audience. Included is writing by novelists, essayists, composers, performers, cultural historians, and others who have written about music with precision and passion. Here is George Bernard Shaw on Handel, Albert Schweitzer on Bach, Glenn Gould on Scarlatti, E. T. A. Hoffman on Beethoven, Heinrich Heine on Rossini, Aaron Copland on Mozart, George Eliot on Wagner, G. K. Chesterton on Gilbert and Sullivan, Leonard Bernstein on Mahler, Guy Davenport on Ives, Pierre Boulez on Stravinsky, Ned Rorem on Ravel, and more than fifty others. Here also are essays on broader topics—Joseph Addison on opera, Anthony Burgess on music and literature, Jacques Barzun on music criticism, H. L. Mencken on “Music an Sin”—as well as musical memoirs by such masters of the genre as Hector Berlioz, Leigh Hunt, and Ethel Smyth. Words on Music is a uniquely literary and readable book on music. With its wide range of tones and voices, it is ideal for the general reader, the humanities educator, and the musical specialist. Each article is introduced by an informative headnote on the writer and subject. In addition, the volume offers a bibliography with valuable clues for further reading and a substantial essay introducing the elusive art of writing about music.

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Nineteenth Century British Painting provides a succinct and informative chronological survey of a century of British painting which produced a great variety of work. It progresses from the beginnings of Romanticism in the late eighteenth century to the British adoption of Impressionism in the late nineteenth, dividing this prolific period into nine parts. In each part the work of the major figures in particular movements or genres is discussed and analysed, and each painter is presented in a biographical context. The artists are set in the framework of their historical, social and economic background. The majority of the paintings and drawings that are examined in detail are reproduced in the 323 plates, 82 of them in colour. The book is intended to be used more as an introduction, and where appropriate as a textbook, than as a work of reference, although its arrangement will enable readers to obtain fuller information about individual artists, with longer sections devoted to such major figures as Lawrence, Turner, Constable, Rossetti, Leighton and Whistler. The last decade has seen a growing interest in nineteenth century British art in this country, and also in the United States and on the Continent. During this time much has been published in the field and there has been a succession of important exhibitions. Even so, there is no up-to-date and comprehensive survey of the whole century on the market. Nineteenth Century British Painting fills the gap, meeting the need for such a book among undergraduate and graduate students, and among connoisseurs and collectors. It will also have a strong appeal for people with a general interest in the period.

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Ferrari's sporting history, from the origins to 1988, the year of Enzo Ferrari's death, narrated in 400 pages and more than 700 photos, most of which previously unpublished and drawn from the publisher's own archive. More than a book, this is a unique and prestigious document that reviews year by year, from 1947 to 1988, the true sporting epic of Ferrari's Ferrari. Page by page, we find champions of the calibre of Tazio Nuvolari, Alberto Ascari, John Surtees, Niki Lauda, Gilles Villeneuve and many others, who in Formula 1 and elsewhere won world titles at the wheel of unforgettable cars such as the 500 F2, the 158 F1, the Testa Rossa, the 250 GTO, the 330 P4 and the successful 312 T family, from the 1950s through to the late 1980s. This new enlarged edition includes not only champion drivers, but also the men and the mechanics who lived in close contact with the "Drake". They are described in specific text boxes: from Romolo Tavoni to Mauro Forghieri, from Franco Gozzi to Marco Piccinini, from Ermanno Cuoghi to Giulio Borsari. All accompanied by contextual texts by Leonardo Acerbi, a Ferrari historian of great experience. The book contains a unique collection of images, many in black and white but also a series of very rare colour shots, the majority by Franco Villani, a great reporter long associated with the Prancing Horse. An album allowing us to relive one of the greatest sporting stories of all time.

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Do you suffer through the same old salads because you want to eat more veggies? Are you trying to use less processed junk when you cook but find yourself thinking, "I don't have time for that"? If you're hungry for good food and a good time in the kitchen, chef Roberto Martin has the answers,and he's here to demonstrate that cooking delicious meals with whole foods doesn't have to take a whole day.When he was personal chef to Ellen DeGeneres and Portia de Rossi, Roberto created basic meals that turned their favourite meaty dishes into tasty vegan feasts. Roberto's cooking continues to evolve, using fewer faux meats and more healthful, plant-based ingredients. Not only does he make seriously amazing food for others, he has a hungry family at home,so whether he's whipping up a Sunday brunch, after-school snacks, or a cozy dinner for two, the food's got to be easy, satisfying, and delicious.Based on both Roberto's Mexican-American family favourites (check out the recipes for albondigas soup and jackfruit tacos) and his classical French culinary training (cassoulet? Every day), these new recipes use simple basics (think beans, beets, and avocado) while also introducing less common but easy-to-use ingredients (celeriac? It has an amazing meaty texture). The result? Finger-licking dishes that'll please everyone from your fussy kid to your need-to-impress in-laws. With tips for outfitting your kitchen and techniques to save you time, as well as a chapter devoted to homemade staples that will truly make your cooking life easier and tastier, you'll be able to make fresh, healthy meals in a snap,big flavors, no fussin'.

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When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations.The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman.Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.

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