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This book contains a concise, simple, yet precise discussion of externalities, public goods and insurance. Rooted in the first fundamental theorem of welfare economics and in noncooperative equilibrium, it employs elementary calculus. The book presents established theory in novel ways, and offers the tools for the application of the social welfare criteria of efficiency and equity to environmental economics, networks, bargaining, political economy, and the pricing of public goods and public utilities.This innovative, user-friendly textbook will be of use over a broad range of disciplines. The applications found here include international global-warming issues (North vs. South model), and bargaining over externalities (Coase's theorem). This text also introduces the Wicksell-Lindahl model in its original form, which depicts the parliamentary negotiation between representative parties and provides an effective introduction to political economy. Later, these ideas are applied to the pricing of an excludable public good, revealing the theoretical connection between public utility pricing and the pricing of excludable public goods.The text integrates three forms of discourse: verbal, graphical, and formal. Elementary calculus is frequently used, allowing for clarity and precision; qualities that are often missing in conventional textbooks. The main text considers a finite number of consumers and appendices cover the continuum mathematical model, which is implicit in the references to the 'marginal consumer' found in traditional texts.The analysis found in Public Microeconomics is simple and operational, conducive to computationally easy examples and exercises. This textbook is ideally suited to graduate and upper-level undergraduate courses ineconomics, political science, policy and philosophy.Contents: Preface Foreword to Students 1. Introduction 2. Private Goods Without Externalities 3. Externalities 4. Public Goods 5. Public Utilities 6. Uncertainty and Asymmetrical Information Index

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An art expert joins a detective to investigate a horrific murder on a Swedish island, leading them to a mystery rooted in Viking rites and Scandinavia's deepest, darkest winter. The Queen of French Noir returns with a chilling, utterly captivating gothic thriller, based on a true story. FIRST in a new series. ‘A dark, dark slice of Scandi Noir’ Heat magazine *Book of the Month* ‘Gustawsson’s writing is so vivid, it’s electrifying’ Peter James ‘Remember her name. Johana Gustawsson has become a leading figure in French crime fiction [and] Yule Island is impossible to put down’ Le Monde ***Winner of the Cultura Ligue de l'Imaginaire Award 2023*** ________ Art expert Emma Lindahl is anxious when she's asked to appraise the antiques and artefacts in the infamous manor house of one of Sweden's wealthiest families, on the island of Storholmen, where a young woman was murdered nine years earlier, her killer never found. Emma must work alone, and the Gussman family apparently avoiding her, she sees virtually no one in the house. Do they have something to hide? As she goes about her painstaking work and one shocking discovery yields clues that lead to another, Emma becomes determined to uncover the secrets of the house and its occupants. When the lifeless body of another young woman is found in the icy waters surrounding the island, Detective Karl Rosén arrives to investigate, and memories his failure to solve the first case come rushing back. Could this young woman's tragic death somehow hold the key? Battling her own demons, Emma joins forces with Karl to embark upon a chilling investigation, plunging them into horrifying secrets from the past – Viking rites and tainted love – and Scandinavia's deepest, darkest winter… ________ PRAISE FOR JOHANA GUSTAWSSON ‘Wonderfully dark and intricately woven … will have you hooked from the very first page’ B A Paris ‘Johana Gustawsson has become the queen of the French thriller genre’ Le Point ‘Intriguingly dark and vivid, and so cleverly told’ Essie Fox `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times ‘A wonderfully creepy, unsettling read, with a superb twist in its tail‘ James Oswald ‘Bewitching and wonderfully gothic’ Sunday Express ‘Johana Gustawsson brilliantly illuminates the depths of the human heart’ Le Figaro `A whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry ‘Ethereal, romantic and as cold as death, this nerve-shattering and powerful novel immerses us in a cruel and thrilling Nordic tale where love smashes against the rocks of madness’ La Fringale culturelle ‘A stunning and beautifully written gothic thriller’ Alexandra Benedict ‘Johana Gustawsson has no equal when it comes to hooking us with stunning twists and unexpected leaps in time’ Les Echos 'A bold and intelligent read' Guardian 'Utterly compelling' Woman's Own `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski 'Cleverly plotted, simply excellent' Ragnar Jónasson 'A must-read' Daily Express

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