Search results for ""edinburgh university press""

People have been searching for meaning in Islamic art for centuries. Newly available in paperback, this book explores the iconography of Islamic art, presenting a diverse range of approaches to the subject. Despite this variety, there is an overarching theme: the linking of the interpretation of objects to textual sources. This results in a collection of in-depth studies of motifs as diverse as the peacock, trees, and the figure holding a cup and branch. In addition, new interpretations are presented of other objects, such as an Abuyyid metal basin or Mongol paintings. Textual sources on the Ka'ba or the use of marble provide a starting point for the examination of objects and their relationship to history. The architectural decoration of monuments from Egypt to India is analysed, and Arab and Safavid paintings are mined for meaning. Links with Christian elements in Sicily or Buddhist stupas are appraised. Generously illustrated throughout, this book will appeal to all those with an interest in Islamic art, architecture and iconography. Key Features * Lavishly illustrated with colour and black and white photographs and line drawings * Features contributions from leading figures including Sheila S. Blair and Jonathan M. Bloom * Presents new interpretations of Islamic art * Integrates the study of objects and related texts

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This innovative book aims to examine the crucial role played by the spaces of the city in the construction of modernism. By focusing upon a number of key cities the book is able to consider the influence of the urban landscape upon the various modernisms that appeared in the period from c.1890 to 1940. The book takes a distinctive approach to the topic by focusing upon the interactions between the literary texts and the institutions of cultural production found in London, Paris, Berlin and New York. As well as exciting analyses of key modernist texts, each chapter considers the sites in which modernism emerged: publishing houses, bookshops, discussion circles, salons, and cafes. Clearly argued throughout, it demonstrates how particular geographies marked the nature of modernism by analysing new urban features such as underground transport systems; the growth of the suburbs; and architectural forms such as the skyscraper. Particular attention is given to the transnational qualities of modernist writing by examining writers whose view of the cities considered is that of migrants, exiles or strangers (e.g. Joyce, Stein and Barnes in Paris; Eliot, James and Pound in London; Isherwood in Berlin; Kafka on New York). This book will be of major interest to all those studying modernism and also to those working in related fields, such as urban studies and cultural geography. Key Features * Wide ranging coverage of authors, texts and films in the period * Interdisciplinary analysis of the social and technological contexts of modernist production * Clear focus upon four cities of central significance to modernism * Introduces via key examples the theory of a critical literary geography

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How do those on the margins of modernity face the challenges of globalization? This book demonstrates that secrecy is one of the means by which a society on the fringe of modernity produces itself as locality. Focusing on initiation rituals, masked performances and modern art, this study shows that rituals and performances long deemed obsolete, serve the insertion of their performers in the world at their own terms. The Jola and Mandinko people of the Casamance region in Senegal have always used their rituals and performances to incorporate the impact of Islam, colonialism, capitalism, and contemporary politics. Their performances of secrecy have accommodated these modern powers and continue to do so today. The performers incorporate the modern and redefine modernity through secretive practices. Their traditions are not modern inventions, but traditional ways of dealing with modernity. This book will interest anthropologists, historians, political scientists and all those studying how globalisation affects peripheral societies. It shows that secrecy, performed as a weapon of the weak, empowers their performers. Secrecy serves to mark boundaries and define the local in the global.

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This book surveys the impact of the British Empire on nineteenth-century British literature from a postcolonial perspective. It explains both pro-imperialist themes and attitudes in works by major Victorian authors, and also points of resistance to and criticisms of the Empire such as abolitionism, as well as the first stirrings of nationalism in India and elsewhere. Using nineteenth-century literary works as illustrations, it analyzes several major debates, central to imperial and postcolonial studies, about imperial historiography and Marxism, gender and race, Orientalism, mimicry, and subalternity and representation. And it provides an in-depth examination of works by several major Victorian authors-Dickens, Charlotte Bronte, Disraeli, Tennyson, Yeats, Kipling, and Conrad among them - in the imperial context. Key Features: *Links literary texts to debates in postcolonial studies *Discusses works not included in standard literary histories *Provides in-depth discussions and comparisons of major authors: Disraeli and George Eliot; Dickens and Charlotte Bronte; Tennsyon and Yeats *Provides a guide to further reading and a timeline

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In the first full-length literary-historical study of its subject, Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works he goes on to show how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the 'Ossian' poems, as well as of philosophers, including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. Larrissy finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness which always attends it. Key Features * Original research on an important, previously unexamined topic which will extend knowledge and understanding of the period * Provides new readings of major authors and texts including Blake, Wordsworth, Coleridge and Keats, Bryon and Shelley and Mary Shelley * Examines non-canonical texts including tales for children * Makes a distinctive contribution to debate about Romantic understanding of history

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This book examines the organisation of power and society in north-east England over two crucial centuries in the emergence of the English 'state'. England is usually regarded as medieval Europe's most centralised kingdom, yet the North-East was dominated by liberties - largely self-governing jurisdictions - that greatly restricted the English crown's direct authority in the region. These local polities receive here their first comprehensive discussion; and their histories are crucial for understanding questions of state-formation in frontier zones, regional distinctiveness, and local and national loyalties. The analysis focuses on liberties as both governmental entities and sources of socio-political and cultural identification. It also connects the development of liberties and their communities with a rich variety of forces, including the influence of the kings of Scots as lords of Tynedale, and the impact of protracted Anglo-Scottish warfare from 1296. Why did liberties enjoy such long-term relevance as governance structures? How far, and why, did the English monarchy respect their autonomous rights and status? By what means, and how successfully, were liberty identities created, sharpened and sustained? In addressing such issues, this ground-breaking study extends beyond regional history to make significant contributions to the ongoing mainstream debates about 'state', 'society', 'identity' and 'community'.

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This volume brings together contributions from leading Plato scholars from Britain, Europe and North America on a closely defined topic central to Plato's thought and to Ancient Philosophy --Plato's Form of the Good. The importance of the collection lies in the combination and presentation in one place of a range of different approaches to the good in Plato's Republic, and different solutions to the problems posed and proposed by these approaches. The two central issues, which form an underlying thread throughout the collection, are: first whether Plato's Republic is centred on what is good for individual humans, or on some quasi-moral good; and secondly, what the Form of the Good is. Pursuing the Good goes beyond recent studies in the field, and will appeal to classicists and philosophers alike. To the advanced student, it represents a wide-ranging introduction to central issues of Plato's philosophy; for the academic it will provide stimulus through antithetical and controversial solutions to questions old and new.

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The Handbook of Business Discourse is the most comprehensive overview of the field to date. It offers an accessible and authoritative introduction to a range of historical, disciplinary, methodological and cultural perspectives on business discourse and addresses many of the pressing issues facing a growing, varied and increasingly international field of research. The collection also illustrates some of the challenges of defining and delimiting a relatively recent and eclectic field of studies, including debates on the very definition of 'business discourse'. Part One includes chapters on the origins, advances and features of business discourse in Europe, North America, Australia and New Zealand. Part Two covers methodological approaches such as mediated communication, corpus linguistics, organisational discourse, multimodality, race and management communication, and rhetorical analysis. Part Three moves on to look at disciplinary perspectives such as sociology, pragmatics, gender studies, intercultural communication, linguistic anthropology and business communication. Part Four looks at cultural perspectives across a range of geographical areas including Spain, Brazil, Japan, Korea, China and Vietnam. The concluding section reflects on future developments in Europe, North America and Asia. Key Features: *Consists of newly commissioned chapters, authored by a vibrant group of internationally-known experts and emerging younger scholars, representing more than twenty countries. * Individual chapters aim to offer breadth, depth and, where appropriate, illustrative analytical examples, and can be read as self-contained, mini-introductions to each topic. *A valuable resource for students, researchers, teachers and trainers looking for a research-based, wide-ranging introduction to business discourse in a single volume.

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Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times. Key Features *Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling *Uses the most recent edition available, the Oxford Middleton (2007) *Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture *Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays

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Islamic finance is growing at an astonishing rate and is now a $1,200 billion industry, with operations in over 100 countries. This book explains the paradox of a system rooted in the medieval era thriving in the global economy. Coverage is exhaustively comprehensive, defining Islamic finance in its broadest sense to include banks, mutual funds, securities firms and insurance (or takaful) companies. The author places Islamic finance in the context of the global political and economic system and covers a wide variety of issues such as the underlying principles of Islamic finance, the range of Islamic financial products, and country differences. He also discusses a number of economic, political, regulatory and religious concerns and challenges. This second edition has been completely revised and updated to take into account the great changes and developments in the field in recent times. It includes the impact of the 9/11 and 7/7 terrorist attacks on the industry, the new forms of interaction with Western financial institutions, the emergence of innovative products such as sukuk, attempts by a broad range of financial centres - including Kuala Lumpur, London, Singapore, Bahrain and Dubai - to become global hubs of Islamic finance, and the repercussions of the 2008 global financial meltdown on Islamic institutions. Key Features *Includes numerous country-specific case studies including the Persian Gulf, Malaysia, Singapore and the UK *Traces the evolution of Islamic finance *Explores its significance from a historical and comparative perspective *Considers the strategic, marketing, managerial, political, economic, regulatory and cultural challenges faced by Islamic institutions *Second edition has been completely revised and updated to take into account the great changes and developments in the field in recent times *Offers up to date coverage of the political-economic context *Discusses the interplay with conventional finance *Considers the impact of the financial meltdown of 2008/09 on the industry

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This book represents the first comprehensive overview of the US-Iraqi relationship since 1979 and the first attempt to place the 2003 American invasion and subsequent occupation of Iraq in that wider historical context. Using a modified version of World Systems Theory, the book places American policy toward Iraq at the centre of a number of dynamics, including America's dominant role in managing the world capitalist system, the fundamental importance of Persian Gulf oil to that system, and long-term change in the American political system. It argues that American policy towards Iraq since 1979 has been shaped above all by the importance of Persian Gulf oil to the world economy and the consequent need to restore America's position as regional hegemon and guarantor of the global oil supply, which had been destabilized by the Iranian revolution. It also emphasizes the role of American domestic politics and above all the 'conservative ascendancy' which brought George W. Bush to the presidency, as a critical factor in explaining the 2003 invasion of Iraq. Key Features *Provides a comprehensive analysis of US-Iraqi relations from 1979 *Demonstrates that the second Iraq War is a result of a longer historical process and not just the product of 9/11 and the War on Terror *Deepens understanding of the underlying factors of US policy towards the Persian Gulf, and its oil *Uses World Systems Theory to analyse US foreign policy

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The Myth of the Jacobite Clans was first published in 1995: a revolutionary book, it argued that British history had long sought to caricature Jacobitism rather than to understand it, and that the Jacobite Risings drew on extensive Lowland support and had a national quality within Scotland. The Times Higher Education Supplement hailed its author's 'formidable talents' and the book and its ideas fuelled discussions in The Economist and Scotland on Sunday, on Radio Scotland and elsewhere. The argument of the book has been widely accepted, although it is still ignored by media and heritage representations which seek to depoliticise the Rising of 1745. Now entirely rewritten with extensive new primary research, this new expanded second edition addresses the questions of the first in more detail, examining the systematic misrepresentation of Jacobitism, the impressive size of the Jacobite armies, their training and organization and the Jacobite goal of dissolving the Union, and bringing to life the ordinary Scots who formed the core of Jacobite support in the ill-fated Rising of 1745. Now, more than ever, The Myth of the Jacobite Clans sounds the call for an end to the dismissive sneers and pointless romanticisation which have dogged the history of the subject in Scotland for 200 years.

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This is a groundbreaking re reading of the literary response to a decade of trauma and transformation. This study focuses on the thematic preoccupations that emerged from writers' immersion in and resistance to the Second World War. Through 7 chapters - Documenting, Desiring, Killing, Escaping, Grieving, Adjusting and Atomizing - the book sets middlebrow and popular writers alongside residual modernists and new voices to reconstruct the literary landscape of the period, arguing that the postwar is a concept that emerges almost simultaneously with the war itself, and that 'peace' is significant only by its absence in an emergent post Atomic cold war era. It includes a detailed and theoretically informed case studies of canonical writers such as Bowen, Orwell, Greene and Waugh. It offers case studies and critical re evaluations of popular genre writers and forgotten writers.

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A groundbreaking re-reading of the literary response to a decade of trauma and transformation This new study undoes the customary division of the 1940s into the Second World War and after. Instead, it focuses on the thematic preoccupations that emerged from writers' immersion in and resistance to the conflict. Through seven chapters - Documenting, Desiring, Killing, Escaping, Grieving, Adjusting and Atomizing - the book sets middlebrow and popular writers alongside residual modernists and new voices to reconstruct the literary landscape of the period. Detailed case studies of fiction, drama and poetry provide fresh critical perspectives on writers as diverse as Margery Allingham, Alexander Baron, Elizabeth Bowen, Keith Douglas, Graham Greene, Henry Green, Georgette Heyer, Alun Lewis, Nancy Mitford, George Orwell, Mervyn Peake, J. B. Priestley, Terrence Rattigan, Mary Renault, Stevie Smith, Dylan Thomas and Evelyn Waugh. Arguing that the postwar is a concept that emerges almost simultaneously with the war itself, and that 'peace' is significant only by its absence in an emergent post-Atomic cold war era, this book reclaims the complexity of a decade all too often lost in the fault-lines between pre-war modernism and the emergence of the postmodern. Key Features: *Detailed, theoretically informed case studies of canonical writers such as Bowen, Orwell, Greene and Waugh *Detailed case studies and critical re-evaluations of popular genre writers, and forgotten writers.

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This textbook introduces students to the ways in which techniques from corpus linguistics can be used to aid sociolinguistic research. Corpus linguistics shares with variationist sociolinguistics a quantitative approach to the study of variation or differences between populations. It may also complement qualitative traditions of enquiry such as interactional sociolinguistics. This text covers a range of different topics within sociolinguistics: *Analysing demographic variation *Comparing language use across different cultures *Examining language change over time *Studying transcripts of spoken interactions *Identifying attitudes or discourses. Written for undergraduate and postgraduate students of sociolinguistics, or corpus linguists who wish to use corpora to study social phenomena, this textbook examines how corpora can be drawn on to investigate synchronic variation, diachronic change and the construction of discourses. It refers to several classic corpus-based studies as well as the author's own research. Original analyses of a number of corpora including the British National Corpus, the Survey of English Dialects and the Brown family of corpora are complemented by a new corpus of written British English collected around 2006 for the purposes of writing the book. Techniques of analysis like concordancing, keywords and collocations are discussed, along with corpus annotation and statistical procedures such as chi-squared tests and clustering. Paul Baker takes a critical approach to using corpora in sociolinguistics, outlining the limitations of the approach as well as its advantages.

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Some twenty years ago it was widely believed that nothing much happened to the English language since the beginning of the eighteenth century. Recent research has shown that this is far from true, and this book offers an introduction to a period that forms the tail end of the standardisation process (codification and prescription), during which important social changes such as the Industrial Revolution are reflected in the language. Late Modern English is currently receiving a lot of scholarly attention, mainly as a result of new developments in sociohistorical linguistics and corpus linguistics. By drawing on such research the present book offers a much fuller account of the language of the period than was previously possible. It is designed for students and beginning scholars interested in Late Modern English. The volume includes: *a basis in recent research by which sociolinguistic models are applied to earlier stages of the language (1700-1900) *a focus on people as speakers (wherever possible) and writers of English *research questions aimed at acquiring skills at working with important electronic research tools such as Eighteenth Century Collections Online (ECCO), the Oxford English Dictionary and the Oxford Dictionary of National Biography *reference to electronically available texts and databases such as Martha Ballard's Diary, the Proceedings of the Old Bailey and Mrs Beeton's Book of Household Management.

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This book is an account of murder and politics in Africa, and an historical ethnography of southern Annang communities during the colonial period. Its narrative leads to events between 1945 and 1948 when the imperial gaze of police, press and politicians was focused on a series of mysterious deaths in south-eastern Nigeria attributed to the 'man-leopard society'. These murder mysteries, reported as the 'biggest, strangest murder hunt in the world', were not just forensic but also related to the broad historical impact of commercial, Christian and colonial aid relations on Annang society.

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This book is a comprehensive but accessible description of English as it is spoken in New Zealand. New Zealand English is one of the youngest native speaker varieties of English, and is the only variety of English where there is recorded evidence of its entire history. It shares some features with other Southern Hemisphere varieties of English such as Australian English and South African English, but is also clearly distinct from these. For the past two decades extensive research has focused on the evolution and ongoing development of the variety. New Zealand English presents the results of this research in an accessible way. Key Features *A succinct but comprehensive account of the phonetic, phonological, morphosyntactic, lexical and discourse features which are characteristic of the dialect. *A discussion of the historical development of New Zealand English. *A description of the current social and regional variation within the variety. *An indication of the areas where change is currently occurring. *Sample texts and an annotated bibliography of relevant literature. There are also several associated audio files, which provide examples of many of the phenomena discussed: http://www.lel.ed.ac.uk/dialects/

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Published at a point when American filmmakers are deeply involved in the War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America's first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians and government propagandists. Movies were at the centre of the Cold War's battle for hearts and minds. Hollywood's comedies, love stories, musicals, thrillers, documentaries and science fiction shockers -- to list a few genres -- played a critical dual role: on the one hand teaching millions of Americans why communism represented the greatest threat their country had ever faced, and on the other selling America's liberal-capitalist ideals across the globe. Drawing on declassified government documents, studio archives and filmmakers' private papers, Shaw reveals the different ways in which cinematic propaganda was produced, disseminated, and received by audiences during the Cold War. In the process, he blends subjects as diverse as women's fashions, McCarthyism, drug smuggling, Christianity, and American cultural diplomacy in India. His conclusions about Hollywood's versatility and power have a contemporary resonance which will interest anyone wishing to understand wartime propaganda today. Key features: * The first comprehensive account of Hollywood's role during the Cold War. *A new interrogation of the collaboration between filmmakers and government in the production of propaganda. *The use of primary documentation and new archival research make this book unique.

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This is the first study devoted to Sylvia Plath's fiction. Plath wrote fiction throughout her life, in a wide variety of genres, including women's magazine romances, New Yorker stories, comedy, social criticism, autobiography, teenage fiction and science fiction. She wrote novels before and after The Bell Jar. Discussing all these novels and stories, and based on research in the three major archives of her work, this book is the complete study of Plath's fiction. The author analyses her influences as a fiction writer, the relationships between her poetry and fiction, the political views she expresses in her fiction, and devotes two chapters to the central concern of her novels and stories, the roles of women in contemporary society.

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Scotland's natural environment is its most treasured asset and the subject of its most vociferous debates. In this book Charles Warren tackles the hottest current debates - land reform, the future of farming, public access, conservation of moorland and birds of prey, the place of forestry, and the control of alien species and red deer - and takes up the challenge of integrating conservation with social and economic objectives. The second edition includes a new chapter on energy and the environment, taking in the highest profile environmental issue in Scotland at present: the windfarm controversy, and debates about the appropriate energy mix for the future. In addition, the book has been updated throughout to take account of recent changes in environmental and related social and political issues.

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Deleuze and Philosophy provides an exploration of the continuing philosophical relevance of Gilles Deleuze. This collection of essays uses Deleuze to move between thinkers such as Plato, Aristotle, Husserl, Hume, Locke, Kant, Foucault, Badiou and Agamben. As such the reader is left with a comprehensive understanding not just of the philosophy of Deleuze but how he can be situated within a much broader philosophical trajectory. Constantin Boundas has gathered together recent scholarship on Deleuze's philosophy by an acclaimed line-up of international contributors, all of whom seek to provide new and previously unexplored theoretical terrains that will be of interest to both the Deleuze specialist and student alike. Three of the essays are by key French Deleuzians whose work is not widely available in translation. This enticing collection is essential reading for anyone interested not just in Deleuze but in the history of philosophical ideas. Contributors include: Zsuzsa Baross, Veronique Bergen, Ronald Bogue, Bruce Baugh, Rosi Braidotti, Claire Colebrook, Bela Egyed, Philippe Mengue, Dorothea Olkowski, Davide Panagia, Daniel W. Smith, Jeremie Valentin, Arnaud Villani. This volume * includes an extended introduction to the philosophy of Deleuze which can be used by students and lecturers alike * addresses problems and issues in Deleuze's philosophy that have not yet been discussed * presents for the first time to English readers works by leading French commentators including Veronique Bergen, Philippe Mengue and Arnaud Villani * includes contributions from first-rate Deleuze scholars

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The idea of Continental Philosophy has never been properly explained in philosophical terms. In this short and engaging book Simon Glendinning attempts finally to succeed where others have failed -- although not by giving an account of its internal unity but by showing instead why no such account can be given. Providing a clear picture of the current state of the contemporary philosophical culture Glendinning traces the origins and development of the idea of a distinctive Continental tradition, critiquing current attempts to survey the field of contemporary philosophy.

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An original study of both structural entities originating in the lexicon, and the structural characteristics of the lexicon as a module of formal grammar, this book makes two contributions to our understanding of the formal grammar of English. Firstly, it presents a coherent theory of 'compounding' in English. There is a long-standing but unresolved dispute in the literature as to whether certain constructions (e.g. LONDON ROAD, DENTAL TREATMENT) are compound words or syntactic phrases. The question is important because in other cases the distinction is clear-cut (RING ROAD, FREE TREATMENT respectively), and because it impinges on central assumptions regarding the organisation of the grammar. Secondly, the book suggests an alternative to the commonly assumed sharp division of the grammar into the 'lexicon' and the 'syntax'. The lexicon-syntax distinction facilitates important new insights in the nature of compounding in English. However, Heinz Giegerich argues that the Lexicalist assumption of a sharp divide between the modules cannot be upheld: the two modules overlap, such that there are constructions in English that are simultaneously compound and phrase.He suggests an alternative, tripartite, structure comprising three successive, and significantly overlapping, modules: the lexicon proper, the morphology and the syntax. The book illustrates a grammar that is rather different from that envisaged in Lexicalism (while still retaining that theory's basic insights) and provides a better understanding of some of the most recalcitrant problems in English word formation.

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Modern British and Irish Criticism and Theory offers the student and general reader a comprehensive, critically informed overview of the development of literary and cultural studies from the nineteenth century to the present day. Beginning with Coleridge and Arnold, examining the contribution of cultural commentators and novelists, and considering the institutionalisation of literary criticism in the universities of England, Ireland, Scotland, and Wales, the book addresses in detailed, accessible and rigorous essays the rise and significance of literary and cultural studies. Nearly thirty essays contribute to an understanding of the practice of literary studies presenting the reader with a perceptive series of critical interventions which, themselves, engage in the very locations from which criticism and theory have emerged. A further reading list accompanies each chapter. Key Features * Breadth of coverage from Coleridge through Virginia Woolf to Raymond Williams and Terry Eagleton; and from the 'Cambridge School' to Post-structuralism and Postcolonial theory. * Focus on the history of modern criticism. * Accessibly written. * Theoretical debates are set in full historical, cultural and philosophical contexts.

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This collection is comprised of ten of Hogg's poems which, in very different ways, explore the visionary and supernatural, and the writer's portrayal of them - echoing the subject and title of Shakespeare's famous play. Included among the poems are: 'The Pilgrims of the Sun', which seeks to demonstrate Hogg's command not only of his native Scottish tradition of poetry but also of the English tradition of Milton and Pope; the weirdly brilliant 'Connel of Dee'; 'The Gyre Caryl' in which Hogg recounts the birth of Heavenly Grace and the departure of the fairies from Scotland; and 'Verses Addressed to the Right Honourable Lady Anne Scott of Buccleuch'. Taken together the ten poems of Midsummer Night Dreams and Related Poems substantiate Hogg's vaunted claim to be 'King o' the mountain and fairy school' of poetry.

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Although much has been written about Scottish involvement in slavery, the contribution of Scots to the abolition of black slavery has not yet been sufficiently recognised. This book starts with a Virginian slave seeking his freedomin Scotland in 1756 and ends with the abolition of the apprenticeship scheme in the West Indian colonies in 1838. Contemporary documents and periodicals reveal a groundswell of revulsion to what was described as "the horrible traffik in humans". Petitions to Parliament came from remote islands in Shetland as well as from large public meetings in cities. In a land steeped in religion, ministers and church leaders took the lead in giving theological support to the cause of abolition. The contributions of five London Scots who were pivotal to the campaign throughout Britain are set against opposition to abolition from many Scots with commercial interests in the slave trade and the sugar plantations. Missionaries and miners, trades guilds and lawyers all played their parts in challenging slavery. Many of their struggles and frustrations are detailed for the first time in an assessment of the unique contribution made by Scotland and the Scots to the destruction of an institution whose effects are still with us today.

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Sectarian murder, torture, bloody power struggles and racketeering are what for many define their image of the Ulster Defence Association. Yet as Northern Ireland's Troubles worsened in 1971 and 1972, it emerged with a mass membership to defend Loyalist areas against the IRA and to uphold the Union with Britain. By 1974 it was able to defy the will of an elected government and it went on to formulate political strategies for working-class Loyalism. Ian S. Wood uses his specialist knowledge as well as extensive interviews to recount these events and the ruthless war waged by the UDA on the nationalist community. He explores issues such as the UDA's descent into criminality and its relationship with the 'secret war' conducted by Britain's undercover services and he assesses what impact the organisation had on the outcome of Europe's worst political and ethnic conflict between 1945 and the break-up of the Soviet Union and Yugoslavia after 1990.

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An engaging and original study of current research on television audiences and the concept of emotion, this book offers a unique approach to key issues within television studies. Topics discussed include: television branding; emotional qualities in television texts; audience reception models; fan cultures; 'quality' television; television aesthetics; reality television; individualism and its links to television consumption. The book is divided into two sections: the first covers theoretical work on the audience, fan cultures, global television, theorising emotion and affect in feminist theory and film and television studies. The second half offers a series of case studies on television programmes such as Wife Swap, The Sopranos and Six Feet Under in order to explore how emotion is fashioned, constructed and valued in televisual texts. The final chapter features original material from interviews with industry professionals in the UK and Irish Soap industries along with advice for students on how to conduct their own small-scale ethnographic projects. Key Features: *An accessible guide to theoretical work on emotion and affect, this book is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and television studies. *Case studies on emotion and television in British and US media contexts demonstrate new research and provide a starting point for readers undertaking their own research. *Each chapter includes exercises, points for discussion and lists for further reading

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Offers a unique comparative exploration of the role of tradition in Islam and Christianity. The idea of 'tradition' has enjoyed a variety of senses and definitions in Islam and Christianity, but both have cleaved at certain times to a supposedly 'golden age' of tradition from the past. In comparing the role of tradition in Islam and Christianity, key themes are explored: * The roles of authority * Fundamentalism * The use of reason * Ijtihad (independent thinking) * Original comparisons between Islamic Salafism and Christian Lefebvrism The author suggests there has been a chain of thinkers from classical Islam to the twentieth century who share a common interest in ijtihad (or independent thinking). Drawing on past and present evidence, and using Christian tradition as a focus for contrast and comparison, the author highlights the seemingly paradoxical harmony between tradition and itjihad in Islam. The author draws on a variety of primary and secondary sources including contemporary newspaper and journal articles, documents and letters, adding an immediacy to a lucid and stimulating text. Key Features * Proposes a new vocabulary for the articulation of Islam * Offers original comparisons between Salafism and Lefebvrism * Highlights the paradoxical harmony between tradition and itjihad in Islam * Articulates the yearning amongst today's Muslim and Christian traditionalists for a revival of a 'golden age' from whence, they believe, all good traditions derive

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This title traces the dynamic relationship between film and the city. How do film and urban space work together to challenge and forge our changing ideas of modern urban life? How does film intervene with what is erased or retained from the existing urban fabric? What are the possibilities and limits of contemporary utopic visions built into urban form? How does film itself work as a utopic space? How has the space of the cinema created a vibrant public space over the course of last century, and what is its future? These are some of the questions tackled in this book. Drawing on films as diverse as Man with a Movie Camera, Bicycle Thieves, Dogville, Safe, Los Angeles Plays Itself, Chungking Express and The Circle, the book identifies and analyses the major debates about the crucial historical relationship between film and the city to consider existing and future possibilities.

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This book examines the quilts, ceramics, paintings, sculpture, installations, assemblages, daguerreotypes, photography and performance art produced by African American artists over a two hundred year period. The author draws on archaeological discoveries and unpublished archival materials to recover the lost legacies of artists living and working in the United States. As the first critical study to provide in-depth case studies of twenty artists, this book introduces readers to works created in response to the Middle Passage, Atlantic slavery, lynching, racism, segregation, and the fight for civil rights. Bernier examines little-discussed panoramas, murals, portraits, textile designs, collages and mixed-media installations to get to grips with key motifs and formal issues within African American art history. Working within this tradition, artists experiment with cutting edge techniques and alternative subject-matter to undermine racist iconography and endorse a new visual language. They push thematic and formal boundaries to create powerful narratives and epic histories of creativity, labour, discrimination, suffering and resistance. By providing close readings of works by artists such as Elizabeth Catlett, Jacob Lawrence, William Edmondson, Howardena Pindell, Charles Alston, Romare Bearden, Norman Lewis, Betye Saar, Horace Pippin and Kara Walker, this book sheds new light on the thematic and formal complexities of an African American art tradition which still remains largely shrouded in mystery. Includes 16 colour photographs.

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When did Scots first think of Scotland as an independent kingdom? What did they think was Scotland's place in Britain before the age of Wallace and Bruce? The answers argued in this book offer a fresh perspective on the question of Scotland's relationship with Britain. It challenges the standard concept of the Scots as an ancient nation whose British identity only emerged in the early modern era, but also provides new evidence that the idea of Scotland as an independent kingdom was older than the age of Wallace and Bruce. This leads to radical reassessments of a range of fundamental issues: the fate of Pictish identity and the origins of Alba, the status of Scottish kingship vis-a-vis England, the papacy's recognition of the independence of the Scottish Church, and the idea of Scottish freedom. It also sheds new light on the authorship of John of Fordun's chronicle, the first full-scale history of the Scots, and offers an historical explanation of the widespread English inability to distinguish between England and Britain. All this is placed in the wider context of ideas of ultimate secular power in Britain and Ireland and the construction of national histories in this period. The book concludes with a fresh perspective on the origin of national identity, and the medieval and specifically Scottish contribution to understanding what is often regarded as an exclusively modern phenomenon.

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This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums. Arguing that Shakespeare is a magnet for negotiations about style, value and literary authority, the essays contend that screen reinterpretations of England's most famous dramatist simultaneously address concerns centred upon nationality and ethnicity, gender and romance, and 'McDonaldisation' and the political process, thereby constituting an important intervention in the debates of the new century. As a result, through consideration of such offerings as the Derry Film Initiative Hamlet, the New Zealand The Maori Merchant of Venice and the television documentary In Search of Shakespeare, this collection is able to assess as never before the continuing relevance of Shakespeare in his local and global screen incarnations. Features * Only collection like it on the market, bringing the subject up to date. * Twenty-first century focus and international coverage. * Innovative discussion of a wide range of films and television. * Accessibly written for students and general readers.

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The first book to explore Virginia Woolf's preoccupation with the literary past and its profound impact on the content and structure of her novels. It analyses Woolf's reading and writing practices via her essays, diaries and reading notebooks and presents chronological studies of eight of her novels, exploring how Woolf's intensive reading surfaced in her fiction. The book sheds light on Woolf's varied and intricate use of literary allusions; examines ways in which Woolf revisited and revised plots and tropes from earlier fiction; and looks at how she used parody as a means both of critical comment and homage. Key Features * The first book-length study of intertextuality in Virginia Woolf's novels; * Offers a challenging and provocative new perspective on Woolf's art as a novelist; * Develops detailed close readings offering fresh insights into individual works; * Presents complex ideas in a lucid and accessible fashion.

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The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts. Chapters include jazz and animation, the Country and Western biopic, cult musicals and fandom, the importance of the soundtrack movie, and musicals from the former East Germany.

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The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts. Chapters include jazz and animation, the Country and Western biopic, cult musicals and fandom, the importance of the soundtrack movie, and musicals from the former East Germany.

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This book challenges all forms of fundamentalism and unexamined belief systems from a philosophical and sceptical viewpoint. Is unquestioning belief making a global comeback? The growth of religious fundamentalism seems to suggest so. For the sceptically minded, this is a deeply worrying trend, not just confined to religion. Political, economic, and scientific theories can demand the same unquestioning obedience from the general public. Stuart Sim outlines the history of scepticism in both the Western and Islamic cultural traditions, and from the Enlightenment to postmodernism. Setting out what a sceptical politics might be like, Empires of Belief argues that we need less belief and more doubt: an engaged scepticism to replace the pervasive dogmatism that threatens our democracies. Key Features: *New book from the author of the highly successful Fundamentalist World. *Questions belief systems, including science and technology. *Intervenes in current debates around terrorism and fundamentalism. *Explores sceptical thought within different cultural traditions, especially Islam. *Suggests that scepticism can play a greater role in public and political life.

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Originally published in 1810, The Forest Minstrel represents the first full collection of songs by Hogg. The items contained include some of his first compositions as a shepherd in Ettrick, while others originate from early contact with the literary culture of Edinburgh. This edition for the first time supplies musical settings for the majority of items, whereas in 1810 Hogg only nominated tunes by title. These settings are based on extensive research in relevant pre-1810 Scottish music books. As a result, the modern reader is given access to the tunes which originally formed an integral part of the songs. An Introduction describes Hogg's development as a song-writer and the musical context in 1810; while full annotation is provided on both the texts of the songs and the related tunes. Includes a CD The volume also includes a CD containing audio recordings of the seventy-two tunes which are provided by means of the notations.

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This is a glossary of words associated with Jacques Derrida accommodating the far reaching implications of his work. While it makes no claims to being encyclopaedic in its coverage, The Derrida Wordbook seeks to accommodate the far reaching implications of Derrida's writings and thought, through a sustained expository engagement with a series of words having significance throughout Derrida's text, and across the years of his publishing career. This cornucopia of words and definitions intervenes at crucial points of tension across the entire range of Derrida's publications, including those published posthumously. It offers sustained expository engagement with a series of 67 key words - from Aporia to Yes - having significance throughout Derrida's thought and writing.

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This book considers the constitutional position of the judiciary and its role in shaping the individual's relations with the state. Readers will gain the following: *A comprehensive analysis of the history of civil liberties and human rights in the UK, and the judiciary's role in upholding them *An understanding of the Human Rights Act of 1998 and its potential impact on the judiciary's relations with the parliament and the executive *An appreciation of the importance of political accountability and open government in the protection of liberty, together with recent legislative reforms in these areas *An awareness of why important critics believe fundamental freedoms are at risk in the UK in the post 9/11 and 7/7 atmosphere *A chance to draw comparisons between Britain, the USA and European countries in their attempts to create legal frameworks to protect civil liberties and human rights This textbook provides an important, accessible introduction to an area of current widespread concern.Key Features: *Offers a comprehensive introduction to three key issues: human rights legislation, the role of senior judges, and the protection of civil liberties *Guides the reader through complex current debates on public order, covert and mass surveillance, and prevention of terrorism *Provides updated descriptions of key statutes including the Prevention of Terrorism Act 2005 *ssesses contemporary developments in American law and order policy including the USA/ Patriot Act * Summarises the arguments of civil liberties lobbies and successive governments *Includes proposed changes in the law in the aftermath of the July 2005 London bombings

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Euthanasia has become increasingly contentious as populations age, and medical and scientific advances continue to transform and extend life. Euthanasia - Choice and Death examines the key philosophical arguments that have underpinned thinking and practice up till now: The centrality of choice to our notion of the human being; The challenge of changes to our concept of death in the face of medical, scientific and technological advances. Gail Tulloch develops a conception of dignity that does not depend on religious assumptions and can promote a broad ethical consensus in a liberal democracy. Examination of landmark cases and the approaches adopted by key countries - the USA, the UK, the Netherlands, and Australia - ground the book.

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An historical introduction to the varieties of citizenship in Britain, starting in the Middle Ages and bringing the story right up to the present day. Both the status and understanding of citizenship in practice and the theoretical and advisory writings on the subject are introduced, and their inter-relationships are explored. Among the key themes to be examined are: * local and national strata * the issue of parliamentary suffrage * women excluded and included as citizens * the influence of classical ideas * nationhood and imperialism * the role of political and social theorists * interpretations by modern political parties * the role of education * environmental citizenship * multiculturalism * globalisation * human rights Organised chronologically, each chapter is divided into sections in order to present the reader with different themes in a manageable form. The focus throughout is on accessibility, with no previous knowledge of the subject being assumed. Key Features * Unique in its historical coverage of citizenship in Britain - moving from the Middle Ages to the present day * Reveals the great complexity of the development of citizenship in Britain * Leading campaigners, politicians and theorists enliven the story and analysis * Demonstrates the importance of an historical perspective in understanding the issue of citizenship in Britain today

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A concise alphabetical guide to the key terms, issues, theoretical approaches, projects and thinkers in feminist philosophy. Feminist Philosophies A-Z covers contemporary material in a number of feminist approaches. It illustrates the complexity, range and interconnectedness of issues in feminist philosophy while making clear the relationship of feminist philosophy to the rest of philosophy as a discipline (epistemology, metaphysics, ethics, social philosophy and metaphysics). Entries are pithy, detailed, informative and are cross-referenced to guide the reader through the lively debates in feminism. This volume is an indispensable resource for philosophers, students, and Women's Studies faculties as well as anyone with an interest in feminist philosophy.

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A handy guide to the major figures and issues in Christian philosophy from Augustine to the present. This volume covers a broad historical sweep and takes into account those non-Christian philosophers that have had a great impact on the Christian tradition. However, it concentrates on the issues that perplex Christian philosophers as they seek to think through their faith in a philosophical way and their philosophical beliefs in the light of their faith. Examples of the topics discussed are the question of whether and how God knows the future, whether we actually know that God exists, and what Athens has to do with Jerusalem. The leaders of the recent revival of Christian analytic philosophy, especially Alvin Plantinga, Nicholas Wolterstorff, William Alston, and Robert Adams are also included. This book will be of interest to those studying Christian philosophy and to Christians seeking to think philosophically about their faith.

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Many very intelligent people don't like dealing with numbers. Similarly, many gifted scientists are not especially interested in studying people and their cultural behaviour. In this book, we argue that being interested in people and their cultures, and helping students and others to use numbers to pursue these interests, are not mutually exclusive. Research methods are becoming an increasingly important requirement for students of all kinds. But many students, particularly those in the humanities, struggle with concepts drawn from the social sciences and find quantitative and statistical information inaccessible and daunting. Nonetheless, such concepts are found in nearly all areas of society, from market research and opinion polls to psychological studies of human behaviour. This book aims to provide a simple guide to the process of conducting research in the humanities, with special reference to media and culture, from the planning stage, through the data gathering, to the analysis and interpretation of results: 'planning it', 'doing it' and 'understanding it'. The book aims to show how students' own choice of research topic can be refined into a manageable research question and how the most appropriate methodologies can be applied. Each section draws on actual examples from research that the authors and their students have conducted. Topics covered include: choosing a research question and method; instrument design and pilot data; practical procedures; research with children; looking at statistics; and interpretation of results. Features: *Based on the authors' practical experience as researchers and teachers and is thus accessible, practical and 'how to'. *Includes students' own work as examples. *Bridges the 'divide' between social science and humanities research methods and will therefore appeal to a broad range of students and teachers.

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Courses which deal with environmental history have long lacked a comprehensive overview. I. G. Simmons has made a significant contribution with a book that looks at the long-term history of environment and humanity from 10,000 BC to AD 2000. This far-reaching text considers the global picture and recognises the contributions of many disciplines including the natural sciences, the social sciences, and increasingly, the humanities. As a starting point, this book takes the major phases of human technological evolution of the last 12,000 years and considers how these have affected the natural world. It then considers the response to conditions such as climate change, putting today's preoccupations into a long-term perspective. This is a book of history, not prophecy, and so makes no judgements on current anxieties. Key features: *Includes a glossary of unfamiliar terms *Notable in being a history and not a polemic *Examines the interrelation of history and nature, drawing on many fields of learning *Extensive coverage makes this ideal background reading for more specialised treatments and studies

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This book examines the ordinary, routine, daily behaviour, experiences and beliefs of people in Scotland from the earliest times to 1600. Its purpose is to discover the character of everyday life in Scotland over time and to do so, where possible, within a comparative context. Its focus is on the mundane, but at the same time it takes heed of the people's experience of wars, famine, environmental disaster and other major causes of disturbance, and assesses the effects of longer-term processes of change in religion, politics, and economic and social affairs. In showing how the extraordinary impinged on the everyday, the book draws on every possible kind of evidence including a diverse range of documentary sources, artefactual, environmental and archaeological material, and the published work of many disciplines. The authors explore the lives of all the people of Scotland and provide unique insights into how the experience of daily life varied across time according to rank, class, gender, age, religion and ethnic group. They look at the contextual nature of everyday experience and consider how this was shaped by national, regional and tribal considerations. They reveal the variations between Highland and Lowland, the Western Isles and the Northern Isles, inland and coastal, and urban and rural. They examine the role played by language, whether Gaelic, Welsh, English, Pictish, Norse, Latin or Scots. The book shows the distinctively Scottish aspects of diurnal life and how, through trading and contact with migrants, the lives of Scots were affected by other cultures and nations. Taken as a whole it represents a new way of looking at medieval Scotland and has implications and relevance for historians and their public across the discipline.

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