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First full comprehensive guide to one of the most important genres of music in the Middle Ages. Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia

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"In the Days of Serfdom" and Other Stories, originally published in 1911, presents in miniature themes developed in Tolstoy's longer works War and Peace and Anna Karenina. The compelling stories in this collection have largely been ignored by contemporary scholars and teachers because of their general unavailability. Available once again, the stories reveal new thematic and stylisitic dimensions to Tolstoy's oeuvre. While not all of the stories deal with actual serfdom, they all address the legacy of serfdom, of choicelessness, in Tolstoy's Russia. These stories are also thoroughly modern, concerned as they are with the market economy, changing values, and women's roles in society. Artistically and historically significant, they constitute ethical and spiritual questionings that deal with lives out of control, with characters making sense of the experience of living.

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First published in 1859, Oblomov is an indisputable classic of Russian literature, comparable in its stature to such masterpieces as Gogol’s Dead Souls, Tolstoy’s Anna Karenina and Dostoevsky’s Brothers Karamazov. The book centres on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman and the reproaches of his friend, the hard-working Stoltz, Oblomov finds that he must engage with the real world and face up to his commitments. Rich in situational comedy, psychological complexity and social satire, Oblomov – here presented in Stephen Pearl’s award-winning translation, the first major English-language version of the novel in more than fifty years – is a timeless novel and a monument to human idleness.

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By Louise Young and Loulia Sheppard, 2018 Academy Award nominee for her hair and make-up design on Victoria and Abdul.'If you haven't heard of Louise Young and are interested in period makeup, or any makeup in fact, then we highly recommend you check out her latest book.' - PIXIWOOThe definitive step-by-step guide to recreating the most striking make-up and hair styles of the 20th century.Timeless is a beauty bible for the golden ages of style from renowned film, television and make-up artist Louise Young, along with Academy Award-nominated film industry hairstylist Loulia Sheppard.Step-by-step photography and clear, concise instructions help you to recreate make-up and hair looks from the past 100 years of beauty, from the dark, smouldering eyes of the jazz-age flapper to the red lips and victory rolls of the 1940s, right up to the electric colours of the 1980s and beyond.Accurate, practical and beautiful, this is the ultimate guide to the most classic looks of all time.Between them, Louise and Loulia have provided make-up and hair styling for stars such as Scarlett Johansson, Keira Knightley and Selma Hayek, and on films including Victoria and Abdul, Fantastic Beasts and Where to Find Them, Pride and Prejudice, Florence Foster Jenkins, Anna Karenina and The Duchess, among many others.

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From the acclaimed translators of War and Peace and Anna Karenina, a stunning new translation of Boris Pasternak's Nobel Prize-winning masterpiece, the first since the 1958 original.Banned in the Soviet Union until 1988, Doctor Zhivago is the epic story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Yuri Zhivago finds himself instead embroiled in the battle between the Whites and the Reds, and in love with the tender and beautiful nurse Lara. Richard Pevear and Larissa Volokhonsky have restored the rhythms, tone, precision, and poetry of Pasternak's original, bringing this classic of world literature gloriously to life for a new generation of readers.

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A Nobel laureate struggles to write a convincing suicide note; a hobo sings of hope in the darkest hours after the Grenfell disaster; in a strange post-death waiting room, Anna Karenina and Emma Bovary exchange confidences, and a scientist finally discovers the appalling truth about a boyhood friendship. Unpredictable, haunting, with a streak of black humour, this collection ranges across the world, from Petersburg to Guyana, Syria to London, Argentina to Edinburgh. Its diverse characters are caught up in wars or revolution, escaping the past or finally returning to confront it.

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The story of the fallen woman was a staple of film melodrama in the late 1920s and 1930s. In traditional plots, a woman commits a sexual transgression, usually adultery. She becomes an outcast, often a prostitute, suffering humiliations that culminate in her death. In more modern variants, the heroine is a stereotypical "kept woman," "gold digger," or wisecracking shopgirl who uses men to become rich. In The Wages of Sin, Lea Jacobs uses the fallen woman film, which served as a focal point for public criticism of the film industry, to explore Hollywood's system of self-censorship and the evolution of the rules governing representations of sexuality. Drawing on the extensive case files of the Motion Picture Producers and Distributors of America (MPPDA), the industry trade association responsible for censorship, Jacobs focuses on six films. Her close analyses of The Easiest Way, Baby Face, Blonde Venus, Anna Karenina, Kitty Foyle, and Stella Dallas reveal the ideology of self-regulation at work and the social constraints affecting the film industry.

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More than fifty prominent thinkers on the development and lasting legacy of black nationalism in America Since its dramatic growth under Marcus Garvey and the Universal Negro Improvement Association during the 1920s, black nationalism has played a central role in American political and intellectual life. In Modern Black Nationalism, William L. Van Deburg has collected the most influential speeches, pamphlets, and articles that trace the development of black nationalism in the 20th century. Beginning with Marcus Garvey, the acknowledged father of the 20th-century movement, William L. Van Deburg here provides a showcase of the work of more than fifty prominent thinkers including Louis Farrakhan, Elijah Muhammad, Maulana Karenga, the founder of Kwanzaa, Amiri Baraka and Molefi Asante. Rare pamphlets distributed by organizations such as the Black Panther Party, articles from underground magazines, and memos from governmental officials offer a fresh look at the roots and the manifestations of this movement.

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Lighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force. Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.

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The best kind of book: the one you didn't know you were craving until it appeared . . . self-interrogative, intricately perceptive. I absolutely inhaled it' JIA TOLENTINOA very richly interesting exploration of a complex subject. Begoña Gómez Urzaiz tells the stories with such intelligence and wit and generosity' TESSA HADLEYWhen it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell what do these vastly different women have in common?During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society's judgement and their own maternal instincts in order to leave their children. More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias.Using famous examples including Doris Lessing, fictional ones such as Anna Karenina

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Who is the richest person in the world, ever? Does where you were born affect how much money you'll earn over a lifetime? How would we know? Why- beyond the idle curiosity- do these questions even matter? In The Haves and the Have-Nots , Branko Milanovic, one of the world's leading experts on wealth, poverty, and the gap that separates them, explains these and other mysteries of how wealth is unevenly spread throughout our world, now and through time. Milanovic uses history, literature and stories straight out of today's newspapers, to discuss one of the major divisions in our social lives: between the haves and the have-nots. He reveals just how rich Elizabeth Bennet's suitor Mr. Darcy really was how much Anna Karenina gained by falling in love how wealthy ancient Romans compare to today's super-rich where in Kenyan income distribution was Obama's grandfather how we should think about Marxism in a modern world and how location where one is born determines his wealth. He goes beyond mere entertainment to explain why inequality matters, how it damages our economics prospects, and how it can threaten the foundations of the social order that we take for granted. Bold, engaging, and illuminating, The Haves and the Have-Nots teaches us not only how to think about inequality, but why we should.

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Wendy Lesser's new book is 'an inspired intellectual romp: part memoir, part criticism, though actually a bracing, larkish reinvention of them both' (Lawrence Weschler). Revisiting her favorite books after the passage of twenty or thirty years, Lesser is stirred by the changes she finds-in the books, in herself, and in the wider world. If NOTHING REMAINS THE SAME is a book about reading, it is also a book about time, with rereading as a special form of time travel. From classic novels such as ANNA KARENINA and THE PORTRAIT OF A LADY to a charming tale for young adults called I CAPTURE THE CASTLE, from nonfiction by George Orwell and Henry Adams to poetry by Wordsworth and Milton, from the deeply American HUCKLEBERRY FINN to works in translation like DON QUIXOTE and THE IDIOT, Lesser covers the whole literary spectrum. NOTHING REMAINS THE SAME is a witty and humane exploration of what books can mean to our lives and vice versa, by a writer who 'has the gift of enabling a reader to grasp the deeper workings of art forms, both high and low, in the act of describing how they affect her' (James Shapiro, New York Times Book Review).

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In November 1910, Count Lev Tolstoy died at a remote Russian railway station attended by the world's media. He was eighty-two years old and had lived a remarkable and long life during one of the most turbulent periods of Russian history. Born into a privileged aristocratic family, he seemed set to join the ranks of degenerate Russian noblemen, but fighting in the Crimean war alongside rank and file soldiers opened his eyes to Russia's social problems and he threw himself into teaching the peasantry to read and write. After his marriage he wrote War and Peace and Anna Karenina, both regarded as two of the greatest novels in world literature. Rosamund Bartlett's exceptional biography of this brilliant, maddening and contrary man draws on key Russian sources, including the many fascinating new materials which have been published about Tolstoy and his legacy since the collapse of the Soviet Union.

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* * * Shortlisted for the 2014 Costa Novel Awards and the 2015 Folio Prize * * * Nora Webster is the heartbreaking new novel from one of the greatest novelists writing today.It is the late 1960s in Ireland. Nora Webster is living in a small town, looking after her four children, trying to rebuild her life after the death of her husband. She is fiercely intelligent, at times difficult and impatient, at times kind, but she is trapped by her circumstances, and waiting for any chance which will lift her beyond them. Slowly, through the gift of music and the power of friendship, she finds a glimmer of hope and a way of starting again. As the dynamic of the family changes, she seems both fiercely self-possessed but also a figure of great moral ambiguity, making her one of the most memorable heroines in contemporary fiction. The portrait that is painted in the years that follow is harrowing, piercingly insightful, always tender and deeply true. Colm Tóibín's Nora is a character as resonant as Anna Karenina or Madame Bovary and Nora Webster is a novel that illuminates our own lives in a way that is rare in literature. Its humanity and compassion forge an unforgettable reading experience. 'A profoundly gifted world writer' Sebastian Barry

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Leo Tolstoy's last completed novel, Resurrection is an intimate, psychological tale of guilt, anger and forgiveness, translated from the Russian with an introduction and notes by Anthony Briggs in Penguin Classics.Serving on the jury at a murder trial, Prince Dmitri Nekhlyudov is devastated when he sees the prisoner - Katyusha, a young maid he seduced and abandoned years before. As Dmitri faces the consequences of his actions, he decides to give up his life of wealth and luxury to devote himself to rescuing Katyusha, even if it means following her into exile in Siberia. But can a man truly find redemption by saving another person? Tolstoy's most controversial novel, Resurrection (1899) is a scathing indictment of injustice, corruption and hypocrisy at all levels of society. Creating a vast panorama of Russian life, from peasants to aristocrats, bureaucrats to convicts, it reveals Tolstoy's magnificent storytelling powers.Anthony Briggs' superb new translation preserves Tolstoy's gripping realism and satirical humour. In his introduction, Briggs discusses the true story behind Resurrection, Tolstoy's political and religious reasons for writing the novel, his gift for characterization and the compelling psychological portrait of Dmitri. This edition also includes a chronology, notes and a summary of chapters.Leo Tolstoy (1828-1910) spent his youth in wasteful idleness until 1851, when he travelled to the Caucasus and joined the army with his older brother, fighting in the Crimean war. After marrying in 1862, Tolstoy settled down, managing his estates and writing two of his best-known novels, War and Peace (1869) and Anna Karenina (1878). A Confession (1879-82) marked a spiritual crisis in his life, and in 1901 he was excommunicated by the Russian Holy Synod. He died in 1910, in the course of a dramatic flight from home, at the small railway station of Astapovo.If you enjoyed Resurrection, you might like Ivan Goncharov's Oblomov, also available in Penguin Classics.

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This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism. Key Features *Broad coverage of drama and fiction by British, European, and American writers *Provides readings of particular texts including Tolstoy's Anna Karenina, Ibsen's Ghosts, Strindberg's Miss Julie, Brecht's Mother Courage, Chekhov's Three Sisters, Thomas Hardy's Tess of the d'Urbervilles and Jude the Obscure, Shaw's Saint Joan, Miller's Death of a Salesman, Conrad's Heart of Darkness, and D H Lawrence's The Rainbow and Women in Love *Combines literary interpretation with philosophical discussion, e.g. of Schopenhauer, Nietzsche, Derrida, Rorty

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Why, asks Daniel Rancour-Laferriere in this controversial book, has Russia been a country of suffering? Russian history, religion, folklore, and literature are rife with suffering. The plight of Anna Karenina, the submissiveness of serfs in the 16th and 17th centuries, ancient religious tracts emphasizing humility as the mother of virtues, the trauma of the Bolshevik revolution, the current economic upheavals wracking the country-- these are only a few of the symptoms of what The Slave Soul of Russia identifies as a veritable cult of suffering that has been centuries in the making. Bringing to light dozens of examples of self-defeating activities and behaviors that have become an integral component of the Russian psyche, Rancour-Laferriere convincingly illustrates how masochism has become a fact of everyday life in Russia. Until now, much attention has been paid to the psychology of Russia's leaders and their impact on the country's condition. Here, for the first time, is a compelling portrait of the Russian people's psychology.

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Eighty years after his death in a Japanese prison camp, this compelling new biography charts the career of a distinguished but hitherto neglected hero of the British army. Major-General Merton Beckwith-Smith DSO, MC commanded the British 18th Division during the catastrophic Fall of Singapore in February 1942. A highly respected and much decorated veteran of the First World War, he was captured along with tens of thousands of other soldiers - British, Indian, Australian, and Malay - who were then held prisoner on Singapore Island. Amidst hunger, disease and widespread despair in Changi, over the next six months he rallied the spirits of his soldiers, created a make-shift university and theatre, and helped to inspire a remarkable renewal of collective church life. At the same time, he improved conditions for hospital patients and encouraged sports and other recreations. While the fate of many of the men he led was to toil, and often die, on the infamous Burma Railway, Beckwith-Smith was exiled to Karenko Camp, Formosa (present-day Taiwan), where, mistreated and malnourished, he died of diphtheria and heart failure on 11 November 1942. Beckwith-Smith, was the most senior British officer to end his life as a prisoner of war in the Far East. Yet until now he has been a strangely forgotten warrior. Based on exclusive access to family archives, and drawing on an array of other eye-witness accounts, Michael Snape's richly detailed biography brings to an end that neglect. The result is a story that offers vivid insights into one man's experience of two world wars, while also revealing why he was so admired by his fellow officers and by the ordinary soldiers who served under him.

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Greta Garbo proclaimed him as her favorite director. Actors, actresses, and even child stars were so at ease under his direction that they were able to deliver inspired and powerful performances. Academy–Award–nominated director Clarence Brown (1890–1987) worked with some of Hollywood's greatest stars, such as Clark Gable, Joan Crawford, Mickey Rooney, Katharine Hepburn, and Spencer Tracy. Known as the "star maker," he helped guide the acting career of child sensation Elizabeth Taylor (of whom he once said, "she has a face that is an act of God") and discovered Academy–Award–winning child star Claude Jarman Jr. for The Yearling (1946). He directed more than fifty films, including Possessed (1931), Anna Karenina (1935), National Velvet (1944), and Intruder in the Dust (1949), winning his audiences over with glamorous star vehicles, tales of families, communities, and slices of Americana, as well as hard-hitting dramas. Although Brown was admired by peers like Jean Renoir, Frank Capra, and John Ford, his illuminating work and contributions to classic cinema are rarely mentioned in the same breath as those of Hollywood's great directors.In this first full-length account of the life and career of the pioneering filmmaker, Gwenda Young discusses Brown's background to show how his hardworking parents and resilient grandparents inspired his entrepreneurial spirit. She reveals how the one–time engineer and World War I aviator established a thriving car dealership, the Brown Motor Car Company, in Alabama - only to give it all up to follow his dream of making movies. He would not only become a brilliant director but also a craftsman who was known for his innovative use of lighting and composition.In a career spanning five decades, Brown was nominated for five Academy Awards and directed ten different actors in Oscar-nominated performances. Despite his achievements and influence, however, Brown has been largely overlooked by film scholars. Clarence Brown: Hollywood's Forgotten Master explores the forces that shaped a complex man - part–dreamer, part–pragmatist - who left an indelible mark on cinema.

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The Death of Ivan Ilyich and Other Stories is a collection of stories that emerged from a profound spiritual crisis, during which Leo Tolstoy believed that he had encountered death itself. This Penguin Classics edition is translated with an introduction by Anthony Briggs, David McDuff and Ronald Wilks.These seven compelling stories explore, in very different ways, Tolstoy's preoccupation with mortality. 'The Death of Ivan Ilyich' is a devastating account of a man fighting his inevitable end, and asks the existential question: why must a good person be taken before his time? In 'Polikushka', a light-fingered drunk's chance to prove himself has tragic repercussions, while 'Three Deaths' depicts the last moments of an aristocrat, a peasant and a tree, and 'The Forged Coupon' shows a seemingly minor offence that leads inexorably to ever more horrific crimes. And in three tales about soldiers, 'After the Ball', 'The Wood-felling' and 'The Raid', Tolstoy portrays the brutality that all too often accompanies military life.The translations by Anthony Briggs, David McDuff and Ronald Wilks capture Tolstoy's powerful, vivid prose. This edition also includes a new introduction by Anthony Briggs discussing Tolstoy's breakdown and the effect this had on his writing, as well as a chronology, further reading and notes.Leo Tolstoy (1828-1910) was born at Yasnaya Polyana, in central Russia. He led a life of wasteful idleness until 1851, when he travelled to the Caucasus and joined the army with his older brother, fighting in the Crimean war. After marrying Sofya Behrs in 1862, Tolstoy settled down, managing his estates and writing two of his best-known novels, War and Peace (1869) and Anna Karenina (1878). In 1884 Tolstoy experienced a spiritual crisis, becoming an extreme moralist, rejecting the state, the church and private property. His last novel, Resurrection (1900), was written to raise money for the Doukhobor sect of Christian spiritualists.If you enjoyed The Death of Ivan Ilyich, you might like Fyodor Dostoyevsky's Crime and Punishment, also available in Penguin Classics.

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Choice Outstanding Academic Title 2014 Transnational Tolstoy renews and enhances our understanding of Tolstoy's fiction in the context of "World Literature," a term that he himself used in What is Art? (1897). It offers a fresh perspective on Tolstoy's fiction as it connects with writers and works from outside his Russian context, including Stendhal, Flaubert, Goethe, Proust, Lampedusa and Mahfouz. Foster provides an interlocking series of cross-cultural readings ranging from nineteenth-century Germany, France, and Italy through the rise of modernist fiction and the crisis of World War II, to the growth of a worldwide literary outlook from 1960 onward. He emphasizes Tolstoy's writings with the most consistent international resonance: War and Peace and Anna Karenina, two of the world's most compelling novels. Transnational Tolstoy also discusses a shorter work, Hadji Murad. It shares the earlier novels' historical sweep, social breadth, and subtle interplay among a large cast of characters. Along with bringing Tolstoy's gifts to bear on a Muslim protagonist, it also represents his most sustained attempt at world literature.

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Rapidly rising carbon emissions from the intense development of Western Canada's fossil fuels continue to aggravate the global climate emergency and destabilize democratic structures. The urgency of the situation demands not only scholarly understanding, but effective action. Regime of Obstruction aims to make visible the complex connections between corporate power and the extraction and use of carbon energy. Edited by William Carroll, this rigorous collection presents research findings from the first three years of the seven-year, SSHRC-funded partnership, the Corporate Mapping Project. Anchored in sociological and political theory, this comprehensive volume provides hard data and empirical research that traces the power and influence of the fossil fuel industry through economics, politics, media, and higher education. Contributors demonstrate how corporations secure popular consent, and coopt, disorganize, or marginalize dissenting perspectives to position the fossil fuel industry as a national public good. They also investigate the difficult position of Indigenous communities who, while suffering the worst environmental and health impacts from carbon extraction, must fight for their land or participate in fossil capitalism to secure income and jobs. The volume concludes with a look at emergent forms of activism and resistance, spurred by the fact that a just energy transition is still feasible. This book provides essential context to the climate crisis and will transform discussions of energy democracy.Contributions by Laurie Adkin, Angele Alook, Clifford Atleo, Emilia Belliveau-Thompson, John Bermingham, Paul Bowles, Gwendolyn Blue, Shannon Daub, Jessica Dempsey, Emily Eaton, Chuka Ejeckam, Simon Enoch, Nick Graham, Shane Gunster, Mark Hudson, Jouke Huizer, Ian Hussey, Emma Jackson, Michael Lang, James Lawson, Marc Lee, Fiona MacPhail, Alicia Massie, Kevin McCartney, Bob Neubauer, Eric Pineault, Lise Margaux Rajewicz, James Rowe, JP Sapinsky, Karena Shaw, and Zoe Yunker.

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Stories engage our emotions. We’ve known this at least since the days of Plato and Aristotle. What this book helps us to understand now is how our own emotions fundamentally organize and orient stories. In light of recent cognitive research and wide reading in different narrative traditions, Patrick Colm Hogan argues that the structure of stories is a systematic product of human emotion systems. Examining the ways in which incidents, events, episodes, plots, and genres are a function of emotional processes, he demonstrates that emotion systems are absolutely crucial for understanding stories. Hogan also makes a case for the potentially integral role that stories play in the development of our emotional lives. He provides an in-depth account of the function of emotion within story—in widespread genres with romantic, heroic, and sacrificial structures, and more limited genres treating parent/child separation, sexual pursuit, criminality, and revenge—as these appear in a variety of cross-cultural traditions. In the course of the book Hogan develops interpretations of works ranging from Tolstoy’s Anna Karenina to African oral epics, from Sanskrit comedy to Shakespearean tragedy. Integrating the latest research in affective science with narratology, this book provides a powerful explanatory account of narrative organization.

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The perfect pick me up romcom for fans of Beth O’Leary, Sophie Kinsella and Sophie Ranald! Mia Abbott’s move to Manchester was supposed to give her time and space from all the disastrous romantic choices she’s made in her past. But then the hot guy who lives opposite – the one who works out every day at exactly 10 a.m., not that Mia has noticed thank-you-very-much – starts leaving notes in his window…for her. Bar owner Luke Doyle has his own issues to deal with but as he shows Mia the sights of her new city he also shows her what real romance looks like for the first time. And when he cooks up a signature cocktail in her honour, she realises that the man behind the bar is even more enticing than any of his creations. And once she’s had a taste she knows it will never be enough! Readers are falling for Mr Right Across the Street: ‘This 5-star romcom had all the feels…For those looking for a great feel-good romance with a side of giggles, this is the book you need’ Norma ‘Perfect for those who love a good rom com!’ Joy ‘You’ll definitely laugh and love the characters…Totally relatable’ Karena ‘Hi, my name is Laura and I am in love with this book … rom-com fans everywhere give this book a go’ Laura ‘How could I resist such a cute cover?… I was lost in this book from the moment I picked it up’ Maggie ‘The concept of this book was incredibly sweet, with the messages on the window… It's like a Taylor Swift song’ Beata ‘Yes, yes, yes! I am here for strong female characters, always! … This was such a sweet story and the cover is beautiful!’ Ashley

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Let the pros help you plan and prep meals for your family - 100 home-cooking recipes used by chefs to feed those they love! Looking for meals that will appeal to everyone around the table? This book - the first of its kind - is the perfect solution, with 100 recipes - breakfast, lunch, snacks, dinner, treats - from the repertoires of world-famous chefs who cook for their children at home. Charming first-person stories offer a glimpse into their private lives as they strive to raise adventurous (and healthy) eaters. With "real life" photography from the chefs' own kitchens, much of which has been taken by the chefs themselves, and charming specially-commissioned illustrations from Stein, the chefs explain why each dish is much-loved, highlight how ingredients can expand palates, reveal insider tips, and share their work-life balance challenges. A peek behind the curtain at what the world's most exciting chefs actually make at home - perfect for home cooks at all skill and experience levels. Contributors include: Palisa Anderson, Karena Armstrong, Elena Arzak, Reem Assil, Alex Atala, Danny Bowien, Sean Brock, Manoella Buffara, Andreas Caminada, James Knappett & Sandia Chang, Jeremy Charles, Filip Claeys & Sandra Claeys, Johnny Clark & Beverly Kim, Margarita Forés, Suzanne Goin & David Lentz, Will Goldfarb, Adeline Grattard, Jocelyn Guest & Erika Nakamura, Rodolfo Guzmán, Fergus Henderson & Margot Henderson, Dylan Jones & Duangporn Songvisava, Edouardo Jordan, Najat Kaanache, Asma Khan, Angelos Lantos, Summer Le, Pía León & Virgilio Martínez, Margarita Manzke & Walter Manzke, Gísli Matt, JP McMahon, Marie-Aude Mery & Daniel Rose, Bonnie Morales, Nompumelelo Mqwebu, Vladimir Mukhin, Yoshihiro Narisawa, Anne-Sophie Pic, Elisabeth Prueitt, Heinz Reitbauer, Elena Reygadas, Jonathan Rhodes, Reuben Riffel, Nick Roberts & Brooke Williamson, Ana Roš, Ilona Scholl & Max Strohe, Didem Senol, Ben Shewry, Pierre Thiam, Kwang Uh & Mina Park, Mickael Viljanen, Lee Anne Wong, Claudette Zepeda-Wilkins, Jock Zonfrillo.

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