Search results for ""wiley""

Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. All editions are complete and unabridged, and feature Introductions and Afterwords.This edition of The Legend of Sleepy Hollow includes an Introduction and Afterword by Charles L. Grant.Sleepy Hollow is a strange little place...some say bewitched. Some talk of its haunted valleys and streams, the ghostly woman in white, eerie midnight shrieks and howls, but most of all they talk of the Headless Horseman. A huge, shadowy soldier who rides headless through the night, terrifying unlucky travellers.Schoolteacher Ichabod Crane is fascinated by these stories....Until late one night, walking home through Wiley''s swamp, he finds that maybe they''re not just stories.What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands?

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In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of 'rememory'—the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object

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Washington Post Best Children's BookFormaldehyde, borax, salicylic acid. Today, these chemicals are used in embalming fluids, cleaning supplies, and acne medications. But in 1900, they were routinely added to food that Americans ate from cans and jars.In 1900, products often weren't safe because unregulated, unethical companies added these and other chemicals to trick consumers into buying spoiled food or harmful medicines. Chemist Harvey Washington Wiley recognized these dangers and began a relentless thirty-year campaign to ensure that consumers could purchase safe food and drugs, eventually leading to the creation of the U.S. Food and Drug Administration, or FDA, a US governmental organization that now has a key role in addressing the COVID-19/Coronavirus pandemic gripping the world today. Acclaimed nonfiction and Sibert Honor winning author Gail Jarrow uncovers this intriguing history in her trademark style that makes the past enthrallingly relevant for today's young readers.

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Meet 18 of the Midwest’s most atrocious and vile human beings. Read histories of murder and mayhem committed by individuals with burning anger and contempt for societal norms, and witness the macabre visions of their personal demons driving them to commit acts so reprehensible that they have earned for themselves a place in the annals of criminal history. Meet Micajah and Wiley Harpe, horrendous murderers who left a bloody trail of forty bodies behind them. Find out what happened to Belle Gunness’s beaus. Visit the H. H. Holms “Murder Castle,” and read accounts of Jeffrey Dahmer, John Wayne Gacy, John Dillinger, and more. For those future criminals who would follow in the footsteps of the notorious mentioned here, parting images are given: the gas chamber, gallows, firing squads, lethal injections, electric chairs, and tortured lives listening to the ticking of clocks from behind steel cell doors.

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How a massive agricultural reform movement led by northern farmers before the Civil War recast Americans' relationships to market forces and the state.Recipient of The Center for Civil War Research's 2021 Wiley-Silver Book Prize, Winner of the Theodore Saloutos Memorial Award by the Agricultural History SocietyIn this sweeping look at rural society from the American Revolution to the Civil War, Ariel Ron argues that agricultural history is central to understanding the nation's formative period. Upending the myth that the Civil War pitted an industrial North against an agrarian South, Grassroots Leviathan traces the rise of a powerful agricultural reform movement spurred by northern farmers. Ron shows that farming dominated the lives of most Americans through almost the entire nineteenth century and traces how middle-class farmers in the "Greater Northeast" built a movement of semipublic agricultural societies, fairs, and periodicals that fundamentally recast Americans' relationship to market forces and the state.

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This practical, nuts-and-bolts toolkit puts theory into practice with ready-made answers to common Flash development questions. It's the perfect resource for Flash developers, as well as designers who are ready to start doing development work. Flash 8 Cookbook offers quick look-up (and cross-referenced) recipes in four main categories: Creating Flash Content Building Interactive Flash Interfaces Adding Multimedia and Data Planning Flash Projects Using O'Reilly's popular Problem/Solution/Discussion Cookbook format, this book offers 280 standalone recipes that include a brief explanation of how and why the solution works, so you can adapt it to similar situations you may run across in the future. For people who say, "I understand everything in theory, but I don't know where to start in practice," this book offers ready-to-use answers to real-world problems. Joey Lott is the author of ActionScript Cookbook (O'Reilly) and co-author of Flash MX 2004 ActionScript Bible (Wiley). He's a leading speaker and consultant in the Flash development community.

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This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. The case studies in this volume offers new methodologies and models for the subject of corporate patronage, going beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this book looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries. It also contains an extensive bibliography on corporate patronage, art collections and exhibitions, sponsorship, and philanthropy in the United States.

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The Handbook on Implementation Science provides an overview of the field's multidisciplinary history, theoretical approaches, key concepts, perspectives, and methods. By drawing on knowledge concerning learning, habits, organizational theory, improvement science and policy research, the Handbook offers novel perspectives from a broad group of international experts in the field representing diverse disciplines. The editors and authors seek to advance implementation science through careful consideration of current thinking and recommendations for future directions. Featured key concepts include strategies, context, outcomes, fidelity, adaptation and sustainability. Chapters introduce topics, define them, and explain their application in implementation science with examples that resonate with a diverse readership including implementation researchers, instructors, students and practitioners with experience in the field ranging from novices to experienced scholars. Contributors include: G. Aarons, B. Andersson-Gäre, M. Bender, S. Bernhardsson, S. Birken, K.A. Blase, A. Bunger, P. Cairney, C. Carroll, D. Cragun, G. Curran, D. D'Lima, L. Damschroder, K.S. Dickson, J. Edwards Becan, A.C. Eldh, P.-E. Ellström, T. Finch, D.L. Fixsen, B. Gardner, T. Greenhalgh, E. Haines, G. Harvey, H. Hasson, M. Hatch, S. Hwang, A. Kirk, A. Kitson, J. Leeman, L. Lennox, F. Lorecatto, J.C. Lowery, C. May, N. McCleary, S. Michie, J.C. Moullin, M. Neher, P. Nilsen, R.Y. Nooraie, J. Phillips, S. Potthoff, J. Presseau, E. Proctor, T. Rapley, C.M. Reardon, J. Rycroft-Malone, K. Seers, N. Sevdalis, F.F. Sniehotta, N.A. Stadnick, J. Thor, T. Waltz, J. Wassar-Kirk, B. Weiner, T. Wiley

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NOW A MAJOR BBC DRAMA, AVAILABLE TO WATCH ON BBC THREE NOW'An essential read for anyone with the slightest interest in the birth of Grime' The Wire'Sharp and nostalgic' The ObserverA group of kids in the 90s had a dream to make their voice heard - and this book documents their seminal impact on today's pop culture. DJ Target grew up in Bow under the shadow of Canary Wharf, with money looming close on the skyline. The 'Godfather of Grime' Wiley and Dizzee Rascal first met each other in his bedroom. They were all just grime kids on the block back then, and didn't realise they were to become pioneers of an international music revolution. A movement that permeates deep into British culture and beyond. Household names were borne out of those housing estates, and the music industry now jumps to the beat of their gritty reality rather than the tune of glossy aspiration. Grime has shaken the world and Target is revealing its explosive and expansive journey in full, using his own unique insight and drawing on the input of grime's greatest names.What readers are saying about Grime Kids:'Fantastic depiction of the inception of a genre that has spanned the millennium''Brilliant insight in to grim music from one of the pioneers of the scene''This book really sums up the feeling of being a DJ perfectly'

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You know your dog is the cutest but does everyone else know it too?In this book, Loni Edwards, the human behind the world's most influential pets, breaks down the path to fame. Discover insights into the success of social media's top pups and follow the essential steps on the road to fame - from crafting your brand to advocating for your pup on set. With expert guidance on how to be a good dog parent and make sure your pup is happy and healthy every step of the way, this is your one-stop guide to helping your dog win over hearts, one adorable post at a time.Featuring the stories of more than 40 of the most successful pet influencers:157 of Gemma, Amazing Graciedoodle, Barkley Sir Charles, Bertie Bert the Pom, Bronson the Bully, Brussels Sprout, Bully Baloo, Charlie the Black Shepherd, Chloe the Mini Frenchie (& Emma Bear), Coco the Maltese Dog (Coco & Cici), Cookie Malibu, Crusoe the Celebrity Dachshund, Daily Dougie, Dog named Stella, Ducky the Yorkie, Frame the Weim, Gone to the Snow Dogs, Harlow and Sage, Hi Wiley, Kelly Bove, Lilybug, Lizzie Bear, Louboutina the Hugging Dog, Maya Polar Bear, Mervin the Chihuahua, Milo and Noah, MJ the Beagle, Mr. Biggie, Popeye the Foodie, Puggy Smalls, Reagandoodle, Remix the Dog, Rocco Roni, Super Corgi Jojo, Super Scooty, Tatum, That Goldendoodle, The Bike Dog, Tika the Iggy, Tuna Melts my Heart, Tupey the Borzoi, Verpinscht, Winnie the Cocker, Wolfgang 2242

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Simone C. Drake spent the first several decades of her life learning how to love and protect herself, a black woman, from the systems designed to facilitate her harm and marginalization. But when she gave birth to the first of her three sons, she quickly learned that black boys would need protection from these very same systems systems dead set on the static, homogenous representations of black masculinity perpetuated in the media and our cultural discourse. In When We Imagine Grace, Drake borrows from Toni Morrison's Beloved to bring imagination to the center of black masculinity studies allowing individual black men to exempt themselves and their fates from a hateful, ignorant society and open themselves up as active agents at the center of their own stories. Against a backdrop of crisis, Drake brings forth the narratives of black men who have imagined grace for themselves. We meet African American cowboy, Nat Love, and Drake's own grandfather, who served in the first black military unit to fight in World War II. Synthesizing black feminist and black masculinity studies, Drake analyzes black fathers and daughters, the valorization of black criminals, the denigration and celebration of gay men, Cornelius Eady, Antoine Dodson, and Kehinde Wiley. With a powerful command of its subjects and a passionate dedication to hope, When We Imagine Grace gives us a new way of seeing and knowing black masculinity sophisticated in concept and bracingly vivid in telling.

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In his most expansive and unruly collection to date, the acclaimed poet Charles Bernstein gathers poems, both tiny and grand, that speak to a world turned upside down. Our time of “covidity,” as Bernstein calls it in one of the book’s most poignantly disarming works, is characterized in equal measure by the turbulence of both the body politic and the individual. Likewise, in Topsy-Turvy, novel and traditional forms jostle against one another: horoscopes, shanties, and elegies rub up against gags, pastorals, and feints; translations, songs, screenplays, and slapstick tangle deftly with commentaries, conundrums, psalms, and prayers. Though Bernstein’s poems play with form, they incorporate a melancholy, even tragic, sensibility. This “cognitive dissidence,” as Bernstein calls it, is reflected in a lyrically explosive mix of pathos, comedy, and wit, though the reader is kept guessing which is which at almost every turn. Topsy-Turvy includes an ode to the New York City subway and a memorial for Harpers Ferry hero Shields Green, along with collaborations with artists Amy Sillman and Richard Tuttle. This collection is also full of other voices: Pessoa, Geeshie Wiley, Friedrich Rückert, and Rimbaud; Carlos Drummond, Virgil, and Brian Ferneyhough; and even Caudio Amberian, an imaginary first-century aphorist. Bernstein didn’t set out to write a book about the pandemic, but these poems, performances, and translations are oddly prescient, marking a path through dark times with a politically engaged form of aesthetic resistance: We must “Continue / on, as / before, as / after.”

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Pact Press brings you Changing Tides, the fourth anthology in a series designed to spark conversation, promote awareness, and generate funds to advance social and environmental justice and amplify the voices of the marginalized. The poems, essays, and personal reflections in Changing Tides detail moving accounts of the human impact on our ocean environment and demonstrate the heightened need for individual, community, and global action in addressing what has become a collective crisis for life on this blue planet. Pact Press is proud, through the sale of this anthology, to support the work of the Coral Restoration Foundation™, a 501 3 (c) non-profit organization that was founded in 2007 in response to the widespread loss of the dominant coral species on the Florida Reef Tract. Coral Restoration Foundation™ (CRF) now manages the largest coral restoration program in the world. The contributors include Jared Benjamin, Susan Bruce, Kersten Christianson, Lorraine Jeffrey, Olivia Kingery, Liberty Lawson, Jayne Marek, Anthony Panegyres, Gerard Sarnat, Christina Stefan, Franciszka Voeltz, Tonya Wiley, Juliet Wilson, Sheree Winslow, and Mandy-Suzanne Wong.

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The USA Today Bestseller! A stunning new historical novel perfect for fans of Kate Quinn and Dinah Jeffries! From debutante to farmer’s daughter all roads lead to Bletchley… In a different world, Evie Milton would have accepted her fate, married an aristocrat, and become the doyenne of one of England’s finest estates, just like her mother. In a different world, Rose Wiley would have married her fiancé, David, established a modest homestead, and brought up a brood of babies, just like her mother. But this isn’t a different world and these women are not their mothers. Rose dreams of a life filled with more than family and duty to her husband – a life of purpose – and Evie dreams of a life far away from her rarefied existence. Now, as they perform vital work at Bletchley Park decoding intercepted Luftwaffe messages, their role in turning the tide of war in the Allies favour shows Evie and Rose they don’t have to settle for the life once laid out before them.

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Coralee Harper struggles for justice for her dead brother and her own sanity in Depression-era rural Arkansas. In 1926 in rural Green County, Arkansas, where cotton and poverty reign, young Coralee Harper hopes for a family and a place in her community, but when her brother Buddy is killed by a powerful sheriff, she can’t recover from his death or the injustice of his loss. When she begins to spot her dead brother around town, she wonders—is she clairvoyant, mistaken, or is she losing her mind? What Coralee can’t fathom is that there are forces at work that threaten her and the very fabric of the town: Leroy Harrison, a newly minted, ambitious lawyer who makes a horrible mistake, landing him a judgeship and a guilty conscience for life; an evangelical preacher and his flock of snake-handling parishioners; the women of the town who, along with Coralee’s own mother, make up their own kind of jury for Coralee’s behavior; Sheriff Wiley Slocum who rules the entire field, harboring dark secrets of his own; and finally, Coralee’s husband Earl, who tries to balance his work at the cotton gin with his fight for family and Coralee’s life. When Coralee ends up in a sanity hearing before Judge Leroy Harrison, the judge must decide both Coralee’s fate and his own. The chain of events following his decision draws him more deeply into the sheriff’s far-reaching sphere of influence, and reveals the destructive nature of power, even—and especially—his own.

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Virgin’s Richard Branson, Zappos’ Tony Hsieh, and Tesla’s Elon Musk, apart from their obvious success, all share another thing in common. Each utilizes storytelling to maximize their effectiveness as leaders. Many of the most influential leaders of our and all time, including arguably the most influential leader in history, used storytelling whenever they had a particularly important point to make. Encouraged by these influences, a father who was a known storyteller and a Nigerian priest who used stories to bridge a language barrier, author, and successful businessperson, Phillip Kane used stories each Friday throughout his career to help business associates relate to key issues facing the organizations he had the privilege to lead. These weekly letters had less to do with what was going on in the business than how people thought about what was going on in the business. By helping shift and align his teams’ point of view, Kane and the teams he led were able to accomplish more and win more often. All because of the stories he told. Many of them are assembled here in one place for the first time. Organized around key themes like encouragement, trust, and gratitude, Kane also provides additional insights for existing or aspiring leaders looking for a different, better way to appeal to those who should be following them. Featured twice in Kouzes’ & Posner’s, The Leadership Challenge (Wiley), first-time author, Phillip Kane’s storytelling technique and the leadership lessons he imparts are key for any leader seeking to create winning teams built on a fundamental foundation of caring and service to others.

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A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world.Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It’s clear that modern day museums can no longer exist without change—and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris—this is Black history like never seen before.

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New York City, 1930. Following a decade of explosive creativity, the Harlem Renaissance is starting to feel the bite of the Great Depression. In the face of hardship and dwindling opportunity, Angel and her friends battle to keep their artistic dreams alive. But, when Angel falls for a stranger from Alabama, their romance forces the group to make good on their ambitions, or give in to the reality of the time. Pearl Cleage's Blues for an Alabama Sky was first performed in Atlanta, Georgia, in 1995. It was revived at the National Theatre, London, in 2022, directed by Lynette Linton, with a cast including Samira Wiley and Giles Terera. Pearl Cleage is a celebrated American playwright, novelist, poet and political activist, and was one of the first Black women in America to achieve national recognition as a dramatist. Her plays, also including Flyin' West and Bourbon at the Border, provide a remarkable and penetrating look at the African-American experience over the last century. 'As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with her capacity to dig for truth' Ruby Dee 'One of the voices singing in the wilderness' Ossie Davis

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In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.

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The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.

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'This is a GREAT book! Funny, charming, original, secretly educational.' Adam Kay'Funny, arty and just a little bit naughty, the Art Avenger is amazing!' Matt Lucas'Very funny . . . I learned tons about art and laughed A LOT' Joe LycettA laugh-out-loud illustrated adventure featuring Trixie Pickle, the Banksy of her school.A weird sickness bug has been spreading through Wormwood Town and everyone is wondering if there's something in the water. Trixie Pickle Art Avenger uses the power of art to investigate - can she get to the bottom of the mystery around the town reservoir?She's got a lot on her plate - being bored to sleep by Money Week at school, making comics with her best friend Beeks and finding a way to bring down the local mean girls - but with artistic inspiration from Botticelli, Damien Hirst and Kehinde Wiley, the Art Avenger is sure to win the day.Highly illustrated throughout by Olaf and with fact files of hilarious and irreverent details about real artists such as Yayoi Kusama and Hokusai, Trixie Pickle is perfect for fans of Konnie Huq, Sam Copeland and Liz Pichon.

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Written by award-winning Black British children’s author Sharna Jackson, Black Artists Shaping the World celebrates the diversity of work being produced today by Black artists from around the globe, introducing young readers to twenty-six contemporary artists from Africa and of the African diaspora. Sharna Jackson’s experience as a children’s author who has worked for over a decade in the cultural sector, both at Tate in London and at Site Gallery in Sheffield, is combined here with the curatorial expertise of Dr Zoé Whitley, Director of London’s Chisenhale Gallery and co-curator of the landmark Tate exhibition ‘Soul of a Nation: Art in the Age of Black Power’. Their book features artists working in a variety of media from painting, sculpture and drawing to ceramics, installation art and sound art. Artists featured include British Turner Prize-winning painters Lubaina Himid and Chris Ofili; renowned South African visual activist Zanele Muholi; Nigerian sound artist Emeka Ogboh; Sudanese painter Kamala Ibrahim Ishag; Kenyan-British ceramicist Magdalene Odundo; African-American artists Kerry James Marshall, Faith Ringgold, Amy Sherald and Kehinde Wiley; performance artist Harold Offeh; and moving image artist Larry Achiampong. The result is a refreshingly contemporary celebration of Black artists at work today that will serve as inspiration to a new generation of aspiring young artists. Winner of Five Awards: • SLA Information Book Award, Judges Award Winner, Age 13-16 category 2022 • SLA Information Book Award, Children's Choice Winner, Age 13-16 category 2022 • SLA Information Book Award, Judges Choice Winner 2022 • Junior Design Awards - GOLD medal winner • Made for Mums Awards - GOLD award With 62 illustrations in colour

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A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter. Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects. Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.

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A rich reconsideration of a short-lived but visionary voice in twentieth-century American painting and his enduring relevance Bob Thompson (1937–1966) came to critical acclaim in the late 1950s for paintings of unparalleled figurative complexity and chromatic intensity. Thompson drew upon the Western art-historical canon to formulate a highly personal, expressive language. Tracing the African American artist’s prolific, yet tragically brief, transatlantic career, this volume examines Thompson’s outlier status and pays close attention to his sustained engagements with themes of community, visibility, and justice. As the contributors contextualize the artist’s ambitions and his unique creative process, they reposition Thompson as a predecessor to contemporary artists such as Kerry James Marshall and Kehinde Wiley. Featuring an array of artwork, and never-before-published poems and archival materials, this study situates Thompson’s extraordinary output within ongoing dialogues about the politics of representation. Published in association with Colby College Museum of ArtExhibition Schedule:Colby College Museum of Art, Waterville, ME (July 20, 2021–January 9, 2022)Smart Museum of Art, The University of Chicago (February 10–May 15, 2022)High Museum of Art, Atlanta (June 18–September 11, 2022)Hammer Museum, Los Angeles (October 9, 2022–January 8, 2023)

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Themes and motifs in the art of Kara Walker, from blackface to abjection, by a leading art historian In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva’s concept of abjection, Stone Mountain’s racist tourist attraction and the minstrel tradition. Robert Hobbs (born 1946) has written more than 50 books and catalogs, focusing on such artists as Milton Avery, Alice Aycock, Lee Krasner, Robert Smithson and Kehinde Wiley. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the School of Arts, Virginia Commonwealth University. Since 2004 he has served as a visiting professor at Yale University. Now based in New York, Kara Walker was born in Stockton, California, in 1969. She received her MFA from the Rhode Island School of Design in 1994; soon afterward, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces.

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This volume features presentations delivered at annual conferences of the Society of Biblical Literature. In 2014 and 2015, they were offered for the Sacrifice, Cult, and Atonement section, which existed between 2007 and 2015; its objective was the study of the practices, interpretations, and reception history of sacrifice and cult in early Judaism, Christianity, and their larger cultural contexts (ancient Near East and Greco-Roman antiquity). This program unit offered panels under the title Writing a Commentary on Leviticus that were intended to provide scholars working on such commentary volumes with a forum of scholarly discussion and exchange. The panel series was proposed by Thomas Hieke, who was then work-ing on a Leviticus commentary for the academic series Herders Theologischer Kommentar zum Alten Testament (HThKAT, published by Herder in 2014). It was welcome and adopted by Christian A. Eberhart, founder and former chair of the Sacrifice, Cult, and Atonement section. The third and final panel was housed in the Ritual in the Biblical World section at the annual conference of the Society of Biblical Literature in 2016.The present volume makes the presentations by these scholars, and with them an important segment of the work of the Sacrifice, Cult, and Atonement section, available to a wider academic audience. It is thus a sequel to the volumes Ritual and Metaphor: Sacrifice in the Bible (SBLRBS 68; Atlanta: Society of Biblical Liter-ature, 2011), edited by Christian A. Eberhart, and Sacrifice, Cult, and Atonement in Early Judaism and Christianity: Constituents and Critique (SBLRBS 85; Atlanta: SBL Press, 2017), edited by Henrietta L. Wiley and Christian A. Eberhart.We wish to thank Nicole Duran, Steve Finlan, Bill Gilders, Jason Tatlock, and Henrietta L. Wiley, the members of the steering committee of the Sacrifice, Cult, and Atonement section, for their ongoing collaboration. They have pur-sued the themes of this program section with scholarly rigor and professional engagement for almost a decade. We are also grateful to Ada Taggar-Cohen and Jason Lamoreaux, the chairs of the Ritual in the Biblical World section, for hosting the final panel of our project, thus allowing us to complete the three-year cycle. We would also like to express our deep gratitude to all of the scholars who enthusiastically accepted our invitation. They shared their research on Leviticus first through presentations, then in writing, and finally by submitting further samples of their previously published scholarship that were considered to enrich this volume. Thus, some of the contributions are revised or translated versions of essays that were printed roughly within the last decade (Watts, Unperformed Rituals; Eberhart, Sacrifice; Meshel, Form and Function; Hieke, Prohibition; Wright, Law and Creation).

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The perfect read for fans of Succession or The White Lotus “As a novelist, Tarkington is the real deal. I can’t wait to see this story reach a wide audience.”—Paula McLain, author of The Paris Wife When Charlie Boykin was young, he thought his life with his single mother on the working-class side of Nashville was perfectly fine. But when his mother arranges for him to be admitted as a scholarship student to an elite private school, he is suddenly introduced to what the world can feel like to someone cushioned by money. That world, he discovers, is an almost irresistible place where one can bend—and break—rules and still end up untarnished. As he gets drawn into a friendship with a charismatic upperclassman, Archer Creigh, and an affluent family that treats him like an adopted son, Charlie quickly adapts to life in the upper echelons of Nashville society. Under their charming and alcohol-soaked spell, how can he not relax and enjoy it all—the lack of anxiety over money, the easy summers spent poolside at perfectly appointed mansions, the lavish parties, the freedom to make mistakes knowing that everything can be glossed over or fixed? But over time, Charlie is increasingly pulled into covering for Archer’s constant deceits and his casual bigotry. At what point will the attraction of wealth and prestige wear off enough for Charlie to take a stand—and will he? For readers of Wiley Cash, Ann Patchett, and Pat Conroy, The Fortunate Ones is an immersive, elegantly written story that conveys both the seductiveness of this world and the corruption of the people who see their ascent to the top as their birthright.

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‘Gripping and authentic’ NEW YORK TIMES ‘Heartrending . . . An engrossing read’ FINANCIAL TIMESSEVENTEEN YEARS AFTER THE FALL OF THE THIRD REICH Max Weill has never forgotten the face of Otto Schramm, a doctor who worked with Mengele on appalling experiments and who sent Max’s family to the gas chambers.A NAZI WAR CRIMINAL WHO IS SUPPOSED TO BE DEAD When Schramm escaped to South America after the war, Max swore to one day bring him back to Germany to stand trial. With his life now nearing its end, he asks his nephew Aaron Wiley – a CIA desk analyst – to capture the doctor.AND THE ROGUE CIA AGENT ON HIS TRAIL In Buenos Aires, and unable to distinguish allies from enemies, Aaron must test the boundaries of his own personal morality and ultimately decide: how far is he prepared to go to render justice?PRAISE FOR JOSEPH KANON: ​ 'Joseph Kanon owns this corner of the literary landscape and it’s a joy to see him reassert his title with such emphatic authority' Lee Child 'Clever, devious and morally complex' Sunday Times 'Sensational! No one writes period fiction with the same style and suspense – not to mention substance – as Joseph Kanon' Scott Turow 'Kanon is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell' New York Times 'The perfect combination of intrigue and accurate history brought to life' Alan Furst 'Joseph Kanon continues to demonstrate that he is up there with the very best . . . of spy thriller writers . . . Kanon writes beautifully, superbly . . . he is the master of the shadows of the era' The Times 'The critical stock of Joseph Kanon is high, and Defectors will add further lustre to his reputation . . . There are pleasing echoes here of the “entertainments” of Graham Greene' Guardian

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International bestselling author Sara Paretsky selects the twenty best mystery short stories of the year, including tales by Michael Connelly, Jo Nesbo, Joyce Carol Oates, Colson Whitehead, and more in this crime connoisseur's collection. Under the auspices of New York City's legendary mystery fiction specialty bookstore, The Mysterious Bookshop, and aided by Edgar Award-winning anthologist Otto Penzler, international bestseller and MWA Grandmaster Sara Paretsky has selected the twenty most puzzling, most thrilling, and most mysterious short stories from the past year, collected now in one entertaining volume. The classic mystery tale will be familiar to aficionados and casual readers alike: it was invented by Edgar Allen Poe, popularised by Arthur Conan Doyle, and perfected by Agatha Christie. WIthin a few pages, a clue can be discovered, divulged, and its significance determined: all else is mere embellishment. Featuring stories by: Doug Allyn, Colin Barrett, Jerome Charyn, Michael Connelly, Susan Frith, Tom Larsen, Sean Marciniak, Stefon Mears, Keith Lee Morris, Gwen Mullins, Jo Nesbo, Joyce Carol Oates, Annie Reed, Kristine Kathryn Rusch, Anna Scotti, Ginny Swart, Ellen Tremiti, Joseph S. Walker, Colson Whitehead, and Michael Wiley – plus a bonus vintage story from the annals of mystery fiction, written over a century in the past.

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A critical reexamination of Carpeaux’s bust Why Born Enslaved! and other nineteenth-century antislavery images—this book interrogates the treatment of the Black figure as a malleable political symbol and locus of exoticized beauty This critical reexamination of Jean-Baptiste Carpeaux’s iconic bust Why Born Enslaved! unpacks the sculpture’s complex and sometimes contradictory engagement with an antislavery discourse. Noted art historians and writers discuss how categories of racial difference grew in popularity in the nineteenth century alongside a crescendo in cultural production in France during the Second Empire. By focusing on Why Born Enslaved! and comparing it to works by Carpeaux’s contemporaries on both sides of the Atlantic, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley, this volume explores such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 10, 2022–March 5, 2023)

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A grime-theatre mash-up. Too black for my white friends, but too white for my Black friends. Growing up mixed race in Newport, I fell into a cloud of grey. Absent Black father, ducking the police, working out what it means to be a man. I was struggling to find my place in the world and in danger of spiralling out of control. Then one moment changed my life. Created from grime culture and inspired by Dizzee Rascal, Wiley, Skepta and Kano, The Making of a Monster is Connor's story. Reviews: "Connor Allen's startling grime-theatre mash-up is as emotionally raw as it is playful and imaginative" - The Stage "Honest...funny and tender" - South Wales Life "Astoundingly raw" - Wales Theatre Review "One of the best things I've watched all year" - Aleighcia Scott, singer "Connor is not only annoyingly talented. He is the thing that most writers try and fail to be: Absolutely genuine." - Bryony Kimmings, performance artist "Connor Allen is one of the most generous, gracious souls I've ever been lucky enough to meet. The story of how he came through tough times to become the man he is today will be an inspiration to ever" - Gary Owen, writer

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“An exciting insider’s look at Projects Mercury, Gemini and Apollo . . . NASA’s internal politics, disasters, glitches and close calls” by a pioneering astronaut (Publishers Weekly). Gordon “Gordo” Cooper was one of the original Mercury Seven astronauts, pilot for Apollo X, head of flight crew operations for the United States’ first orbiting space station, and the last American to venture into space alone. Stretching from the dawning days of NASA to the far reaches of the unknown, Cooper’s distinguished career as a record-setting astronaut helped shape America’s space program and blazed a trail for generations to come. In this astonishing memoir—written with #1 New York Times bestseller Bruce Henderson—Cooper crosses paths with such aviation luminaries as Amelia Earhart, Wiley Post, and German rocket scientist Wernher von Braun; he shares his early days at Edwards Air Force Base and the endeavors that became the basis for The Right Stuff; he takes us inside NASA with candid accounts of his defeats and accomplishments; he reflects on the triumphs and tragedies of his heroic colleagues; and he finally reveals the reasons behind his belief in extraterrestrial intelligence, including the US military’s long-standing UFO cover-ups. Buckle yourself in for a breathtaking ride because in Leap of Faith, Gordon Cooper takes readers to places they’ve never been before.

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The existence of neutron stars was not only a brilliant theoretical prediction, but also one of the most unexpected and astonishing discoveries of all heavenly bodies. Twenty-five years after the remarkable event of their discovery, neutron stars, which are the densest, the most strongly magnetized, and the most rapid­ ly rotating bodies in the Galaxy, remain objects of intense interest. This book is a revised and enlarged version of the original Russian edition. The last five years were marked by the discovery of a supernova in the closest galaxy and dozens of X-ray sources and millisecond pulsars, which apparently confirm the validity of the basic ideas underlying these discoveries. The author has concentrated on the astrophysical manifestations of neutron stars, which are believed mainly to be associated with the nature of their interaction with their surroundings. Naturally, this approach does not leave much room for a detailed description of the internal structure of these stars. Fortunately, there exists an excellent monograph by S. L. Shapiro and S. A. Teukolsky (Black Holes, White Dwarfs, and Neutron Stars, Wiley, New York 1985) which deals mainly with the purely physical problems. Moreover, the publication of such a book in the West partly makes amends for the lack of information about the work being done by Soviet scientists in this field.

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'Thrums with authenticity' The Times 'Powerful, bruising and beautiful' Chris Whitaker A bleak, brilliant slice of American noir' Daily Mail The latest novel from the CWA-shortlisted author of Three-Fifths - a Sunday Times, Guardian and Financial Times Book of the Year ____________ IT'S NOT A COMEBACK. IT'S A FIGHT FOR HIS LIFE. Xavier "Scarecrow" Wallace is a biracial Black MMA fighter on the wrong side of thirty, who's been given a last-ditch chance to break into the big leagues. He is also losing his battle with pugilistic dementia, a struggle he is desperate to hide. In the nursing home of his father, a white man suffering from Alzheimer's, Xavier witnesses shocking episodes that expose ugly truths about his family and his past. As the big fight draws near, Xavier is faced with a dangerous dilemma: throw his match or suffer the deadly consequences. ____________ FURTHER PRAISE FOR JOHN VERCHER 'John Vercher could well be the next great American novelist' Kia Abdullah 'Shrewd and explosive' New York Times 'Vercher writes with the intensity of championship round' Kevin Powers, author of The Yellow Birds 'A stunning, stone-cold knockout' P. J. Vernon, author of Bath Haus 'Think Warrior by way of Fat City' William Boyle, author of Shoot the Moonlight Out 'John Vercher writes like a fighter, a dancer, an athlete' Wiley Cash, author of A Land More Kind than Home

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This book examines the judicial opinions and criminal justice policy impact of Justice John Paul Stevens, the U.S. Supreme Court’s most prolific opinion author during his 35-year career on the nation’s highest court. Although Justice Stevens, a Republican appointee of President Gerald Ford, had a professional reputation as a corporate antitrust law attorney, he immediately asserted himself as the Court’s foremost advocate of prisoners’ rights and Miranda rights when he arrived at the Court in 1975. In examining Justice Stevens’s opinions on these topics as well as others, including capital punishment and right to counsel, the chapters of the book connect his prior experiences with the development of his views on rights in criminal justice. In particular, the book examines his relevant experiences as a law clerk to Justice Wiley Rutledge in the Supreme Court’s 1947 term, a volunteer attorney handling criminal cases in Illinois, and a judge on the U.S. court of appeals to explore how these experiences shaped his understanding of the importance of rights in criminal justice. For many issues, such as those affecting imprisoned offenders, Justice Stevens was a strong defender of rights throughout his career. For other issues, such as capital punishment, there is evidence that he became increasingly protective of rights over the course of his Supreme Court career. The book also examines how Justice Stevens became increasingly important as a leading dissenter against the diminution of rights in criminal justice as the Supreme Court’s composition became increasingly conservative in the 1980s and thereafter. Because of the nature and complexity of Justice Stevens’s numerous and varied opinions over the course of his lengthy career, scholars find it difficult to characterize his judicial philosophy and impact with simple labels. Yet in the realm of criminal justice, close examination of his work reveals that he earned a reputation and an enduring legacy as an exceptionally important defender of constitutional rights.

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The Sunday Times bestsellerA stunning science fiction debut, The Space Between Worlds is both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging.'My mother used to say I was born reaching, which is true. She also used to say it would get me killed, which it hasn't. Not yet, anyway.'Born in the dirt of the wasteland, Cara has fought her entire life just to survive. Now she has done the impossible, and landed herself a comfortable life on the lower levels of the wealthy and walled-off Wiley City. So long as she can keep her head down and avoid trouble, she's on a sure path to citizenship and security - on this world, at least.Of the 380 realities that have been unlocked, Cara is dead in all but 8.Cara's parallel selves are exceptionally good at dying - from disease, turf wars, or vendettas they couldn't outrun - which makes Cara wary, and valuable. Because while multiverse travel is possible, no one can visit a world in which their counterpart is still alive. And no one has fewer counterparts than Cara.But then one of her eight doppelgängers dies under mysterious circumstances, and Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined - and reveal her own role in a plot that endangers not just her earth, but the entire multiverse.

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Simone C. Drake spent the first several decades of her life learning how to love and protect herself, a black woman, from the systems designed to facilitate her harm and marginalization. But when she gave birth to the first of her three sons, she quickly learned that black boys would need protection from these very same systems systems dead set on the static, homogenous representations of black masculinity perpetuated in the media and our cultural discourse. In When We Imagine Grace, Drake borrows from Toni Morrison's Beloved to bring imagination to the center of black masculinity studies allowing individual black men to exempt themselves and their fates from a hateful, ignorant society and open themselves up as active agents at the center of their own stories. Against a backdrop of crisis, Drake brings forth the narratives of black men who have imagined grace for themselves. We meet African American cowboy, Nat Love, and Drake's own grandfather, who served in the first black military unit to fight in World War II. Synthesizing black feminist and black masculinity studies, Drake analyzes black fathers and daughters, the valorization of black criminals, the denigration and celebration of gay men, Cornelius Eady, Antoine Dodson, and Kehinde Wiley. With a powerful command of its subjects and a passionate dedication to hope, When We Imagine Grace gives us a new way of seeing and knowing black masculinity sophisticated in concept and bracingly vivid in telling.

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'One of the best!' Julia Quinn, Sunday Times bestselling author of the Bridgerton seriesSometimes, just one person can pull a whole family apart. And sometimes, it just takes one person to pull it back together. For fans of Bridgerton, New York Times bestselling Regency Romance author Mary Balogh shows how love truly conquers all in this new Westcott family novel.As a young man, Justin Wiley was banished by his father for mysterious reasons, but now his father is dead, and Justin has been Earl of Brandon for six years. A dark, dour man, he nonetheless takes it as his responsibility to care for his half-sister Maria when her mother dies. He travels to her home to fetch her back to the family seat at Everleigh Park.Although she adored him once, Maria now loathes Justin, and her friend Lady Estelle Lamarr can see immediately how his very name upsets her. When Justin arrives and invites Estelle and her brother to accompany Maria to Everleigh Park to help with her distress, she begrudgingly agrees for Maria's sake.As family secrets unravel in Maria's homecoming, Justin, too, uncovers his desire for a countess. And, while he may believe he's found an obvious candidate in the beautiful 25-year-old Lady Estelle, she is most certain that they could never make a match . . . This is the next sparkling novel in the Regency romance Westcott series by New York Times bestselling author Mary Balogh - perfect for fans of Grace Burrowes and Stephanie Laurens.The Westcott Series:Someone to LoveSomeone to HoldSomeone to WedSomeone to CareSomeone to TrustSomeone to HonourSomeone to RememberSomeone to RomanceSomeone to CherishPraise for Mary Balogh 'A grand mistress of the genre' Romantic Times'Balogh is the queen of spicy Regency-era romance, creating memorable characters in unforgettable stories' Booklist'Mary Balogh sets the gold standard in historical romance' New York Times bestselling author Jayne Ann Krentz'A romance writer of mesmerising intensity, Mary Balogh has the gift of making a relationship seem utterly real and utterly compelling' Mary Jo Putney

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As he did for Black women in Black Roses, Harold Green III, poet and founder of the music collective Flowers for the Living, now honors the Black men he most admires—groundbreakers including Tyler Perry, Barry Jenkins, Billy Porter, Chance the Rapper, LeBron James, Colin Kaepernick, and John Legend—and celebrates their achievements which are transforming lives and making history.Black men are changing society and the world through mastery, innovation, and inspiration at a pace never seen before. In awe of the myriad ways in which Black men are using their vision and power to remake culture and society, spoken word artist Harold Green began writing odes recognizing the extraordinary accomplishments of a series of Black men, which heshared on his Instagram account—tributes that went viral and became a social media sensation. Black Oak brings together many of these popular odes with original works written for this collection.Divided into five sections—bravehearts, champions, dreamers, guardians, and humanitarians—Black Oak features iconic men who are spearheading movements, fighting for equality, challenging the status quo, embracing fatherhood, providing a transformative model of masculinity for our children, inspiring a new generation of creators, and more. Through these beautifully written verses, Harold does not simply place the Black men in this book on a pedestal, he transcends even the most positive stereotypes to view these men and their accomplishments in a new light, and creates meaningful connections between these beloved figures and the lives and experiences of readers of all backgrounds. Featuring full-color illustrations by Melissa Koby, Black Oak includes odes to Barry Jenkins, Big K.R.I.T, Billy Porter, Black Thought, Chance the Rapper, Charles Booker, Colin Kaepernick, Dwyane Wade, Edmund Graham III, Eric Hale, Excell Hardy Jr., Harold Green III, Harold Green Jr., Harold Green Sr., Hebru Brantley, Henry Louis Gates Jr., Jamaal Bowman, Jason Reynolds, Jericho Brown, John Legend, Kehinde Wiley, Kerry James Marshall, Kevin Fredricks, Killer Mike, Kyler Broadus, LeBron James, Mahershala Ali, Marc Lamont Hill, Matthew Cherry, Orlando Cooper, Pharrell, Rev. Dr. Otis Moss III, Rev. Dr. William Barber II, Ryan Coogler, Swizz Beatz, Ta-Nehisi Coates, Theaster Gates, Tobe Nwigwe, Tristan Walker, and Tyler Perry.

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An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

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ArteKids board books show children the world of art through imaginative paintings, sculpture, photographs, and drawings, with text in English and Spanish. Vamos, Body! Head to Toe in English y Español introduces children to body concepts by connecting them to art in a unique, fun, and colorful way. Cheeks (mejillas), chins (barbillas), and eyes (ojos) are represented by masterful artworks from around the world. Faces (caras) come alive through the paintings of Adan Hernandez, Kehinde Wiley, and Ed Saavedra. Bodies (cuerpos) crawl, sit, and walk in pre-Columbian sculpture and Latin American wood carvings. A child’s hand (mano) strokes his mother’s face in a woodblock print by Taiso Yoshitoshi, and cousins (primas) embrace through a swirl of Barbara Carasco’s screen printed hearts. Madeleine Budnick’s wonderful collages and designs weave together words and images that prove bodies are amazing. (Nuestros cuerpos son increíbles!) Work from the collections of the San Antonio Museum of Art, by masters like José Francisco Borges, Richard Duardo, Roberto de la Selva, Charles Criner, David Martinez, Rojelio Reyes Rodriguez, Grace Albee, and Luis Gonzalez Palma, is incorporated along with phrases and words in English and Spanish, making bilingual learning and art exciting for young learners and their teachers and parents.The ArteKids bilingual board books are made sturdy for little hands and “awesomundo” for bright minds! The series also includes Outside Todo el Dia!, Hello, Círculos!, 1, 2, 3, Sí!, Animal Amigos!, Colores Everywhere!, and Black and Blanco! Vamos, Body! Head to Toe in English y Español invites children to dance and play using language and imagery that ignites their imagination.

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A moving love story inspired by a true story and perfect for fans of The Help In a time of hate, would you stand up for love? Shalerville, Kentucky, 1939. A world where black maids and handymen are trusted to raise white children and tend to white houses, but from which they are banished after dark. Sixteen-year-old Isabelle McAllister, born into wealth and privilege, finds her ordered life turned upside down when she becomes attracted to Robert, the ambitious black son of her family’s housekeeper. Before long Isabelle and Robert are crossing extraordinary, dangerous boundaries and falling deeply in love. Many years later, eighty-nine-year-old Isabelle will travel from her home in Arlington, Texas, to Ohio for a funeral. With Isabelle is her hairstylist and friend, Dorrie Curtis – a black single mother with her own problems. Along the way, Isabelle will finally reveal to Dorrie the truth of her painful past: a tale of forbidden love, the consequences of which will resound for decades . . . ‘If Julie Kibler's novel Calling Me Home were a young woman, her grandmother would be To Kill a Mockingbird, her sister would be The Help and her cousin would be The Notebook. But even with such iconic relatives, Calling Me Home stands on her own’ Wiley Cash, New York Times bestselling author of A Land More Kind Than Home ‘Julie Kibler’s writing is so wise and assured. I laughed out loud in places and had tears in my eyes as I turned the last page’ Diane Chamberlain 'If you liked The Help by Kathryn Stockett, you’ll absolutely love Calling Me Home' Red magazine

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The country is changing, and her own world is being turned upside down. Nothing—and no one—will ever be the same.Georgia, 1962. Rose Perkins Bourdon returns home to Parsons, GA, without her husband and pregnant with another man’s baby. After tragedy strikes her husband in the war overseas, a numb Rose is left with pieces of who she used to be and is forced to figure out what she is going to do with the rest of her life. Her sister introduces her to members of the Student Nonviolent Coordinating Committee—young people are taking risks and fighting battles Rose has only seen on television. Feeling emotions for the first time in what feels like forever, the excited and frightened Rose finds herself becoming increasingly involved in the resistance efforts. And of course, there is also the young man, Isaac Weinberg, whose passion for activism stirs something in her she didn’t think she would ever feel again.Homeward follows Rose’s path toward self-discovery and growth as she becomes involved in the Civil Rights Movement, finally becoming the woman she has always dreamed of being.Praise for Homeward:"This is a harrowing novel about the push and pull of fidelity, family, and faith under the crush of history. Angela Jackson-Brown has written a deeply emotional novel that feels timeless while also speaking to the particularly troubled times in which we live."—Wiley Cash, New York Times bestselling author of When Ghosts Come Home A stirring tale of one woman’s experience in the Civil Rights movement that changed a nation, written from Angela Jackson-Brown’s experience of being born and raised in the rural South. Stand-alone novel Includes Discussion Questions for book clubs

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It’s been more than a year since the cruise ship Queen of the Sea was transported in time and space to the ancient Mediterranean not long after the death of Alexander the Great. Captain Lars Floden and the other “Ship People” are trying to plant the seeds of modern civilization. It’s not an easy task, to put it mildly, even if they have a tacit alliance with the co-regents of Alexander’s empire, his widow Roxane, and Eurydice, the wife of his half-brother. For they have plenty of enemies, too. Cassander is using every foul means available to turn Macedonia and Greece into his own empire. The brutal general Antigonus One-Eye is doing the same in Mesopotamia. And Ptolemy, the cleverest of them all, is expanding his Egyptian realm to the Red Sea. Things aren’t any easier in the colony that passengers from the cruise ship founded on the Caribbean island of Trinidad. President Allen Wiley is trying to build a twenty-first century democratic nation, but the people he has to work with aren’t the most suitable for the task: oldsters from the future, local tribesmen, and third-century BCE immigrants from Europe and Africa. War, religious strife, assassinations, espionage, poisonings and other murders—and a fair amount of love, too—all mix together with the Ship People's knowledge from the 21st century to form a new weaving of the fates. Hopefully, that will lead to a bright new future. If it doesn't kill everyone first. About Eric Flint’s Ring of Fire Series: “This alternate history series is . . . a landmark . . .” —Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.” —Booklist “. . . reads like a technothriller set in the age of the Medicis . . .” —Publishers Weekly

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Olympic gold medallist and multiple world champion, Paul Goodison, explains why this book is important if you want to win races. He says: “To win sailboat races you need to sail the boat fast. This comes down to hours on the water training and tuning – there are few shortcuts to hours of practising on the water. To consistently win races you need to sail fast and smart – making the right decisions to sail the best course. If you are not the fastest boat, you are still able to win races and regattas by managing risk and sailing smart. This is where good tactics come in. But, unlike boatspeed, tactics may be learnt by thinking about each leg of the course and different situations from the comfort of your own home. Jon Emmett’s new book, Tactics Made Simple, is a great tool to help fast track this learning.” This book explains simply, through hundreds of diagrams, what tactics can be applied around the race track. Individual boats in each scenario are given names so that you can easily understand what they are doing. Individual chapters take you around the race course, from before you get on the water, through the pre-start, start, different legs and manoeuvres. Each section contains detailed advice for the beginner, intermediate and advanced sailor so you can just look at the level of tactics relevant to you. Ideal for dinghy sailors, there is also a wealth of advice that will benefit yachtsmen. This is a practical way to improve your racing results, whether starting out, moving up the club circuit or competing at national level and beyond. Originally published by Wiley Nautical as Be Your Own Tactics Coach.

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No question in theoretical biology has been more perennially controversial or perplexing than "What is a species?" Recent advances in phylogenetic theory have called into question traditional views of species and spawned many concepts that are currently competing for general acceptance. Once the subject of esoteric intellectual exercises, the "species problem" has emerged as a critically important aspect of global environmental concerns. Completion of an inventory of biodiversity, success in conservation, predictive knowledge about life on earth, management of material resources, formulation of scientifically credible public policy and law, and more depend upon our adoption of the "right" species concept. Quentin D. Wheeler and Rudolf Meier present a debate among top systematic biology theorists to consider the strengths and weaknesses of five competing concepts. Debaters include (1) Ernst Mayr (Biological Species Concept), (2) Rudolf Meier and Rainer Willmann (Hennigian species concept), (3) Brent Mishler and Edward Theriot (one version of the Phylogenetic Species Concept), (4) Quentin Wheeler and Norman Platnick (a competing version of the Phylogenetic Species Concept), and (5) E. O. Wiley and Richard Mayden (the Evolutionary Species Concept). Each author or pair of authors contributes three essays to the debate: first, a position paper with an opening argument for their respective concept of species; second, a counterpoint view of the weakness of competing concepts; and, finally, a rebuttal of the attacks made by other authors. This unique and lively debate format makes the comparative advantages and disadvantages of competing species concepts clear and accessible in a single book for the first time, bringing to light numerous controversies in phylogenetic theory, taxonomy, and philosophy of science that are important to a wide audience. Species Concepts and Phylogenetic Theory will meet a need among scientists, conservationists, policy-makers, and students of biology for an explicit, critical evaluation of a large and complex literature on species. An important reference for professionals, the book will prove especially useful in classrooms and discussion groups where students may find a concise, lucid entree to one of the most complex questions facing science and society.

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A lifetime of love. Six months of silence. One last chance: read the unique and moving Radio 2 Book Club pick, adored by readers and shortlisted for the RNA Debut Romantic Novel of the Year Award.An unforgettable novel about the power of love and the importance of leaving nothing unsaid.'A remarkable debut' JOJO MOYES'Beautifully written' WOMAN & HOME'An unforgettable love story' CATHERINE ISAAC___________________________Frank hasn't spoken to his wife Maggie for six months.For weeks they have lived under the same roof, slept in the same bed and eaten at the same table - all without words.Maggie has plenty of ideas as to why her husband has gone quiet, but it will take another heartbreaking turn of events before Frank finally starts to unravel the secrets that have silenced him.Is this where their story ends?Or is it where it begins?READERS ARE FALLING IN LOVE WITH THE SILENT TREATMENT***** 'The best book I have read this year'***** 'It's impossible not to fall in love with Frank and Maggie'***** 'A wonderful story, it made me laugh and cry'***** 'I read it in two sittings I was so hooked!'___________________________'An original and moving debut from a talented new voice' SANTA MONTEFIORE'Empathetic, beautifully written ... will resonate with fans of Jojo Moyes, David Nicholls and Gail Honeyman' EXPRESS'It's beautiful, so moving and clever. I truly adored it' JOSIE SILVER'This is an extraordinarily tense yet tender portrait of a marriage ... written with assurance and agonising insight, and the characters of Maggie and Frank will stay with me for a long time' MAIL'Beautifully written in Greaves's unique voice... Poignant, heart-breaking and insightful' WOMAN & HOME'Heart-breaking secrets tenderly evoked with intelligence and depth. Maggie and Frank are unforgettable characters' RACHEL HORE, author of The Memory Garden'Such stunning prose, and such insight for a debut author... I was bowled over by Abbie's writing' CLARE MACKINTOSH'A beautifully written and compelling novel that enthralled us from beginning to end. Frank and Maggie feel so real, and their moving story is simple, but powerfully told' HEATWhen a debut is praised by the likes of Jojo Moyes, you know it's worth reading ... You won't be able to put down this tender and heartbreaking read' COSMOPOLITAN'An unforgettable love story with a mystery that had me captivated until the last, heart-wrenching page. It deserves to be huge' CATHERINE ISAAC, author of You Me Everything'A tender, heartfelt portrayal of a long marriage with all its secrets. Cleverly structured and beautifully written, this novel celebrates love, hope - and the importance of finding the right words' LUCY DIAMOND'Tremendously moving' GILLY MACMILLAN, author of The Nanny'I really loved it...It's a very moving book' JO WILEY'It's bittersweet and beautifully written...It's a book that stays with you' ASHLEY AUDRAIN

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American politics is not just a combination of high ideals and low cunning. It is also the story of thousands of local influencers, fixers, activists, and run-of-the-mill voters who shape the destinies of candidates. It's about the flawed and ambitious people who become candidates and must first grind it out for one vote at a time, if they want to ascend to the nation's highest office. Nowhere is this more true, and more carefully preserved, than in the state of New Hampshire.Utterly atypical of the country as a whole, New Hampshire has nonetheless afforded itself the status of the beacon of American democracy. New Hampshire has, by law, been the first state to cast its votes in the presidential primaries since 1920. Between that year and 1992, no one became president without first winning the New Hampshire primary. Since then, every commander-in-chief has finished in the top two, and the state has retained its clout in the twenty-first century. A win in New Hampshire is said by statisticians to boost a candidate's chances nationwide by twenty-seven percent. For that reason, the state is also often the graveyard of political ambitions: the list of sitting presidents whose terms ended with primary challenges launched from New Hampshire's granite rocks includes Harry Truman and Lyndon Johnson. New Hampshire has also ruined the White House ambitions of a long list of well-known, well-funded challengers who couldn't figure out how to win it the hard way.Scott Conroy followed the 2016 campaign up and down the state of New Hampshire and used that experience to uncover the peppery local officials, wiley operatives, wide-eyed activists, and complicated handlers who have determined the state's primary outcomes for generations. Through the eyes of these sometimes anonymous but always deeply influential characters, he reveals the workings of American presidential politics at a point in the campaign when the White House is still a distant dream, and the votes that matter most can be found in far-flung hamlets like Dixville Notch, Berlin and Wolfeboro.

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