Search results for ""Author David"

Part-time PI and full-time grim reaper, Charley Davidson has asked a lot of questions throughout her life: Why can I see dead people? Who is the hot supernatural entity following me? How do I get gum out of my sister's hair before she wakes up? But, "How do I trap not one god, but three?" was never among them. Until now. And since those gods are on earth to kill her daughter, she has little choice but to track them down, trap them, and cast them from this dimension. But one of them stole her heart a very long time ago. Can a god of absolute death and destruction change his omniscient spots, or will his allegiance lie with his brothers? Those are just some of the questions Charley must answer, and quick. Add to that a homeless girl on the run for her life, a man who's been framed for murdering a woman who is still very much alive, and a pendant made from god glass that has the entire supernatural world in an uproar, Charley has her hands full. If she can manage to take care of the whole world-destroying-gods thing, we're saved. If not, well...

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These adult editions of J.K. Rowling's Harry Potter novels have been stylishly redesigned to showcase beautiful jackets by renowned woodcut artist Andrew Davidson. This spectacular box set includes all seven novels and is perfect for Harry Potter novices and collectors alike.Contains (in reading order): Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, and Harry Potter and the Deathly Hallows.

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For more than three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the tenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night.Table of Contents I Remember Nothing -- Anne Billson Monkeys on the Beach -- Ralph Robert Moore Painted Wolves -- Ray Cluley Shit Happens -- Michael Marshall Smith You Know How the Story Goes -- Thomas Olde Heuvelt Back Along the Old Track -- Sam Hicks Masks -- Peter Sutton The Donner Party -- Dale Bailey Milkteeth -- Kristi DeMeester Haak -- John Langan Thin Cold Hands -- Gemma Files A Tiny Mirror by Eloise -- C. C. Shepherd I Love You Mary-Grace -- Amelia Mangan The Jaws of Ouroboros -- Steve Toase A Brief Moment of Rage -- Bill Davidson Golden Sun -- Kristi DeMeester, Richard Thomas, Damien Angelica Walters, and Michael Wehunt White Mare -- Thana Niveau Girls Without Their Faces On -- Laird Barron Thumbsucker -- Robert Shearman You Are Released -- Joe Hill Red Rain -- Adam-Troy Castro Split Chain Stitch -- Steve Toase No Exit -- Orrin Grey Haunt - Siobhan Carroll Sleep -- Carly Holmes

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The celebrated mathematician and philosopher Pythagoras left no writings. But what if he had and the manuscript was never found? Where would it be located? And what information would it reveal? These questions are the inspiration for the mathematical mystery novel Pythagoras' Revenge. Suspenseful and instructive, Pythagoras' Revenge weaves fact, fiction, mathematics, computer science, and ancient history into a surprising and sophisticated thriller. The intrigue begins when Jule Davidson, a young American mathematician who trolls the internet for difficult math riddles and stumbles upon a neo-Pythagorean sect searching for the promised reincarnation of Pythagoras. Across the ocean, Elmer Galway, a professor of classical history at Oxford, discovers an Arabic manuscript hinting at the existence of an ancient scroll--possibly left by Pythagoras himself. Unknown to one another, Jule and Elmer each have information that the other requires and, as they race to solve the philosophical and mathematical puzzles set before them, their paths ultimately collide. Set in 1998 with flashbacks to classical Greece, Pythagoras' Revenge investigates the confrontation between opposing views of mathematics and reality, and explores ideas from both early and cutting-edge mathematics. From academic Oxford to suburban Chicago and historic Rome, Pythagoras' Revenge is a sophisticated thriller that will grip readers from beginning to surprising end.

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The most influential and controversial economist of the twentieth century, John Maynard Keynes was the leading founder of modern macroeconomics, and was also an important historical figure as a critic of the Versailles Peace Treaty after World War I and an architect of the Bretton Woods international monetary system after World War II. This comprehensive Companion elucidates his contributions, his significance, his historical context and his continuing legacy. Prominent scholars examine Keynes's life and major writings, his theories and contributions, influences on the development of his thought, his interactions with his contemporaries, his followers and critics, the lasting significance of his work and the changing fortunes of Keynesianism in different countries.The concise but thorough and comprehensive entries are arranged in eight parts: Life and Work, Influences, Major Works, Economic Analysis, Critics and Contemporaries, Associates, Legacy and Impact, and Keynesianism in Various Countries. The Companion will serve as the standard reference work for all those interested in John Maynard Keynes, in the economics of Keynes and in the history of macroeconomics.Contributors include: N. Aslanbeigui, M. Assous, R. Backhouse, I. Barens, D. Besomi, P. Bini, M. Boianovsky, H. Bortis, M. Boumans, V. Caspari, V. Chick, P. Clarke, P. Davidson, J.B. Davis, R.W. Dimand, R. Dos Santos Ferreira, S. Dow, M.J. Flanders, J. Forder, M. Forstater, D. Glasner, R. Gomez Betancourt, C. Goodhart, P. Groenewegen, H. Hagemann, O. Hamouda, G.C. Harcourt, I. Hardeen, E. Hein, S. Hollander, P. Howitt, S. Howson, S.D. Kasper, P. Kerr, J. King, H. Klausinger, J. Kregel, P. Kriesler, H.D. Kurz, M. Lavoie, B. Littleboy, L. Magnusson, M.C. Marcuzzo, A. Millmow, D.E. Moggridge, A. Molavi Vassei, J. Neville, R. O'Donnell, G. Oakes, L. Ramrattan, S. Rivot, G. Rubin, M. Sawyer, R. Skidelsky, R.P. Smith, P. Spahn, M. Szenberg, A. Thirlwall, G. Tilly, H.-M. Trautwein, M. Wakatabe, L.R. Wray, W. Young

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In this ambitious and compelling book, Michael O'Donovan-Anderson argues that the answer to some long-standing questions in epistemology and metaphysics lies in taking up the neglected question of the role of our bodily activity in establishing connections between representational states—knowledge and belief in particular—and their objects in the world. O'Donovan-Anderson uses ideas from both analytic philosophers (Frege, Dummett, Davidson, and Evans) and continental philosophers (Heidegger and his commentators and critics) to bring together these two approaches in a unique and effective way. Content and Comportment is an important contribution to the literature on embodiment, and will be of great interest to epistemologists and philosophers in both the continental and analytic traditions.

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‘It matters not what someone is born, but what they grow to be’ Albus Dumbledore When the Quidditch World Cup is disrupted by Voldemort’s rampaging supporters alongside the resurrection of the terrifying Dark Mark, it is obvious to Harry Potter that, far from weakening, Voldemort is getting stronger. Back at Hogwarts for his fourth year, Harry is astonished to be chosen by the Goblet of Fire to represent the school in the Triwizard Tournament. The competition is dangerous, the tasks terrifying, and true courage is no guarantee of survival – especially when the darkest forces are on the rise. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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Harry Potter is lucky to reach the age of thirteen, since he has survived the murderous attacks of the feared Dark Lord on more than one occasion. But his hopes for a quiet school term concentrating on Quidditch are dashed when a maniacal mass-murderer escapes from Azkaban, pursued by the soul-sucking Dementors who guard the prison. It's assumed that Hogwarts is the safest place for Harry to be. But is it a coincidence that he can feel eyes watching him in the dark, and should he be taking Professor Trelawney's ghoulish predictions seriously? These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for the first time.

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"The game with yourself is often tougher than the battle againstany opponent. Smart Tennis shows you how to win the inner matchwhile having fun along the way."--Lindsay Davenport, world's #1ranked player for 1998 Become a More Competent-and Confident-Tennis Player Smart Tennis is the secret weapon that tucks right into your tennisbag. Apply these proven principles of sport psychology to your gameand gain a winning advantage both on and off the courts. "Smart Tennis is a must for players at all levels-from beginners toWimbledon champions! An outstanding book for understanding andimproving your mental game."--Vic Braden, tennis telecaster andresearcher "If you ever want to use the title of this book to describe how youplayed your last match, then Smart Tennis is for you."--DavidHigdon, senior writer,Tennis Magazine "This is an excellent book of psychological skills that can beimmediately applied on the tennis court."--E. Paul Roetert, Ph.D.,Administration of Sports Science, United States Tennis Association

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The group known as the Southern Agrarians came out of Vanderbilt University in the wake of the 1925 Scopes Trial in Dayton, Tennessee. In response to attacks on the South and Southern culture, these scholars and poets-including Allen Tate, Donald Davidson, John Crowe Ransom, Robert Penn Warren, Andrew Lytle, Frank Owsley, and others-turned their attention to the defense of the South and its political tradition in numerous essays and books. Christopher Duncan's Fugitive Theory situates the Agrarians' political thought within the larger context of the Western political tradition in general and in the context of American political thought in particular. Duncan argues that the political theory of the Southern Agrarians is best understood in terms of a civic republicanism that has its roots in the thought of theorists such as Aristotle, Machiavelli, James Harrington, and Thomas Jefferson. In exploring this fascinating chapter of twentieth-century American history Duncan recovers a vision that included a commitment to private property in land, autonomy, and decentralized power-a vision that pitted itself against the call for centralization and materialism implicit in the ascendant industrial order.

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Back by popular demand, the classic JPS holiday anthologies remain essential and relevant in our digital age. Unequaled in-depth compilations of classic and contemporary writings, they have long guided rabbis, cantors, educators, and other readers seeking the origins, meanings, and varied celebrations of the Jewish festivals. The Purim Anthology recounts the origins of the first Purim, then examines festival observances in different eras throughout the world, laws and rites, and finally provides plays and poems, stories and songs. This treasury includes “The Origin of Purim” by Solomon Grayzel, “The Esther Story in Art” by Rachel Wischnitzer, “Purim in Music” by A. W. Binder (including an extensive compilation of Purim songs), “The History of Purim Plays” by Jacob Shatzky, Purim celebrations in Tel Aviv by Mortimer J. Cohen, and Purim in humor by Israel Davidson—all together a thoughtful and fun-filled literary feast.

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How to Build a Motorcycle leads you through all the key stages - from initially finding the right project for your skill level, to sourcing a base bike and safely taking on some full-on bike-building tasks. With clear, easy-to-follow instructions, proper advice and specially commissioned step-by-step illustrations throughout it is an ideal aid to getting your hands oily. Written by Gary Inman, the co-founder of independent motorcycle magazine Sideburn, and illustrated by Adi Gilbert who is best known for his bicycle and motorcycle drawings whose clients include Harley-Davidson, Guy Martin, Wired magazine, Sideburn magazine and Nike, this is a must-have for all motorcycle lovers.Read this book, even dip in and out where relevant. If it makes sense, schedule some time, clear your mind, pull on some old clothes, grab your toolbox and get going. The chapters in How to Build a Motorcycle will tell you how to complete a huge variety of tasks that will allow even the greenest of novices to get their hands dirty and start modifying with purpose. If you belong to this camp, start with some of the low-input, high-reward jobs, such as fitting bars, swapping the rear shocks or wiring in a new tail light. Even though these require relatively little work, they'll transform the look of your bike, and completing them will fill you with confidence to undertake the more difficult jobs, such as fitting more modern front forks or even making your own frame.The book comes with a glossy 32-page section on finished bikes and is a reference and the perfect gift for all fans, from those who merely like to tinker, to riders taking on a full build.

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The long-departed Steve McQueen is still the coolest man on two wheels. Get an intimate look at his coolest bikes right here, right now, in McQueen's Motorcycles.Even thirty years after his death, Steve McQueen remains a cultural icon. His image continues to appear in advertising and pop culture and his fan base spans from car lovers to racing enthusiasts to motorcycle obsessives. In his movies, McQueen's character always had an envy-inducing motorcycle or car, but in his personal life, motorcycles were always McQueen's first true love. McQueen's Motorcycles focuses on the bikes that the King of Cool raced and collected.From the first Harley McQueen bought when he was an acting student in New York to the Triumph "desert sleds" and Huskys he desert raced all over California, Mexico, and Nevada, McQueen was never without a stable of two wheelers. His need for speed propelled him from Hollywood into a number of top off-road motorcycle races, including the Baja 1000, Mint 400, Elsinore Grand Prix, and even as a member of the 1964 ISDT team in Europe. Determined to be ahead of the pack, McQueen maintained his body like it was a machine itself. He trained vigorously, weight lifting, running, and studying martial arts. Later in his life, as he backed away from Hollywood, his interests turned to antique bikes and he accumulated an extensive collection, including Harley-Davidson, Indian, Triumph, Brough Superior, Cyclone, BSA, and Ace motorcycles.Today, McQueen still has the Midas touch; anything that was in the man's possession is a hot commodity. McQueen's classic motorcycles sell for top dollar at auctions, always at a multiple of what the same bike is worth without the McQueen pedigree. McQueen's Motorcycles reveals these highly sought-after machines in gorgeous photography and full historical context.

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Like its predecessors, this fourth edition of Japanese Americans and World War II is intended as a succinct and affordable supplement to history and political science texts that minimize or neglect the Nikkei (Japanese American) experience in World War II. As was hoped, the first two editions of this publication found an enthusiastic reception by instructors and students alike at the high school, community college, and university level. In addition, the expanded third edition found a new readership beyond the classroom, in members of and visitors to museums, such as the Japanese American Museum in Los Angeles, and interpretive centers at former concentration camp sites administered by the National Park Service at Manzanar, Tule Lake, and others (some in progress). In response to the supportive and constructive feedback of students, instructors, and lay readers, we at Harlan Davidson undertook a bold and sweeping redesign of the third edition that saw our well-loved little “pamphlet” become an attractive but still highly affordable book that, in addition to taking the narrative completely up to date, has been thoroughly re-edited and expanded further to include photographs, key documents, and an enhanced multidisciplinary bibliography of 200 core publications by historians, political scientists, sociologists, anthropologists, and others, as well as multimedia and Internet-based sources. Inaccurate and misleading euphemisms such as “evacuation” and “internment” have been meticulously replaced with more accurate terms like “mass removal” and “imprisonment—changes explained and amplified in a new “Note on Terminology,” which explains the movement to correct long out-dated language and refers readers to thoughtful essays on the subject by eminent scholars.

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Gambling Debt is a game-changing contribution to the discussion of economic crises and neoliberal financial systems and strategies. Iceland's 2008 financial collapse was the first case in a series of meltdowns, a warning of danger in the global order. This full-scale anthropology of financialization and the economic crisis broadly discusses this momentous bubble and burst and places it in theoretical, anthropological, and global historical context through descriptions of the complex developments leading to it and the larger social and cultural implications and consequences. Chapters from anthropologists, sociologists, historians, economists, and key local participants focus on the neoliberal policies-mainly the privatization of banks and fishery resources-that concentrated wealth among a select few, skewed the distribution of capital in a way that Iceland had never experienced before, and plunged the country into a full-scale economic crisis. Gambling Debt significantly raises the level of understanding and debate on the issues relevant to financial crises, painting a portrait of the meltdown from many points of view-from bankers to schoolchildren, from fishers in coastal villages to the urban poor and immigrants, and from artists to philosophers and other intellectuals. This book is for anyone interested in financial troubles and neoliberal politics as well as students and scholars of anthropology, sociology, economics, philosophy, political science, business, and ethics. Publication supported in part by the National Science Foundation. Contributors: Vilhjalmur Arnason, Asmundur Asmundsson, Jon Gunnar Bernburg, James Carrier, Sigurlina Davidsdottir, Dimitra Doukas, Niels Einarsson, Einar Mar Gudmundsson, Tinna Gretarsdottir, Birna Gunnlaugsdottir, Gudny S. Gudbjornsdottir, Pamela Joan Innes, Gudni Th. Johannesson, Orn D. Jonsson, Hannes Larusson, Kristin Loftsdottir, James Maguire, Mar Wolfgang Mixa, Evelyn Pinkerton, Hulda Proppe, James G. Rice, Rognvaldur J. Saemundsson, Unnur Dis Skaptadottir, Margaret Willson

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While many studies of religion in the West have focused on the region's diversity, freedom, and individualism, Todd M. Kerstetter brings together the three most glaring exceptions to those rules to explore the boundaries of tolerance as enforced by society and the U.S. government. God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

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With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.

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"Real" knowing always involves a political dimension, Linda Martín Alcoff suggests. But this does not mean we need to give up realism or the possibility of truth. Recent work in continental philosophy insists on the influence that power and desire exert on knowing, whereas contemporary analytic philosophy largely ignores these political concerns in its accounts of justification and truth. Alcoff engages these traditionally conflicting approaches in a constructive dialogue, effectively spanning the analytic/continental divide.In provocative readings of major figures in the continental tradition, Alcoff shows that the work of Hans-Georg Gadamer and Michel Foucault can help rectify key problems in coherence epistemology, such as the link between coherence and truth. She also argues that discussions about knowledge among continental philosophers can benefit from the work of analytic philosophers Donald Davidson and Hilary Putnam on meaning and ontology. Alcoff makes a compelling case for the need to address truth as a metaphysical issue, in contrast to minimalist tendencies in Anglo-American philosophy and deconstructionism on the continent. Her work persuasively argues for coherentist epistemology as a more realistic reconfiguration of the ontology of truth.

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‘It is our choices, Harry, that show what we truly are, far more than our abilities’ Albus Dumbledore Harry Potter can’t wait for his holidays with the dire Dursleys to end. But a small, self-punishing house-elf warns Harry of mortal danger awaiting him at Hogwarts. Returning to the castle nevertheless, Harry hears a rumour about a Chamber of Secrets, holding unknown horrors for wizards of Muggle parentage. Then students are found as though turned to stone, and a terrible warning is discovered painted on the wall. The chief suspect – always in the wrong place – is Harry. But something much darker has yet to be unleashed. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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'The best Scottish crime series since Rebus' Daily RecordThe sins of the dead are all consuming . . . While illegally street racing in the underground tunnels of Glasgow, four Harley-Davidson riders make a horrifying discovery: a dead man left in the darkness, hands together on his chest as if peacefully laid to rest. The cause of death is unclear, the only clues being a half glass of red wine and a partially eaten chunk of bread by his side that echo the ancient religious practice of sin-eating.Called to the scene, forensic scientist Rhona MacLeod is perplexed by the lack of evidence. But when another body is found near her own flat, laid out in a similar manner, she fears a forensically aware killer stalks the city and is marking the victims with their unique signature. Even more worryingly, the killer appears to be using skills they may have learned while attending her forensic science lectures at Glasgow University.There are signs that Rhona is being targeted, that the killer is playing with her and the police, drawing them into a deadly race against time, before the sin-eater’s next victim is chosen . . .Sins of the Dead is the thrilling thirteenth book in Lin Anderson’s forensic crime series featuring Rhona MacLeod, followed by Time for the Dead.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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What makes Northwest Coast Native American art authentic? And why, when most of art history is a history of the avant-garde, is tradition so deeply valued by contemporary Native American artists and their patrons? In Privileging the Past, Judith Ostrowitz approaches these questions through a careful consideration of replicas, reproductions, and creative translations of past forms of Northwest Coast dances, ceremonies, masks, painted screens, and houses. Ostrowitz examines several different art forms—two very different architectural constructions, a dance performance, and modern sculptures and dance paraphernalia—considering their relations to arts of the past. Chief Shakes’ Community House has endured, in various forms, at the same site in Wrangell, Alaska, for close to 170 years as an “old style” Tlingit tribal house. The Grand Hall of the Canadian Museum of Civilization at Hull, Quebec, is constructed as a Native village with an assemblage of replicated houses made by contemporary Native artists, both old and new totem poles, and references to the Northwest Coast landscape. The opening ceremonies of the exhibition Chiefly Feasts: The Enduring Kwakiutl Potlatch at the American Museum of Natural History in New York in October 1991 included a dance program by a group of Native performers from Vancouver Island, B.C., adapting traditional elements for a long and complex theatrical presentation. Finally, artists such as Art Thompson, Beau Dick, Doug Cranmer, Robert Davidson, Susan Point, and Jim Schoppert produce vital and lively art—masks, rattles, prints, and paintings are considered here—that utilizes inherited subject matter and conventionalized stylistic devices. Ostrowitz finds that these replicas and performances function as do most other works of art, referencing history in a highly selective manner. Ostrowitz draws on an extensive body of interviews she conducted with tribal leaders, artists, and artisans long known and highly respected in both Native and non-Native venues. Throughout the book, we hear their voices—members of the Alfred, Cranmer, Hunt, Tallio, and Webster families, and many other individuals—as they relate their responses to the modern adaptation of their cultural heritage. Privileging the Past explores intellectual issues raised by postmodern theory, supported by detailed studies of projects that will interest a broad audience of students, historians, museum-goers, and those intrigued by Native American art and cultural history.

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The Kent coastal strip of Dungeness is a unique environment. Harshly vulnerable to the elements yet protected from inland development, it has enticed many architects, artists, photographers and creative thinkers, including of course renowned artist and film-maker Derek Jarman.Its exposed position makes it an extreme place a viewing station for the shifting sea, the passing clouds and the changing seasons. Design writer Dominic Bradbury is your guide to this border landscape both natural and manmade, from shingle beaches to black houses.Dungeness is a crucible for exciting architecture; the local vernacular includes fishermen's cottages, lighthouses and ex-industrial structures. This mix has attracted leading architects including Rodic Davidson, Fiona Naylor and Brian Johnson, Simon Conder, Guy Holloway and others to complete projects in the area. The book includes sixteen stunning case studies of homes both converted from non-domestic buildings and exciting new builds.

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Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

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The most important writings on the psychoanalytic understandings and treatments of drug and vice addiction Drug abuse, alcoholism, compulsive gambling, and other destructive addictions plague our society. Theories of addiction locate its cause variously—in factors related to the substance, the addict's personality, or to the addict's environment. Arguments about effective treatment programs are fierce. Essential Papers on Addiction presents the most important writing and the various sides of the debate on the psychoanalytic understanding and treatment of addiction. Daniel Yalisove outlines the history of the treatment of addiction and introduces important psychoanalytic concepts used in understanding addicts. The book includes case studies which illustrate the course of addiction and presents the work of the most influential theorists in the field. Divided into eight sections focusing on historical work on addiction, psychoanalytic theories of addiction, transference and countertransference issues in treating addiction, psychoanalytic treatment for the addictions, psychoanalytic therapy and disease concepts, and psychiatric illness and addiction, this definitive volume includes contributions by the most experienced and renowned experts on the subject. Contributors include S. Freud, E. Glover, S. Rado, R. P. Knight, L. Wurmser, N. E. Zinberg, H. Krystal, D. Jacobs, R. Fine, J. Gustafson, C. L. Brown, M. L. Selzer, V. Davidson, J. Imhof, R. Hirsch, R. E. Terenzi, M. E. Chafetz, A. Silber, R. J. Rosenthal, E. M. Pattison, M. B. Sobell, L. C. Sobell, J. E. Zweben, E. Simmel, B. Brickman, E. J. Khantzian, R. D. Weiss, S. M. Mirin, A. T. McLellan, and H. J. Richards.

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In siebzehn teilweise unpublizierten Studien geht Rüdiger Lux unterschiedlichen Aspekten der frühnachexilischen Prophetie bei den Propheten Haggai und Sacharja nach. Ausgehend von einer kompositionsgeschichtlichen Analyse beschäftigt er sich im ersten Teil mit dem Verhältnis von Bild und Text in den Nachtgesichten des Sacharja. Dabei bietet er neuere kulturwissenschaftliche Einsichten der Bildanthropologie in ihrer Bedeutung für den Wirklichkeitsbezug von Visionen.Der zweite Teil enthält sieben Arbeiten zum Wiederaufbau Jerusalems sowie des Tempels und seiner Symbolik in der frühen Perserzeit. Rüdiger Lux weist darauf hin, dass die frühnachexilische Prophetie einen lebhaften und kontroversen Diskurs über unterschiedliche Wiederaufbaukonzepte führte, in denen - im Unterschied zu der Darstellung bei Esra und Nehemia - die persische Reichsregierung allenfalls eine marginale Rolle spielte. Der Bau des Zweiten Tempels verdankte sich nach Haggai und Sacharja einer prophetischen Initiative, für die der Davidide Serubbabel und der Hohepriester Josua erst gewonnen werden mussten.Im dritten Teil kommen verstärkt Aspekte der Theologie in Haggai und Sacharja 1-8 zur Sprache. So wird die Bedeutung und die Funktion der "Herrlichkeit" und des "Geistes" JHWHs untersucht, die Konditionierung der unbedingten Heilsbotschaft Sacharjas in ihren Fortschreibungen in Sach 1,1-6 sowie die Völkertheologie der beiden frühnachexilischen Propheten.Abgeschlossen wird der Band durch Studien zur Berufung und Sendung Sacharjas, zur Rolle des "Deuteengels" sowie durch Reflexionen zum Verhältnis von Prophetie und Predigt.

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"The first shake shop mystery delivers all the delectable ingredients cozy mystery fans crave. This terrific series debut is certain to tempt the reading palates of fans of Cleo Coyle, Sarah Graves, and the much-missed Diane Mott Davidson."—Library Journal, STARRED ReviewThe first in new dessert cozy mystery series! A murder in town is bound to shake things up...After her divorce from her thrice-married embezzler husband, Trinidad Jones is finally ready for a fresh start. So when she's left one of ex's businesses in Upper Sprocket, Oregon, she decides to pack up her dog, cash in her settlement, and open her dream business: the Shimmy and Shake Shop, introducing the world to her monster milkshakes. And even with a couple sticky situations underway, namely that the other two ex-wives also call Sprocket home, Trinidad's life seems to be churning along smoothly.That is, until she discovers her neighbor, the Popcorn King, head down in his giant popcorn kettle. When one of Trinidad's fellow ex-wives is accused of the murder and Upper Sprocket descends into mayhem, it's going to take a supersized scoop of courage to flush out the killer.Praise for Pint of No Return, Book 1 of the Shake Shop Mysteries:"Murder offers the heroine a surprisingly fresh start in this charming series kickoff"—Kirkus Reviews"A delicious charmer featuring a triple scoop of murder "—Library Journal

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This is the autobiography of a Rangers legend. Alex MacDonald's compelling memoirs cover his formative years as a player with St Johnstone, his rise to fame with Rangers, his transfer to Hearts where he became player-manager, and his time in charge at Airdrie. But Doddie is quintessentially a Rangers man, having grown up in Glasgow supporting them and then going on to play a key role in the club's 1972 Cup Winners' Cup triumph. Doddie won 12 medals in a glittering career, including a highly-prized European one during his time with Rangers, yet as he reveals, a chance meeting with Celtic manager Jock Stein might have resulted in him signing for the Old Firm's other half. Etched indelibly in his memory, too, is the dejection he suffered when Hearts lost the League Championship and Scottish Cup within the space of a week in the mid-1980s and his subsequent delight at leading Airdrie into Europe. Doddie is a fascinating story, both for his lifelong love affair with football and his more personal story of growing up in Glasgow, his love of animals and his midlife crisis when he put the car in the garage and headed out on the highway on a brand new Harley Davidson.It has been a life full of adventures and characters and the highs and lows of his life and career are entertainingly and engagingly told.

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This new, revised, and expanded edition of the popular Academic’s Handbook is an essential guide for those planning or beginning an academic career. Faculty members, administrators, and professionals with experience at all levels of higher education offer candid, practical advice to help beginning academics understand matters including:— The different kinds of institutions of higher learning and expectations of faculty at each.— The advantages and disadvantages of teaching at four-year colleges instead of research universities.— The ins and outs of the job market.— Alternatives to tenure-track, research-oriented positions.— Salary and benefits.— The tenure system.— Pedagogy in both large lecture courses and small, discussion-based seminars.— The difficulties facing women and minorities within academia.— Corporations, foundations, and the federal government as potential sources of research funds.— The challenges of faculty mentoring.— The impact of technology on contemporary teaching and learning.— Different types of publishers and the publishing process at university presses.— The modern research library.— The structure of university governance.— The role of departments within the university.With the inclusion of eight new chapters, this edition of The Academic’s Handbook is designed to ease the transition from graduate school to a well-rounded and rewarding career.Contributors. Judith K. Argon, Louis J. Budd, Ronald R. Butters, Norman L. Christensen, Joel Colton, Paul L. Conway, John G. Cross, Fred E. Crossland, Cathy N. Davidson, A. Leigh DeNeef, Beth A. Eastlick, Matthew W. Finkin, Jerry G. Gaff, Edie N. Goldenberg, Craufurd D. Goodwin, Stanley M. Hauerwas, Deborah L. Jakubs, L. Gregory Jones, Nellie Y. McKay, Patrick M. Murphy, Elizabeth Studley Nathans, A. Kenneth Pye, Zachary B. Robbins, Anne Firor Scott, Sudhir Shetty, Samuel Schuman, Philip Stewart, Boyd R. Strain, Emily Toth, P. Aarne Vesilind, Judith S. White, Henry M. Wilbur, Ken Wissoker

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‘This is the weapon he has been seeking so assiduously since his return: the knowledge of how to destroy you’ Albus Dumbledore Harry Potter is furious that he has been abandoned at the Dursleys’ house for the summer, for he suspects that Voldemort is gathering an army, that he himself could be attacked, and that his so-called friends are keeping him in the dark. Finally rescued by wizard bodyguards, he discovers that Dumbledore is regrouping the Order of the Phoenix – a secret society first formed years ago to fight Voldemort. But the Ministry of Magic is against the Order, lies are being spread by the wizards’ tabloid, the Daily Prophet, and Harry fears that he may have to take on this epic battle against evil alone. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of writers such as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W. B. Yeats, who dominated the literary scene of the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siècle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations in English poetry of the 1880s and 1890s and show how women poets stood shoulder-to-shoulder with their better-known male contemporaries.

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This book contains the stories of ten women whose circumstances and choices led them to a place that seemed far removed from the fruitful, joy–filled life we are called to live in Christ. But each of their stories is a testament to the work God does through his imperfect children. Their stories will encourage and inspire, and remind you that you are not alone in your struggles. The names of some of these women are well–known, some are less so. The first five stories are about relationships with other people; the next five stories are about inner struggles. Overcoming Sexual Sin & Identity – Rosaria Butterfield Difficult Marriage and Divorce – Joy Davidman Bereavement – Elisabeth Elliot Singleness – Betsie & Corrie ten Boom Overcoming with Forgiveness – Betsie & Corrie ten Boom Eating Disorders – Christie Dondero Bettwy Illness – Susannah Spurgeon False Beliefs – Doreen Virtue Self–Righteousness – Susanna Wesley The Fear of Man – Sarah Edwards Through exploring how other women of Christ’s Kingdom began anew in him, you will be encouraged on your own path of joy and freedom. Although you may not be in the same position as these women, there are things we can learn from each of them. In every chapter, MacLeod focuses on bearing fruit for Christ even in these circumstances and includes questions to think through and discuss how the truths learned by these women could be applied to your own life.

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New Age, Neopagan, and New Religious Movements is the most extensive study to date of modern American alternative spiritual currents. Hugh B Urban covers a range of emerging religions from the mid-nineteenth century to the present, including the Nation of Islam, Mormonism, Scientology, ISKCON, Wicca, the Church of Satan, Peoples Temple, and the Branch Davidians. This essential text engages students by addressing major theoretical and methodological issues in the study of new religions and is organized to guide students in their learning. Each chapter focuses on one important issue involving a particular faith group, providing readers with examples that illustrate larger issues in the study of religion and American culture. Urban addresses such questions as, Why has there been such a tremendous proliferation of new spiritual forms in the past 150 years, even as our society has become increasingly rational, scientific, technological, and secular? Why has the United States become the heartland for the explosion of new religious movements? How do we deal with complex legal debates, such as the use of peyote by the Native American Church or the practice of plural marriage by some Mormon communities? And how do we navigate issues of religious freedom and privacy in an age of religious violence, terrorism, and government surveillance?

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W.V. Quine is one of the leading figures of 20th century analytic philosophy, and still among the most influential. But his work can be challenging and complex, and indeed often misunderstood. In this updated introduction to Quine’s thought, Gary Kemp examines his seemingly disparate views as a unified whole and offers a valuable guide for anyone approaching Quine for the first time. Informed by current debates and updated throughout, this edition now includes: · Thoroughly revised and expanded text · More references to commentaries, secondary literature and works by Quine · Suggestions for further reading · Newly introduced material on Empirical Content, Explication, Nominalism, The Purported Third Dogma, Theoreticity, Natural Selection and Linguistics. · Historical notes on Quine’s relation to his predecessors and contemporaries Paying close attention to Quine’s seminal works including Word and Object and Philosophy of Logic, Kemp explains how his philosophy relates to thinkers including Rudolf Carnap and Wittgenstein, as well as to more recent figures such as Donald Davidson and Noam Chomsky. Kemp clearly and accurately emphasizes the systematic nature of Quine’s thought as one of naturalism. He advances our understanding of Quine and attests to his ongoing influence in philosophy of science, logic, language, ontology and epistemology. This unique introduction to Quine’s philosophy is recommended for any student interested in Quine and the history of analytic philosophy.

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In Sensing Corporeally, Floyd Merrell argues that human sensation and cognition should be thought of in terms of continually changing signs that can be accounted for in terms of topological forms. Focusing on qualitative and analogical sensing, rather than quantitative and digital reasoning, Merrell begins by reflecting on the concept of consciousness as developed by neurologist Antonio Damasio, whose work in turn reflects Charles Peirce's conception of the sign. By expanding Peirce's notion of the sign in light of Damasio's work, as well as that of Oliver Sacks and the Argentine fabulist Jorge Luis Borges, Merrell demonstrates the importance of the relationship between cognition, consciousness, and fantasy. The philosophy of science espoused by Michael Polanyi, and the analytic and postanalytic philosophies of Donald Davidson, Nelson Goodman, Hilary Putnam, and Richard Rorty are also explored in light of what they bring to Peircean concepts of vagueness and generality, inconsistency and incompleteness, and abduction, induction, and deduction. Merrell concludes by moving to the conceptual world of biologist Jakob von Uexk ll and his Umwelt

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Russell "Russ" Melcher came to Europe and photographed the superstars of the time, either during their visits to Paris and France or accompanied them on worldwide trips. He witnessed many world events from film festivals to terrorist attacks. Among the portrayed were royal families like the Windsors, Grace Kelly & the Monegasques, as well as film legends like Romy Schneider, Alain Delon, Burt Lancaster, Erol Flynn, Alfred Hitchcock, Sofia Loren, Brigitte Bardot, and music legends like Frank Sinatra, Elvis Presley, Harry Belafonte, and Yves Montand. In addition, there were political greats such as Charles DeGaulle, Fidel Castro, Nikita Khrushchev, the Shah of Persia, American presidents, and many more. Later Russ Melcher became director of the legendary photo agency MAGNUM and worked with photo legends Robert Capa, Henry Cartier-Bresson, Ian Berry, Bruce Davidson, Elliott Erwitt, to name a few. This large-format photo book is about the stories behind the images and personalities. Entertaining, humorous, but also profound, Russ describes his way to the perfect photo, his individual perspective, up to the importance of photographic storytelling of this 'Golden Age of Photojournalism'. Russ Melcher is an important witness to that time, but also an American entertainer in Paris who encouraged his protagonists to do things that few photographers could manage, a true and trusted partner to the stars of that era through the ages. The book is organised according to the two decades and Russell's encounters with the stars of the time. Text in English and German.

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Elizabeth Anscombe is now recognised as one of the most important philosophers of the second half of the 20th century. She left a large corpus of work, wide-ranging in content, always original and bold. Her monograph Intention, published in 1957, is a modern classic, and was described by Donald Davidson as "the most important treatment of action since Aristotle." Her writings in ethics have inspired countless discussions, and she has been credited with having changed the face of Anglophone moral philosophy by reviving and arguing for virtue ethics, now a major field. Since Anscombe's death in 2001, her philosophical work has received a steadily increasing level of attention worldwide. Anscombe is often difficult to read, and she has certainly been frequently misunderstood, but the sympathetic interest in her work which is now evident in so many quarters is making it possible for a true picture to begin to emerge of the range, depth, and power of her contribution to philosophy. The Oxford Handbook of Elizabeth Anscombe conveys something of that emerging picture of Anscombe's overall philosophy-showing the great fecundity of her ideas in essays that develop and expand on those ideas-and allows contributors to engage critically with Anscombe, not merely to expound what she said. The handbook opens with an introduction that addresses the question of the unity in diversity of Anscombe's philosophy, relating this to the twenty-two essays that follow. The handbook is divided into parts along broadly thematic lines, addressing: intention, ethical theory, human life, the first person, and Anscombe on other philosophers.

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This sequel to The Black Librarian in America (Scarecrow, 1970) contains an array of contributors representing a new generation of African American librarians, addressing the same perplexing problems that their predecessors examined. This volume is being issued at a time when there is a great concern about cultural diversity in the country. Cultural diversity is laudable, but the pervasive problem in the country is institutional racism. All of the contributors aggree that it is racism that should be eradicated if a truly multicultural society that represents cultural diversity is to develop. A wide range of topics are explored. In addition, a profile of Dorothy Porter Wesley, one of the pioneer African American librarians; librarians and archivists as writers, and a provocative essay by Congresswoman Major R. Owens on "The Specter of Racism in an Age of Cultural Diversity: The New Paradigm for African American Librarians." Among the contributors are Carolyn O. Frost, Herman L. Totten, Carla Hayden, Charles M. Brown, Alexander Boyd, Jesse Carney Smith, James F Williams,II, Lou Helen Saunders, Ina A. Brown, Vivian Davidson Hewitt, Monteria Hightower, Ella Gaines Yates, and Ann Allen Shockley. Especially designed for professional librarians, library school students, and other information professionals, this volume would be a useful addition to African American collections and other scholarly collections dealing with American society. A copious index that is cross referenced makes it very useful as a reference tool.

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Suspicion and fear blow through the wizarding world as news of the Dark Lord’s attack on the Ministry of Magic spreads. Harry has not told anyone about the future predicted by the prophecy in the Department of Mysteries, nor how deeply what happened to Sirius Black affected him. He’s desperate for Professor Dumbledore to arrive and take him away from the Dursley’s – but Hogwarts may not be the safe haven from Voldemort’s Dark Forces that it once was. In his sixth year, the names Black, Malfoy, Lestrange and Snape will haunt Harry with shades of trust and treachery as he discovers the secret behind the mysterious Half-Blood Prince – and Dumbledore prepares him to face his own terrifying destiny. These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for the first time.

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We’re born with a hunger for roots and a desire to pass on a legacy.The past two decades have seen a boom in family history services that combine genealogy with DNA testing, though this is less a sign of a robust connection to past generations than of its absence. Everywhere we see a pervasive rootlessness coupled with a cult of youth that thinks there is little to learn from our elders. The nursing home tragedies of the Covid-19 pandemic laid bare this devaluing of the old. But it’s not only the elderly who are negatively affected when the links between generations break down; the young lose out too. When the hollowing-out of intergenerational connections deprives youth of the sense of belonging to a story beyond themselves, other sources of identity, from trivial to noxious, will fill the void.Yet however important biological kinship is, the New Testament tells us it is less important than the family called into being by God’s promises. “Who is my mother, and who are my brothers?” Jesus asks a crowd of listeners, then answers: “Whoever does the will of my Father in heaven is my brother, and sister, and mother.” In this great intergenerational family, we are linked by a bond of brotherhood and sisterhood to believers from every era of the human story, past, present, and yet to be born. To be sure, our biological families and inheritances still matter, but heredity and blood kinship are no longer the primary source of our identity. Here is a cure for rootlessness.On this theme: - Matthew Lee Anderson argues that even in an age of IVF no one has a right to have a child. - Emmanuel Katongole describes how African Christians are responding to ecological degradation by returning to their roots. - Louise Perry worries that young environmentalist don’t want kids. - Helmuth Eiwen asks what we can do about the ongoing effects of the sins of our ancestors. - Terence Sweeney misses an absent father who left him nothing. - Wendy Kiyomi gives personal insight into the challenges of adopting children with trauma in their past. - Alastair Roberts decodes that long list of “begats” in Matthew’s Gospel. - Rhys Laverty explains why his hometown, Chessington, UK, is still a family-friendly neighborhood. - Springs Toledo recounts, for the first time, a buried family story of crime and forgiveness. - Monica Pelliccia profiles three generations of women who feed migrants riding the trains north.Also in the issue: - A new Christmas story by Óscar Esquivias, translated from the Spanish - Original poetry by Aaron Poochigian - Reviews of Kim Haines-Eitzen’s Sonorous Desert, Matthew P. Schneider’s God Loves the Autistic Mind, Adam Nicolson’s Life between the Tides, and Ash Davidson’s Damnation Spring. - An appreciation for Augustine’s mother, Monica - Short sketches by Clarice Lispector of her father and sonPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Big Finish picks up the events after Miracle Day with Torchwood: Aliens Among Us. Captain Jack and Gwen Cooper have restarted Torchwood. But it's in a very different Cardiff. Something terrible's happened to the city. With every day getting darker, will Torchwood need to adopt a whole new approach? 5.9 Poker Face by Tim Foley. Torchwood are in trouble. Terrorist attacks are rocking the city. Control of the police has been ceded to Cardiff's alien masters. And it looks like it's all been arranged by Captain Jack Harkness. Worse, there's a dead woman in the cells who says that Torchwood will be hers by dawn. 5.10 Tagged by Joseph Lidster. "I know what you've done. I know what you'll do." The phrase starts appearing everywhere around Cardiff. On posters. On the internet. It's just a prank, isn't it? Only a wave of vigilante crime spreads through the city. People are taking revenge. Suddenly everyone knows what you've done. And they know what you'll do. 5.11 Escape Room by Helen Goldwyn. Gwen Cooper, Rhys Williams, and the Colchester-Prices go to try out an escape room. They've heard a lot about them. Especially this one. People keep going into the game and not coming out. But Torchwood will be fine. After all - partners can trust each other. Can't they? 5.12 Herald of the Dawn by James Goss. It all starts normally enough. A car park full of ramblers is incinerated by a thunderbolt. But the next day it's clear there's something very wrong. Something's changed. Something's coming. It's the end of the world. And that's what Torchwood are best at.Torchwood has now been in existence for over 10 years from its debut in 2006 as a Doctor Who spin-off created by top TV producer and writer Russell T Davies. The huge interest following the announcement of the first Big Finish Torchwood series caused a website server crash even as star John Barrowman was breaking the news on his radio show. This release is the finale of three sets collectively created as a fifth series following on from the four series on TV, with Russell T Davies advising on the new arcs, storylines and characters. CAST: John Barrowman (Captain Jack Harkness), Alexandria Riley (Ng), Paul Clayton (Mr Colchester), Sam Béart (Orr), Jonny Green (Tyler Steele), Kai Owen (Rhys Williams), Tom Price (Sgt. Andy Davidson), Eve Myles (Gwen Cooper), Rachel Atkins (Ro-Jedda), Ramon Tikaram (Colin Colchester-Price), Terence Hardiman (Escape), Sanee Raval (Xander), Kezrena James (Serena), Laura Dalgleish (Newsreader), Kerry Joy Stewart (Waitress),Garnon Davies (Rory), Joseph Tweedale (Assassin), Richard Elfyn (Inspector Bernstein), Aly Cruickshank (God Botherer), Marilyn Le Conte (Sue),Rick Yale (Darren), Luke Williams (Hywel), Charlotte O’Leary (News Reporter) NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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No one knows who exactly invented the wheel, but in the inventive hands of illustrator Tom Schamp young readers will have great fun learning about all the ways wheels have rolled through history. From prehistoric carts to cars of tomorrow, this big, fun book takes a historic journey through a world where everything has wheels, from the Trojan horse to the Harley Davidson; from the stagecoach and the steam train to the Vespa and the Ferrari; from skateboards to electric scooters. Every spread of this deliriously entertaining and educational book is filled with Tom Schamp's quirky and colorful art. His sly, subtle texts will make older readers smile. Younger readers will return again and again to these playfully crowded pages to discover what different countries' emergency vehicles look like; to learn about buses of every imaginable dimension and weight; and to choose which bike they'd use to win a race. Each viewing will reveal charming new details that are as absurdly funny as they are educationally rewarding.

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Winner of the Eugene Emme Astronautical Literature Prize from the American Astronautical Society For eight days in October 1984, seven men and women orbitied the Earth on Space Shuttle Mission 41-G. The mission has begun a year earlier; however, with the select of its crew. Before Lift-off is the extraordinary day-to-day story of these astronauts' training and flight-and is as close as most of us will ever come to flying on the space shuttle.New Yorker writer Henry Cooper obtained unprecedented permission from NASA to follow the 41-G crew from its formation through the completion of its mission. He was even given access to the heart of the training program: the crew's sessions in the shuttle mision simulators.More than a chronical of different phases in the astronauts' learning process, Before Lift-off tells the story of the bonding of these men and women. It would be Captain Robert Crippen's fourth space flight, his second command in six months, and Sally Ride's second shuttle voyage. For rookies Davida Leestra, Jon McBride, and Kathy Sullivan, and for two payload specialists, the experience would mark an initiation into the most elite groups-those people who have ventured into space.

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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A clear-eyed exploration of the career of Leon Trotsky, the tragic hero who “dreamed of justice and then wreaked havoc,” by a leading expert on human rights and the former Soviet Union Born Lev Davidovich Bronstein in southern Ukraine, Trotsky was both a world-class intellectual and a man capable of the most narrow-minded ideological dogmatism. He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed. Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion. As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

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Karma is the definitive autobiography from music icon, Boy George - the fabulous Grammy, Brit andIvor Novello award-winning lead singer of 80s pop/reggae band, Culture Club.Told in his inimitable style, Karma will reflect on Boy George's life as a kid growing up insixties London, through the hedonism of the seventies and the glam rock and punk rock revolutionthat birthed Culture Club, and the heydays of the nineties meeting musical legends like DavidBowie, Madonna and Prince - as well as addressing all those rumours. The book will reveal the highsand lows of love, loss, addiction, recovery, prison, and celebrity on Boy George's journey throughfame to finally embracing the man and artist that he is today: 'I went to a lot of trouble tocreate Boy George and then I went through a whole battle for years about not wanting to be him. Butnow I enjoy and embrace it in a way that I wasn't able to as a young person.... I'm learning to beGeorge Alan O'Dowd from Eltham who it turns out is quitean interesting person.'With all the humour, honesty, sarcasm (and hats!) that you'd expect, Karma gives us a uniqueinsight into Boy George's incredible story and the true evolution of a music icon.'Culture Club is always going to be one of those lovers I go back to. I've railed against it andthat Boy George character I created. For years I convinced myself I was a creature of habit,unchangeable, immovable. But eventually you have to look in the mirror. Not looking for spots, looking for something deeper. Whythe hell am I here? I would say lifeis the point of life.'

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Jerry Fodor is one of the most important philosophers of mind in recent decades. He has done much to set the agenda in this field and has had a significant influence on the development of cognitive science. Fodor's project is that of constructing a physicalist vindication of folk psychology and so paving the way for the development of a scientifically respectable intentional psychology. The centrepiece of his engagement in this project is a theory of the cognitive mind, namely, the computational theory of mind, which postulates the existence of a language of thought. Fodor: Language, Mind and Philosophy is a comprehensive study of Fodor's writings. Individual chapters are devoted to each of the major issues raised by his work and contain extensive discussion of his relationships to key developments in cognitive science and to the views of such philosophical luminaries as Dennett, Davidson and Searle. This accessible book will appeal to advanced level undergraduate students of philosophy and related disciplines. It will also be of great interest to professional philosophers and cognitive scientists.

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PLAYING WITH FIRE . . .Five years ago, Audrey Tanner flung caution to the wind and herself into the arms of an emerald-eyed bad boy biker she met at the White Pine Asparagus Festival. Two blissful weeks together convinced her that Kieran Callaghan was The One-until The One blew town without a word, leaving her brokenhearted. Now, starting a new job at the new Harley Davidson showroom, Audrey is floored to meet her new boss: Kieran. He's still hot as hell, but she won't fall for his sexy smile again. This time, she's calling the shots.. . . OR PLAYING FOR KEEPS?Kieran never thought he'd return to White Pine, Minnesota, much less see Audrey again. Gorgeous and smart as ever, she's just as irresistible as he remembered. She still doesn't know why he had to leave-or that he's missed her every day since. But he can't deny he wants more than the no-strings fling Audrey proposes. As things between them heat up, Kieran must choose between the secret he's sworn to keep and the woman he never stopped loving . . .

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