Search results for ""jan""

For 30 years illy has entrusted its iconic coffee cups to the hand of the protagonists of contemporary art, so that they interpret the white surface, to offer their own customers an experience that involves senses and mind. In these pages it’s possible to retrace the history of the illy Art Collections: a collection of unique art objects for everyday use, which since 1992 brings together signed designer cups by over 120 internationally renowned artists. Artists: Marina Abramovic, Neil Aitken, Pedro Almod var, Hannah Anderson, Ron Arad, Felipe Arturo, Atelier Van Lieshout, Matteo Attruia, Felipe Baeza, Ernesto Bautista, Michael Beutler, Francesco Bonami, Louise Bourgeois, Daniel Buren, David Byrne, Waltercio Caldas, Maria João Calisto, Maurizio Cargnelli, Giulia Cenci, Paolo Cervi Kervischer, Sandro Chia, Francesco Clemente, Michel Comte, Ross Cooper, Francis Ford Coppola, Antonio Dias, Gillo Dorfles, An Du, Hope Esser, Jan Fabre, Willie Filkowski, Clo’e Floirat, Franco Fontana, Fratelli Fortuna, Cosimo Fusco, Maurizio Galimberti, Giorgio Galli, Anna Gelman Bagaria, Mario Giacomelli, Tatiana Goloviznina, Geni Grabuleda, Mona Hatoum, Jessica Iborra, Ernesto Illy, Francesco Illy, Vittoria Illy, Cameron Jamie, Natasha Jancovich, Anish Kapoor, William Lehmann, Nelson Leirner, Michael Lin, Marco Lodola, Emanuele Luzzati, Susan Mac William, Anna Maria Maiolino, Andrea Manetti, Marino Marini, Lorenzo Mattotti, Simone Meentzen, MentalKLINIK, Gintare Minelgaite, AD Minoliti, Luca Missoni, Soto Montserrat, Alanis Morissette, Marcelo, Moscheta, Ulrike Müller, Hironori Murai, Emmanuel Nassar, Norma J., Precious Okoyomon, Yoko Ono, Nam June Paik, Mimmo Paladino, A.R. Penck, Max Petrone, Esteban Piedra León, Roberta Pietrobelli, Alexandra Pirici, Michelangelo Pistoletto, Darryl Pottorf, Emilio Pucci, MarcQuinn, Naufus Ramírez-Figueroa, Robert Rauschenberg, Tobias Rehberger, Peter Roesch, James Rosenquist, Paolo Rossetti, Stefan Sagmeister, Sebastião Salgado, Beatrice Santiccioli, Aki Sasamoto, Julian Schnabel, Regina Silveira, Elias Sime, Slavs & Tatars, Kiki Smith, Haim Steinbach, Joseph Maria Subirachs, Annamaria Testa, MatteoThun, Padraig Timoney, Dean J. Toumin, Luca Trazzi, Adan Vallecillo, Alfredo Luiz Vasquez, Cecilia Vicuña, Ai Weiwei, Liu Wei, Rufus Willis, Robert Wilson, Shizuka Yokomizo, Olimpia Zagnoli, Elisabeth Zawada. Text in English and Italian.

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A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion.The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop.Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez

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'You ought to see Livy & me, now-a-days - you never saw such a serenely satisfied couple of doves in all your life. I spent Jan 1, 2, 3 & 5 there & left at 8 last night. With my vile temper & variable moods, it seems an incomprehensible miracle that we two have been right together in the same house half the time for a year & a half, & yet have never had a cross word, or a lover's 'tiff,' or a pouting spell, or a misunderstanding, or the faintest shadow of a jealous suspicion. Now isn't that absolutely wonderful? Could I have had such an experience with any other girl on earth? I am perfectly certain I could not...We are to be married on Feb. 2d'. So begins Volume 4 of the letters, with Samuel Clemens anticipating his wedding to Olivia L. Langdon. The 338 letters in this volume document the first two years of a loving marriage that would last more than thirty years. They recount, in Clemens' own inimitable voice, a tumultuous time: a growing international fame, the birth of a sickly first child, and the near-fatal illness of his wife. At the beginning of 1870, fresh from the success of "The Innocents Abroad", Clemens is on 'the long agony' of a lecture tour and planning to settle in Buffalo as editor of the "Express". By the end of 1871, he has moved to Hartford and is again on tour, anticipating the publication of "Roughing It" and the birth of his second child. The intervening letters show Clemens bursting with literary ideas, business schemes, and inventions, and they show him erupting with frustration, anger, and grief, but more often with dazzling humor and surprising self-revelation. In addition to "Roughing It", Clemens wrote some enduringly popular short pieces during this period, but he saved some of his best writing for private letters, many of which are published here for the first time.

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International best-selling author and theologian Tomáš Halík shares for the first time the dramatic story of his life as a secretly ordained priest in Communist Czechoslovakia. Inspired by Augustine's candid presentation of his own life, Halík writes about his spiritual journey within a framework of philosophical theology; his work has been compared to that of C. S. Lewis, Thomas Merton, and Henri Nouwen. Born in Prague in 1948, Halík spent his childhood under Stalinism. He describes his conversion to Christianity during the time of communist persecution of the church, his secret study of theology, and secret priesthood ordination in East Germany (even his mother was not allowed to know that her son was a priest). Halík speaks candidly of his doubts and crises of faith as well as of his conflicts within the church. He worked as a psychotherapist for over a decade and, at the same time, was active in the underground church and in the dissident movement with the legendary Cardinal Tomášek and Václav Havel, who proposed Halík as his successor to the Czech presidency. Since the fall of the regime, Halík has served as general secretary to the Czech Conference of Bishops and was an advisor to John Paul II and Václav Havel. Woven throughout Halík’s story is the turbulent history of the church and society in the heart of Europe: the 1968 Prague Spring, the occupation of Czechoslovakia, the self-immolation of his classmate Jan Palach, the “flying university,” the 1989 Velvet Revolution, and the difficult transition from totalitarian communist regime to democracy. Tomáš Halík was a direct witness to many of these events, and he provides valuable testimony about the backdrop of political events and personal memories of the key figures of that time. This volume is a must-read for anyone interested in Halík and the church as it was behind the Iron Curtain, as well as in where the church as a whole is headed today.

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Going well beyond graphic descriptions of death row's madness and suicide-inducing realities, Writing for Their Lives offers powerful, compassionate, and harrowing accounts of prisoners rediscovering the value of life from within the brutality and boredom of the row. Editor Marie Mulvey-Roberts brings together the writings of prisoners (many of whom are also prize-winning authors) and the words of those who work in the field of capital punishment, whose roles have included defense attorney, prison psychiatrist, chaplain and warden, spiritual advisor, abolitionist and executioner, as well as a Nobel Prize nominee and a murder victim family member. The material is presented through articles, journal extracts, letters, short stories, and poems. Exposing little-known facts about the five modes of execution practiced in the United States today, Writing for Their Lives documents the progress of life on death row from a capital trial to execution and beyond, through the testimony of the prisoners themselves as well as those who watch, listen, and write to them. What emerges are stories of the survival of the human spirit under even the most unimaginable circumstances, and the ways in which some prisoners find penitence and peace in the most unlikely surroundings. In spite of the uniformity of their prison life and its nearly inevitable conclusion, prisoners able to read and write letters are shown to retain and develop their individuality and humanity as their letters become poems and stories. Writing for Their Lives serves ultimately as an affirmation of the value of life and provides bountiful evidence that when a state executes a prisoner, it takes a life that still had something to give. This edition features an introduction by the editor as well as a foreword by Jan Arriens. Dr. Mulvey-Roberts will be donating her profits from the sale of this volume to the legal charity Amicus, which assists in capital defense in the United States."

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The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion.Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you’ll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don’t want none, unless you’ve got buns, hun."Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere.The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson’s critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D’Orazio, of butts ranging from petite Pam Anderson’s to sumptuous Serena Williams’, are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil’s Watermelon Woman, plus Eve Howard and her life-long spanking obsession.

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Growing up in the Boston suburbs, Tom Werman was deeply affected by pop music from a young age. He long dreamed of a career in music -- first as Elvis, then as the next George Harrison -- but it almost turned out very differently. Dutifully following the path his parents had laid out for him, he obtained an MBA from an Ivy League university and took a plum job in an industry he came to despise. Then, in 1970, a chance letter sent to CBS Records boss Clive Davis led to a new opportunity . . . and a place in rock and roll history. As an A&R man at Epic Records, Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Motley Crue (Shout At The Devil), Twisted Sister (Stay Hungry), Lita Ford (Dangerous Curves), Jeff Beck (Live With Jan Hammer), Poison (Open Up And Say ... Ahh!), and many more. All in all, his record-making resume includes twenty-three gold- or platinum-selling albums and cumulative sales of more than fifty-two million copies. After bearing witness to several sea changes in the music industry, Werman retired from producing in 2001 and reinvented himself as an award-winning innkeeper in the Berkshire Hills of Massachusetts. And that might have been that, until an off-the-cuff rebuttal to a disparaging critique of his role in making the Motley Crue album Girls, Girls, Girls on a music website led to a fortnightly column and now this book -- an honest and engaging insider account on how some of the best-loved albums of the 1970s and 80s came to be. A must for anyone interested in the glory days of rock and metal, Turn It Up! offers valuable insights into the recording process, the recording studio, the role of the producer, and the production values that are essential to the creation of a hit record.

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Rediscover one of the twentieth century's greatest romances in Lawrence Durrell's seductive tale of four tangled lovers in wartime Egypt that is 'stunning' (André Aciman) and 'wonderful' (Elif Shafak)'A masterpiece.' Guardian'A formidable, glittering achievement.' TLS'One of the great works of English fiction.' Times 'Dazzlingly exuberant ... Superb.' Observer'Brave and brazen ... Lush and grandiose.' Independent 'Legendary ... Casts a spell ... Reader, watch out!' Guardian'Lushly beautiful ... One of the most important works of our time.' NYTBR Alexandria, Egypt. Trams, palm trees and watermelon stalls lie honey-bathed in sunlight; in darkened bedrooms, sweaty lovers unfurl. But in a world trembling on the brink of the Second World War, passion and death are inextricable. When Darley, a penniless schoolteacher, begins an affair with Justine - a married Egyptian woman of unparalleled glamour - their partners, Melissa and Nessim, are sucked into a whirlpool of jealousy and violence. One of the twentieth-century's greatest romances, Lawrence Durrell's scandalous 'investigation of modern love' set the world alight in 1957. Rich in political and sexual intrigue, his epic masterpiece burns just as brightly today. Introduced by Jan Morris, this oomnibus edition collects all four novels together in all their glory.What Readers Are Saying - Justine (Book 1):'Sometimes you discover a new author and know you're going to be friends for life ... One of the most beautiful books I've ever read.''I absolutely adored this book ... I felt sucked into it with an amazing force by the beauty of the words ... The backdrop of 1930s Egypt's literary circles and bohemian relationships is mesmerising ... Breathtaking.''Shimmering and dreamlike ... One of the most beautifully written books I've read ... All of life is here; can't wait for the next one.''Lush, brutal, beautiful ... Durrell captured a place and time that will never exist again.''What makes this novel truly spectacular is the language, the episodic jumps in time, the lush lyricism, and how Durrell so deftly manages to tie this all into both the city of Alexandria and the themes of passion, love, and jealousy. '

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A brand new two-hour drama celebrating the 40th anniversary of Terry Nation's classic Blake's 7 series. The Way Ahead - by Mark Wright Part 1: Project Aquitar, Part 2: Dissent. Roj Blake. Kerr Avon. Names that sent shockwaves through the galaxy, shattering the foundations of the Terran Federation and giving hope to the oppressed. But what is their legacy? Crusading heroes or dangerous enemies of the state? In the early days of Blake’s rebellion, the Liberator comes to Malanar Delta to aid resistance leader Avalon, but the crew find Space Commander Travis and his Federation forces waiting. An abandoned Federation research project could give Travis the key to finally bringing Blake to justice. Years later, in the aftermath of the Galactic War, Avon and the Liberator crew fight to survive as new battle lines are drawn and alliances forged by President Servalan. Will survival be enough when a symbol of hope is turned into a devastating engine of war? Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the original late 1970s BBC1 series enjoying many of the TV actors returning to their roles. This set marks the 40th anniversary of this hugely popular and influential British cult Sci -Fi series screening on BBC1 in 1978. The story is set in the past, present and future of the TV series, and includes Glynis Barber (who originally played gunfighter Soolin) back with the franchise for the first time since the series’ dramatic finale. Yasmin Bannerman (Doctor Who, Merseybeat) has been cast as Dayna Mellanby, a character originally played by Josette Simon. CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Jacqueline Pearce (Servalan), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen / Orac), Sally Knyvette (Jenna Stannis), Stephen Greif (Travis), Olivia Poulet (Avalon), Kate Brown (Cassandra), Glynis Barber (Magda), Sam Woodward (Sheltak / Freighter Captain), Catherine Bailey (Mutoid / Captain), Fanos Xenofós (Interceptor Commander/ Trooper).

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Winner of a 2021 Carol Award There's a lot of irony in hitting rock bottom After a heartbreak leaves her reeling, January Sanders is open to anything--including moving into a cabin on her aunt's wedding-venue property and accepting a temporary position at her aunt's church despite being a lifelong skeptic of faith. Choosing to keep her doubts to herself, she's determined to give her all to supporting Grace Community's overworked staff while helping herself move on. What she doesn't count on is meeting the church's handsome and charming guitarist. It's a match set for disaster, and yet January has no ability to stay away, even if it means pretending to have faith in a God she doesn't believe in. Only this time, keeping her secret isn't as easy as she thought it would be. Especially when she's constantly running into her aunt's landscape architect, who seems to know everything about her past-and-present sins and makes no apologies about pushing her to deal with feelings she'd rather keep buried. Torn between two worlds that can't coexist, can January find the healing that's eluded her, or will her resistance to the truth ruin any chance of happiness? "In this touching inspirational from Gray, a faithless woman gets more than she bargained for as she rebounds from a broken heart. . . . Gray's entertaining tale showcases the power of love and faith in unexpected places."--Publishers Weekly "Once Jan opens up her heart to God, a family rift starts to mend, and she finds love and a place she belongs. Gray has crafted a sweet story."--Library Journal "I found this book to be both enjoyable and entertaining. There is quite a bit of well-written humor that is dispersed within the story. The plot is believable, and the characters are realistic. Love and a Little White Lie by Tammy L. Gray is a quick, easy read that would be perfect for reading beside the pool or at the beach. I recommend this book to anyone who enjoys sweet romance novels."--Fresh Fiction

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At the beginning of the last century, Marc Chagall, Pablo Picasso, Piet Mondrian and other acclaimed and unknown artists moved to Paris, the art capital of the world. They learnt to survive in a society that was becoming increasingly polarised, nationalistic, xenophobic and anti-Semitic. This exhibition and accompanying publication tells the story of artists in a foreign country who, despite adverse conditions, had the courage to take art to new heights. The show is an incredible chance to see the work of the great modern masters in a new light, and to discover new artists. Today, Chagall, Picasso and Mondrian are known as Masters of Modern Art, but behind their role as artistic pioneers lay struggle - all three, from different backgrounds, were migrants. In spite of their success and achievement, they faced the same insurmountable obstacle: they were not French. Picasso, born in Spain, arrived in Paris penniless, where he flourished as a creative genius. And yet he remained loyal to his Spanish roots, and often identified with being 'different', a sentiment he frequently explored in his work. As a Jewish-Russian in exile, Chagall faced loneliness, exclusion and outright anti-Semitism. Often packed with Jewish-Russian imagery like rabbis and synagogues, his paintings convey a sense of deep nostalgia. In his early years, the Dutchman Kees van Dongen also encounterd difficulties. He eventually became one of Paris' celebrated society painters, but in 1906 he complained that the newspapers consistently portrayed him as the sale étranger, or 'the dirty foreigner'. The exhibition Chagall, Picasso, Mondrian and Others: Migrant Artists in Paris shows work of, amongst others: Emmy Andriesse, Karel Appel, Eva Besnyö, Marc Chagall, Sonia Delaunay, Kees van Dongen, Gisèle Freund, Natalia Goncharova, Wassily Kandinsky, Germaine Krull, Wifredo Lam, Jacques Lipchitz, Paula Modersohn-Becker, Piet Mondriaan, Marlow Moss, Pablo Picasso, Man Ray, Diego Rivera, Gino Severini, Jan Sluijters, Chaim Soutine, Sophie Taeuber-Arp, Nicolaas Warb (Sophia Warburg), and Ossip Zadkine.

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Text in English & German. Fritz Leonhardt would have been 100 years old in 2009. The Südwestdeutsches Archiv für Architektur und Ingenieurbau (saai) at the University of Karlsruhe is presenting the first full retrospective of this famous structural engineer's work, which holds his exten-sive estate. Leonhardt studied at the Technische Hochschule in Stuttgart and then travelled in the USA. He made his professional début with the German autobahn, for which he designed the Rodenkirchen suspension bridge in 1938-41. Leonhardt supported Herrmann Giesler's plans for the "capital of the movement" with a domed structure for the new main station in Munich, a project that was never realised. In the post-war period he worked mainly on reinforced and pre-stressed concrete structures. He combined pioneering structural innovations with a high standard of creative design. The television tower in Stuttgart, which he designed in 1953/54, is a good example of this. It has had countless successors all over the world. Leonhardt made important technical innovations in bridge-building in particular. He and his colleagues worked on the Düsseldorf family of bridges from the 1950s to the 1970s, diagonal cable bridges with an aesthetic shaping the urban landscape, and the Leonhardt, Andrä und Partner practice founded by him created wide-span bridges all over the world based on these models. Leonhardt was involved as a structural engineer on the first post-war high-rise buildings in Germany. He worked with the architects concerned on the cable-net structures for the German Pavilion at the 1967 Montreal World's Fair, and for the roofs of the 1972 Munich Olympics buildings. The interplay between science and practice was crucial to Leonhardt. With texts by Hans-Peter Andrä, Wolfgang Eilzer, Holger Svens-son and Thomas Wickbold, Ursula Baus, Norbert Becker, Dirk Bühler, Hans-Wolf Reinhardt and Christoph Gehlen, Theresia Gürtler Berger, Gerhard Kabierske, Joachim Kleinmanns, Karl-Eugen Kurrer, Alfred Pauser, Eberhard Pelke, Jörg Peter, Klaus Jan Philipp, Jörg Schlaich, Dietrich W. Schmidt, Werner Sobek, Elisabeth Spieker, Christiane Weber and Friedmar Voormann, Fritz Weller, and Fritz Wenzel.

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The brothers Paul and John Nash, in their very different ways, were a major influence on twentieth century British design. Paul Nash (1889-1946) is now recognised as the most significant war artist of the last century; John Nash (1893-1977) as a plantsman artist. Both worked as designers and as tutors at the Royal College of Art, Paul encouraging a generation of designer artists that included Eric Ravilious, Edward Bawden and Enid Marx. As a committee member of the Design and Industries Association and President of the newly formed Society of Industrial Artists (now the Chartered Society of Designers) Paul promoted design as no less an art form than the fine arts of painting and sculpture. His clients included London Transport, Shell and Curwen Press and publishers the Nonesuch and Golden Cockerel Presses. John became well known for his Edward Lear influenced humorous illustrations and his superb plant drawings and wood engravings that illustrate innumerable books and publications. Paul Nash and John Nash, Design features over 150 illustrations, including graphic design, textile design, ceramics and glass, many not reproduced before. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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The past few years have witnessed an explosive increase in our collective knowledge of the biology of the human immunodeficiency virus (HIV). Researchers have acquired new understanding of the virus's biochemistry, molecular biology, pathogenesis, genetics, and immunobiology. Resulting therapeutic advances have significantly prolonged the lives of thousands. Yet, the need to develop better therapies is ever more acute and--given the virus's continued spread through the human population--the need for an effective vaccine is urgent. These goals can be accomplished only through the experienced synthesis of information from the many disciplines participating in HIV research and through the insights of new investigators. This volume is designed to lower the barriers imposed on investigators by the sheer volume of available information--information that often can be found only in far-flung and specialized journals. It provides, in a single resource, an in-depth overview of the diverse areas that constitute HIV research. The result is a broad introduction for students and researchers new to the field as well as an integrated overview for researchers specialized in particular areas of HIV investigation. The volume will also benefit those seeking technical understanding of the virus's biology, including physicians treating HIV-infected patients. Each chapter is a comprehensive presentation of one area of current AIDS research--including work on the virus life cycle, epidemiology, genetics, protease and reverse transcriptase inhibitors, receptor and co-receptor interactions, therapeutic targets, clinical treatment, immunobiology, and vaccines--written by a leading researcher in that area. The contributors are Jon P. Anderson, Jan Balzarini, Elana Cherry, Thomas J. Coates, Chris Collins, Jon H. Condra, Mark B. Feinberg, Richard B. Gaynor, Matthias Gotte, Daria J. Hazuda, Spyros Kalams, Nathaniel R. Landau, Gerald H. Learn, Norman L. Letvin, James I. Mullins, Willscott E. Naugler, David Nickle, Matthew Rain, Allen G. Rodrigo, Daniel Shriner, Shalom Spira, Mario Stevenson, Todd Summers, Catherine Ulich, Joseph P. Vacca, Mark A. Wainberg, Bruce D. Walker, and Yang Wang.

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** TO BE READ ON BBC RADIO 4 BOOK OF THE WEEK FROM 23 JAN 2023 **'As much le Carré as it is Hidden Figures.' AMARYLLIS FOX, author of Life Undercover 'A sweeping epic of a book [which] rescues five remarkable women from obscurity and finally gives them their rightful place in world history ... A book you won't regret reading. Five women you won't forget.' KATE MOORE, author of The Radium Girls'As entertaining as it is instructive.' GENERAL STANLEY MCCRYSTALThe never-before-told story of a small cadre of influential female spies in the precarious early days of the CIA - women who helped create the template for cutting-edge espionage (and blazed new paths for equality in the workplace). In the wake of World War II, four agents were critical in helping build a new organisation now known as the CIA. Adelaide Hawkins, Mary Hutchison, Eloise Page, and Elizabeth Sudmeier, called the 'wise gals' by their male colleagues because of their sharp sense of humour and even quicker intelligence, were not the stereotypical femme fatale of spy novels. They were smart, courageous, and groundbreaking agents at the top of their class, instrumental in both developing innovative tools for intelligence gathering - and insisting (in their own unique ways) that they receive the credit and pay their expertise deserved.Adelaide rose through the ranks, developing new cryptosystems that advanced how spies communicate with each other. Mary worked overseas in Europe and Asia, building partnerships and allegiances that would last decades. Elizabeth would risk her life in the Middle East in order to gain intelligence on deadly Soviet weaponry. Eloise would wield influence on scientific and technical operations worldwide, ultimately exposing global terrorism threats.Meticulously researched and beautifully told, Holt uses firsthand interviews with past and present officials and declassified government documents to uncover the stories of these four inspirational women. Wise Gals sheds a light on the untold history of the women whose daring foreign intrigues, domestic persistence, and fighting spirit have been and continue to be instrumental to the world's security.

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Since its foundation in the ninth century Prague has punched way above its weight to become a fulcrum of European culture. The city s most illustrious figures in the fields of music, literature and film are well known: Mozart staged the premiere of his opera Don Giovanni here; in the early twentieth century Franz Kafka was at the forefront of the city's intellectual life, while later writers such as Milan Kundera and film directors such as Milos Forman chronicled Prague's fortunes under communism. Yet the city has a cultural heritage that runs far deeper than Kafka museums and Mozart-by-candlelight concerts. It encompasses the avant-garde punk group Plastic People of the Universe, the 'new wave' film directors of the 1960s who made their striking movies in the city's famed Barrandov studios, and artists such as Alfons Mucha and Frantisek Kupka whose revolutionary canvases fomented Art Nouveau and abstract art at the dawn of the twentieth century. Beyond art galleries, concert halls and cinemas the history of Prague has been one of invasion and sometimes brutal oppression. The great German chancellor Otto von Bismarck once commented that 'whoever controls Prague, controls mid-Europe' and a succession of imperialist powers have taken this advice to heart, most recently Nazi Germany and the Soviet Union. Opposition has taken many forms, from the religious reformer Jan Hus in the fifteenth century to playwright and dissident Vaclav Havel, whose elevation to the Czechoslovak presidency in 1990 made him a symbol of the rebirth of democracy in Eastern Europe. In this book Andrew Beattie also reflects on the modern city, where bold new buildings such as Frank Gehry's 'Dancing House' rub shoulders with monuments from the Gothic and Baroque eras such as the Charles Bridge and St. Vitus' Cathedral. He considers the suburbs too, home to world-renowned football and ice hockey teams, gleaming shopping centres and grim communist-era apartment blocks that are often home to Vietnamese, Romany and Muslim minority groups who live in a city with a growing international outlook. The Prague he reveals is an increasingly confident and diverse city of the new Europe.

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Wayne Thiebaud: 1958-1968 examines Thiebaud's ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was moving beyond Abstract Expressionism and redefining itself. By questioning Thiebaud's relationship to Pop art, his self-imposed distance from the movement, and the popular urge to affiliate him with it, Teagle explores the role of his painting in the traffic of images at the end of the twentieth century. Organized in close cooperation with the artist, this is the first study of the emergence of Thiebaud's mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis. Thiebaud's art, like that of the celebrated Pop artists with whom he shared early exhibitions, is ripe for critical reappraisal. The "soft" nature of Thiebaud's famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis. Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud's painterly language-its historical sources and contemporary affiliations. Shaped around the seminal exhibitions that marked Thiebaud's entrance onto the stage of contemporary art, it concludes with a close reading of the artists' expanded subject matter presented in a major traveling exhibition in 1968. Portraits and landscapes now joined the food that prevailed in early exhibitions, and all pictured in the artist's now signature style of objects deployed in neutral space, bounded by halated light and casting long shadows of saturated color. With contributions from Alexander Nemerov and Margaretta Lovell. Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Exhibition dates: Manetti Shrem Museum of Art, University of California, Davis: January 16-May 15, 2018

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'By cultivating spiritual thoughts here on earth we can provide nourishment for the dead...When fields lie fallow they produce no crops to feed humanity and people may die of starvation. The dead cannot die of starvation, of course; all they can do is suffer when spiritual life lies fallow on earth.' - Rudolf Steiner The founding of the Anthroposophical Society in 1913 marked a major change in Rudolf Steiner's work. Although Steiner had always been an independent spiritual researcher, the break with the theosophists removed all constraints, allowing for a full flowering of anthroposophy. These lectures, presented to audiences in Germany, France and Sweden, are filled with a freshness and vitality that reflect this new beginning, providing intriguing glimpses of great themes that Steiner was to develop in the years ahead. A predominant topic here is that of death. Rudolf Steiner seeks to explain how people on earth can reach the dead in a non-mediumistic way, and how such interaction between 'living' and 'dead' is mutually beneficial. Startlingly, he states that people who do not recognize the being of Lucifer during their earthly life - who have not 'already got to intuit and know the luciferic impulses in the human soul properly whilst here in life' - will be 'vampirized' by this being after death. Rudolf Steiner also elaborates on the activities of the adversary beings in present-day civilization - spiritual powers that play a necessary role in Earth evolution - and how we can counteract them. The longer someone can stay alive, for example, is a victory over Ahriman's activity. Even the losing of teeth has beneficial aspects, allowing us to '...gain certain impulses and these overcome Ahriman'. Steiner relates the actions of such spiritual entities to child development too, indicating the various influences in the seven-year cycles of growth. Also included are lectures on the Christian festivals and various artworks, including 'The Triumph of Death' in the Composanto cemetery at Pisa, which reveals great secrets of humanity's evolution. Whatever the subject addressed, it soon becomes apparent that these lectures were not just relevant to Steiner's audience in 1913, but also speak to contemporary souls around the world seeking spiritual orientation and understanding. 10 lectures, various cities, Jan. - Dec. 1913, CW 150

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Four new brand-new full-cast Blake's 7 adventures set during the TV series' third season. 9. Ministry of Truth by Una McCormack. In a special facility, the Federation propagandists are hard at work. When first Zeera Vos, and then the Liberator crew arrive, their work is disrupted, and a traitor, it seems, has been busy in their midst. 10. Refuge by Trevor Baxendale. The Federation is in turmoil. The war is raging out of control. It’s time for Avon and his crew to pick a side – but when the Liberator finds a ship full of refugees, they realise that nothing can ever be that simple...11. Kith and Kin by Christopher Cooper. The planet Corrolos is a safe haven for ex-oligarchs and retired royalty. So why is Tarrant insistent on going there, and what was the last wish of his dead brother, Deeta? 12. Death of Empire by Steve Lyons. Servalan is Supreme Empress of the Galaxy – but the man whose throne she usurped wants it back. The final battle of the Civil War begins – and it’s time for the Liberator crew to take a stand. Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the original late 1970s BBC1 series enjoying many of the TV actors returning to their roles. This set comprises the third run of four tales in a fourth series of full-cast Blake's 7adventures from Big Finish, accompanying three complete series of full-cast adventures, and the award-winning range of Blake's 7- Liberator Chronicles volumes. The stories are set within the third BBC TV series, as Paul Darrow's Avon begins to cement his place as the leader of the anti-heroes on their stolen alien ship. Yasmin Bannerman (Doctor Who, Merseybeat) has been cast as Dayna Mellanby, a character originally played by Josette Simon. CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Jacqueline Pearce (Servalan), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen/Orac), Rebecca Crankshaw (Zeera Vos), Dan March (Verner), Susie Riddell (Bowkan), Bruce Alexander (Galon), Malcolm James (Dev), Charlotte Strevens (Reeva), Peter Aubrey (Kimar), Hugh Fraser (The Former President), John Green (Mordekain).

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Four new brand-new full-cast Blake's 7 adventures set during the TV series' third season. 4.5 Funeral on Kalion by Trevor Baxendale. Thern Sorron, the ruler of Kalion, is dead. Federation presidents, both old and new, attend the funeral ostensibly to pay their respects, but whoever possesses the Seal of Kalion, controls the vast Kalion shipyards. 4. 6 Shock Troops by Cavan Scott. As the war between the presidents escalates, new recruits are urgently required. Dayna gains first-hand experience of what life can be like as a Federation trooper as she confronts insurgent forces on a frontier world. 4. 7 Erebus by Paul Darrow. The Liberator is lured to the planet Erebus. There, the former Federation president is colluding with an old acquaintance of Avon’s who is eager for a reunion. 4.8 The Scapegoat by Steve Lyons. On the Federation world of Astra Valadina, the former President is hatching a plan to discredit his successor and turn the tide of the war in his favour. The unwitting pawns in his scheme are the crew of the Liberator. Blake's 7 proves to be one of Big Finish's most popular ranges, with fans of the original late 1970s BBC1 series enjoying many of the TV actors returning to their roles. This set comprises the second rule of four tales in a fourth series of full-cast Blake's 7 adventures from Big Finish, accompanying three complete series of full-cast adventures, and the award-winning range of Blake's 7–Liberator Chronicles volumes. The stories are set within the third BBC TV series, as Paul Darrow's Avon begins to cement his place as the leader of the anti-heroes on their stolen alien ship. Yasmin Bannerman (Doctor Who, Merseybeat) has been cast as Dayna Mellanby, a character originally played by Josette Simon. CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Jacqueline Pearce (Servalan), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen/Orac), Hugh Fraser (The President), Trevor Littledale (Maldor),Imogen Church (Niner), Tam Williams (Jay), Tania Rodrigues (Captain), Issy Van Randwyck (Eve / Nada), Anthony Townsend (Commander / Robot), John Green (Mordekain), Toby Longworth (Lockwood), Kerry Skinner (Zheanne).

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‘A sparklingly delicious confection to satisfy the mystery reader’s appetite’ Helena Dixon, bestselling author of the Miss Underhay Mysteries Jodie ‘Nosey’ Parker is back! When popular TV baking contest and national institution ‘The Best of British Baking Roadshow’ rolls into town and sets up camp in the grounds of Boskern House, a historic stately home near Penstowan, former police officer Jodie ‘Nosey’ Parker finds herself competing to represent Cornwall in the grand final. But with a fellow contestant who will stop at nothing to win and a drag queen host with secrets of their own, Jodie discovers that the roadshow doesn’t just have the ingredients for the perfect showstopper cake, but also for the perfect murder… And when a body is found in the grounds of the house, Jodie is drawn into another high-stakes case along with local DCI Nathan Withers. Can Jodie expose the culprit? Or will the murderer become the real showstopper? What readers are saying: ‘Come for the sleuthing, stay for the fun! Can hardly wait for the next one!’ Jan, 5 star NetGalley reader review ‘Fiona Leitch is a delight’ Elle, 5 star NetGalley reader review ‘Another fantastic addition to my favorite series!’ Rekha, 5 star NetGalley reader review ‘5 WELL DESERVED STARS! You will want to read this in one sitting because you are on the edge of your seat the entire time… I was mad at life getting in the way!’ Michelle, 5 star NetGalley reader review ‘I am a big fan of Nosey Parker and her awesome family… It’s a ball to read and I couldn't put it down!’ Jaimee, 5 star NetGalley reader review ‘This is a fun series smothered in good humour, some of it witty and some the belly laugh kind. Jodie is a terrific character’ Bridget, 5 star NetGalley reader review ‘I don’t think cozy crime can get cozier than this!’ P, 5 star NetGalley reader review ‘I read it as a standalone and found it just as enjoyable… I would recommend this book to anyone who wants an amusing well-written cozy crime novel’ Eli, 5 star NetGalley reader review

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Extraordinary reference book of over 80 famous painters, their lives, their loves and their iconic paintings.This art book includes insightful biographies of artists accompanied with remarkable reproductions of their famous artworks. Begin with the early Renaissance and follow art movements through the centuries to some of the most well-known artists alive today.A gorgeous exploration of the defining people of the art world including pioneers like Giotto and Jan van Eyck, the greats like Leonardo da Vinci and Raphael, and the visionaries like Frida Kahlo and Hokusai. The large format art book is overflowing with information and pictures of your favorite classics. The full-page prints are especially spectacular, allowing you to get the full effect of the work that inspired, defined and encapsulated art movements.Over 500 years of the craft is discussed, with the chapters organized by century starting with "Before 1500” and ending with “1945 – Present.” Each chapter features the relevant painters of those years with its own directory. Read about the historical context of art movements in sections which include timelines and fact panels giving incredible insight into the art world, the past lives of artists and their visions and techniques. Discover the unconventional stories of the artists' lives, including their influences, developments, friendships, loves and rivalries. Read about the portraits that Holbein did for Henry VIII to play matchmaker, Caravaggio's astonishing reaction to a badly cooked artichoke and the many romantic affairs of Picasso. Sometimes scandalous and often tumultuous, the lives of artists like Raphael, Hogarth, van Gogh, O'Keeffe, Magritte, Warhol and Kiefer are as interesting and captivating as their work. The Artists Behind the Paint BrushesA beautiful coffee table book that would make a lovely gift for those interested in art history and artist biographies, or to browse the attractive reproductions of the famous artworks. Includes a foreword by Ross King, who is the author of the bestselling Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, as well as the novels Ex-Libris and Domino. • Over 80 biographies of the standout artists over the centuries since the early Renaissance. • Beautiful reproductions of artworks that allow you to get up close to their brush strokes. • Insight into historical art themes and movements that influenced the periods.

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WINNER OF AN ENGLISH PEN TRANSLATES AWARDIsland mountain glacier by acclaimed poet Anne Vegter is tumultuous, humorous, erotic, enigmatic and vulgar in equal measure. Written in an elastic, playful style that levels the playing field of what kinds of images carry poetic weight, the poems inhabit an incongruous space between everyday distractions and intimate, at times uncomfortable or disturbing questions.Vegter became the first female Poet Laureate of the Netherlands in 2013. This collection, which also features drawings by the author, was awarded the prestigious Awater Poetry Prize in 2011; published with her long-term translator Astrid Alben, Island mountain glacier is Vegter’s first full collection in English.‘With her turbulent style and extraordinary themes, Anne Vegter is one of the most prominent poets in present-day Dutch literature.’– Dutch Foundation for Literature, Contemporary Dutch Poets series ‘Tumultuous work, in which the chaos can scarcely be tamed and much is possible that would not work in more concentrated poetry. Vegter’s later books make it evident that the poetic principle of free and idiosyncratic use of language forms the basis of everything she writes.’– T. van Deel in Trouw ‘Vegter does not write easy poetry. This does not mean that her work is inaccessible (on the contrary) but it lacks the tendency to hide anything whatsoever. Her most recent collection, Eiland berg gletsjer (Island Mountain Glacier; 2011), does not shield the reader. Friendship, marriage and sex, deterioration and loss – not in themselves exceptional subjects – are picked apart by Vegter in such a confrontational manner that the reader is left gasping for breath.’ – Piet Gerbrandy, Poetry International Rotterdam ‘[Vegter] shows herself to be a courageous and vulnerable poet: courageous because she chooses to write poems that are not merely neat, tidy and decorative, and vulnerable because the directness of her language can be dismissed as banal.’ – Jan Baeke, Poetry International Rotterdam ‘Vegter writes daring, personal poetry that sometimes teases language to the limit. One time her poems may consist of complex chess configurations, whereas at other times the poet can be trite, incoherent or even vulgar. It all contributes to the stimulating, grating feeling that someone is getting too close to you.’– Ron Rijghard in NRC Handelsblad

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A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko's radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko's graphic work in the form of book jackets, posters and advertising. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631, GPO ISBN: 9781851495962, Peter Blake ISBN: 9781851496181, FHK Henrion ISBN: 9781851496327, David Gentleman ISBN: 9781851495955, David Mellor ISBN: 9781851496037, E.McKnight Kauffer ISBN: 9781851495207, Edward Bawden and Eric Ravilious ISBN: 9781851495009, El Lissitzky ISBN: 9781851496198, Festival of Britain 1951 ISBN: 9781851495337, Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719, Jan Le Witt and George Him ISBN: 9781851495665, Paul Nash and John Nash ISBN: 9781851495191, and Abram Games ISBN: 9781851496778.

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Wind farms are an essential component of global renewable energy policy and the action to limit the effects of climate change. There is, however, considerable concern over the impacts of wind farms on wildlife, leading to a wide range of research and monitoring studies, a growing body of literature and several international conferences on the topic. This unique multi-volume work provides a comprehensive overview of the interactions between wind farms and wildlife. Volume 1 documents the current knowledge of the potential impacts upon wildlife during both construction and operation. An introductory chapter on the nature of wind farms and the impact assessment process is followed by a series of in-depth chapters documenting effects on climatic conditions, vegetation, terrestrial invertebrates, aquatic invertebrates and fish, reptiles and amphibians, birds, bats and terrestrial mammals. A synopsis of the known and potential effects of wind farms upon wildlife in perspective concludes the volume. The authors have been carefully selected from across the globe from the large number of academics, consultants and practitioners now engaged in wind farm studies, for their influential contribution to the science. Edited by Martin Perrow and with contributions by 40 leading researchers including: Robert Barclay, Michael Dillon, Jan Olof Helldin, Hermann Hötker, Jeffrey Lovich, Manuela de Lucas and Eugene Takle. The authors represent a wide range of organisations and institutions including the Universities of Calgary, Iowa State, Lund & Wyoming, US Geological Survey, Michael-Otto-Institut im NABU, Norwegian Institute for Nature Research, Spanish Council for Scientific Research, Renewable Energy Systems and several leading consultancies. Each chapter includes informative figures, tables, colour photographs and detailed case studies. Many of the latter are produced stand-alone from invited additional authors to ensure geographic spread and to showcase exciting new, often previously unpublished research. This book is designed for practitioners, researchers, managers and for a range of students in higher education, particularly those involved with environmental, ecological, conservation, impact assessment and climate change studies. Other volumes: Volume 2: Onshore: Monitoring and Mitigation (978-1-78427-123-7) Volume 3: Offshore: Potential Effects (978-1-78427-127-5) Volume 4: Offshore: Monitoring and Mitigation (978-1-78427-131-2)

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The sight of strings of wild Barnacle geese flying overhead, with a noisy chorus of honking, will be a familiar sight to many. However, following their migration, little is known about the lives of these sociable geese. "Flight of the Wild Geese" tells the story of the winter wildlife of the Solway Firth, that wonderfully wild estuary set between the rugged hills of Cumbria and the rolling farmland, moors and forests of Dumfries and Galloway. It explores the links that these beautiful places share with the most remote islands of the North Atlantic, and with the stunning landscapes of the high Arctic. This is a book of birds, of people, and of places.The author's sea journey takes in a number of remote islands, beginning with the two Scottish outliers of North Rona and Sula Sgeir, then venturing ever northwards via the stunning rocky coasts of the Faroe Islands, the black-sand volcanics of Jan Mayen, and the great sea bird colonies of Bear Island before encountering pack ice in the vast sea channel of Storfjorden. Here, in Svalbard's Arctic waters, ivory gulls roamed the ice islands searching for food, while seals hunted the open flats between. Arctic wildlife filled every space, backed by an array of glistening snow peaks, their glaciers carving rivers of ice down to the sea. This was the author's first view of Svalbard - Kingdom of the Ice Bear.The author also reflects on his life as a writer, photographer and environmental surveyor. Growing up in the flatlands of East Yorkshire where his love of wildlife was instilled, he yearned to know more about where the winter-visiting birds went during the summer. He learnt a great deal about waders, ducks, geese and swans at the Humber Estury but, once these birds had migrated to cooler climes in the summer, their lives were a mystery. Later in life and with the Solway Firth on his doorstep, where some of the largest numbers of geese are to be found, he decided to find out. Graham Uney is a writer, photographer and walking and wildlife holiday Senior Guide. He has written numerous articles for many different magazines and is the author of "Backpakers Britain", vols. I - III

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To develop a theory of world literature, this book demands that the theory of the novel can no longer ignore literary forms other than realism.Winner of the Donald Murphy Prize for a Distinguished First Book by the American Conference on Irish Studies, and the Waclaw Lednicki Award in the Humanities by the Polish Institute of Arts and Sciences of AmericaFor centuries, the standard account of the development of the novel focused on the rise of realism in English literature. Studies of early novels connected the form to various aspects of British life across the eighteenth and nineteenth centuries, including the burgeoning middle class, the growth of individualism, and the emergence of democracy and the nation-state. But as the push for teaching and learning global literature grows, this narrative is insufficient for studying novel forms outside of a predominately English-speaking British and American realm.In Estranging the Novel, Katarzyna Bartoszynska explores how the emergence and growth of world literature studies has challenged the centrality of British fiction to theories of the novel's rise. She argues that a historicist approach frequently reinforces the realist paradigm that has cast other traditions as "minor," conceding a normative vision of the novel as it seeks to explain why historical forces produced different forms elsewhere. Recasting the standard narrative by looking at different novelistic literary forms, including the Gothic, travel writing, and queer fiction, Bartoszynska offers a compelling comparative study of Polish and Irish works published across the long nineteenth century that emphasize fictionality, or the problem of world-building in literature.Reading works by Ignacy Krasicki, Jan Potocki, Narcyza Zmichowska, and Witold Gombrowicz alongside others by Jonathan Swift, Charles Maturin, Oscar Wilde, and Samuel Beckett, Bartoszynska shows that the history of the novel's rise demands a more capacious and rigorous approach to form as well as a reconceptualization of the relationship between fiction and its cultural contexts. By modeling such a heterogeneous account of the novel form, Estranging the Novel paves the way for a bracing and diverse understanding of the makeup of contemporary world literature and the many texts it encompasses—and a new perspective on the British novel as well.

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Thirty-four essays that take a serious look at the state of modern cinema Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.

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It is no secret that riders often neglect their own needs in order to ensure their horses' are met. Countless dollars go toward massages, chiropractic work, and various other therapies that keep our equines comfortable and performing their best. We carefully schedule their training programs to achieve peak fitness at just the right time, and we juggle our personal lives—careers, family, you name it—around it all. But horse sports are a partnership, and if we want our horses to be at their best, then we have to be at ours, and that means paying careful attention to our own athletic bodies. Most riders argue they simply don't have the time to work out and still give their horses the time they need, so certified personal trainer Laura Crump Anderson has written a book that specifically targets the ever-present dilemma of how to fit fitness into a horse-crazy lifestyle. Beginning with explanations of why strength, flexibility, and balance is important to achieve out of the tack, Anderson provides important rules and guidelines for stretching, weight training, and cardio to keep you safe. A lifelong equestrian herself, she then approaches the scheduling issue head-on, helping readers determine where best to fit in the minutes they need in the places they need to be anyway—the tack room, the arena, the barn aisle. Using only basic items you are likely to find around the stable, she keeps equipment needs straightforward, recognizing that the less likely it is you forget something, the more likely it is you'll get that workout in. Readers are then treated to seven original fitness routines, each dedicated to a specific area like the lower body or the core, or designated as a full-body program. Full color photos of top riders, including Jan Byyny, Sloane Coles, and Sharon White, demonstrate how to perform exercises effectively, and step-by-step instructions ensure you get it right. With its clear and to-the-point delivery and attention to the realities of the modern riding life, this book is the perfect way to ensure more active, effective, pain-free years in the saddle.

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To develop a theory of world literature, this book demands that the theory of the novel can no longer ignore literary forms other than realism.Winner of the Donald Murphy Prize for a Distinguished First Book by the American Conference on Irish Studies, and the Waclaw Lednicki Award in the Humanities by the Polish Institute of Arts and Sciences of AmericaFor centuries, the standard account of the development of the novel focused on the rise of realism in English literature. Studies of early novels connected the form to various aspects of British life across the eighteenth and nineteenth centuries, including the burgeoning middle class, the growth of individualism, and the emergence of democracy and the nation-state. But as the push for teaching and learning global literature grows, this narrative is insufficient for studying novel forms outside of a predominately English-speaking British and American realm.In Estranging the Novel, Katarzyna Bartoszynska explores how the emergence and growth of world literature studies has challenged the centrality of British fiction to theories of the novel's rise. She argues that a historicist approach frequently reinforces the realist paradigm that has cast other traditions as "minor," conceding a normative vision of the novel as it seeks to explain why historical forces produced different forms elsewhere. Recasting the standard narrative by looking at different novelistic literary forms, including the Gothic, travel writing, and queer fiction, Bartoszynska offers a compelling comparative study of Polish and Irish works published across the long nineteenth century that emphasize fictionality, or the problem of world-building in literature.Reading works by Ignacy Krasicki, Jan Potocki, Narcyza Zmichowska, and Witold Gombrowicz alongside others by Jonathan Swift, Charles Maturin, Oscar Wilde, and Samuel Beckett, Bartoszynska shows that the history of the novel's rise demands a more capacious and rigorous approach to form as well as a reconceptualization of the relationship between fiction and its cultural contexts. By modeling such a heterogeneous account of the novel form, Estranging the Novel paves the way for a bracing and diverse understanding of the makeup of contemporary world literature and the many texts it encompasses—and a new perspective on the British novel as well.

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The instant #1 New York Times bestsellerThe official report and findings of the bipartisan Congressional investigation into the January 6 attack on the Capitol, and Donald Trump’s related coup conspiracies to overthrow the election, with an original foreword by attorney and Emmy-winning MSNBC anchor Ari Melber. This edition includes an exclusive breakdown of the coup conspiracy, based on Melber’s reporting and real-time coverage, highlighting the multi-pronged plot against democracy. Only the authoritative House committee report can capture the full range of plots that have been exposed over time, from the violent attack on January 6 to related efforts revealed months after the insurrection. This definitive edition features: • New independent analysis of the coup conspiracy by MSNBC Chief Legal Correspondent Ari Melber• The historic, official text of the House Committee report on the insurrection, including the full Executive Summary with endnotes and all chapter endnotes. • The definitive accounting of Donald Trump’s efforts to end American democracy This is the only edition of the report featuring an additional, original analysis of the coup by a journalist and lawyer at the center of the action -- Melber has interviewed top members of this Committee, Jan. 6 rally planners and other cooperating witnesses, and Trump White House veterans ranging from Steve Bannon to Peter Navarro (now indicted for defying this probe). His report documents how Trump’s plots comprise a continuous coup conspiracy -- not a “riot” that exploded in a “single day” -- and why that factual prism is vital for accountability, justice, and preventing the next coup attempt.In chilling detail, he shows how that process might have engineered a technical effort to “override” the election on the floor of Congress—an essential map, and warning, for those who wish to protect democracy. If warnings are ignored and there is no accountability for the plotters at the top, a failed coup may become a training exercise.This report is not only a vital document in modern American history, it can also inform efforts to protect the future of American democracy. As a matter of justice, bipartisanship, and even patriotism, this report will become essential reading for any American determined to defend our democracy.

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From 1923 until 1980, Mien Ruys created over 3,000 gardens and landscapes. While most of these are in her native Netherlands, the influence of her designs and approaches spread far wider: many of us will have a little bit of Mien in our gardens, be it a railway sleeper, a diagonal line, a Phlomis russeliana or a water ball. Her work was extraordinary in combining two exceptional elements. Firstly, Mien was one of the leading proponents of modernist design: having trained and collaborated with architects such as Ben Merkelbach, Charles Karsten, Aldo van Eyck, Jan Piet Kloos, Hein Salomonson and Gerrit Rietveld, she introduced clean lines, geometric shapes and innovative materials into garden and landscape design. One of the few women members of CIAM, she was also one of the first to call for architects and landscape architects to collaborate fully from initial design onwards. She did so regularly, often on much needed social housing schemes, but also on schools, hospitals and nursing homes. All her projects shared a desire to offer users a better quality of life. One of her most well-known collaborations was with Gerrit Rietveld in Bergeijk on the Ploeg factory and Park, which has since been listed as a historic monument. Uniquely, she combined this modernist design approach with an extensive knowledge of plants and planting, which she learnt from a very early age in her father’s Royal Moerheim Nursery in Dedemsvaart. Her father had close links with international gardeners, such as Gertrude Jekyll, who greatly influenced Mien as she developed her own loose, natural style of planting. Her book on perennials, published in 1950, was internationally influential and, in seeking deeper understanding about plants and planting, Mien created more than 20 experimental gardens at Dedemsvaart, many of which are now also historic monuments. The book includes a foreword which sets Mien’s work within the wider context, as well as interviews with gardening experts and landscape architects who knew Mien or were deeply influenced by her work, which offer rich insight into Mien’s character and the timeless lessons which can still be learnt from her work.

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Kipling's best-loved work, now in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectable editions are bound in high-quality, tactile cloth with foil stamped into the design.The story of Mowgli, the man-cub who is brought up by wolves in the jungles of Central India, is one of the greatest literary myths ever created. As he embarks on a series of thrilling escapades, Mowgli encounters such unforgettable creatures as the bear Baloo, the graceful black panther Bagheera and Shere Khan, the tiger with the blazing eyes. Other animal stories in The Jungle Books range from the dramatic battle between good and evil in 'Rikki-tikki-tavi' to the macabre comedy 'The Undertakers'. With The Jungle Books Rudyard Kipling drew on ancient beast fables, Buddhist philosophy and memories of his Anglo-Indian childhood to create a rich, symbolic portrait of man and nature, and an eternal classic of childhood.Rudyard Kipling was born in Bombay in 1865. In 1882 Kipling started work as a journalist in India, and while there produced a body of work, stories, sketches and poems - notably Plain Tales from the Hills(1888) - which made him an instant literary celebrity when he returned to England in 1889. His most famous works include The Jungle Book (1894), Kim (1901) and the Just So Stories (1902). Kipling refused to accept the role of Poet Laureate and other civil honours, but he was the first English writer to be awarded the Nobel Prize, in 1907. He died in 1936. Jan Montefiore has taught at the University of Kent since 1978, where she is now Professor of 20th Century English Literature. She is the author of Men and Women Writers of the 1930s (1996); Arguments of Heart and Mind:Selected Essays 1977-2000 (2002); Feminism and Poetry (3rd edition, 2004); and Rudyard Kipling (2007). Kaori Nagai is a Research Associate at the University of Kent and author of Empire of Analogies (2006). She has also introduced Kobo Abe's Face of Another and Kipling's Plain Tales from the Hills for Penguin

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Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book--architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers--map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (University of Vilnius), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmoe), jan jagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King's College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan OEstersjoe (Orpheus Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute). In collaboration with Orpheus Institute

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Outdoor play is a significant and essential aspect of a young child's development and enjoys a renewed emphasis in early years practice, in keeping with the core principles embedded within the early years tradition. However, this emphasis may sit uneasily alongside a requirement to focus on the development of literacy and numeracy skills and supporting outdoor play can raise a number of thorny issues such as freedom, safety and risk. This book challenges the reader to consider: Why outdoor play is seen to be of significance within early childhood Whether this view is justified (what are the benefits of outdoor play?) The implications for practitioners who may be facing conflicting pressures in their work with young children In particular, the writers skilfully blend theory, research and practical guidance to address three important issues: What constitutes 'good' outdoor provision for young children and babies? How do we respect and respond to the young child in outdoor provision? How do we support risky play within the bounds of a statutory curriculum or regulatory regime? Incorporating chapters from internationally renowned authors working in this field, this book is recommended both for practitioners involved in early years education and care and for students at foundation, degree and post-graduate levels."This is a thought provoking book that draws on research to encourage the reader to reflect on the essence of outdoor play in early childhood. Recognising that within our society assumptions are made about outdoors and about childhood, this book challenges the reader to reflect on outdoor provision from a number of perspectives. The outdoor environment matters to young children. This book not only makes the case for outdoor play, it considers what that actually looks like in the UK and internationally, and asks us to reflect on the implications for our own working practices. Maynard and Waters set out to provoke critical reflection and inspire practitioners; they have certainly achieved their aim and this book is a welcome addition to the debate about outdoors in the early years."Gail Ryder Richardson, Early Years Consultant and Trainer, Outdoor Matters!Contributors: Valerie Huggins, Sara Knight, Helen Little, Trisha Maynard, Ellen Beate Hansen Sandseter, Alison Stephenson, Helen Tovey, Sue Waite, Jane Waters, Jan White, Karen Wickett, Helen Woolley and Shirley Wyver.

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What if the stories of trees and people are more closely linked than we ever imagined?Winner of the World Wildlife Fund's 2020 Jan Wolkers PrizeOne of Science News's "Favorite Books of 2020" A New York Times "New and Noteworthy" BookA 2020 Woodland Book of the YearGold Winner of the 2020 Foreword INDIES Award in Ecology & EnvironmentBronze Winner of the 2021 Independent Publisher Book Award in Environment/EcologyPeople across the world know that to tell how old a tree is, you count its rings. Few people, however, know that research into tree rings has also made amazing contributions to our understanding of Earth's climate history and its influences on human civilization over the past 2,000 years. In her captivating book Tree Story, Valerie Trouet reveals how the seemingly simple and relatively familiar concept of counting tree rings has inspired far-reaching scientific breakthroughs that illuminate the complex interactions between nature and people.Trouet, a leading tree-ring scientist, takes us out into the field, from remote African villages to radioactive Russian forests, offering readers an insider's look at tree-ring research, a discipline known as dendrochronology. Tracing her own professional journey while exploring dendrochronology's history and applications, Trouet describes the basics of how tell-tale tree cores are collected and dated with ring-by-ring precision, explaining the unexpected and momentous insights we've gained from the resulting samples.Blending popular science, travelogue, and cultural history, Tree Story highlights exciting findings of tree-ring research, including the fate of lost pirate treasure, successful strategies for surviving California wildfire, the secret to Genghis Khan's victories, the connection between Egyptian pharaohs and volcanoes, and even the role of olives in the fall of Rome. These fascinating tales are deftly woven together to show us how dendrochronology sheds light on global climate dynamics and uncovers the clear links between humans and our leafy neighbors. Trouet delights us with her dedication to the tangible appeal of studying trees, a discipline that has taken her to austere and beautiful landscapes around the globe and has enabled scientists to solve long-pondered mysteries of Earth and its human inhabitants.

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The highly anticipated third book in the critically acclaimed and bestselling series takes the art of being wimpy to a whole new level. Let’s face it: Greg Heffley will never change his wimpy ways. Somebody just needs to explain that to Greg’s father. You see, Frank Heffley actually thinks he can get his son to toughen up, and he enlists Greg in organized sports and other “manly” endeavors. Of course, Greg is able to easily sidestep his father’s efforts to change him. But when Greg’s dad threatens to send him to military academy, Greg realizes he has to shape up . . . or get shipped out. Greg and his family and friends, who make the Diary of a Wimpy Kid books a must-read for middle school readers, are back and at their best in this hilarious new installment of the series, which is sure to please current fans while attracting new ones. Publishers Weekly-1/19/2009: The third book in this genre-busting series is certain to enlarge Kinney’s presence on the bestseller lists, where the previous titles have taken up residence for the past two years. Kinney’s spot-on humor and winning formula of deadpan text set against cartoons are back in full force. This time, Greg starts off on New Year’s Day (he resolves to “help other people improve,” telling his mother, “I think you should work on chewing your potato chips more quietly”) and ends with summer vacation. As he fends off his father’s attempts to make him more of a man (the threat of military school looms), Greg’s hapless adventures include handing out anonymous valentines expressing his true feelings (“Dear James, You smell”), attempting to impress his classmate Holly and single-handedly wrecking his soccer team’s perfect season. Kinney allows himself some insider humor as well, with Greg noting the “racket” children’s book authors have going. “All you have to do is make up a character with a snappy name, and then make sure the character learns a lesson at the end of the book.” Greg, self-centered as ever, may be the exception proving that rule. Ages 8–12. (Jan.) F&P level: T

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The History of World War I series recounts the battles and campaigns that took place during the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the series provides a six-volume history of the battles and campaigns on land, at sea and in the air. The assassination in Sarajevo of the Austro-Hungarian heir, Archduke Franz Ferdinand lit an explosive mixture of ethnic tensions, nationalism, political opportunism, and the quest for power within the Balkans to plunge Europe into a conflict that would cost millions of lives. Austro-Hungary faced both Serbia and Russia during the opening phase of the war, but Bulgaria's decision to join the Central Powers in October 1915 led to the opening of the Salonika front in Greece, where 150,0000 British and French troops saw little fighting until the disastrous 1918 Doiran campaign. At the war's outbreak, the British authorities in Africa were totally unprepared, with few forces available to attack the German colonies, who themselves were effectively left isolated from help. The German commander in East Africa, Paul von Lettow-Vorbeck, launched a brilliant guerrilla campaign with scant resources, conducting lightning attacks on Allied targets, particularly the Uganda Railway. He was opposed by the South African General Jan Smuts and his mixture of Boer, British, Rhodesian, Indian, African, Belgian and Portuguese soldiers: fighting continued until November 1918. Italy entered the war against the Central Powers in April 1915. For two years, Austro-Hungarian forces were kept at bay on Italy's northern borders, until a combined German and Austro-Hungarian defeated the Italian forces at the Battle of Caporetto in October 1917. Revenge came with the Allied victory at Vittorio Veneto in November 1918, which led to Austro-Hungary's collapse. With the aid of over 300 photographs, complemented by full-colour maps, The Balkans, Italy & Africa provides a detailed guide to the background and conduct of the war in the Balkan, Italian and African theatres from the assassination in Sarajevo to the surrender of the Central Powers.

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Plum and Posner's Diagnosis and Treatment of Stupor and Coma, 5th edition, is a major update of the classic work on diagnosing the cause of coma, with the addition of completely new sections on treatment of comatose patients, by Dr. Jan Claassen, the Director of the Neuro-ICU at Columbia New York Presbyterian Hospital. The first chapter of the book provides an up-to-date review on the brain mechanisms that maintain a conscious state in humans, and how lesions that damage these mechanisms cause loss of consciousness or coma. The second chapter reviews the neurological examination of the comatose patient, which provides the basis for determining whether the patient is suffering from a structural brain injury causing the coma, or from a metabolic disorder of consciousness. The third and fourth chapters review the pathophysiology of structural lesions causing coma, and the specific disease states that result in coma. Chapter five is a comprehensive treatment of the many causes of metabolic coma. Chapter 6 review psychiatric causes of unresponsiveness and how to identify and treat them. Chapters 7 and 8 review the overall emergency treatment of comatose patients, followed by the treatment of specific causes of coma. Chapter 9 examines the long term outcomes of coma, including the minimally conscious state and the persistent vegetative state, and how they can be distinguished, and their implications for eventual useful recovery. Chapter 10 reviews the topic of brain death and the standards for examination of a patient that are required to make the determination of brain death. The final chapter 11 is by J.J. Fins, a medical ethicist who was invited by the other authors to write an essay on the ethics of diagnosis and treatment of patients who, by definition, have no way to approve of or communicate about their wishes. While providing detailed background for neurological and neurosurgical specialists, the practical nature of the material in this book has found its greatest use among Internists, Emergency Medicine, and Intensive Care specialists, who deal with comatose patients frequently, but who may not have had extensive neurological training.

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A never-before-translated occult classic that brings the science of herbal medicine back to its Hermetic roots • Includes a large collection of recipes for spagyric medicines and quintessences, with detailed step-by-step instructions, adapted from celebrated spagyrists such as Paracelsus, Pseudo-Lull, Philipp Ulstad, and Nicaise Le Fèvre • Provides botanical and medicinal classifications of over 600 plant species along with their astral natures, elemental qualities, and planetary and zodiacal signatures • Explores advanced methods and techniques and shares the author’s secret formula for a universal circulatum First published in French in 1911, this practical guide to the art of spagyrics begins by outlining the ancient yet often forgotten Hermetic foundations of herbalism. Author Jean Mavéric provides botanical and medicinal classifications of over 600 plant species along with an in-depth study of their astral natures, elemental qualities, and planetary and zodiacal signatures as well as practical advice on the appropriate times to harvest plants and administer herbal remedies and quintessences. Reviewing the general principles and procedures of premodern chemistry, Mavéric then explores the secret doctrines and operations of the spagyric art. He offers a large collection of recipes for spagyric herbal preparations adapted from celebrated spagyrists such as Paracelsus, Pseudo-Lull, Philipp Ulstad, Jan Baptist van Helmont, Oswald Croll, and Nicaise Le Fèvre, providing detailed step-by-step instructions for a veritable pharmacopeia of spagyric extracts, tinctures, elixirs, liquors, oils, unguents, salts, aquae vitae, and quintessences. Mavéric also shares his intricate theory of astral medicine and advocates a seasonal “Hermetic diet” designed to keep the humors of the body in equilibrium and prevent the onset of illness. In the final section of the book, Mavéric focuses on the more advanced methods and techniques of Paracelsus, Helmont, and George Starkey, unraveling the mysteries of manufacturing alkalis, alkahests, and menstrua and divulging his own secret formula for a universal circulatum. Available now for the first time in English, this occult classic unveils the art of extracting spagyric essences to a modern audience while also bringing the science of herbal medicine back to its Hermetic roots.

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Are the dynamics of contention changing? This is the question confronted by the contributors of this volume, among the most influential scholars in the field of social movements. The answers, arriving at a time of extraordinary worldwide turmoil, not only provide a wide-ranging and varied understanding of how social movements arise and persist, but also engender unanswered questions, pointing to new theoretical strands and fields of research. The Future of Social Movement Research asks: How are the dynamics of contention shaped by globalization? By societies that are becoming increasingly more individualized and diverse? By the spread of new communication technologies such as social media, cell phones, and the Internet? Why do some movements survive while others dissipate? Do local and global networks differ in nature? The authors’ essays explore such questions with reference to changes in three domains of contention: the demand of protest (changes in grievances and identities), the supply of protest (changes in organizations and networks), and how these changes affect the dynamics of mobilization. In doing so, they theorize and make empirically insightful how globalization, individualization, and virtualization create new grievances, new venues for action, new action forms, and new structures of contention. The resulting work—brought together through engaging discussions and debates between the contributors—is interdisciplinary and unusually broad in scope, constituting the most comprehensive overview of the dynamics of social movements available today. Contributors: Marije Boekkooi, VU-U, Amsterdam; Pang Ching Bobby Chen, U of California, Merced; Donatella della Porta, European U Institute; Mario Diani, U of Trento, Italy; Jan Willem Duyvendak, U of Amsterdam; Myra Marx Ferree, U of Wisconsin–Madison; Beth Gharrity Gardner; Ashley Gromis; Swen Hutter, U of Munich; Ruud Koopmans, WZB, Berlin; Hanspeter Kriesi, U of Zurich; Nonna Mayer, National Centre for European Studies; Doug McAdam, Stanford U; John D. McCarthy, Pennsylvania State U; Debra Minkoff, Barnard College, Columbia U; Alice Motes; Pamela E. Oliver, U of Wisconsin–Madison; Francesca Polletta, U of California, Irvine; Jacomijne Prins, VU-U, Amsterdam; Patrick Rafail, Tulane U; Christopher Rootes, U of Kent, Canterbury; Dieter Rucht, Free U of Berlin; David A. Snow, U of California, Irvine; Sarah A. Soule, Stanford U; Suzanne Staggenborg, U of Pittsburgh; Sidney Tarrow, Cornell U; Verta Taylor, U of California, Santa Barbara; Marjoka van Doorn; Martijn van Zomeren, U of Groningen; Stefaan Walgrave, U of Antwerp; Saskia Welschen.

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No one present at the Battle of Cape Lopez in 1722 could have known that they were on the edge of history. There was no way to predict just how monumental an impact this obscure but fierce naval battle off the coast of West Africa would have on British colonies and the future of slavery in America. Gentlemen of Fortune is a groundbreaking exploration of the figures and events surrounding this lesser-known naval battle, the outcome of which signaled a major turning point in the Atlantic slave trade and triggered a deep and lasting legacy.Gentlemen of Fortune focuses on three fascinating figures whose fates would violently converge: Jan Conny, a charismatic leader of the Akan people who made lucrative deals with pirates and smugglers while making enemies out of the British and Dutch; the infamous pirate Black Bart, who worked his way from an anonymous navigator to a pirate king and one of the British Empire’s most notorious enemies in the region; and British naval captain Chaloner Ogle, tasked by the Crown with hunting down and killing Black Bart at all costs. At the Battle of Cape Lopez, these three men and the massive historical forces at their backs would finally find each other—and the world would be transformed forever.By defeating Black Bart at the Battle of Cape Lopez, the British Empire was able to achieve supremacy in the West African slave trade. Chattel slavery—in which an enslaved person is considered fully the private property of an owner—was born, and it was soon brought to America.In this landmark narrative history, historian Angela Sutton outlines the complex network of trade routes spanning the Atlantic Ocean trafficked by agents of empire, private merchants, and brutal pirates alike. Drawing from a wide range of primary historical sources, most of which—because they are written in Dutch and German—have not been engaged with by popular audiences, Sutton offers a new perspective on how a single battle played a pivotal role in reshaping the slave trade in ways that affect America to this day. Between its engaging narrative style filled with swashbuckling naval battles and tales of adventure at sea, its wide array of rigorous and detailed research, and its implications towards modern America, Gentlemen of Fortune is an essential addition to every history reader’s shelves.

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'A compelling contribution to our evolving understanding of the links between trade, aid and security � and what the international community needs to do to ensure peace and development in the world.' Achim Steiner, Executive Director, United Nations Environment Programme 'For far too long the international community ahs stood by while countries around the world descend into conflict and anarchy. We need to understand how we can engage more effectively with fragile and failing states. Trade, Aid and Security is an important step in this direction.' Jan Pronk, Special Representative of the UN General Secretary in Sudan and Former Minister of Development and the Environment, The Netherlands. 'As we begin to contemplate what the post-Iraq world will look like it is vital that we reflect on the limits of the utility of hard power and the importance that development can play in avoiding failed states before they fail, preventing conflicts and more successfully re-building states. This timely book makes a most important contribution to that process.' Lord Paddy Ashdown, UN High Representative for Boznia and Herzegovina, 2002 � 2006 Leader of UK Liberal Democrat Party, 1988 � 1999 'As UN Special Representative to the Great Lakes Region of Africa I have seen the devastating impact of the trade in �conflict resources� with my own eyes. Amongst much else, this book shows how different trade and aid politics can tackle the trade in conflict resources and make a real contribution to secure societies. It is essential reading.' Mohamed Sahnoun, Special Representative of the UN Secretary General in Central and East Africa. Iraq, Afghanistan, Darfur. All resonate loudly on the international stage, exposing and illustrating the intractable links between global security, control over naturals resources � be it oil, water, timber or 'conflict diamonds' � and the manipulation of foreign aid and international trade policy. This volume, written by leading authorities from across the globe, introduces the linkages between trade, aid and security, and exposes how inappropriate or misused trade and aid policy can and do undermine security and contribute to violence and the disintegration of national states. On a practical level they demonstrate how six key areas of trade and aid policy can be used to help forge stability and security, reduce the likelihood of armed conflict, and assist economic and political recovery in our war-torn world.

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This beautifully illustrated catalogue presents a selection of exceptional seventeenth-century Dutch drawings from the Peck Collection in the Ackland Art Museum at the University of North Carolina at Chapel Hill. Featuring many previously unpublished and rarely exhibited works, the catalogue brings together examples by some of the best-known artists of the era such as Rembrandt, Jacques de Gheyn II, Samuel van Hoogstraten, and Frans van Mieris.The collection was donated to the museum in 2017 by the late Drs. Sheldon and Leena Peck. The transformative gift is comprised of over 130 largely seventeenth- and eighteenth-century Dutch and Flemish drawings, establishing the Ackland as one of a handful of university art museums in the United States where northern European drawings can be studied in depth.Drawn to Life presents around 70 works from this exceptional and diverse group of drawings amassed by the Pecks over four decades. Featuring new research and fresh insights into seventeenth-century drawing practice, the catalogue and accompanying exhibition celebrates the creativity and technical skills of Dutch artists who explored the beauty of the natural world and the multifaceted aspects of humanity.The catalogue features a broad selection of scenes of everyday life, landscapes, biblical and historical scenes, portraits, and preparatory studies, forming a dynamic and representative group of Dutch drawings made by some of the most outstanding artists of the period, including Abraham Bloemaert, Jacob van Ruisdael, Esaias van de Velde, Bartholomeus Breenbergh, Pieter Molijn, Aelbert Cuyp, Adriaen van Ostade, Ferdinand Bol, Nicolaes Maes, Jan Lievens, Gerard ter Borch, Adriaen van de Velde, Nicolaes Berchem, and Cornelis Dusart. Key sheets of remarkable quality by lesserknown artists such as Guillam Dubois, Herman Naiwincx, Willem Romeyn, and Jacobvan der Ulft, also comprise a core strength of the collection, and serve as a testament to the visual acuity of the Pecks as collectors.At the heart of the Peck Collection are several sheets by Rembrandt, including the sublime Noli me Tangere; a beautifully rendered late landscape, Canal and Boats with a Distant View of Amsterdam; and the superbly charming Studies of Women and Children, which was the last of Rembrandt’s seventeen known drawings with an inscription in his own hand to reach a public collection.Meticulously researched and written by Robert Fucci, Ph.D., Drawn to Life introduces both scholars and drawings enthusiasts to the depth and beauty of the Peck Collection at the Ackland Art Museum.

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The exciting tales of these fifty boys who were used by God will inspire young readers. The stories of Billy Graham, C.S. Lewis, Martin Luther and many others are brought to life by award–winning author Irene Howat. Each book contains the stories of ten boys who grew up to be used by God in amazing ways. Readers will not only be amazed at the bravery, cleverness and faith of these boys, but will be inspired to look to the God who worked through each of them. The books contain ten easy to read chapters of equal length. Each character’s chapter begins with an incident or memory from their childhood, reminding the reader that people who grew up to do amazing things were once children just like them. The chapters have a fact file, a keynote, a think spot and a prayer to help think through and apply what has been learned in the chapter. The books also conclude with a quiz to see how much the reader remembers. This box set contains all five Ten Boys books in a cardboard slipcase. The set includes: Ten Boys Who Changed the World (Brother Andrew; John Newton; Billy Graham; Eric Liddell; William Carey; David Livingstone; Nicky Cruz; Adoniram Judson; George Muller; and Luis Palau) Ten Boys Who Used Their Talents (Wilfred Grenfell; C.S. Lewis; James Clerk Maxwell; Ghillean Prance; Paul Brand; Johann Sebastian Bach; Samuel Morse; George Washington Carver; C.T. Studd; and John Bunyan) Ten Boys Who Made History (Samuel Rutherford; John Owen; Jonathan Edwards; George Whitefield; Robert Murray McCheyne; Dwight L. Moody; Billy Sunday; Charles H. Spurgeon; Aiden W. Tozer; and Martyn Lloyd–Jones) Ten Boys Who Didn’t Give In (Polycarp; Alban; Sir John Oldcastle; Thomas Cranmer; George Wishart; James Chalmers’ Dietrich Bonhoeffer; Nate Saint; Ivan Moiseyev; and Graham Staines) Ten Boys Who Made a Difference (Augustine of Hippo; Jan Hus; Martin Luther; Ulrich Zwingli; William Tyndale; Hugh Latimer; John Calvin; John Knox; Lord Shaftesbury; and Thomas Chalmers) The Lightkeepers introduces readers aged 8–12 to the enjoyment of reading Christians biographies. The series also includes Ten Girls Who Changed the World; Ten Girls Who Used Their Talents; Ten Girls Who Made History; Ten Girls Who Didn’t Give In; Ten Girls Who Made a Difference; and Lightkeepers Girls Box Set.

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'A compelling contribution to our evolving understanding of the links between trade, aid and security � and what the international community needs to do to ensure peace and development in the world.' Achim Steiner, Executive Director, United Nations Environment Programme 'For far too long the international community ahs stood by while countries around the world descend into conflict and anarchy. We need to understand how we can engage more effectively with fragile and failing states. Trade, Aid and Security is an important step in this direction.' Jan Pronk, Special Representative of the UN General Secretary in Sudan and Former Minister of Development and the Environment, The Netherlands. 'As we begin to contemplate what the post-Iraq world will look like it is vital that we reflect on the limits of the utility of hard power and the importance that development can play in avoiding failed states before they fail, preventing conflicts and more successfully re-building states. This timely book makes a most important contribution to that process.' Lord Paddy Ashdown, UN High Representative for Boznia and Herzegovina, 2002 � 2006 Leader of UK Liberal Democrat Party, 1988 � 1999 'As UN Special Representative to the Great Lakes Region of Africa I have seen the devastating impact of the trade in �conflict resources� with my own eyes. Amongst much else, this book shows how different trade and aid politics can tackle the trade in conflict resources and make a real contribution to secure societies. It is essential reading.' Mohamed Sahnoun, Special Representative of the UN Secretary General in Central and East Africa. Iraq, Afghanistan, Darfur. All resonate loudly on the international stage, exposing and illustrating the intractable links between global security, control over naturals resources � be it oil, water, timber or 'conflict diamonds' � and the manipulation of foreign aid and international trade policy. This volume, written by leading authorities from across the globe, introduces the linkages between trade, aid and security, and exposes how inappropriate or misused trade and aid policy can and do undermine security and contribute to violence and the disintegration of national states. On a practical level they demonstrate how six key areas of trade and aid policy can be used to help forge stability and security, reduce the likelihood of armed conflict, and assist economic and political recovery in our war-torn world.

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**Don't miss Karen Dickson's brand new family saga The Dressmaker's Secret – out in paperback and eBook now** AS WAR APPROACHES, WILL HER LOVE GUIDE HIM HOME?‘An exciting, fresh and talented new voice – a five-star read!’ CAROL RIVERS, author of Molly’s Christmas Orphans Southampton, 1905. Ellie-May and Jack have been inseparable since birth. They are best friends, having grown up together on the same street. But when Jack and his mother fall on hard times they are thrown into the workhouse, and he and Ellie-May are forced into a goodbye. Four years later, now aged sixteen, Jack returns to Southampton and is reunited with Ellie-May. Quickly they both realise that their feelings for each other go beyond friendship, and with Jack home for good the pair are finally free to be together. But when WWII approaches, Jack’s duty to his country is hard to ignore and when he enlists to fight, they are once again torn apart. Will Ellie-May and Jack find their way back to each other before it’s too late? A brand new wartime family saga, perfect for fans of Rosie Goodwin and Val Wood Praise for Karen Dickson: ‘A compelling saga that will hold you fast from the first page to the last. Loved it’ VAL WOOD, author of The Lonely Wife 'This rollercoaster of a novel draws you in from the first page. Expertly researched and a fabulous storyline with real heart… I devoured this in one sitting and look forward to more from this author. In short a gem of a read' FIONA FORD, author of Wartime at Liberty’s 'A delight to read... Lily Hayter is a wonderful heroine whose resilience and integrity shine through as she struggles to claim a life of her choosing and find a family. At the heart of the story is a warmth and humanity that makes it a truly uplifting read. I thoroughly enjoyed it and was sorry when I reached the end because I wanted to linger in Dickson’s world. I eagerly await more from Karen Dickson' VICKI BEEBY, author of The Ops Room Girls 'The characters in this novel are so believable that I cared deeply about them from the first chapter. A heartfelt, hopeful account of one young woman’s fight to keep her child safe when all the odds are against her. Atmospheric and beautifully written' JAN CASEY, author of The Women of Waterloo Bridge

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A brand new wartime family saga, perfect for fans of Rosie Goodwin and Val Wood Shaftesbury, 1936. Mansfield House Hotel has been a refuge for Emily ever since she was orphaned at the age of 16. Not only did they give her employment as a chambermaid, but it’s also where she met her fiancé Tom. When theatre agent Roland stays at the hotel and hears Emily singing, he is determined to take her away to Bristol and make her a star. But knowing she'd never leave her fiancé, he hatches a plan to get Emily away from Tom. Six years later, Emily has made a name for herself as 'The Bristol Songbird'. Her love for Tom is still as strong as ever, but she's not heard from him since that fateful night so long ago. And with the world enveloped in a war, it seems unlikely the two will ever meet again. Will Emily and Tom ever find their way back to one another? Or will the war – and Roland – succeed in keeping them apart? Praise for Karen Dickson: ‘A compelling saga that will hold you fast from the first page to the last. Loved it’ VAL WOOD, author of The Lonely Wife 'This rollercoaster of a novel draws you in from the first page… I devoured this in one sitting and look forward to more from this author. In short a gem of a read' FIONA FORD, author of Wartime at Liberty's 'A delight to read... Lily Hayter is a wonderful heroine whose resilience and integrity shine through as she struggles to claim a life of her choosing and find a family. At the heart of the story is a warmth and humanity that makes it a truly uplifting read. I thoroughly enjoyed it and was sorry when I reached the end because I wanted to linger in Dickson’s world. I eagerly await more from Karen Dickson' VICKI BEEBY, author of The Ops Room Girls ‘An exciting, fresh and talented new voice – a five-star read!’ CAROL RIVERS, author of Molly’s Christmas Orphans'The characters in this novel are so believable that I cared deeply about them from the first chapter. A heartfelt, hopeful account of one young woman’s fight to keep her child safe when all the odds are against her. Atmospheric and beautifully written' JAN CASEY, author of The Women of Waterloo Bridge

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