Search results for ""warwick""

As Holderlin was to Martin Heidegger and Mallarme to Jacques Derrida, so is H.P. Lovecraft to the Speculative Realist philosophers. Lovecraft was one of the brightest stars of the horror and science fiction magazines, but died in poverty and relative obscurity in the 1930s. In 2005 he was finally elevated from pulp status to the classical literary canon with the release of a Library of America volume dedicated to his work. The impact of Lovecraft on philosophy has been building for more than a decade. Initially championed by shadowy guru Nick Land at Warwick during the 1990s, he was later discovered to be an object of private fascination for all four original members of the twenty-first century Speculative Realist movement. In this book, Graham Harman extracts the basic philosophical concepts underlying the work of Lovecraft, yielding a weird realism capable of freeing continental philosophy from its current soul-crushing impasse. Abandoning pious references by Heidegger to Holderlin and the Greeks, Harman develops a new philosophical mythology centered in such Lovecraftian figures as Cthulhu, Wilbur Whately, and the rat-like monstrosity Brown Jenkin. The Miskatonic River replaces the Rhine and the Ister, while Holderlin's Caucasus gives way to Lovecraft's Antarctic mountains of madness.

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“Dennis Tyfus appears like a punk-blasted sprite bursting from his pantaloons, a charmed creature’s tongue lolloping the golden inspirations both fresh and world-weary amid the gallery of noise freaks and intellectual elites.” – Thurston Moore, Sonic Youth The practice of Antwerp-based artist Dennis Tyfus (b. 1979) encompasses a wide range of artistic media, including drawings, sculptures, installations, videos, magazines, books, music, vinyl records, tattoos, his own radio show, concerts and performances. In his oeuvre, everything flows into everything else, without a fixed definition, beginning or end. In doing so, he draws heavily on the work of artists such as Dieter Roth, Mike Kelley, Jim Shaw and Wim T. Schippers. By combining elements from his personal psyche with various aspects of high and low culture and approaching them on an equal footing, Tyfus creates a universe in which the personal, the everyday and the uncanny come together. This book brings together a wide selection from his oeuvre. This publication accompanies the exhibition Don't Tell Me Not to Tell You What to Do at de Warande, Turnhout, Belgium from 30 April to 13 August 2023. With text contributions by Helena Kritis, curator at WIELS contemporary art centre in Brussels, Thurston Moore of Sonic Youth, and artist Steven Warwick. Text in English and Dutch.

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Concentrate Q&A Criminal Law is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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Concentrate Q&A EU Law is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. The series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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**Winner of the 2020 Sunday Times/University of Warwick Young Writer of the Year Award**Jay Bernard's extraordinary debut is a fearless exploration of the New Cross Fire of 1981, a house fire at a birthday party in which thirteen young black people were killed. Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice. A ground-breaking work of excavation, memory and activism - both political and personal, witness and documentary - Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.'The verse has anger and political purpose, but a rare lyrical precision, too. The combination is powerful' Sebastian Faulks, Spectator, Books of the Year 2020 *Winner of the Ted Hughes Award for New Work in Poetry**Shortlisted for the Costa Poetry Award; T.S. Eliot Prize; Forward Prize for Best First Collection; Dylan Thomas Prize; RSL Ondaatje Prize; John Pollard Foundation International Poetry Prize**Longlisted for the Jhalak Prize 2020*

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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Trans Historical explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives—literary texts, trial transcripts, documents, and artifacts—that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA.

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'Spring was already in the air, in the town; there was no rain but there was still less sun - one wondered what had become of it, on this side of the world - and the grey mildness, shading away into black at any pretext, appeared in itself a promise.' Henry James left America for England in 1876 and remained in his adopted country for the next three decades. Arriving in Liverpool, he made his way first to London, the 'dreadful, delightful city', which he would come to both love and hate. James revelled in the exoticism and immensity of all that was unknown to him and his writing spills over with youthful excitement, humour and vivid descriptions of the people, landscapes, towns and cities he encountered. In London, he marvelled at the architecture of Christopher Wren and the glamour of the Strand and observed with equal pleasure the seedier parts of the city, where gin shops glowed on the corners of dark alleys. He later set out to explore the English countryside: Chester, Warwick, Devon, Wells, Salisbury, Suffolk and Rye, where he eventually settled, bought Lamb House and wrote prolifically - producing some of his finest works, including What Maisie Knew, The Wings of the Dove, The Golden Bowl and The Middle Years. First published in 1905, English Hours is one of Henry James' most loved works of travel and a now-classic portrait of England by one of the great masters of 19th century literature.

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A key volume for Shakespeare, African theatre and postcolonial cultural scholars, promoting debate on the role of Western cultural icons in contemporary postcolonial cultures. This volume takes as its starting point an interrogation of the African contributions to the Globe to Globe festival staged in London in 2012, where 37 Shakespeare productions were offered, each from a different nation. Five African companies were invited to perform and there are articles on four of these productions, examining issues of interculturalism, postcolonialism, language, interpretation and reception. The contributors are both Shakespeare and African theatre scholars, promoting discourse from a range of geographical and cultural perspectives. A critical debate about the process of the Globe to Globe festival is initiated in the form of a discussion article featuringsome of its directors and actors. Two further articles look at Shakespeare productions made purely for Africa, from Mauritius and Cape Verde, and leading Nigerian playwright and cultural commentator Femi Osofisan provides an overview article examining Shakespeare in Africa in the 21st century. The playscript in this volume of African Theatre is Femi Osofisan's Wesoo, Hamlet! or the Resurrection of Hamlet. Volume Editor: JANE PLASTOW Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick

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Drama critic Lance Yardley is only 30 but is already a seedy wreck of a man, spending his nights in the back streets of Coventry looking for prostitutes. A working-class boy brought up in a broken home on a council estate, he has sought escape in literature and through his marriage to an actress, the great-granddaughter of a 19th-century Englishman who made his fortune from the sugar plantations in Guyana. At first Elizabeth attracts Yardley, but their differences of class exacerbate the mutual hatred that grows between them. Later he is drawn to a mysterious Indian girl, Rohini. She seems shy, but sells her body to customers when her boss goes out of town. When she dies suddenly, the victim of a strange and violent assassin, Yardley decides to decamp abroad for a while. He goes to Guyana, not least because he wants to learn more about an Irish priest who as an old man has been a priest in Coventry, but as a young man had worked as a missionary in Guyana. The priest's fragmented journals seem to offer Yardley some possible answers to his own spiritual malaise, but the Guyana he discovers provokes more questions than answers.David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick.

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An urgent volume of essays engages the Gothic to advance important perspectives on our geological era What can the Gothic teach us about our current geological era? More than just spooky, moonlit castles and morbid graveyards, the Gothic represents a vibrant, emergent perspective on the Anthropocene. In this volume, more than a dozen scholars move beyond longstanding perspectives on the Anthropocene—such as science fiction and apocalyptic narratives—to show that the Gothic offers a unique (and dark) interpretation of events like climate change, diminished ecosystems, and mass extinction.Embracing pop cultural phenomena like True Detective, Jaws, and Twin Peaks, as well as topics from the New Weird and prehistoric shark fiction to ruin porn and the “monstroscene,” Dark Scenes from Damaged Earth demonstrates the continuing vitality of the Gothic while opening important new paths of inquiry. These essays map a genealogy of the Gothic while providing fresh perspectives on the ongoing climate chaos, the North/South divide, issues of racialization, dark ecology, questions surrounding environmental justice, and much more.Contributors: Fred Botting, Kingston U; Timothy Clark, U of Durham; Rebecca Duncan, Linnaeus U; Michael Fuchs, U of Oldenburg, Germany; Esthie Hugo, U of Warwick; Dawn Keetley, Lehigh U; Laura R. Kremmel, South Dakota School of Mines and Technology; Timothy Morton, Rice U; Barry Murnane, U of Oxford; Jennifer Schell, U of Alaska Fairbanks; Lisa M. Vetere, Monmouth U; Sara Wasson, Lancaster U; Jeffrey Andrew Weinstock, Central Michigan U.

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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Trans Historical explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives—literary texts, trial transcripts, documents, and artifacts—that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA.

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The poems in Tony Curtis's new collection are woven out of his fascination with the everyday, the quirky, and the downright extraordinary. These are poems wrapped up in love and death, friendship and memory, madness and music – from the blind man singing in a field, to his three Cistercian uncles singing plainchant. There are people at the heart of everything he writes. Curtis is a born storyteller, and these are poems crafted by a poet with a wonderful ability to express great depth of feeling with deceptive simplicity."Curtis lives on the borderline between our world and the world of the Spirits."The Irish Times"His humour and charm, and ability to turn a poem with the seemingly simplest of images, and that understanding of how words will play over the listener's ear, are hallmarks which are pleasingly brought to the fore on the page in this hefty new collection. His greatest skill is to make readers go "yes, of course"; he reminds us of what we've known all along though perhaps not recognised, and reading his poems is therefore an uplifting experience."The Warwick ReviewTony Curtis was born in Dublin in 1955. He studied Literature at Essex University and Trinity College, Dublin. An award-winning poet, Curtis has published six warmly received collections, the most recent of which was The Well in the Rain: New & Selected Poems (Arc, 2006). In 2003 he was awarded the Varuna House Exchange Fellowship to Australia. He is a member of Aosdána, and a recipient of the Irish National Poetry Prize.

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A beguiling novel about three women struggling to determine their own lives in contemporary Tokyo.'Breathtaking' – Haruki Murakami author of Norwegian WoodA New York Times 'Notable Book of the Year' and one of Elena Ferrante's 'Top 40 Books by Female Authors'. Shortlisted for the Warwick Prize for Women in Translation.On a hot summer’s day in a poor suburb of Tokyo we meet three women: thirty-year-old Natsuko, her older sister Makiko, and Makiko’s teenage daughter Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast enhancement surgery. She's accompanied by her daughter, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsuko’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties and their relationships with one another.Eight years later, we meet Natsuko again. She is now a writer and finds herself on a journey back to her native city, returning to memories of that summer and her family’s past as she faces her own uncertain future.In Breasts and Eggs Mieko Kawakami paints a radical and intimate portrait of contemporary working class womanhood in Japan, recounting the heartbreaking journeys of three women in a society where the odds are stacked against them. Translated from the Japanese by Sam Bett and David Boyd.'Bold, modern and surprising' – An Yu, author of Braised Pork'Incredible and propulsive' – Naoise Dolan, author of Exciting Times

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This collection expands the history of colonial medicine and public health by exploring efforts to overcome disease and improve human health in Chinese regions of East Asia from the late nineteenth century to the present. The contributors consider the science and politics of public health policymaking and implementation in Taiwan, Manchuria, Hong Kong, and the Yangzi River delta, focusing mostly on towns and villages rather than cities. Whether discussing the resistance of lay midwives in colonial Taiwan to the Japanese campaign to replace them with experts in “scientific motherhood” or the reaction of British colonists in Shanghai to Chinese diet and health regimes, they illuminate the effects of foreign interventions and influences on particular situations and localities. They discuss responses to epidemics from the plague in early-twentieth-century Manchuria to SARS in southern China, Singapore, and Taiwan, but they also emphasize that public health is not just about epidemic crises. As essays on marsh drainage in Taiwan, the enforcement of sanitary ordinances in Shanghai, and vaccination drives in Manchuria show, throughout the twentieth century public health bureaucracies have primarily been engaged in the mundane activities of education, prevention, and monitoring.Contributors. Warwick Anderson, Charlotte Furth, Marta E. Hanson, Sean Hsiang-lin Lei, Angela Ki Che Leung, Shang-Jen Li, Yushang Li, Yi-Ping Lin, Shiyung Liu, Ruth Rogaski, Yen-Fen Tseng, Chia-ling Wu, Xinzhong Yu

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Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse. Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate. This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives. Contributors: Susan David Bernstein, University of Wisconsin-Madison Gail Cunningham, Kingston University Elizabeth F. Evans, Pennslyvania State University–DuBois Emma Francis, Warwick University Alex Goody, Oxford Brookes University T. D. Olverson, University of Newcastle upon Tyne Lyssa Randolph, University of Wales, Newport Meri-Jane Rochelson, Florida International University

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King Richard III remains one of the most controversial figures in British history. Matthew Lewis’s new biography aims to become a definitive account by exploring what is known of his childhood and the impacts it had on his personality and view of the world. He would be cast into insecurity and exile only to become a royal prince before his tenth birthday. As Richard spends his teenage years under the watchful gaze of his older brother, Edward IV, he is eventually placed in the household of their cousin, the Earl of Warwick, remembered as the Kingmaker; but as the relationship between a king and his most influential magnate breaks down, Richard is compelled to make a choice when the House of York fractures. After another period in exile, Richard returns to become the most powerful nobleman in England. The work he involves himself in during the years that follow demonstrates a drive and commitment but also a dangerous naïveté. When crisis hits in 1483, it is to Richard that his older brother turns on his death bed. The events of 1483 remain contentious and hotly debated, but by understanding the Richard who began that year, it will become clearer what drove some of his actions and decisions. Returning to primary sources and considering the evidence available, this new life undoes the myths and presents a real man living in tumultuous times.

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A comprehensive analysis of how the large corporation has impacted national and global governance. Wilks has made an important contribution to the literature on the changing political and social role of business in contemporary capitalist polities.'- David Vogel, University of California, US'Observers are increasingly realizing that that the large corporation has become one of the main institutions that govern our lives; the market economy, which in principle prevents corporations from possessing political power, today endows them with that power. Stephen Wilks here traces the extraordinarily important implications of this fact, and makes some sober proposals for tackling the problems it creates for democracy. Others have noted this phenomenon; here at last is a thorough study of it - detailed enough to satisfy the standards of social science; worrying enough to command the concern of policy makers; and written in an approachable style to attract the general reader.'- Colin Crouch, University of Warwick, UK'This is a book that needed to be written and Stephen Wilks has the academic understanding and breadth of practical experience to accomplish the task with authority and conviction. This is an important book, not only because it helps to fill a gap in a still under developed literature on the political role of the modern corporation, but because it raises important and disturbing questions about contemporary democracy.'- Wyn Grant, University of Warwick, UKThe large business corporation has become a governing institution in national and global politics. This trail-blazing book offers a critical account of its political dominance and lack of democratic legitimacy.Thanks to successful wealth generation and ideological victories the large business corporation has become an effective political actor and has entered into partnership with government in the design of public policy and delivery of public services. Stephen Wilks argues that governmental and corporate elites have transformed British politics to create a 'new corporate state' with similar patterns in the USA, in competitor economies - including China - and in global governance. The argument embraces multinational corporations, corporate social responsibility, corporate governance and the inequality generated by corporate dominance.The crucial analysis presented in this ground-breaking book will prove invaluable for academics, researchers and both under- and postgraduate students with an interest in the role of the corporation in politics and society across a wide range of fields including business and management (business ethics), politics, political economy, sociology, corporate governance and strategy.Contents: Preface 1. The Genesis of a Governing Institution 2. The Corporation as a Political Actor 3. Globalisation and the Enhanced Power of Multinational Corporations 4. Corporate Power in the UK: The Rise of the Corporate Elite 5. The Politics of the New Corporate State 6. Partnership and Policy in Britain s New Corporate State 7. Multinational Corporations as Partners in Global Governance 8. Corporations, Culture and Accountability 9. How Persuasive is Corporate Social Responsibility? 10. The Explosion of Interest in Corporate Governance 11. Conclusion: Fairy-tales, Facts, Foci and Futures Bibliography Index

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African dance is discussed here in its global as well as local contexts as a powerful vehicle of aesthetic and cultural exchange and influence. To date, scholars have tended, with a few exceptions, to write about African dance in primarily ethnographic terms. This collection seeks to challenge this pattern and expand dance research by engaging with the aesthetics and socio-political impact of dance for communities in and out of Africa in an increasingly global context. Contributors to this issue look at the impact that specifically situated indigenous dance forms have had on the development of newforms locally, and the reciprocal impact of local and international infrastructures, including funding bodies, tourism and festivals. African Theatre 17 examines how dance is contributing to a particularly African interculturalism, while analysing the issues of representation of Africa in a postcolonial context. Articles address the efficacy of dance to engage audiences with disavowed issues regarding gender, sexuality and dis/ability both within and beyond Africa. Highlights include a dance photo essay on F.O.D. Gang's 2017 site-specific street performance "Untitled" in Lagos, a new non-themed section, and the playscript Lunatic! by Zimbabwean playwright Thoko Zulu. Volume Editors: YVETTE HUTCHISON & CHUKWUMA OKOYE Series Editors: Yvette Hutchison, Reader, Department of Theatre & Performance Studies, University of Warwick; Chukwuma Okoye, Reader in African Theatre & Performance University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds.

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Concentrate Q&A Human Rights and Civil Liberties guides you through how to structure a successful answer to a legal problem. Whether you are preparing for a seminar, completing assessed work, or in exam conditions, each guide shows you how to break down each question, take your learning further, and score extra marks. The Concentrate Q&A series has been developed in collaboration with hundreds of law students and lecturers across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any other Q&A guide. 'A sure-fire way to get a 1st class result' - Naomi M, Coventry University 'I can't think of better revision support for my study' - Quynh Anh Thi Le, University of Warwick 'My grades have dramatically improved since I started using the OUP Q&A guides' - Glen Sylvester, Bournemouth University 'My fellow students rave about this book' - Octavia Knapper, Lancaster University 'These first class answers will transform you into a first class student' - Ali Mohamed, University of Hertfordshire 'The best Q&A books that I've read; the content is exceptional' - Wendy Chinenye Akaigwe, London Metropolitan University Take it online: The 3rd edition is available in paperback, or e-book. Visit www.oup.com/lawrevision/ for multimedia resources to help you with revision and assessment.

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Examines the integration and reform of Islamic studies in universities across Germany, the UK, Turkey, Poland and Belgium Explores the interaction between conventional university Islamic studies and the growing impact of confessional Islamic studies in European states Provides accounts of recent developments in Islamic studies in Germany, the UK, Turkey, Poland and Belgium Shows the impact of European states' policies concerning integration and countering extremism upon the consolidation of Islamic studies programmes Critically reviews the concepts used to distinguish between confessional and nonconfessional approaches, and assesses their adequacy in light of recent changes Across Europe there are numerous examples of recent linkages between universities and Islamic seminaries. In Germany the federal 'top-down' experiment, now over ten years old, of establishing departments of Islamic theology in five universities has now recruited over 2000 students, many of whom will end up teaching confessional Islam RE in schools. In the UK, local partnerships have been developed at under- and postgraduate level between e.g. Warwick, Birmingham and Middlesex universities and Islamic seminaries representing a range of Islamic traditions. Similar experiences are being developed on a smaller scale in other countries. These developments, which have taken place against a backdrop of state pressure to 'integrate' Islam and address 'radicalisation', challenge university traditions of 'scientific' approaches to the study of Islam as well as the confessional expectations of faith-based Islamic theological training. By looking more closely at the developing experience in Germany and Britain and selected other countries this volume explores how the two approaches are finding ways of creative cooperation.

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A collection of playscripts and texts that give an English-reading audience access to key plays as well as less well-known and previously untranslated works - a superb resource for scholars and theatre practitioners. This volume makes available some of the most influential, imaginative and exciting plays to come out of East and West Africa from the 1970s to the present day. Deliberately excluding playscripts by the regions' two best known playwrights, Wole Soyinka and Ngugi wa Thiong'o, whose work was profiled in African Theatre 13 the editors have selected plays, some well-known and some less widely available, that represent the diversity and richness of thesetwo very different African regions. The playscripts include a new translation from Amharic, as well as the English version of a play originally written in French, making more theatre from some of Africa's multitude of languages accessible to an English-reading audience. Each script is accompanied by an essay from an expert on the work, the playwright, and the context in which the play was produced, so that the volume will be of maximum use to both researchers and students of African theatre. Volume Editors: MARTIN BANHAM & JANE PLASTOW Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama, University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick

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An account of poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the St Peter Port workhouse and an outline of the development of Guernsey's modern social security system. This book, based on extensive original research, provides an account of parochial poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the parochial workhouse in the townof St Peter Port, and an outline of the development of Guernsey's modern social security system from its beginnings in the 1920s to the present day. Guernsey has had throughout much of its history a disproportionately large population for its size: in the early eighteenth century St Peter Port was on a par with English county towns such as Warwick and Lincoln. Moreover, since Guernsey was outside the jurisdiction of the Westminster Parliament and retainedcultural affinities with France, the island developed its own social welfare regime which was closer, in some respects, to continental regimes than it was to the English Poor Law model. The differing nature of welfare regimes, how they arose and and how they differ is a major focus of interest amongst historians of social welfare; besides being a fascinating local study, the book has much to contribute to the wider history of social welfare in Britain andEurope. Rose-Marie Crossan completed her doctorate at the University of Leicester and is the author of Guernsey, 1814-1914: Migration and Modernisation (The Boydell Press, 2007). .

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Essays on the development of the post-medieval house, its contents and decoration. During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of muchattention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is EmeritusReader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

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In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings. Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.

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"Robertson proves hard to explain but easy to enjoy...Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt...She wields language expertly, even beautifully."--The New York Times What if the cinema of the present were a Mobius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema? These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley+Maxwell. A quorum of crows will be your witness. And if you discover you were bought? You note the smell of rain, bread, and exhaust mixed with tiredness. And if you yourself are incompatible with your view of the world? And what is the subject but a stitching? Once again you are the one who promotes artifice. At 2 am on Friday, you burn with a maudlin premonition. And rankings and rankings and badges and repetitions. Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.

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** WINNER OF THE LAUREL PRIZE 2021 ****A SPECTATOR AND IRISH TIMES BOOK OF THE YEAR 2020****SHORTLISTED FOR THE SUNDAY TIMES / UNIVERSITY OF WARWICK YOUNG WRITER OF THE YEAR AWARD 2020****SHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE 2021****SHORTLISTED FOR THE DALKEY LITERARY EMERGING WRITER OF THE YEAR AWARD 2021**A remarkable first collection by an important new poetIn this collection, Seán Hewitt gives us poems of a rare musicality and grace. By turns searing and meditative, these are lyrics concerned with the matter of the world, its physicality, but also attuned to the proximity of each moment, each thing, to the spiritual. Here, there is sex, grief, and loss, but also a committed dedication to life, hope and renewal. Drawing on the religious, the sacred and the profane, this is a collection in which men meet in the woods, where matter is corrupted and remade. There are prayers, hymns, vespers, incantations, and longer poems which attempt to propel themselves towards the transcendent. In this book, there is always the sense of fragility allied with strength, a violence harnessed and unleashed. The collection ends with a series of elegies for the poet's father: in the face of despair, we are met with a fierce brightness, and a reclamation of the spiritual. 'This is when / we make God, and speak in his voice.'Paying close attention to altered states and the consolations and strangeness of the natural world, this is the first book from a major poet.

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The brilliant retelling of the Wars of the Roses continues with Trinity, the second gripping novel in the new series from historical fiction master, Conn Iggulden.1454: King Henry VI has remained all but exiled in Windsor Castle, struck down by his illness for over a year, his eyes vacant, his mind a blank.His fiercely loyal wife and Queen, Margaret of Anjou, safeguards her husband's interests, hoping that her son Edward will one day know the love of his father.Richard Duke of York, Protector of the Realm, extends his influence throughout the kingdom with each month that Henry slumbers. The Earls of Salisbury and Warwick make up a formidable trinity with Richard, and together they seek to break the support of those who would raise their colours in the name of Henry and his Queen. But when the King unexpectedly recovers his senses and returns to London to reclaim his throne, the balance of power is once again thrown into turmoil. The clash of the Houses of Lancaster and York will surely mean a war to tear England apart . . .Following on from Stormbird, Trinity is the second epic instalment in master storyteller Conn Iggulden's new Wars of the Roses series. Fans of Game of Thrones and The Tudors will be gripped from the word go.Praise for Stormbird:'Pacey and juicy, and packed with action' Sunday Times'Energetic, competent stuff; Iggulden knows his material and his audience' Independent'A novel that seamlessly combines narrative, historical credence and great knowledge of the period' Daily Express'A page-turning thriller' Mail on Sunday 'Superbly plotted and paced' The Times

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The Values of Precision examines how exactitude has come to occupy such a prominent place in Western culture. What has been the value of numerical values? Beginning with the late eighteenth century and continuing into the twentieth, the essays in this volume support the view that centralizing states--with their increasingly widespread bureaucracies for managing trade, taxation, and armies--and large-scale commercial enterprises--with their requirements for standardization and mass production--have been the major promoters of numerical precision. Taking advantage of the resources available, scientists and engineers have entered a symbiotic relationship with state and industry, which in turn has led to increasingly refined measures in ever-widening domains of the natural and social world. At the heart of this book, therefore, is an inquiry into the capacity of numbers and instruments to travel across boundaries of culture and materials. Many of the papers focus attention on disagreements about the significance and the credibility of particular sorts of measurements deployed to support particular claims, as in the measures of the population of France, the electrical resistance of copper, or the solvency of insurance companies. At the same time they display the deeply cultural character of precision values. Contributors to the volume include Ken Alder, Graeme J. N. Gooday, Jan Golinski, Frederic L. Holmes, Kathryn M. Olesko, Theodore M. Porter, Andrea Rusnock, Simon Schaffer, George Sweetnam, Andrew Warwick, and M. Norton Wise.

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Part of the 4-miliion-selling-trademark series from Pavilion Books – a vivid historical tour of Houston, with the same view photographed today, from a great local author. In 1836 revolutionaries routed the Mexican army at the Battle of San Jacinto and the nearby town took the name of the battle’s victor, General Sam Houston. Since that time Houston has become America’s fourth largest city, and its magnificent cityscape of concrete, glass, and steel bears little resemblance to traditional Texas imagery. It’s easy to see why its residents, showing allegiance to their unique heritage, proudly refer to themselves as Houstonians rather than Texans. It was an entrepreneurial New York family who first promoted Houston’s lush landscape and vast potential in the Northeast and Europe, and the town expanded from a handful of tents into a place of over 10,000 residents by 1900. Oil was discovered nearby in 1901 and from then on Houston never looked back. Sites include: City Hall, Carnegie Library, Houston Courthouse, Merchants and Manufacturers Building, Allen’s Landing, Houston Chronicle, Main and Preston, Sam Houston Hotel, USS Texas, San Jacinto Monument, Congress Avenue, Houston Water Works, Hermann Building, Texas Capitol Building, Majestic Metro, Old Cotton Exchange, Gulf Building, Moorish Federal Building, Carter’s Folly, Kress Building, Union Station, Esperson Building, Antioch Church, Houston Light Guard Armory, Magnolia Brewery, Grand Central Station, Rice University, Museum of Fine Arts, Hermann Park, Miller Outdoor Theatre and Warwick Hotel.

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An urgent volume of essays engages the Gothic to advance important perspectives on our geological era What can the Gothic teach us about our current geological era? More than just spooky, moonlit castles and morbid graveyards, the Gothic represents a vibrant, emergent perspective on the Anthropocene. In this volume, more than a dozen scholars move beyond longstanding perspectives on the Anthropocene—such as science fiction and apocalyptic narratives—to show that the Gothic offers a unique (and dark) interpretation of events like climate change, diminished ecosystems, and mass extinction.Embracing pop cultural phenomena like True Detective, Jaws, and Twin Peaks, as well as topics from the New Weird and prehistoric shark fiction to ruin porn and the “monstroscene,” Dark Scenes from Damaged Earth demonstrates the continuing vitality of the Gothic while opening important new paths of inquiry. These essays map a genealogy of the Gothic while providing fresh perspectives on the ongoing climate chaos, the North/South divide, issues of racialization, dark ecology, questions surrounding environmental justice, and much more.Contributors: Fred Botting, Kingston U; Timothy Clark, U of Durham; Rebecca Duncan, Linnaeus U; Michael Fuchs, U of Oldenburg, Germany; Esthie Hugo, U of Warwick; Dawn Keetley, Lehigh U; Laura R. Kremmel, South Dakota School of Mines and Technology; Timothy Morton, Rice U; Barry Murnane, U of Oxford; Jennifer Schell, U of Alaska Fairbanks; Lisa M. Vetere, Monmouth U; Sara Wasson, Lancaster U; Jeffrey Andrew Weinstock, Central Michigan U.

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In California in the early '50s the Fender company introduced the world's first electric bass guitar. They couldn't have known known it then but the Precision Bass would start a revolution in the sound of popular music. This book explains how that revolution happened and how its reverberations are still felt today.ÞThe two-guitars-bass-and-drums lineup that would define pop music found its heart with the Fender bass. In the coming decades the bass guitar provided the solid foundation upon which much modern music is still built. ÊThe Bass BookÊ is the first to study its story with the full lowdown of the most important bass players and bass makers. Brands featured in the book include Alembic Danelectro Epiphone Fender Fodera Gibson Hofner Ibanez Lakland Line 6 Music Man Peavey Rickenbacker Sadowsky Spector Squier Steinberger Wal Warwick and Yamaha.ÞOriginal interviews with makers of bass guitars from the past and present illuminate the book with the popular establishment of the bass during the '60s and '70s examined in detail along with more recent developments such as the popularity of the five-string bass. There is an exclusive interview with Paul McCartney and other bassists who feature in the story including Stanley Clarke Flea James Jamerson Jaco Pastorius and Robert Trujillo.ÞDozens of unusual desirable and rarely seen basses are presented in high-quality photos. A reference section provides a wealth of information on the key makers. ÊThe Bass BookÊ has all you need to know about the story of the bass guitar in one stylish readable volume and this revised and refreshed third edition brings the story right up to date.

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…a major contribution to the limited literature and research on leadership in childhood education.′ - Professor Tony Bush, Editor of Educational Management, Administration and Leadership. ′This important book focuses clearly on evidence, describing the realities of leading and managing settings in times of rapid policy changes. Carol Aubrey manages to combine theory, research and practice in a book that will be invaluable to a new generation of early years professionals.′ - Angela Anning, Emeritus Professor of Early Childhood Education, University of Leeds, UK ′..skilfully draws on sound empirical research to present a grounded theory model for leadership in early years education. ….of interest to researchers, students and practitioners internationally.′ - Professor Nithi Muthukrishna, University of KwaZulu-Natal, South Africa This Second Edition of Leading and Managing in the Early Years explores and integrates leadership and management practice with a real understanding of early years settings. Revised and updated, this new edition includes: - Two new chapters on private day care and reflective practice and action research - Further coverage of reflective practice and reflective leadership skills - More on EYPS as well as integrated centre leadership - Practical suggestions for working with resistant groups and individuals. Carol Aubrey investigates different concepts and characteristics of Early Childhood (EC) leadership as well as the roles and responsibilities of EC leaders. She also explores the types of leadership programmes or development which are needed to maximise the effectiveness of EC leaders. This book is essential reading for students in Early Childhood courses, Early Years Practitioners and local authority employees involved with the integrated centres initiative. Carol Aubrey is Professor of Early Childhood Studies at the University of Warwick.

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English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court. This book represents the first detailed study into English royal funeral ceremonies of the period, building on earlier scholarship dealing with the French royal funeral and with the social history of death and burial in early modern England. Funeral rituals are approached as performances, and placed in their political, religious and broader cultural contexts, showing them to be a microcosm of cultural change. The impact of the Reformation, with its strongiconophobic strain, on a ritual process which was centred on the display of a life-sized image of the dead monarch, is explored. Later, the counter influence of the Arminianism and Continental art is considered in relation to theapotheosis of the theatre of death under the early Stuarts, with particular reference to the funeral of James I. Earlier individual funeral occasions are also addressed, with varied focus. The author shows how the obsequiesof Elizabeth I were used to help establish the new Stuart dynasty; the sudden death of the young Henry Stuart, heir to the throne, led to a funeral quite different in atmosphere and political purpose. The death rituals of Mary, Queen of Scots (both the ceremonies staged in the wake of her execution, and the monuments and funeral performances created years later by her son, James) are analysed in depth: the emergent picture of the deliberate manipulation of the Scottish Queen's posthumous image provides a fascinating insight into the relationship between power and ritual at the renaissance court. Dr JENNIFER WOODWARD gained her Ph.D. from the University of Warwick.__________________

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This volume brings together nine papers from a conference on international macroeconomics sponsored by the NBER in 1985. International economists as well as graduate students in the fields of global monetary economics, finance, and macroeconomics will find this an outstanding contribution to current research. It includes two commentaries for each paper, written by experts in the field, and Frenkel's detailed introduction, which serves as a reader's guide to the arguments made, the models employed, and the issues raised by each contributor. The studies analyze national fiscal policies within the context of the international economic order. Malcolm D. Knight and Paul R. Masson use an empirical model to show that fiscal changes in recent years in the United States, West Germany, and Japan have caused major disturbances in net savings and investment flows. Linda S. Kole uses a two-country simulation model to examine the effects of a large nation's expansion on exchange rates, interest rates, and the balance of payments. In other studies, Warwick J. McKibbin and Jeffrey D. Sachs discuss the influences of different currency regimes on the international transmission of inflation; Kent P. Kimbrough analyzes the interaction between optimal tax policies and international trade; Sweder van Wijnbergen investigates the interrelation of fiscal policies, trade intervention, and world interest rates; and Willem H. Buiter uses an analytical model to look at fiscal interdependence and optimal policy design. David Backus, Michael Devereux, and Douglas Purvis develop a theoretical model to investigate effects of different fiscal policies in an open economy. Alan C. Stockman looks at the influence of policy anticipation in the private sector, while Lawrence H. Summers shows the effects of differential tax policy on international competitiveness.

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1470The recent tensions between King Edward and his great ally the Earl of Warwick lie forgotten these past months, but even as winter tightens her grip on the land, the peace is shattered by a vicious attack on one of the King’s allies.Long buried secrets are brought to the surface, and Thomas and Katherine must finally decide where their loyalties lie and to choose between fight or flight, knowing either choice will incur a terrible price. From Lincoln to Bruges, from Barnet to the great battle at Tewkesbury, both must play their part in one of the most savage wars in history. The wars of the roses.'Should be required reading for fans of historical fiction' The Times'Toby Clements does it again with another powerhouse of a book: thrilling and literate, engaging, passionate, deeply moving and full of historical detail of the sort that fills me with awe for the fortitude of our ancestors and yet makes me so glad I live in the safety of the twenty-first century. This is going to be one of the stellar series of our generation, redefining that period of history that we think we know, and discover we really don’t. Bravo!' Manda Scott'A major achievement in historical fiction' Historia Magazine'Clements is so convincing on the detail of his characters’ lives that it is difficult to believe that he never walked in the brutal, messy world he conjures up on the page' The Times'Toby Clements’ Kingmaker series is historical fiction at its very finest - and Kingdom Come is the best of them all.' William Ryan

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THE COMPELLING NOVEL FROM SUNDAY TIMES BESTSELLER PHILIPPA GREGORY‘If you are going to be Queen of England he won’t let you fall,’ Isabel says shrewdly. ‘If you are going to be Queen of England he will love you and serve you every moment of the day. You’ve always been his pet – you should be glad that now you are at the centre of his ambition.’ Anne Neville and her sister Isabel are daughters of the most powerful magnate in 15th century England, the Earl of Warwick, the ‘Kingmaker’, born with royal blood in their veins. Widowed at fourteen, fatherless, stripped of her inheritance and with her mother locked in sanctuary and Isabel a vengeful enemy, Anne faces the world alone. But fortune’s wheel is always turning. Plotting her escape from her sister’s house, she finds herself a husband in the handsome young Duke of Gloucester, and marries without permission. Danger follows her and she finds she has a mortal enemy in the most beautiful queen of England. Anne must protect herself and her precious only son, from the treacherous royal court, her deadly royal rival, and even from the driving ambition of her husband, Richard III.Praise for Philippa Gregory: ‘Meticulously researched and deeply entertaining, this story of betrayal and divided loyalties is Gregory on top form’ Good Housekeeping ‘Gregory has popularised Tudor history perhaps more than any other living fiction writer…all of her books feature strong, complex women, doing their best to improve their lives in worlds dominated by men’ Sunday Times ‘Engrossing’ Sunday Express ‘Popular historical fiction at its finest, immaculately researched and superbly told’ The Times

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Defines common ground at the interface of strategy and management science and unites the topics with an original approach vital for strategy students, researchers and managers Strategic Analytics: Integrating Management Science and Strategy combines strategy content with strategy process through the lenses of management science, masterfully defining the common ground that unites both fields. Each chapter starts with the perspective of a certain strategy problem, such as competition, but continues with an explanation of the strategy process using management science tools such as simulation. Facilitating the process of strategic decision making through the lens of management science, the author integrates topics that are usually in conflict for MBAs: strategy and quantitative methods. Strategic Analytics features multiple international real-life case studies and examples, business issues for further research and theory review questions and exercises at the end of each chapter. Strategic Analytics starts by introducing readers to strategic management. It then goes on to cover: managerial capabilities for a complex world; politics, economy, society, technology, and environment; external environments known as exogenous factors (PESTE) and endogenous factors (industry); industry dynamics; industry evolution; competitive advantage; dynamic resource management; organisational design; performance measurement system; the life cycle of organisations from start-ups; maturity for maintaining profitability and growth; and finally, regeneration. Developed from the author's own Strategy Analytics course at Warwick Business School, personal experience as consultant, and in consultation with other leading scholars Uses management science to facilitate the process of strategic decision making Chapters structured with chapter objectives, summaries, short case studies, tables, student exercises, references and management science models Accompanied by a supporting website Aimed at both academics and practitioners, Strategic Analytics is an ideal text for postgraduates and advanced undergraduate students of business and management.

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Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts. Music is often cited as a central artistic mode in African theatre and performance practices. However, little attention has been paid to music theatre on the continent in general, and to opera in particular, with the exceptions ofa few noted genres, such as Concert Party or the Yorùbá "folk opera" of the 1960s, and the emerging research on opera culture in South Africa. This volume of African Theatre highlights the diversity across the continent from a variety of perspectives - including those of genre, media, and historiography. Above all, it raises questions and encourages debate: What does "opera" mean in African and African diasporic contexts? What are its practices and legacies - colonial, postcolonial and decolonial; what is its relation to the intersectionalities of race and class? How do opera and music theatre reflect, change or obscure social, political and economic realities? How are they connected to educational and cultural institutions, and non-profit organisations? And why is opera contradictorily, at various times, perceived as both "grand" and "elitist, "folk" and "quotidian", "Eurocentric" and "indigenous"? Contributors also address aesthetic transformation processes, the porousness of genre boundaries and the role of space and place, with examples ranging from Egypt to South Africa, from Uganda to West Africa and the USA. The playscript in this volume is We Take Care of Our Own by Zainabu Jallo GUEST EDITORS: Christine Matzke, Lena van der Hoven, Christopher Odhiambo & Hilde Roos Series Editors: Yvette Hutchison, Reader, Department of Theatre & Performance Studies, University of Warwick; Chukwuma Okoye, Reader in African Theatre & Performance University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds.

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An examination into aspects of the sexual as depicted in a variety of medieval texts, from Chaucer and Malory to romance and alchemical treatises. It is often said that the past is a foreign country where they do things differently, and perhaps no type of "doing" is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised bya polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened "medieval" sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression. This collection of essays brings together a wide-ranging discussion of the sexual possibilitiesand fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions. Amanda Hopkins teaches in English and French at the University of Warwick; Robert Allen Rouse is Associate Professor of English atthe University of British Columbia, Vancouver, British Columbia, Canada; Cory James Rushton is Associate Professor of English at St Francis Xavier University in Nova Scotia, Canada. Contributors: Aisling Byrne, Anna Caughey, Kristina Hildebrand, Amy S. Kaufman, Yvette Kisor, Megan G. Leitch, Cynthea Masson, Hannah Priest, Samantha J. Rayner, Robert Allen Rouse, Cory James Rushton, Amy N. Vines

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New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin Caron; a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi; a freshlook at key works from Du Fay's youth and early maturity; accounts of newly discovered sources and works; and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. The collection also includes two newly published compositions dedicated to the honorand. Fabrice Fitch teaches at the Royal Northern College of Music; Jacobijn Kiel is an independent scholar. Contributors: Rob C. Wegman, Jane Alden, Bonnie J. Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW For four decades, Michael Hicks has been a figure central to the study of fifteenth-century England. His scholarly output is remarkable both for its sheer bulk and for the diversity of the fields it covers. This extraordinary breadth is reflected by the variety of subjects covered by the papers in the present volume, offered to Professor Hicks by friends, colleagues and former students to mark his retirement from the University of Winchester. Fifteenth-century royalty, nobility and gentry, long at the heart of his own work, naturally take centre stage, but his contribution to economic and regional history, both in the early part of his career as a research fellow at the Victoria County History and more recently as director of a succession of major research projects, is also reflected in the essays presented here. The individual contributions are populated by some of the major characters of Yorkist England, many of them made household names by Professor Hicks's own writings - King Edward IV and his mistresses; the Neville earls of Warwick and Salisbury; the Stafford, Herbert, Percy, Tiptoft and de Vere earls of Devon, Pembroke,Northumberland, Worcester and Oxford - while the themes covered span the full panoply of medieval life: from treason to trade, warfare to widowhood and lordship to law enforcement. Equally broad is the papers' geographical spread,covering regions from Catalonia to Normandy, from Hampshire to Yorkshire and from Worcestershire and the Welsh marches to East Anglia. Contributors: Anne Curry, Christopher Dyer, Peter Fleming, Ralph Griffiths, JohnHare, Winifred Harwood, Matthew Holford, Hannes Kleineke, Gordon McKelvie, Mark Page, Simon Payling, A.J. Pollard, James Ross, Karen Stöber, Anne F. Sutton

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Robert Skidelsky's Keynes: The Return of the Master shows how the great economist's ideas not only explain why the current financial crisis occurred - but are our best way out. 'One would expect brokers to be wrong. If, in addition to their other inside advantages, they were capable of good advice, clearly they would have retired long ago with a large fortune' John Maynard Keynes When unbridled capitalism falters, is there an alternative? The twentieth century's most influential economist tells us that there is. John Maynard Keynes argued that an unmanaged market system is inherently unstable because of irreduceable uncertainty; that fiscal and monetary ammunition is needed to counter economic shocks; and that governments need to maintain enough total spending power in the economy to minimize the chance of serious recessions happening. 'The great economist's theories have never been more relevant ... and Robert Skidelsky is the guide of choice ... A must read' Paul Krugman, Observer 'Keynes's economic policies helped lift Britain from its 1930s slump. This accessible, timely study argues he could do the same again' Dominic Lawson, Sunday Times 'Masterly ... conveys complex ideas with clarity and controlled anger' Oliver Kamm, The Times 'Skidelsky knows more about Keynes than anyone alive ... he is righteous in his thunder ... provocative ... refreshing' Dwight Gardner, The New York Times 'Thought-provoking ... the best account I have read of the development of the credit crunch' Samuel Brittan, Financial Times Robert Skidelsky is Emeritus Professor of Political Economy at the University of Warwick. His three volume biography of the economist John Maynard Keynes (1983, 1992, 2000) received numerous prizes, including the Lionel Gelber Prize for International Relations and the Council on Foreign Relations Prize for International Relations. He is also the author of the The World After Communism (1995).

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The first full survey of crucial witnesses to the reception of Piers Plowman. The fifty-plus surviving manuscripts of William Langland's Piers Plowman cast important light on the early public life of this central Middle English work, but they have been relatively neglected by scholarship. This first full study of the subject examines the textual variants, marginal rubrics and companion texts in the manuscripts. It illuminates a reception quite distinct from the reformist poems written by Langland's imitators in "the Piers Plowman tradition". It reveals how the earliest scribes devised various traditional forms of presentation that proved remarkably durable in the poem's subsequent reception, even surviving into the age of print. Exploring Piers Plowman's appearances in the manuscripts, paired unexpectedly with such genres as romance, hagiography and travel literature, the book demonstrates the surprisingly affective responses of medieval readers to the represented lives of the narrator Will and the title figure Piers the Plowman. At the same time, it shows that the evidence for individual scribal agendas in particular copies is more ambiguous than often assumed, with each book reflecting the activities of an unknown number of hands and an uncertain mixture of design and accident. By drawing on evidence from textual scholarship as well as codicological and literary approaches, the author offers fresh insight into Piers Plowman's place in literary history and proposes new ways of understanding the late medieval manuscript as a multi-layered, collaborative product. Sarah Wood is Associate Professor of Medieval English Literature at the University of Warwick

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Essays examining both the theory and practice of medieval translation. Engaging and informative to read, challenging in its assertions, and provocative in the best way, inviting the reader to sift, correlate and reflect on the broader applicability of points made in reference to a specific text orexchange. Professor Carolyne P. Collette, Mount Holyoke College. Medieval notions of translatio raise issues that have since been debated in contemporary translation studies concerning the translator's role asinterpreter or author; the ability of translation to reinforce or unsettle linguistic or political dominance; and translation's capacity for establishing cultural contact, or participating in cultural appropriation or effacement.This collection puts these ethical and political issues centre stage, asking whether questions currently being posed by theorists of translation need rethinking or revising when brought into dialogue with medieval examples. Contributors explore translation - as a practice, a necessity, an impossibility and a multi-media form - through multiple perspectives on language, theory, dissemination and cultural transmission. Exploring texts, authors, languages and genres not often brought together in a single volume, individual essays focus on topics such as the politics of multilingualism, the role of translation in conflict situations, the translator's invisibility, hospitality, untranslatability and the limits of translation as a category. EMMA CAMPBELL is Associate Professor in French at the University of Warwick; ROBERT MILLS is Lecturer in History of Art at University College London. Contributors: William Burgwinkle, Ardis Butterfield, Emma Campbell, Marilynn Desmond, Simon Gaunt, Jane Gilbert, Miranda Griffin, Noah D. Guynn, Catherine Léglu, Robert Mills, Zrinka Stahuljak, Luke Sunderland

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^'What reason has an educated man for going to the theatre, except to see Menander'?Thus the judgement of Aristophanes of Byzantium, and in later antiquity the social comedies of Menander ranked second in popularity only to the epics of Homer. Yet for centuries thereafter the plays were thought to be irretrievably lost, failing to become part of the canon of writers that generations of copyists deemed worthy of transmitting to us. It was only in the 20th century that large sections of the plays began to emerge from the sands of Egypt, enabling modern readers to gauge for themselves the correctness of earlier verdicts. Following on from the author's edition of Menander's Bad-Tempered Man ( dyskolos ) the present volume aims to provide readers with ready access to the playwright's consummate sophistication in dramatic technique through two, albeit incomplete, plays, The Shield ( aspis ) and arbitration ( epitrepontes ). As before, the Greek text is accompanied by a translation aimed at providing a version that is readable, while at the same time remaining close enough to the original to make comparison of the two a feasible proposition. The commentary, in turn, concentrates upon dramatic development, providing the reader with pointers to appreciating the playwright's often subtle techniques of both dramatic development and character portrayal. Stanley Ireland is Reader in Classics and Ancient History at the University of Warwick. He has written on such diverse topics as Menander, Roman Britain and Ancient Numismatics. He is also editor of Terence's The Mother-in-Law in this series. Greek text with facing-page translation, introduction and commentary.

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An interdisciplinary approach to sources for our knowledge of the crusades. The interrelation of so-called "literary" and "historical" sources of the crusades, and the fluidity of these categorisations, are the central concerns of the essays collected here. They demonstrate what the study of literary texts can do for our historical understanding of the crusading movement, challenging earlier historiographical assumptions about well-known poems and songs, and introducing hitherto understudied manuscript sources which elucidate a rich contemporary compositional culture regarding the matter of crusade. The volume discusses a wide array of European textual responses to the medieval crusading movement, from the Plantagenet and Catalan courts to the Italy of Charles of Anjou, Cyprus, and the Holy Land. Meanwhile, the topics considered include the connexions between poetry and history in the Latin First Crusade texts; the historical, codicological and literary background to Richard the Lionheart's famous song of captivity; crusade references in the troubadour Cerverí of Girona; literary culture surrounding Charles of Anjou's expeditions; the use of the Mélusine legend to strengthen the Lusignans' claim to Cyprus; and the influence of aristocratic selection criteria in manuscript traditions of Old French crusade songs. These diverse approaches are unified in their examination of crusading texts as cultural artefacts ripe for comparisonacross linguistic and thematic divides. SIMON THOMAS PARSONS teaches Medieval History at Royal Holloway, University of London and King's College London; LINDA PATERSON is Professor Emerita at Warwick University. Contributors: Luca Barbieri, Miriam Cabré, Jean Dunbabin, Ruth Harvey, Simon John, Charmaine Lee, Helen J. Nicholson, Simon Parsons, Anna Radaelli, Stephen Spencer, Carol Sweetenham.

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