Search results for ""reaktion books""

Among his many captivating exploits, the French artist Yves Klein (1928 - 1962) invented his own brand of colour: the inimitable International Klein Blue. Denounced as a charlatan and feted as a mystic, Klein scandalized the art world with his enthusiastic embrace of the highs and lows of post-war mass culture and his exploitation of controversial publicity tactics. Today it is clear that Klein was not only one of the most radical artists of the post-war period but an iconic role model for contemporary practices: he reinvented abstract painting, conceived new horizons for performance art and was a trailblazer in the interdisciplinary realm of land, body and conceptual art. Nuit Banai examines the relationship between Klein's brief but incandescent life and his wide repertoire of artistic practices. The book establishes that Klein's brilliance was above all performative, as he created and inhabited a cast of public identities: avant-garde artist, bourgeois, judo expert, painter, charlatan, collaborator, politician, middle-class mystic, fascist and showman.With each persona, Klein invented new ways to communicate his paradoxical message of spiritual enlightenment and Dada iconoclasm to an unsuspecting, bemused and entranced audience. This new critical biography illuminates Klein's influential and multifaceted artistic career. Alongside contemporaries like Andy Warhol and Joseph Beuys and postmodern chameleons like Cindy Sherman, Klein's protean performance of multiple roles stands as a landmark example of the artist's transformational status. An invaluable introduction to the life and work of this flamboyant individual, Yves Klein will appeal to students and scholars of Klein as well as those interested in contemporary art and twentieth-century culture.

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Confrontations with naked human bodies can provoke powerful, and often contradictory, impressions and feelings. Just as they might either thrill or revolt, they can signal innocence or sexiness, frankness or madness, a oneness with nature or a separation from society. Advertisers and the media are very aware of the complex and highly subjective associations that most of us have towards nakedness, and use images incessantly to compete for our attention. Yet mystics have embraced nudity to get closer to God or to some other remote power, while political activists have discovered that baring all is one of the most effective ways to gain publicity for a cause. In "A Brief History of Nakedness", Philip Carr-Gomm traces our preoccupation with nudity in three distinct areas of human endeavour: religion, politics and popular culture. Rather than study the history of the fine-art nude, or detail the ways in which the naked body has been denigrated or imprisoned, this book explores new territory - revealing the ways in which religious teachers, politicians, protestors and cultural icons have used nudity to enlighten or empower themselves, or simply to entertain us. From the naked sages of India and St Francis of Assisi to modern-day druids and Christian nudists, from "The Full Monty" and "Calendar Girls" to Lady Godiva and Lady Gaga, "A Brief History of Nakedness" surveys the touching, sometimes tragic, and often bizarre story of our relationship with our own and with others' naked bodies.

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The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence. In Oak, Peter Young illuminates and examines this magnificent and ubiquitous tree, tracing its biological history in its many manifestations, natural and cultural. Much-loved internationally, the oak is to be found in works of art, folk-tales, poems and songs. Oak narrates the biography of the tree that since time immemorial has been a symbol of loyalty and strength, generosity and renewal.

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Though largely benign, volcanoes erupt continuously across the world. The eruption of Mount St Helens in 1980 and Eyjafjallajokull in 2010 exemplify the dramatic physical violence of volcanoes, and their potential for local destruction and global disruption. In Volcano James Hamilton explores the cultural history generated by the power, beauty and threat of the volcano. Hamilton describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth, as well as depictions of volcanoes, from the earliest-known wall painting of an erupting volcano in 6200 BC, to the distinctive colours of Andy Warhol, to Michael Sandle's exploding mountains of the 1980s. He also discusses twenty-first century works that demonstrate the volcano's enduring influence on the artistic imagination today. Volcano is a richly illustrated account that combines established figures such as Joseph Wright and J.M.W. Turner with previously unseen perspectives. Making fresh links and discoveries, this book will appeal to the general reader, as having much to say to scholars and specialists in the field.

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The owls are not what they seem. From ancient Babylon to Edward Lear's The Owl and the Pussycat and the grandiloquent, absent-minded Wol from Winnie the Pooh to David Lynch's Twin Peaks, owls have woven themselves into the fabric of human culture from earliest times. Beautiful, silent, pitiless predators of the night, possessing contradictory qualities of good and evil, they are enigmatic creatures that dwell throughout the world yet barely make their presence known. In his fascinating new book, bestselling author and broadcaster Desmond Morris explores the natural and cultural history of one of nature's most popular creatures. Morris describes the evolution, the many species, and the wide spread of owls around the world excluding Antarctica, owls are found on every land mass, and they range in size from 28 centimetres (the Least Pygmy Owl) to more than 70 centimetres tall (the Eurasian Eagle Owl). As a result of their wide distribution, owls also occur in the folk-tales, myths and legends of many native people, and Morris explores all these, as well as the many examples of owls in art, film, literature and popular culture. A new title by an acclaimed author, and featuring many telling illustrations from nature and culture, "Owl" will appeal to the many devotees of this emblematic bird. Despite the fact that many have never seen or even heard an owl, he illustrates through this enticing read that the owl's presence is still very real to us today.

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"Beyond Vision" is the first English-language collection of essays on art by Pavel Florensky (1882 1937), Russian philosopher, priest, linguist, scientist, mathematician and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky's contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky's fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government's animosity towards religion, he was condemned to a Siberian labour camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.

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A comprehensive overview of Japanese art between 1865 and 1915. The Splendour of Modernity presents a comprehensive overview of Japanese art from 1865 to 1915, including painting, calligraphy, sculpture, prints, ceramics, lacquerware, textiles, basketry, metalwork, and cloisonne. It challenges misconceptions that foreign influence diluted the supposed authenticity of Japanese art during this era. Instead, Rosina Buckland highlights the development of distinctively Japanese artistic practices in response to new stimuli from overseas. The book also dispels assumptions of artistic decline in the early Meiji era by examining the period from 1865 to 1885. Meticulously researched and beautifully illustrated, this captivating book showcases the resilience, innovation, and enduring beauty of Japanese art during a transformative period marked by Japan's global engagement and artistic evolution.

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Although the idea of a collective audience for art – an ‘art public’ – is highly significant in the art world, this is the first book to enquire into the actual history of the art public. The book explores both written and pictorial evidence of its behaviour, and disentangles the connections between art production, the expectations of the audience and a work’s reception. Two aspects shape the narrative: first, the transformation of the audience from passive recipient to active agent; and second, the mockery of the audience by satirists such as George Cruikshank, Thomas Rowlandson, Honoré Daumier and many others. This sweeping account moves from the Greek artist Apelles to Leon Battista Alberti and Leonardo da Vinci, and from Oscar Wilde to film stars, art tourists and leading art museums and galleries worldwide.

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Kunstkammern, art and curiosity cabinets housed in a dedicated room or suite of chambers, were often filled with thousands of diverse and sometimes shocking objects reflecting the bounty of nature and human creativity. These could range from a cherry pit carved with dozens of faces to an intricate drinking cup fashioned from a rhinoceros horn. Whether as a setting for personal contemplation or as a manifestation of the wealth and prestige of its owners, these proto-museums dazzled visitors of the time. This book offers the first in-depth comparative examination of the history, theory, organization and character of the major Kunstkammern in the Holy Roman Empire.

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This is the first comprehensive study in English of surrealist leader André Breton’s life-long commitment to the visual arts. As an essayist, art critic, collector, gallery director and artist, he actively promoted many painters, from Gustave Moreau and outsider artists to fellow surrealists like Max Ernst and André Masson. The book tracks both the development of Breton’s surrealist aesthetics within the Parisian avant-garde art scene and the centrality of art to his political agenda. It also highlights Breton the collector/collagist – the works he displayed in his Paris apartment, ranging from Oceanic masks to African sculptures, paintings to pebbles, are themselves seen as an ever-changing assemblage.

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With resonance for today, this book explores a significant crisis of German philosophy and national identity in the decades around World War II. German philosophy, famed for its high-minded Idealism, was plunged into crisis when Germany became an urban and industrial society in the late nineteenth century. The key figure of this shift was Immanuel Kant: seen for a century as the philosophical father of the nation, Kant seemed to lack crucial answers for violent and impersonal modern times. This book shows that the social and intellectual crisis that overturned Germany’s traditions—a sense of profound spiritual confusion over where modern society was headed—was the same crisis that allowed Hitler to come to power. It also describes how German philosophers actively struggled to create a new kind of philosophy in an effort to understand social incoherence and technology’s diminishing of the individual.

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At the time of his death in 1806, the Rococo artist Jean-Honore Fragonard had not painted for two decades. Following a period of huge public success, the painter's reputation fell. Personally secretive, Fragonard created revealing images that undermined a normal sense of space and time. Satish Padiyar investigates the life and work of the last of the libertine painters of the ancien regime, a contemporary of Denis Diderot and Jean-Jacques Rousseau, and presents dramatic new perspectives on works such as The Progress of Love, painted for Madame du Barry, the infamous The Bolt and the ever-popular The Swing.

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There are countless books on war photography, most of these focusing on dramatic images made by photojournalists in combat zones. Photography and War instead proposes a radically expanded notion of war photography, one that encompasses a far broader terrain of geographies, chronologies, practices and viewpoints. Pippa Oldfied considers photography’s fundamental role in military reconnaissance, propaganda and protest, exposure of war crimes, and the memorialisation of war, among other themes. While iconic images by well-known names such as Roger Fenton and Robert Capa are included, the viewpoints of people who have historically been overlooked - women and photographers from diasporic and non-Western backgrounds - are forcefully present. As a result, this book offers a nuanced and more inclusive understanding of war as a far-reaching undertaking in which anyone might be implicated and affected. Richly illustrated, with some photos published for the first time, this book offers an accessible and well-rounded introduction to photography’s perhaps most contested, complex and emotive subject.

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Loneliness is a difficult subject to address, because it has such negative connotations. But the truth is that wherever there are people, there is loneliness: everyone is lonely at some point in their lives. You can belonely in a crowd or at home, outdoors or in an empty church, and countless songs have been written about the condition. For many people, loneliness can significantly impact their quality of life and their physical and mental health. At the same time, our best moments can come when we are alone, and this can tell us something important about our place in the world. But what exactly is loneliness? Who does it affect? Why does it occur, linger and disappear? Lars Svendsen investigates both the positive and the negative sides of loneliness in this thoughtful new book. Drawing on the latest research in the fields of philosophy, psychology and the social sciences, A Philosophy of Loneliness explores the different kinds of loneliness, the philosophy of emotions, why some people are lonelier than others, and the psychological and social characteristics that dispose people to loneliness. Svendsen looks at the role of friendship and love in our lives and argues that our main problem is not that there is too much loneliness in modern societies, but rather that there is too little solitude. This hugely important book is essential reading for all those who want to know more about this complex and profound state of being.

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In this superbly illustrated book, Charles Watkins explores the myth and magic of arboreal art. Enter the groves of the classical world, from Daphne's metamorphosis into a laurel tree to the gardens of Pompeii. The tree in sacred art is represented in master works by Botticelli and Michelangelo. The oak as a symbol of nationhood and liberty across Europe is revealed. The mystery and drama of forest interiors, the formal beauty of avenues of trees, the representation of forestry over the ages and the world of `more than real' trees in the fantastic and surreal art of Arcimboldo, William Blake, Arthur Rackham and Salvador Dali are each illuminated in fascinating detail, coming right up to date with Giuseppe Penone and Ai Wei Wei. Watkins also elucidates the practice of genius in how artists learned to draw trees. Each thematic chapter takes a breathtaking journey through centuries of artists' engagement and fascination with a natural form that seems to allegorize or mirror the human journey through life. Drawing on the author's deep knowledge of the history and ecology of trees, Trees in Art shows that we can learn much about ourselves from the art of trees.

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Born in Buenos Aires in 1899, and reborn in Paris in 1928, Eileen Agar was an artist whose work throughout her long career synthesized elements of the two main art movements of the twentieth century: Cubism and Surrealism. This monograph, the first full account of Agar's complete works, including paintings, collages, photographs and objects, comes at a time when there is a major revival of interest in Surrealism in the UK and worldwide. Drawing on personal conversations with the artist as well as original research, Michel Remy examines the life and work of the artist through-out her long career, from her passage through Cubism and abstraction to Surrealism, as well as her dedicated participation in Surreal-ist activities in England and abroad. Each period is illustrated with many striking images, including rare photographs, and supported by penetrating interpretations. The powerful myth-making drive that underlies Agar's output is revealed, as well the tenderness, humour, poetry, love of nature and the world, subversion of the laws of reality, and celebration of femininity that suffuses each of her works.This is a timely, fresh and cogent account of a fascinating woman artist whose quality of work, independence of mind and freedom of imagination refute the assertion that women have not played a major role in the story of Surrealism. The book will appeal to anyone interested in art history and Surrealism.

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Titian's works are often seen as embodying the famous tradition of Venetian Renaissance painting. But how 'Venetian' was Titian, and can his unique works be taken as truly representative of his adoptive city? This comprehensive new study, covering Titian's long career and varied output, highlights the tensions between the individualism of his work and the conservative mores of Venice. Titian and the End of the Venetian Renaissance argues that Titian's works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice - a position that frequently caused disputes with local artists and patrons. This book charts Titian's early stylistic independence from his master Giovanni Bellini, his radical innovations to the classical altarpiece and his meteoric break from the normal confines of Venice's artistic culture. Titian competitively cultivated a professional identity and his dynamic career was epitomized by the development of his 'late style', which set him apart from all predecessors and was intended to defy emulation by any followers. It was through this final individualistic departure that Titian effectively brought the Renaissance tradition of painting to an end. This ground-breaking interpretation will be of interest to all scholars and students of Renaissance and Venetian art history.

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The once-obscure cuisine of Vietnam is a favourite of many people from East to West. After millennia of adaptation and innovation with a pervasive Chinese influence, today's Vietnamese food is, surprisingly, a mixture of Vietnamese and French dishes, with the baguette the most cherished part of the French culinary legacy. Introduced into Vietnam in the mid-nineteenth century, the baguette is now only second to rice, the wonder grain the Viet discovered thousands of years ago and made their staple food. Drawing on archaeological evidence and a wealth of oral and written history, this book reveals the journey Vietnamese food has traversed through history to become a much-loved cuisine today.

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Mysterious and often inaccessible, Tibet has been a source of fascination to outsiders for centuries and a troublesome and resistant subject for photographers. Even today, photography of Tibet often remains embroiled in debates about Tibet's past, present and future. This book is the first historical survey of photography in Tibet and the Himalayas. It offers a remarkable new insight into the attempts of foreign and Tibetan photographers to document the country from the mid-nineteenth century to the present day. Leading Tibetologist Clare Harris combines the results of extensive research in museums and archives with fieldwork in Tibetan communities to present material that has never been seen or discussed before. Images featured in this book include the earliest photographs taken in Tibet in1863, the experimental camerawork of senior Tibetan monks, including that of the thirteenth Dalai Lama, and the creations of contemporary Tibetan photographers and artists

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Introducing the major works and currents of Joseon painting, Pathways to Korean Culture explores the various social, cultural and political perspectives of this dynamic, dynastic era (1392-1910), uncovering the fascinating history of more than 500 years of Korean art and visual culture. In this book Burglind Jungmann examines an array of themes and aspects of the art world of the Joseon dynasty, from the ink painting tradition of the literati elite to the role of women as both patrons and artists. She looks at the various roles of paintings in Joseon Korea, where they were as important for foreign exchange as they were as a means of escapism, and she explores the dynasty's overarching Confucian ideology, which was constantly at odds with the culture's Buddhist projects. The book investigates select clusters of objects to shed light on the multiple layers of personal, intellectual, aesthetic, religious, sociopolitical and economic contexts in which they are embedded.From palace decorations to established artworks, this book takes a sweeping, comprehensive look at Korean culture and history, exploring its engagement with the West, its political affiliations with China and its unique range of artists.

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From almonds and pecans to pistachios, cashews and macadamias, nuts are as basic as food gets - just pop them out of the shell and into your mouth. The original health food, the vitamin-packed nut is now used industrially in confectionery and in all sorts of cooking. The first book to tell the full story of how nuts came to be in almost everything, Nuts takes readers on a gastronomic, botanical and cultural tour of the world. After tackling the surprisingly difficult problem of defining a nut - some foods we think of as nuts are actually seeds and some are fruits - award-winning food writer Ken Albala provides a fascinating account of how nuts have been cooked, prepared and exploited through history and around the world, from cultivation and harvesting to processing and consumption - or non-consumption, in the case of those with nut allergies. With scrumptious recipes, surprising facts and fascinating nuggets inside, this entertaining and informative book will delight lovers of almonds, hazelnuts, chestnuts and more.

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In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus--the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.

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Outsider art is work produced outside the mainstream of modern art by self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals and others beyond the perceived margins of society. Coined in 1972 the term is derived from art brut', which the artist Jean Dubuffet began promoting just after the Second World War. Both focus on the idea of a raw', untaught creativity, which is still a contentious and much-debated issue. Is this a natural phenomenon, requiring only the right circumstances (isolation or alienation) to be revealed; or is it more like a mirage projected by the very culture it is supposed to be escaping from? Behind the polemic and the commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, radical originality and the artist's social or psychological eccentricity. Although Outsider art is often presented as a recent discovery, these ideas belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. If Outsiders are in some way outside' the conventional art world, what happens to them, and to the works they create, when they are introduced to it? David Maclagan has been writing on Outsider art for over twenty-five years, and this book sets out to challenge many of the received ideas in the field. This book will be of interest to the growing number of people interested in the field of Outsider art, and all those studying concepts of artistic creativity and their cultural background.

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Aristotle characterized the elephant as 'the beast which passeth all others in wit and mind', and the animal has long figured in cultural artefacts, even on continents it has never inhabited. The elephant's countless manifestations in human history have made it one of the most charismatic animals, and "Elephant" provides a richly illustrated, engaging look at that legacy. The image of the elephant can be found throughout world religions and cultures as a symbol of intelligence, strength and loyalty. Wylie draws on a rich array of cultural examples to document that symbolic power, ranging from religious iconography for the Hindu god of wisdom, Ganesh, to beloved children's works such as "Dumbo", "Babar the Elephant" and "Horton Hears a Who!". "Elephant" also considers the recurrent role of the animal in myths, paintings and sculptures. Turning to the elephant's biological history, Wylie describes the three remaining species - the African Bush Elephant, the African Forest Elephant and the Asian Elephant - and the controversial international efforts for elephant conservation.With ivory poaching and human encroachment into the animal's natural habitats, Wylie argues that we face a uniquely poignant conservation crisis in which elephants and humans both consume limited natural resources unsustainably. A compelling new entry in the "Animal" series, "Elephant" will be a necessary addition to every animal lover's bookshelf.

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An absorbing, wide-ranging and incisive biography of celebrated composer Sergei Prokofiev.

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Shows how post-war pioneers reimagined what playgrounds could be.

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A new portrait of Dylan Thomas, which reveals an inventive, dedicated writer.

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An enlightening, entertaining look at that most peculiar bird, the cuckoo.

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A highly illustrated exploration of shipwrecks over 4,000 years.

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An immersive, beautifully illustrated journey through medieval manuscript production.

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An original perspective on the experience of major illness.

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Majestic and awe-inspiring, mountains demand our attention. Through the centuries, they have both repulsed and attracted. They have been appreciated and despised as sites of divine and diabolic sublimity, as the dwellings of gods and demons, hermits and revolutionaries. Mountain encounters have defined ways of seeing. They have changed our sense of time. They have pushed the boundary between life and death. Progressively tamed, exploited, even commodified, today mountains continue to attract seekers of spiritual quietness and of extreme emotions alike, as well as weekend travellers looking for a break from the everyday.In this compelling journey through peaks both real and imaginary, Veronica della Dora explores how the history of mountains is deeply interlaced with cultural values and aesthetic tastes, with religious beliefs and scientific practices. She shows how mountains are ultimately collaborations between geology and the human imagination, and how they have helped shape our environmental consciousness and our place in the world. Magnificently illustrated, and featuring examples from five continents and beyond, Mountain offers a fascinating exploration of mountains and the idea of mountain in art and literature, science and sport, religion and myth.

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For a sparsely populated region on the edge of Europe, Scandinavia has attracted an unusual degree of interest during the twentieth century. The successes and failures of the famous 'Scandinavian' or 'Nordic' model in politics and policy continue to generate debate. "The Nordic Model" advocates a government-funded welfare state, an egalitarian tax system and strict job regulation. In this book respected historian of Scandinavia Mary Hilson provides a welcome addition to the literature on the Nordic model by examining in detail its main historical influences, and the ways in which it has changed over time. Covering all five Nordic countries: Denmark, Finland, Iceland, Norway and Sweden, the book includes chapters on economic development, politics and government, foreign policy and the welfare state, as well as a more general account of the cultural meanings that have accrued to Scandinavia in the twentieth century. The implications of recent developments for the continued coherence of the region are assessed, in particular the European dimension, and the re-emergence of the Baltic Sea as a potential regional focus. This book will appeal to students of the region as well as to general readers with an interest in Scandinavia.

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Film and music belong together; classics like Fritz Lang's "Metropolis" (1927) and Mike Nichols' "The Graduate" (1967) are renowned for their brilliant soundtracks. But what exactly is film music? Does music act as an accompaniment to the film', or is film an illustration of the music, or are the two inseparable? In "Film Music", Peter Larsen traces the history of music in film and discusses central theoretical questions concerning its narrative and psychological functions. He looks in depth at classics such as Howard Hawks' "The Big Sleep" (1946) and Alfred Hitchcock's "North by Northwest" (1959), as well as later international blockbusters and cult films including "American Grafitti" (1973), "Star Wars" (1977) and "Blade Runner" (1982). These case studies explore the role of music in the history of film, and also show how other films can be discussed in relationship to their music. "Film Music" offers a much-needed overview of how music functions in film and serves as a fascinating, accessible introduction to the analysis of film music. The book will serve as an important text for students of film, music and cultural disciplines, as well as the general reader with an interest in film and popular music.

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That notions of femininity were seriously disrupted during the First World War has become obvious in recent years. But what happened to masculinity at the same time? Based on letters, diaries and oral histories, "Dismembering the Male" explores the impact of the 'war to end all wars' on the male body. Joanna Bourke argues convincingly that military experiences led to a greater sharing of gender identities between men of different classes and ages. She concludes that attempts to construct a new type of masculinity failed as the threat of another war, and with it the sacrifice of a new generation of men, intensified.

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This title includes an introduction by Martin Pawley. This book presents for the first time in English an array of essays on design by the seminal media critic and philosopher Vilem Flusser. It puts forward the view that our future depends on design. In a series of insightful essays on such ordinary 'things' as wheels, carpets, pots, umbrellas and tents, Flusser emphasizes the interrelationships between art and science, theology and technology, and archaeology and architecture. Just as formal creativity has produced both weapons of destruction and great works of art, Flusser believed that the shape of things (and the designs behind them) represents both a threat and an opportunity for designers of the future.

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An exploration of how environmental concerns have shaped and reflected English national identity since the 1960s.

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The first history in English for over 100 years of the Crimean Tatars.

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A concise, cogent biography of influential modernist writer J.-K. Huysmans.

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A guide to the cultural history of liqueurs from a celebrated spirits journalist. The original recreational spirit, liqueurs travelled the Silk Road, awaited travellers at the Fountain of Youth, and traversed the globe from ancient times through the industrial revolution and beyond. In this thrilling exploration of liqueur's global history, Lesley Jacobs Solmonson describes how a bitter, medicinal elixir distilled by early alchemists developed into a sugar- and spice-fueled luxury for the rich before garnishing a variety of cocktails the world over. The book invites readers on a multi-faceted journey through culinary history, driven by humanity's ages-long desire for pleasure.

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Henri Matisse’s experiments with form and color revolutionized the twentieth-century art world. In this concise critical biography, Kathryn Brown explores Matisse’s long career, beginning with his struggles as a student in Paris and culminating in his celebrated use of paper cutouts and stained glass in the last decade of his life. The book challenges various myths about Matisse and offers a fresh perspective on his creativity and legacy. Chapters explore the artist’s enthusiasm for fashion and cinema, his travels, personal ties, interest in African art, love of literature, and willingness to challenge audience expectations. Through close readings of Matisse’s works, Brown offers new insight into the artist’s friendships and battles with dealers, critics, collectors, and fellow artists.

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As ancient creatures that once shared the Earth with dinosaurs, turtles have played a crucial role in maintaining healthy terrestrial and marine ecosystems for more than one hundred million years. While it may not set records for speed on land, the turtle is exceptional at distance swimming and deep diving, and some are gifted with astounding longevity. In human thought, the animal's ties to creativity, wisdom, and warfare stretch back to the world's earliest written records. In Turtle, Louise M. Pryke celebrates the slow and unassuming manner of this doughty creature, which provides a living model of endurance and efficiency. In the increasingly fast-paced world of the twenty-first century, it has never been more important to consider the natural and cultural history of this remarkable animal.

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Now available in paperback, Egyptomania takes us on a historical journey to unearth the Egypt of the imagination, a land of strange gods, mysterious magic, secret knowledge, monumental pyramids, enigmatic sphinxes and immense wealth. Egypt has always exerted a powerful attraction on the Western mind, and an array of figures have been drawn to the idea of Egypt. Even the practical-minded Napoleon dreamed of Egyptian glory and helped open the antique land to explorers. Ronald H. Fritze goes beyond art and architecture to reveal Egyptomania's impact on religion, philosophy, historical study, literature, travel, science and popular culture. All those who remain captivated by the ongoing phenomenon of Egyptomania will revel in the mysteries uncovered in this book.

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The architect Alvar Aalto once argued that what mattered in architecture was not what a building 'looks like' on the day it opens, but what it 'is like' to live in thirty years later. In this book Robert McCarter presents a persuasive defence of why and how interior spatial experience is the necessary starting point for design, and why the quality of that experience is the only appropriate means of evaluating a work of architecture after it is built.We live in an age dominated by images. We often feel we 'know' architecture and the places it makes, both old and new, through the photos of buildings we see in print and online, without ever inhabiting their spaces. McCarter argues that we need to counter our contemporary obsession with exterior views and forms, and makes a powerful case for the primacy of the interior experience in architecture.The Space Within explores how interior space has been integral to the development of Modern architecture from the late 1800s to today, and how generations of architects have engaged with interior space and its experience in their design processes.In doing so, they fundamentally transformed the traditional methods and goals of architectural composition. As McCarter argues, for many of the most recognized and respected architects practising today, the conception of the interior spatial experience continues to be the starting point for design. Through historical and current examples of architectural works he takes us through how this is done, and eloquently places us within the spaces.

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