Search results for ""europa editions""

A COMPELLING STORY CELEBRATING THE RESILIENCE OF TWO WOMEN AS THEY NAVIGATE WHAT REMAINS A STRONGLY PATRIARCHAL NIGERIA “I absolutely loved his book. Nwabulu and Julie are incredible, fully formed and fully flaw, characters that walk straight off the page and nestle in your heart as you read on.”―Simon Savidge, The Frank Magazine Nwabulu has been a housemaid since the age of ten but her dreams of becoming a typist are never weakened by the endless chores she is tasked with by her employers. She has fallen in love with a rich man’s son. Julie is a modern woman, educated and independent. She has no intention of becoming love-struck Eugene’s second wife but allows herself to enjoy his extravagant gifts. When dramatic events force Nwabulu and Julie into a dank room, the two women relate the stories of their contrasting experiences as they await their fate. Set against four decades of Nigerian history, The Son of the House is a stunning debut pulsing with vitality and intense human drama.

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WINNER of the French Voices Grand Prize, Prix Ahmadou Kourouma, and Grand Prix du Roman Métis Mohamed Mbougar Sarr’s searing and thought-provoking debut novel, Brotherhood takes place in the imaginary town of Kalep, where a fundamentalist Islamist government has spread its brutal authority. Under the regime of the so-called Brotherhood, two young people are publicly executed for having loved each other. In response, their mothers begin a secret correspondence, their only outlet for the grief they share and each woman’s personal reckoning with a leadership that would take her beloved child’s life. At the same time, spurred on by their indignation at what seems to be an escalation of The Brotherhood’s brutality, a band of intellectuals and free-thinkers seeks to awaken the conscience of the cowed populace and foment rebellion by publishing an underground newspaper. While they grapple with the implications of what they have done, the regime’s brutal leader begins a personal crusade to find the responsible parties, and bring them to his own sense of justice. In this brilliant analysis of tyranny and brutality, Mbougar Sarr explores the ways in which resistance and heroism can often give way to cowardice, all while giving voice to the moral ambiguities and personal struggles involved in each of his characters’ search to impose the values they hold most dear.

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OVER 14M OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE Nothing quite like this has ever been published before.”—The Guardian “This is high stakes, subversive literature.”—The Daily Telegraph “With the publication of her Neapolitan Novels, (Ferrante) has established herself as the foremost writer in Italy—and the world.”—The Sunday Times “An unconditional masterpiece . . . I was totally enthralled.”—Jhumpa Lahiri “An extraordinary epic.”—Michiko Kakutani, The New York Times “To the uninitiated, Elena Ferrante is best described as Balzac meets The Sopranos and rewrites feminist theory.”—The Times “Ferrante’s writing seems to say something that hasn’t been said before, in a way so compelling its readers forget where they are, abandon friends and disdain sleep.”—London Review of Books “Stunning. An intense, forensic exploration of friendship.”—The Times Literary Supplement The Story of the Lost Child is the concluding volume in the dazzling saga of two women— the brilliant, bookish Elena, and the fiery, uncontainable Lila. Both are now adults, with husbands, lovers, aging parents, and children. Their friendship has been the gravitational center of their lives. Both women fought to escape the neighborhood in which they grew up—a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final novel she has returned to Naples, drawn back as if responding to the city’s obscure magnetism. Lila, on the other hand, could never free herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect the neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable. Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a lifelong friendship between two women with unmatched honesty and brilliance.

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Sharp and tender at once, a humourous take on family dysfunction and human weakness seen through a young boy’s eyes. Max lives with his grandparents in a residential home for refugees in Germany. When his grandmother—a terrifying, stubborn matriarch and a former Russian primadonna—moved them from the Motherland, it was in search of a better life. But she is not at all pleased with how things are run in Germany. His grandmother has been telling Max that he is an incompetent, clueless weakling since he was a child. While he may be dolt in his grandmother's eyes, Max is bright enough to notice that his stoic and taciturn grandfather has fallen hopelessly in love with their neighbour, Nina. When a child is born to Nina that is the spitting image of Max’s grandfather, things come to a hilarious if dramatic head. Everybody will have to learn to defend themselves from Max’s all-powerful grandmother.

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"For those who love boats, architecture and original enquiring minds, this book is a dream. " -Jeremy Irons World-famous architect Renzo Piano and his son Carlo set sail from Genoa one late Summer day, guided by the ancestral desire felt by many explorers before them: to find Atlantis (in Italian, Atlantide). Atlantis is the perfect city, built to harbour a perfect society. This is its true beauty, precious and elusive. Renzo Piano, a man who can not only measure land at a glance but also the sea’s infinite geometry, returns to the places where he has erected his works, mosaic pieces in the infinite, necessary quest for perfection. With his son he sails across the Pacific, along the banks of the Thames and the Seine, reaching as far as Athens, San Francisco’s Golden Gate Park and Osaka Bay. In search of beauty, he finds the imperfections that every building project carries within it. And so, all that remains is to sail on.

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The second instalment in the Ottoman Quartet—the masterful saga of Turkish history by Ahmet Altan—follows the vast and vivid cast of characters introduced in the first volume of the series, Like A Sword Wound. By weaving together tortured love affairs, political intrigue, power struggles, and social upheavals, the novel offers a powerful and vivid tableau of the crisis of the Ottoman Empire in the early 20th century. The second instalment opens with the attempted suicide of Hikmet Bey, the son of the sultan’s personal physician. The reason for his extreme gesture is, to forget the extremely beautiful and proud Mehpare Hanım, his wife and the cause of all his suffering. While Hikmet recovers in a hospital in Thessaloniki, slowly regaining his strength and will to live, radical changes are afoot in the Ottoman capital. The power of the sultan is eroding, a rebellion is brewing, and violence erupts on the streets of Istanbul. It is the eve of one of the key events that will lead to the collapse of the Empire: the countercoup of 1909. With striking clarity and imaginative power, Altan evokes the traumas and upheavals of Ottoman history, showing how—over a hundred years later—the events and wounds of that time still resonate in the tensions and contradictions of today’s Turkey.

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“AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL.”—Mail on Sunday THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND A BBC2 Between The Covers Book Club Pick BRITISH BOOK AWARDS 2021 – SHORTLISTED FOR FICTION BOOK OF THE YEAR Soon to be a NETFLIX original series 18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE Giovanna’s pretty face has changed: it’s turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her own? Giovanna’s search leads her to two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. Adrift, she vacillates between these two cities, falling into one then climbing back to the other. Set in a divided Naples, The Lying Life of Adults is a singular portrayal of the transition from childhood to adolescence to adulthood. A SUNDAY TIMES BESTSELLER “This is no amiable coming-of-age tale… the most intense writing about the experiences and interior life of a girl on the cusp of adulthood that I have ever read. It is brilliant.”—The Financial Times “An astonishing, deeply moving tale.”—The Guardian “Ferrante confronts female sexual awakening with such an absence of romantic enchantment it leaves you gasping.”—The Daily Mail WHAT READERS ARE SAYING: “Brilliant as always.”—Jan on Amazon “A tightly crafted and gripping story.”—Maxwell on Goodreads “Excellent book. My only complaint was that it ended too soon!”—Mhairi on Amazon “I woke up eagerly looking forward to reading more of this novel every single day.”—Violet on Goodreads “Fans of Elena Ferrante will not be disappointed.”—Lesley on Amazon

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Petros Markaris, Matteo Nucci, Christos Ikonomou among other Greek writers aim to tell the all-important stories of one of the most talked-about country, that fail to make headlines. Few countries have received more media attention in recent years and even fewer have been represented in such vastly divergent ways. There’s a downside to all this attention: everyone seems to have something final to say about Greece. News headlines replace people’s individual stories, impressions substitute facts, characters take the place of people. In this volume of The Passenger, we chose to set those opinions aside in order to give to the stories, facts, and people of Greece the dignity and centrality they deserve.

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"Emotions resonate across time in Chris Canders’s absorbing tale." - Guardian"Intense and imaginative." - The New York Times“Cander grabs the reader in her bravura, thickly detailed opening pages.” - Kirkus Reviews (starred review)“Impossible to put down and impossible to forget.” - Library Journal (starred review)A dazzling exploration of how the human heart can both break and be restoredHidden in dense forests high in the Romanian mountains, where the winters were especially cold and long, were spruce trees that would be made into pianos: exquisite instruments famous for the warmth of their tone and beloved by the likes of Schumann and Liszt. One man alone knew how to choose them . . . The Weight of a Piano is a tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life, a Blüthner piano built by a master piano-maker at the turn of the century in Germany. In 2012, in California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, a situation which is further complicated by the gift her father had given her for her twelfth birthday: a Blüthner piano. The mysterious—and tragic—connections between Katya and Clara unravel gradually yet thrillingly in Chris Cander’s powerful novel about attraction, obsession, creative passion, love and loss.“This is a powerful tale of how we live with grief, with what we hang on to of the people we love and the joy and pain of memory…a riveting read.” - Paul Burke NB Magazine

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A moving and intimate account of survival, resilience, and reconstruction. Paris. January 7, 2015, two terrorists attacked the satirical weekly Charlie Hebdo. Philippe Lançon, seriously wounded, was among the survivors. This intense life experience upends his relationship to the world, to writing, to reading, to love and to friendship. It took him a year before he could return to writing, a year of frequent reconstructive surgeries, to work through his experiences and their aftermath. As he attempts to reconstruct his life on the page, Lançon rereads Proust, Thomas Mann, Kafka, and others in search of guidance and healing. Disturbance is not an essay on terrorism nor is it a witness’s account of Charlie Hebdo, and it’s certainly not a “feel good book.” The attack and what followed make up a small portion of Lançon’s narrative, which instead seeks to provide the most honest and intimate reproduction possible of the interior experience of a man who was a victim, who suffered a “war wound” in a country “at peace.” Disturbance is a book about transformation, about one man’s shifting relationship to time, to truth, and to his own body.

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October 1493, the height of the Renaissance. In a rapidly changing world, Milan flourishes under the leadership of Ludovico il Moro. Those wandering the courtyards of the city’s castle often encounter a man in his forties dressed in long pink robes, lost in his own thoughts. The man lives above his workshop, with his mother and a mischievous little boy whom he dotes on; he doesn’t eat meat, writes from right to left, and struggles to get paid by his employers. His name is Leonardo da Vinci. His fame extends beyond the Alps, to the French court of Charles VIII, whose envoys have been tasked with a secret mission that concerns Leonardo himself, and his most daring designs. When a man is found dead in the Castle’s courtyard, il Moro turns to Da Vinci for help. Though the corpse shows no signs of violence, the death is highly suspicious: rumours of a plague or superstitious explanations need to be disproven quickly. Leonardo is in no position to refuse his master’s request to investigate.

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A heinous, double murder in a squalid apartment on the wrong side of town pits Inspector Lojacono, Di Nardo and the rest of the motley collection of cops known as the 'bastards' of the Pizzofalcone precinct against their superiors, the press, and the local political hierarchy. Only by bringing the killer to justice can they save their reputations and the department. De Giovanni is one of the most versatile, prolific, and successful European mystery in Europe.

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A few years ago, Antoine Compagnon was asked to host a radio broadcast, every day for an entire summer, on a formidable subject: Michel de Montaigne. From that experience came this engaging and entertaining book. An intelligent and thought-provoking treatise in forty chapters that will introduce readers unfamiliar with Montaigne to his unique brilliance and remind those who already know Montaigne's work of its vitality, force, and enduring timeliness.

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Fabio Montale is the perfect protagonist in this city of melancholy beauty. A disenchanted cop with an inimitable talent for living who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands. “Just as Raymond Chandler and James Ellroy made Los Angeles their very own, so Mr. Izzo has made Marseilles so much more than just another geographical setting.”—The Economist “Izzo’s ability to describe Marseilles and to make his readers feel the multiracial reality of that city so directly and authentically is fascinating.”—Andrea Camilleri “One of the masterpieces of modern noir.”—The Washington Post

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*WINNER OF THE NATIONAL BOOK AWARD 2020* *THE NEW YORK TIMES BESTSELLER* A deeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play. Willis Wu doesn't perceive himself as the protagonist in his own life: he's merely Generic Asian Man. Sometimes he gets to be Background Oriental Making or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in Chinatown and enters the Golden Palace restaurant where Black and White, a procedural cop show, is in perpetual production. He's a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it? After stumbling into the spotlight, Willis finds himself launched into a wider world than he's ever known, discovering not only the secret history of Chinatown, but also the buried legacy of his own family. Infinitely inventive and deeply personal, Interior Chinatown is Charles Yu's most moving, daring, and masterful novel yet. Goodreads 10 Books that 'Disrupted' the Literary Status Quo WHAT READERS ARE SAYING “What a clever, clever book this is!”–Regina on Goodreads “Truly unique.”–Kevin on Amazon “*inhales sharply* *screams* This book makes me feel seen.”–Sofia on Goodreads “Thoughtful, moving, and just hilarious.”–Charles on Netgalley “Absolutely loved this book.”–Andres on Amazon “An emotional roller coaster.”–Ellen on Amazon

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***A SPECTATOR BEST BOOK OF THE YEAR 2021*** By turns dark and hilarious, at times solemn and mysterious, Your Duck is My Duck cements Deborah Eisenberg’s reputation as one of America’s greatest living writers of fiction. “Hugely intelligent, funny, subtle, beautifully written, these stories reach beyond New York into the world."—Tessa Hadley “If our culture can produce a writer this wonderful, there must be something beautiful about us yet.”—George Saunders “[A] scintillating showcase.”-Anthony Cummins, The Observer “Shudderingly intimate and mordantly funny.”—The New York Times Now in B-format Paperback Each of the six stories that make up this new collection—Eisenberg’s first for twelve years—has the heft and complexity of a novel. With her own inexorable logic and uncanny ability to conjure up the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through the lives of her characters. In her world, the forces of money, sex and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us. "Ducks are having a literary moment."—The Times' Books Bulletin “Comic, elegant and pitch perfect.”—Vanity Fair

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How did Danny die? On a summer’s day in 1955, the drowned body of young Danny Masters is discovered by three of his teenage friends: Alexander, heir to the country estate that neighbours the village, and siblings Lennie and Tom, whose father is land agent to the Richmond family. Lennie is in love with volatile Alexander, but is he also in love or merely playing with her? Alexander’s mother has been a widow for less than a year, yet her husband’s brother seems always to be by her side. In the weeks that follow the tragic drowning, the river begins to give up its secrets. As the circumstances surrounding Danny’s death emerge, relationships and bonds develop, and other stories gradually come to the surface, threatening to destroy an entire way of life.

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“AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL.”—Mail on Sunday THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND A BBC2 Between The Covers Book Club Pick BRITISH BOOK AWARDS 2021 – SHORTLISTED FOR FICTION BOOK OF THE YEAR Soon to be a NETFLIX original series 18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE Giovanna’s pretty face has changed: it’s turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her own? Giovanna’s search leads her to two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. Adrift, she vacillates between these two cities, falling into one then climbing back to the other. Set in a divided Naples, The Lying Life of Adults is a singular portrayal of the transition from childhood to adolescence to adulthood. A SUNDAY TIMES BESTSELLER “This is no amiable coming-of-age tale… the most intense writing about the experiences and interior life of a girl on the cusp of adulthood that I have ever read. It is brilliant.”—The Financial Times “An astonishing, deeply moving tale.”—The Guardian “Ferrante confronts female sexual awakening with such an absence of romantic enchantment it leaves you gasping.”—The Daily Mail WHAT READERS ARE SAYING: “Brilliant as always.”—Jan on Amazon “A tightly crafted and gripping story.”—Maxwell on Goodreads “Excellent book. My only complaint was that it ended too soon!”—Mhairi on Amazon “I woke up eagerly looking forward to reading more of this novel every single day.”—Violet on Goodreads “Fans of Elena Ferrante will not be disappointed.”—Lesley on Amazon

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A story of conflicted friendship and its unravelling, told against the background of an ever-present, mind-twisting social media verse. "A truly precious book."—Grazia Maia is 26. Stuck in a dead-end job and a dysfunctional relationship, she’s treading water. Gloria, 18, is an influencer with 2 million followers, and the fragility of those who grow up too fast. Both are bereft. Maia, of purpose, and of the sister who took her own life, even though they weren’t close, and she doesn’t miss her. Gloria, of someone to help her grow and become stronger, but also of ideas and words that are truly hers. When Maia starts working for Gloria, both their lives change forever. The two young women weave a complex, intense relationship. Its yarn will unwind behind the scenes of the virtual world Gloria inhabits, and for the first time both will see themselves as they really are. But in this dangerous game of mirrors, will Maia and Gloria still be able to distinguish what belongs to whom?

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Shadowplay by New York Times best-selling author, Joseph OâConnor, is set during the golden age of West End theater in a London shaken by the crimes of Jack the Ripper.

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Imagine a child, a daydreamer, always gazing out of the window.His grandmother, busy in the kitchen, keeps an eye on him.The child stares at a balcony on the opposite building, watching the black-haired girl as she dances her reckless dance. For a love like this, a child can push himself to extreme feats. He can turn into explorer or cabin boy, cowboy or castaway; he can fight duels to the death, or even master an unfamiliar language.His grandmother is not articulate, but does not lack imagination, and her love for the boy is immeasurable. She tells him about the entrance to the underworld, engraving indelible images in her nephew's mind.An irresistible book, as sharp as the swords of fantasy hidden under the bed, as precious as a family jewel, in which the discovery of love and the discovery of death follow each other, marking the end of childhood.

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"Only Ms. Kashimada can create this kind of world."—Yoko Ogawa, author of The Memory Police (on Touring the Land of the Dead) A housewife finds herself haunted by visions of a mushroom cloud. She abruptly leaves her husband and son to travel alone to the city of Nagasaki, where she soon begins an affair with a young Russian-Japanese man. Inspired by Marguerite Duras’s screenplay for “Hiroshima, Mon Amour,” this novel is an undeniable demonstration of Kashimada’s distinctive voice, the polish and precision of her literary style, and her dedication to plumbing the depths of her characters’ psychology. Thrilling and poised in equal measure, dealing with the travails of history, with gendered identity, and with the tension between private and public selves, Love at Six Thousand Degrees is a literary highwire act by one of the most unique voices in contemporary Japanese fiction.

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A MOST ANTICIPATED BOOK - VOGUE, BuzzFeed, LitHub "A bold, promising debut." MARY GAITSKILL *** "Thoughtful, savage" RAVEN LEILANI *** "Radical, daring and bracing" SHEILA HETI If sex is a truth-teller, Eve—a young, queer woman in Brooklyn—is looking for answers. On an evening when she is feeling particularly impulsive, she posts some nude photos of herself online. This is how Eve meets Olivia, and through Olivia, the charismatic Nathan—and soon the three begin a relationship that disturbs Eve as much as it delights her. As each act of the affair unfolds, Eve is left to ask: to whom is she responsible? And to what extent do our desires determine who we are? In the way that only great fiction can, Acts of Service takes between its teeth the contradictions written all over our ideas of sex and sexuality. As incisive as it is exhilarating, this novel asks us to face our ideas about desire and power: what sex means to us, the forces that shape it, and how we find—or lose—ourselves in intimacy. At once juicy and intellectually challenging, sacred and profane, it might be the most thought-provoking book you read all year.

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The Republic of the Congo, 1964. A young man is facing a firing squad, preparing for his last moment on Earth. He reflects on his childhood with a distant mother, and the moments which have led to him finding himself staring death in the face. Patrick Nothomb is a young diplomat, aged 28, when he is taken hostage with thousands of others in Stanleyville (now Kisangani) by rebels. Over the course of four months, Nothomb has negotiated with his captors each and every day, saving the lives of 1500 citizens. Inspired by the life of her father, who died at the beginning of the COVID 19 pandemic, Amélie Nothomb slips into his shoes to give voice to his story.

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“Captivating and entertaining.”—Sololibri “Alan Gillot tells the universal story of a new beginning.”—La Repubblica “A novel that shows how when life comes knocking, it cannot be ignored.”—ThrillerNord Antoine is a script doctor: a high-flying consultant hired to cut the script of a movie before it’s green-lighted. Called to a film set on the Côte d'Azur, he casually cancels the role young hopeful Emma was cast in. When she confronts him, her words – and actions – impart a few home-truths. Antoine chases after Emma to apologise. Little does he know that from then on, he won’t be able to return to his old colourless life. At Emma’s side, Antoine embarks on an unexpected journey through a provincial France he’s never seen before, right into the bizarre, exciting world of her eccentric family and the itinerant theatre company she belongs to. A love story and a road movie, this charming tale proclaims the need to overcome our fears and reach out to others.

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From her home in Paris, Lina recalls the story of three women whose lives unfold in the conservative city of Barranquilla in Colombia. Amongst parties at the Country Club and strolls along the promenade in Puerto Colombia, unfurls a story of sensuality supressed by violence; a narrative of oppression in which Dora, Catalina and Beatriz are victims of a patriarchal system living in and among the fragile threads of the fabric of society. In Lina’s obsessive recounting of the past, this masterful novel transforms anecdotes of a life into an absolute view of the world, a profound panorama of Colombian society towards the end of the 50s. Written from personal memories and historical research, this is a novel that is both precise and poetic, a novel that immortalises—from the distant perspective of its narrator—the events that took place in a small seaside town. Distancing herself from her contemporaries of the Latin-American literary boom with a boldly feminist narrative, Marvel Moreno has created a world that both mirrors the close-up, private lives of the people of Barranquilla and the human condition itself. *WHAT NETGALLEY READERS ARE SAYING* "Just delightful." "Full of a fierce fightback against generations of misogyny and toxic masculinity. This book is powerful." "A wonderfully written and sensually feminist novel." "I'd read Moreno again like a shot." "There's something deliciously unexpected, even subversive about Moreno's prose."

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“There is something prescient about this collection of essays…… Evocative, beautifully written."- Irish Times The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Catherine Dunne, Colum McCann, Mark O’Connell, and Sara Baume, among other Irish writers tell of a country striving to stay a step ahead of time. On the centenary of the partition that split the island in two, The Passenger sets off to discover a land full of charm and conflict; a country that in just a few decades has gone from being a poor, semi-theocratic society to a thriving economy free from the influence of the Catholic Church; from a deeply patriarchal, conservative society to one that gives space to diversity, becoming the only country in the world to enshrine gay marriage in law through a referendum. The Passenger explores Ireland’s ramifications in politics, society, culture, and sport. Memory and identity intertwine with the transformations – from globalisation to climate change – that are remodelling the Irish landscape.

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Marco D’Eramo, Nicola Lagioia, Matteo Nucci, and Francesco Piccolo among other Italian writers tell of a city which, despite appearances, slips further down the ranking of the world’s most liveable cities. To the problems faced by all large capitals, Rome has added a list of calamities of its own: widespread corruption, the resurgence of fascist movements, rampant crime. A seemingly hopeless situation perfectly symbolised by the fact that Rome currently leads the world in the number of self-combusting public buses. However, if we look closer, this narrative is contradicted by just as many signs that point in the opposite direction. The majority of Romans wouldn’t consider “betraying” their hometown, and the many newcomers are often indistinguishable from the natives in the profound love that binds them to the city, leading to a lack of the mass emigration. Rome is a place of contradictions, yet to understand Rome and “fix” its problems, we should consider it a normal city, “not unlike Chicago or Manchester.” Only, incomparably more beautiful.

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***A CRIME READS BEST BOOK OF THE YEAR*** An addictive and nuanced narrative about conflict-rife Colombia. A boy witnesses a violent confrontation in a remote part of town in the state of Cauca, Colombia. Minutes later, someone arrives at the scene to clear up all trace of the incident. No one in town claims to have heard or seen anything, and yet an anonymous accusation launches a dangerous investigation that unfolds within the corrupt world of the Christian churches of Latin America. A story that urgently reveals inequality and violence that govern an entire country, The Night Will Be Long is a devastatingly humorous thriller that will appeal to fans of Roberto Bolaño and Fernanda Melchor’s Hurricane Season. Santiago Gamboa’s fascinating characters introduce an addictive and nuanced narrative about conflict-rife Colombia.

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How did Danny die? On a summer’s day in 1955, the drowned body of young Danny Masters is discovered by three of his teenage friends: Alexander, heir to the country estate that neighbours the village, and siblings Lennie and Tom, whose father is land agent to the Richmond family. Lennie is in love with volatile Alexander, but is he also in love or merely playing with her? Alexander’s mother has been a widow for less than a year, yet her husband’s brother seems always to be by her side. In the weeks that follow the tragic drowning, the river begins to give up its secrets. As the circumstances surrounding Danny’s death emerge, relationships and bonds develop, and other stories gradually come to the surface, threatening to destroy an entire way of life.

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As a young woman, Else made two promises to herself: to live life to the fullest and to have a child with every man she loves. You Are Not Like Other Mothers tells the stories of the men in her life—husbands, companions, lovers and emissaries of a world in which men repeatedly prove themselves inadequate. It also tells the stories of Peter, Bettina, and Angelika, Else’s three children. Set during World War I and then the roaring twenties and the advent of Nazism and, for Else, exile in Bulgaria. But these dark years are also a time of experimentation, during which Else and the people in her life explore alternative modes of interpersonal relationships. All these stories and their characters are held together by the forceful figure of a woman who is larger than life. But the indomitable Else will make a most human mistake when she tries to hide the real extent of the Nazi tragedy from her children and, instead of protecting them, she brings disaster down upon her family.

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Does it still make sense to talk about progress? The word “progress” conjures up a positivistic view of the world, a late Victorian boundless trust in humanity’s talents for discovery and invention, and of advancement in any field, whether cultural or otherwise. But what happened after that? Did two World Wars splinter those certainties, causing progress to become separate from the idea of advancement? And can we still, nowadays, after and during an all-encompassing technological revolution, talk about progress? According to Schiavone, the financial crisis of 2008 proved a turning point, the moment when governments and people found themselves forced to act just to defend and keep what had already been achieved. The only possible solution to the ensuing political and cultural deficit is a global response that transcends the particular interest of this or that country. This is being amply demonstrated now, in the midst of the new global emergency that is coronavirus. Completed just before the start of the crisis, and with the addition of a chapter dedicated to it, these pages interrogate the progressive function of technology, not as an alien power but as an integral part of what makes us human.

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A great, ancient art form, brought right up to date by one of Japan’s foremost writersNoh is a form of classical Japanese dance-drama that has been performed since the 14th century. Based on tales from traditional literature, and structured according to strict rules, at the heart of Noh often lies an accidental encounter through which the workings of Fate are revealed. Often one of the persons is not what he or she seems to be: perhaps a ghost, or a character who has suffered a dramatic reversal of fortune. These five pieces, written between 1950 and 1955 and presented as modern plays at the time, are as suited to being performed on any stage in the world, as they are to being read in Donald Keene’s pitch-perfect translation. In them, Yukio Mishima preserves the weird and haunting mood of classical Noh, whilst lending his characters and situations the directness and hardness of an encounter on a modern city street.

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PICKED BY THE GUARDIAN AS ‘FICTION TO LOOK OUT FOR IN 2021' A dream-like, emotionally charged narrative by a bold new voice in Japanese fiction A mesmerizing combination of two tales about memory, loss and love, both told with stylistic inventiveness and breath-taking sensitivity. Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her part-time wages. But Natsuko is a woman accustomed to hardship. When her own family's fortune dried up years during her childhood, she, her brother, and her mother lived a surreal hand-to-mouth existence shaped by her mother's refusal to accept their new station in life. One day, Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel that Natsuko's grandfather had taken her mother to when she was little. She decides to take her damaged husband to the spa, despite the cost, but their time there triggers hard but ultimately redemptive memories relating to the complicated history of her family. The overnight trip becomes a voyage into the netherworld - a journey to the doors of death and back to life. Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo. “Kashimada is a writer who brings something truly rich." - Nikkei “The tense disquiet that hangs over the work has a unique charm. This is a world that only Kashimada could have depicted.” - Yoko Ogawa

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The tragic history of mid-century Europe told through the lives of ordinary people 1938. Thirty-two countries convene to decide how to deal with the influx of Jews fleeing Nazi Germany and Austria. Good intentions abound, but no government is willing to accept the refugees. At the same time, Fascist Italy is introducing its infamous racial laws. In this new, stirring novel Lia Levi portrays Italy’s tragic past through the story of a Jewish family, plagued by doubts, passions, weaknesses, impulses, and betrayals. Set in Genoa in the years of the racial laws, the novel follows a would-be genius son, a disappointed, regretful mother, a wise but irresolute father, an eccentric grandfather, nosy uncles, cousins who are always coming and going. How do individuals face the darkest periods of history? Will anyone rebel against the spread of violence and discrimination? Will anyone welcome them if this family flees certain persecution? A harrowing story that resonates with special urgency in our time.

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OVER 14M OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE “Nothing quite like this has ever been published before.”—The Guardian “This is high stakes, subversive literature.”—The Daily Telegraph “With the publication of her Neapolitan Novels, (Ferrante) has established herself as the foremost writer in Italy—and the world.”—The Sunday Times “An unconditional masterpiece . . . I was totally enthralled.”—Jhumpa Lahiri “An extraordinary epic.”—Michiko Kakutani, The New York Times “To the uninitiated, Elena Ferrante is best described as Balzac meets The Sopranos and rewrites feminist theory.”—The Times “Ferrante’s writing seems to say something that hasn’t been said before, in a way so compelling its readers forget where they are, abandon friends and disdain sleep.”—London Review of Books “Stunning. An intense, forensic exploration of friendship.”—The Times Literary Supplement Set in the late 1960s and the 1970s, Those Who Leave and Those Who Stay continues the story of the feisty and rebellious Lila and her lifelong friend, the brilliant and bookish Elena. Lila, after separating from her husband, is living with her young son in a new neighbourhood of Naples and working at a local factory. Elena has left Naples, earned a degree from an elite college, and published a novel, all of which has opened the doors to a world of learned and fascinating interlocutors. The era, with its dramatic changes in sexual politics and social costumes, with its seemingly limitless number of new possibilities, is rendered with breathtaking vigour. This third Neapolitan Novel is not only a moving story of friendship but also a searing portrait of a rapidly changing world.

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Winner of the 2018 Fénéon Literary Prize A subtle, captivating, and insightful exploration of the mysterious connections between love, submission, and creation. Helen and Franck, both born into high-ranking diplomatic families, meet in Rome as high-school students and immediately detect in each other the wounded child hidden beneath their gilded social status. Their relationship becomes a dangerous, explosive mix of love and friendship. Immediately after Helen's graduation, they leave their past and family behind to move in together in her apartment in Amsterdam. While Helen immerses herself in her studies and embarks on a promising academic career, Frank, after a few difficult years, makes a spectacular debut on the Dutch Art scene with his first paintings. Helen remains faithfully by his side during his rise to fame, overseeing the domestic details of his life in apparent total self-abnegation. Are introverted Helen and flamboyant Franck who they really appear to be? Are they victims or monsters? Kerninon’s English language debut, full of masterfully orchestrated twists and turns, leaves simple distinctions behind and progresses on to far more intriguing terrain.

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This new instalment in Maurizio de Giovanni’s bestselling “Bastards of Pizzofalcone” series unfolds during the crisp beginning of April in contemporary Naples. A baby is left abandoned beside a dumpster. A young Ukrainian maid fights torrents of greed and frustration with the world around her. Small animals begin to disappear off the streets. The task of solving these mysteries is entrusted to a team of policemen in which few believe: the Bastards of Pizzofalcone. De Giovanni is one of Europe’s most renowned and versatile mystery writers. His award-winning and bestselling novels, all of which take place in Naples, engage readers in gripping tales of Europe’s most fabled, atmospheric, dangerous, and lustful city.

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The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel. IN THIS VOLUME, Jon Lee Anderson, Alberto Riva, and Eliane Brum among other Brazilian writers explore a multi-faceted country the world wouldn’t really associate with ‘order and progress.’ In the second half of the 20th century Brazil made extraordinary contributions to music, sport, architecture. From “bossa nova,” to acrobatic soccer, to the daring architecture of Oscar Niemeyer and Lúcio Costa, the country seemed to embody a new, original vision of modernity, at once “fluid, agile, and complex.” Seen from abroad, the victory of the far right in the 2018 elections was a rude awakening that suddenly turned the Brazilian dream into a nightmare. For locals, however, illusions had started fading long ago, amid paralyzing corruption, environmental degradation, racial discrimination, and escalating violence. Luckily, Brazilians are still willing to fight to build a better future. Today the challenge of telling the story of this extraordinary country consists in finding its enduring vitality amid the apparent melancholy.

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“Crime writing this good just has to be read.” — NB Magazine International secret police operations, drug trafficking, prostitution, and identity theft set the stage for the eternal struggle between Good and Evil “A masterpiece.”— Mystery Tribune “An engrossing fable in which families and societies unravel and are refashioned.” — ForeWord Reviews Acclaimed as one of today’s best noir writers, Massimo Carlotto reaches new heights in the most complex Alligator novel to date, rich with biting humour, humanity, and psychological insight. Marco Buratti, a.k.a. the Alligator, and his partners have fallen into a trap laid by their worst enemy: Giorgio Pellegrini, a wanted man who has no intention of living as a fugitive and turns police informer. But something goes wrong: with Pellegrini’s wife and lover in the sights of a team of ruthless sicarios, the Alligator and co. are blackmailed and forced to investigate. But they've been framed. Even if they discover who's behind the crime, they'll rot in prison. To survive, some rules will have to be bent, and others broken. “Carlotto makes even minor characters three-dimensional, such as a woman whose face shows that “she’d expected more from life and couldn’t figure out why that hadn’t come to pass,” in this grim tale of violence and corruption. James Ellroy fans will be satisfied.” - Publishers Weekly

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WINNER2019 Albertine Prize2019 Lambda Literary AwardPrix du StylePrix de la Porte Dorée 2016 Lire Best Debut Novel Le Prix du Roman NewsNow in B-format PaperbackKimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel."In her remarkable novel, Negar Djavadi beautifully captures the “disorientation” of exile and the attempt to reconstruct a self through family stories." - The New York Times“The novel pulsates with life but does not shirk from violence. The gorgeous prose…takes the edge off the relentless turmoil described throughout.” - The Financial Times“A momentous saga of modern Iran.” - Publishers Weekly

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WINNER OF THE POLARI FIRST BOOK PRIZE 2017 “A remarkable debut.” - The Huffington Post “Freewheeling and incendiary.” - London Review of Books “…vibrant, wrenching début novel...sensuous and caustic, full of smoke and blood.” - The New Yorker A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground nightclub where the city’s clandestine LGBT community congregates, and his secret lover Taymour. Every night Taymour sneaks into the house Rasa shares with his overbearing grandmother, the woman who raised him. When she finds them in bed together on the eve of Taymour’s wedding day, all hell breaks loose. That same day Rasa learns his best friend, the famous drag queen Majid, has been arrested by the police. Unable to go home, afraid for Majid’s fate, and heartbroken by Taymour’s determination to keep living a double life, Rasa’s fragile balance collapses, while all around him the brief, intense season of public protest is cut short by the regime’s repression and the rapid rise of the hard-line Islamist movement. “This immensely readable novel is fluent, passionate and emotionally honest. Equally astute in its analysis of Arab and American mores, the book’s characters are nuanced and dynamic; it gives fresh life to the maxim 'the personal is political'.” - The Guardian “Guapa offers an intimate, complex portrait of gay life in the Arab world, a subject rarely explored in fiction.” - Gay Times

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“[It] will move you across the globe and back in time.” - Library Journal Europa Compass series – new format and covers For the readers of Mary Beard and Bethany Hughes (Re)discover the timeless beauty of ancient literature The classics “never exhaust what they have to say”. Informed by this belief, linguistic expert Piero Boitani invites the reader to explore the wisdom of the works of literature underpinning Western culture, and highlights their profound and sometimes surprising connection to the present. The themes explored in this book are as wide-ranging as they are enduringly relevant. They include the Iliad’s depiction of power and war, as well as its invocation of compassion as one of the necessary foundations of society; the Odyssey as the world’s first novel; Lucretius and the way he transformed Greek scientific thought into sublime poetry; Virgil’s celebration of the history of Rome, from small village to world capital, as well as Tacitus’ denunciation of the imperialistic nature of Roman power; and Ovid’s Metamorphoses—a poem about incessant change the first postmodern classic.

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WINNER2019 Albertine Prize2019 Lambda Literary AwardPrix du StylePrix de la Porte Dorée 2016 Lire Best Debut Novel Le Prix du Roman NewsNow in B-format PaperbackKimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is

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