Search results for ""author john"

A collection of critical essays about the noted filmmaker John Hughes Offers an examination of films from diverse academic perspectives Explores topics such as his depictions of youth and his assessment of gender, class, and race issues Provides an evaluation of the filmmaker with attention to cultural and industrial concerns The films of John Hughes (1950 2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of and appreciation for the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

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Troubled. Confused. Uncertain. After 3 years with Jesus there was so much the disciples didn't understand. They were still reeling from the news that someone in their inner circle would betray the Lord. Worse still, Jesus predicted that their fiery and courageous friend Peter would deny him, and that his death was imminent. It seemed unthinkable. What would Jesus say to them? What comfort could he possibly offer? Reclining around the meal table, Jesus answered questions, taught and prayed for his disciples. In this final tutorial, he wanted to remind them of his love and faithfulness. Regardless of what was to come and how things looked, he was in complete control, and events would indeed unfold according to his sovereign plan.

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Each year between 1819 and 1825, John Constable (1776-1837) submitted a monumental canvas to the Royal Academy of Arts in London for display in the annual Exhibition. These so-called six-footers vividly captured the life of the River Stour in Suffolk, where Constable grew up and where he returned to paint each year. The Leaping Horse, the last of these, now a major work in the Academy's collection, is the subject of this fascinating new book. Humphreys explores Constable's often avant-garde working methods, as well as his struggle to gain full acceptance within the art establishment of the early nineteenth century. With reproductions of his full-scale preliminary sketches as well as brand new photography of the painting itself, this book is the ideal companion for art lovers who seek a deeper appreciation of Constable's iconic depictions of the English countryside.

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John Ridewall's Fulgencius metaforalis is a moralising commentary on Fulgentius's sixth-century Mitologiae, an introduction to the classical gods and their stories. Composed in Oxford in the 1330s and subject to almost immediate local (and broader English) use, the work was a pan-European success, and more than 100 manuscripts preserve Ridewall's text in some form. Fulgencius metaforalis has been edited before, nearly a century ago, by a great medievalist, Hans Liebeschütz; he, however, did not recognise that the manuscript he presented was a fragment, containing only about one-third of the whole. This volume provides Ridewall's entire text, as usually communicated, with a translation. In addition, it contains a substantial introduction; this outlines various difficulties in the transmission of Fulgencius and evidence for the work's extensive medieval reception. Annotation to the text identifies and indexes Ridewall's sources – most of his mythographic knowledge reflects either Remigius of Auxerre's commentary on Martianus Capella or the Third Vatican Mythographer; and offers one manuscript tabula/index, useful for seeing how readers may have accessed the work piecemeal (by manuscript consultation, not, as frequently claimed, as a set of 'memory diagrams').

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First published by Abingdon Press in cooperation with Epworth Press (London) in 1966, this work has become a standard reference on Wesley and Methodism. John Wesley's broad dependence on Puritan source material and the similarity of many of his teachings to those of the Puritans was recognized among his contemporaries and his commentators. This study documents and assesses that dependence by considering selected areas of theological concern shared by Wesley and the Puritans in their application of the gospel to a believer's daily life. The current volume has been revised and updated, making it more comprehensive and more readable while maintaining the strength of scholarship of the 1966 edition. Expanded attention is also given to Wesley's use of Richard Baxter and John Goodwin. A new final chapter examines the relationship of Wesley and the Puritans to the poor in their societies. Throughout the book, attention has been given to incorporating the insights of recent Wesley and Methodist scholarship. As a result, the bibliography is substantially expanded and updated.

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Andrew Brunson examines the presence and function of Ps 118 in the Gospel of John, placing particular emphasis on its interpretation in a New Exodus context which has previously not been developed in the Fourth Gospel. Following a comprehensive survey of Ps 118's Jewish setting, its role in the festivals, and its use in the Synoptic Gospels, special attention is given to the quotations in the Entrance Narrative.The author argues that John portrays Jesus as bringing an end to Israel's state of continuing exile by fulfilling the role reserved to Yahweh in the New Exodus. This culminates in the Entrance to Jerusalem where Jesus embodies the return of Yahweh to reign among his people. A literary study of the coming-sent theme in John underscores the extent to which Jesus is identified ontologically and functionally with the Father. A previously unnoticed allusion to Ps 118 and Jubilees in John 8.56 is explored, and attention is paid to establishing the presence and developing the function of several neglected allusions to the psalm in 10:7-10; 10:24-25; and 11:41-42.

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This must-have mini book collection is a truly special addition to any book lover’s shelf. The complete and unabridged Penguin Minis editions of four critically acclaimed, award-winning modern classics by #1 New York Times bestselling author John Green—Looking for Alaska, An Abundance of Katherines, Paper Towns, and The Fault in Our Stars—in a beautiful box set.The Penguin Minis revolutionary landscape design and ultra-thin paper makes it easy to hold in one hand without sacrificing readability. Perfectly-sized to slip into a pocket or bag, Penguin Minis are ideal for reading on the go.

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Eighteenth- and 19th-century contemporaries believed Marshall to be, if not the equal of George Washington and Benjamin Franklin, at least very close to that pantheon. John Marshall: The Final Founder demonstrates that not only can Marshall be considered one of those Founding Fathers, but that what he did as the Chief Justice was not just significant, but the glue that held the union together after the original founding days. The Supreme Court met in the basement of the new Capitol building in Washington when Marshall took over, which is just about what the executive and legislative branches thought of the judiciary. John Marshall: The Final Founder advocates a change in the view of when the “founding” of the United States ended. That has long been thought of in one or the other of the signing of the Constitution, the acceptance of the Bill of Rights or the beginning of the Washington presidency. The Final Founder pushes that forward to the peaceful change of power from Federalist to Democrat-Republican and, especially, Marshall’s singular achievement -- to move the Court from the basement and truly make it Supreme.

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King John long ago acquired the epithet 'Bad,' and he is reputed to be the worst of England's kings. Before his death in 1216, his desperate exploitation of his subjects for ever more money had turned him into the mythical monster of Hollywood legend. In marked contrast to his brother Richard, John appeared incompetent in battle, failing to defend Normandy (1202-04), and was unsuccessful in recovering his lost lands in 1214. A continuing crisis was a constant need for money, forcing John to drain England of funds for campaigns in France, demanding unlawful and oppressive new taxes. Adding to his evil reputation was an ill-tempered personality and a streak of pettiness or spitefulness that led him to monstrous acts, including murdering his own nephew. King John's unpopularity culminated in a final crisis, a revolt by the English baronage, 1215-16, aimed at subjecting him to the rule of law, that resulted in his grant of Magna Carta.

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An unusual study of a distinguished Victorian, approached through the ideas which occupied and actuated his career. By examining John Morley's intellectual interests and the development of his personal philosophy, Mr. Staebler arrives at the essential Morley and the essential Liberal of the late nineteenth century. Originally published in 1943. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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John de Courcy personified the classic image of the Anglo-Norman Knight. This tall, fair man with a strong physique and bold temperament led his men from the front and skilfully conquered a new kingdom, echoing the spirit of William the Conqueror a century before. From noble birth, but with bleak prospects of inheritance, John fought his way to the notice of King Henry II who is said to have laughingly granted him Ulster "provided he could conquer it by force". John seized his opportunity in February 1177, leading a small band of fellow knights north from the Dublin garrison to a stunning victory against King Rory MacDunlevy at the Battle of Downpatrick. Following his success he set about establishing a new Norman lordship across Ulster, centred on his magnificent castle at Carrickfergus. His eventual demise at the hands of a devious King John brought to a close a tale of medieval adventure still surrounded by myth and legend. John de Courcy carved out his own kingdom and made himself a Prince. This is his story.

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John England has settled in the penthouse of Peters Tower, the tower block of fifty apartments that his wife’s family had built. Now living with his partner Fiona since the tragic death of his wife and children, John receives millions of pounds of inheritance. When the financial crisis hit in 2008, Sandra Wall, the MD of Walls Holdings, was under severe pressure to repay the bank. She borrowed three million from Michael Fitzallen, who gained access to half the rental income from the block as well as having a half share. In the present, John England has been the subject of numerous attempts to recover the three million pounds from different factions associated with Michael Fitzallen. Michael himself has been sent to prison for murdering Sandra, and if he is there for more than ten years, the money will be forfeit. And he’s willing to go to imaginative lengths to recover his money… As John and Fiona lay low on a private motor yacht in the Mediterranean and the Spanish Secret Police get involved, can John escape this cycle of constant threat and death?

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John Wayne Enterprises is proud to present The John Wayne Way to Grill, a new cookbook containing more than 200-pages of Duke's favourite meals, from Tex-Mex classics to the best of Western barbecue and everything in between. More than just a collection of recipes, this deluxe publication will be chock-full of never-before-seen photos of the actor, along with personal anecdotes and heartwarming stories shared by his son Ethan. A man is what he eats, and readers can expect to discover not only what America's most enduring icon loved to chow down on-from the perfect charbroiled burger to his smoldering and spicy baby back ribs-but the essence of what made him a legend. it's more than a cookbook. It's a guide to making you the ultimate man.

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With the signature literary swagger that has made him the most original voice of American stage and screen, David Mamet's essays touch on his most intimate interests and obsessions. From his lifelong mania for poker and its labyrinthine psychology to sharp sallies on movie-making gibberish and the meaning of macho, Jafsie and John Henry is knit together by Mamet's unique perspective and inimitably spare wit.

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A man in a darkened workshop, surrounded and obscured by dust clouds. A pair of larger-than-life hands, holding a mallet, ready to strike. Spectacles that play with the idea of turning lies into truth and cynics into believers. A cinder block, precariously suspended above a fragile glass, held in place by a single line of tension. Welcome to John Greer: retroActive.Sculptor, conceptual artist, and unconventional art maker John Greer has been telling stories through his work for more than fifty years. Drawing on his present and past experiences, his travels and exploits, and his anxieties and fears, his work offers poignant meditations on the human environment, all the while challenging the viewer's perspective with humour, intelligence, and a trail of narrative.RetroActive offers a comprehensive view of Greer's work and his commitment to the discourse of sculpture. Stunningly designed by Susanne Schaal and featuring the photographs of Raoul Manuel Schnell, the book contains more than three hundred representations of Greer and his work - in situ, in galleries, in process - bringing into focus Greer's significant contributions to the world of art and ideas. Also included in the book are essays by Ray Cronin, Andria Minicucci, Dennis Reid, Ron Shuebrook, David Diviney, Sarah Fillmore, and Vanessa Paschakarnis.John Greer taught at the Nova Scotia College of Art and Design for almost three decades, where his thinking and teaching helped shape contemporary sculpture in Canada. His work has been included in more than fifty solo and sixty group exhibitions and is held in public and private collections around the globe. In 2009 Greer was the recipient of the Governor General's Award in Visual and Media Arts, Canada's highest distinction in the field of art and culture.

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Learn about the incredible legacy of civil rights legend and Georgia congressman John Lewis in this inspiring addition to the #1 New York Times Best-Selling series.Starting in the 1960s, John Lewis began his activism alongside civil rights legend and good friend Martin Luther King Jr. He participated in many now-historic events, including the 1963 March of Washington, the Freedom Rides, and the Selma to Montgomery marches across the Edmund Pettus Bridge. John continued his impactful career when he was elected to the House of Representatives in 1986. He went on to serve seventeen terms until his death in 2020. A recipient of the Presidential Medal of Freedom, John Lewis is considered an American hero and an icon of the civil rights movement. Learn about his life of "good trouble" in this book for young readers.

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John Wayne died more than thirty years ago, but he remains one of today's five favorite movie stars. The celebrated Hollywood icon comes fully to life in this complex portrait by noted film historian and master biographer Scott Eyman. Exploring Wayne's early life with a difficult mother and a feckless father, "Eyman gets at the details that the bean-counters and myth-spinners miss…Wayne's intimates have told things here that they've never told anyone else" (Los Angeles Times). Eyman makes startling connections to Wayne's later days as an anti-Communist conservative, his stormy marriages to Latina women, and his notorious-and surprisingly long-lived-passionate affair with Marlene Dietrich. He also draws on the actor's own business records and, of course, his storied film career. "We all think we know John Wayne, in part because he seemed to be playing himself in movie after movie. Yet as Eyman carefully lays out, 'John Wayne' was an invention, a persona created layer by layer by an ambitious young actor" (The Washington Post). This is the most nuanced and sympathetic portrait available of the man who became a symbol of his country at mid-century, a cultural icon and quintessential American male against whom other screen heroes are still compared.

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From The Inside is a thorough revised and expanded re-working of Hayward's previous books, Tin Pan Alley: The Rise of Elton John and From Tin Pan Alley to the Yellow Brick Road. From The Inside is not just an ordinary biography. It is effectively an oral history using interviews conducted over a fifteen-year period with just about every musician, producer, sound engineer, manager and key figure that worked with Reg Dwight, before and when he was Elton John, both in Britain and America, up to 1979. It is their story, From the Inside; how they contributed to the success of Sir Elton during that time, and how they played an unwitting part in his rise to fame. It is a collection of stories from the music makers, managers, executives and musicians that makes this book possible. They are the people who were there, observing what was going on and, in some cases, in close proximity to Sir Elton. It really is the story of those who still see him as an acquaintance or as a friend. It is the first time some of them have spoken out about their years working and sharing Sir Elton's life. Sadly, some of those contributors have passed now but their words and contributions live on in this book.

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Seldom has American law seen a more towering figure than Chief Justice John Marshall. Indeed, Marshall is almost universally regarded as the "father of the Supreme Court" and "the jurist who started it all." Yet even while acknowledging the indelible stamp Marshall put on the Supreme Court, it is possible--in fact necessary--to examine the pre-Marshall Court, and its justices, to gain a true understanding of the origins of American constitutionalism. The ten essays in this tightly edited volume were especially commissioned for the book, each by the leading authority on his or her particular subject. They examine such influential justices as John Jay, John Rutledge, William Cushing, James Wilson, John Blair, James Iredell, William Paterson, Samuel Chase, Oliver Ellsworth, and Bushrod Washington. The result is a fascinating window onto the origins of the most powerful court in the world, and on American constitutionalism itself.

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Starting in the 1960s, John Lewis began his activism alongside civil rights legend and good friend Martin Luther King Jr. He participated in many now-historic events, including the 1963 March of Washington, the Freedom Rides, and the Selma to Montgomery marches across the Edmund Pettus Bridge. John continued his impactful career when he was elected to the House of Representatives in 1986. He went on to serve seventeen terms until his death in 2020. A recipient of the Presidential Medal of Freedom, John Lewis is considered an American hero and an icon of the civil rights movement. Learn about his life of 'good trouble' in this book for young readers.

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In this addition to the well-received Paideia series, a respected New Testament scholar examines cultural context and theological meaning in First, Second, and Third John. Paideia commentaries explore how New Testament texts form Christian readers by attending to the ancient narrative and rhetorical strategies the text employs, showing how the text shapes theological convictions and moral habits, and making judicious use of maps, photos, and sidebars in a reader-friendly format.

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From the award-winning and New York Times best-selling author of Seward and Stanton, here is the critically acclaimed and definitive biography of John Jay: a major Founding Father, a true national hero, and a leading architect of America's future. John Jay was a central figure in the early history of the American Republic. A New York lawyer, born in 1745, Jay served his country with the greatest distinction, and was one of the most influential of its Founding Fathers. In this first full-length biography of John Jay in almost 70 years, Walter Stahr brings Jay vividly to life, setting his astonishing career against the background of the American Revolution. Drawing on substantial new material, Walter Stahr has written a full and highly readable portrait of both the public and private man. It is the story not only of John Jay himself, the most prominent native-born New Yorker of the eighteenth century, but also of his engaging and intelligent wife, Sarah, who accompanied her husband on his wartime diplomatic missions. This lively and compelling biography presents Jay in the light he deserves.

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A celebration of the life and work of the artist John Craxton, a rebellious figure in British art history Spanning a rich variety of works from the 1940s to the 2000s, this book celebrates the life and work of the British artist John Craxton (1922–2009). It charts the development of Craxton’s work from the poetic, melancholy images created in wartime Britain to the vibrant paintings and drawings produced in his adopted homeland of Greece. The book revisits the artist’s early life and looks at the influence of British Romantic art and the landscape of England and Wales on his work, while also exploring themes around LGBTQ+ identity, his relationship to significant modern British and international artists, and the historical context of mid-century Britain and Greece. Featuring short essays and texts from contributors including Sir David Attenborough, Ian Collins, Simon Martin, Miriam O'Connor Perks, David Mellor, Edmund White, Hilary Spurling, and Tacita Dean—covering subjects across Craxton’s career, including book illustration, landscape, ballet design, ceramics, and tapestry—this lively account showcases the diverse artistic output of this key figure in British art history. Exhibition Schedule: Pallant House Gallery, Chichester (October 28, 2023–April 21, 2024)

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Although recent discussions on Matthew have emphasized the document's setting within Judaism, these studies have not analyzed how the Jewish figure of John the Baptist functions within this setting. Brian C. Dennert steps into this gap, arguing that Matthew presents Jesus to be the continuation and culmination of John's ministry in order to strengthen the claims of Matthew's group and to vilify the opponents of his group. By doing this he encourages Jews yet to align with Matthew's group (particularly those who esteem the Baptist) and to gravitate away from its opponents. The author examines texts roughly contemporaneous with Matthew which reveal respect given to John the Baptist at the time of Matthew's composition. The examination of Matthew shows that the first Evangelist more closely connects the Baptist to Jesus while highlighting his rejection by Jewish authorities.

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Exalting Jesus in John is part of the Christ-Centered Exposition Commentary series. Edited by David Platt, Daniel L. Akin, and Tony Merida, this new commentary series, projected to be 48 volumes, takes a Christ-centered approach to expositing each book of the Bible. Rather than a verse-by-verse approach, the authors have crafted chapters that explain and apply key passages in their assigned Bible books. Readers will learn to see Christ in all aspects of Scripture, and they will be encouraged by the devotional nature of each exposition presented as sermons and divided into chapters that conclude with a 'Reflect & Discuss' section, making this series ideal for small group study, personal devotion, and even sermon preparation. It's not academic but rather presents an easy reading, practical and friendly commentary. The author of Exalting Jesus in John is Matt Carter and Josh Wredberg. 'The balance of biblical accuracy, clear outlines, captivating illustrations, and life-changing applicati

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In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.The Sunday Times bestseller with a new chapter bringing the story up to date. 'The rock memoir of the decade' – Daily Mail'The rock star's gloriously entertaining and candid memoir is a gift to the reader' – Sunday Times______________Christened Reginald Dwight was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed of becoming a pop star. By the age of twenty-three, he was performing his first gig in America, facing an astonished audience in his bright yellow dungarees, a star-spangled T-shirt and boots with wings. Elton John had arrived and the music world would never be the same again.His life has been full of drama, from the early rejection of his work with songwriting partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with the Queen; from friendships with John Lennon, Freddie Mercury and George Michael to setting up his AIDS Foundation. All the while, Elton was hiding a drug addiction that would grip him for over a decade.In Me Elton also writes powerfully about getting clean and changing his life, about finding love with David Furnish and becoming a father. In a voice that is warm, humble and open, this is Elton on his music and his relationships, his passions and his mistakes. This is a story that will stay with you, by a living legend.______________'Self-deprecating, funny . . . You cannot help but enjoy his company throughout, temper tantrums and all' – The Times'Racy, pacy and crammed with scurrilous anecdotes - what more could you ask from the rocket man' – Guardian (Book of the Week)'Chatty, gossipy, amusing and at times brutally candid' – Telegraph

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John Ford is best known as the author of the controversial *Tis Pity She’s a Whore*, but his other plays are also full of interest. The Lady’s Trial, his last play, encapsulates the final development of his own unique theatrical aesthetic whilst looking back to the drama of his youth, most notably Othello, whose story is here rewritten. In Ford’s version, the supposedly wronged husband, the victorious general Auria, does not simply take the word of his friend, the well-intentioned but overly suspicious Aurelio, that his wife, Spinella, is unfaithful: instead he does what Othello apparently never even thinks of doing, and conducts a rational, public sifting of the apparent evidence, at the end of which Spinella is triumphantly cleared. In combining this story of public vindication with his distinctive dramatic style of delicate reticence, Ford offers a powerful exploration of both the capabilities and the limitations of language and its role in human relationships. The first scholarly edition of this undeservedly neglected play situates it in its dramatic and historical contexts and helps elucidate Ford’s understated, allusive style.

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In this momentous 50th book in the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Elton John, the piano wizard who rocketed to stardom with his music. As a child, Elton started playing his grandmother's piano in Harrow, London. He could pick tunes out by ear and was soon attending lessons at the Royal Academy. After answering an advertisement in a newspaper, Elton teamed up with a lyric-writing buddy: Bernie Taupin. The rest was history. Elton's songwriting talent, musical skill and dazzling outfits have made him one of the all-time greats. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the musician's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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This book provides an intimate and affectionate view of one of Hollywood's most admired directors. The fifty-year career of John Ford (1895-1973) included six Academy Awards, four New York Film Critics' Awards, and some of our most memorable films, among them The Informer (1934), The Grapes of Wrath (1940), The Quiet Man (1952), The Long Gray Line (1955), and The Wings of Eagles (1957). In addition, the name John Ford was practically synonymous with the great Westerns that came out of Hollywood for many years-- Stagecoach (1939), She Wore a Yellow Ribbon (1949), Rio Grande (1950), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), for example. After his death a European newspaper mourned ford as "the creator of the Western," although many of his finest films were far removed from that genre. Combining interviews with John Ford with his own reflections, director Peter Bogdanovich captures both the artist and the man in a highly readable, compact book that will please film lovers and Ford admirers alike. Over a hundred stills are included, along wit hthe most completed filmography yet compiled for John Ford.

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A keepsake collection of Lord John Grey's shorter adventures and a spectacular addition to any Gabaldon fan's library, Lord John and the Hand of the Devils brings these three unique novellas together for the first time.____________Lord John and the Hellfire Club marks the first appearance of Lord John outside the Outlander novels (and chronologically precedes the novel Lord John and the Private Matter). A young diplomat is killed in the street as he begs Lord John for help. Witnessing the murder, Grey vows to avenge the young man, as the trail leads to the notorious Hellfire Club and the dark caves beneath Medmenham AbbeyIn Lord John and the Succubus, Grey's assignment as liaison to a Hanoverian regiment in Germany finds him caught between two threats: the advancing French and Austrian army, and the menace of a mysterious 'night-hag,' who spreads fear and death among the troops. Acknowledging that he is unlikely to fall victim to a succubus, Lord John is obliged to contend with the marauding night-hag before the enemy arrives. This tale with a touch of the supernatural bridges the action between Gabaldon's two full-length Lord John tales.Finally, in Lord John and the Haunted Soldier, Lord John is called to the Arsenal at Woolwich to answer a Royal Commission of Enquiry's questions regarding a cannon that exploded during the battle of Krefeld (a central action in Lord John and the Brotherhood of the Blade). Accusations ensue, and Lord John finds himself knee-deep in a morass of gunpowder, treason, and plot -- haunted by a dead lieutenant, and followed by a man with no face.____________Readers love Lord John and the Hand of Devils . . .***** 'John Grey is my spirit animal. I am such a fan of this series!'***** 'My eyes couldn't read fast enough!!'***** ' I enjoyed all three, once again became lost in the time period within seconds of starting to read....I don't know how Diana G. does it!'***** 'I really, really liked this trilogy of novellas that were included in this book.'***** 'The insight is fascinating, interesting and favourable.'

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Like many another statesman, John Adams entered the political arena by way of the legal profession. Here, gathered together in three volumes, is an inclusive presentation of the important legal cases in which he was involved. Student notes and Commonplace Book, which show the influences on the young law student in 1758 and 1759 are followed by Adams' Pleadings Book, a collection of forms providing a cross-section of the law in eighteenth-century Massachusetts and showing his work as teacher as well as student.The sixty-four cases documented are divided into sixteen legal categories such as Torts, Property, Domestic Relations, Town Government, Conservation, Religion, Slavery, and Admiralty. They are preceded by editorial headnotes which discuss the background, significance, and importance of each category and case. Careful and thorough footnotes explain textual and legal problems; a register of John Adams' contemporaries furnishes sketches of his colleagues on the bench and bar; and an exhaustive chronology records his growing practice. But the bulk of the material consists of Adams' own notes and minutes, supplemented by court records, letters, depositions of witnesses, and the minutes of other lawyers, as well as extracts from Adams' correspondence and diary to make the record of each case as full as possible. Many of the cases concern events, personalities, and legal struggles directly related to the American Revolution.The entire third volume of this imposing collection is devoted to the so-called "Boston Massacre." Confronted by a fascinating mass of conflicting evidence, charges and countercharges, and confused and confusing witnesses, many Americans will be surprised to discover that they must revise their notions about what actually happened on that March evening in 1770, why it did, and what ensued.These three books comprise the first segment of Series III of The Adams Papers. The William Nelson Cromwell Foundation has made possible the editing of these volumes by means of a generous grant to the Harvard Law School.

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In this brilliant collection of diverse works-essays, short stories, poems, translations-which spans a lifetime's engagement with art, John Berger reveals how he came to his own unique way of seeing. He challenges readers to rethink their every assumption about the role of creativity in our lives. Paying homage to the writers and thinkers who influenced him, he pushes at the limits of art writing, demonstrating beautifully how his artist's eye makes him a storyteller, rather than a critic. His expansive perspective takes in artistic movements and individual artists-from the Renaissance to the present-while never neglecting the social and political context of their creation. Landscapes-alongside Portraits-completes a tour through the history of art that will be an intellectual benchmark for many years to come.

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Stripped of their typical narrative and commercial contexts, the fragmented collages of this collection act as visually tantalizing ciphers, reflecting the desires and imaginings of the beholder.' – Jennie Waldow, Brooklyn Rail This beautifully illustrated catalogue showcases works by British artist John Stezaker made between 1976 and 2017 and brought together in the 2018 show “Love” at The Approach, London. Stezaker is celebrated for his distinctive collage works: interruptions of, and interventions into, found images dating mostly from the mid-20th century – products of modernist culture such as film stills, press and publicity photographs, magazines and postcards. His works engage with themes such as psychological archetypes, fragmentation, identity, self and other, desire, inscrutability and enigma, glamour, fantasy, dreams and the gaze. A sense of romance pervades Stezaker’s imagery. As demonstrated most dramatically by the artist’s 'Love' series (2016), his work seduces and ensnares the viewer’s gaze, arresting their perceptual expectations. Disquieting, poetic, compelling, glamorous and strange, the anatomies of love and desire comprising 'Love' resemble a visual encyclopaedia of human consciousness. Featuring essays by Michael Bracewell and Craig Burnett.

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It would not be an exaggeration to observe that in the last two decades Gower studies have developed in response to a widening appreciation of his poetry. On John Gower: Essays at the Millennium represents the third volume of essays originating from sessions of the John Gower Society at the International Congress on Medieval Studies at Kalamazoo, Michigan. The contributions here and in the previous volumes provide insight into the shifts and trends in Gower studies over time. This collection offers a vibrant and fresh view of the field of Gower studies today, making it and its companion volumes an essential set for Gower scholars.

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John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. But beneath the thoroughly modern window on Britain that he opened during his lifetime lay the influence of his nineteenth-century forbears. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and -- more importantly -- religious doubt. It was, nevertheless, a process which took time. In the 1930s Betjeman's work was tinted with modernism and traditionalism. He found Victorian buildings 'funny' and wrote much in praise of the Bauhaus style, even though his early poetry was peppered with Victorian references. This leaning was incorporated into a greater sense of purpose during World War 2, when he transformed himself from precious humorist into propagandist. The resulting sense of cohesion grew when the dangers of post-war urban redevelopment heightened the need to critique the present via the poetics of the past, a mood which continued up to and beyond his gaining the Laureateship in 1972. This duty proved to be a millstone, so the 'official' poems are thus explored by the author more fully than hitherto. The conclusion of looks back to Betjeman's 1960 verse-autobiography, 'Summoned by Bells', which is seen as the apogee of his achievement and a snapshot of his identity. Included here is the first critical appreciation of the lyrics embodied within the text, which are taken as a map of the young poet's literary growth. Larkin's 1959 question 'What exactly is Betjeman?' then leads to a final appraisal of his originality, as evidenced by his glances towards postmodernism, feminism, and post-colonialism. The fact is that Betjeman never quite fits in anywhere. He is always a square peg in a round hole or a round peg in a square hole -- often for the sheer enjoyment of so being. In a sense, his desire to be as non-conformist as a Quaker meeting house makes him a radical, rather than the reactionary that his interests imply. He was a champion of beauty and the British Isles, and clearly did much to make us see the worth of our Victorian forebears. Greg Morse's book highlights this important facet of his work.

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A century after Queen Victoria's death, debate still rages surrounding her relationship with her gillie, John Brown. Were they ever married? What was the extraordinary hold he had over her? This biography aims to shed new light on these questions and to discover the truth behind Brown's hold on his royal employer. Following the death of Prince Albert in 1861, the Queen found solace in the companionship of John Brown, who had commenced his royal employment as a stable hand. He became "The Queen's Highland Servant" in 1865 and rose to be the most influential member of the Scottish Royal Household. While the Queen could be brusque and petulant with her servants, family and ministers, she submitted to Brown's fussy organization of her domestic life, his bullying and familiarity without a murmur. Despite warnings of his unpopularity with her subjects by one Prime Minister, the Queen was adamant that Brown would not be sacked. The Queen's confidence was rewarded when Brown saved her from an assassination attempt, after which he was vaunted as a public hero. The author reveals the names of republicans and disaffected courtiers who related gossip about Queen Victoria and John Brown and their purported marriage and child, and identifies those who plotted to have Brown dismissed. Based on research in public, private and royal archives, as well as diaries and memoirs of those who knew Brown and interviews with his surviving relatives, this text analyzes the relationship between Queen Victoria and Brown.

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John Wesley is known primarily as the founder of Methodism, but his interests were not limited to religion and theology. His impact on the eighteenth century was profound. Wesley studies appear in the scholarship of many disciplines. The purpose of this bibliography is to bring together these writings about John and his brother Charles_both popular and scholarly works_in an organized and useful arrangement. The bibliography is arranged by format: books, periodical articles, dissertations and theses, fiction, drama, juvenile literature, poetry, and media, with a subject index. There is also a non-English section. This bibliography should be useful not only to persons studying Methodism and Wesleyan theology, but to anyone with an interest in the people and events of the 18th century.

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John and Adele have been together for over two decades and have a son. Their relationship has been on a downhill trajectory for many years. One evening, en route to their annual holiday destination, they run out of fuel in a remote location. To whom can they go for assistance? Suddenly, in the darkness, their lives take an unexpected turn. They meet three mysterious but benevolent strangers who offer to help them. In observing Adele and John, they pose to the couple an unusual challenge that seeks to address the core problems in their marriage. John and Adele find the proposal odd but intriguing. While it may have advantages, it could be risky and dangerous. But unresolved emotions and unhealed wounds, as well as long-buried memories can also have hazardous and unpredictable consequences. Will they dare to accept this challenge or not? This unique novel, while aimed at taking a fresh perspective on relationships, is uplifting, relaxing, and is meant to be enjoyed.

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