Search results for ""author jacob"

While the dissolution of the monasteries in the 1530s resulted in the destruction of much of England’s built fabric, it was also a time in which many new initiatives emerged. In the following century, former monasteries were eventually adapted to a variety of uses: royal palaces and country houses, town halls and schools, almshouses and re-fashioned parish churches. In this beautiful and elegantly argued book, Maurice Howard reveals that changes of style in architecture emerged from the practical needs of construction and the self-image of major patrons in the revolutionary century between Reformation and Civil War. Published for the Paul Mellon Centre for Studies in British Art

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The 1745 Jacobite Rebellion was a turning point in British history. When Charles Edward Stuart, commonly known as the Young Pretender, sailed from France to Scotland in July 1745, and with only a handful of supporters to claim the throne for his exiled father, few people within Britain were alarmed. But after he raised the Stuart standard at Glenfinnan in the Western Highlands, destroyed a contingent of the British army at Prestonpans near Edinburgh, and then marched south into England, swiftly reaching Derby, the rising threatened to destabilise the British state, dethrone King George and the Hanoverian dynasty, while disrupting Britain’s military capability in Europe and colonial activities in America and beyond. Less than four decades after the controversial Act of Union between Scotland and England, arrogance and incompetence on the part of government ministers had allowed the small danger Charles and his Jacobite army had initially posed to escalate into a full-scale civil war: part of the on-going dynastic, political and ideological struggle for the heart and soul of this new nation. Yet the reality of the ’45 continues to be obscured by fiction and myth, as personified by the heroic, gallant but doomed ‘Bonnie Prince Charlie’ versus the heartless victor, ‘Butcher’ Cumberland. In the years 1745-6 nothing was certain. While utilising past and recent scholarship, this magnificent account draws extensively on a wealth of contemporary sources, revealing the thoughts and feelings of the key players and local eyewitnesses as these extraordinary events played out. What emerges is a story more complex, paradoxical and even tragic than the myth suggests. From the exiled Stuart court in Rome to the palaces of Versailles and Holyroodhouse, from the battlefields of Flanders to Falkirk and Culloden, Jacobites brilliantly sets the ’45 in its full and proper context on the stage of European history. And in our own time of seismic shift for the Union, the British political system, constitution and monarchy, Jacobites offers a timely re-telling of this critical episode in our island’s shared past.

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Jacobite influences are often found in Scottish culture. Indeed, many of their stories and legends are still told today in some form or another. Tales of Bonnie Prince Charlie and the Jacobites is an imaginative look into the story of the Jacobites who fought to bring the Stuart kings back to Scotland.McHardy examines the Jacobite tales to create a vivid historical picture of Scotland's Stuart past.

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The DeMell Jacobsen Collection of paintings and sculpture—an assemblage rich in American cultural heritage—parallels the development of art in the United States. American Made features some of the country’s most recognized artists: Thomas Cole, John Kensett, Asher B. Durand and William Trost Richards, while works by Theodore Robinson, Childe Hassam, Willard Leroy Metcalf and William Merritt Chase represent the Grand Tour and concepts gained abroad. Wonderful still lifes appear throughout the collection, including paintings by Severin Roesen, William Harnett and a late work by William Bailey. Portraiture is represented in stellar examples by members of the Peale family, Thomas Sully, Mary Cassatt, John Singer Sargent and Edmund Charles Tarbell. Classically-inspired marble works from Hiram Powers and Randolph Rogers, bronze pieces from Paul Manship and Augustus Saint-Gaudens, and a modern copper and bronze example from Harry Bertoia are highlights of the sculpture collection. Early modernist and interwar works by Marsden Hartley, John Marin, Emil Bisttram, Paul Cadmus and Joseph Stella explore colour, form and abstraction. Highlights of contemporary art include works by Frank Stella, Louise Nevelson and a recently acquired painting by Alexis Rockman. Fully illustrated—with several paintings including profiles of their appropriate period frames—each work of art features an extended entry with full specifications, information on style and stylistic influences, significance and social context.

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In the late nineteenth century a resurgent Jacobite movement emerged in Britain and the United States, highlighting the virtues of the Stuart monarchs in contrast to liberal, democratic, and materialist Victorian Britain and Gilded Age America. Compared with similarly aligned protest movements of the era – socialism, anarchism, nihilism, populism, and progressivism – the rise of Jacobitism receives little attention.Born in the Glorious Revolution of 1688, Jacobitism had been in steep decline since the mid-eighteenth century. But between 1880 and 1910, Jacobite organizations popped up across Britain, then spread to the United States, publishing royalist magazines, organizing public demonstrations, offering Anglo-Catholic masses to fallen Stuart kings, and praying at Stuart statues and tombs. Michael Connolly explains the rise and fall of Anglo-American Jacobitism, places it in context, and reveals its significance as a response to and a driver of the political forces of the period. Understanding the Jacobite movement clarifies Victorian Anglo-American anxiety over liberalism, democracy, industrialization, and emerging modernity. In an age when worries over liberalism are again ascendant, Jacobitism in Britain and the United States, 1880–1910 traces the complex genealogy of this unease.

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The recipient of nearly every major literary award in the United States, Josephine Jacobsen has enjoyed a career that spans more than six decades, from the publication of her first poem at age eleven to her 1995 nomination as a National Book Award finalist. What Goes without Saying brings together thirty of her previously published stories. In "Sound of Shadows," she takes readers through the double-bolted front door of a rowhouse, into the narrow quarters of Mrs. Bart, an elderly widow who has folded her life into her dark living room where the sole light in her "one room wide" world comes from the magenta- and green-tinged colors flashing on her television screen. We follow the muezzin's melancholy call in "A Walk with Raschid," an O. Henry Prize story about an intriguing ten-year-old Arab boy who guides a honeymoon couple through the Moroccan Fez. And the tautly written "Protection" begins with an exacting poetic image that is typical of Jacobsen's insightful prose: "Mica sparkles. The banshee ambulance is beating its mad bell. Like a reaped grassblade on a meadow of macadam, its object lies."

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The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.

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Through a combination of original essays and primary source material, Elizabethan and Jacobean England records the transformative changes that defined English society during the Renaissance. Combines original source documents with critical essays to chart the transformative changes in English society from the accession of Elizabeth I in 1558, to the end of the reign of James I in 1625 Brings together a variety of source material including new public and private documents, providing a vivid portrait of life in late Tudor and early Stuart England Features newly commissioned essays by leading scholars, which assist readers in navigating and interpreting the source material Accessibly structured into sections covering government, society, economics, literary arts, religion, and learning; with contextual introductions included at the start of each Challenges readers to confront their assumptions about Renaissance literature, as well as to consider problems of evidence and interpretation, new theories, and methodologies

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'In overthrowing me, you have done no more than cut down the trunk of the tree of liberty - it will spring back from the roots, for they are numerous and deep.' - Toussaint Louverture The leader of the only successful slave revolt in history, Toussaint Louverture is seen by many to be one of the greatest anti-imperialist fighters who ever lived. Born into slavery on a Caribbean plantation, he was able to break from his bondage to lead an army of freed African slaves to victory against the professional armies of France, Spain and Britain in the Haitian Revolution of 1791-1804. In this biography, Louverture's fascinating life is explored through the prism of his radical politics. It champions this 'black Robespierre' whose revolutionary legacy had inspired people and movements in the two centuries since his death. For anyone interested in the roots of modern-day resistance movements and black political radicalism, Louverture's extraordinary life provides the perfect starting point.

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Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play’s meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.

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Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society. During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew. Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.

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Who were the Jacobites and what were they fighting for? Step into the shoes of siblings Rob and Aggie, young Jacobites living in the Scottish Highlands in 1745, the year of the final Jacobite Rising.From the battlefield to the croft, each easy-to-read chapter mixes Rob and Aggie's stories with timelines, maps, diagrams and illustrations to create a fact-tastic account of the Jacobite Risings, which is both fun and emotionally engaging for younger readers.Take a journey through time and find out:Who was Bonnie Prince Charlie and why was a young man from Italy leading the fight for the Scottish crown?What happened at the earlier failed Risings, and why did the Jacobites keep fighting? How can you turn a kilt into a sleeping bag?What really happened at the Battle of Culloden?Who were the Redcoats? How did the Jacobite Risings change Scotland for ever?The Dangerous Lives of the Jacobites continues the brilliant Fact-tastic series, which blends together intriguing facts and fascinating fiction to bring the most exciting, gruesome and crucial moments of Scottish history alive for young readers.

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Explores the religious cultures, beliefs and imperatives that shaped the Jacobite movement in Scotland Brings together research from established academics in the field, emerging and independent scholars and contemporary Episcopalian churchmen Provides a fresh examination of the Jacobite movement based not on dynastic identification but on confessional and intellectual bases of support Assesses the development of Scottish liturgy from the sixteenth- to the eighteenth-century and the substantial advances made in Scottish ecclesiastical thought and practice The Revolution of 1688-90 was accompanied in Scotland by a Church Settlement which dismantled the Episcopalian governance of the church. Clergy were ousted and liturgical traditions were replaced by the new Presbyterian order. As Episcopalians, non-jurors and Catholics were side-lined under the new regime, they drew on their different confessional and liturgical inheritances, pre- and post-Reformation, to respond to ecclesiastical change and inform their support of the movement to restore the Stuarts. In so doing, they had a profound effect on the ways in which worship was conducted and considered in Britain and beyond. This book provides a fresh examination of the Jacobite movement based not on dynastic identification but on confessional and intellectual bases of support, focussing on the composite and nuanced traditions that sustained the Jacobite movement for seven decades beyond the Revolution of 1688-90.

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Revolutionary Subjects in the English "Jacobin" Novel engages ongoing debates on subject formation and rights discourse through the so-called "English Jacobin" novels. Ostensibly celebrating the universal rights-bearing subject, these political novels inadvertently also questioned the limitations of such universal conceptions. Including works by both men and women, and those normatively identified as radical alongside others considered more conservative or even "anti-Jacobin," this work examines the shared efforts to represent developing political consciousness and to inculcate such consciousness in readers across a reformist continuum. These novels' efforts to expand the citizen-subject threatened to reveal the cost implicit in accessing subjectivity on universal terms. Wallace argues that subversive narrative strategies in fiction, including William Godwin's Things as They Are (1794), Robert Bage's Hermsprong (1796), and Amelie Opie's Adeline Mowbray (1805), undercut and question the sovereign subject modeled as the ideal republican radical subject and describe a discourse that is not always in line with the work's overt "moral." If the concept of human rights appears both necessary and inadequate in 2009, it was likewise problematic in the revolutionary 1790s.

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In the summer of 1745, Charles Edward Stuart, the grandson of England's King James II, landed on the western coast of Scotland intending to overthrow George II and restore the Stuart family to the throne. He gathered thousands of supporters, and the insurrection he led—the Jacobite Rising of 1745—was a crisis not only for Britain but for the entire British Empire. Rebellion and Savagery examines the 1745 rising and its aftermath on an imperial scale. Charles Edward gained support from the clans of the Scottish Highlands, communities that had long been derided as primitive. In 1745 the Jacobite Highlanders were denigrated both as rebels and as savages, and this double stigma helped provoke and legitimate the violence of the government's anti-Jacobite campaigns. Though the colonies stayed relatively peaceful in 1745, the rising inspired fear of a global conspiracy among Jacobites and other suspect groups, including North America's purported savages. The defeat of the rising transformed the leader of the army, the Duke of Cumberland, into a popular hero on both sides of the Atlantic. With unprecedented support for the maintenance of peacetime forces, Cumberland deployed new garrisons in the Scottish Highlands and also in the Mediterranean and North America. In all these places his troops were engaged in similar missions: demanding loyalty from all local inhabitants and advancing the cause of British civilization. The recent crisis gave a sense of urgency to their efforts. Confident that "a free people cannot oppress," the leaders of the army became Britain's most powerful and uncompromising imperialists. Geoffrey Plank argues that the events of 1745 marked a turning point in the fortunes of the British Empire by creating a new political interest in favor of aggressive imperialism, and also by sparking discussion of how the British should promote market-based economic relations in order to integrate indigenous peoples within their empire. The spread of these new political ideas was facilitated by a large-scale migration of people involved in the rising from Britain to the colonies, beginning with hundreds of prisoners seized on the field of battle and continuing in subsequent years to include thousands of men, women and children. Some of the migrants were former Jacobites and others had stood against the insurrection. The event affected all the British domains.

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Michael Nevin is a professional economist and collector of Jacobite memorabilia. He served as Treasurer of the 1745 Association between 2005 and 2010 and has been the association's Chair since 2016. He lives in Edinburgh.

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The architecture by Arne Jacobsen and Otto Weitling is of outstanding importance for post-war modernism in Germany. The calibre of their projects, however, has been forgotten. Gesamtkunstkwerke closes this gap in the appreciation of their work with a comprehensive presentation of seven out of eight German projects by the Danish master architects. Jacobsen and Weitling’s Scandinavian functionalism is a reflection of the visions of the former FRG – designs and commissions grounded in democracy, prestige and efficiency. The publication also takes stock of how the legacy of late modernism is being handled. The journey through the architects’ locales leads us to the sea, to model towns and to the intricacies of modernism, prompting a debate in accordance with Otto Weitling: ‘Pros and cons would be a positive sign because a building that isn’t talked about is usually not worth talking about.’ Text in English and German.

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This is the first biography of Ludovic Stuart, Duke of Lennox, who served in the court of King James VI of Scotland from 1583 until his unexpected death in 1624. Lennox arrived in Scotland in November 1583, a 9-year-old boy from France and a cousin of the king. For the next 40 years he served James faithfully and skilfully, becoming the quintessential courtier, James's confidant, adviser and friend. Shrewd politician, ambitious and sometimes ruthless, but also beloved by the royal family, Lennox carefully negotiated political and diplomatic minefields. He also participated in the arts as patron and performer, sponsoring his own acting company, attending drama performances and performing in several court masques. Providing a portrait of this most important courtier, this book covers the politics and cultural life of the Stuart court in Scotland and England. It shows that it is essential to know about Lennox and his unparalleled importance in order to fully understand the reign of King James.

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'James is a titan of twentieth-century politics and culture' Sunday Times'The Black Jacobins is not only a groundbreaking historical work; it is a masterpiece in storytelling and analysis' Gary YoungeThe iconic study of the Haitian revolution, by one of the most important historians of the twentieth centuryC. L. R. James's pioneering account of the 1791 San Domingo slave revolt and the creation of the republic of Haiti changed the way colonial history was written. By putting the experiences of the slave rebels, led by Toussaint L'Ouverture, centre stage, James made them agents of their own story. His work, written as part of the fight to end colonialism in Africa, helped inspire radical liberation movements worldwide, from Black Power to Castro's revolution in the Caribbean.With an Introduction by Christienna Fryar

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North in the World presents 121 poems by Rolf Jacobsen (1907-1994), one of Norway's greatest modern poets. Garnering the highest praise of critics, Jacobsen won many of Norway's and Sweden's most prestigious literary awards, including the Swedish Academy's Dobloug Prize and the Grand Nordic Prize, also known as the "Little Nobel." But he also has earned a wide popular audience, because ordinary readers can understand and enjoy the way he explores the complex counterpoint of nature and technology, progress and self-destruction, daily life and cosmic wonder. Drawing from all twelve of his books, and including one poem collected posthumously, North in the World offers award-winning English translations of Jacobsen's poems, accompanied by the original Norwegian texts. The translator, the American poet Roger Greenwald, worked with Jacobsen himself to correct errors that had crept into the Norwegian texts over the years. An in-depth introduction by Greenwald highlights the main features of Jacobsen's poetry, and extensive endnotes, as well as indexes to titles and first lines in both languages, enhance the usefulness of the book for general readers and scholars alike. The result is the definitive bilingual edition of Jacobsen's marvelous poetry.

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_Outlander_ has brought the story of the 1745 Jacobite uprising to the popular imagination, but who were the Jacobites, really? Explore this pivotal moment in Scottish history, visiting some of the key locations from Jamie and Claire's travels. Discover what clan life was really like, read about medicine in the 1700s and find out whether the red coats were really as bad as Jack Randall. Meet Bonnie Prince Charlie and explore how he managed to inspire an uprising from France and then storm England with a force of no more than 5,000 soldiers. Witness the battle of Culloden and what really happened there, before exploring the aftermath of this final attempt for a Stuart restoration.

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A biography of the second Duke of Lennox, the most consequential person in the Jacobean court in Scotland and England Provides an overview of the politics and culture of Scottish and English life in the Stuart period Uses rich archival, manuscript and other primary sources Includes photographs of the Lennox and the royal family This is the first biography of Ludovic Stuart, Duke of Lennox, who served in the court of King James VI of Scotland from 1583 until his unexpected death in 1624. Lennox arrived in Scotland in November 1583, a 9-year-old boy from France and a cousin of the king. For the next 40 years he served James faithfully and skilfully, becoming the quintessential courtier, James's confidant, adviser and friend. Shrewd politician, ambitious and sometimes ruthless, but also beloved by the royal family, Lennox carefully negotiated political and diplomatic minefields. He also participated in the arts as patron and performer, sponsoring his own acting company, attending drama performances and performing in several court masques. Providing a portrait of this most important courtier, this book covers the politics and cultural life of the Stuart court in Scotland and England. It shows that it is essential to know about Lennox and his unparalleled importance in order to fully understand the reign of King James.

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Based in Perthshire, the Murray family played an important role in all Jacobite rebellions, whether as rebels or supporters of the government. During the Great Rising of 1715, the head of the family the Duke of Atholl remained loyal to the Hanoverian government but three of his sons were Jacobites. Two of these brothers then went on to play major roles in the 1719 Rising and in the more famous '45. What led to their decision to commit to the Jacobite cause? A look at the earlier years of the Murrays at the end of the seventeenth and early eighteenth centuries sheds light on the family dynamics and helps explain how and why the brothers made the decisions they did. Traditionally the Murrays were thought to have perhaps made a conscious and pragmatic decision to have a foot in both camps, but the evidence presented here shows the brothers possessed a strong rebellious streak. Despite the heavily enforced regime of duty from their father and the Presbyterian piety of their mother, they refused to conform to their parents' wishes and in varying degrees chose of their own volition, a different path to that expected of them. Set against the backdrop of social unrest and anxiety over against English influence in Scotland, these choices had a significant impact on the history of the family and because of who that family was, a significant impact on the country.

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C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.

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Descubre las aventuras de Jaco, un poderoso patrullero galáctico varado en la Tierra y enviado para detener a un Saiyan del planeta Vegeta. Una comedia repleta de sorpresas y cameos de personajes emblemáticos renacidos de la pluma de Toriyama.Título original: Jaco the Patrolman

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Descobreix les aventures d'en Jaco, un poderós patruller galàctic destinat a la Terra per detenir a un superguerrer del planeta Vegeta. Una comèdia plena de sorpreses i intervencions especials de personatges emblemàtics nascuts de la ploma de Toriyama. Deu anys després de no publicar cap manga, el mestre Akira Toriyama tona amb aquesta història, que explica l'origen de la llegendària sèrie Bola de Drac. Títol original: Jaco The Patrolman

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The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety. Frances Jennings, elder sister of Sarah, duchess of Marlborough, had an interesting and eventful life, most notably as the influential wife of Richard Talbot, earl of Tyrconnell, Catholic viceroy of Ireland under James II. Born circa 1649 into a Hertfordshire gentry family, she was a noted beauty at the Restoration court. There, she met and married George Hamilton, a Catholic officer who, after 1667, served in Louis XIV's army. In Paris, Frances raised three daughters, converted to Catholicism, and became an active member of the English Catholic émigré community. Following Hamilton's death, she remarried to Richard Talbot. As vicereine of Ireland, Frances helped re-establish Catholic hegemony, assisting in the foundation of convents and re-consecration of Christ Church cathedral. During the Williamite-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.

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Unpicking the ecopolitics of Shakespeare's plays at the Stuart court, Shakespeare Beyond the Green World establishes that the playwright was remarkably attentive to the environmental issues of his era. As a court dramatist, he designed his plays to captivate a patron deeply involved in both the conservation and exploitation of a burgeoning empire's natural resources. Spurred by James' campaign to unify his kingdoms, the Jacobean Shakespeare ventures beyond the green and pleasant lowlands of England to chart the wild topographies of an expansionist Great Britain: the blasted heath in Macbeth, the caves and mines of Timon of Athens, the overfished North Sea in Pericles, the Welsh mountains in Cymbeline, the Arctic fur country in The Winter's Tale, the fens in The Tempest, overcrowded London and empty Ulster in Measure for Measure and Coriolanus, and the night in Antony and Cleopatra and King Lear. While these plays often simulate a monarch's-eye-view of the natural world, they also reveal that Crown policies were fiercely contested from below. In addition to trekking beyond verdant landscapes, Shakespeare Beyond the Green World seeks to mitigate the Anglocentric and anthropocentric bias of the archive by putting the plays into conversation with texts in which the subaltern wild growls back. Combining deep dives into environmental history with close readings of Shakespearean wordplay, original typography, and original performance conditions, this study re-wilds the Renaissance stage. It spotlights Shakespeare's tendency to humanize beasts and bestialize allegedly godlike monarchs, debunking fantasies of human exceptionalism. By clarifying how the Jacobean plays expose monarchical dominion as ecological tyranny, this study remains scrupulously historicist while reasserting Shakespearean drama's scorching relevance in the Anthropocene.

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In the spring of 1940 Canada sent hundreds of highly trained volunteers to serve in Britain's Royal Air Force as it began a concerted bombing campaign against Germany. Nearly half of them were killed or captured within a year. This is the story of one of those airmen, as told through his own letters and diaries as well as those of his family and friends.Joey Jacobson, a young Jewish man from Westmount on the Island of Montreal, trained as a navigator and bomb-aimer in Western Canada. On arriving in England he was assigned to No. 106 Squadron, a British unit tasked with the bombing of Germany. Joey Jacobson's War tells, in his own words, why he enlisted, his understanding of strategy, tactics, and the effectiveness of the air war at its lowest point, how he responded to the inevitable battle stress, and how he became both a hopeful idealist and a seasoned airman. Jacobson's written legacy as a serviceman is impressive in scope and depth and provides a lively and intimate account of a Jewish Canadian's life in the air and on the ground, written in the intensity of the moment, unfiltered by the memoirist's reflection, revision, or hindsight. Accompanying excerpts from his father's diary show the maturation of the relationship between father and son in a dangerous time.

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C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.

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How The Golden Legend shaped the medieval imaginationIt is impossible to understand the Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a bestseller. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, who was one of the world's most renowned medievalists, provides a lucid and compelling account that shows how The Golden Legend Christianized time itself, reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.

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It is impossible to understand the late Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled for clerical use in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a best seller. By 1500, there were more copies of it in circulation than there were of the Bible itself. Priests drew on The Golden Legend for their sermons, the faithful used it for devotion and piety, and artists and writers mined it endlessly in their works. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, one of the world's most renowned medievalists, provides a lucid, compelling, and unparalleled account of why and how The Golden Legend exerted such a profound influence on medieval life. In Search of Sacred Time explains how The Golden Legend--an encyclopedic work that followed the course of the liturgical calendar and recounted the life of the saint for each feast day--worked its way into the fabric of medieval life. Le Goff describes how this ambitious book was carefully crafted to give sense and shape to the Christian year, underscoring its meaning and drama through the stories of saints, miracles, and martyrdoms. Ultimately, Le Goff argues, The Golden Legend influenced how medieval Christians perceived the passage of time, Christianizing time itself and reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.

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Throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's England This book offers an analysis of Jacobean duelling and gentry honour culture through the close examination and contextualisation of the most fully documented duel of the early modern era. This was the fatal encounter between a Flintshire gentleman, Edward Morgan, and his Cheshire antagonist, John Egerton, which took place at Highgate on 21 April 1610. John Egerton was killed, but controversy quickly erupted over whether he had died in a fair fight of honour or had been murdered in a shameful conspiracy. The legal investigation into the killing produced a rich body of evidence which reveals in unparalleled detail not only the dynamics of the fight itself, but also the inner workings of a seventeenth-century metropolitan manhunt, the Middlesex coroner's court, a murder trial at King's Bench, and also the murky webs of aristocratic patronage at the Jacobean Court which ultimately allowed Morgan to secure a pardon. Uniquely, a series of dramatic Star Chamber suits have survived that also allow us to investigate the duel's origins. Their close examination, as Lloyd Bowen shows, calls into question the historiographical paradigm which sees early modern duels as matters of the moment and distinct from, as opposed to connected to, the gentry feud. The book throws much new light on questions of gentry honour, the nature and prevalence of early modern elite violence, and the process of judicial investigation in Shakespeare's England.

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What's the use of sociology? The question has been asked often enough and it leaves a lingering doubt in the minds of many. At a time when there is widespread scepticism about the value of sociology and of the social sciences generally, this short book by one of the world's leading thinkers offers a passionate, engaging and important statement of the need for sociology. In a series of conversations with Michael Hviid Jacobsen and Keith Tester, Zygmunt Bauman explains why sociology is necessary if we hope to live fully human lives. But the kind of sociology he advocates is one which sees 'use' as more than economic success and knowledge as more than the generation of facts. Bauman makes a powerful case for the practice of sociology as an ongoing dialogue with human experience, and in so doing he issues a call for us all to start questioning the common sense of our everyday lives. He also offers the clearest statement yet of the principles which inform his own work, reflecting on his life and career and on the role of sociology in our contemporary liquid-modern world. This book stands as a testimony to Bauman's belief in the enduring relevance of sociology. But it is also a call to us all to start questioning the world in which we live and to transform ourselves from being the victims of circumstance into the makers of our own history. For that, at the end of the day, is the use of sociology.

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