Search results for ""author ivan"

Ivan Aleksandrovich Il’in (1883-1954) has become in post-Soviet Russia one of the most eminent legal philosophers of the twentieth century. This volume brings to an international readership for the first time what is perhaps the most impassioned and prescient work by a Russian jurist in support of the rule of law. Il’in has heretofore been accessible only to those who have a command of Russian, German, or, exceptionally French, and even then primarily in circles where Russian émigré literature circulated. Originally written and in galley proofs between 1916 and 1919, the final work on legal consciousness was not published until 1956 in Germany and only in the 1990s in Russia, where it has generated considerable impact. Il’in’s most original and influential contribution to legal theory, this long-awaited English translation will inform discussions of legal consciousness for decades to come. Il’in’s monograph is accompanied by one of his early and influential articles on concepts of law and power and by essays devoted to Il’in and the rule of law; the origin and transformations of the concept of legal consciousness, and the origins of Il’in’s treatise on legal consciousness, a glossary of key legal terms, and a bibliography of works by or devoted to Il’in.

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A lavishly illustrated, large-format reference book highlighting the work of 101 essential children’s illustrators The illustrated children’s book came of age in the 18th century alongside the rising middle-class demand for economic and social advancement. Inspired by philosopher John Locke’s prescient insights into child development, London publisher John Newbery established the first commercial market for illustrated “juveniles” in the West, and the impact of the model he set for books tailored to the interests and capabilities of young readers has spanned the globe, spurring higher literacy rates, cultural enfranchisement, and a better life for generations of children. In Pictured Worlds, renowned historian Leonard S. Marcus shares his incomparable knowledge of this global cultural phenomenon in the definitive reference work on children’s book illustration. The author of more than 25 award-winning books, Marcus here highlights an international roster of 101 artists of the last 250 years whose touchstone achievements collectively chart the major trends and turning points in the history of children’s book illustration. While some illustrators explored in this lively volume (John Tenniel, Maurice Sendak) have become household names, Marcus’s wide-ranging survey also shines a light on several lesser-known figures whose unique contributions merit a closer look. The result is a sweeping chronicle of a vibrant art form and cultural driver that has touched the lives of literate peoples everywhere. Over 400 illustrations showcase landmark books from Great Britain, the United States, France, Germany, Austria, Italy, Sweden, Czech Republic, Russia, Japan, China, Korea, Bulgaria, Argentina, Cameroon, and more. Each illustrated entry is comprised of an artist’s biography and career overview and a deep-dive look at a pivotal book and its legacy. Featured books include Ivan Bilibin’s The Golden Cockerel, Leo Lionni’s Inch by Inch, Richard Doyle’s In Fairyland, Kveta Pacovská’s One, Five, Many, Helen Oxenbury’s We’re Going On a Bear Hunt, Mitsumasa Anno’s Anno’s Journey, and Zhu Chengliang's A New Year's Reunion, and the books that introduced such iconic characters as Alice, Max, Struwwelpeter, the Little Prince, and Winnie-the-Pooh. At once a celebration of illustrated children’s books and an essential reference work, Pictured Worlds encapsulates, in the author’s words, "the special nature of the illustrated children’s book as a cultural enterprise that is at once a rewarding art form, a bridge across cultures, and a ladder between generations.”

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The task of turning the state-owned assets of the Eastern European countries over to private ownership is one of the most challenging of our time, both intellectually and in practical terms. Ivan Major's in-depth critique of the plans and programmes of the East European governments addresses the core issues of privatization from the perspective of both potential winners and losers. After discussing the analytical framework, he offers an assessment of the legacy of the command economy and includes individual country studies of Czechoslovakia, the former GDR, Hungary, Poland and the former Soviet Union. The following chapters look at the theoretical, political and economic underpinning as well as assessments of the initial results of East European privatizations. Dr Major argues that the whole network of political regulation must be dismantled if an efficient market economy is to emerge. Privatization in Eastern Europe offers a critical analysis of the movement towards privatization in Eastern Europe as well as an authoritative assessment of the existing literature. This book will be welcomed by scholars and policymakers as an important source of analysis, argument and information.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. The Short-Fiction Scenario presents a master-class on turning a short story into an effective film. Delivered as a series of lectures at the State Institute of Cinematography, it details two parallel scripts drawn from the same story; at each point of difference, Eisenstein explains why one works better.

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Galicia was created at the first partition of Poland in 1772 and disappeared in 1918. Yet, in slightly over a century, the idea of Galicia came to have meaning for both the peoples who lived there and the Habsburg government that ruled it. Indeed, its memory continues to exercise a powerful fascination for those who live in its former territories and for the descendants of those who emigrated out of Galicia. The idea of Galicia was largely produced by the cultures of two cities, Lviv and Cracow. Making use of travelers' accounts, newspaper reports, and literary works, Wolff engages such figures as Emperor Joseph II, Metternich, Leopold von Sacher-Masoch, Ivan Franko, Stanisław Wyspiański, Tadeusz "Boy" Żeleński, Isaac Babel, Martin Buber, and Bruno Schulz. He shows the exceptional importance of provincial space as a site for the evolution of cultural meanings and identities, and analyzes the province as the framework for non-national and multi-national understandings of empire in European history.

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It is the first in a series of three novels and is followed by Boyhood and Youth. Published when Tolstoy was just twenty-three years old, the book was an immediate success, earning notice from other Russian novelists including Ivan Turgenev, who heralded the young Tolstoy as a major up-and-coming figure in Russian literature.Childhood is an exploration of the inner life of a young boy, Nikolenka, and one of the books in Russian writing to explore an expressionistic style, mixing fact, fiction and emotions to render the moods and reactions of the narrator.The story begins with the childhood and exceptional and accomplished youth of Prince Stepan Kasatsky. The young man is destined for great things. He discovers on the eve of his wedding that his fiancée Countess Mary Korotkova has had an affair with his beloved Tsar Nicholas I. The blow to his pride is massive, and he retreats to the arms of Russian Orthodoxy and becomes a monk. Many years of humility and doubt f

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Exploring the relationship between queer sexuality and music in the late nineteenth and early twentieth centuryQueer Episodes in Music and Modern Identity approaches modern sexuality by way of music. Through the hidden or lost stories of composers, scholars, patrons, performers, audiences, repertoires, venues, and specific works, this intriguing volume explores points of intersection between music and queerness in Europe and the United States in the years 1870 to 1950--a period when dramatic changes in musical expression and in the expression of individual sexual identity played similar roles in washing away the certainties of the past. Pursuing the shadowy, obscured tracks of queerness, contributors unravel connections among dissident identities and concrete aspects of musical style, gestures, and personae. Contributors are Byron Adams, Philip Brett, Malcolm Hamrick Brown, Sophie Fuller, Mitchell Morris, Jann Pasler, Ivan Raykoff, Fiona Richards, Eva Rieger, Gillian Rodger, Sherrie Tucker, and Lloyd Whitesell.

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A truly stunning novel of one man's dangerous obsession with immortality, from the BAFTA award-winning creator of Bodyguard and Line of Duty and co-creator of the graphic novel Sleeper.ONE OF THE GUARDIAN'S '1000 NOVELS EVERYONE MUST READ' 'A completely gripping, read-at-once novel' The Times Yefgenii Yeremin is a flyer and a phantom. Destined to go down in Soviet history books as 'Ivan the Terrible', the most deadly fighter pilot of the Korean War, one moment of madness sees Yefgenii throwing his reputation to the wind. Exiled to a remote Arctic base, his name unknown and victories uncelebrated, he must endure a fate worse than death: anonymity. But when a man arrives from Moscow's Space Committee in search of a volunteer prepared to sacrifice himself for his country, Yefgenii seizes his one last chance of immortality.

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In some ways, I didn’t – don’t – want to remember any of it. Which is not to say that one ever forgets. I don’t know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn’t haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles – the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed – arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book – a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O’Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglán de Bréadún, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O’Callaghan, Conor O’Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

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Pauline García Viardot, the daughter of the famous singer and composer Manuel García and younger sister of the celebrated Malibran, was a singer of genius and a woman of outstanding intellect. The first biography of Viardot not only recreates the drama of the prima donna’s own life, but perfectly captures the scintillating brilliance of nineteenth-century artistic life: the colourful and diverse personalities of the Musset brothers, Chopin, George Sand, Meyerbeer, Berlioz, Gounod and Saint-Saëns move in and out of Viardot’s life. In 1843 Madame Viardot met the young Ivan Turgenev. From their first meeting until his death in 1883, he remained passionately devoted to her, following her around Europe and spending long periods of time as a member of her household. This authoritative study, which makes use of much hitherto unknown source material, has the fascination of a great Russian novel.

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Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.

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Jacob Gordin was the first major playwright of the "Golden Age" of New York's Yiddish theater, which was not just entertainment but also a public forum, a force for education and acculturation, and a battleground for ideologies and artistic credos. Gordin, like his audience, was a Russian émigré. His most successful and scandalous dramas--The Jewish King Lear, The Kreutzer Sonata, and Khasye the Orphan--were based on works by Lev Tolstoy and Ivan Turgenev, and reflected a profoundly Jewish means of using literature to salvage a lost land. Gordin's life and his plays held out the tantalizing possibility that by changing the story of one's past, one could write one's own future. Through a detailed examination of Gordin's career in Russia, Barbara Henry dismantles the fictive radical background he invented for himself. In doing so, she illuminates the continuities among his Russian fiction and journalism, his work as a controversial Jewish religious reformer, and his Yiddish plays.

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Unusable pasts; scandalous lives; political betrayal, confession and collaboration: reading narrative non-fiction across South Africa's unfinished transition. Over the last decades, South Africa has seen an outpouring of life writing and narrative non-fiction. Authors like Panashe Chigumadzi, Jacob Dlamini, Mark Gevisser, Pumla Gobodo-Madikizela, Antjie Krog, Sisonke Msimang, Njabulo Ndebele, Jonny Steinberg and Ivan Vladislavic; have produced a compelling and often controversial body of work, exploring the country's ongoing political and social transition with great ambition, texture and risk. Experiments with Truth is the first book-length account of non-fiction in South African literature. It reads the country's transition as refracted through an array of documentary modes that are simultaneously refashioned and blurred into each other: long-form analytic journalism and reportage; experiments in oral history, microhistory and archival reconstruction; life-writing, memoir and the essay. It traces the strange and ethically complex process by which real people, places and events are shuffled, patterned and plotted in long-form prose narrative. While holding in mind the imperatives of testimony and witness so important to the struggle for liberation and the Truth and Reconciliation Commission, the case studies here are increasingly drawn to a post-TRC aesthetic: works that engage with difficult, inappropriate or unusable elements of the past, and the unfinished project of social reconstruction in SouthAfrica. The author examines non-fictions that are speculative, formally innovative and sometimes experimental, rather than informational or narrowly journalistic; that explore difficult subjects like collaboration, complicity, confession - and have embedded within them their own reflections on the problems of narrating within a scene of unresolved difference. In this way, southern African materials are placed in a global context, and in dialogue with otherimportant non-fictional traditions that have emerged at moments of social rupture and transition. Hedley Twidle is a writer, teacher and researcher based in the English Department at the University of Cape Town. He specialises in twentieth-century, southern African and world literatures, as well as creative non-fiction and the environmental humanities. His essay collection, Firepool: Experiences in an Abnormal World, was published in 2017.

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A hugely entertaining collection of clever and fun limericks, one for each monarch in British history – and more! Royal history as you’ve never seen it before – in limericks! Six times Henry Tudor got wed, Unhappy with how his wives bred, And when things turned sour, Exploiting his power He shouted out, ‘Off with her head!’ A hilarious new title from everyone’s favourite limericksmith, Mick Twister. He did world history in the very successful There Was an Old Geezer Called Caesar, and now he’s tackling a subject dear to all our hearts – kings and queens. They’re all in here, from Alfred the Great to our present Queen, now the longest serving monarch in history. There is also a smattering of the most interesting European kings and queens, including such greats as Ivan the Terrible and Vlad the Impaler. Mick’s limericks are accompanied by entertaining snippets of text about the monarchs, and illustrations by Hannah Warren make the book the perfect gift package.

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Matching pivotal theorists and theories of religion alongside cutting-edge criticism from a team of leading contemporary scholars, this vibrant collection enables students to gain a balanced understanding of the diverse methods, theories, and theorists involved in the historical and methodological development of the study of religion. It can be used alongside Ivan Strenski’s textbook, Thinking about Religion: An Historical Introduction to Theories of Religion, to offer a complete resource for introductory students of religious studies. Creates a useful mix of classic and contemporary responses to issues in the study of religion, ideal for those coming to the subject for the first time. Traces the major historical and methodological development of the study of religion in the modern West, enabling students to gain a balanced understanding of the diverse methods, theories, and theorists involved. Primary theorists featured include Cherbury, Durkheim, Eliade, Frazer, Freud, Hume, Brede Kristensen, Malinowski, Max Müller, Ninian Smart, Robertson Smith, Spinoza, Tylor, and Weber. Contemporary contributors include Winston Davis, Sidney Hook, Robert Alun Jones, Karl Menninger, Sam Preus, Philip Rieff, Robert Segal, Georges Sorel, George Stocking, and William Dwight Whitney.

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A FINANCIAL TIMES BOOK OF THE YEAROne of our most scintillating public intellectuals explores the political paradoxes of the pandemic and helps us think our way through it'We are able to imagine anything because we are being besieged by something that was considered unimaginable...'Beneath the panic and bluster, beneath the confusing speeches and the conflicting advice, the Coronavirus pandemic acted, changing our world in the most profound ways. The tragic human cost and the economic devastation will be assessed and calculated for decades to come. But the pandemic also changed things in ways that are less easily expressed and understood. It has made bare the frayed contradictions of modern life. It has distorted things that seemed simple and settled. It has affirmed plain, uncomfortable truths. In this brilliant, thought-provoking essay, Ivan Krastev, one of our most interesting thinkers today, explores the pandemic's immediate consequences and conceives of its long-term legacy. Will things be different for the communities most harmed, and for those who escaped the worst? Where are we now with the US and China, with the UK and Europe? And how do we think our way through the unthinkable?

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Welcome to the JAM! Basketball champion and global icon LeBron James goes on an epic adventure alongside timeless Tune Bugs Bunny in Space Jam: A New Legacy! When LeBron and his young son Dom are trapped in a digital space by a rogue A.I., LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I. s digitized champions on the court--a powered-up roster of basketball stars as you ve never seen them before! It s Tunes versus Goons in the highest-stakes challenge of his life, one that will redefine LeBron s bond with his son and shine a light on the power of being yourself. The Tunes destroy convention, supercharge their unique talents and surprise even King James by playing the game their own way! From writer Ivan Cohen (The Batman & Scooby-Doo Mysteries) and an all-star team-up of artists, Space Jam: A New Legacy is the graphic novel adaptation of the animated/live-action movie event!

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''[Tsiolkas''s] most heartfelt novel to date'' Financial Times''A love story par excellence...he''s simply one of the great writers of our time'' Irish Times''Warm and rewarding...it triumphantly succeeds'' GuardianIt''s been a long time since I''ve been on a date,'' he says, pocketing his own phone. ''Please ignore anything I say for at least the first ten minutes.''Ivan''s laugh is loud, delighted. ''I know, mate, I''m bloody terrified.''Two middle-aged men meet on an internet date. Each has been scarred by a previous relationship; each has his own compelling reasons for giving up on the idea of finding love.But still they both turn up for the dinner, feel the spark and the possibility of something more. How can they take the risk of falling in love again. How can they not?A tender, affecting novel of love, of hope, of forgiveness by one of today''s most fearless and trut

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Two families, one terrible secret, and a painting to die for . . .Glastonbury, an art restorer, has been brutally murdered, and the newly discovered Rembrandt he was working on has disappeared.For spy turned art restorer Gabriel Allon, it has been six months since his final showdown with the murderous Russian oligarch and arms dealer Ivan Kharkov. He has severed his ties with the Office with only one thing in mind: recovery. But this unspeakable act of violence once again draws Allon into a world of danger he thought he had left behind for ever.Allon is persuaded to use his unique skills to trace the painting and those responsible for the crimes. As he investigates, he discovers there are terrible secrets connected to the painting, and terrible men behind them. Before he is done, he will have undertaken a journey through some of the twentieth century's darkest history - and come face to face with some of the same darkness within himself.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. A fascinating memoir in two volumes, Beyond the Stars first published by Seagull in 1995 and now available again. Begun as Eisenstein approached fifty, it is full of the famous names of his era, including Charlie Chaplin, Mary Pickford, John Dos Passos, Jean Cocteau, and many more; at the same time, it is a serious book of inquiry about film as a medium, offering countless reflections by Eisenstein on his own work and that of other movie pioneers.

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Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analogue.Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs” or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants’ experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?”

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Despite New Spain’s significant participation in the early transatlantic slave trade, the collective imagination of the Mexican nation evolved in the nineteenth and twentieth centuries to understand itself as devoid of a black presence. In The Nigrescent Beyond, Ricardo Wilson proposes a framework for understanding this psychic vanishing of blackness and thinks through how it can be used both to productively unsettle contemporary multicultural and postracial discourses within the United States and to further the interrogations of being and blackness within the larger field of black studies. Wilson models a practice of reading that honors the disruptive possibilities offered by an ever-present awareness of that which lies, irretrievable, beyond the horizon of vanishing itself. In doing so, he engages with historical accounts detailing maroon activities in early New Spain, contemporary coverage of the push to make legible Afro-Mexican identities, the electronic archives of the Obama presidency, and the work of Carlos de SigÜenza y GÓngora, Octavio Paz, Ivan Van Sertima, Miguel Covarrubias, Steven Spielberg, and Colson Whitehead, among others.

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Ivan Jablonka’s History Is a Contemporary Literature offers highly innovative perspectives on the writing of history, the relationship between literature and the social sciences, and the way that both social-scientific inquiry and literary explorations contribute to our understanding of the world. Jablonka argues that the act and art of writing, far from being an afterthought in the social sciences, should play a vital role in the production of knowledge in all stages of the researcher’s work and embody or even constitute the understanding obtained. History (along with sociology and anthropology) can, he contends, achieve both greater rigor and wider audiences by creating a literary experience through a broad spectrum of narrative modes. Challenging scholars to adopt investigative, testimonial, and other experimental writing techniques as a way of creating and sharing knowledge, Jablonka envisions a social science literature that will inspire readers to become actively engaged in understanding their own pasts and to relate their histories to the present day. Lamenting the specialization that has isolated the academy from the rest of society, History Is a Contemporary Literature aims to bring imagination and audacity into the practice of scholarship, drawing on the techniques of literature to strengthen the methods of the social sciences.

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Dalmatian-Austrian philosopher, Roman Catholic priest, and radical cultural critic Ivan Illich is best known for polemical writings such as Deschooling Society and Tools for Conviviality, which decried Western institutions of the 1970s. This collection brings together Illich’s shorter writings from his early publications through the rise of his remarkable intellectual career, making available works that had fallen into undue obscurity.A fervent critic of Western Catholicism, Illich also addressed contemporary practices in fields from education and medicine to labor and socioeconomic development. At the heart of his work is his opposition to the imperialistic nature of state- and Church-sponsored missionary activities. His deep understanding of Church history, particularly the institutions of the thirteenth century, lent a historian’s perspective to his critique of the Church and other twentieth-century institutions.The Powerless Church and Other Selected Writings, 1955–1985 comprises some of Illich’s most salient and influential short works as well as a foreword by philosopher Giorgio Agamben. Featuring writings that had previously appeared in now-defunct publications, this volume is an indispensable resource for readers of Illich’s longer works and for scholars of philosophy, religion, and cultural critique.

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Dalmatian-Austrian philosopher, Roman Catholic priest, and radical cultural critic Ivan Illich is best known for polemical writings such as Deschooling Society and Tools for Conviviality, which decried Western institutions of the 1970s. This collection brings together Illich’s shorter writings from his early publications through the rise of his remarkable intellectual career, making available works that had fallen into undue obscurity.A fervent critic of Western Catholicism, Illich also addressed contemporary practices in fields from education and medicine to labor and socioeconomic development. At the heart of his work is his opposition to the imperialistic nature of state- and Church-sponsored missionary activities. His deep understanding of Church history, particularly the institutions of the thirteenth century, lent a historian’s perspective to his critique of the Church and other twentieth-century institutions.The Powerless Church and Other Selected Writings, 1955–1985 comprises some of Illich’s most salient and influential short works as well as a foreword by philosopher Giorgio Agamben. Featuring writings that had previously appeared in now-defunct publications, this volume is an indispensable resource for readers of Illich’s longer works and for scholars of philosophy, religion, and cultural critique.

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Winding its way from Winchester to Canterbury, through the counties of Hampshire, Surrey and Kent, can still be found one of England’s most ancient trackways. Well trodden and beloved of walkers throughout southern England, the Pilgrims’ Way serves as a hidden by-way linking those that travel along it with some of the countries oldest cathedrals, castles and abbeys, yet it remains an enigma to many of those who regularly follow its tracks. From the Neolithic through to the Victorian pilgrimists, Derek Bright brings together a mass of evidence and re-evaluates how we should view this ancient trackway that Ivan D. Margary described as one of the most important in Britain. Using evidence of roadside crime, prohibitive legislation, and the everyday hazards facing wayfarers, he makes decisive arguments for how the road has served travellers over time.

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Ten tales of loss and longing, from one one Japan''s greatest writers It was the height of summer, and there was anger in the rays of the sunA summer holiday that turns to tragedy; a moonlit journey to fulfil a wish; a couple's unusual way of making a living; a young lieutenant who ends his life; a night of infidelities. This selection contains nine short stories and one modern Noh play by one of Japan's greatest writers. Selected by Mishima himself for translation, they are by turns tender and delicate, ironic and shocking, showing the strange pull between duty and desire, death and beauty.He can be funny, even hilarious, but he is also capable of plunging into the dark psychic depths achieved by Hitchcock' New York Times Book ReviewTranslated by Edward G. Seidensticker, Ivan Morris, Donald Keene and Geoffrey W. Sargent

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This retelling of the sixteenth century introduces the reader to a gallery of amazing women, from queens to commoners, who navigated the patriarchal world in memorable and life-changing ways. Amy Licence has scoured the records from Europe and beyond to compile this testament to female lives and achievements, telling the stories of mistresses and martyrs, witches and muses, pirates and jesters, doctors and astronomers, escapees and murderesses, colonists and saints. Read about the wife of astrologer John Dee, the women who inspired Michelangelo, the jester who saved the life of Henry IV of France, the beloved mistress of the Sultan Suleiman the Great, the wife of Ivan the Terrible, whose murder unleashed terror, set against the everyday lives of those women who did not make the history books. Introducing a number of new faces, this book will delight those who are looking to broaden their knowledge on the sixteenth century and celebrate the lost women of the past.

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Available at long last, this volume is the posthumous memoir of a peasant from the depths of old Russia who rose to great wealth and influence as his country's most successful publisher. Though never fully literate, Ivan Dmitrievich Sytin (1851-1934) was a shrewd businessman who made millions by publishing books for all manner of readers. My Life for the Book makes available the full text of Sytin's unpublished memoir, along with various writings by those who knew him. Through sharp and unremittingly ironic observations, Sytin describes with insight and amusement or dismay Tsarist Russia's bureaucracy, the Orthodox Church, the Imperial court, and a number of the country's most renowned writers, including Anton Chekhov, Leo Tolstoy, Maxim Gorky, and journalist Vlas Doroshevich. Sytin's memoir, a tale of Great Russian society voiced by a parvenu, depicts a pre-Revolutionary Russia of small shops, churches, convents, deep religious faith, and flawed rulers. While the Revolution eventually deprived Sytin of all means to continuing publishing, his resilience and enterprise remain a lasting legacy.

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Since the financial meltdown of 2008, political protests have spread around the world like chain lightning, from the "Occupy" movements of the United States, Great Britain, and Spain to more destabilizing forms of unrest in Tunisia, Egypt, Russia, Thailand, Bulgaria, Turkey, and Ukraine. In Democracy Disrupted: The Politics of Global Protest, commentator and political scientist Ivan Krastev proposes a provocative interpretation of these popular uprisings—one with ominous implications for the future of democratic politics. Challenging theories that trace the protests to the rise of a global middle class, Krastev proposes that the insurrections express a pervasive distrust of democratic institutions. Protesters on the streets of Moscow, Sofia, Istanbul, and São Paulo are openly suspicious of both the market and the state. They reject established political parties, question the motives of the mainstream media, refuse to recognize the legitimacy of any specific leadership, and reject all formal organizations. They have made clear what they don't want—the status quo—but they have no positive vision of an alternative future. Welcome to the worldwide libertarian revolution, in which democracy is endlessly disrupted to no end beyond the disruption itself.

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Marking the fiftieth anniversary of two of the most influential books in modern educational and social theory, Rethinking Freire and Illich introduces readers to the results of the symposium of Paulo Freire’s Pedagogy of the Oppressed and Ivan Illich’s Deschooling Society. The collection uniquely analyses Freire and Illich together, although not in a comparative way. It acknowledges that both Freire and Illich led in different ways to a new approach to perceiving and understanding the concept of liberation as a human condition, while also presenting current criticisms of their work from a gendered perspective and by Indigenous scholars in the US and Canada. Drawing on contributions from historians of education, theologians, digital experts, and philosophers of education, the book offers a historical analysis using extensive primary sources and an originality of topics. It introduces the ways in which the current generation reads the overall works of Freire and Illich in the search for a reconstructed democratic education. As a result, Rethinking Freire and Illich presents Freire and Illich in light of contemporary issues in this generation, and offers renewed searches for a good and just life and a reconstructed democratic education.

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A supplement to History of Political Economy Economists and psychologists share an interest in explaining how people make the choices that they do. However, economists have tended to stress individual rationality, shaped by economic motives and expressed in formal logical or mathematical models, while psychologists have preferred to identify influences through experimentation. In recent decades, behavioral economics has bridged the two fields and challenged the traditional economic assumption that individuals choose rationally. The essays collected here provide a longer view and reflect on episodic contact between psychology and economics beginning in the late nineteenth century. They help explain why meaningful, sustained joint inquiry eluded both disciplines for so long and usefully complement the recent inclination of researchers in each field to find inadequacy in the other. Contributors: Marina Bianchi, Simon J. Cook, Neil De Marchi, José Edwards, Tiziana Foresti, Craufurd D. Goodwin, Judy L. Klein, Harro Maas, Ivan Moscati, John Staddon, Andrej Svorenčík

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Ilya Budraitskis, one of the country's most prominent leftist political commentators, explores the strange fusion of free-market ideology and postmodern nationalism that now prevails in Russia, and describes the post-Soviet evolution of its left. He incisively describes the twists and contradictions of the Kremlin's geopolitical fantasies, which blend up-to-date references to "information wars" with nostalgic celebrations of the tsars of Muscovy. Despite the revival of aggressive Cold War rhetoric, he argues, the Putin regime takes its bearings not from any Soviet inheritance, but from reactionary thinkers such as the White émigré Ivan Ilyin. Budraitskis makes an invaluable contribution by reconstructing the forgotten history of the USSR's dissident left, mapping an entire alternative tradition of heterodox Marxist and socialist thought from Khrushchev's Thaw to Gorbachev's perestroika. Doubly outsiders, within an intelligentsia dominated by liberal humanists, they offer a potential way out of the impasse between condemnations of the entire Soviet era and blanket nostalgia for Communist Party rule-suggesting new paths for the left to explore.

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'Nature or nurture? Are individuals born as an empty slate and shaped by their environment or are we already programmed to react in certain ways? Jan Strelau has spent more than fifty years studying this age-old question. He bases some of his conclusions on the pioneering work of the Russian physiologist Ivan Pavlov but carries them into the twenty-first century by including genetic studies. Strelau intends this book to provide a framework for others studying the field. He spends several chapters on methodology. He also gives the results of his studies, primarily on how different people react in stressful situations.' From the Foreword . . . 'Psychology can be a faddish field, not really solving problems but tiring of them and then running after a new fad. What I admire most is the systematic nature of Strelau’s fifty-year program of research. This book demonstrates the value of such long-term dedication to a systematic program of research.' Robert Plomin, King’s College London

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Jacob Gordin was the first major playwright of the "Golden Age" of New York's Yiddish theater, which was not just entertainment but also a public forum, a force for education and acculturation, and a battleground for ideologies and artistic credos. Gordin, like his audience, was a Russian émigré. His most successful and scandalous dramas--The Jewish King Lear, The Kreutzer Sonata, and Khasye the Orphan--were based on works by Lev Tolstoy and Ivan Turgenev, and reflected a profoundly Jewish means of using literature to salvage a lost land. Gordin's life and his plays held out the tantalizing possibility that by changing the story of one's past, one could write one's own future. Through a detailed examination of Gordin's career in Russia, Barbara Henry dismantles the fictive radical background he invented for himself. In doing so, she illuminates the continuities among his Russian fiction and journalism, his work as a controversial Jewish religious reformer, and his Yiddish plays.

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The biggest adventure in DC s history returns, now in DC s Absolute format! Join visionary writer Grant Morrison, comics most talented artists, and a cast of unforgettable heroes from 52 alternative Earths of the DC Multiverse! Prepare to meet the Vampire League of Earth-43, the Justice Riders of Earth-18, Superdemon, Doc Fate, the super-sons of Superman and Batman, the rampaging Retaliators of Earth-8, the Atomic Knights of Justice, Dino-Cop, Sister Miracle, Lady Quark and the latest, greatest Super Hero of Earth-Prime: YOU! THE MULTIVERSITY is more than a multipart comic book series. It s a cosmos spanning, soul-shaking experience that puts YOU on the frontline in the battle for all creation against the demonic destroyers known as the Gentry! Featuring artwork by Ivan Reis (Justice League), Frank Quitely (All-Star Superman), Jim Lee (Batman), and many others, The Multiversity tells an epic tale that span 52 Earths. This volume collects The Multiversity #1 and 2, The Multiversity Guidebook #1 and Multiversityissues The Society of Super-Heroes #1, The Just #1, Pax Americana #1, Thunderworld Adventures #1, Mastermen #1, and Ultra Comics #1.

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Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analogue.Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs” or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants’ experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?”

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In 1911, Le Corbusier (1887-1965) and his friend August Klipstein (1885-1951), a scholar of art history and later renowned art dealer, undertook a grand tour of Eastern Europe, the Balkans, Turkey, and Italy. While Klipstein's interests were more focused on research for his doctoral thesis, Le Corbusier's impressions were more immediate, his mindset more romantic. They both kept a diary of their journey and produced many sketches, drawings, watercolours, and photographs en route, sometimes capturing the same motif and even copying each other's work. While Le Corbusier's record was published in 1966 as Journey to the East and has become a classic, Klipstein's testimony of the expedition remained largely unknown until today. In this new book, Ivan Zaknic explores the creative symbiosis of this friendship and what the two ambitious young men brought back from their trip. Richly illustrated, including reproductions from both of their diaries, and featuring the complete text of Klipstein's diary as well as that of the little known correspondence between Le Corbusier and Klipstein, the book offers an entirely new perspective of this seemingly well-known undertaking. It introduces the personality of Klipstein as well as lesser-known facets of the very young Le Corbusier.

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Stalin's Secret Weapon is a gripping account of the early history of the globally significant Soviet biological weapons programme, including its key scientists, its secret experimental bases and the role of intelligence specialists, establishing beyond doubt that the infrastructure created by Stalin continues to form the core of Russia's current biological defence network. Anthony Rimmington has enjoyed privileged access to an array of newly available sources and materials, including declassified British Secret Intelligence Service reports. The evidence contained therein has led him to conclude that the programme, with its network of dedicated facilities and proving grounds, was far more extensive than previously considered, easily outstripping those of the major Western powers. As Rimmington reveals, many of the USSR's leading infectious disease scientists, including those focused on pneumonic plague, were recruited by the Soviet military and intelligence services. At the dark heart of this bacteriological archipelago lay Stalin, and his involvement is everywhere to be seen, from the promotion of favoured researchers to the political repression and execution of the lead biological warfare specialist, Ivan Mikhailovich Velikanov.

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Jimmy Connors took the tennis world by storm like no player in the history of the game. A shaggy-haired working-class kid from the wrong side of the tracks, he was prepared to battle for every point, to shout and scream until he was heard, and he didn't care whom he upset in doing so. He was brash, he was a brat. He was a crowd-pleaser, a revolutionary. And he won more tournaments - an astonishing 109 - than any other man in history, including eight Grand Slam singles titles.Only now is Connors ready to set the record straight on what really happened on and off the court. The rivalry with John McEnroe, that frequently threatened to turn violent, with Bjorn Borg, and Ivan Lendl. His romance with Chris Evert, which made them the sweethearts of the sport. The escapades with his partner in crime, Ilie Nastase. The deep roots of the fierce determination that made him the best player on the planet.This is no genteel memoir of a pillar of the tennis establishment. Unflinching, hard-hitting, humorous and passionate, this is the story of a legend - the one and only Jimmy Connors.

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Bred to provide human companionship, dogs eclipse all other species when it comes to reading the body language of people. Dog owners hunger for a complete rapport with their pets; in the dog the fantasy of empathetic resonance finds its ideal. But cross-species communication is never easy. Dog love can be a precious but melancholy thing.An attempt to understand human attachment to the canis familiaris in terms of reciprocity and empathy, Melancholia’sDog tackles such difficult concepts as intimacy and kinship with dogs, the shame associated with identification with their suffering, and the reasons for the profound mourning over their deaths. In addition to philosophy and psychoanalysis, Alice A. Kuzniar turns to the insights and images offered by the literary and visual arts—the short stories of Ivan Turgenev and Franz Kafka, the novels of J. M. Coetzee and Rebecca Brown, the photography of Sally Mann and William Wegman, and the artwork of David Hockney and Sue Coe. Without falling into sentimentality or anthropomorphization, Kuzniar honors and learns from our canine companions, above all attending to the silences and sadness brought on by the effort to represent the dog as perfectly and faithfully as it is said to love.

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The Short Story after Apartheid offers the first major study of the anglophone short story in South Africa since apartheid’s end. By focusing on the short story this book complicates models of South African literature dominated by the novel and contributes to a much-needed generic and formalist turn in postcolonial studies. Literary texts are sites of productive struggle between formal and extra-formal concerns, and these brief, fragmentary, elliptical, formally innovative stories offer perspectives that reframe or revise important concerns of post-apartheid literature: the aesthetics of engaged writing, the politics of the past, class and race, the legacies of violence, and the struggle over the land. Through an analysis of key texts from the period by Nadine Gordimer, Ivan Vladislavić, Zoë Wicomb, Phaswane Mpe, and Henrietta Rose-Innes, this book assesses the place of the short story in post-apartheid writing and develops a fuller model of how artworks allow and disallow forms of social thought.

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From the counter-reformation through the twentieth century, the notion of sacrifice has played a key role in French culture and nationalist politics. Ivan Strenski traces the history of sacrificial thought in France, starting from its origins in Roman Catholic theology. Throughout, he highlights not just the dominant discourse on sacrifice but also the many competing conceptions that contested it. Strenski suggests that the annihilating spirituality rooted in the Catholic model of Eucharistic sacrifice persuaded the judges in the Dreyfus Case to overlook or play down his possible innocence because a scapegoat was needed to expiate the sins of France and save its army from disgrace. Strenski also suggests that the French army's strategy in World War I, French fascism, and debates over public education and civic morals during the Third Republic all owe much to Catholic theology of sacrifice and Protestant reinterpretations of it. Pointing out that every major theorist of sacrifice is French, including Bataille, Durkheim, Girard, Hubert, and Mauss, Strenski argues that we cannot fully understand their work without first taking into account the deep roots of sacrificial thought in French history.

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'Exhilarating . . . a work of scholarship, but also inspiration. . . Go and read Jablonka and change the world' Christina Patterson, Sunday Times'An unexpected bestseller in France. . . it has sparked conversations' ChallengesA highly acclaimed, bestselling work from one of France's preeminent historiansWhat does it mean to be a good man? To be a good father, or a good partner? A good brother, or a good friend? In this insightful analysis, social historian Ivan Jablonka offers a re-examination of the patriarchy and its impact on men. Ranging widely across cultures, from Mesopotamia to Confucianism to Christianity to the revolutions of the eighteenth century, Jablonka uncovers the origins of our patriarchal societies. He then offers an updated model of masculinity based on a theory of gender justice which aims for a redistribution of gender, just as social justice demands the redistribution of wealth. Arguing that it is high time for men to be as involved in gender justice as women, Jablonka shows that in order to build a more equal and respectful society, we must gain a deeper understanding of the structure of patriarchy - and reframe the conversation so that men define themselves by the rights of women. Widely acclaimed in France, this is an important work from a major thinker.

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Jennifer Egan described her Pulitzer Prize–winning novel A Visit from the Goon Squad as a combination of Proust and The Sopranos. In rereading the book, Ivan Kreilkamp takes Egan up on her comparison, showing how it blends a concern with the status of the novel in the twenty-first century with an elegiac meditation on how we experience the passage of time.Kreilkamp, a former music critic, examines how Egan’s characters turn to rock and especially punk in search of community and meaning. He considers what the novel’s portrayal of music says about the role of art in contemporary culture as digitization makes older technologies obsolete. Combining personal and critical reflection, he reveals how A Visit from the Goon Squad articulates and responds to the sense of loss many feel as cherished physical objects are replaced with immaterial data. For Kreilkamp, Egan’s novel compellingly combines the psychological realism of the nineteenth-century novel with more recent and transient forms such as the celebrity magazine profile or a PowerPoint presentation to provide a self-reflective diagnosis of the decay and endurance of literature.Arranged like Egan’s novel into A and B sides, this book highlights not only how A Visit from the Goon Squad speaks to our mass-media and digital present but also its page-turning pleasure.

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Jennifer Egan described her Pulitzer Prize–winning novel A Visit from the Goon Squad as a combination of Proust and The Sopranos. In rereading the book, Ivan Kreilkamp takes Egan up on her comparison, showing how it blends a concern with the status of the novel in the twenty-first century with an elegiac meditation on how we experience the passage of time.Kreilkamp, a former music critic, examines how Egan’s characters turn to rock and especially punk in search of community and meaning. He considers what the novel’s portrayal of music says about the role of art in contemporary culture as digitization makes older technologies obsolete. Combining personal and critical reflection, he reveals how A Visit from the Goon Squad articulates and responds to the sense of loss many feel as cherished physical objects are replaced with immaterial data. For Kreilkamp, Egan’s novel compellingly combines the psychological realism of the nineteenth-century novel with more recent and transient forms such as the celebrity magazine profile or a PowerPoint presentation to provide a self-reflective diagnosis of the decay and endurance of literature.Arranged like Egan’s novel into A and B sides, this book highlights not only how A Visit from the Goon Squad speaks to our mass-media and digital present but also its page-turning pleasure.

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Even today, in an era of cheap travel and constant connection, the image of young people backpacking across Europe remains seductively romantic. In Backpack Ambassadors, Richard Ivan Jobs tells the story of backpacking in Europe in its heyday, the decades after World War II, revealing that these footloose young people were doing more than just exploring for themselves. Rather, with each step, each border crossing, each friendship, they were quietly helping knit the continent together. From the Berlin Wall to the beaches of Spain, the Spanish Steps in Rome to the Pudding Shop in Istanbul, Jobs tells the stories of backpackers whose personal desire for freedom of movement brought the people and places of Europe into ever-closer contact. As greater and greater numbers of young people trekked around the continent, and a truly international youth culture began to emerge, the result was a Europe that, even in the midst of Cold War tensions, found its people more and more connected, their lives more and more integrated. Drawing on archival work in eight countries and five languages, and featuring trenchant commentary on the relevance of this period for contemporary concerns about borders and migration, Backpack Ambassadors brilliantly recreates a movement that was far more influential and important than its footsore travelers could ever have realized.

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Wolfgang Friedmann, Burns H. Weston, William T. Burke, and Ivan A. Vlasic explore the new frontiers and wealth and resources that are altering the patterns of the world economy. Since rapid and dramatic technological progress poses problems that can be solved only by international or multinational controls these legal specialists emphasize the urgent need for nonviolent measures capable of reconciling the interests of the wealthy and impoverished nations and of satisfying the rising demands of the underdeveloped world for participation in the scientific revolution. The existing situation and current trends are described, and detailed recommendations to strengthen the role of international law in the decades ahead are made. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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