Search results for ""author arthur"

Discover the Field Guide that started it all in this lavishly illustrated guide to the world of the #1 New York Times bestselling Spiderwick series—now with refreshed art and updated backmatter!In the #1 New York Times bestselling series, The Spiderwick Chronicles, readers were enthralled by the account of siblings Jared, Simon, and Mallory Grace, as they battled dwarves, goblins, elves, and a diabolical ogre in their efforts to hold on to their great-great uncle Arthur Spiderwick’s life work—now collected in one volume! Beginning with a thoughtful and informative introduction, progressing through six detailed sections featuring thirty-one faerie species, and culminating with an addendum that includes observations supplied by Jared Grace, this classic compendium to the worldwide Spiderwick phenomenon delivers enough information to satisfy even the most demanding faerie enthusiast. Not only will readers learn the habits and habitats of the fourteen fantastical beings featured in the bestselling chapter books, but they will be delighted and astonished by an additional seventeen creatures. Also included are dozens of snippets from Arthur Spiderwick’s personal journal as well as cameos from a few series favorites. In this refreshed edition, the restored art is more vibrant than ever, and there is additional content newly discovered from Arthur Spiderwick’s archives, featuring creatures from books six through eight!

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Arthur Rackham's Alice in Wonderland Tea Party artwork.

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The World Heritage-listed Port Arthur penitentiary is one of Australia's most visited historical sites, attracting over 400,000 visitors each year. Designed to incarcerate 480 men, between 1856 and 1877 thousands of convicts passed through it. In 2013, archaeologists began one of the largest ever excavations of an Australian convict site. Recovering Convict Lives: A Historical Archaeology of the Port Arthur Penitentiary makes their findings available to general readers for the first time. Extensively illustrated, it is a fascinating journey into the inner workings of the penal system and the day-to-day lives of Port Arthur convicts. Through the things they left behind - the sandstone base of a prison wall, a clay pipe discarded in a washroom, gambling tokens dropped between floorboards - this book tells their stories.

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Russell Punter (Author) Russell Punter was born in Bedfordshire, England. From an early age he enjoyed writing and illustrating his own stories. He trained as a graphic designer at art college in West Sussex before entering the world of publishing. He has written over one hundred books for children of all ages, ranging from original stories to adaptations of classic novels.

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Arthur Fletcher (1924–2005) was the most important civil rights leader you've (probably) never heard of. The first black player for the Baltimore Colts, the father of affirmative action and adviser to four presidents, he coined the United Negro College Fund's motto: “A Mind Is a Terrible Thing to Waste.” Modern readers might be surprised to learn that Fletcher was also a Republican. Fletcher's story, told in full for the first time in this book, embodies the conundrum of the post-World War II black Republican—the civil rights leader who remained loyal to the party even as it abandoned the principles he espoused.The upward arc of Fletcher's political narrative begins with his first youthful protest—a boycott of his high school yearbook—and culminates with his appointment as assistant secretary of Labor under Richard Nixon. The Republican Party he embraced after returning from the war was “the Party of Lincoln”—a big tent, truly welcoming African Americans. A Terrible Thing to Waste shows us those heady days, from Brown v. Board of Education to Fletcher's implementing of the Philadelphia Plan, the first major national affirmative action initiative. Though successes and accomplishments followed through successive Republican administrations—as chair of the US Commission on Civil Rights under George H. W. Bush, for example, Fletcher's ability to promote civil rights policy eroded along with the GOP's engagement, as New Movement Conservatism and Nixon's Southern Strategy steadily alienated black voters. The book follows Fletcher to the bitter end, his ideals and party in direct conflict and his signature achievement under threat.In telling Fletcher's story, A Terrible Thing to Waste brings to light a little known chapter in the history of the civil rights movement—and with it, insights especially timely for a nation so dramatically divided over issues of race and party.

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The Arthur of the North is the first book-length study of the Arthurian literature that was translated from French and Latin into Old Norse-Icelandic in the thirteenth century, which has been preserved mostly in Icelandic manuscripts, and which in early modern times inspired the composition of narrative poems and chapbooks in Denmark, Iceland and Norway, chiefly of the Tristan legend. The importation of Arthurian literature in the North, primarily French romances and lais, is indebted largely to the efforts of King Hákon Hákonarson (r. 1217–63) of Norway, who commissioned the translation of Thomas de Bretagne’s Tristan in 1226, and subsequently several Arthurian romances by Chrétien de Troyes and a number of Breton lais. The translations are unique in that the French metrical narratives were rendered in prose, the traditional form of narrative in the North. The book concludes with a chapter on Arthurian literature in the Rus’ area, precisely East Slavic, with a focus on the Belarusian Trysčan. Contents 1. The Introduction of the Arthurian Legend in Scandinavia, Marianne E. Kalinke 2. Sources, Translations, Redactions, Manuscript Transmission, Marianne E. Kalinke 3. Breta sögur and Merlínússpá, Stefanie Gropper 4 The Tristan Legend, Geraldine Barnes 5. The Translated Lais, Carolyne Larrington 6 The Old Norse-Icelandic Transmission of Chrétien de Troyes’s Romances: Ívens saga, Erex saga, Parcevals saga with Valvens þáttr, Claudia Bornholdt 7. The Old Swedish Hærra Ivan Leons riddare, William Layher 8. Arthurian Echoes in Indigenous Icelandic Sagas, Marianne E. Kalinke 9. Arthurian Ballads, rímur, Chapbooks and Folktales, M. J. Driscoll 10. Arthurian Literature in East Slavic, Susana Torres Prieto

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Tells of the relationship between Arthur Conan Doyle and the Strand Magazine, the aftermath of the success of Sherlock Holmes and the impact of that on both author and publication as they moved into the early twentieth century.

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Taking the influential work of Arthur Huff Fauset as a starting point to break down the false dichotomy that exists between mainstream and marginal, a new generation of scholars offers fresh ideas for understanding the religious expressions of African Americans in the United States. Fauset's 1944 classic, Black Gods of the Metropolis, launched original methods and theories for thinking about African American religions as modern, cosmopolitan, and democratic. The essays in this collection show the diversity of African American religion in the wake of the Great Migration and consider the full field of African American religion from Pentecostalism to Black Judaism, Black Islam, and Father Divine's Peace Mission Movement. As a whole, they create a dynamic, humanistic, and thoroughly interdisciplinary understanding of African American religious history and life. This book is essential reading for anyone who studies the African American experience.

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This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.

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Another classic tale from the pen of Marc Brown

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"The greatest American dramatist of our age" Evening Standard This fifth volume of Arthur Miller's work contains two plays from the early nineties: his highly acclaimed The Last Yankee (1993), which the Guardian called "a fine and moving play . . . Like all Miller's best work, it effortlessly links private and public worlds by connecting personal desperation to insane American values"; and The Ride Down Mount Morgan (1991), which explores themes of bigamy and betrayal, described as "searching, scorching, harsh but compassionate" (Sunday Times). Also contained in the volume is Almost Everybody Wins, the original version of the screenplay Arthur Miller wrote for Karel Reisz's film, "Everybody Wins".

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Generations of children and their parents have delighted in Arthur Ransome’s `Swallows and Amazons’ books, but one of them stands out from the rest as being of a different order altogether. "We Didn’t Mean to Go to Sea" is both larger of theme and tighter of plot; it is a rite-of-passage tale quite unlike the others, and in describing the experiences of its protagonist John it illuminates much of Ransome’s own psychology. "Good Little Ship" is a blend of literary criticism, maritime history and sheer celebration. Peter Willis combines an analysis of a classic of maritime literature (“a book of which Conrad would have been proud” – Hugh Brogan) with the story of the "Nancy Blackett", Ransome’s own boat which appears as the "Goblin" in his story. He describes her life, near-death and restoration, and her renaissance as an ambassador for Ransome and his tales.

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Arthur Schopenhauer abrazó la filosofía confiando en hallar respuesta al dolor de la existencia y desvelar el enigma del mundo. Su obra de madurez, Parerga y paralipómena, hizo crecer de tal manera su popularidad que muchos apasionados lectores acudían a visitarlo a su casa de Fráncfort para oírle. Entonces el filósofo pesimista se reveló como un excelente conversador, alegre y siempre jovial. Este librorecoge testimonios de personas que conocieron a Schopenhauer y escucharon de vivavoz sus ideas. Una extraordinaria oportunidad de volver a conversar con uno de los mayores filósofos de todos los tiempos.

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These volumes span 65 years of Seldon's influential thought and elaborate on the genesis of almost all the public/private debates currently before the world. His arguments are as compelling and relevant today as they were over half a century ago. Each volume of this series has a contextual introduction and, except for Volume 3, an individual index. Volume 7 contains an index to the entire series. Volume 3 co-written with Fred G Pennance is an essential tool for anyone who wants a better understanding of political economics.

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The most famous and influential work of English fantasy ever published, reimagined for a new generation of readers by John Matthews, one of the world’s leading Arthurian experts, and illustrated by internationally acclaimed Tolkien artist, John Howe. The tales of how the boy Arthur drew the Sword from the Stone, or the love of Lancelot and Guinevere, or how the knights of the Round Table rode out in search of the Holy Grail are known and loved the world over. It all began when an obscure Celtic hero named Arthur stepped on to the stage of history, sometime in the sixth century, and oral tales led to a vast body of stories from which, 900 years later, Thomas Malory wrote the famous Morte D’Arthur. THE GREAT BOOK OF KING ARTHUR presents these well-loved stories for a modern reader, for the first time collecting many tales of Arthur and his knights either unknown to Malory or written in other languages. Here, you will read of Avenable, the girl brought up as a boy who becomes a famous knight. You will learn of Gawain's strange birth, his upbringing amongst poor folk and his final rise to the highest possible rank – Emperor of Rome. There is also the story of Morien whose adventures are as fantastic and exciting as any to be found in the pages of Malory. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. Here is the original Arthur, represented in such powerful stories as ‘The Adventures of Eagle-Boy’, and 'The Coming of Merlin', based on the early medieval text Vita Merlini, which gives a completely new version of the great Enchanter's story. These age-old stories, still as popular today as they were from the Middle Ages onwards, are dramatically brought to life by the luminous paintings and drawings of John Howe, whose work on the Lord of the Rings and Hobbit film trilogies has brought him a world-wide following.

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Arthur can't wait to hand out his birthday party invitations. But it turns out Muffy is having her party on the exact same day! Buster and the boys decide to stick together for Arthur's party, and Muffy's convinced the girls to go to hers. Arthur and Francine agree that it won't be as much fun without all their friends together. So they hatch a clever scheme to make sure Arthur and Muffy have the best birthdays yet!

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Inspired by a collection of letters received by Sir Arthur Conan Doyle during the First World War, Philip Abbott sets out to explore the inspirational campaign to provide body armour to British soldiers serving in the trenches. Setting the letters in the context of the terrible losses suffered during the Battle of the Somme, Abbott reveals the actions of the War Office and Ministry of Munitions in providing better protection for the troops. He examines Conan Doyle's personal motives for involvement, and investigates the part played by another Edinburgh graduate, Caleb Saleeby, in promoting the development of helmets, body armour and shields. Saving Lives is an absorbing account of how the creator of Sherlock Holmes used his fame to campaign against the horrific casualties on the Western Front.

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When the young Arthur pulls the embedded sword from the stone, his future as the King of England is foretold. This imaginative retelling of the classic legends recounts the story of Arthur's formation of the Knights of the Round Table, his securing of the enchanted sword Excalibur, his wooing of the Lady Guinevere and many other beloved Arthurian tales.

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Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene. Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.

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WINNER OF THE ARTHUR C. CLARKE AWARD A SUNDAY TIMES BOOK OF THE YEAR Out on the road, no one speaks, everything talks. Hard-drinking, foul-mouthed grandma Jean has never been good at getting on with other humans, apart from her granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. Then, a strange pandemic begins sweeping the country, its chief symptom that its victims begin to understand the language of animals. Many infected people lose their minds, including Jean’s son, Lee. When he takes off with Kimberly, Jean follows, with Sue the dingo riding shotgun. As they travel, they discover a stark, strange world in which the animal apocalypse has only further isolated people from other species.

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Arthur Milnes Marshall was a 19th-century scientist who gave lectures addressing the biological debates of his time. They covered topics including evolution, embryology, development and inheritance, with Charles Darwin’s name and those of other important biologists distributed liberally throughout. Marshall was a zoologist, embryologist, anatomist and Darwin enthusiast, as well as an accomplished mountaineer and sportsman. He was a humanist, an admired academic teacher and brilliant public educator. The lectures reveal his passion for communicating his subject, to his students and to the working men and women of Manchester, and they provide a remarkable snapshot of the state of biological science at the close of the 19th century. His death in 1893 aged only 41, on a climbing expedition in the Lake District, left a fascinating time capsule in the form of lectures from a critical transitional period in the history of biology. Evolution by natural selection was the established doctrine but genes were undefined, with Mendel’s work yet to be recognised. Embryology was suggesting recapitulation but ancestry, genetics and missing links awaited liberation from theoreticians and the stones of palaeontology. Microscopy was flourishing and cell science was finding its feet, but DNA and molecular science were far in the future. Had Marshall lived and worked into the 20th century, these lectures would undoubtedly have been superseded and forgotten. Instead, they reveal biology’s transformation from a descriptive exercise to an experimental science, its rejection of purpose and design in evolution, and the shift of its axis from continental Europe to Britain and the United States. Professor Martin Luck discovered these lectures (published by CF Marshall in two volumes shortly after his brother’s death) languishing in a university corridor. His careful curation, introductions to each lecture and copious annotations on the organisms, theories and scientists discussed, illuminate their significance as prequels to modern biology. Marshall’s own story brings the lectures and their social context into sharp relief. Biology in Transition will interest anyone curious about the history of science, especially biology, evolution, genetics and its 19th-century pioneers.

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Staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic—this study follows the male breadwinner as he is incarnated in Arthur Miller’s most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. Anxious Masculinity offers a compelling analysis of gender dynamics and the legacy of this figure as he stalks through the works of other American dramatists, and argues that the gendered anxieties exhibited by their characters are the very ones invoked with such success by Donald Trump. Claire Gleitman examines this figure in the plays of Miller and Tennessee Williams, as well as later 20th-century writers Lorraine Hansberry, August Wilson, and Sam Shepard, who reposition him in more racially and economically marginalized settings. He reappears in the more recent work of playwrights Tony Kushner, Paula Vogel, and collaborators Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan Lori-Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.

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When Rintarou Magami, a teenage know-it-all, sets his heart on something, he always follows through-even if it involves joining forces with the weakest candidate, Luna Artur, in the upcoming battle to become King Arthur's successor. Well, he might have underestimated the extent of Luna's incompetency... but no one could have guessed she would pawn off her one and only Excalibur for cash!

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