Search results for ""author "george"""

George is excited to visit the zoo to see the new baby panda - but when he's accidentally locked into the zoo at night, how will he get out? George must find a way to navigate his way out of the zoo and back home where he belongs! Based on the Emmy Award-winning PBS show. In this new 8 x 8 based on the Emmy Award–winning PBS show, Curious George can't wait to see the brand-new baby panda at the zoo. But when George accidentally gets locked into the zoo at night, he has to use maps, landmarks, and his animal instincts to find his way out! Bonus activities help reinforce the concepts in the story, including instructions for building your very own map of your home! AGES: 4 to 7 AUTHOR: The Reys were born in Hamburg, Germany. Hans Augusto Rey (1898-1977) met his wife-to-be, Margret (1906-1996), at a party in her father's home in Germany; when he first caught a glimpse of her, she was sliding down the banister. In their twenties and thirties they lived in Paris and in Rio de Janeiro, where Hans sold bathtubs in villages along the Amazon River. Eventually Cambridge, Massachusetts, became the Reys' home and community. Throughout their lives the Reys created many lively books together, including SPOTTY, PRETZEL, and lift-the-flap books such as HOW DO YOU GET THERE? The manuscript of the first Curious George books was one of the few items the Reys carried with them on their bicycles when they escaped from Paris in 1940. Eventually, they made their way to the United States, and CURIOUS GEORGE was published in 1941. Their incorrigible little monkey has become an icon, selling millions of books and capturing the hearts of readers everywhere.

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The end of the First World War saw Britain at the height of its power. Its fleet and air force were the largest in the world. Its armies had triumphed in the Middle East and spearheaded the final attacks in Western Europe that had driven the defeated Germans to seek an armistice. Britain now had to translate this military victory into the achievement of its war aims and future security and prosperity. Its main negotiator at the forthcoming peace conference would be its prime minister, the ebullient and enigmatic David Lloyd George (1863-1945), the "Welsh Wizard" - "the man who had won the war". Lloyd George's energy had maintained the war effort through the dark days of 1917 and early 1918, but now he anticipated, with relish, the prospect of winning the peace. Few were better equipped. He was a skilled and accomplished negotiator with the knack of reconciling the apparently irreconcilable. His admirers, of whom there were many, pointed to his brilliant and agile mind, his rapid grasp of complex questions and his powers of persuasion. His critics, who were also numerous, distrusted his sleight of hand, fleetness of foot and, frankly, his word. His six months in Paris in 1919, as he pitted his wits against formidable world leaders like Woodrow Wilson and Georges Clemenceau, were among the most enjoyable but exhausting of his life. This study investigates the extent to which Lloyd George succeeded in his aims and evaluates the immediate and longer-term results of his negotiations for Britain.

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George Yeo: Musings Series One and Series Two available as a set hereGeorge Yeo: Musings (In 3 Volumes) available as a set hereOver sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the second of a three-part series.

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George Mallory's collected writings on his mountaineering - and his motivations. Famously impelled to climb Mount Everest simply because it was there, Mallory made three attempts to be the first to reach its summit, and perished on the third. His writing reveals the emotional life of the mountaineer. With eloquence, Mallory captures the struggles and the rewards involved, the climber's sense of triumph, and experiences of staggering beauty.The reader is Tim Pigott Smith.

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Private Investigator George Kocharyan is on the trail of a runaway maid, the employee of a famous TV surgeon and his beauty-queen wife. The maid is accused of stealing confidential documents, and Kocharyan's investigation leads him to the city's Filipino community, where he discovers the risks faced by those working far from home. Meanwhile, the discovery of a teenager's body brings the permanently unpleasant DI Vicky Stubbing back into George's life, and as two violent strangers cross his path also looking for the missing maid, he begins to wonder if his celebrity employers are everything they seem.

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George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth, written in 1597, was one of the most popular plays of the Elizabethan era. Not only was Chapman's play the Rose Theatre's greatest box-office success of that year, but it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day. This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background to Chapman's comedy, and shows that An Humorous Day's Mirth would delight the readers and audiences of today as much as it did those in 1597.

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This collection explores key themes in the contemporary critique of political economy, in honour of the work and practice of Silvia Federici and George Caffentzis - two of the most significant contemporary theorists of capitalism and anti-capitalism, whose contributions span half a century of struggle, crisis and debate. Drawing together a collection of essays that assess Federici and Caffentzis's contributions, offering critical and comradely reflections and commentary that build on their scholarship, this volume acts as a guide to their work, while also taking us beyond it. The book is organised around five key themes: revolutionary histories, reproduction, money and value, commons, and struggles. Ultimately, the book shines light on the continuing relevance of Caffentzis and Federici's work in the twenty-first century for understanding anti-capitalism, 'primitive accumulation' and the commons, feminism, reproductive labour and Marx's value theory.

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The railways were the most revolutionary innovation of Victorian times. They carried Britain into the modern age with dramatic speed, transforming the pace and style of everyday life. We owe them to two men who, father and son, can lay claim to be the most important engineers of their time, George and Robert Stephenson. In this excellent biography L. T. C. Rolt, author of Brunel and Thomas Telford, assesses their life and their work. ‘This biography is a work of distinction in both the historical and social sense. It is written by one who adds engineering knowledge to biographical skill.’ E. W. Martin in the Listener ‘Mr Rolt is a master of correct terminology and can even turn it to literary advantage where, under another hand, it would cumber context with jargon. This gift, coupled with his own practical knowledge of mechanical and civil engineering, has enabled the author to produce yet another contribution to English history, which would have been quite beyond the power of the academic historian.’ Edmund Vale in the Observer

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Since opening in 1931, the George Washington Bridge, linking New York and New Jersey, has become the busiest bridge in the world, with 103 million vehicles crossing it in 2016. Many people also consider it the most beautiful bridge in the world, yet remarkably little has been written about this majestic structure.Intimate and engaging, this revised and expanded edition of Michael Rockland's rich narrative presents perspectives on the GWB, as it is often called, that span history, architecture, engineering, transportation, design, the arts, politics, and even post-9/11 mentalities. This new edition brings new insight since its initial publication in 2008, including a new chapter on the infamous “Bridgegate” Chris Christie-era scandal of 2013, when members of the governor's administration shut down access to the bridge, causing a major traffic jam and scandal and subsequently helping undermine Christie’s candidacy for the US presidency.Stunning photos, from when the bridge was built in the late 1920s through the present, are a powerful complement to the bridge's history. Rockland covers the competition between the GWB and the Brooklyn Bridge that parallels the rivalry between New Jersey and New York City. Readers will learn about the Swiss immigrant Othmar Ammann, an unsung hero who designed and built the GWB, and how a lack of funding during the Depression dictated the iconic, uncovered steel beams of its towers, which we admire today. There are chapters discussing accidents on the bridge, such as an airplane crash landing in the westbound lanes and the sad story of suicides off its span; the appearance of the bridge in media and the arts; and Rockland's personal adventures on the bridge, including scaling its massive towers on a cable.Movies, television shows, songs, novels, countless images, and even PlayStation 2 games have aided the GWB in becoming a part of the global popular culture. This tribute will captivate residents living in the shadow of the GWB, the millions who walk, jog, bike, skate, or drive across it, as well as tourists and those who will visit it someday. .

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George Yeo: Musings Series One and Series Two available as a set hereGeorge Yeo: Musings (In 3 Volumes) available as a set hereOver sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the first of a three-part series.

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A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media, predominantly painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East Berlin in 1956 for ‘socio-political immaturity’, and moved to the western half of the city. By the late 1950s, he had rejected the dominant tendencies of both sides of the country and his singular achievement was to reintroduce the figure, compromised and discredited though it was by both Nazism and Communism, into art. By drawing attention to art by ‘outsiders’, such as psychiatric patients, and invoking a Parisian model of existentialist art and literature, Baselitz proposed an alternative European tradition that did not eliminate the human subject. In alluding later to movements in German painting such as Expressionism as well as to artists like Munch, he also consciously rehabilitated the kind of art that was condemned by Hitler as ‘degenerate’. The book follows the development of Baselitz’s unique style from his earliest work through to the most recent creations of his eighth decade. Calvocoressi’s masterful construction of a chronological narrative helps us to evaluate Baselitz’s work in terms of the disruptions of his life – historical upheavals witnessed alongside an astonishing career.With 406 illustrations in colour

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This box set contains three sweet and gentle board books that introduce the youngest readers to the classic tales of Curious George. This is a perfect baby shower gift and a meaningful addition to every little one's library.The classic tales of Curious George have been enduring children's touchstones for generations, and this board book box set will be a new favorite for the baby in your life. The gently abridged text in these board book editions is geared towards the youngest of audiences, and babies will love the sturdy board pages that are perfect for little hands.H. A. Rey's vibrant and playful illustrations shine throughout as our mischievous little monkey embarks on adventure after adventure. These sweet introductions to Curious George are perfect for gift-giving and showers. This box set includes: My First Curious George, Curious George: My First Bike, and Curious George: My First Kite.

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George Gershwin heard music all the time--at home, at school, even on New York City's busy streets. Classical, ragtime, blues, and jazz--George's head was filled with a whole lot of razzmatazz! With rhythmic swirls of words and pictures, author Suzanne Slade and illustrator Stacy Innerst beautifully reveal just how brilliantly Gershwin combined various kinds of music to create his masterpiece, Rhapsody in Blue, a surprising and whirlwind composition of notes, sounds, and one long wail of a clarinet. Includes author's note, timeline, and bibliography.

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‘Georges Franju' is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on him in English since 1967. Born in 1912, but only enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs 'Le Sang des bêtes', Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic 'Les Yeux sans visage'. Ince takes a new approach to Franju's films, investigating the areas of genre and gender, and grouping the films thematically rather than chronologically. A chapter on Franju's cinematic aesthetics offers a new synthesis of existing writings, combined with the author's responses to the films. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions.'Georges Franju' will be essential reading on Franju, and of great interest to researchers, academics and students in film studies

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It is impossible to talk about 20th century comedy without discussing George Carlin. Named the 2nd greatest standup of the 20th century by both Comedy Central and Rolling Stone, Carlin garnered multiple gold records, 4 Grammys, 6 Emmy nominations, and the Mark Twain Prize for American Humor. He was the first host of SNL, appeared on the Tonight Show some 130 times, and acted in beloved films like Bill and Ted's Excellent Adventure and Dogma. Dubbed "the dean of counterculture comedians," George Carlin was an American icon.A perfect introduction for new fans and a worthy addition to the collections of old fans, The Best of Carlin showcases the longevity, range, and-above all-hilarity of the master. Filled with thoughts, musings, questions, lists, beliefs, curiosities, monologues, assertions, assumptions, and other delicious verbal ordeals, it is drop-dead funny tour through Carlin's mind. More than ten years after his death, Carlin's characteristically ironic takes on life's annoying universal truths remain thoughtful, fearless, and somehow more relevant than ever.

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George Gershwin blossomed as an accompanist before his talent as a songwriter opened the way to Broadway where he fashioned his own brand of American music. He composed a run of musical comedies, with his brother Ira as lyricist, and several classical works while he became a favoured guest in New York social circles. His 1924 Rhapsody in Blue was an instant classic rooted in in his absorption of African American music. A decade later came Porgy and Bess, his magnum opus. The brothers left New York to write songs for Hollywood—but their work was cut short when George developed a brain tumour and died at thirty-eight. Richard Crawford traces the arc of Gershwin’s remarkable life, seamlessly blending colourful anecdotes with a discussion of Gershwin’s unforgettable oeuvre.

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George Gershwin blossomed as an accompanist before his talent as a songwriter opened the way to Broadway where he fashioned his own brand of American music. He composed a run of musical comedies, with his brother Ira as lyricist, and several classical works while he became a favoured guest in New York social circles. His 1924 Rhapsody in Blue was an instant classic rooted in his absorption of African American music. A decade later came Porgy and Bess, his magnum opus. The brothers left New York to write songs for Hollywood—but their work was cut short when George developed a brain tumour and died at thirty-eight. Richard Crawford traces the arc of Gershwin’s remarkable life, seamlessly blending colourful anecdotes with a discussion of Gershwin’s unforgettable oeuvre.

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George Perkins Marsh (1801–1882) was the first to reveal the menace of environmental misuse, to explain its causes, and to prescribe reforms. David Lowenthal here offers fresh insights, from new sources, into Marsh’s career and shows his relevance today, in a book which has its roots in but wholly supersedes Lowenthal’s earlier biography George Perkins Marsh: Versatile Vermonter (1958). Marsh’s devotion to the repair of nature, to the concerns of working people, to women’s rights, and to historical stewardship resonate more than ever. His Vermont birthplace is now a national park chronicling American conservation, and the crusade he launched is now global. Marsh’s seminal book Man and Nature is famed for its ecological acumen. The clue to its inception lies in Marsh’s many-sided engagement in the life of his time. The broadest scholar of his day, he was an acclaimed linguist, lawyer, congressman, and renowned diplomat who served 25 years as U.S. envoy to Turkey and to Italy. He helped found and guide the Smithsonian Institution, shaped the Washington Monument, penned potent tracts on fisheries and on irrigation, spearheaded public science, art, and architecture. He wrote on camels and corporate corruption, Icelandic grammar and Alpine glaciers. His pungent and provocative letters illuminate life on both sides of the Atlantic. Like Darwin’s Origin of Species, Marsh’s Man and Nature marked the inception of a truly modern way of looking at the world, of taking care lest we irreversibly degrade the fabric of humanized nature we are bound to manage. Marsh’s ominous warnings inspired reforestation, watershed management, soil conservation, and nature protection in his day and ours. George Perkins Marsh: Prophet of Conservation was awarded the Association for American Geographers' 2000 J. B. Jackson Prize. The book was also on the shortlist for the first British Academy Book Prize, awarded in December 2001.

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"the publishers should be congratulated for their newest...event. By making sixty of the greatest spiritual classics easily available in their new series, they have done much to further the spiritual renewal of the Church." The Christian World GEORGE HERBERT-THE COUNTRY PARSON, THE TEMPLE edited, with an introduction and foreword by John N. Wall, Jr. preface by A.M. Allchin The Sun arising in the East, Though he give light, and th' East perfume; If they should offer to contest With thy arising, they presume. George Herbert (1593-1633) George Herbert (1593-1633) lived in England during the tempestuous reigns of James I and Charles I that saw the nation racked by conflict among Catholics, Hugh Churchmen, and Puritans. A member of a politically-active family, Herbert rejected a promising career as a member of Parliament for the simple life of a country parson. While busily involved in his pastoral duties he produced works of poetry and prose that have earned him a long-established place in English literary history. Collected here are two works originally published after Herbert's death at Bemerton in 1633: The Country Parson, a prose treatise on the duties, joys, and hardships of a pastor's life; and The Temple, a collection of poems. In them the literary genius of this humble priest whose spirituality was a synthesis of Evangelical and Catholic piety is revealed. Herbert's appeal for today is summed up by A.M. Allchin in his preface to this volume: "Without glossing over the fragility and brokenness of man's experience of life in time, he managed to reaffirm the great unities of Christian faith and prayer. These are the unities which draw together the separated strands in the Christian heritage, which draw together past and present in a living an creative appropriation of tradition." †

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George Jellicoe, son of Admiral Sir John Jellicoe, commander of the British Grand Fleet at Jutland, was never compromised by his privileged upbringing. In this insightful biography, his son describes a life of action, drama, public service and controversy. George's exploits with the newly formed SAS, as David Stirling's second-in-command, and later commanding the SBS, make for fascinating reading. Over four years it embraced the North African and Mediterranean campaigns and culminated in the saving of a newly-liberated Athens from the communist guerrillas of ELAS. The brutality of Stalinist communism led him to join the post-war Foreign Office. In Washington he worked with Kim Philby and Donald Maclean in the cloak and dagger world of espionage. Resigning in 1958 so he could marry the woman he loved, he turned to politics. Although his ministerial career ended in 1973 after unwittingly become entangled with the Lambton scandal, he continued to sit in the House of Lords becoming 'Father of the House'. He held numerous public appointments including President of the Royal Geographical Society, Chairman of the Medical Research Council, President of the SAS Regimental Association and the UK Crete Veterans Association. Thanks to the author's research and access, this is more than a biography of a significant public figure. It provides fascinating detail of Special Forces operations and the characters of the countless figures with whom he mixed.

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George Mackay Brown has long been recognised as one of the most original and important Scottish writers of the twentieth century. This book is the first comprehensive account of Brown's work from a philosophical perspective and offers a radical new approach to the study of Scottish literature. The importance of local community in the work of Scottish novelists ranging from Walter Scott to Neil M. Gunn has often been noted, but few critics have addressed the relation of this concept to current philosophical and sociological models of community. Timothy C. Baker uses Brown's work as a primary case study to demonstrate that the relationship between the individual and the community is a dominant narrative question in Scottish fiction. Baker traces the development of Brown's writing in relation to contemporary developments in the study of community, drawing on both continental and Anglo-American traditions. Focusing on Brown's novels, Baker argues for Brown's importance not only within a Scottish literary tradition, but as a major thinker of community. The book also suggests the utility of community, as opposed to nation and region, for productive discourse on modern literature. Combining close readings with theoretical elaborations, and including a broad national and historical overview, Baker offers a new perspective both on Brown's work and contemporary national literatures. Key Features: *Offers the first philosophically-informed critique of George Mackay Brown *Shows how fiction can contribute to an understanding of the problems of community in modernity *Suggests new directions for the study of contemporary Scottish literature *Takes into account Brown's late and posthumous writings as well as unpublished material not covered before

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FINALIST FOR THE HARPER LEE PRIZE FOR LEGAL FICTION 2016 FINALIST FOR THE MACAVITY AWARD 2016 The year is 1936. Charles ‘Lucky’ Luciano is the most powerful gangster in America, Mob overlord and bootlegger millionaire. Thomas E. Dewey is an ambitious young prosecutor determined to bring him down, and Cokey Flo Brown – grifter, heroin addict and sometime prostitute – is the witness who claims she can do it. Only a wily defence attorney named George Morton Levy stands between Lucky and a life behind bars, and between Dewey and the New York Governor’s mansion. As the Roaring Twenties give way to the austere reality of the Great Depression, four lives, each on its own incandescent trajectory, intersect in a New York courtroom. The events of this seminal Mob trial will introduce America to the violent and darkly glamorous world of organised crime, and leave its culture, laws and politics for ever changed.

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One of the leading Northwest artists of his generation, George Tsutakawa (1910–97) is internationally known for his sculpture and fountain designs. However, a lesser-known aspect of his career was the production of blockprints, watercolors, and works on paper that began in the 1920s and continued throughout his career. Born in Seattle and educated in Japan, Tsutakawa had early success while still in high school. He attended the University of Washington, where he received an MFA in sculpture in 1950, and became an influential instructor at the university’s School of Art from 1947 to 1976. Drawn from the Tsutakawa estate, most of the works shown here have never been seen previously by the public. These early works display concepts and inspirations that would inform Tsutakawa’s aesthetic throughout a long and distinguished career. Contextual works by Tsutakawa’s instructors and contemporaries provides a broader understanding of his oeuvre. Exhibition dates: Cascadia Art Museum, December 1, 2022–March 26, 2023

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This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials - including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982 - to create an expansive chronicle of Gershwin's meteoric rise to fame. He also traces Gershwin's powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack's lively narrative describes Gershwin's family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin's entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.

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