Search results for ""OUT OF PRINT""
Penguin Random House Children's UK Tales from Shakespeare
The perfect introduction to Shakespeare for younger readers, Tales From Shakespeare explores twenty of the bard's greatest plays. Named as one of The Guardian's best 100 non-fiction books, each play has been carefully adapted for children of all ages.Beautifully illustrated and cloth bound, this edition is the perfect keepsake for the whole family.This classic volume includes:· A Midsummer's Night's Dream· Much Ado About Nothing· As you Like It· King Lear· Macbeth· Twelfth Night· Romeo and Juliet· Hamletand more.Crafted by renowned writers and essayists of the 18th century, siblings Charles and Mary Lamb. Tales From Shakespeare vividly bring to life the power of Shakespeare's stories with wit and wisdom.'First published in 1807, and never out of print, these stories, adapted from 20 of Shakespeare's plays, are clever and powerful summaries designed to provide children with enough plot and characterisation to allow them to understand the plays themselves when they later see or read the authentic versions.' - IndependentCollect our Puffin Clothbound Classics:9780241444313 The Little Prince9780241663554 The Jungle Book9780241568811 Charlotte's Web9780241688243 Little Women9780241688250 Peter Pan9780241688267 The Railway Children9780241688236 Chinese Cinderella 9780241411216 Treasure Island9780241411209 The Wizard of Oz9780241655702 Watership Down9780241663578 The Worst Witch9780241663547 David Copperfield9780241663561 The Neverending Story 9780241623909 Stig of the Dump9780241623916 The Dark is Rising9780241411162 The Secret Garden9780241411148 Black Beauty9780241411155 Dracula9780241425121 Frankenstein9780241425138 Wuthering Heights9780241425114 Tales from Shakespeare9780241425107 Tales of the Greek Heroes9780241411193 A Christmas Carol9780241621196 Grimms' Fairy Tales9780241425145 Hans Christian Andersen's Fairy Tales
£14.99
Vanguard Productions Dracula: The Original Graphic Novel
Dracula —both the legendary blood-thirsty vampire and his historic inspiration, Vlad The Impaler— has terrified and fascinated the world via a myriad of films and books ever since Bram Stoker's original 1897 novel.Tales of the vampiric Prince of Darkness have been adapted to every format including a number of graphic novels. But just as Stoker's 1897 novel ever holds its historic place, so too does the original Dracula graphic novel. The premier, 1966 graphic adaptation of Stoker's classic was edited and packaged as a paperback by legendary Creepy magazine founding editor, Russ "Unca' Creepy" Jones. Creepy launched as a full-sized, uncensored black and white horror comics magazine in 1964. It ran, most-famously adorned with covers by Frank Frazetta, for near 300 issues over two decades, spawning a tsunami of imitators and competing horror magazine lines including from Marvel. From 2008-2019 Dark Horse released a complete library of Creepy Archives hardcovers which often made the New York Times bestseller list.After leaving Creepy magazine, for the landmark Dracula graphic novel, Jones enlisted Supergirl co-creator/writer Otto Binder and Star Trek, Twin Earths and Creepy artist Alden McWilliams to adapt Stoker's novel. Legendary Dracula actor, Christopher Lee even provides an Introduction! For Halloween 2021, Vanguard has enlarged, revised, and expanded, this historic but long-out-of print classic in a luxurious hardcover edition with a new historic essay by How To Draw Chiller Monsters author, J. David Spurlock, examples of historically related art by Neal Adams, Gene Colan and a new cover by the most celebrated Creepy artist of all, Frank Frazetta. The package makes a surprisingly tastefully terrifying addition to every library and horror fan's bookshelf.
£26.09
Bloomsbury Publishing PLC In a Dark Wood Wandering: A Novel of the Middle Ages
During the late Middle Ages, conflict raged between France and England as they battled in pursuit of power, the throne and beyond. It became known as the Hundred Years’ War. Hella S. Haasse’s epic masterpiece brings this period to vivid life, as the novel’s infamous characters move across a panoramic tapestry woven together by criss-crossed bloodlines and intense rivalries. There is the mad King Charles VI and his heartless Bavarian wife Isabeau; the King’s dashing brother Louis, Duke of Orléans and his sensitive Italian Duchess, Valentine. Their son, Charles, inherits a ferocious feud with the powerful and scheming Duke of Burgundy. Meanwhile, their bastard son becomes the right arm of Joan of Arc. Charles of Orléans is the central character of this astonishing novel, a man caught up in deadly dynastic rivalries who survives because he is captured by the English at the Battle of Agincourt and made their prisoner for the next 25 years. In that time he perfects his craft as a writer and becomes one of the great French poets of the era. In a narrative that spans decades, we also bear witness to the reign of three English Kings: Richard II, Henry IV, and Henry V, the brilliant leader of the English army, who changes the face of war at Agincourt. First published in the Netherlands in 1949 and never out of print, In a Dark Wood Wandering is a timeless classic.
£18.00
Wymer Publishing Lettin’ Go: UFO in the `80s & `90s
Having written the first book ever on UFO, 2005’s long out-of-print Shoot Out the Lights, Martin Popoff, author of over seventy rock books, has now greatly expanded and rewritten the later years material from that title, bringing us now Lettin’ Go: UFO in the `80s & `90s. Popoff brings to the project new interviews with the key members throughout the decades, along with a substantial amount of new research to offer what is now the only book to focus on the eighties and nineties era of the band that saw huge turbulence amongst the ranks. Utilising his celebrated one album per chapter method, Popoff analyses the complete catalogue from the period of the band where initially Paul Chapman takes over from the departed Michael Schenker for the albums. No Place To Run, The Wild, the Willing and the Innocent, Mechanix and Making Contact. The journey takes us through the albums following the departure of Chapman and bassist Pete Way and concludes with 1995’s Walk On Water that sees the classic line-up reunited with Schenker back on guitar before he sensationally walked out on the band after just four shows of the supporting tour. In and around Popoff’s famed meticulous analysis of the catalogue, look for lots of tour talk, revealing nightmares surrounding the band’s business, and warnings about how the twin demons of drugs and alcohol can slow a band’s progress on the way to the top.
£14.99
Orion Publishing Co The Shadow of the Wind: The Cemetery of Forgotten Books 1
THE MODERN CLASSIC: OVER 20 MILLION COPIES SOLDA Sunday Times bestseller and a Richard & Judy book club pick'The real deal: one gorgeous read' Stephen King'This book will change your life. An instant classic' Daily Telegraph'A book lover's dream' The Times Hidden in the heart of the old city of Barcelona is the 'Cemetery of Lost Books', a labyrinthine library of obscure and forgotten titles that have long gone out of print. To this library, a man brings his 10-year-old son Daniel one cold morning in 1945. Daniel is allowed to choose one book from the shelves and pulls out 'The Shadow of the Wind' by Julian Carax.But as he grows up, several people seem inordinately interested in his find. Then, one night, as he is wandering the old streets once more, Daniel is approached by a figure who reminds him of a character from the book, a character who turns out to be the devil. This man is tracking down every last copy of Carax's work in order to burn them. What begins as a case of literary curiosity turns into a race to find out the truth behind the life and death of Julian Carax and to save those he left behind...'Marvellous' Sunday Times'A hymn of praise to all the joys of reading' Independent'Gripping and instantly atmospheric' Mail on Sunday'Irresistibly readable' Guardian'Diabolically good' Elle
£10.99
Free Association Books Critical Psychiatry
From the Preface to the second impression: The reissue of this book, 24 years after its first publication, is a very welcome initiative by Free Association Books. When Critical Psychiatry saw the light of day, the debate over psychiatry which had raged in the 1960's and 1970's was well past its peak: sales of the book were modest and the publishers soon allowed it to fall out of print, although well-thumbed copies continued to circulate in limited circles. All of us who worked on the book are therefore delighted to see this old war-horse once more being led from the stables. We hope, of course, that the book will not simply be bought as a collector's item. Inevitably, after a quarter of a century many details have become out of date. However, the book's basic message seems even more relevant now than it did in 1980. Mental health services have gone on changing, and new research has continued to be generated - but the importance of the book's central topic has, if anything, become greater. What is this topic? In a nutshell, it is the discrepancy between the size of the problem of 'mental illness' and the inadequacy of responses to it. As far as the size of the problem is concerned, the figures cited in the original introduction to Critical Psychiatry have become even more alarming. In Holland, for example - a prosperous country rated highly by its inhabitants on 'quality of life'- one in four of all adults now experience a diagnosable mental health problem in the course of a year. Such figures are typical for Western countries. Worldwide, the WHO has estimated that depression will become the second most important cause of disability by 2020 - and in the developed world, the major cause.
£21.71
University of Wales Press Double Agents: Women and Clerical Culture in Anglo-Saxon England
First printed in 2001 by the University of Pennsylvania Press, this book has been out of print for several years and is highly sought after by researchers in the field of Medieval cultural studies. "Double Agents" was the first book length study of women in Anglo-Saxon written culture that took on board the insights of contemporary critical theory, especially feminist theory, in order to elucidate the complex challenges of both the absence and presence of women in the historical record. That is to say, unlike the two earlier books on women in this period (by Fell, 1984, and by Chance, 1986), this is not a book about only those women in the written record (whether we think of it as historical or literary) of Anglo-Saxon England, it also tackles the question of how the feminine is modelled, used, and metaphorised in Anglo-Saxon texts, even when women themselves are absent.This book spans the entire Anglo-Saxon period from Aldhelm and Bede in the earliest centuries to Alfric and the anonymous homilists and hagiographers of the later tenth and eleventh centuries; it draws on Anglo-Saxon vernacular texts as well as Latin ones, and on those works most familiar to literary scholars (such as the "Exeter Book Riddles" or "Cadmon's Hymn", the first so-called poem in English, or the female "Lives of Saints") as well as historians (wills, charters, the cult of relics); it deliberately reconsiders, from the perspective of gender and women's agency, some of the key conceptual issues that studying Anglo-Saxon England presents (the relation of orality to literacy; that of poetry and sanctity to belief; and, the cultural significance of names, naming, and metaphors in Anglo-Saxon writing).
£67.50
Little, Brown Book Group CLR James: A Life Beyond the Boundaries
Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it.When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times.The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today.But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.
£22.50
Pennsylvania State University Press The Text-Critical Use of the Septuagint in Biblical Research
This handbook provides a practical guide for the student and scholar alike who wishes to use the Septuagint (LXX) in the text-critical analysis of the Hebrew Bible. It does not serve as another theoretical introduction to the LXX, but it provides all the practical background information needed for the integration of the LXX in biblical studies. The LXX, together with the Masoretic Text and several Qumran scrolls, remains the most significant source of information for the study of ancient Scripture, but it is written in Greek, and many technical details need to be taken into consideration when using this tool. Therefore, a practical handbook such as this is needed for the integration of the Greek translation in the study of the Hebrew Bible.The Text-Critical Use of the Septuagint in Biblical Research is based on much background information, intuition and experience, clear thinking, and a solid description of the procedures followed. The author presents his handbook after half a century of study of the Septuagint, four decades of specialized teaching experience, and involvement in several research projects focusing on the relation between the Hebrew and Greek Bibles.The first two editions of this handbook, published by Simor of Jerusalem (Jerusalem Biblical Studies 3 [1981] and 8 [1997]), received much praise but have been out of print for a considerable period. This, the third, edition presents a completely revised version of the previous editions based on the many developments that took place in the analysis of the Septuagint, the Hebrew Bible and the Qumran Scrolls. Much new information has also been added.Eisenbrauns has been involved in the marketing of the previous two editions and is proud to offer now its own completely novel edition. A must for students of the Hebrew Bible, textual criticism, the Septuagint and the other ancient translations, Dead Sea Scrolls, and Jewish Hellenism.
£44.95
Yale University Press Dead Souls
Gogol's 1842 novel Dead Souls, a comic masterpiece about a mysterious con man and his grotesque victims, is one of the major works of Russian literature. It was translated into English in 1942 by Bernard Guilbert Guerney; the translation was hailed by Vladimir Nabokov as "an extraordinarily fine piece of work" and is still considered the best translation of Dead Souls ever published. Long out of print, the Guerney translation of Dead Souls is now reissued. The text has been made more faithful to Gogol's original by removing passages that Guerney inserted from earlier drafts of Dead Souls. The text is accompanied by Susanne Fusso's introduction and by appendices that present excerpts from Guerney's translations of other drafts of Gogol's work and letters Gogol wrote around the time of the writing and publication of Deal Souls. "I am delighted that Guerney's translation of Dead Souls [is] available again. It is head and shoulders above all the others, for Guerney understands that to 'translate' Gogol is necessarily to undertake a poetic recreation, and he does so brilliantly."—Robert A. Maguire, Columbia University "The Guerney translation of Dead Souls is the only translation I know of that makes any serious attempt to approximate the qualities of Gogol's style—exuberant, erratic, 'Baroque,' bizarre."—Hugh McLean, University of California, Berkeley "A splendidly revised and edited edition of Bernard Guerney's classic English translation of Gogol's Dead Souls. The distinguished Gogol scholar Susanne Fusso may have brought us as close as the English reader may ever expect to come to Gogol's masterpiece. No student, scholar, or general reader will want to miss this updated, refined version of one of the most delightful and sublime works of Russian literature."—Robert Jackson, Yale University
£18.28
Everyman The Audubon Reader
John James Audubon (1785-1851) was for half a century America's dominant wildlife artist. His seminal Birds of America, a collection of 435 life-size prints, is still a standard work, and the name Audubon remains synonymous with birds and bird conservation the world over. Born in Haiti, the illegitimate son of a French sea-captain, he was raised in France and sailed to America at the age of 18 where he went into business and began his study of birds. In 1819 he was briefly jailed for bankruptcy; with no other prospects, he set off on his epic quest to depict America's avifauna, with nothing but his gun, artist's materials, and a young assistant. Floating down the Mississippi, he lived a rugged hand-to-mouth existence while his devoted wife, Lucy, earned money as a tutor to wealthy plantation families. In 1826 he sailed with his partly finished collection to England. Lionized as the 'American woodsman', he hit just the right Romantic note for the era, and was an overnight success, finding printers for his book first in Edinburgh, then London. It was a classic American tale of triumph over adversity.Here are vivid 'bird biographies', his correspondence with Lucy, journal accounts of his dramatic river journeys and hunting trips with the Osage Indians, and a generous sampling of brief stories that have long been out of print, 'The Burning of the Forests' and 'Kentucky Barbecue on the Fourth of July' among them. The Audubon Reader is an unforgettable encounter with early America: with its wildlife and birds, with its people and its primordial wilderness.
£14.99
Pen & Sword Books Ltd Armageddon Road: A VC's Diary 1914-1916
Billy Congreve was an exceptional soldier and an exceptional man. By the time he was killed on the Somme in July 1916 at the age of twenty-five he had been awarded the DSO, MC, and the Lgion dHonneur, and for his many deeds of gallantry on the Somme, a posthumous VC. Born into a military family (his father General Congreve had also won the VC) he became a regular soldier in the Rifle Brigade before the war, and in France became a staff officer, but one who chose to be in the front line as often as he could. This makes his remarkable diaries all the more valuable since he writes from the thick of the fighting and yet retains an objectivity that enables him to observe all that is going on around him both in the trenches and at headquarters. Terry Norman carefully edited the diary to set his story in the context of the war, and thus provide an exceptional picture of what an officer thought of the conduct of the war side by side with his personal grief at the loss of his friends and the wastage of human life. Out of print for over 30 years, this special centenary edition of this classic work includes a new foreword from esteemed military author Nigel Cave, as well as an expanded introduction from Terrys widow, Joan and a newly designed plate section. Detailing the extraordinary exploits of a truly remarkable man during the first two years of the war, this book is a compulsive purchase for all fans of the period.
£14.99
Siglio Press Intermedia, Fluxus and the Something Else Press - Selected Writings by Dick Higgins
Dick Higgins and his Something Else Press epitomized the riotous art of the ‘60s There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
£27.00
Schiffer Publishing Ltd Chesapeake Sailing Craft: Recollections of Robert H. Burgess
Thirty years have passed since the 1975 publication of Robert H. Burgess’s classic Chesapeake Sailing Craft, and while the original edition of this book has been out of print for many years, this new expanded edition brings alive the author’s photographs and recollections for a new generation of readers. Within these pages, Burgess presents a rare photographic record of the period 1925–1975, depicting the bay sailing craft from log canoe to four-masted schooner. Robert H. Burgess’s photographs show the vessels in all phases of their activities on these waters, including loading and unloading cargoes, under sail and in port, in shipyards, details of rigging, fittings, and decks, interior views, as powerboats, and abandoned hulks. No one has so thoroughly photographed the Chesapeake sailing vessels as Burgess. He applied himself to the task as though he were getting paid for it. But it was purely through a feeling for the history of the bay and its craft, an awareness that a change was taking place, that he pursued his subject so persistently. If he had not undertaken this labor of love, most of the sailing vessels in this volume would have passed on with no photographic record of their ever having existed. This edition showcases the original text, photos, and captions and adds 150 new photos with captions by William A. Fox. The result is Chesapeake Sailing Craft: Recollections of Robert H. Burgess, a new and expanded edition of the original volume for bay enthusiasts to enjoy. As in the original edition, all the photos in this book were taken by Robert Burgess. They appear as he saw them through the viewfinder of his camera and as he printed them in the darkroom, uncropped and unretouched.
£28.79
Pushkin Press A Woman in the Polar Night
'Conjures the rasp of the ski runner, the scent of burning blubber and the rippling iridescence of the Northern Lights' Sara Wheeler '[An] astonishing, haunting memoir' Isabella Tree The rediscovered classic memoir - the mesmerizingly beautiful account of one woman's year spent living in a remote hut in the Arctic In 1934, the painter Christiane Ritter leaves her comfortable home for a year with her husband on the Arctic island of Spitsbergen. On arrival she is shocked to realise that they are to live in a tiny ramshackle hut on the shores of a lonely fjord, hundreds of miles from the nearest settlement. At first, Christiane is horrified by the freezing cold, the bleak landscape and the lack of supplies... But after encounters with bears and seals, long treks over the ice and months of perpetual night, she finds herself falling in love with the Arctic's harsh, otherworldly beauty. This luminous classic memoir tells of her inspiring journey to freedom and fulfilment in the adventure of a lifetime. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Translated by Jane Degras With a foreword by Sara Wheeler Born in 1897, CHRISTIANE RITTER was an Austrian artist and author. She wrote A Woman in the Polar Night on her return to Austria from Spitsbergen in 1934. It has since become a classic of travel writing, never going out of print in German and being translated into seven other languages. 'A year in the Arctic should be compulsory to everyone,' she would say in her later years. 'Then you will come to realise what's important in life and what isn't.' Ritter died in Vienna in 2000 at the age of 103.
£12.99
Little, Brown Book Group CLR James: A Life Beyond the Boundaries
Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it. When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times. The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today. But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.
£14.99
Biteback Publishing They Fought Alone: The Story of British Agents in France
'Set Europe ablaze.' The order came from Churchill himself. The result was the Special Operations Executive - the SOE. Established in 1941 with the aim of supplying occupied France with a steady stream of highly trained resistance agents, this clandestine second world war network grew to become a crucial part of the allied arsenal. Ingeniously engineering acts of sabotage, resistance and terror in the face of the occupying Nazis, the SOE dealt devastating and fatal blows to the German war effort - and directly contributed to the rapid and successful advance of Allied forces across France in the days and months after D-Day. At the head of the French operations stood Colonel Maurice James Buckmaster, the leader of the SOE's French Section. These are his extraordinary memoirs. A lost classic, now available for the first time after many decades, They Fought Alone offers a unique insight into the courageous triumphs and terrible fates of the SOE's agents between 1941 and 1944. This new edition includes an introduction by intelligence historian Michael Smith that deals with the recent controversy surrounding Buckmaster, restoring his reputation as one of the most important figures in the resistance to the Nazis. The best collection of military, espionage, and adventure stories ever told. The Dialogue Espionage Classics series began in 2010 with the purpose of bringing back classic out-of-print spying and espionage tales. From WWI and WWII to the Cold War, D-Day to the SOE, Bletchley Park to the Comet Line this fascinating spy history series brings you the best stories that should never be forgotten.
£9.99
Penguin Books Ltd Against Interpretation and Other Essays
A series of provocative discussions on everything from individual authors to contemporary religious thinking, Against Interpretation and Other Essays is the definitive collection of Susan Sontag's best known and important works published in Penguin Modern Classics.Against Interpretation was Susan Sontag's first collection of essays and made her name as one of the most incisive thinkers of our time. Sontag was among the first critics to write about the intersection between 'high' and 'low' art forms, and to give them equal value as valid topics, shown here in her epoch-making pieces 'Notes on Camp' and 'Against Interpretation'. Here too are impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Lévi-Strauss, science-fiction movies, psychoanalysis and contemporary religious thought. Originally published in 1966, this collection has never gone out of print and has been a major influence on generations of readers, and the field of cultural criticism, ever since. Susan Sontag (1933-2004) was born in Manhattan and studied at the universities of Chicago, Harvard and Oxford. She is the author of four novels - The Benefactor, Death Kit, The Volcano Lover and In America, which won the 2000 US National Book Award for fiction - a collection of stories, several plays, and six books of essays, among them Illness as Metaphor and AIDS and Its Metaphors. Her books are translated into thirty-two languages. In 2001 she was awarded the Jerusalem Prize for the body of her work, and in 2003 she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. If you enjoyed Against Interpretation and Other Essays, you might like Sontag's On Photography, also available in Penguin Modern Classics.'A dazzling intellectual performance' Vogue'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times
£12.00
Penguin Books Ltd Three Men in a Boat
A comic masterpiece that has never been out of print since it was first published in 1889, Jerome K. Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.Jerome K. Jerome (1859-1927) was born in Walstall, Staffordshire, and educated at Marylebone Grammar School. He left school at fourteen to become a railway clerk, the first in a long line of jobs that included actor, teacher and journalist. His first book, On Stage and Off, a collection of humorous pieces about the theatre, was published in 1885, and was followed the year after with the more commercially-successful The Idle Thoughts of an Idle Fellow; but it was with Three Men in a Boat (1889) that Jerome achieved lasting fame. He later went on to become one of the founders of the humorous magazine, The Idler, and continued to write articles and plays. If you enjoyed Three Men in a Boat, you might like Stella Gibbons's Cold Comfort Farm, also available in Penguin Classics.
£8.42
Penguin Books Ltd The Thirty-Nine Steps
A gripping tale of adventure that has enthralled readers since it was first published, John Buchan's The Thirty-Nine Steps is edited with an introduction and notes by Sir John Keegan in Penguin Classics.Adventurer Richard Hannay has just returned from South Africa and is thoroughly bored with his London life - until a spy is murdered in his flat, just days after having warned Hannay of an assassination plot that could plunge Britain into a war with Germany. An obvious suspect for the police and an easy target for the killers, Hannay picks up the trail left by the assassins, fleeing to Scotland, where he must use all his wits to stay one step ahead of the game - and warn the government before it is too late. One of the most popular adventure stories ever written, The Thirty-Nine Steps established John Buchan as the original thriller writer and inspired many other novelists and filmmakers including Alfred Hitchcock.In his introduction to this edition, historian Sir John Keegan compares Buchan's life - his experiences in South Africa, his love of Scotland and his moral integrity - with his fictional hero. This edition also includes notes, a chronology and further reading.John Buchan (1875-1940) was born in Perth, and first began writing at Oxford University, producing two volumes of essays, four novels and two collections of stories and poems before the age of twenty-five. During the First World War he worked both as a journalist and at Britain's War Propaganda Bureau, eventually becoming Director of Information. He published his most popular novel, The Thirty-Nine Steps, in 1915 - and it has never since been out of print.If you enjoyed The Thirty-Nine Steps, you might like G.K. Chesterton's The Man Who Was Thursday, also available in Penguin Classics.'Richard Hannay is ... a modern knight-errant'Observer'Once you've started, you can't put the book down'Stella Rimington
£8.42
Savas Beatie The Civil War Memoirs of Captain William J. Seymour: Reminiscences of a Louisiana Tiger
Like many other soldiers who fought in the Civil War, New Orleans newspaper editor William J. Seymour left behind an account of his wartime experiences. It is the only memoir by any field or staff officer of the famous 1st Louisiana Brigade (Hays’ Brigade) in the Army of Northern Virginia. Long out of print, The Civil War Memoirs of Captain William J. Seymour: Reminiscences of a Louisiana Tiger is available once more in this updated and completely revised edition by award-winning author Terry L. Jones.Seymour’s invaluable narrative begins with his service as a volunteer aide to Confederate Gen. Johnson K. Duncan during the 1862 New Orleans campaign. Utilizing his journalistic background and eye for detail, Seymour recalls in great detail the siege of Fort Jackson (the only Southern soldier’s account except for official reports), the bickering and confusion among Confederate officers, and the subsequent mutiny and surrender of the fort’s defenders. Jailed after the fall of New Orleans for violating Maj. Gen. Ben Butler’s censorship order, Seymour was eventually released and joined General Hays’ staff in Virginia.Seymour’s memoirs cover his experiences in the army of Northern Virginia in great detail, including the campaigns of Chancellorsville, Gettysburg, Wilderness, and Shenandoah Valley, ending with the Battle of Cedar Creek in 1864. His pen recounts the activities of the Louisiana Brigade while offering a critical analysis of the tactics and strategies employed by the army.A perceptive and articulate officer, Seymour left behind an invaluable account of the Civil War’s drudgery and horror, pomp and glory. Terry L. Jones’ spare and judicious editing enhances Seymour’s memoirs to create an indispensable resource for Civil War historians and enthusiasts.
£15.99
University of Texas Press IOWA
In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera’s properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of “my own private landscape, a state of mind.” She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth’s ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.
£36.00
Goose Lane Editions To Scatter Stones
Described as Newfoundland's answer to Frank McCourt, M.T. Dohaney's To Scatter Stones is available once again. Long out of print, the highly anticipated To Scatter Stones was first published in 1992, the second novel in Dohaney's celebrated Corrigan Women trilogy. In this novel, Tess Corrigan, newly divorced, has moved from Montreal to St. John's as manager of a travel agency. On a visit to her birthplace, a tiny outport called the Cove, she agrees to stand as the Liberal candidate in the forthcoming provincial election. Little by little, she becomes wrapped up in the lives of her childhood friends and neighbours. But the return to her roots is also difficult. The last of the Corrigan women, Tess is the daughter of Carmel and an American soldier, who turns out to be a bigamist. In addition to the uncomfortable echoes from her past, Tess's politics stir up conflict in the traditionally Tory village. Not only does she face discouraging odds and hard ethical choices, but she is the first "petticoat candidate" ever to run for office in the Cove. On top of these external crises, Tess must deal with her own conflicting emotions and the love of youth, Dennis Walsh, now a priest, who reappears in the Cove. To Scatter Stones spans from the 1960s into the 1990s, marking not only the life changes of the last of the Corrigan women, but the radical changes as Newfoundland moved from paternalism and an economy based on the fishery to a more equitable political ideal. With wit and insight, M.T. Dohaney carries the story of the Corrigan women into the final decades of the 20th century.
£14.99
Windhorse Publications Crossing the Stream: India Writings I
Sangharakshita's arrival in India in 1944 marked the beginning of a period of prodigious literary and intellectual output. This was the base from which he would begin his life's work for the future of Buddhism. The essays gathered here, first published in journals such as Stepping Stones, The Maha Bodhi and The Middle Way, were written between 1944 and 1964. Ranging from The Unity of Buddhism, written in London at the age of only 18, to the panoramic A Bird's Eye View of Indian Buddhism, published on his return from India, all that distinguishes Sangharakshita's thought as teacher, synthesizer and translator is already evident here. We see the unity underlying all Buddhist schools, the inspiring ideal of the Bodhisattva, and the certainty that the Dharma is urgently needed in the modern world. This volume contains the previously published collections Crossing the Stream and Early Writings, plus other articles long since out of print. In the groundbreaking Ordination and Initiation in the Three Yanas (1959), Sangharakshita first comes close to recognizing Going for Refuge as the unifying factor in all of Buddhism. In Krishna's Flute (1944), the mind of the philosopher combines with the poet, and in A Visit to a Tibetan Monastery (1946), Sangharakshita the insightful traveller appears, seen later in his memoirs and travel letters. All the essays are fully annotated, and those previously published in Early Writings come with a detailed commentary and extensive introduction by Kalyanaprabha. A foreword by Nagabodhi introduces the collection. The insights and ideas expressed in these brief passages are as illuminating, as stimulating and as indispensable as anything Sangharakshita was ever to produce.
£19.95
Archaeopress The Dodecanese: Further Travels Among the Insular Greeks: Selected Writings of J. Theodore & Mabel V.A. Bent, 1885-1888
A sequel to The Cyclades, a compilation of late-19th-century travel writings (with an archaeological/ethnographical bias) centred on the Greek Dodecanese islands (including Rhodes, Nissiros, Tilos, Karpathos, Patmos, and Astypalea). The authors are the British explorer J. Theodore Bent (1852-1897), devotedly supported by his wife Mabel Virginia Anna (1847-1929). Theodore met Mabel shortly after coming down from Oxford in 1875 and they married two years later. They were of independent character and means and spent the too few years until Theodore’s early death on a breathless sequence of annual travels to the Eastern Mediterranean, Africa, and Southern Arabia. Theodore’s publications are referenced still by archaeologists and scholars working on sites or regions such as ‘Great Zimbabwe’, Aksum, the Wadi Hadramaut, the Cilician littoral, and, of course, the Greek islands. Bent’s first successful monograph was based on two winters spent in the Cycladic isles (1882/3 and 1883/4). From the start the couple kept notebooks from which all Theodore’s later lectures and literature sprang. His The Cyclades, or Life Among the Insular Greeks was published in 1885 and has been rarely out of print since. It remains one of the most delightful accounts in English of the region, and few serious travellers and tourists to these islands fail to discover it. In the year The Cyclades was published the Bents moved a little east and explored the islands now commonly referred to as the Greek Dodecanese. Unforeseen circumstances obliged the explorers to curtail their activities before Theodore’s writings on the area could be edited into a monograph to complement his earlier bestseller. Theodore’s Dodecanesian output was channelled instead into a wide range of articles, while Mabel completed three volumes of her personal Chronicles on their daily travels and travails. Bent never presented his Dodecanese researches to the public in a compendium, the way he had, so brilliantly, for the Cyclades. Now, 130 years later, his The Dodecanese can appear for the first time: a collection of reminiscences and studies on these sunny, blue-surrounded, and delightful islands.
£16.54
Siglio Press Sophie Calle: Suite Vénitienne
Calle’s first artist’s book documents her pursuit of one man through the streets of Venice After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. Over the course of almost two weeks in Venice, Calle notates, in time-stamped entries, her surveillance of Henri B., as well as her own emotions as she seeks, finds and follows him through the labyrinthine streets of Venice. Her investigation is both methodical (calling every hotel, visiting the police station) and arbitrary (sometimes following a stranger—a flower delivery boy, for instance—hoping someone might lead her to him). This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition. Printed on Japanese paper with a die-cut cover and gilded edges, this beautiful new Siglio edition allows readers to devour this crucial and compelling work. Sophie Calle (born 1953) is an internationally renowned artist whose controversial works explore the tensions between the observed, the reported, the secret and the unsaid. She has mounted solo shows at major museums around the world and represented France at the Venice Biennale in 2007. Her most recent US exhibition was the acclaimed Rachel, Monique at the Episcopal Church of the Heavenly Rest in Manhattan in 2014.
£27.00
Siglio Press Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends
Iannone’s image–text works celebrate a joyful sexuality and spirituality For over five decades, Dorothy Iannone has been making exuberantly sexual and joyfully transgressive image–text works. Karen Rosenberg wrote of her in The New York Times: “High priestess, matriarch, sex goddess: the self-taught American artist Dorothy Iannone has been called all these things and more. Since the early 1960s she has been making paintings, sculptures and artist’s books that advocate ‘ecstatic unity,’ most often achieved through lovemaking.” Beginning with the famous “An Icelandic Saga,” in which Iannone narrates her journey to Iceland (where she meets Dieter Roth and leaves her husband to live with him), this singular volume traces Iannone’s search for “ecstatic unity” from its carnal beginnings in her relationships with Roth and other men into its spiritual incarnation as she becomes a practicing Buddhist. Reproducing several previously unpublished or long-out-of-print works in their entirety (such as Danger in Düsseldorf, The Whip, “An Explosive Interlude”), as well as longer excerpts from rarely-seen works like A Cookbook and Berlin Beauties, this volume gives readers the chance to read her work with sustained attention, and enjoy the sophistication of the stories she tells and the visual–textual embellishments that make them so irresistible. Associated with Fluxus through her close friendships with Emmett Williams, Robert Filliou and Ben Vautier, as well as most well-known for her relationship with Dieter Roth, Dorothy Iannone (born 1933) nevertheless has her own distinct aesthetic style and substantive concerns. Her first major museum show in the U.S. came when she was 75 in 2008 at the New Museum, shortly after her “orgasm box” titled “I Was Thinking of You” was included in the Whitney Biennial in 2006, and she has recently attained more recognition with solo shows at the Camden Arts Centre, Palais de Tokyo and the Berlinischer Galerie.
£36.00
Princeton University Press The Imaginative Landscape of Christopher Columbus
Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting his relationship with the confessional teaching of the late medieval church provided the crucial impelling force behind his entire enterprise. As Flint follows Columbus to the New World and back, she constantly relates his reports both to modern reconstructions of what he really saw and to the visual and literary sources he knew. She argues that he declined passively to accept authoritative pronouncements, but took an active part in debate, seeking to prove and disprove theses that he knew to be controversial among his contemporaries. Flint's efforts to take Columbus seriously are so convincing that his belief that he had approached the site of the earthly Paradise seems not quaint but eminently sensible on his own terms. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
£31.50
Princeton University Press Civic Politics in the Rome of Urban VIII
In this colorful depiction of daily political life in Baroque Rome, Laurie Nussdorfer argues that the lay persons managed to sustain a civic government under the increased papal absolutism of Urban VIII (1623-1644), who oversaw both sacred and secular life. Focusing on the S.P.Q.R. (the Senate and the Roman People), which was ministered from the capitoline Hill, she shows that it provided political representation for lay members of the urban elite, carried out the work of local government, and served as a symbol of the Roman voice in public life. Through a detailed study of how civic authorities derived their sense of legitimacy and how lay subjects maneuvered in informal and disguised ways to block or criticize the papal regime, the author advances a new way of conceiving politics under an absolute ruler.As Nussdorfer analyzes the complex interactions between the lay administration and Urban VIII and his family, the papal administration, and Romans of the upper and lower classes, she also provides fresh insights into the actual practice of early modern government. She takes the plague threat of the early 1630s, the War of Castro (1641-1644), and the interregnum following the pope's death as important test cases of the state's power in times of crisis.Laurie Nussdorfer is Assistant Professor of History and Letters at Wesleyan University.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
£43.20
Siglio Press The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader: 2020
A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her “Reversible Destiny” architecture Poet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Yet, her own writings—in the form of poetry, essays, experimental prose and philosophical inquiries—represent her most visionary and transformative work. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader is a revelatory anthology, edited and with an introduction by the writer and critic Lucy Ives. It brings never-before-published poems and essays together with a complete facsimile reproduction of Gins’ 1969 masterpiece, WORD RAIN (or A Discursive Introduction to the Intimate Philosophical Investigations of G,R,E,T,A, G,A,R,B,O, It Says), along with substantial excerpts from her two later books What the President Will Say and Do!! (1984) and Helen Keller or Arakawa (1994). Long out of print or unpublished, Gins’ poems and prose form a powerful corpus of experimental literature, one which is sure to upend existing narratives of American poetics at the close of the 20th century. Born in the Bronx and long a resident of New York City, Madeline Gins (1941–2014) participated in experimental artistic and literary movements of the 1960s and ‘70s before developing a collaborative practice as a philosopher and architect. Alongside her own writing, Gins collaborated with her husband, the artist Arakawa, on a theory of “procedural architecture,” an endeavor to create buildings and environments that would prevent human death.
£22.50
HarperCollins Publishers Bodies from the Library 5: Lost Tales of Mystery and Suspense from the Golden Age of Detection
Classic crime fiction's 'Indiana Jones' Tony Medawar unearths more unpublished and uncollected stories from the Golden Age of suspense, including John Bude, John Dickson Carr, Dorothy L. Sayers and Julian Symons. ‘Five books in, and the selection here might well be the strongest yet. This series continues to delight with the high standard of forgotten gems that Medawar uncovers, and there’s sufficient range to ensure that all fans of the genre will find something to enjoy. Book 6 can’t come soon enough.’ Jim Noy, author of The Red Death Murders The end of the First World War saw the rise of an insatiable public appetite for clever and thrilling mystery fiction and a new kind of hero – the modern crime writer. As the genre soared in popularity, so did the inventiveness of its best authors, ushering in a “Golden Age” of detective fiction – two decades of exemplary mystery writing: the era of the whodunit, the impossible crime and the locked-room mystery, with stories that have thrilled and baffled generations of readers. The Golden Age still casts a long shadow, with many of the authors who were published at that time still hugely popular today. Aside from novels, they all wrote short fiction – stories, serials and plays – and although many have been republished in books over the last 100 years, Bodies from the Library collects the ones that are impossible to find: stories that appeared in a newspaper, magazine or an anthology that has long been out of print; ephemeral works such as plays not aired, staged or screened for decades; and unpublished stories that were absorbed into an author’s archive when they died . . . Complete with fascinating biographies by Tony Medawar of all the featured authors, this latest volume in the annual Bodies from the Library series once again brings into the daylight the forgotten, the lost and the unknown, and is an indispensable collection for any bookshelf.
£9.99
Wiener Schiller Productions, Inc. LSD: A Journey into the Asked, the Answered, and the Unknown
Out of print for more than half a century, LSD: A Journey into the Asked, the Answered, and the Unknown, is now available in a commemorative edition, with candid commentary, a new introduction by counterculture journalist Jessica Hundley, and a photographic portrait of a generation.In the midst of a raging national controversy around the indiscriminate use of LSD, two authorities – Richard Alpert, PhD (AKA Ram Dass) and psychoanalyst Sidney Cohen, MD – spoke out on the dangers, merits, legal regulations and control of the revolutionary psychedelic drug. Their book was illustrated with a groundbreaking photo essay by journalist Lawrence Schiller, whose cover story for Life magazine introduced America to the sweeping new LSD epidemic and was a precursor to the federal criminalization of the drug.As the first national photojournalist to capture the American acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their private experiences with LSD. At first, his contacts were few and difficult. “Many of them were afraid,” and said no. There were others, however, who were trying to exercise their rebellion, “and some…had a sort of missionary quality. They not only wanted to tell about their experiences; they seemed as though they had to.”Schiller’s reporting expanded to include Timothy Leary, then on trial in Laredo, Texas, and the Merry Pranksters, who stopped by his studio for stroboscopic photos after the Hollywood Acid Test. The deeper he went into the story, the more questions he had. Questions like, “Is the LSD state reality or illusion?” and “Can you understand…without having had “the experience?” Figuring others did as well, he asked Alpert and Cohen to answer them for readers—from their two opposing points of view. The unexpected result is perhaps one of the most deeply informative documents on psychedelics ever published. It sold close to a million copies.At a time when the use of consciousness-expanding substances is again making headlines, the moment that LSD burst out from the rarified world of Timothy Leary and Richard Alpert’s experiments at Harvard to acid parties on the Sunset Strip is worth a second look.
£14.99
David R. Godine Publisher Inc Ferlinghetti: A Life
“No one mulling this gentle record will fail to be moved.”—San Francisco Chronicle Poet, publisher, bookseller, activist—this is the story of Lawrence Ferlinghetti, the bookshop he made a landmark in San Francisco, and a life beautifully lived with writers and books.In the mid-1950s a group of San Francisco-based writers emerged as a central force in American letters. Self-styled bohemians, disillusioned with the old American dream of prosperity and conformity, they harangued these “virtues” in their writings. They became known as the Beat Generation. Their ranks included Allen Ginsberg, Jack Kerouac, and Gregory Corso. But the unifying force among them was an unassuming, almost painfully shy young poet named Lawrence Ferlinghetti.As owner of the now legendary City Lights Booksellers and its publishing enterprises, City Lights Publishers and its Pocket Poet Series, Ferlinghetti promoted the writings of his rebellious contemporaries, and continually looked for new talent to publish, while conducting a parallel though more personal search for self-identity through his own work. Although that search began with a lonely, unstable childhood in which he never knew his real parents, it would not become manifest until years later with the 1958 publication of his first collection of poems, A Coney Island of the Mind—that debut would go on to sell more than one million copies and become one of the bestselling and most popular books of poetry ever published. In this, the first biography of Ferlinghetti ever published (originally released in 1979), Neeli Cherkovski recreates those early years of the poet-publisher and examines the content and import of his work. Long out-of-print, this is a crucial literary document by a man who knew the legendary poet-publisher-bookseller intimately.This expanded edition—published just one year after Ferlinghetti’s passing in 2021 at the age of 101—includes a fascinating, hilarious new foreword about how the book came to be written in the late 1970s, an epilogue covering the last forty years of Ferlinghetti’s life, and a personal, tender afterword about the long relationship between the author and his subject.For readers interested in American culture and how a business can make social change, this is an irresistible story of a long life very well lived.
£13.99
Lars Muller Publishers Operating Manual for Spaceship Earth
Buckminster Fuller (1895-1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the world's problems in numerous essays, which offer an illuminating insight into the intellectual universe of this renaissance man. These texts remain surprisingly topical even today, decades after their initial publication.While Fuller wrote the works in the 1960's and 1970's, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas.Initially published in 1969, and one of Fuller's most popular works, Operating Manual for Spaceship Earth is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity, and the principles for avoiding extinction and "exercising our option to make it." How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide "spaceship earth" toward a sustainable future.And it Came to Pass - Not to Stay brings together Buckminster Fuller's lyrical and philosophical best, including seven "essays" in a form he called his "ventilated prose," and as always addressing the current global crisis and his predictions for the future. These essays, including "How Little I Know," "What I am Trying to Do," "Soft Revolution," and "Ethics," put the task of ushering in a new era of humanity in the context of "always starting with the universe." In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound.
£18.00
Siglio Press Bernadette Mayer: Memory: 2020
A revered classic of 1970s New York conceptualism, Bernadette Mayer’s Memory synthesizes writing and photography in this prescient “emotional science project” A New York Times Book Review 2020 holiday gift guide pick In July 1971, Bernadette Mayer embarked on an experiment: for one month she shot a roll of 35mm film each day and kept a journal. The result was a conceptual work that investigates the nature of memory, its surfaces, textures and material. Memory is both monumental in scope (over 1,100 photographs, two hundred pages of text and six hours of audio recording) and a groundbreaking work by a poet who is widely regarded as one of the most innovative experimental writers of her generation. Presaging Mayer’s durational, constraint-based diaristic works of poetry, it also evinces her extraordinary—and often unheralded—contribution to conceptual art. Mayer has called Memory “an emotional science project,” but it is far from confessional. This boldly experimental record follows the poet’s eye as she traverses early morning into night, as quotidian minutiae metamorphose into the lyrical, as her stream of consciousness becomes incantatory. In text and image, Mayer constructs the mercurial consciousness of the present moment from which memory is—as she says—“always there, to be entered, like the world of dreams or an ongoing TV show.” This publication brings together the full sequence of images and text for the first time in book form, making space for a work that has been legendary but mostly invisible. Originally exhibited in 1972 by pioneering gallerist Holly Solomon, it was not shown again in its entirety until 2016 at the Poetry Foundation in Chicago and then again in 2017 in New York City at the CANADA Gallery. The text was published without the photographs in 1975 by North Atlantic Books in an edition that has long been out of print. Bernadette Mayer (born 1945) is the author of over 30 books, including the acclaimed Midwinter Day (1982), a book-length poem written during a single day in Lenox, Massachusetts, The Desires of Mothers to Please Others in Letters (1994) and Work and Days (2016), which was a finalist for the National Book Critics Circle Award. Associated with the New York School as well as the Language poets, Mayer has also been an influential teacher and editor. In the art world, she is best known for her collaboration with Vito Acconci as editors of the influential mimeographed magazine 0 TO 9.
£36.00
St Augustine's Press The Heart – An Analysis of Human and Divine Affectation
This new edition of The Heart (out of print for nearly 30 years) is the flagship volume in a series of Dietrich von Hildebrand’s works to be published by St. Augustine’s Press in collaboration with the Dietrich von Hildebrand Legacy Project. Founded in 2004, the Legacy Project exists in the first place to translate the many German writings of von Hildebrand into English.While many revere von Hildebrand as a religious author, few realize that he was a philosopher of great stature and importance. Those who knew von Hildebrand as philosopher held him in the highest esteem. Louis Bouyer, for example, once said that “von Hildebrand was the most important Catholic philosopher in Europe between the two world wars.” Joseph Cardinal Ratzinger expressed even greater esteem when he said: “I am personally convinced that, when, at some time in the future, the intellectual history of the Catholic Church in the twentieth century is written, the name of Dietrich von Hildebrand will be most prominent among the figures of our time.”The Heart is an accessible yet important philosophical contribution to the understanding of the human person. In this work von Hildebrand is concerned with rehabilitating the affective life of the human person. He thinks that for too long philosophers have held it in suspicion and thought of it as embedded in the body and hence as being much inferior to intellect and will. In reality, he argues, the heart, the center of affectivity, has many different levels, including an eminently personal level; at this level affectivity is just as important a form of personal life as intellect and will. Von Hildebrand develops the idea that properly personal affectivity, far than tending away from an objective relation to being, is in fact one major way in which we transcend ourselves and give being its due. Von Hildebrand also developed the important idea that the heart “in many respects is more the real self of the person than his intellect or will.”At the same time, the author shows full realism about the possible deformities of affective life; he offers rich analyses of what he calls affective atrophy and affective hypertrophy. The second half of The Heart offers a remarkable analysis of the affectivity of the God-Man.
£16.31
Penguin Books Ltd Wide Sargasso Sea
One of the BBC's '100 Novels that Shaped the World'Jean Rhys's spell-binding novel Wide Sargasso Sea, inspired by Jane Eyre and winner the Royal Society of Literature Award is beautifully repackaged as part of the Penguin Essentials range.'There is no looking glass here and I don't know what I am like now... Now they have taken everything away. What am I doing in this place and who am I?'If Antoinette Cosway, a spirited Creole heiress, could have foreseen the terrible future that awaited her, she would not have married the young Englishman. Initially drawn to her beauty and sensuality, he becomes increasingly frustrated by his inability to reach into her soul. He forces Antoinette to conform to his rigid Victorian ideals, unaware that in taking away her identity he is destroying a part of himself as well as pushing her towards madness.Set against the lush backdrop of 1830s Jamaica, Jean Rhys's powerful, haunting masterpiece was inspired by her fascination with the first Mrs Rochester, the mad wife in Charlotte Brontë's Jane Eyre.'Compelling, painful and exquisite' Guardian'Brilliant. A tale of dislocation and dispossession, which Rhys writes with a kind of romantic cynicism, desperate and pungent' The Times'Rhys turns a menacing cipher into a grieving, plausible young woman, and one whose story says whole worlds about global mixtures, about the misunderstandings between the colonized, the colonizers and the people who can't easily say which they are' TimeJean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.
£9.04
Reardon Publishing The Palladian Way: A Classical Walk Past the Greatest Estates of "Middle" England
The Palladian Way is the brainchild of Cotswold walker Guy Vowles. It was born out of a previous idea for a long distance walk between Oxford and Bath but was extended northwards to Buckingham where the author was educated nearby. The realization that there was a Palladian bridge at Prior Park outside Bath to match the one at Stowe suggested a suitable title and the discovery of many classical houses and large estates along the route has helped to make the trail more than just another long walk. The majority of this 200km (125m) trail passes through beautiful countryside and many interesting villages with a wealth of historical background so that walkers can discover parts of England they would not normally visit. THE MAKING OF A LONG DISTANCE TRAIL The inspiration for a new long distance walk can come from many sources. In my case it was a loan of a book. "The Wayfarers Journal" is an elaborate production describing a number of routes which a small, rather quirky group of men who called themselves the "Viators" (Latin for "the travellers") started walking in the 1950s. They researched their routes and kept records. Some 30 years later a chance meeting with a journalist one lunch time at a pub close to Hadrian's Wall, led eventually to publication. Many of their walks or "iters" had Roman connections and ITER XXXVI particularly interested me. The cover pages contain a map of a route "South Cotswolds-Bath to Oxford 108 miles" but unfortunately there is no descriptive text. The book is out of print but I managed to acquire a copy and transposed the route on to modern OS maps. One January I set off to walk the first three days from Oxford. Their route was quite convoluted and I soon decided that I could plan something more interesting. I started the first walk over with a good friend with whom I had walked the length of Scotland and England a few years previously. We left Oxford via the tow path of the Oxford canal which we found to be rather unattractive with some of the houseboats described by my friend as "sinking assetsA". He also enquired about the length of the intended new route which now fell short of the magic 100 mile mark. By coincidence, about the same time, I was talking to another friend about my old school, Stowe, and he commented that his own old school, Prior Park, also had a Palladian bridge in the grounds. This was an eye opener to me and set me thinking. Stowe is north of Oxford and a route via Woodstock and Blenheim would not only avoid the difficulties around Oxford but would also take the distance down to Prior Park and Bath to over the 100 mile distance.
£12.36
MACK Kodachrome
In 1978 Luigi Ghirri self-published his first book, an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre. Kodachrome has long been out of print and on the 20th anniversary of Ghirri's death, MACK is proud to publish the second edition. 'Ghirri fights to maintain our ability to see. His works are powerful devices for the re-education of the gaze. They alter the perception we have of the world without proposing a single path to follow, rather they provide us with the tools we need to find the one we're looking for.'Francesco Zanot Part amateur photo-album, Ghirri presents his surroundings in tightly cropped images, making photographs of photographs and recording the Italian landscape through it's adverts, postcards, potted plants, walls, windows, and people. His work is deadpan, reflecting a dry wit, and is a continuous engagement with the subject of reality and of landscape as a snapshot of our interaction with the world. This new edition of Kodachrome is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri's original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of Kodachrome, alongside French and German translations of the original texts from the book (which were published in English and Italian). 'The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory... to the point at which we might merge with them... The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.' Luigi Ghirri Born in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992. Photography critic and curator Francesco Zanot has been working with some of the most renowned European and international photographers, including Alec Soth and Olivo Barbieri, for over 10 years. He has participated in multiple conferences and seminars on photography in different institutions such as Columbia University in New York and the American Academy in Rome. He is associate editor of Fantom, photographic quarterly magazine based in Milan and New York.
£30.00
Merrell Publishers Ltd Alvar Aalto: Architect
Alvar Aalto remains Finland's greatest architect, retains his place among the Modern Masters of twentieth-century architecture and is now recognized internationally as one of the world's greatest architects of all time. For Finland, Aalto, through his architecture, furniture, glassware and sculpture, contributed perhaps more than any other Finn to the creation of the cultural identity of the new independent Finland and its promotion around the world. His Finnish Pavilions in Paris and New York from the Thirties placed Finland centre-stage, establishing its identity as a modern, innovative country and generated huge interest in this northern land of lakes and forests. He went on to work in 18 countries around the world, as well as designing many of Finland's most important buildings of the 50s, 60s and 70s. This new biography of Aalto is the first to comprehensively cover his life, from the backwoods of Ostrabothnia to international fame and all of his buildings, from the early alterations and extensions to shops and houses in Jyvaskyla to Finlandia Hall.It draws on Aalto's archive, recollections of former employees and contemporaneous publications to fully explore Alvar Aalto the architect, rather than simply Alvar Aalto's architecture. For the first time, his life is set in the context of the events that surrounded and shaped it - the Finnish Civil War, the Great Depression, The Winter and Continuation Wars, the post-war boom in education, Finland's industrialisation and eventually the social revolution of the 60s which led to his characterization as a member of a Finnish elite and temporary unpopularity. It covers his life from his childhood, growing up in regional Jyvaskyla and Alajarvi, his architectural studies in Helsinki, combat in the Civil War through to the founding of his first office, his early neo-classical work and his international breakthrough with the completion of Paimio Sanatorium and Viipuri Library. It deals with his personal life, his marriage to Aino, what working life in his first office was like, the architectural competitions, his key friendships and continuous financial difficulties.As his career progressed, it explores the patrons who were so important to him - the Gullichsens and the founding of Artek, his new American friends, professorship at MIT. After the war, the death of Aino, marriage to Elissa and the period of his greatest architectural achievements - Saynatsalo Town Hall, Otaniemi University and Imatra Church. It considers the organisation of his new office in Helsinki, his expanding team, fame and eventually vanity. The book seeks to understand what drove him, the combination of skills, talents and character traits, which led to his extraordinary global success. As you will be aware, there is no shortage of books on Alvar Aalto, or to be more precise, there is no shortage of books on Alvar Aalto's Architecture. (Only one previous biography exists, published first in 1984 and now out of print). This book is about an architect and his architecture, written by another architect, not an architectural historian. It is the first, frank and fully-comprehensive biography of Alvar Aalto.
£36.00
Lodestar Books The The Dolphin: The life of David Lewis
In this first biography of David Henry Lewis, Ben Lowings examines his lifetime of adventure forensically yet sympathetically, and unlocks the secrets of his determination. This British-born New Zealander was the first person to sail a catamaran around the world, the first — in Ice Bird — to reach Antarctica solo under sail, and the first to make known to Westerners how ancient navigators reached — and could reach again — the Pacific islands. His many voyages resulted in thirteen books published and translated worldwide; many were bestsellers — We, the Navigators has not been out of print since first publication in 1972. David Lewis’s achievements have been acknowledged with a series of awards, including that of Distinguished Companion of the New Zealand Order of Merit. But the price of David Lewis’s adventures had ultimately to be paid by others in the succession of families he created, then broke apart; and many of his actions brought him into conflict with the feelings of friends and contemporaries. We may legitimately ask 'was it really all worth it?' For the first time his six marriages are revealed, through more than a year of original research in Britain, Australia and New Zealand — including interviews with all surviving family members, as well as friends and fellow voyagers. Events thinly-sketched or omitted in his own writings, such as his father’s own failings, are investigated. His kayaking, mountain-climbing and sailing were struggles all the more difficult because of a fractured backbone, shattered elbow and impaired vision. David Lewis’s early years get the comprehensive documentation they deserve — in his own memoir he jumps straight from child to fully-fledged explorer. Inaccuracies are corrected in his tale of kayaking four hundred miles home from school. As playboy medical student, British paratrooper fighting in Normandy, and political activist in Palestine, Jamaica and London, he grappled with academic and colonial prejudice, and fought anti-Semitism and inequality; all is examined. As a general practitioner in the East End’s impure 1950s air he worked where the new National Health Service was most needed. Professional frustrations and marital disappointments were not soothed by weekend sailing. He would join a pioneering single-handed yacht race to America in 1960, leaving his first daughter to find him on board in Plymouth to say farewell only at the last minute. In 1964 he would race again, but this time in a catamaran, and then, with Fiona, his new wife, and their daughters, girdle the earth in it. For the first time, their circumnavigation is described in part from Fiona’s perspective. Media accounts and passages from his many books build up a picture of a consistently experimental, and utterly untypical, middle aged man. Every word in the Antarctic logbook of Ice Bird — scrawled with freezing hands — is closely compared with literary sources, National Geographic articles and his commercially successful book-length account. A new critical appreciation shows the white heat at the core of his being. He has abandoned his children again, and been drugged by ocean solitude. But in the act of writing he is earning his place among humanity. To hell with the frozen hands.
£17.00
Pentagon Press Official History of the Indian Armed Forces in the Second World War 1939-45
The series originally published in 1950's by Ministry of Defence, describing the contribution of the Indian Armed Forces during the Second World War, was out of print for a number of years. It has now been reprinted by Pentagon Press. The series of eight books showcase the saga of heroism of Indian Army and its contribution during the epoch-making war. The series include the following titles: "India and the War"; "East African Campaign 1940-41"; "The North African Campaign"; "Expansion of the Armed Forces and Defence Organisation, 1939-45"; "Campaigns in South-East Asia 1941-42"; "The Arakan Operation 1942-45"; "Campaign in Western Asia"; and, "Post-War Occupation Forces: Japan and South-East Asia". When World War II began in 1939, the Indian Army's strength was about 200,000. By the end of the war, in August 1945, it had become the largest volunteer army in history, rising to over 2.5 million men. Serving in divisions of infantry, armour and a fledgling airborne force, they fought on three continents in Africa, Europe and Asia. In Ethiopia, the Indian Army fought against the Italian Army; in Egypt, Libya and Tunisia against both the Italian and German Armies; and, after the Italian surrender, against the German Army in Italy. However, the bulk of the Indian Army was committed to fighting the Japanese Army, first during the actions in Malaya and the retreat from Burma to the Indian border; later, after refitting and training it was at the forefront for the victorious advance back into Burma, as part of the largest army the British Empire ever formed. These campaigns cost the lives of over 36,000 Indian servicemen, while another 34,354 were wounded, and 67,340 became prisoners of war. The Japanese advance in Asia had reached its furthest point and was halted in battles fought on the territory of India itself, at the Battle of Kohima and the Battle of Imphal. The tales of the operations by the 'Chindits', behind enemy lines was another significant contribution. The British appreciated the valour of Indian soldiers during the Second World War with the award of some 4,000 decorations. 28 Indian personnel were awarded the Victoria Cross (VC), while 8 were awarded the George Cross (GC). The Victoria Cross is the highest award for any member of the Commonwealth armed forces for bravery performed in the presence of the enemy, while the George Cross is the highest gallantry award for civilians as well as for military personnel in actions which are not in the face of the enemy, or for which purely military honours would not normally be granted. Originally, VCs had to be living, although posthumous awards were allowed from 1905. Another qualification was that you had to be white. It was in World War I that the British had to accept and acknowledge the bravery of Indian soldiers and Khudadad Khan became the first Indian to be awarded the VC. While it has never been acknowledged officially, the fact remains that after World War II, it was the Navy and other mutinies of Indian soldiers and airmen, and the great strength of the very professional Indian Army, that convinced the British to wisely exit safely and thus hastened India's independence. Many of the regiments of the Indian Army and descendants of Indian soldiers who fought in both the First and Second world wars have defended the nation's integrity since Independence - in fact they are the ones who have ensured that the freedom won then is maintained. Ironically, the first step of India's political leadership after Independence was to reduce the size of Indian Army to less than half of what it was then.
£203.39
Gregory R Miller & Company The Soul of a Nation Reader: Writings by and about Black American Artists, 1960–1980
A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition A New York Magazine 2021 holiday gift guide pick What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever. Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright.
£31.49