Search results for ""NICK HERN BOOKS""

A funny, painful and deeply moving play about loss - and cooking. Lucy has lost something very important. One minute Jo's there, the next he isn't, leaving Lucy with a pile of half-cooked food and a collection of invited (and uninvited) guests. As Lucy acclimatises to her new situation, she is absorbed, along with her visitors, into an intimate and sensory experience. Pamela Carter's play What We Know was first performed at the Traverse Theatre, Edinburgh, in 2010. This edition includes recipes by Rosie Sykes that can be used in a production of the play.

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A collection of five extraordinary plays exploring and reflecting contemporary life across the Near East and North Africa. In Withdrawal by Mohammad Al Attar (Syria), Ahmad and Nour rent a flat so that they can spend time together away from their families, but is having a space to themselves going to solve all their problems? In 603 by Imad Farajin (Palestine), four Palestinian men share a cramped prison cell listening to the buses come and go outside. Will the next bus be the one to take them home? In Damage by Kamal Khalladi (Morocco), three weeks after Youssef and Sana’a’s wedding, Youssef accepts a military peacekeeping expedition in the Congo. Will either of them be the same people when he returns? In The House by Arzé Khodr (Lebanon), Nadia wants to remain in the house she grew up in. For her sister, Reem, it is filled with painful memories. Are their differences over the future of the house irreconcilable? In Egyptian Products by Laila Soliman (Egypt), Hadia is an independent woman in Cairo. Gasir is a painfully awkward lab assistant with attachment issues over his dead mother. Is he really her knight in shining armour? In 2007 the Royal Court Theatre’s International Department and the British Council embarked on an ambitious project working with twenty-one writers from across the Near East and North Africa. Seven of the resultant plays received rehearsed readings at the Royal Court Theatre, London, in 2008. This volume, introduced by Laila Hourani of the British Council, collects five of these unique new voices, each posing different but equally urgent questions.

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A unique collection of everything that Chekhov wrote about the theatre. Chekhov started writing about theatre in newspaper articles and in his own letters even before he began writing plays. Later, he wrote in detail about his own plays to his lifelong friend and mentor Alexei Suvorin, his wife and leading actress, Olga Knipper, and to the two directors of the Moscow Art Theatre, Stanislavsky and Nemirovich-Danchenko. Collected for this volume, these writings reveal Chekhov's instinctive curiosity about the way theatre works – and his concerns about how best to realise his own intentions as a playwright. Often peppery, passionate, even distraught, as he feels his plays misinterpreted or undermined, Chekhov comes over in these pages as a true man of the theatre.

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An essential handbook for anyone who wants to act on television and film – by a leading teacher of screen acting. For any aspiring screen actor, the challenge is to combine all the components of your craft with an ability to handle the technical demands of acting for the camera within the often bewildering environment of a film set. Michael Bray takes you step by step through all the challenges you'll face, demystifying the processes you'll encounter, and helping you develop the necessary skills, including: How to approach the script and prepare your character How to maintain your concentration and learn to relax on set How to deliver your lines and improve your vocal range How to master continuity, eye lines, and hitting your marks How to tackle auditions to ensure your best chance of getting the job Full of invaluable advice, extracts from screenplays, numerous illustrations and practical exercises – which can be undertaken on your own, using the camera on your phone – this book is an accessible and authoritative guide to developing a successful career as a screen actor.

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A heartrending drama about family, betrayal and forgiveness, spanning four generations and two hemispheres. From the writer of the award-winning film Lantana. When the Rain Stops Falling moves from the claustrophobia of a London flat in 1959 to the windswept coast of southern Australia, and into the heart of the Australian desert in 2039. It interweaves a series of connected stories as seven people confront the mysteries of their past in order to understand their future, revealing how patterns of betrayal, love and abandonment are passed on. Until finally, as the desert is inundated with rain, one young man finds the courage to defy the legacy. Andrew Bovell's When the Rain Stops Falling was commissioned and first produced by Brink Productions in Australia. It was premiered at the Scott Theatre, University of Adelaide, in February 2008. The play received its European premiere at the Almeida Theatre, London, in May 2009.

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A modern classic about the bitter rivalry between Mary, Queen of Scots, and her cousin and fellow ruler, Elizabeth I of England - retold by Scotland's most popular playwright. 'Once upon a time, there were twa queens on the wan green island, and the wan green island was split inty twa kingdoms. But no equal kingdoms...' Mary and Elizabeth are two women with much in common, but more that sets them apart. Following the death of her husband, the Dauphin of France, the beautiful, and staunchly Catholic Mary Stuart has returned from France to rule Scotland, a country she neither knows nor understands. Ill-prepared to rule in her own right, Mary has failed to learn what her protestant cousin, Elizabeth Tudor, knows only too well - that a queen must rule with her head, not her heart. All too soon the stage is set for a deadly endgame in which there can only be one winner and one queen on the one green island. Liz Lochhead's play Mary Queen of Scots Got Her Head Chopped Off is presented in a distinctive cabaret style, with much of the dialogue in the 'Braid Scots' vernacular. It was first performed by the Communicado Theatre Company at the Lyceum Studio Theatre, Edinburgh, in August 1987. This revised version was published alongside the revival by the National Theatre of Scotland, which toured in 2009. Also included is a new introduction by the author.

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One of Dickens's best-loved and most autobiographical stories, brilliantly and faithfully dramatised by Alastair Cording. All Dickens's marvellous creations are here: Mr Micawber, Uriah Heep, Mrs Peggotty, Murdstone, Steerforth and Betsey Trotwood. Weaving through the colourful maze of the storyline is David's hopeless infatuation with Emily – and eventual salvation in the arms of the long-suffering Agnes. Alastair Cording's stage adaptation of Dickens's David Copperfield was first performed by Eastern Angles in 1995. It skilfully concentrates on the essentials of the story while maintaining the colour, humour and drama of the book. Most notable is its fluidity, with each scene flowing into the next without the need for cumbersome scene changes – or much scenery at all. Performable by a cast of eight, if necessary, but equally offering good roles to thirty or more.

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A funny and honest stage play about platonic soulmates. Premiered at the Bush Theatre, London, in 2024.

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A warm and witty one-person play exploring grief, the strings attached to success, and what it means to 'fail'. Premiered at the Edinburgh Festival Fringe in 2024.

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The bestselling memoir brought to life in a stage adaptation premiered at the Edinburgh International Festival in 2024.

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A bitingly comic, strikingly timely satire for the stage, which asks if we can ever break free from the people we used to be.

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A funny and provocative play about women's cricket, colonial India and the mythology of fair play.

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Love, lust, prostitution and slavery in a 19th-century Quaker household. New edition published alongside the 2024 revival at the Abbey Theatre, Dublin.

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A new play exploring the life and legacy of that fiendishly charismatic icon, Roald Dahl. Premiering at the Royal Court Theatre, London, in September 2024.

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A play of political and private passions, set in the 1940s against a backdrop of the foundation of the NHS. Premiered at the Donmar Warehouse, London, in 2024.

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Poland, 1949. Zula is bold and brilliant, a singer who ignites the stage. Wiktor is withdrawn and damaged, a composer longing to write. Irresistibly drawn to each other, they dream of escape. But in Communist-controlled Poland, the desire for freedom can be a dangerous thing. Based on the film by Academy Award winner Paweł Pawlikowski, Cold War is an epic love story spanning the decades and breadth of Europe at its most divided, and a compelling story of passion, redemption, and the journey to be free. This stage adaptation by Conor McPherson was first performed at the Almeida Theatre, London, in November 2023, directed by Rupert Goold, and featuring traditional Polish songs alongside music by Elvis Costello.

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'You care a lot, that's nice. It shows your age.' Jay's new. He's just started as a temp in NHS Child and Adolescent Mental Health Services. He arrives with little more than a fledgling desk plant and well-meaning plans to change the broken system. Angela's been working here for over thirty years and nothing seems to faze her – except Jay. Exhausted and worn down by archaic protocol, Jay starts bending the rules in a desperate attempt to help their patients. But when professional boundaries are crossed and trust is shattered, he discovers the harsh reality of what's truly at stake. Sophia Chetin-Leuner's play This Might Not Be It is a candid portrayal of human lives at the mercy of our crumbling NHS. The play was longlisted for the Verity Bargate Award and shortlisted for the Women's Prize for Playwriting. It was premiered at the Bush Theatre, London, in 2023, directed by Ed Madden and produced by Broccoli Arts and Jessie Anand Productions.

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'The supernatural is possible and the impossible is natural and life teeters on the edge of the unreal’ Malachi's been looking forward to a fresh start at uni for months. He's settling in, he's got a stack of books to read and he's met someone new – Kojo, a musician with a megawatt smile, who's basically perfect. But something doesn't feel right. He keeps having the same nightmare – sinking, crushed by the weight of the ocean – and it's getting worse… A beast grows in the water, hungry, relentless, hunting him but always just out of sight. As the boundaries between nightmare and reality fracture, Malachi must fight harder than ever to stay afloat. Kwame Owusu's play Dreaming and Drowning is an intimate and visceral deep-dive into the boundless mind of a young Black queer man wrestling with anxiety. It won the Mustapha Matura Award, was shortlisted for the Alfred Fagon Award, and was one of the winning plays in the RSC's 37 Plays competition. It was first performed at the Bush Theatre, London, in November 2023, directed by the playwright, performed by Tienne Simon, and produced by WoLab.

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1917: World War One is raging in Europe. In Britain, Sterling Ladies – known as the Dagenham Invincibles – are playing to win. For two whirlwind seasons, they never lose a game. Yet once peace is restored, the factory girls must hang up their boots and see triumph fade into obscurity. 2023: Injured footballer Maya follows England's progress through the Women's World Cup. The world has changed, yet the roar of the Lionesses echoes the Invincibles' war-cry. Watching at home, Maya fears she'll never play again – but as she loses herself in the present, she hears the call of the past and finds fresh hope for the future. Amanda Whittington's play The Invincibles celebrates two generations of inspirational women, and their adventures on the football pitch a century apart. It was premiered at Queen's Theatre Hornchurch in 2023, and offers rich opportunities for other theatre companies looking to score a hit with their audiences.

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On the surface, Michael and Cheryl have it all: a posh new home in suburban Belfast, good jobs, 2.4 pets. But things take a sinister turn when, living opposite a bonfire site, they unwittingly become the targets of a hate campaign involving missing animals, graffiti and explosions… Gary Mitchell's play Burnt Out is a blackly comic psychological thriller exposing the darker side of suburban life. It was first performed in 2023 at the Lyric Theatre Belfast, as part of the Belfast International Arts Festival. Gary Mitchell is a British playwright based in Northern Ireland. His plays, many of them political thrillers about contemporary life in Belfast, have been widely performed, and he has been called 'Northern Ireland's greatest playwright' (Guardian). 'His writing has the blazing conviction of lived experience combined with an unfashionable relish for strong plots. His best work has a stomach-churning intensity' Daily Telegraph

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When Ben Targét was nominated for Best Newcomer at the 2012 Edinburgh Comedy Awards, he was set on the path to becoming a critically acclaimed, multi-award-winning performance artist. Eight years later, amidst a global pandemic, he gave it all up to become the live-in carer for his uncle: an irascible octogenarian prankster called Lorenzo Wong. LORENZO is their story, a show that confronts the messiness of ageing and dying through the medium of storytelling, servitude to the audience and live carpentry, a combination not seen on the world stage since Nazareth circa 30AD. This book is the full script of that life-affirming show, with illustrations by Targét himself. It was directed by Adam Brace, and was premiered at Summerhall, Edinburgh, during the 2023 Edinburgh Festival Fringe, where it was awarded a Fringe First. It subsequently transferred to Soho Theatre, London.

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It used to be a magnificent opera house, its stage graced by the leading sopranos and tenors of the age. Now the only divas at the Grand Old Opera House Hotel are the ones checking-in, there are fist fights in the lobby, and there's scarcely a romantic hero to be found. When shy Aaron joins the hotel's inharmonious team, he's faced with emotionally volatile guests, apathetic staff and management that doesn't have a clue. Not to mention the rumour of singing ghosts haunting the corridors. But through all the madness, one voice stands out, capturing his ears and his heart – and Aaron must go into battle with the hotel's magical chaos to find out the truth. An uplifting ensemble comedy, Isobel McArthur's The Grand Old Opera House Hotel is a story of art bringing us together in hopeless circumstances, to the tune of some of the most popular opera songs ever written. It premiered at the Traverse Theatre, Edinburgh, during the Festival in August 2023, with Dundee Rep Theatre, directed by Gareth Nicholls. It was the recipient of an Edinburgh Fringe First Award.

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A devastating play about violence, love and loss. Winner of the Bruntwood Prize for Playwriting.

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'I'm thirty-six, I'm a comedian, and I'm about to kill my boyfriend.' A permanently single, professionally neurotic stand-up comedian finally meets his Mr Right – and then does everything wrong. Is Mr Right quite what he seems? And just how far will the comedian go to get a laugh? Marcelo Dos Santos's play Feeling Afraid As If Something Terrible Is Going To Happen is a dark and bitingly funny one-man show about vulnerability, intimacy, ego and truth. It premiered in the Roundabout at the 2022 Edinburgh Festival Fringe, produced by Francesca Moody Productions, directed by Matthew Xia, and starring Samuel Barnett. The critically acclaimed, Fringe First-winning production transferred to the Bush Theatre, London, in November 2023.

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Jacq and Kas's boutique restaurant has gone bust, and telling their oldest friends Adaego and her rich husband Tobin that his investment is toast is only the start of the evening. Cash, class, identity and infidelity are all on the menu. As the last of the expensive wine flows, a dangerous drinking game reveals long-hidden truths and provokes an unspeakable dare. Never Have I Ever is an explosive, savagely funny play which brilliantly skewers the contradictions of contemporary society, and the shifting sands of power and sexual politics. It premiered at the Minerva Theatre, Chichester, in 2023, directed by Emma Butler and starring Alex Roach, Amit Shah, Greg Wise and Susan Wokoma. Deborah Frances-White is a comedian, screenwriter and host of the global hit podcast The Guilty Feminist. This is her first play. '[Deborah Frances-White's] mixture of wit, fallibility and inclusivity is immensely appealing' Sunday Times on The Guilty Feminist 'Hilarious, irreverent, eternally surprising, classy as hell, genius' Phoebe Waller-Bridge

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'A woman. On the line in Gallery Two of all places. I never thought I'd see the day. This is progress, my dear.' It's 1874, and Elizabeth Thompson stuns the artistic establishment with her painting The Roll Call. Five years later, she falls two votes short of becoming the first woman elected to the Royal Academy. In between, she shoulders the hopes and dreams of female artists across the country, while fighting for her place at a table full of top hats, neckties and mutton chop beards. A thrilling collision of music hall, cabaret and drag king swagger, Modest tells the true story of a pioneering megastar of the Victorian art scene. Written by Ellen Brammar and with music by Rachel Barnes, it was first produced in 2023 by Middle Child in collaboration with Milk Presents at Hull Truck Theatre before touring.

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'So, if you Americans already have cornflakes and Woolworths, what brings you to England?' It's 1973, and a young man from Des Moines, Iowa, has arrived on the ferry at Dover. He intends to conquer the whole of the island, like Caesar attempted before him. But Caesar didn't have to deal with counterpanes, kippers, Cadbury's Curly Wurlies, or Mrs Smegma the landlady's eccentric house rules. As Bill travels the length and breadth of Britain, through villages with names like Titsey and Little Dribbling, something strange starts to happen. Can it be true? Is he really starting to feel at home? Bill Bryson's smash-hit memoir Notes from a Small Island spent three years in The Sunday Times bestseller list, sold over two million copies, and was voted the book which best represents the UK. Tim Whitnall's hilarious stage adaptation was first produced at the Watermill Theatre, Newbury, in 2023. Written for an ensemble cast of seven (but suitable for a cast of dozens), it will appeal to amateur drama groups as a glorious celebration of one of the nation's most beloved books, and a brilliant dissection of the enduring quirks of our small island.

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'It was never about the Reich or the war. It was about physics.' Summer 1945. Hitler is dead, but the war in the Pacific rages on. When six of Germany's top nuclear scientists – including three Nobel Prize winners – are detained by Allied forces at a stately home in the Cambridgeshire countryside, they find themselves shut off from the outside world. Their only distractions are board games, a broken piano and a copy of Blithe Spirit. But as the months go by, their attention turns to the ongoing war and thoughts of their broken homeland. The scientists' tranquil summer is shattered by the inconceivable news that the Americans have succeeded where the Germans have failed: the United States has not only built an atomic bomb, but they have used one against Japan. Katherine Moar's captivating debut play Farm Hall dramatises the true story recorded inside the bugged walls of the actual Farm Hall between July 1945 and January 1946. It was premiered at Jermyn Street Theatre, London, in March 2023, before transferring to the Theatre Royal Bath, directed by Stephen Unwin.

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David is gay, disabled and profoundly horny. He can't eat, drink or shower by himself – or wank. Totally inexperienced, he embarks on a sexual and romantic odyssey, armed with a fierce brain, and dick pics that he has to get someone to take. Can he keep it casual whilst also relying on round-the-clock care? And will he manage the thrill and uncertainty of random hook-ups after a lifetime of knockbacks? Animal is a hilarious, challenging and heartbreaking play by Jon Bradfield, from a story by Bradfield and Josh Hepple. It won the inaugural Through the Mill Playwriting Prize, was shortlisted for the Papatango Prize, and was first performed at the Hope Mill Theatre, Manchester, and Park Theatre, London, in 2023.

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'I know it's difficult. You've obviously been a good friend to her but it's time to let us take over now.' Es and Flo fell fiercely in love in the eighties. They've been living as secret lovers ever since. As Es becomes more forgetful around their home, an unexpected carer arrives. Who sent this woman? Why? And can they trust her? As the outside world comes crashing in, Flo fights to protect the life they've built together over forty years behind closed doors. And faces the hardest battle of her life – to hold on to the woman she loves. Jennifer Lunn's play Es & Flo is a sharply observed, deeply compassionate drama, coloured with memories of the Greenham Common Women's Peace Camp. It celebrates an older lesbian relationship, women coming together to fight for what's right, and the healing power of chosen family. The play was produced by Wales Millennium Centre, Cardiff, and opened there in 2023 before moving to Kiln Theatre, London, directed by Susie McKenna. It won the Popcorn Group Writing Award and the Nancy Dean Lesbian Playwriting Award.

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An essential resource for anyone studying Leave Taking by Winsome Pinnock for GCSE English Literature – featuring a complete guide to the text, plus sample questions and answers to help you prepare for assessment. Get to grips with Leave Taking with expert, easy-to-follow breakdowns and analyses of key aspects of the play – including the characters, plot, structure, themes, setting and language – along with a clear explanation of the historical context. This guide also contains prompts for further reflection and research, to help you get the most out of your study and revision, whether at home or in the classroom. Featuring insights from playwright Winsome Pinnock, colour photographs of the play in performance, and extensive quotes and extracts from the text, this GCSE Study Guide will strengthen your understanding, build your confidence and boost your chances of success. It is also an invaluable resource for teachers approaching the play.

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Pearl, Jan and Linda are enjoying a long-awaited break on the Holy Island of Lindisfarne, when a surprise visitor turns up. They haven't seen Shelley for years, and their retreat becomes a reunion – and pretty soon, a riot. But a lot has changed since they were last together and, cut off from the mainland, tensions rise with the tide. As the sky darkens, the island grows restless with echoes of the past. Will the four still be friends when dawn breaks? Following the smash hits Ladies' Day and Ladies Down Under, Amanda Whittington's Ladies Unleashed is the third play in her Ladies Trilogy. A moving comedy about friendship, growing older and living for today, it was first performed at Hull Truck Theatre in September 2022, directed by Mark Babych. The Ladies are back, and amateur theatre companies – as well as their audiences – are sure to delight in their riotous exploits.

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Two powerful plays about the shattering impact of war, and the astonishing resilience of those living through it, written by two of Ukraine's leading playwrights. 'They've mobilised all the living now, the fifth call took the last of the living. But the war keeps on. So high command asked us.' Sasha, a Colonel in the Ukrainian Army, has died suddenly of a heart attack, leaving his relatives Katia and Oksana to mourn for him. But a year later, as war intensifies, the army has resorted to recruiting the dead. Sasha is anxious to be resurrected so he can rejoin the fight, but can his family bear to lose him all over again? Take the Rubbish Out, Sasha by Natal'ya Vorozhbit blends reality and the supernatural in a startling exploration of the effects of war and conflict. 'I want to report a robbery... I was robbed. What was stolen from me? Almost everything... Home, land, car, work, friends, city, faith in goodness...' Donbas, 2014. A nameless woman stands in the street, trying to sell a basket of kittens. She has lost everything else she holds dear. Her only remaining hope is to find a home for the kittens, since she cannot offer them one herself. Pussycat in Memory of Darkness by Neda Nezhdana is an unflinching examination of Russia's war on Ukraine through the brutalised eyes of one woman. The two plays were translated by Sasha Dugdale and John Farndon, respectively, and performed in English at the Finborough Theatre, London, as part of their #VoicesFromUkraine season in 2022. 10% of the proceeds from sales of this book will be donated to the Voices of Children Charitable Foundation, a Ukrainian charity providing urgently needed psychological and psychosocial support to children affected by the war in Ukraine.

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'In the morning they'll shut the streets, roll the tanks in and begin the arrests. Everyone who tries to leave will be taken in for days, weeks, years. If I don't board the flight tonight, I'll be here forever.' Middle-aged, middle-management Dasha is ordered to quell the anti-government protests in her factory in Belarus by firing sixty workers. Her only escape is a one-way ticket to the US, but as she prepares to flee, she cannot escape memories of her rebellious youth resisting the Soviets. As her country heads to the polls, Dasha must make a decision… The Anarchist is a gripping, timely and deeply moving play, which won the inaugural Woven Voices Prize for migrant playwrights. It was first performed during the Footprints Festival at Jermyn Street Theatre, London, in 2022, directed by Ebenezer Bamgboye. Originally from Kazakhstan, Karina Wiedman lived in Russia and Belarus before moving to the UK. The Anarchist is her first play. 'A beautifully written play for our times' Jatinder Verma, Chair of the Woven Voices Prize judging panel

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Five insomniacs try to make it through the night. From dusk to dawn, they struggle with a crisis in their lives which they must resolve by morning. Increasingly conscious of their shortening futures and lengthening pasts, they fill their nights with distracting activities, desperate sleep techniques, evaluations of their lives, delusions, fears, panics and utter foolishness as they prepare to face the day. Five Characters in Search of a Good Night's Sleep was conceived in response to the current public-health crisis of insomnia, with 30% of the UK population suffering from some form of sleep disturbance. It was created through a series of workshops, and first produced by ViSiBLE Theatre Ensemble at Southwark Playhouse, London, in 2022, directed by acclaimed director Mike Alfreds. ViSiBLE is dedicated to creating performance work that throws fresh perspectives on later life and living longer. Their work is created collaboratively, drawing on the creativity and talent of Britain's huge wealth of experienced older actors. The play is a fascinating insight into a condition that is widely experienced but little understood, and will provide valuable material for other actors – especially older ones – to perform.

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A despot has come to power. The population is listless, submissive and scared. But beneath every violation of civil autonomy, there are real human beings; behind every act of resistance, there is an individual willing to risk everything. And these people aren't heroic or remarkable – they're just like us. Through the lives of bureaucrats, soldiers, ornithologists and tour guides, No Particular Order charts the fate of a single society, asking at every step of the way: is it empathy, or power, that endures? Joel Tan's startling and apocalyptic play No Particular Order was shortlisted for the Theatre503 International Playwriting Award, and opened at Theatre503, London, in May 2022, directed by Josh Roche. It was subsequently shortlisted for the 2022 George Devine Award.

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'Lots of exciting things have happened here. Like that time in 2005 when Bradley Walsh opened Domino's.' Gavi wants to inspire his community. Which is tricky when everyone wants to just stay at home and watch Bake Off. But, determined to succeed, he starts hosting amateur motivational meetings from his garage. With the help of daily mantras, goal-setting and repeatedly listening to Spandau Ballet, he believes he can change lives for the better. However, when the only attendees are his two colleagues from the Co-op – bickering mother and daughter Dawn and Jen – it's not quite the enlightening experience they were all hoping for. Katie Redford's play Tapped is a witty and sensitive portrayal of managing mental health within a family, highlighting the barriers we put up in order to put on a brave face. It was first performed at Theatre503, London, in April 2022.

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'The smaller you are, the quicker your heart beats. But it doesn't matter what size your heart is, we all only get an average of about two billion beats over our lifetime. It's just a pump at the end of the day, right?' Seventeen-year-old Asha is a rebel, inspired by historical revolutionaries and unafraid of pointing out the hypocrisy around her – but less sure how to actually dismantle it. Her younger sister, Bettina, wide-eyed and naive, is just trying to get through the school day without having her pocket money nicked. With essays to write, homework to do, and bus journeys home, the two sisters meet every afternoon, outside the school gates, to tackle the injustice of the world. Sonali Bhattacharyya's play Two Billion Beats is an insightful, heartfelt coming-of-age story and a blazing account of inner-city, British-Asian teenage life. It was originally presented in the Inside/Outside season, livestreamed from the Orange Tree Theatre, Richmond, before receiving a production there in this full-length version in 2022, directed by Nimmo Ismail.

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'To be honest with you, before I went secondary school I thought that the kids they would be like really mature and like by the time I reached Year Ten I'd be fully mature and everything. And I'd lose my like funsense and stuff... But, I don't know if it's just my class in particular but we really haven't matured at all... I don't want to be the serious adult and have serious children and have serious future in a serious house and serious everything.' Alecky Blythe's engrossing verbatim play tells the stories of a generation. Created from five years of interviews with twelve young people from across the UK, Our Generation is a captivating portrait of their teenage years as they journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager. It was co-produced by the National Theatre, London, and Chichester Festival Theatre in 2022, directed by Daniel Evans.

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'I can't undo what's been said. My world changed this morning. I hope for the better, but we'll see in the future.' Sisters Dolly and Esther grow up in ultra-conservative Harrogate in the 1960s. Fifty years later, following the death of their mother, Dolly comes to stay with Esther – now a successful novelist and living in Little Venice with her younger, inscrutable lodger, Jude. The three go to Norway to meet the rock-star grandfather Jude has only ever heard about. Instead, he meets Anila who changes his world. To make a new future, these four people will have to be honest, heal old wounds – and two sisters learn to laugh together again. The Lodger by Robert Holman is an enlightening, cathartic and acerbic play about identity, maturity and reconciliation. It premiered at The Coronet Theatre, London, in September 2021.

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'I'd get freaked out here, alone in the dark. Wondering what's lurking at the bottom of the bed, ready to grab your feet.' Jenny and Sam – and their baby Phoebe – have recently moved into their new home. But something feels frightening and wrong. Very wrong. Over the baby monitor, at 2:22 every night, Jenny hears footsteps around her daughter's cot. Could the house be haunted? When their friends Lauren and Ben come round for a housewarming dinner, they drink wine, relive their pasts, and argue about the existence of ghosts. They decide to stay up until 2:22, to discover the truth. Over one adrenaline-filled night – as the foxes scream outside – secrets will emerge and ghosts may appear… Spine-chilling, funny and scary, Danny Robins' play 2:22 was premiered at the Noël Coward Theatre in London's West End in August 2021, directed by Matthew Dunster, and starring Lily Allen, Julia Chan, Hadley Fraser and Jake Wood. It went on to win Best New Play at the 2022 WhatsOnStage Awards, and was nominated for Best New Play at the Olivier Awards. 2:22 provides rich opportunities for any drama group wanting to make things go bump in the night – and their audiences scream.

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John Kane sits on a hospital trolley. Very shortly, a giant lobster, two women called Mary, a very old man and a jazz percussionist arrive. Then everything starts. Enda Walsh's Medicine is a dark and frequently absurdist play. Devastatingly funny and profoundly moving, it examines how, for decades, we have treated those we call 'mentally ill'. It was first produced by Landmark Productions and Galway International Arts Festival as part of the 2021 Edinburgh International Festival, prior to performances in Galway and New York. It was directed by Enda Walsh, with a cast including Clare Barrett, Aoife Duffin and Domhnall Gleeson, with drummer Seán Carpio. This edition also includes Walsh's play The Same, about two women who meet in a psychiatric institution. Published here for the first time, it was produced by Corcadorca in 2017, and won The Irish Times Irish Theatre Award for Best Play. 'One of the most fiercely individual voices in the theatre today' New York Times

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'You do not know me yet but I am the heroine of this drama. I am told that here I must give a taste of what is to unfold. I am to convey that this tale is set in Jamaica during the last turbulent days of slavery and the early years of freedom. 'I am to say that it is a true and thrilling journey through that unsettled time. 'Cha, I say, what fuss-fuss. Come, let them just see it for themselves.' The Long Song is adapted from Andrea Levy's award-winning novel by Suhayla El-Bushra. It premiered at Chichester Festival Theatre in October 2021, directed by Charlotte Gwinner.

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'This is nice, innit? Yeah. Good little set-up to tell you the story of my name. The story of my true name.' When a woman receives an unexpected letter from the British Passport Office, she is forced to confront an old mystery: why does her South African passport not carry her first name? Armed with the wisdom of favourite '90s TV shows, she sets out on a journey that will take her back to the turmoil of Mobutu's Congo, growing up in post-Apartheid South Africa, moving to Ireland, and finding love in a hostile England. As her journey becomes inextricably linked with the tides of global history, how far will she go to unravel the truth? By turns wickedly funny and strikingly lyrical, Benedict Lombe's Lava is an explosive debut play that will turn the way you see the world on its axis. It premiered at the Bush Theatre, London, in July 2021, performed by Ronke Adékoluejo and directed by Anthony Simpson-Pike. Lava was awarded the prestigious Susan Smith Blackburn Prize in 2022. It also won Best Performance Piece at the 2022 Offies (Off West End Awards), and Benedict Lombe won the Book and Lyrics Recognition Award at the 2021 Black British Theatre Awards.

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Mothers who are blissed out. Mothers who are pissed off. Mothers who are great, or grateful, or grating. Mothers who have changed, mothers who can't, mothers who can't even change nappies. Women who aren't mothers. Welcome to the 'hood. The Motherhood Project draws together dramatic monologues and real-life reflections by some of the UK's leading writers, artists and thinkers, and explores all the guilt, joy and absurdity, the regrets, pressures and taboos surrounding motherhood. Contributors: Kalhan Barath, E.V. Crowe, Juno Dawson, Suhayla El Bushra, Jodi Gray, Hannah Khalil, Katherine Kotz, Morgan Lloyd Malcolm, Siggi Mwasote, Irenosen Okojie, Anya Reiss, Naomi Sheldon, Lemn Sissay, Athena Stevens and Joelle Taylor. The project was produced online in 2021 by Katherine Kotz in association with Drift Studio, and presented in association with Battersea Arts Centre, London.

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Rattigan's well-loved play about an unpopular schoolmaster who snatches a last shred of dignity from the collapse of his career and his marriage. Twice filmed (with Michael Redgrave and Albert Finney) and frequently revived. Andrew Crocker-Harris' wife Millie has become embittered and fatigued by her husband's lack of passion and ambition. On the verge of retirement, and divorce, Andrew is forced to come to terms with the platitude his life has become. Then John Taplow, a previously unnoticed pupil, gives Andrew an unexpected parting gift: a second-hand copy of Robert Browning's translation of Agamemnon – a gift which offers not only a opportunity for redemption, but the chance to gain back some dignity. The Browning Version was premiered at the Phoenix Theatre, London, in September 1948. This volume also contains Harlequinade, a farce about a touring theatre troupe, written to accompany The Browning Version in a double-bill under the joint title, Playbill. 'Few dramatists of this century have written with more understanding of the human heart than Terence Rattigan' Michael Billington This edition includes an authoritative introduction and biographical sketch by Rattigan scholar Dan Rebellato, along with a chronology of his plays.

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A group of people sit around a table theorising, categorising and telling stories. Their real purpose is never quite clear, but they continue on, searching for the monstrous. Part satire, part sacred rite, Annie Baker's play The Antipodes asks what value stories have for a world in crisis. First seen at Signature Theatre, New York, in 2017, the play had its UK premiere at the National Theatre, London, in 2019. 'The most original and significant American dramatist since August Wilson' Mark Lawson, The Guardian

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‘Imagine being him. Every day you wake up. You’re tired. Your body doesn’t work properly… You said it – you’d kill yourself.’ Two teenagers sneak into an old man’s home for a secret meeting. A young couple try to build their future whilst looking after an ailing parent. A care home offers its residents the opportunity to unburden their children. James Fritz's play The Fall takes a funny, moving and candid look at young people’s relationships to older people, confronting the frightening prospect of ageing in a country undergoing crises of housing and care. It was commissioned and premiered by the National Youth Theatre at the Finborough Theatre, London, in 2016, and revived at Southwark Playhouse in 2018.

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