Search results for ""Humboldt""

A beautifully illustrated ode to the most sensuous family of water plants.Seaweed is so familiar, and yet we know so little about it. Even its names—pepper dulse, sea lettuce, bladderwrack—are mystifying.In this exquisitely illustrated portrait, poet and artist Miek Zwamborn shares discoveries of seaweed’s history, culture, and science. We encounter its medicinal and gastronomic properties and long history of human use, from the Neolithic people of the Orkney islands to sushi artisans in modern Japan. We find seaweed troubling Columbus on his voyages across the Atlantic and intriguing Humboldt in the Sargasso Sea. We follow its inspiration for artists from Hokusai to Matisse, its collection by Victorians as pressed specimens in books, its adoption into fashion and dance, and its potential for combating climate change, as a sustainable food source and a means of reducing methane emissions in cattle.And, of course, we learn how to eat seaweed, through a fabulous series of recipes based around these “truffles of the seas.”

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'The action scenes are deftly choreographed and Standing is an engaging protagonist' Financial TimesWhat makes a good man become an assassin?A Navy SEAL has gone rogue, selling his skills to the highest bidder as a professional assassin. Ryan French no longer cares who he kills so long as the price is right. His former bosses want him taken down, but they're not prepared to get their hands dirty so they need a Brit to do the job.SAS trooper Matt "Lastman" Standing is a lethal killing machine with experience in Afghanistan, Iraq and Syria. Plus he's worked with French in the past. It's not a mission he wants, but Standing made a bad choice in his past and it has come back to haunt him. Now he's hunting French in the lawless Wild West forests of Humboldt County, where the US produces most of its legal - and illegal - cannabis.But French isn't the only predator in the wilderness - there are Mexican cartels, Russian Mafia and Hungarian gangsters - and Standing has to overcome them all to get to his target.

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Marco Polo, Ferdinand Magellan, David Livingstone, Amelia Earhart, Neil Armstrong: these are some of the greatest travellers of all time. This book chronicles their stories and many more, describing epic voyages of discovery from the extraordinary migrations out of Africa by our earliest ancestors to the latest voyages into space. In antiquity, we follow Alexander the Great to the Indus and Hannibal across the Alps; in medieval times we trek beside Genghis Khan and Ibn Battuta. The Renaissance brought Columbus to the Americas and the circumnavigation of the world. The following centuries saw gaps in the global maps filled by Tasman, Bering and Cook, and journeys made for scientific purposes, most famously by von Humboldt and Darwin. In modern times, the last inhospitable ends of the earth were reached – including both poles and the world's highest mountain – and new elements were conquered. With evocative photographs, paintings and portraits, The Great Journeys in History reveals the stories of those who were there first, who explored the unexplored and who set out into the unknown, bringing alive the romance and thrill of travel.

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Por lo general, la naturaleza suele revelarse como algo fascinante a pesar del cambio climático, pero a veces lo hace, asombrosamente, a causa de él. Algunos lagartos abaniquillos (del género Anolis), por ejemplo, han ampliado las almohadillas de los dedos para agarrarse mejor a los árboles debido a la creciente frecuencia de los huracanes. Las poblaciones del calamar de Humboldt van en aumento porque la temperatura elevada del agua altera de tal modo su desarrollo que los pescadores los confunden con otra especie y los devuelven al mar. Las flores silvestres que Thoreau conoció en Walden Pond florecen ahora varias semanas antes en primavera, y hay aves que él jamás contempló por allí y hoy se han convertido en residentes permanentes porque migran desde el sur a medida que aumenta la temperatura.En Lagartos huracanados y calamares plásticos Thor Hanson explora los extraordinarios medios a través de los cuales las plantas y animales están respondiendo a la crisis climá

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Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction? This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation’s aspiration of purported multiculturalism and cosmopolitanism; yet the project’s resurrection of the site’s former Prussian city palace, which was demolished during the GDR, stands in opposition to its very mission, given that the Prussian rulers benefited from colonial exploitation. By examining the contrasting successes of other projects, such as the National Museum of African American History and Culture in Washington DC, Curating Transcultural Spaces compellingly argues for the necessity of taking post-colonial thinking on board in the construction of museum spaces in order to generate genuine exchange between multiple perspectives.

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PREMIO ALFAGUARA DE NOVELA 2022Una novelaque abre una puerta a la esperanza de hallar en lo pequeño un refugio frente a las tragedias colectivas (Del acta del jurado)Se acerca el confinamiento de 2020 y el protagonista siente la tentación de retirarse a su cabaña en las afueras de Buenos Aires para hacer frente desde allí a lo que pueda venir. Mientras espera, cultiva un jardín con todo tipo de plantas y flores. Su amor por la naturaleza le lleva a indagar en la formación del pensamiento científico, el nacimiento de la botánica y la gran aventura de las expediciones europeas del siglo XVIII. Al mismo tiempo, rememora la historia de su familia, que fue arrancada de cuajo de sus raíces en Daglipulli, Chile, por la dictadura de Pinochet.Poco a poco este escenario singular se ve inundado por el recuerdo de las humildes dalias que plantaba su abuela Alba, la presencia exuberante y amenazadora de la selva amazónica con la que se encontró Humboldt en 1799 y la se

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Armin Linke’s night photography reveals the vacancy of the Bauakademie as a trace of Schinkel in Berlin’s urban fabric. The rudimentary replica of the corner construction raises questions about the future use and form of this centrally located site. Despite current majority support in Parliament for a reconstruction of the historical envelope―analogous to the recently completed Humboldt Forum―there are clearly more differentiated ideas among architects and urban society in Berlin about the future of the Bauakademie building. There is strong resistance to the appropriation of this important institution and building task by representational politics, that actually threaten to obscure more historical traces than they are supposed to make visible with the motto “As much Schinkel as possible”. At this important moment, Bauakademie Berlin offers conceptual perspectives for a contemporary Bauakademie in the form of texts, architectural drawings, and artist’s photographs. With texts by Sandra Bartoli, Stefanie Endlich, Philipp Oswalt, Tanja Scheffler, Dubravka Sekulić, Axel Sowa, Stephan Trüby, and Andreas Zeese. Photographs by Armin Linke and Gili Merin

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How do we reconcile the sanctity of Indigenous burial grounds with the desire to study them? Whether by curious Boy Scouts and “backyard archaeologists” or competitive collectors and knowledge-hungry anthropologists, the excavation of Native remains is a practice fraught with injustice and simmering resentments. Grave Matters is the history of the treatment of Native remains in California and the story of the complicated relationship between researcher and researched. Tony Platt begins his journey with his son’s funeral at Big Lagoon, a seaside village in pastoral Humboldt County in Northern California, once O-pyúweg, a bustling center for the Yurok and the site of a plundered native cemetery. Platt travels the globe in search of the answer to the question: How do we reconcile a place of extraordinary beauty with its horrific past? Grave Matters centers the Yurok people and the eventual movement to repatriate remains and reclaim ancient rights, but it is also a universal story of coming to terms with the painful legacy of a sorrowful past. This book, originally published in 2011, is updated here with a preface by the author.

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In the years immediately following Napoleon's defeat, French thinkers in all fields set their minds to the problem of how to recover from the long upheavals that had been set into motion by the French Revolution. Many challenged the Enlightenment's emphasis on mechanics and questioned the rising power of machines, seeking a return to the organic unity of an earlier age and triggering the artistic and philosophical movement of romanticism. Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society. Focusing on a set of celebrated technologies, including steam engines, electromagnetic and geophysical instruments, early photography, and mass-scale printing, Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848. He shows that those who attempted to fuse organicism and mechanism in various ways, including Alexander von Humboldt and Auguste Comte, charted a road not taken that resonates today.

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Like nearly every area of scholarly inquiry today, the biological sciences are broken into increasingly narrow fields and subfields, their practitioners divided into ecologists, evolutionary biologists, taxonomists, paleontologists, and much more. But all these splintered pieces have their origins in the larger field of natural history - and in this era when climate change and relentless population growth are irrevocably altering the world around us, perhaps it's time to step back and take a new, fresh look at the larger picture. "The Essential Naturalist" offers exactly that: a wide-ranging, eclectic collection of writings from more than eight centuries of observations of the natural world, from Leeuwenhoek to E. O. Wilson, from von Humboldt to Rachel Carson. Featuring commentaries by practicing scientists that offer personal accounts of the importance of the long tradition of natural history writing to their current research, the volume serves simultaneously as an overview of the field's long history and as an inspirational starting point for new explorations, for trained scientists and amateur enthusiasts alike.

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This volume in the African Theatre series celebrates the African theatrical diaspora from Brazil to Tasmania, and Canada to Cuba, and also includes the playscript Messing with the Mind by Egyptian writer and director Khaled El-Sawy. Diasporas', as used in the title of this volume, refers to a multitude of groups and communities with widely differing histories, identities and current locations. This book brings together essays on theatre by people of Africandescent in North America, Cuba, Italy, the UK, Israel and Tasmania. Several chapters present overviews of particular national contexts, others offer insights into play texts or specific performances. Offering a mix of academic andpractitioner's points of views, Volume 8 in the African Theatre series analyses and celebrates various aspects of African diasporic theatre worldwide. Guest Editors: CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin; and OSITA OKAGBUE, Senior Lecturer in the Department of Drama, Goldsmiths, University of London. Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies,University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds;Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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In early twentieth-century Berlin, the museumsdebate was set into motion with Wilhelm von Bode's sweeping proposal to reorganize a group of the city's museums. Between 1907 and 1910, two particularly striking series of articles appeared in the journal Museumskunde: Journal for the Administration and Technology of Public and Private Collections. The first was a six-part essay by Otto Lauffer on history museums and the second was a ten-part piece by Oswald Richter regarding ethnographic museums, and both initiated a century of important dialogue. Presented together here as Collecting, Displaying, and Interpreting Material Culture, these first full English translations of the two book-length articles remain unequalled presentations about the different implications of art, historical, and ethnographic museums. They show how sophisticated the discussion of museums and museum display was in the early twentieth century, and how much could be gained from revisiting these reflections today. Accompanied with short commentaries by a group of museum professionals, these translations and associated commentaries allow for an intervention and intensification of the current level of debate about museums, one that will further invigorated by the opening of the Humboldt Forum in Berlin in 2019.

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Jonathan Maslow here portrays thirteen scientists whom he calls “the luckiest men and women of all time”—the explorers who first mapped the tropical regions of the Americas and discovered the glorious biological orgy that is nature in the tropics. They were the first to color the chorus of tropical birds; the first to know the swiftness of the jaguar; the first to learn the loves of the orchid family and to collect the daunting variety of moths and butterflies and beetles; the first to run the rivers of the Amazon, to climb the Andes, and to dive the coral reefs of the Caribbean; and the first to unearth the ruins of America’s pre-Columbian civilizations. “They were and are,” Mr. Maslow writes, "the Indiana Joneses of science, plunging ahead often recklessly on the path to discovery—and emerging with fabulous tales of scientific adventure...an antidote to the dismal late-twentieth-century image of bloodless scientists separated from nature." From Alexander von Humboldt to Daniel Janzen, Mr. Maslow invites you to tag along into the field as he follows the explorers on their voyages and expeditions, offering a companion guide to their discoveries and a context for their imaginative quests.

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The first scholarly English translations of thirteen vital texts that elucidate the central role mountains have played across nearly five centuries of Germanophone cultural history. Mountains have occupied a central place in German, Swiss, and Austrian intellectual culture for centuries. This volume offers the first scholarly English translations of thirteen key texts from the Germanophone tradition of engagement with mountains. The selected texts span over 450 years, ranging from the early modern period to the postmodern era, and encompass several discursive modes of the mountain experience including geographical descriptions, philosophical meditations, aesthetic deliberations, and autobiographical climbing narratives. Well-known figures covered in this translational sourcebook include Conrad Gessner, Johann Jakob Scheuchzer, G.W.F. Hegel, Alexander von Humboldt, Georg Simmel, Leni Riefenstahl, and Reinhold Messner. Each text is accompanied by a critical introduction that places the translated text within a broader cultural context. The dual translational-interpretational approach offered in this volume is intended to stimulate new international and interdisciplinary dialogue on the cultural history of mountains and mountaineering. Sean Ireton (University of Missouri) and Caroline Schaumann (Emory University) are also the editors of Heights of Reflection: Mountains in the German Imagination from the Middle Ages to the Twenty-First Century (2012).

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs, but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement. In "The Earthquake Observers", Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von Humboldt, Charles Darwin, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1930s, only to revive it in the twenty-first century in the face of new hazards and uncertainties. "The Earthquake Observers" tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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'The action scenes are deftly choreographed and Standing is an engaging protagonist' Financial Times'The quick-fire pace of a classic Leather guys-with-guns thriller that again hits the target' The SunWhat makes a good man become an assassin?A Navy SEAL has gone rogue, selling his skills to the highest bidder as a professional assassin. Ryan French no longer cares who he kills so long as the price is right. His former bosses want him taken down, but they're not prepared to get their hands dirty so they need a Brit to do the job.SAS trooper Matt "Lastman" Standing is a lethal killing machine with experience in Afghanistan, Iraq and Syria. Plus he's worked with French in the past. It's not a mission he wants, but Standing made a bad choice in his past and it has come back to haunt him. Now he's hunting French in the lawless Wild West forests of Humboldt County, where the US produces most of its legal - and illegal - cannabis.But French isn't the only predator in the wilderness - there are Mexican cartels, Russian Mafia and Hungarian gangsters - and Standing has to overcome them all to get to his target.

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For centuries, volcanic eruptions have captured our imaginations. Whether as signposts to an underworld, beacons to ancient mariners, or as an extraordinary manifestation of the natural world, volcanoes have intrigued many people, who have left records of their encounters in letters, reports and diaries and through sketches and illustrations. This book tells the stories of volcanic eruptions around the world, using original illustrations and first-hand accounts to explore how our understanding of volcanoes has evolved through time. Written accounts include Pliny’s description of the 79 CE eruption of Vesuvius, stories recounted by seventeenth-century sea-farers, and reports of expeditions made by eighteenth- and nineteenth-century natural historians, including Alexander von Humboldt and Charles Darwin. Illustrations range from fragments of scrolls, buried in the great eruption of Vesuvius that destroyed Pompeii, to Athanasius Kircher’s extraordinarily detailed sketches, made in the seventeenth century, to the spectacular London sunsets caused by Krakatoa’s eruption in 1883. They also include the first photograph of a volcanic eruption and twenty-first-century imaging of Santorini. These varied and compelling accounts enrich our perspective on current studies of volcanoes and challenge us to think about how we might use our contemporary understanding of volcanology to prepare for the next big eruption.

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In the mid-1850s, no scientist in the British Empire was more visible than Richard Owen. Mentioned in the same breath as Newton and championed as Britain's answer to France's Cuvier and Germany's von Humboldt, Owen was, as the "Times" declared in 1856, the most 'distinguished man of science in the country'. But a century and a half later, Owen remains largely obscured by the shadow of the most famous Victorian naturalist of all, Darwin. Publicly marginalized by his contemporaries for his critique of natural selection, Owen suffered personal attacks that undermined his credibility long after his name faded from history. With this innovative biography, Nicolaas Rupke resuscitates Owen's reputation. Arguing that Owen should no longer be judged by the evolution dispute that figured in only a minor part of his work, Rupke stresses context, emphasizing the importance of places and practices in the production and reception of scientific knowledge. Dovetailing with the recent resurgence of interest in Owen's life and work, Rupke's book brings the forgotten naturalist back into the canon of the history of science and demonstrates how much biology existed with, and without, Darwin.

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By sensing the fundamental ideas of earth and the earth-thought, this collection seeks to negotiate with and react to the underlying semasiological or psycho-geographical principle of geopoetics that cuts across varied and at times conflicting schools. From reading some geopoetical texts to understanding the idea of earth in Humboldt and Marx-Engels, topolitics in Tintin, reef-thinking, geopoet(h)ics and Asiabodh, the volume tries to perceive how we poetically exist with the earth. Isn't literature, taking a cue from Hölderlin, a symptom of the way "man lives poetically on the earth"? How is our body and psyche integral parts of the earth-thought? How does literature deal with the concepts of space and place? How literature enables us to comprehend the underlying principle of geopoetics -- the principle of finding art in earth? These are some of the critical questions which this volume seeks to explore. Literature exemplifies a geographical consciousness - an "intimate and subjective" experience of the earth. This book is an attempt to conceive this eclectic infusion of art and earth, so that we are able to ensure that the world of the art always remains in touch with the earth of the world. Let us, through this book, un-earth this deep-rooted spatiality and geographicality in literature. Let us imitate earth through art, as this is the only place where we can live.

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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Reckoning with colonial legacies in Western museum collections What are the possibilities and limits of engaging with colonialism in ethnological museums? This book addresses this question from within the Africa department of the Ethnological Museum in Berlin. It captures the Museum at a moment of substantial transformation, as it prepared the move of its exhibition to the Humboldt Forum, a newly built and contested cultural centre on Berlin's Museum Island. The book discusses almost a decade of debate in which German colonialism was negotiated, and further recognised, through conflicts over colonial museum collections. Based on two years of ethnographic fieldwork examining the Museum's various work practices, this book highlights the Museum's embeddedness in colonial logics and shows how these unfold in the Museum's everyday activity. It addresses the diverse areas of expertise in the Ethnological Museum - the preservation, storage, curation, and research of collections - and also draws on archival research and oral history interviews with current and former employees. Working through Colonial Collections unravels the ongoing and laborious processes of reckoning with colonialism in the Ethnological Museum's present - processes from which other ethnological museums, as well as Western museums more generally, can learn. Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library

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An Episode in the Life of a Landscape Painter is the story of a moment in the life of the German artist Johan Moritz Rugendas (1802-1858). Greatly admired as a master landscape painter, he was advised by Alexander von Humboldt to travel West from Europe to record the spectacular landscapes of Chile, Argentina, and Mexico. Rugendas did in fact become one of the best of the nineteenth-century European painters to venture into Latin America. However this is not a biography of Rugendas. This work of fiction weaves an almost surreal history around the secret objective behind Rugendas' trips to America: to visit Argentina in order to achieve in art the "physiognomic totality" of von Humboldt's scientific vision of the whole. Rugendas is convinced that only in the mysterious vastness of the immense plains will he find true inspiration. A brief and dramatic visit to Mendosa gives him the chance to fulfill his dream. From there he travels straight out onto the pampas, praying for that impossible moment, which would come only at an immense pricean almost monstrously exorbitant price that would ultimately challenge his drawing and force him to create a new way of making art. A strange episode that he could not avoid absorbing savagely into his own body interrupts the trip and irreversibly and explosively marks him for life.

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After the congressional session ends, Jefferson leaves Washington and goes home to Monticello, where his ailing daughter Mary dies on 17 April. Among the letters of condolence he receives is one from Abigail Adams that initiates a brief resumption of their correspondence. While in Virginia, Jefferson immerses himself in litigations involving land. Back in the capital, he finds that he must reconcile differing opinions of James Madison and Albert Gallatin to settle a claim for diplomatic expenses. He corresponds with Charles Willson Peale about modifications to the polygraph writing machine. He prepares instructions for an expedition to explore the Arkansas and Red Rivers. William Clark and Meriwether Lewis send him maps and natural history specimens from St. Louis. Alexander von Humboldt visits Washington. News arrives that a daring raid led by Stephen Decatur Jr. has burned the frigate Philadelphia to deprive Tripoli of its use. Jefferson is concerned that mediation by Russia or France to obtain the release of the ship's crew could make the United States appear weak. Commodore Samuel Barron sails with frigates to reinforce the squadron in the Mediterranean. Jefferson appoints John Armstrong to succeed Robert R. Livingston as minister to France and attempts to persuade Lafayette to move to Louisiana. In Paris, Napoleon is proclaimed Emperor of the French. Jefferson has "brought peace to our Country and comfort to our Souls," John Tyler writes from Virginia.

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In the years immediately following Napoleon's defeat, French thinkers in all fields set their minds to the problem of how to recover from the long upheavals that had been set into motion by the French Revolution. Many challenged the Enlightenment's emphasis on mechanics and questioned the rising power of machines, seeking a return to the organic unity of an earlier age and triggering the artistic and philosophical movement of romanticism. Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society. Focusing on a set of celebrated technologies, including steam engines, electromagnetic and geophysical instruments, early photography, and mass-scale printing, Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848. He shows that those who attempted to fuse organicism and mechanism in various ways, including Alexander von Humboldt and Auguste Comte, charted a road not taken that resonates today. Essential reading for historians of science, intellectual and cultural historians of Europe, and literary and art historians, "The Romantic Machine" is poised to profoundly alter our understanding of the scientific and cultural landscape of the early nineteenth century.

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Seeking to expand both the geographical range and the diversity of sites considered in the study of ancient Greek housing, Ancient Greek Houses and Households takes readers beyond well-established studies of the ideal classical house and now-famous structures of Athens and Olynthos. Bradley A. Ault and Lisa C. Nevett have brought together an international team of scholars who draw upon recent approaches to the study of households developed in the fields of classical archaeology, ancient history, and anthropology. The essays cover a broad range of chronological, geographical, and social contexts and address such topics as the structure and variety of households in ancient Greece, facets of domestic industry, regional diversity in domestic organization, and status distinctions as manifested within households. Ancient Greek Houses and Households views both Greek houses and the archeological debris found within them as a means of investigating the basic unit of Greek society: the household. Through this approach, the essays successfully point the way toward a real integration between material and textual data, between archeology and history. Contributors include William Aylward (University of Wisconsin, Madison), Nicholas Cahill (University of Wisconsin, Madison), Manuel Fiedler (Freie Universität, Berlin), Franziska Lang (Humboldt Universität, Berlin), Monike Trümper (Universität Heidelberg), and Barbara Tsakirgis (Vanderbilt University, Nashville).

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement. In The Earthquake Observers, Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von. Humboldt, Charles Darwitt, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1950s, only to revive it in the twenty-first century in the face of new hazards and uncertainties. The Earthquake Observers tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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David Harvey is unquestionably the most influential, as well as the most cited, geographer of his generation. His reputation extends well beyond geography to sociology, planning, architecture, anthropology, literary studies and political science. This book brings together for the first time seminal articles published over three decades on the tensions between geographical knowledges and political power and on the capitalist production of space. Classic essays reprinted here include 'On the history and present condition of geography', 'The geography of capitalist accumulation' and 'The spatial fix: Hegel, von Thunen, and Marx'. Two new chapters represent the author's most recent thinking on cartographic identities and social movements. David Harvey's persistent challenge to the claims of ethical neutrality on behalf of science and geography runs like a thread throughout the book. He seeks to explain the geopolitics of capitalism and to ground spatial theory in social justice. In the process he engages with overlooked or misrepresented figures in the history of geography, placing them in the context of intellectual history. The presence here of Kant, Von Thunen, Humboldt, Lattimore, Leopold alongside Marx, Hegel, Heidegger, Darwin, Malthus, Foucault and many others shows the deep roots and significance of geographical thought. At the same time David Harvey's telling observations of current social, environmental, and political trends show just how vital that thought is to the understanding of the world as it is and as it might be.

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Paints a complex portrait of East German film art and representation through examining eighteen key DEFA films following the fall of the Berlin Wall. In the late 1980s and early 1990s, East Germany's DEFA filmmakers had a brief window in which to critique GDR society on either side of the Wende, the sweeping political turn that surrounded the fall of the Berlin Wall andthe opening of the border. Building on the DEFA Film Library's retrospective Wende Flicks series and Indiana University's DEFA Project, this study examines the newly rediscovered filmic artifacts of this transitional cinema, introducing eighteen key films from 1988 to 1994 in essays by German scholars, film professionals, and cultural figures. Accompanying interviews and historical film reviews present a complex portrait of East German film art, itscommunist bloc influences, and its legacy for contemporary German film culture. The resulting anthology combines historical, autobiographical, cultural-political, and journalistic discourses to explore the tension between the hopes and frustrations these films express, the historical exigencies that overshadowed their production and reception, and the politics of their revival. Contributors: Skyler J. Arndt-Briggs, Peter Blank, Claudia Breger,Barton Byg, Knut Elstermann, Peter Kahane, Jennifer M. Kapczynski, Wolfgang Kohlhaase, Thomas Krüger, Helmut Morsbach, Benjamin Robinson, Katrin Schlösser and Frank Löprich, Nicholas Sveholm, Johannes von Moltke, Brigitta B. Wagner. Brigitta B. Wagner is an Alexander von Humboldt Fellow in Film Studies at the Freie Universität and in Time-Based Media at the Universität der Künste in Berlin.

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America is a melting pot, a fact reflected nowhere better than in kitchen pantries. The American palette is as diverse as the cultures that make it up. So, what does America taste like? The Taste of America is an anthology of edible Americana, the first and only compendium of the best food made in the USA—from Alabama to Wisconsin and everywhere in between. Written by James Beard-award winning food writer and passionate eater Colman Andrews, the book features everything from the best fresh ingredients and artisanal products to regional delicacies and multi-national brands. The Taste of America reveals 250 of the best regional products from coast to coast, such as Humboldt Fog Cheese, Blue Point Oysters, Granola, Ruby Red Grapefruit, Junior Mints, Meyer Lemons, Kreuz’s Sausage, Maple Syrup, Anson Mills Grits, Whoopie Pies, and more. Never before has a book reflected American food culture so clearly, and at the same time been so entertaining, well-researched and fascinating to read.Structured by chapters according to food type—including snacks, dairy, condiments, drinks, meat, baked goods, and desserts—each entry reveals the product’s unique history and production methods and highlights their greatest producers. The Taste of America includes 125 color drawings and an extensive index with a directory providing details of how to buy or order each product. The book is the perfect gift for anyone who loves American food.

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"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science.Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory.Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.

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RHS Staff Pick of the Year 2021 Spectator Gardening Book of the year 2021 'A refreshingly insightful history of plant introductions.' - Roy Lancaster Travel the world with extraordinary tales of the botanical discoveries that have shaped empires, built (and destroyed) economies, revolutionised medicine and advanced our understanding of science.Circling the globe from Australia's Botany Bay to the Tibetan plateau, from the deserts of Southern Africa to the jungles of Brazil, this book presents an incredible cast of characters - dedicated researchers and reckless adventurers, physicians, lovers and thieves. Meet dauntless Scots explorer David Douglas and visionary Prussian thinker Alexander von Humboldt, the 'Green Samurai' Mikinori Ogisu and the intrepid 17th century entomologist Maria Sibylla Merian - the first woman known to have made a living from science.Beautifully illustrated with over 100 botanical artworks from the archives of the Royal Botanic Gardens, Kew, this absorbing book tells the stories of how plants have travelled across the world - from the missions of the Pharaohs right up to 21st century seed-banks and the many new and endangered species being named every year.***THE ROYAL BOTANIC GARDENS, KEW is a world-famous research organisation and a major international visitor attraction. It harnesses the power of its science, the rich diversity of its gardens and collections to unearth why plants and fungi matter to everyone. Its aspiration is to end the extinction crisis and help create a world where nature and biodiversity are protected, valued and managed sustainably.

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Aided by this book the gardener can now answer the question "What's in a name?" and they and their garden will benefit from understanding the wealth of information that has hitherto lain hidden within the mysterious world of Latin names.' - Financial Times OnlineRHS Latin for Gardeners is an informative, entertaining and beautifully illustrated unravelling of the mysteries of botanical Latin. Over 3,000 Latin names are listed alphabetically, showing how plant names can reveal where a plant originally comes from (and thus its preferred growing conditions), along with such properties as its shape, form, colour, taste, and smell. Each name is clearly defined and accompanied by a pronunciation guide, and the pages are filled with attractive botanical illustrations. Fascinating feature spreads retell the adventures of important plant hunters such as Sir Joseph Banks and Alexander von Humboldt, and explain how their discoveries affect the way our gardens look today. Individual plants are also profiled throughout, showing how their names can illuminate their hidden histories. Aided by this book, every gardener, and their garden, will benefit from uncovering the wealth of information that lies within the remarkable world of Latin binomials. A little Latin can do a lot of good - apply the lore of Latin to your own garden!Contents includes...The A-Z Listings of Latin Plant NamesPlant ProfilesPlant HuntersPlant Themes...And Much More!

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Tous les grands mouvements philosophiques du XXe siecle ont ete tenus de mediter les consequences de leur inscription dans l'histoire de la philosophie. La phenomenologie n'a pas escamote cette tache, elle qui, nee d'une volonte de se defaire d'une tradition trop encombrante, a fini par chercher a s'expliquer avec elle. Chez Heidegger tout d'abord, chez Husserl ensuite, l'histoire de la philosophie est devenu l'une des problematiques essentielles de la recherche sur les fondements de la methode phenomenologique. Cette etude interroge la relation complexe qui unit a l'histoire de la philosophie la phenomenologie transcendantale de Husserl et la phenomenologie hermeneutique de Heidegger. Plutot que d'opposer ces deux phenomenologies et chercher a en souligner les differences, l'ouvrage fait plutot le pari de montrer qu'elles finirent toutes deux par reconnaitre la necessite pour la philosophie de comprendre sa propre histoire et par accepter de se convertir en une phenomenologie historiste, voire meme en une phenomenologie de l'histoire. Chez le jeune Heidegger et le dernier Husserl, la phenomenologie se sera comprise comme une maniere de philosopher qui, tout en reconnaissant sa propre historicite, n'abandonne pas son ambition de parler des choses elles-memes. Docteur en philosophie de l'Universite de Montreal et boursier de la Alexander von Humboldt-Stiftung, Francois Jaran est presentement professeur a l'Universite de Valence (Espagne). Il est l'auteur de La metaphysique du Dasein (Zeta Books, 2010), Heidegger inedit 1929-1930. L'inachevable Etre et temps (Vrin, 2012) et The Heidegger Concordance (Continuum, 2013).

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„Gibt es denn ein schöneres Bild für den Frieden unter den Menschen als den Lesesaal einer großen Bibliothek?“, fragt Peter von Matt in seinem Beitrag für dieses Buch. Mit dem Bau der Bibliothek der Humboldt-Universität zu Berlin hat Max Dudler einen ebenso modernen wie zeitlosen Ort für die Bücher und das Lesen geschaffen. Seine Architektur hat weit über Berlins Grenzen hinaus aufmerken lassen und erlebt eine bis heute anhaltende Begeisterung vonseiten der Nutzer*innen.Bibliothek dokumentiert die Ideen, die diesen Bau prägen, widmet sich aber auch allgemein der Rolle von Bibliotheken und insbesondere der Architektur, die den Büchern und ihren Leser*innen einen adäquaten Raum schafft. Die Schwarzweißfotografien von Barbara Klemm verdeutlichen dies auf geradezu magische Weise. Sie fangen die intensive und zugleich lebendige Arbeitsatmosphäre in den Räumen der Bibliothek ein. Einen spannungsvollen Kontrast schaffen die ruhigen, strengen Farbfotografien von Stefan Müller, indem sie sich ganz auf die Architektur des Gebäudes konzentrieren. Mit Texten von Jörg Baberowski, Hartmut Böhme, Milan Bulaty, Max Dudler, Martin Mosebach, Peter von Matt sowie Fotografien von Barbara Klemm und Stefan Müller „‚Bibliothek‘ ist ein zauberhafter Bildband und klug gemacht dazu, setzt er doch Dudlers Anspruch auf eine ‚allgegenwärtige Dialektik von Innen und Außen‘ auch für das Bild um, das wir uns jetzt von der Bibliothek machen können.“ Andreas Platthaus in der Frankfurter Allgemeinen Zeitung zur 2010 im Berlin Verlag erschienenen Erstauflage des Buchs

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The genealogy and function of epigenesis—the theory that organisms generate themselves under the guidance of a formative drive—provides a unique means of understanding the profound changes in philosophy, philosophy of language, and literature at the turn of the nineteenth century. The book begins by describing how and why epigenesis came to replace the reigning model of biological origination, preformation—the theory that all organisms were preformed at the creation of the world. Contemporary with these developments, Kant used the figures of epigenesis and self-formation to illustrate his concepts of the origin of the categories, the possible success of practical reason, and the validity of aesthetic and teleological judgments. The author shows how Kant's figurative use of self-generation was turned into an indispensable determination by Fichte and his successors: philosophical knowledge can claim absolute certainty only if it can prove that it generates itself in logically accountable procedures. This self-generating philosophy—also known as Idealism—was in turn accompanied by a revaluation of the origin of language, notably by Herder and by Humboldt, who attempted to formulate self-generation as the philosophical foundation for a future Science of Language. The book concludes by demonstrating that the biological, philosophical, and linguistic problematic of self-generation is at the heart of Goethe's novel Elective Affinities and Beaumarchais's The Marriage of Figaro.

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Fact is torn from fiction in this first biography of Mexico’s famous independence heroine, which also traces her subsequent journey from history to myth. María Ignacia Rodríguez de Velasco y Osorio Barba (1778–1850) is an iconic figure in Mexican history. Known by the nickname “La Güera Rodríguez” because she was so fair, she is said to have possessed a remarkably sharp wit, a face fit for statuary, and a penchant for defying the status quo. Charming influential figures such as Simon Bolívar, Alexander von Humboldt, and Agustín de Iturbide, she utilized gold and guile in equal measure to support the independence movement—or so the stories say. In La Güera Rodríguez, Silvia Marina Arrom approaches the legends of Rodríguez de Velasco with a keen eye, seeking to disentangle the woman from the myth. Arrom uses a wide array of primary sources from the period to piece together an intimate portrait of this remarkable woman, followed by a review of her evolving representation in Mexican arts and letters that shows how the legends became ever more fanciful after her death. How much of the story is rooted in fact, and how much is fiction sculpted to fit the cultural sensibilities of a given moment in time? In our contemporary moment of unprecedented misinformation, it is particularly relevant to analyze how and why falsehoods become part of historical memory. La Güera Rodriguez will prove an indispensable resource for those searching to understand late-colonial Mexico, the role of women in the independence movement, and the use of historic figures in crafting national narratives.

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A compelling history of the German ethnologists who were inspired by Prussian polymath and explorer Alexander von HumboldtThe Berlin Ethnological Museum is one of the world's largest and most important anthropological museums, housing more than a half million objects collected from around the globe. In Humboldt's Shadow tells the story of the German scientists and adventurers who, inspired by Alexander von Humboldt's inclusive vision of the world, traveled the earth in pursuit of a total history of humanity. It also details the fate of their museum, which they hoped would be a scientists' workshop, a place where a unitary history of humanity might emerge.H. Glenn Penny shows how these early German ethnologists assembled vast ethnographic collections to facilitate their study of the multiplicity of humanity, not to confirm emerging racist theories of human difference. He traces how Adolf Bastian filled the Berlin museum in an effort to preserve the records of human diversity, yet how he and his supporters were swept up by the imperialist currents of the day and struck a series of Faustian bargains to ensure the growth of their collections. Penny describes how influential administrators such as Wilhelm von Bode demanded that the museum be transformed into a hall for public displays, and how Humboldt's inspiring ideals were ultimately betrayed by politics and personal ambition.In Humboldt's Shadow calls on museums to embrace anew Bastian's vision while deepening their engagement with indigenous peoples concerning the provenance and stewardship of these collections.

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The first history of the ascent of American higher education told through the lens of German-American exchange. During the nineteenth century, nearly ten thousand Americans traveled to Germany to study in universities renowned for their research and teaching. By the mid-twentieth century, American institutions led the world. How did America become the center of excellence in higher education? And what does that story reveal about who will lead in the twenty-first century?Allies and Rivals is the first history of the ascent of American higher education seen through the lens of German-American exchange. In a series of compelling portraits of such leaders as Wilhelm von Humboldt, Martha Carey Thomas, and W. E. B. Du Bois, Emily J. Levine shows how academic innovators on both sides of the Atlantic competed and collaborated to shape the research university. Even as nations sought world dominance through scholarship, universities retained values apart from politics and economics. Open borders enabled Americans to unite the English college and German PhD to create the modern research university, a hybrid now replicated the world over. In a captivating narrative spanning one hundred years, Levine upends notions of the university as a timeless ideal, restoring the contemporary university to its rightful place in history. In so doing she reveals that innovation in the twentieth century was rooted in international cooperation—a crucial lesson that bears remembering today.

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An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America. Through an interdisciplinary examination of more than 150 maps, illustrated manuscripts, still lifes, and landscape paintings spanning four hundred years, Visual Voyages establishes Latin America as a critical site for scientific and artistic exploration, affirming that region’s transformation and the transformation of Europe as vitally connected histories.Published in association with the Huntington Library, Art Collections, and Botanical GardensExhibition Schedule:Accompanies the exhibition Visual Voyages: Images of Latin American Nature from Columbus to Darwin at the Huntington Library, San Marino, California, 16 September 2017—8 January 2018.

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'Local Responses to Global Challenges in Southeast Asia — A Transregional Studies Reader' is a collection of multidisciplinary essays, predominantly derived from papers presented at EuroSEAS 2019, the leading academic conference on Southeast Asian Studies, hosted by Humboldt-Universität zu Berlin. It brings together a variety of scholars from Southeast Asia, Europe and North America, allowing for multiple flows and directionalities of knowledge productions and exchanges, be it between the Global South and North as well as within the Global South. The reader presents empirically-oriented, theoretically grounded analyses of local responses to global challenges such as knowledge-productions; notions and practices of building diverse communities; neo-populisms and contentious politics; resources and sustainability; urbanization; labor, livelihoods and mobilities. Each section starts with an introduction reviewing the state of the art. Authors will take cue from a transregional perspective understood as a distinct and alternative perspective on multi-lingual and transcultural spaces of contact, exchange and transfer. This includes a contextualization of phenomena in terms of diverse (cross) linkages and entanglements, including motilities on different scales, i.e. ranging from the local, regional to national and/or global levels. Container-based notions of place and space are addressed in a critical manner, where space and area are understood as notions beyond established systems of ordering and meta-geographies. A key goal is to allow for a consistent conceptual advancement of New Area Studies, which are critical, decentred, decolonial, diversified, and multi-disciplinary in nature.

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“For vegetable gardening in the Bay Area, Golden Gate Gardening is indispensable—if you buy one gardening book, this is the one.”--Michael PollanThis fully revised 30th Anniversary edition of the ultimate food gardening bible for Central and Northern Californians includes updates that address changes in climate, crop availability and sources, and pest management strategies, and includes expanded help for inland, hot summer gardeners.The gardening guide is beloved by both new and experienced gardeners for its friendly, practical advice on how to grow fresh produce all year long. Expert author Pam Peirce shows how to use the unique local conditions of climate, soil, and rainfall to grow both common and unusual vegetables, herbs, edible flowers, cut flowers, and fruit from trees and shrubs including berries, citrus and avocados for your kitchen garden.This encyclopedic guide covers all the bases, including what to plant in every season, how to select varieties, assess a microclimate, organize a garden, manage pests and weeds safely and effectively, attract beneficial creatures, conserve water, improve soil, make compost, harvest wisely, and garden in containers. It includes delicious, seasonal garden-to-table recipes and an essay on learning to eat from a garden. Charts, sidebars, illustrations, maps, resource lists, and cross references make it easy for readers to find the information they need.This vegetable gardening book will especially help readers in the San Francisco Bay Area and in California coastal areas from Humboldt County south to San Luis Obispo, as well as those in nearby mild-winter inland climates (including Alameda, San Mateo, Marin, Santa Clara, Monterey, and Santa Cruz counties).

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The scenes of Babel and Pentecost, the original confusion of tongues and their redemption through translation, haunt German Romanticism and Idealism. This book begins by retracing the ways in which the task of translation, so crucial to Romantic writing, is repeatedly tied to prophecy, not in the sense of telling future events, but in the sense of speaking in the place of another—most often unbeknownst to the speaker herself. In prophetic speech, the confusion of tongues repeats, each time anew, as language takes place unpredictably in more than one voice and more than one tongue at once. Mendicino argues that the relation between translation and prophecy drawn by German Romantic writers fundamentally changes the way we must approach this so-called “Age of Translation.” Whereas major studies of the period have taken as their point of departure the opposition of the familiar and the foreign, Mendicino suggests that Romantic writing provokes the questions: how could one read a language that is not one? And what would such a polyvocal, polyglot language, have to say about philology—both for the Romantics, whose translation projects are most intimately related to their philological preoccupations, and for us? In Prophecies of Language, these questions are pursued through readings of major texts by G.W.F. Hegel, Wilhelm von Humboldt, Friedrich Schlegel, and Friedrich Hölderlin. These readings show how, when one questions the presupposition of works composed by individual authors in one tongue, these texts disclose more than a monoglot reading yields, namely the “plus” of their linguistic plurality. From such a surplus, each chapter goes on to advocate for a philology that, in and through an inclination toward language, takes neither its unity nor its structure for granted but allows itself to be most profoundly affected, addressed—and afflicted—by it.

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From an eminent and provocative historian, a wrenching parable of the ravages of colonialism in the South Pacific.Countless museums in the West have been criticized for their looted treasures, but few as trenchantly as the Humboldt Forum, which displays predominantly non-Western art and artifacts in a modern reconstruction of the former Royal Palace in Berlin. The Forum’s premier attraction, an ornately decorated fifteen-meter boat from the island of Luf in modern-day Papua New Guinea, was acquired under the most dubious circumstances by Max Thiel, a German trader, in 1902 after two decades of bloody German colonial expeditions in Oceania.Götz Aly tells the story of the German pillaging of Luf and surrounding islands, a campaign of violence in which Berlin ethnologists were brazenly complicit. In the aftermath, the majestic vessel was sold to the Ethnological Museum in the imperial capital, where it has remained ever since. In Aly’s vivid telling, the looted boat is a portal to a forgotten chapter in the history of empire—the conquest of the Bismarck Archipelago. One of these islands was even called Aly, in honor of the author’s great-granduncle, Gottlob Johannes Aly, a naval chaplain who served aboard ships that helped subjugate the South Sea islands Germany colonized.While acknowledging the complexity of cultural ownership debates, Götz Aly boldly questions the legitimacy of allowing so many treasures from faraway, conquered places to remain located in the West. Through the story of one emblematic object, The Magnificent Boat artfully illuminates a sphere of colonial brutality of which too few are aware today.

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A reconfiguration of the reception of Deleuze and Lacan in contemporary Continental philosophyIt is often said that Lacan is the most radical representative of structuralism, a thinker of negativity and alienation, whereas Deleuze is pictured as a great opponent of the structuralist project, a vitalist and a thinker of creative potentialities of desire. It seems the two cannot be further apart. This volume of 12 new essays, breaks the myth of their foreignness (if not hostility) and places the two in a productive conversation. By taking on topics such as baroque, perversion, death drive, ontology/topology, face, linguistics and formalism the essays highlight key entry points for a discussion between Lacan's and Deleuze's respective thoughts. The proposed lines of investigation do not argue for a simple equation of their thoughts, but for a 'disjunctive synthesis', which acknowledges their differences, while insisting on their positive and mutually informed reading.ContributorsLorenzo Chiesa, European University at St Petersburg and the Freud Museum in St Petersburg, Russia. Guillaume Collett, University of Kent, UK.Adrian Johnston, University of New Mexico and Emory Psychoanalytic Institute in Atlanta, USA. Peter Klepec, Slovenian Academy of Sciences and Arts, Slovenia. Paul M. Livingston, University of New Mexico, USA. Bostjan Nedoh, Slovenian Academy of Sciences and Arts, Slovenia. Laurent de Sutter, Vrije Universiteit Brussel, Belgium. Samo Tomsic, Humboldt University of Berlin, Germany. Tadej Troha, Slovenian Academy of Sciences and Arts, Slovenia.Scott Wilson, Kingston University, UK. Andreja Zevnik, University of Manchester, UK. Alenka Zupancic, Slovenian Academy of Sciences and Arts, Slovenia and European Graduate School, Switzerland.

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A fascinating cultural studies account of the "afterlife" of Leichhardt, revealing both German entanglement in British colonialism in Australia, and in a broader sense, what happens when we maintain an open stance to the ghosts ofthe past. After the renowned Prussian scientist and explorer Ludwig Leichhardt left the Australian frontier in 1848 on an expedition to cross the continent, he disappeared without a trace. Andrew Hurley's book complicates that view by undertaking an afterlife biography of "the Humboldt of Australia." Although Leichhardt's remains were never located, he has been sought and textually "found" many times over, particularly in Australia and Germany. He remains a significant presence, a highly productive ghost who continues to "haunt" culture. Leichhardt has been employed for all sorts of political purposes. In imperial Germany, he was a symbol of pure science, but also a bolster for colonialism. In the 20th century, he became a Nazi icon, a proto-socialist, the model for the protagonist of Nobel laureate Patrick White's famous novel Voss, as well as a harbinger of multiculturalism. He has also been put to useby Australian Indigenous cultures. Engaging Leichhardt's ghosts and those who have sought him yields a fascinating case study of German entanglement in British colonialism in Australia. It also shows how figures from the colonialpast feature in German and Australian social memory and serve present-day purposes. In an abstract sense, this book uses Leichhardt to explore what happens when we maintain an open stance to the ghosts of the past. Andrew Wright Hurley is Associate Professor in German Studies at the University of Technology Sydney. His book Into the Groove: Popular Music and Contemporary German Fiction was published by Camden House in 2015.

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In many arenas the debate is raging over the nature of sexual orientation. Queer Words, Queer Images addresses this debate, but with a difference, arguing that homosexuality has become an issue precisely because of the way in which we discuss, debate, and communicate about the concept and experience of homosexuality. The debate over homosexuality is fundamentally an issue of communication—as we can see by the recent controversy over gays in the military. This controversy, termed by one gay man as the annoying habit of heterosexual men to overestimate their own attractiveness, has been debated in communication-sensitive terms, such as morale and discipline. The twenty chapters address such subjects as gay political language, homosexuality and AIDS on prime-time television, the politics of male homosexuality in young adult fiction, the identification of female athleticism with lesbianism, the politics of identity in the works of Edmund White, and coming out strategies. This is must reading for students of communication practices and theory, and for everyone interested in human sexuality. Contributing to the book are: James Chesebro (Indiana State), James Darsey (Ohio State), Joseph A. Devito (Hunter College, CUNY), Timothy Edgar (Purdue), Mary Anne Fitzpatrick (Wisconsin, Madison), Karen A. Foss (Humboldt State), Kirk Fuoss (St. Lawrence), Larry Gross (Pennsylvania), Darlene Hantzis (Indiana State), Fred E. Jandt (California State, San Bernardino), Mercilee Jenkins (San Francisco State), Valerie Lehr (St. Lawrence), Lynn C. Miller (Texas, Austin), Marguerite Moritz (Colorado, Boulder), Fred L. Myrick (Spring Hill), Emile Netzhammer (Buffalo State), Elenie Opffer, Dorothy S. Painter (Ohio State), Karen Peper (Michigan), Nicholas F. Radel (Furman), R. Jeffrey Ringer (St. Cloud State), Scott Shamp (Georgia), Paul Siegel (Gallaudet), Jacqueline Taylor (Depaul), Julia T. Wood (North Carolina, Chapel Hill).

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After the death of his beloved wife, a devastated Levi Scott and his youngest surviving son left Iowa for Oregon. Their overland journey--rife with quarrels, stolen horses, arduous river fords, con artists, and death--ended when he and John finally arrived in Oregon City in November 1844.In the early 1840s, emigrants who reached The Dalles and chose to continue to the Willamette Valley had to embark on a perilous raft trip and portage down the Columbia River. Answering the plea of settlers and the provisional government, Scott participated in two expeditions seeking a better, safer way through the Cascades. The second, organized by Jesse Applegate in June 1846, yielded the southern route through the Umpqua Valley, three mountain ranges, and the Black Rock Desert. Early on a July 1846 morning, the party found the Humboldt River along the established California Trail.At Fort Hall, Applegate recruited parties to travel the new route. Scott led the initial wagon train west while others went ahead to prepare the road. He details a harrowing trip that included unwatered desert, soda plains, mirages, a heroic mother, dense timber, and steep canyons. In 1847 Scott led a second group to the Willamette Valley over the alternate trail and retraced it again in 1849. He faced narrow escapes and witnessed several deadly encounters with Native Americans. Later he ran cattle, founded Scottsburg, and participated in Oregon's territorial legislature.As he neared his ninetieth birthday Scott employed his friend James Layton Collins to help him record his life story, but the memoir was never published. Now edited and extensively annotated, Scott's autobiography has become Wagons to the Willamette. An exceptional contribution to Oregon Trail history, his reminiscence is the only first-hand account written by someone who not only searched for the southern route but also accompanied its first wagon train.

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