Search results for ""Farrar, Straus and Giroux""

Known above all for his translations of Proust, Charles Scott Moncrieff also had his own poetry, short stories and war serials regularly published in literary periodicals. Here for the first time is a collection of these, put together with an introduction by Jean Findlay, author Chasing Lost Time – the life of CK Scott Moncrieff, Soldier, Spy and Translator (Chatto and Windus 2014, Vintage 2015, Farrar Straus and Giroux 2015)

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Leslie White was one of the most important—and controversial—figures in American anthropology. This classic work, initially published in 1949, contains White’s definitive statement on what he termed 'culturology.' In his new prologue to this reprint of the second edition (originally published by Farrar, Straus and Giroux in 1969), Robert Carneiro outlines the key events in White’s life and career, especially his championing of cultural evolutionism and cultural materialism.

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Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape non fiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising - and revising, and revising. Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.

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