Search results for ""Author Toby"

The Penguin English Library Edition of Tristram Shandy by Laurence Sterne'I am got, I know not how, into a cold unmetaphorical vein of infamous writing, and cannot take a plumb-lift out of it for my soul; so must be obliged to go on writing like a Dutch commentator to the end of the chapter, unless something be done ...'Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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A remarkable account by a pioneering woman explorer who was described by Rudyard Kipling as 'the bravest woman of all my knowledge'.Until 1893, Mary Kingsley lived the typical life of a single Victorian woman, tending to sick relatives and keeping house for her brother. However, on the death of her parents, she undertook an extraordinary decision: with no prior knowledge of the region, she set out alone to West Africa to pursue her anthropological interests and collect botanical specimens. Her subsequent book, published in 1897, is a testament to understatement and humour - few explorers made less of the hardships and dangers experienced while travelling (including unaccompanied treks through dangerous jungles and encounters with deadly animals). Travels in West Africa would challenge (as well as reinforce) contemporary Victorian prejudices about Africa, and also made invaluable contributions to the fields of botany and anthropology. Above all, however, it has stood the test of time as a gripping, classic travel narrative by a woman whose sense of adventure and fascination with Africa transformed her whole life. This Penguin edition includes a fascinating introduction by Dr Toby Green examining Victorian attitudes to Africa, along with explanatory notes by Lynnette Turner.Mary Kingsley was born in north London in 1862, the daughter of the traveller and physician George Kingsley and his former housekeeper, Mary Bailey. Her education was scant: while her younger brother was sent away to school, she stayed at home. Later she lived in Cambridge, and cared for her bedridden mother. Following the deaths of her parents, Kingsley embarked on a voyage to West Africa in August 1893, with the object of studying native religion and law and collecting zoological specimens. In December 1894, she undertook a second trip to the region, during which she became the first woman to climb West Africa's highest mountain, Mount Cameroon. On returning home eleven months later, she wrote Travels in West Africa, which was published in 1897 and was followed by West African Studies in 1899. Kingsley made one final trip to Africa, enlisting as a volunteer nurse in South Africa during the Boer War. She had only been there for two months when she developed typhoid fever and died, on 3rd June 1900, before being buried at sea in accordance with her wishes.Lynnette Turner is Associate Dean of the Faculty of Arts and Sciences at Edge Hill University. Toby Green is Lecturer in Lusophone African History and Culture at Kings College London. His book The Rise of the Trans-Atlantic Slave Trade in Western Africa appeared in 2011.

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Royalty has its privileges, even when you're thirty-fourth in line to the throne, as Lady Georgiana Rannoch discovers on the glamorous - and dangerous - French Riviera . . .Why should my clueless brother, Binky, and his decidedly disagreeable wife, Fig, be the only ones to enjoy the fun and sun of the French Riviera? Thankfully, Her Majesty the Queen has once again come to my rescue. She is sending me off to Nice with a secret assignment - recover her priceless, stolen snuff box from the disreputable Sir Toby Groper.Her Majesty's trust is an honour, but an even greater honour is bestowed upon me in Nice - none other than Coco Chanel herself asks me to model her latest fashion. Unfortunately, things go disastrously wrong on the catwalk and before I can snatch the snuff box, someone's life is snuffed out in a very dastardly way. With a murderer on the loose - and my dearest Darcy seen in the company of another woman - how's a girl to find any time to go to the casino?

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Haunting and heart-wrenching, Tell the Wolves I'm Home is a tender story of love lost and found.1987, New York City. There's only one person who has ever truly understood fourteen-year-old June Elbus, and that's her uncle, the renowned painter, Finn Weiss; he is her godfather, confident, and best friend. So when he dies far too young of a mysterious illness, June's world is turned upside down.But Finn's death brings a surprise acquaintance into June's life. At the funeral, she notices a strange man lingering just beyond the crowd, and a few days later, June receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn's apartment, and a note from Toby, the stranger, asking for an opportunity to meet.A the two begin to spend time together, June realizes she's not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he might just be the one she needs the most.

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THE ELEVENTH NOVEL IN THE BESTSELLING SHIPYARD GIRLS SERIESSunderland, 1944As the promise of victory draws closer, this Christmas will surely be one to remember.It should be a magical time for Dorothy, who has just been proposed to by her sweetheart Toby. But with each day that passes, Dorothy's feelings for someone else are growing stronger. Now she has an impossible choice to make.Gloria is thrilled that her sweetheart Jack is finally home after more than two years away. But his past is continuing to catch up with them both - creating untold heartache for Gloria and everyone she holds dear.Meanwhile Helen must contend with the fall-out of a shocking family secret that has repercussions for all the Shipyard Girls, while holding out hope for her own happy ending...Can a little festive magic help them win the day?___________________________________________Praise for Nancy Revell:'Nancy Revell knows how to stir the passions and soothe the heart!' Northern Echo'Stirring and heartfelt storytelling' Peterborough Evening Telegraph'Emotional and gripping' Take a Break

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Beautiful hardback edition of The Three Railway Engines In The Three Railway Engines, we are introduced to Edward, Gordon and Henry, and find out how they came to be good friends. Thomas the Tank Engine and his friends remain as popular as ever, loved by millions all over the world. Now rediscover the classic stories about the world's best-loved tank engine with these stunning new hardback editions of the original ‘Railway Series’. Thomas has been teaching children lessons about life and friendship for over 75 years. He ranks alongside other beloved characters such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage. Now millions of people across the world have grown up with the tales of Sodor Island, enchanted by the adventures of Thomas and his friends, Percy, Gordon, and Toby, and all the other engines that work on the Fat Controller’s railway. Have you collected all the classic adventures? Thomas the Tank Engine 9781405276511 James the Red Engine 9781405276504 The Three Railway Engines 9781405276498

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Shortlisted for the Wolfson History Prize, Cundill History Prize, Fage and Oliver Prize, the Los Angeles Times Book Prize and the Pius Adesanmi Memorial Award Winner of the Historical Writers' Association Non-Fiction Crown 2020Winner of the American Historical Association's Jerry Bentley Prize in World History 2020Winner of the Nayef Al-Rodhan Prize for Global Cultural Understanding 2019An Observer and Wall Street Journal Book of the Year 2019A groundbreaking history that will transform our view of West AfricaBy the time of the 'Scramble for Africa' in the late nineteenth century, Africa had already been globally connected for many centuries. Its gold had fuelled the economies of Europe and Islamic world since around 1000, and its sophisticated kingdoms had traded with Europeans along the coasts from Senegal down to Angola since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies - most importantly shells: the cowrie shells imported from the Maldives, and the nzimbu shells imported from Brazil.Toby Green's groundbreaking new book transforms our view of West and West-Central Africa. It reconstructs the world of kingdoms whose existence (like those of Europe) revolved around warfare, taxation, trade, diplomacy, complex religious beliefs, royal display and extravagance, and the production of art.Over time, the relationship between Africa and Europe revolved ever more around the trade in slaves, damaging Africa's relative political and economic power as the terms of monetary exchange shifted drastically in Europe's favour. In spite of these growing capital imbalances, longstanding contacts ensured remarkable connections between the Age of Revolution in Europe and America and the birth of a revolutionary nineteenth century in Africa.A Fistful of Shells draws not just on written histories, but on archival research in nine countries, on art, praise-singers, oral history, archaeology, letters, and the author's personal experience to create a new perspective on the history of one of the world's most important regions.'Astonishing, staggering' Ben Okri, Daily Telegraph

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The National Football League is one of the most significant cultural engines in contemporary American life. Yet despite intense and near ubiquitous media coverage, commentators rarely turn a critical lens on the league to ask what material and social forces have contributed to its success, and how the NFL has influenced public life in the United States. The editors of and contributors to The NFL examine the league as a culturally, economically, and politically powerful presence in American life. The essays, by established and up-and-coming scholars, explore how the NFL is packaged for commercial consumption, the league's influence on American identity, and its relationship to state and cultural militarism. The NFL is the first collection of critical essays to focus attention on the NFL as a cultural force. It boldly moves beyond popular celebrations of the sport and toward a fuller understanding of football's role in shaping contemporary sport, media, and everyday life. Contributors include: David L. Andrews, Aaron Baker, Michael Butterworth, Jacob Dittmer, Dan Grano, Samantha King, Kyle Kusz, Toby Miller, Ronald L. Mower, Dylan Mulvin, Oliver J.C. Rick, Katie Rodgers, and the editors.

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Celia Imrie and Toby Jones star in this BBC Radio 4 dramatisation of Gerald Durrell's much-loved comic gem. My Family and Other Animals is the classic tale of naturalist Gerald Durrell's magical 1930s childhood on pre-war Corfu. His descriptions of his eccentric family and his encounters with the local creatures are full of humour and charm, and the book has delighted readers of all ages for sixty years. Ten-year-old Gerry is the youngest member of the Durrell family, which also consists of Mother, pompous eldest son Larry, gun-mad second son Leslie, acne-ridden sister Margo, and Roger the dog. When they arrive in Corfu, Gerry is thrilled to find a paradise of exotic wildlife to be explored. Soon he is embarking on natural history expeditions, swimming in the clearblue sea and befriending the island's inhabitants.Gerry's relatives are less impressed with his exploits, especially when his burgeoning animal collection sparks chaos at the family's Christmas party... With a specially created soundtrack, this vivid adaptation takes the story out of the studio and into the Greek wilderness that enthralled Durrell the young naturalist. Duration: 2 hours approx.

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Beautiful hardback edition of the classic Thomas & Friends story: Thomas the Tank Engine In Thomas the Tank Engine, Thomas runs up and down the track all day, but all he really wants is a branch line of his own … Thomas the Tank Engine and his friends remain as popular as ever, loved by millions all over the world. Now rediscover the classic story about the world's best-loved tank engine with this stunning new hardback edition of the original ‘Railway Series’. Thomas has been teaching children lessons about life and friendship for over 75 years. He ranks alongside other beloved characters such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage. Now millions of people across the world have grown up with the tales of Sodor Island, enchanted by the adventures of Thomas and his friends, Percy, Gordon, and Toby, and all the other engines that work on the Fat Controller’s railway. Have you collected all the classic adventures in the Railway Series?Thomas the Tank Engine 9781405276511James the Red Engine 9781405276504The Three Railway Engines 9781405276498

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Animal Explorers is a wonderful picture book series that will inspire all budding travellers and explorers to follow their dreams. Lola the polar bear has a passion for plants. She's determined to find the rarest ones on the planet. So Lola makes a grand decision: she's going to trek to the Amazon jungle! It's hard work for a polar bear, but nothing holds Lola back. And there's a prize for her at the end of it, when she discovers the elusive Singing Orchid! Animal Explorers is a witty, entertaining picture-book series that will inspire children to follow their dreams. Sharon Rentta's glowing illustrations are packed withfabulous characters and funny details to point out and share Mini biographies at the end of the book tell the amazing stories of three real-life explorers Also in the Animal Explorers series: Stella the Astronaut, in which an adventurous squirrel dreams of being the first of her kind in space. Toby the Deep-Sea Diver, in which a young tiger longs to explore the deepest, darkest depths of the ocean. Praise for Sharon Rentta's books: "Rentta's illustrations are first class . . . destined to become a favourite." Carousel "full of colour and joy . . . great to read out loud" Books for Keeps

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‘Beautifully written, sumptuously illustrated, constantly fascinating‘ - The TimesOn 26 November 1922 Howard Carter first peered into the newly opened tomb of an ancient Egyptian boy-king. When asked if he could see anything, he replied: ‘Yes, yes, wonderful things.’In Tutankhamun’s Trumpet, acclaimed Egyptologist Toby Wilkinson takes a unique approach to that tomb and its contents. Instead of concentrating on the oft-told story of the discovery, or speculating on the brief life and politically fractious reign of the boy king, Wilkinson takes the objects buried with him as the source material for a wide-ranging, detailed portrait of ancient Egypt – its geography, history, culture and legacy.One hundred artefacts from the tomb, arranged in ten thematic groups, are allowed to speak again – not only for themselves, but as witnesses of the civilization that created them. Never before have the treasures of Tutankhamun been analysed and presented for what they can tell us about ancient Egyptian culture, its development, its remarkable flourishing, and its lasting impact.Filled with surprising insights, unusual details, vivid descriptions and, above all, remarkable objects, Tutankhamun’s Trumpet will appeal to all lovers of history, archaeology, art and culture, as well as all those fascinated by the Egypt of the pharaohs.‘I’ve read many books on ancient Egypt, but I’ve never felt closer to its people‘ - The Sunday Times

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From Herodotus’s day to the present political upheavals, the steady flow of the Nile has been Egypt’s heartbeat. It has shaped its geography, controlled its economy and moulded its civilisation. The same stretch of water which conveyed Pharaonic battleships, Ptolemaic grain ships, Roman troop-carriers and Victorian steamers today carries modern-day tourists past bankside settlements in which rural life – fishing, farming, flooding – continues much as it has for millennia. At this most critical juncture in the country’s history, foremost Egyptologist Toby Wilkinson takes us on a journey up the Nile, north from Lake Victoria, from Cataract to Cataract, past the Aswan Dam, to the delta. The country is a palimpsest, every age has left its trace: as we pass the Nilometer on the island of Elephantine which since the days of the Pharaohs has measured the height of Nile floodwaters to predict the following season’s agricultural yield and set the parameters for the entire Egyptian economy, the wonders of Giza which bear the scars of assault by nineteenth-century archaeologists and the modern-day unbridled urban expansion of Cairo – and in Egypt’s earliest art (prehistoric images of fish-traps carved into cliffs) and the Arab Spring (fought on the bridges of Cairo) – the Nile is our guide to understanding the past and present of this unique, chaotic, vital, conservative yet rapidly changing land.

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In September 2014, the French government entrusted Tobie Nathan with the task of counselling radicalized young people who had been drawn to jihadism and in this book he recounts his experiences of some of the young people he met and counselled. He describes what he heard, felt and perceived in his encounters with these young people and their loved ones as he tried to understand the forces running through them and tried to grasp what their fate held in store for them. In so doing, he shows that the history of radicalizations is not the history of ‘natures’ but of metamorphoses – an unpredictable journey, with moments of immobility punctuated by sudden intoxication at the thought of other futures. It is a history of wandering souls who find themselves unable to form a narrative of origin and in thrall to harmful forces but who may find a way home one day. This deeply humane and engaging book will be of great interest to everyone concerned with the issue of radicalization and with the deep and growing challenges our societies face in accommodating difference.

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Winner of the American Horticulture Society Book Award "Phillip’s first-hand knowledge anchors this innovative and highly readable book in practical wisdom that both beginner and long-time fruit growers will find invaluable."—Toby Hemenway, author of Gaia’s Garden Many people want to grow fruit on a small scale but lack the insight to be successful orchardists. As The Holistic Orchard illustrates, growing tree fruits and berries is something virtually anyone can do. A holistic grower knows that producing fruit is not about manipulating nature but more importantly, fostering nature. The Holistic Orchard demystifies the basic skills everybody should know about the orchard ecosystem, focusing on: Orchard design Soil biology Organic health management Grafting Planting Pruning Choosing the right varieties for your climate Includes a step-by-step instructional calendar to guide growers through the entire orchard year! Fruit profiles include: pome fruits (apples, pears, asian pears, quinces) stone fruits (cherries, peaches, nectarines, apricots, plums) berries (raspberries, blackberries, blueberries, gooseberries, currants, and elderberries) Phillips completely changed the conversation about healthy orcharding with his first bestselling book, The Apple Grower, and now he takes that dialogue even further by exploring: The connections between home orcharding and permaculture The importance of native pollinators Plantings with shade-tolerant berry bushes and other insectary plants Information on cover crops and biodiversity Safe, homegrown solutions to pest and disease challenges All along the way, Phillips' expertise and enthusiasm for healthy growing shines through, as does his ability to put the usual horticultural facts into an integrated ecology perspective. With The Holistic Orchard in your hand you have every reason in the world to confidently plant that very first—or next—fruit tree!

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The National Football League is one of the most significant cultural engines in contemporary American life. Yet despite intense and near ubiquitous media coverage, commentators rarely turn a critical lens on the league to ask what material and social forces have contributed to its success, and how the NFL has influenced public life in the United States. The editors of and contributors to The NFL examine the league as a culturally, economically, and politically powerful presence in American life. The essays, by established and up-and-coming scholars, explore how the NFL is packaged for commercial consumption, the league's influence on American identity, and its relationship to state and cultural militarism. The NFL is the first collection of critical essays to focus attention on the NFL as a cultural force. It boldly moves beyond popular celebrations of the sport and toward a fuller understanding of football's role in shaping contemporary sport, media, and everyday life. Contributors include: David L. Andrews, Aaron Baker, Michael Butterworth, Jacob Dittmer, Dan Grano, Samantha King, Kyle Kusz, Toby Miller, Ronald L. Mower, Dylan Mulvin, Oliver J.C. Rick, Katie Rodgers, and the editors.

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Thomas the Tank Engine and his friends remain as popular as ever, loved by millions all over the world. Now rediscover the classic stories about the world's best-loved tank engine with these stunning new hardback editions of the original `Railway Series’. In Troublesome Engines, Henry meets an elephant, James spins like a top and a new engine called Percy comes to the rescue … by running away! Thomas the Tank Engine has been delighting generations of children for over 70 years. It all began as a story made up by the Reverand W. Awdry to entertain his son when he had measles. Now millions of people across the world have grown up with the tales of Sodor Island, enchanted by the adventures of Thomas and his friends, Percy, Gordon, and Toby, and all the other engines that work on the Fat Controller’s railway. Have you collected all the adventures in the Railway Series? Thomas the Tank Engine Troublesome Engines James the Red Engine Tank Engine Thomas Again The Three Railway Engines Also look out for the Railway Series Boxed Set

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Sure to be hailed alongside H is for Hawk and The Hare with Amber Eyes, an exceptional work that is at once an astonishing journey across countries and continents, an immersive examination of a great artist’s work, and a moving and intimate memoir. At the age of 42, his father not long dead and his young sons growing fast, Toby Ferris set off on a seemingly quixotic mission to track down each of the 42 surviving paintings by Pieter Bruegel the Elder, who, at the age of 42, had been approaching the end of his own short life. Over the next five years Ferris would travel to 22 galleries in 19 cities in 12 countries across 2 continents: Budapest to San Diego, Detroit to Naples, Berlin to Madrid, ticking off his Bruegels as he went. The results of his journeying are a revelation: Bruegel’s panels, their landscapes teeming with robust life, become a lens through which Ferris takes stock of the world, informing everything from mortality, fatherhood, and contemporary life, to the bombing of Rotterdam, the extinction of North American megafauna, and how to ward off bears in the forest. Short Life in a Strange World is a dazzlingly original hybrid of art criticism, philosophical reflection and poignant memoir, a book about one man’s obsession with Bruegel’s short life in a strange if familiar world, and the precisely-detailed yet cosmos-encompassing works in ink and oil which sprang from it. And it begins with the story of a boy who fell from the sky.

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The poems in Toby Olson’s We Are the Fire, a selection made by the poet himself of his later work, stand as better than half of what he wishes to save from the years 1970-84. (The collections Home and Aesthetics, published by Membrane Press, Milwaukee, in 1976 and 1978 respectively, complement the present volume.) Olson came into national prominence when his second novel, Seaview, received the PEN/Faulkner Award in 1983, but as a writer he has always given his poetry prime place. Readers of Olson’s novels will recognize familiar themes among these poems that parallel their development in his fiction––”Incest” and “The Father” did in fact appear in his first novel, The Life of Jesus (1976). The landscape of Cape Cod, the setting for much of Seaview, is evoked again and again in “Birdsongs” and “The Florence Poems,” a tender memorial to a close friend whose death from cancer achieves a communion that transcends grief. And in Olson’s ongoing series “Standards,” of which six are included here, his singular lyric eroticism is underscored by his remarkable metaphrasing of American popular songs. “For me,” Olson says, “the making of poetry increasingly becomes an act of celebration. What is celebrated is not the significance of things and events but the things and events themselves. It is not the tales but the details that I am concerned with.” We Are the Fire lights the details.

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One of the enduring questions about our planet is how it has remained continuously habitable over vast stretches of geological time despite the fact that its atmosphere and climate are potentially unstable. James Lovelock's Gaia hypothesis posits that life itself has intervened in the regulation of the planetary environment in order to keep it stable and favorable for life. First proposed in the 1970s, Lovelock's hypothesis remains highly controversial and continues to provoke fierce debate. On Gaia undertakes the first in-depth investigation of the arguments put forward by Lovelock and others--and concludes that the evidence doesn't stack up in support of Gaia. Toby Tyrrell draws on the latest findings in fields as diverse as climate science, oceanography, atmospheric science, geology, ecology, and evolutionary biology. He takes readers to obscure corners of the natural world, from southern Africa where ancient rocks reveal that icebergs were once present near the equator, to mimics of cleaner fish on Indonesian reefs, to blind fish deep in Mexican caves. Tyrrell weaves these and many other intriguing observations into a comprehensive analysis of the major assertions and lines of argument underpinning Gaia, and finds that it is not a credible picture of how life and Earth interact. On Gaia reflects on the scientific evidence indicating that life and environment mutually affect each other, and proposes that feedbacks on Earth do not provide robust protection against the environment becoming uninhabitable--or against poor stewardship by us.

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A fascinating life of Sir Joseph Banks which restores him to his proper place in history as a leading scientific figure of the English Enlightenment“An extensive, admiring account of his subject’s circuitous route to fame and power.”—Wall Street Journal“Readers interested in the British Enlightenment, the history of science, or the lives of great figures who played leading roles in England’s emergence as a global presence will enjoy this highly informative book.”—Choice As official botanist on James Cook's first circumnavigation, the longest-serving president of the Royal Society, advisor to King George III, the "father of Australia," and the man who established Kew as the world's leading botanical garden, Sir Joseph Banks was integral to the English Enlightenment. Yet he has not received the recognition that his multifarious achievements deserve. In this engaging account, Toby Musgrave reveals the true extent of Banks’s contributions to science and Britain. From an early age Banks pursued his passion for natural history through study and extensive travel, most famously on the HMS Endeavour. He went on to become a pivotal figure in the advancement of British scientific, economic, and colonial interests. With his enquiring, enterprising mind and extensive network of correspondents, Banks’s reputation and influence were global. Drawing widely on Banks's writings, Musgrave sheds light on Banks’s profound impact on British science and empire in an age of rapid advancement.

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‘Beautifully written, sumptuously illustrated, constantly fascinating‘ The TimesOn 26 November 1922 Howard Carter first peered into the newly opened tomb of an ancient Egyptian boy-king. When asked if he could see anything, he replied: ‘Yes, yes, wonderful things.’In Tutankhamun’s Trumpet, acclaimed Egyptologist Toby Wilkinson takes a unique approach to that tomb and its contents. Instead of concentrating on the oft-told story of the discovery, or speculating on the brief life and politically fractious reign of the boy king, Wilkinson takes the objects buried with him as the source material for a wide-ranging, detailed portrait of ancient Egypt – its geography, history, culture and legacy.One hundred artefacts from the tomb, arranged in ten thematic groups, are allowed to speak again – not only for themselves, but as witnesses of the civilization that created them. Never before have the treasures of Tutankhamun been analysed and presented for what they can tell us about ancient Egyptian culture, its development, its remarkable flourishing, and its lasting impact.Filled with surprising insights, unusual details, vivid descriptions and, above all, remarkable objects, Tutankhamun’s Trumpet will appeal to all lovers of history, archaeology, art and culture, as well as all those fascinated by the Egypt of the pharaohs.‘I’ve read many books on ancient Egypt, but I’ve never felt closer to its people‘ The Sunday Times

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The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinema. Features *Includes a preface by Toby Miller. *Each chapter covers a key world cinema tradition and is written by an expert in the field: Roy Armes, Nitzan Ben-Shaul, Peter Bondanella, Corey Creekmur, Adrian Danks, Peter Hames, Randal Johnson, Robert Kolker, Myrto Konstantarakos, Jay McRoy, Negar Mottahedeh, Richard Neupert, Christina Stojanova, J.P. Telotte, Stephen Teo. *Traditions are examined from a wide range of views and include historical, social, cultural and industrial perspectives.

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A leading figure in cultural studies worldwide, Néstor García Canclini is a Latin American thinker who has consistently sought to understand the impact of globalization on the relations between Latin America, Europe, and the United States, and among Latin American countries. In this book, newly available in English, he considers how globalization is imagined by artists, academics, migrants, and entrepreneurs, all of whom traverse boundaries and, at times, engage in conflicted or negotiated multicultural interactions. García Canclini contrasts the imaginaries of previous migrants to the Americas with those who live in transnational circuits today. He integrates metaphor and narrative, working through philosophical, anthropological, and socioeconomically grounded interpretations of art, literature, crafts, media, and other forms of expression toward his conclusion that globalization is, in important ways, a collection of heterogeneous narratives. García Canclini advocates global imaginaries that generate new strategies for dealing with contingency and produce new forms of citizenship oriented toward multiple social configurations rather than homogenization. This edition of Imagined Globalization includes a significant new introduction by George Yúdice and an interview in which the cultural theorist Toby Miller and García Canclini touch on events including the Arab Spring and Occupy Wall Street.

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This oversized hardcover is jam-packed with gorgeous artwork and captivating stories from today’s heavy hitters in both mainstream and indie comics. Greg Pak and Tom Raney deliver a poignant tale of police officer returning to duty thanks to a supernatural replacement to his amputated arm in “Phantom Limb Ghostpuncher.” Cullen Bunn and Nathan Fox introduce us to the skateboarding, sword-wielding goth girl who fights against creatures of the night in “Dark, Dark World.” Phil Hester and Daniel Warren Johnson take us back to the world of Vikings in “Plunder.” Tyler Chin-Tanner and Toby Cypress combine desert dystopia with technotronic futurism in “The Wall.” Marguerite Bennett and Varga Tomi share one woman’s quest to tame a living, breathing mountain. In “The Beard,” Fred Van Lente and Alison Sampson present a woman with an unusual dilemma; her newfound facial hear has given her the ability to fly, give up one and so goes the other. Justin Zimmerman and Mike Lawrence show us the events of Word War I through the eyes of a young girls with a jet pack and wings in “Flyer.” Plus many, many more.

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Matt Osborne had always planned to get married and have a family. But at thirty-four, he's no closer to his goal, so he's decided to embrace his role as the remaining member of the Bachelor Brotherhood. He's only loved one woman-his college sweetheart-but she never shared his dream of a family, preferring to focus on her career and maybe get married someday. With neither budged on their decisions, they agreed it was best to part ways. Now nearly twelve years later, Matt is stunned when Anna shows up at his nephew's soccer practice-with her five-year-old son in tow.Single mother Anna Field has returned home to care for her widowed and ill father. She never thought she'd run into Matt during the six months she's there, but now he's the coach of her son's soccer team. She'd move Toby to a different team, but his new best friend happens to be Matt's nephew, Ethan. As Anna and Matt spend more time together, the realize that their attraction-and love-are still there, just waiting for a spark to reignite. And once it's lit, Matt has no plans to let her go again.

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When Isaac Naylor committed suicide after a teenage fan was found dead in his hotel room, the world thought it had lost one of the greatest rock stars of a generation. Naylor, lead singer of The Ospreys, had been arrested for causing the girl's death and was on police bail when he drowned himself in the sea off the Devon coast, leaving two notes addressed to his bandmates and his younger brother, Toby, discarded on the beach.Now, eight years on, music journalist Natalie Glass stumbles across a blind item on a US gossip website that suggests Naylor's death wasn't quite what it seemed - and he might in fact still be alive. The item claims he is the mystery songwriter who has for the past year been submitting lyrics to producers in London via his lawyer for other artists to record. He insists on anonymity and the only person who knows his identity is the lawyer.But as she delves deeper into what happened, the plot to stop her intensifies and Natalie finds she has a stark choice: give up trying to find out what happened to Naylor or risk her own obituary ending up in print.

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With unprecedented speed, scientists have raced to develop vaccines to bring the COVID-19 pandemic under control and restore a sense of normalcy to our lives. Despite the havoc and disruption the pandemic has caused, it’s exposed exactly why we should not return to life as we once knew it. Our current profit-driven healthcare systems have exacerbated global inequality and endangered public health, and we must take this opportunity to construct a new social order that understands public health as a basic human right. A COVID Charter, A Better World outlines the steps needed to reform public policies and fix the structural vulnerabilities that the current pandemic has made so painfully clear. Leading scholar Toby Miller argues that we must resist neoliberalism’s tendency to view health in terms of individual choices and market-driven solutions, because that fails to preserve human rights. He addresses the imbalance of geopolitical power to explain how we arrived at this point and shows that the pandemic is more than just a virus—it’s a social disease. By examining how the U.S., Britain, Mexico, and Colombia have responded to the COVID-19 crisis, Miller investigates corporate, scientific, and governmental decision-making and the effects those decisions have had on disadvantaged local communities. Drawing from human rights charters ratified by various international organizations, he then proposes a COVID charter, calling for a new world that places human lives above corporate profits.

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What existential threats does humanity face? And how can we secure our future? ‘The Precipice is a powerful book . . . Ord’s love for humanity and hope for its future is infectious’ Spectator ‘Ord’s analysis of the science is exemplary . . . Thrillingly written’ Sunday Times We live during the most important era of human history. In the twentieth century, we developed the means to destroy ourselves – without developing the moral framework to ensure we won't. This is the Precipice, and how we respond to it will be the most crucial decision of our time. Oxford moral philosopher Toby Ord explores the risks to humanity's future, from the familiar man-made threats of climate change and nuclear war, to the potentially greater, more unfamiliar threats from engineered pandemics and advanced artificial intelligence. With clear and rigorous thinking, Ord calculates the various risk levels, and shows how our own time fits within the larger story of human history. We can say with certainty that the novel coronavirus does not pose such a risk. But could the next pandemic? And what can we do, in our present moment, to face the risks head on? A major work that brings together the disciplines of physics, biology, earth and computer science, history, anthropology, statistics, international relations, political science and moral philosophy, The Precipice is a call for a new understanding of our age: a major reorientation in the way we see the world, our history, and the role we play in it.

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'It is a story full of drama, with the Nile, the pyramids and the Valley of the Kings as backdrop. That A World Beneath the Sands is also a subtle and stimulating study of the paradoxes of 19th-century colonialism is a bonus indeed.' – Tom Holland, GuardianWhat could be more exciting, more exotic or more intrepid than digging in the sands of Egypt in the hope of discovering golden treasures from the age of the pharaohs? Our fascination with ancient Egypt goes back to the ancient Greeks. But the heyday of Egyptology was undoubtedly the nineteenth and early twentieth centuries. This golden age of scholarship and adventure is neatly book-ended by two epoch-making events: Champollion's decipherment of hieroglyphics in 1822 and the discovery of Tutankhamun’s tomb by Howard Carter and Lord Carnarvon a hundred years later.In A World Beneath the Sands, the acclaimed Egyptologist Toby Wilkinson tells the riveting stories of the men and women whose obsession with Egypt's ancient civilisation drove them to uncover its secrets. Champollion, Carter and Carnarvon are here, but so too are their lesser-known contemporaries, such as the Prussian scholar Karl Richard Lepsius, the Frenchman Auguste Mariette and the British aristocrat Lucie Duff-Gordon. Their work – and those of others like them – helped to enrich and transform our understanding of the Nile Valley and its people, and left a lasting impression on Egypt, too. Travellers and treasure-hunters, ethnographers and epigraphers, antiquarians and archaeologists: whatever their motives, whatever their methods, all understood that in pursuing Egyptology they were part of a greater endeavour – to reveal a lost world, buried for centuries beneath the sands.

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In 1782, J. Hector St. John de Crèvecoeur wrote, “What then, is the American, this new man? He is an American, who, leaving behind him all his ancient prejudices and manners, receives new ones from the new mode of life he has embraced.” In casting aside their European mores, these pioneers, de Crèvecoeur implied, were the very embodiment of a new culture, society, economy, and political system. But to what extent did manliness shape early America’s character and institutions? And what roles did race, ethnicity, and class play in forming masculinity? Thomas A. Foster and his contributors grapple with these questions in New Men, showcasing how colonial and Revolutionary conditions gave rise to new standards of British American manliness. Focusing on Indian, African, and European masculinities in British America from earliest Jamestown through the Revolutionary era, and addressing such topics that range from slavery to philanthropy, and from satire to warfare, the essays in this anthology collectively demonstrate how the economic, political, social, cultural, and religious conditions of early America shaped and were shaped by ideals of masculinity. Contributors: Susan Abram, Tyler Boulware, Kathleen Brown, Trevor Burnard, Toby L. Ditz, Carolyn Eastman, Benjamin Irvin, Janet Moore Lindman, John Gilbert McCurdy, Mary Beth Norton, Ann Marie Plane, Jessica Choppin Roney, and Natalie A. Zacek.

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Silver Medal Winner, Business and Leadership, 2012 Nautilus Book Awards Almost 70% of Americans believe that we are suffering from a crisis of leadership, but rather than asking, why are leaders failing, we need to ask, "Why aren't we choosing better leaders?" Ever wonder what goes on behind closed board room doors when organizations pick their top leaders? It can be a contentious, secretive, even brutal process. Most of our leaders look good on paper—they have charisma, credentials, and confidence—yet they lack the real qualities that are necessary to succeed. In Why Are We Bad at Picking Good Leaders?, Cohn and Moran share the same insights and ideas they use to help organizations make better choices. Revealing seven essential attributes of all great leaders, they offer a fresh and powerful evaluation technique anyone can use to assess leader potential. Through dynamic, first-hand accounts from the business world, entertainment, sports, politics, education, and philanthropy, the authors offer the ultimate insider access and reveal how top organizations find and choose the best talent. Offers multiple ways to evaluate leaders, and how these 7 leadership attributes combine to create the best (and worst) in leaders Features interviews with with Mike Krzyzewski, Coach, 2008 US Men's Olympic Basketball team, Jeff Bezos, CEO of Amazon; George Steinbrenner, Scott Davis, CEO of UPS; Peter Loscher, CEO of Siemens; Toby Cosgrove, CEO, Cleveland Clinic; Hollywood movie directors, and many others Includes academic study and field training at institutions such as Harvard, Yale, INSEAD, and IMD for developing future leaders. Fresh and compelling, Why Are We Bad at Picking Good Leaders? shows how great leaders can be spotted and why they succeed – and is soon to the definitive resource guide for about choosing better leaders.

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“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.”Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema.In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake.In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

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The world-renowned UEA Creative Writing MA presents new work from the three prose strands of the course: fiction, life writing, and scriptwriting. Past course tutors and students have included Kazuo Ishiguro, Ian McEwan, Toby Litt, John Boyne, Trezza Azzopardi, Rose Tremain, Malcolm Bradbury, Anne Enright, Angela Carter, Ali Smith, Tracey Chevalier, Joe Dunthorne, Adam Foulds and Tash Aw, among many others. Buy this collection if you want an exciting glimpse into the future of new prose writing in Britain and around the world."UEA has a knack of discovering writers with a distinctive voice – in this case 40 distinctive voices – and this latest anthology proves that standards remain high. Thoughtful prose, provocative stories that stay in the mind, extracts from novels that make one long for the finished book. Read it and sample the future."John Boyne"To all of you with Blurb-fatigue: We always say that this group of writers is exceptionally gifted, promising, and startlingly original.. I won't lie: they actually are all of that, and more... Established writers will wish we'd strangled this lot at birth."Trezza Azzopardi

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'Owls Do Cry remains innovative and relevant' GUARDIAN 'Janet Frame was a unique and troubled soul whose luminous words are the more precious' HILARY MANTEL'Her dark, eloquent song captured my heart ' JANE CAMPIONOwls Do Cry is the story of the Withers family: Francie, soon to leave school to start work at the woollen mills; Toby, whose days are marred by the velvet cloak of epilepsy; Chicks, the baby of the family; and Daphne, whose rich, poetic imagination condemns her to a life in institutions.It is one of the classics of New Zealand literature and has remained in print continuously for fifty years. A fiftieth anniversary edition was published in 2007.Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography:'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters'Regarded by many as one of the best New Zealand novels published, Owls Do Cry forms a loose trilogy with her two subsequent novels, Faces in the Water and The Edge of the Alphabet.

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Celebrating Fifty Years of Picador Books There was the soft glare of the flash – twice – three times – a gleaming sense of occasion, the gleam floating in the eye as a blot of shadow, his heart running fast with no particular need of courage as he grinned and said, ‘Prime Minister, would you like to dance?’ In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the wealthy Feddens: Gerald, an ambitious Tory MP, his wife Rachel and their children Toby and Catherine. Innocent of politics and money, Nick is swept up into the Feddens’ world and an era of endless possibility, all the while pursuing his own private obsession with beauty. The Line of Beauty is Alan Hollinghurst’s Man Booker Prize-winning masterpiece. It is a novel that defines a decade, exploring with peerless style a young man’s collision with his own desires, and with a world he can never truly belong to.Winner of the Man Booker Prize, The Line of Beauty is a classic novel about class, politics and sexuality in Margaret Thatcher’s 1980s Britain. Part of the Picador Collection, a series showcasing the best of modern literature.

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We think we know what healers do: they build on patients’ irrational beliefs and treat them in a ‘symbolic’ way. If they get results, it’s thanks to their capacity to listen, rather than any influence on a clinical level. At the same time, we also think we know what modern medicine is: a highly technical and rational process, but one that scarcely listens to patients at all. In this book, ethnopsychiatrist Tobie Nathan and philosopher Isabelle Stengers argue that this commonly posed opposition between traditional and modern medicine is misleading. They show instead that healers are interesting precisely because they don’t listen to patients, using techniques of ‘divination’ rather than ‘diagnosis’. Healers construct genuine therapeutic strategies by identifying the origins of symptoms in external forces, outside of the mind of the sufferer. Modern medicine, for its part, is characterized by empiricism rather than rationality. What appears to be the pursuit of rationality is ultimately only a means to dismiss and exclude other forms of treatment. Blurring the distinctions between traditional and modern practices and drawing on perspectives from across the globe, this ethnopsychiatric manifesto encourages us to think in radically new ways about illness, challenging accepted notions on the relationship between sufferer and symptom.

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While Canadian historians have studied socialism in the 1930s, and although there have been many studies of American and British literary leftists from this period, Comrades and Critics is the first full-length study of Canada's 1930s literary left. Challenging dominant perceptions that this decade was a lull between the more celebrated modernist enterprises of the 1920s and 1940s, Candida Rifkind argues that the events of the 1930s - from mass unemployment, to the dustbowl, to the Spanish Civil War - galvanized a generation of writers, leading them to unite artistic practice and political action in provocative and influential ways. Analyzing and recovering much-neglected poems, plays, manifestoes, and documentaries, Rifkind demonstrates how leftist cultural production came to dominate English-Canadian literature by the end of the decade. She pays particular attention to the significant role that women writers played in this period and examines a diverse group of writers that included Dorothy Livesay, Anne Marriott, Irene Baird, and Toby Gordon Ryan. These writers negotiated the struggle to revolutionize both literature and politics, while being subject to the gender hierarchies of socialism and literary modernism that continued long after the thirties came to an end. A groundbreaking study in Canadian history and literature, Comrades and Critics is a much-needed examination of an important and still influential literary period.

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The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinema. Features *Includes a preface by Toby Miller. *Each chapter covers a key world cinema tradition and is written by an expert in the field: Roy Armes, Nitzan Ben-Shaul, Peter Bondanella, Corey Creekmur, Adrian Danks, Peter Hames, Randal Johnson, Robert Kolker, Myrto Konstantarakos, Jay McRoy, Negar Mottahedeh, Richard Neupert, Christina Stojanova, J.P. Telotte, Stephen Teo. *Traditions are examined from a wide range of views and include historical, social, cultural and industrial perspectives.

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With unprecedented speed, scientists have raced to develop vaccines to bring the COVID-19 pandemic under control and restore a sense of normalcy to our lives. Despite the havoc and disruption the pandemic has caused, it’s exposed exactly why we should not return to life as we once knew it. Our current profit-driven healthcare systems have exacerbated global inequality and endangered public health, and we must take this opportunity to construct a new social order that understands public health as a basic human right. A COVID Charter, A Better World outlines the steps needed to reform public policies and fix the structural vulnerabilities that the current pandemic has made so painfully clear. Leading scholar Toby Miller argues that we must resist neoliberalism’s tendency to view health in terms of individual choices and market-driven solutions, because that fails to preserve human rights. He addresses the imbalance of geopolitical power to explain how we arrived at this point and shows that the pandemic is more than just a virus—it’s a social disease. By examining how the U.S., Britain, Mexico, and Colombia have responded to the COVID-19 crisis, Miller investigates corporate, scientific, and governmental decision-making and the effects those decisions have had on disadvantaged local communities. Drawing from human rights charters ratified by various international organizations, he then proposes a COVID charter, calling for a new world that places human lives above corporate profits.

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The New York Times bestselling series is now a graphic novel series! Five Nights at Freddy's fans won't want to miss this pulse-pounding collection of three novella-length comic stories that will keep even the bravest player up at night . . . Pete lashes out at his younger brother in the wake of his parents' divorce, falling prey to a gruesome curse. Years of frustration with his family culminate in a loathsome vacation for Bob, who plots a sinister prank to frighten his wife and kids. And, forever desperate to prove his worth to his arrogant brother and distant father, Toby chases victory at an arcade game with horrifying consequences. In the world of Five Nights at Freddy's, there's always an enormous price for tempting fate. In this volume, three stories from the New York Times bestselling series Five Nights at Freddy's: Fazbear Frights come to life in delightfully horrifying comics. Readers beware: this collection of terrifying tales is enough to unsettle even the most hardened Five Nights at Freddy's fans Told through delightfully scary artwork Three novella-length comic stories that will keep even the bravest player up at night Perfect for gamers and fans of horror

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We think we know what healers do: they build on patients’ irrational beliefs and treat them in a ‘symbolic’ way. If they get results, it’s thanks to their capacity to listen, rather than any influence on a clinical level. At the same time, we also think we know what modern medicine is: a highly technical and rational process, but one that scarcely listens to patients at all. In this book, ethnopsychiatrist Tobie Nathan and philosopher Isabelle Stengers argue that this commonly posed opposition between traditional and modern medicine is misleading. They show instead that healers are interesting precisely because they don’t listen to patients, using techniques of ‘divination’ rather than ‘diagnosis’. Healers construct genuine therapeutic strategies by identifying the origins of symptoms in external forces, outside of the mind of the sufferer. Modern medicine, for its part, is characterized by empiricism rather than rationality. What appears to be the pursuit of rationality is ultimately only a means to dismiss and exclude other forms of treatment. Blurring the distinctions between traditional and modern practices and drawing on perspectives from across the globe, this ethnopsychiatric manifesto encourages us to think in radically new ways about illness, challenging accepted notions on the relationship between sufferer and symptom.

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A Times Higher Education Book of the WeekApproximately 200,000 years ago, as modern humans began to radiate out from their evolutionary birthplace in Africa, Neanderthals were already thriving in Europe—descendants of a much earlier migration of the African genus Homo. But when modern humans eventually made their way to Europe 45,000 years ago, Neanderthals suddenly vanished. Ever since the first Neanderthal bones were identified in 1856, scientists have been vexed by the question, why did modern humans survive while their closest known relatives went extinct?“Shipman admits that scientists have yet to find genetic evidence that would prove her theory. Time will tell if she’s right. For now, read this book for an engagingly comprehensive overview of the rapidly evolving understanding of our own origins.”—Toby Lester, Wall Street Journal“Are humans the ultimate invasive species? So contends anthropologist Pat Shipman—and Neanderthals, she opines, were among our first victims. The relationship between Homo sapiens and Homo neanderthalensis is laid out cleanly, along with genetic and other evidence. Shipman posits provocatively that the deciding factor in the triumph of our ancestors was the domestication of wolves.”—Daniel Cressey, Nature

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The authoritative account of the sectarian division that for centuries has shaped events in the Middle East and the Islamic world. In 632, soon after the prophet Muhammad died, a struggle broke out among his followers as to who would succeed him. The majority argued that the new leader of Islam should be elected by the community's elite. Others believed only members of Muhammad's family could lead. This dispute over who should guide Muslims, the appointed Caliph or the bloodline Imam, marks the origin of the Sunni-Shii split in Islam. Toby Matthiesen explores this hugely significant division from its origins to the present day. Moving chronologically, his book sheds light on the many ways that it has shaped the Islamic world, outlining how over the centuries Sunnism and Shiism became Islams two main branches, particularly after the Muslim Empires embraced sectarian identity. It reveals how colonial rule institutionalised divisions between Sunnism and Shiism both on the Indian subcontinent and in the greater Middle East, giving rise to pan-Islamic resistance and Sunni and Shii revivalism. It then focuses on the fall-out from the 1979 revolution in Iran and the US-led military intervention in Iraq. As Matthiesen shows, however, though Sunnism and Shiism have had a long and antagonistic history, most Muslims have led lives characterised by confessional ambiguity and peaceful co-existence. Tensions arise when sectarian identity becomes linked to politics. Based on a synthesis of decades of scholarship in numerous languages, The Caliph and the Imam will become the standard text for readers looking for a deeper understanding of contemporary sectarian conflict and its historical roots.

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“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.”Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema.In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake.In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

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Stephen Fry narrates this BBC Radio 4 full-cast dramatisation of the famous Victorian comic novel. Orphan Becky Sharp and wealthy Amelia Sedley are best friends at Miss Pinkerton's Academy for Young Ladies. On leaving school, ambitious, social-climbing Becky looks for a rich man to support her, while the sweet-natured Amelia meets her old friend Dobbin, who is instantly captivated. Becky takes a job in the service of Sir Pitt Crawley, and uses her charm to hook his dashing son. However, marriage to Captain Rawdon of the Guards does not provide the fortune she seeks. Meanwhile, Amelia rejects the faithful Dobbin and becomes engaged to the handsome George Osborne – but destiny has some shocks in store for her, too. As time goes by, the girls' fortunes rise and fall. War, financial disaster and the ruin of her reputation leave the resourceful Becky undaunted, but Amelia finds it harder to bear fate's blows. It will be many years before their story is played out, and their futures finally decided... William Makepeace Thackeray's classic satire of passion and ambition, first published in 1847 and 1848, is a deliciously ironic portrait of English society and its mores. This engaging 2004 radio production, published for the first time on audio, features a distinguished cast including Emma Fielding as Becky Sharp, Katy Cavanagh as Amelia and Toby Jones as Jos Sedley. Duration: 5 hours approx

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Approached as a wellspring of cultural authenticity and historical exceptionality, New Orleans appears in opposition to a nation perpetually driven by progress. Remaking New Orleans shows how this narrative is rooted in a romantic cultural tradition, continuously repackaged through the twin engines of tourism and economic development, and supported by research that has isolated the city from comparison and left unquestioned its entrenched inequality. Working against this feedback loop, the contributors place New Orleans at the forefront of national patterns of urban planning, place-branding, structural inequality, and racialization. Nontraditional sites like professional wrestling matches, middle-class black suburbs, and Vietnamese gardens take precedence over clichéd renderings of Creole cuisine, voodoo queens, and hot jazz. Covering the city's founding through its present and highlighting changing political and social formations, this volume remakes New Orleans as a rich site for understanding the quintessential concerns of American cities. Contributors. Thomas Jessen Adams, Vincanne Adams, Vern Baxter, Maria Celeste Casati Allegretti, Shannon Lee Dawdy, Rien Fertel, Megan French-Marcelin, Cedric G. Johnson, Alecia P. Long, Vicki Mayer, Toby Miller, Sue Mobley, Marguerite Nguyen, Aaron Nyerges, Adolph Reed Jr., Helen A. Regis, Matt Sakakeeny, Heidi Schmalbach, Felipe Smith, Bryan Wagner

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The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order. Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad--and often entertaining--aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.

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