Search results for ""Author John C."

A wide-ranging, first-of-its-kind selection of Berryman’s correspondence with friends, loved ones, writers, and editors, showcasing the turbulent, fascinating life and mind of one of America’s major poets.The Selected Letters of John Berryman assembles for the first time the poet’s voluminous correspondence. Beginning with a letter to his parents in 1925 and concluding with a letter sent a few weeks before his death in 1972, Berryman tells his story in his own words.Included are more than 600 letters to almost 200 people—editors, family members, students, colleagues, and friends. The exchanges reveal the scope of Berryman’s ambitions, as well as the challenges of practicing his art within the confines of the publishing industry and contemporary critical expectations. Correspondence with Ezra Pound, Robert Lowell, Delmore Schwartz, Adrienne Rich, Saul Bellow, and other writers demonstrates Berryman’s sustained involvement in the development of literary culture in the postwar United States. We also see Berryman responding in detail to the work of writers such as Carolyn Kizer and William Meredith and encouraging the next generation—Edward Hoagland, Valerie Trueblood, and others. The letters show Berryman to be an energetic and generous interlocutor, but they also make plain his struggles with personal and familial trauma, at every stage of his career.An introduction by editors Philip Coleman and Calista McRae explains the careful selection of letters and contextualizes the materials within Berryman’s career. Reinforcing the critical and creative interconnectedness of Berryman’s work and personal life, The Selected Letters confirms his place as one of the most original voices of his generation and opens new horizons for appreciating and interpreting his poems.

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What is now called JCPenney, a fixture of suburban shopping malls, started out as a small-town Main Street store that fused its founder's interests in agriculture, retail business, religion, and philanthropy. This book brings to light the little-known agrarian roots of an American department store chain.

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On April 19, 1995, a truck bomb exploded just outside of Oklahoma City's Murrah Federal Building, killing 168 people. Within a matter of hours, the FBI launched the largest manhunt in U.S. history, identifying the suspects as Timothy James McVeigh and John Doe No. 2, a stocky twentysomething with a distinctive tattoo on his left arm. Eventually the FBI retracted the elusive mystery man as a bombing suspect altogether, proclaiming that McVeigh had acted alone and that John Doe No. 2 was the byproduct of unreliable eyewitness testimony in the wake of the attack. Womack recreates the events that led up to this fateful day from the perspective of John Doe No. 2—or JD, as he is referred to in the book. With his ironic and curiously detached persona, JD narrates—from a second-person point of view—his secret life with McVeigh, Terry Nichols, and others in America's militia culture as McVeigh and JD crisscross the Midwest in McVeigh's beloved Chevy Geo Spectrum. John Doe No. 2 and the Dreamland Motel is the tragicomic account of McVeigh's last desperate months of freedom as he prepared to unleash one of the deadliest acts of domestic terrorism in the nation's history. Womack's novel traces one man's downward spiral toward the act of evil that will brand his name in infamy and another's desperate hope to save his friend's soul before it's too late.

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A biography of Canada’s first prime minister, a legendary political strategist who helped found a new nation in 1867. Shocked by Canada’s 1837 rebellions, John A. Macdonald sought to build alliances and avoid future conflicts. Thanks to financial worries and an alcohol problem, he almost quit politics in 1864. The challenge of building Confederation harnessed his skills, and in 1867 he became the country’s first prime minister. As "Sir John A.," he drove the Dominion’s westward expansion, rapidly incorporating the Prairies and British Columbia before a railway contract scandal unseated him in 1873. He conquered his drinking problem and rebuilt the Conservative Party to regain power in 1878. The centrepiece of his protectionist National Policy was the transcontinental railway, but a western uprising in 1885 was followed by the controversial execution of rebel leader Louis Riel. Although dominant nationally, Macdonald often cut ethical corners to resist the formidable challenge of the Ontario Liberals in his own province. John A. Macdonald created Canada, but this popular hero had many flaws.

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This rollicking and fascinating picture book biography chronicles the life of the first pioneer of children's books-John Newbery himself. While most children's books in the 18th century contained lessons and rules, John Newbery imagined them overflowing with entertaining stories, science and games. He believed that every book should be made for the reader's enjoyment. Newbery-for whom the prestigious Newbery Medal is named-became a celebrated author and publisher, changing the world ofchildren's books forever. This book about his life and legacy is as full of energy and delight as any young reader could wish.

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An engaging introduction to the life and work of John Singer Sargent, the most accomplished portrait painter of the late-nineteenth and early-twentieth century.?John Singer Sargent (18561925) is one of the most famous painters of his time. The masterful portraits for which he is best known capture not only a remarkable likeness to his sitters, but a sense of identity and personality, an energy and intimacy. Conveyed with deft and fluid brushwork, these portraits are testament to Sargent's exceptional attention to detail and adept characterisation. But Sargent was much more than a portraitist, as revealed by the beautifully evocative scenes of the places that he visited and the people that he encountered on his extensive travels.This fascinating introduction explores the life and work of Sargent, contextualising his practice within the times he lived. Beginning with his cosmopolitan childhood in Europe and studio training in Paris, it c

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This symposium was a dedication to John L Hall, who was recently awarded the Nobel Prize in Physics, (report below). The symposium was a celebration of his striking career in physics and his impressive record of achievements. Papers included in this volume offer brief and personal glimpses of some of his achievements, the research he inspired, and the great friendships he has built.Nobel Prize Report:John L Hall, a Scientist Emeritus of the National Institute of Standards and Technology and a Fellow of JILA (joint institute of NIST and University of Colorado) has been awarded the 2005 Nobel Prize in Physics.Hall shared the Nobel with Theodor W Hänsch of the Max Planck Institute for Quantum Optics and a professor of physics at Ludwig Maximilians University in Munich, Germany, and Roy J Glauber, a professor of physics at Harvard University.Hall and Hänsch were awarded half the Nobel Prize for their contributions to the development of laser-based precision spectroscopy, including the optical frequency comb technique. An optical frequency comb is generated by a laser specially designed to produce a series of extremely short — a few billionths of a second — equally spaced pulses of light.

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John 1:1 as Prooftext provides a careful analysis to answer the question of whether this verse supports the doctrine of the trinity. Garrett C. Kenney examines the subtleties of many interpretive problems, balancing arguments on both sides of the debate in order to provide a sound foundation for further investigation and dialogue. He thoroughly explains and applies methods of textual, lexical, grammatical, and translation criticism to the interpretation of John 1:1. He also explains and partially applies methods of source, form, redaction, rhetorical, and composition criticism while acknowledging the need for further dialogue regarding the implications of this verse for those from both the Trinitarian and Unitarian viewpoints. Kenney's conclusion favors a Trinitarian interpretation, yet admits that the Unitarian position poses serious questions.

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An examination of the ways in which Gower's poetry engages with contemporary law and legal questions. It has long been thought that John Gower was probably a lawyer before turning to poetry, and this study reveals his active engagement with contemporary legal debates; they include constitutional questions, jurisdictional issues, private vengeance, jurisprudential concepts (such as equity and the rigor iuris), and aspects of criminal law. The author argues that the Confessio Amantis in particular demonstrates Gower's uncertainty about how to reconcile the ideal of a just law with alternative modes of justice, such as self-help, royal discretion, and divine will. The book also examines the parallel development of the exemplum and casus in medieval literature. Exempla frequently create a sense of narrative closure by means of some form of punishment, or as Gower would put it, "vengeance". How then do we set Gower's reputation as a sympathetic writer alongside his frequent desire forclosure and punishment? What are the limits of exemplarity and law? These questions are answered by reading Gower in relation to the volatile politics of the Ricardian period, and in comparison with the poetic concerns of contemporary writers such as Chaucer and Langland. In so doing, the book provides a searching introduction to the intersection between literature and law in the late fourteenth century. Dr. Conrad van Dijk is Assistant Professor of English at Concordia University College of Alberta (Edmonton, Canada).

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A vibrant portrait of the importance, influence, and impact of John Cage’s iconic piece 4'33" by a leading modern music critic First performed at the midpoint of the twentieth century, John Cage’s 4'33", a composition conceived of without a single musical note,is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage’s controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music.In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musical composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John Lennon and Yoko Ono,he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage’s craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert’s analysis and a highly personal interpretation of Cage’s most divisive work.

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Captain John Smith's voyages throughout the New World did not end - or, for that matter, begin - with the trip on which he was captured and brought to the great chief Powhatan. Partly in an effort to map the region, Smith covered countless leagues of the Chesapeake Bay and its many tributary rivers, and documented his experiences. In this ambitious and extensively illustrated book, scholars from multiple disciplines take the reader on Smith's exploratory voyages and reconstruct the Chesapeake environment and its people as Smith encountered them.

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John Donald, a British jeweller, designer and goldsmith, is regarded as one of the most innovative of the twentieth century. In over half a century he has been recognised as a pioneering and radical designer and craftsman with his work capturing the late twentieth century ideals of glamour and modernity. Part of a select group that revolutionised jewellery design in the 1960s and '70s, John went on to establish a successful business in London and Geneva as well as an international reputation. He is respected by art critics and his work attracted the patronage of HRH The late Princess Margaret, Countess ofSnowdon and Her late Majesty Queen Elizabeth the Queen Mother.His work is seen in the collections of the V&A Museum, the Schmuckmuseum in Pforzheim, The Royal Museum in Edinburgh and The Worshipful Company of Goldsmiths. His pieces are owned by various Royal Families as well as headsof industry and those fascinated by design.

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From zombies in Restoration London, to Hell gatecrashing a funeral, rogue Time Agent Captain John Hart leads the universe the rack and ruin in four new adventures written by David Llewellyn. The Restored, Escape from Nebazz, Peach Blossom Heights and Darker Purposes. NOTE: Torchwood contains adult material and is not suitable for younger listeners. 1. The Restored Captain John is in Restoration England looking for some gauntlets. There’s intrigue in the Tower of London, the dead are walking the streets, and the severed head of Oliver Cromwell has a terrible warning. 2. Escape from Nebazz Captain John is in a wooden space prison that’s under attack by a strange and terrible life form. Also the catering is truly dreadful and Dr Magpie’s latest discovery may have got a little out of hand. 3. Peach Blossom Heights Captains John and Jack find themselves stranded on a world that may be actual paradise – the weather is pleasant, the people are friendly, and the giant stuffed animals only come out at night. There’s only one thing the world is missing. No-one has every explained to any of the population about the birds and the bees. Which is unfortunate. 4. Darker Purposes Captain John arrives at the funeral of one of the galaxy’s richest men. He died without making a will, and his heirs have some very creative ideas about how this can be put to rights involving murder, necromancy and seduction. Sadly, Captain John is only too happy to oblige. CAST: James Marsters (Captain John Hart), John Barrowman (Captain Jack Harkness), Christopher Allen (The Archivist), Ayesha Antoine (Caitlin), Rosie Baker (Ilsa Vargosh), Connor Calland (Grimble), Silas Carson (Sir Thomas Pewsey), Dona Croll (Miss Slaughter), Laura Doddington (Frances, Duchess of Winchester), Kathryn Drysdale (Dr Magpie), Serin Ibrahim (Mohisha Varma), Matthew Jacobs-Morgan (Chester Vamooth), Robbie Jarvis (Trevor), Nicholas Khan (Jillix), Wilf Scolding (King Charles II), David Sibley (Uther Vargosh), Rick Yale (Darius Vargosh). Other parts played by members of the cast. NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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The Book of John Mandeville has tended to be neglected by modern teachers and scholars, yet this intriguing and copious work has much to offer the student of medieval literature, history, and culture. [It] was a contemporary bestseller, providing readers with exotic information about locales from Constantinople to China and about the social and religious practices of peoples such as the Greeks, Muslims, and Brahmins. The Book first appeared in the middle of the fourteenth century and by the next century could be found in an extraordinary range of European languages: not only Latin, French, German, English, and Italian, but also Czech, Danish, and Irish. Its wide readership is also attested by the two hundred fifty to three hundred medieval manuscripts that still survive today. Chaucer borrowed from it, as did the Gawain-poet in the Middle English Cleanness, and its popularity continued long after the Middle Ages.

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"This series is a testimony to the Spirit breathing where He wills." America John Climacus: The Ladder of Divine Ascent edited and translated by Colm Luibheid and Norman Russell notes on translation by Norman Russell, preface by Kallistos Ware "Prayer is the mother and daughter of tears. It is an expiation of sin, a bridge across temptation, a bulwark against affliction. It wipes out conflict, is the work of angels, and is the nourishment of everything spiritual." John Climacus (c. 579-649) The Ladder of Divine Ascent was the most widely used handbook of the ascetic life in the ancient Greek Church. Popular among both lay and monastics, it was translated into Latin, Syriac, Arabic, Armenian, Old Slavonic, and many modern languages. It was written while the author (who received his surname from this book) was abbot of the monastery of Catherine on Mount Sinai. As reflected in the title, the ascetical life is portrayed as a ladder which each aspirant must ascend, each step being a virtue to be acquired, or a vice to be surrendered. Its thirty steps reflect the hidden life of Christ himself. This work had a fundamental influence in the particularly the Hesychastic, Jesus Prayer, or Prayer of the Heart movement. Pierre Pourrat in his History of Christian Spirituality calls John Climacus the "most important ascetical theologian of the East, at this epoch, who enjoyed a great reputation and exercised and important influence on future centuries." †

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The texts reprinted in this new Norton Critical Edition have been scrupulously edited and are from the Westmoreland manuscript where possible, collated against the most important families of Donne manuscripts—the Cambridge Belam, the Dublin Trinity, and the O’Flahertie—and compared with all seven seventeenth-century printed editions of the poems as well as all major twentieth-century editions. “Criticism” is divided into four sections and represents the best criticism and interpretation of Donne’s writing: “Donne and Metaphysical Poetry” includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; “Satires, Elegies, and Verse Letters” includes seven selections that offer social and literary context for and insights into Donne’s frequently overlooked early poems; “Songs and Sonnets” features six analyses of Donne’s love poetry; and “Holy Sonnets/Divine Poems” explores Donne’s struggles as a Christian through four authoritative essays. A Chronology of Donne’s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

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The definitive exploration of C.S. Lewis’s philosophical thought, and its connection with his theological and literary work Arguably one of the most influential writers of the twentieth century, C.S. Lewis is widely hailed as a literary giant, his seven-volume Chronicles of Narnia having sold over 65 million copies in print worldwide. A prolific author and scholar whose intellectual contributions transcend the realm of children’s fantasy literature, Lewis is commonly read and studied as a significant theological figure in his own right. What is often overlooked is that Lewis first loved and was academically trained in philosophy. In this newest addition to the Blackwell Great Minds series, well-known philosopher and Lewis authority Stewart Goetz discusses Lewis’s philosophical thought and illustrates how it informs his theological and literary work. Drawing from Lewis’s published writing and private correspondence, including unpublished materials, C.S. Lewis is the first book to develop a cohesive and holistic understanding of Lewis as a philosopher. In this groundbreaking project, Goetz explores how Lewis’s views on topics of lasting interest such as happiness, morality, the soul, human freedom, reason, and imagination shape his understanding of myth and his use of it in his own stories, establishing new connections between Lewis’s philosophical convictions and his wider body of published work. Written in a scholarly yet accessible style, this short, engaging book makes a significant contribution to Lewis scholarship while remaining suitable for readers who have only read his stories, offering new insight into the intellectual life of this figure of enduring popular interest.

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John Phillips (1800-74) was a geologist, cartographer, palaeontologist and passionate devotee of the Yorkshire landscape. This detailed biography of Phillips retraces his footsteps through Dales, Moor and Coast and suggests how Phillips was an inspirational force behind Britain's National Park and outdoor movement.

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Winner of the East Anglian Book of the Year 2015 Winner of the New Angle Book Prize 2017John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk.Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

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Thomas Aquinas possessed excellent knowledge of the commentaries of Origen, John Chrysostom, and Augustine. On the basis of this foundation, he produced his own commentary on the Gospel of John as part of his task as a Master of the Sacred Page. Considered a landmark theological introduction to the Fourth Gospel, these lectures were delivered to Dominican friars when Aquinas was at the height of his theological powers, when he was also composing the Summa theologiae. For numerous reasons, the Summa has received far more attention over the centuries than has his Commentary on the Gospel of John. However, scholars today recognize Aquinas's biblical commentaries as central sources for understanding his theological vision and for appreciating the scope of his Summa theologiae. The first English translation of Aquinas's Commentary on the Gospel of John by Fabian Larcher and James Weisheipl, originally published nearly two decades ago and long out of print, is available to scholars and students once again with this edition. Published in three volumes simultaneously, it includes a new introduction and notes pointing readers to the links between Aquinas's biblical commentary and his Summa theologiae. When a verse from the Gospel of John is directly quoted in the Summa theologiae, the editors note this in the Commentary. Aquinas's patristic sources, including Origen and Augustine, are carefully identified and referenced to the Patriologia Latina and Patrologia Graeca. The Commentary's connections with Aquinas's Catena Aurea are also identified. ""While the most significant aspect of the publication is Aquinas's text itself, the introduction and notes provide excellent aides to the reader and enrich the text. Daniel Keating and Matthew Levering contribute a clear and helpful introduction to the translation, providing brief but very useful explanatory notes about early writers and controversies.""--David M. Gallagher. The three volumes in the Commentary on the Gospel of John will be sold individually and as a set.

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John Sloan (1871-1951), a member of the revolutionary group of painters called 'The Eight,' was best known for his pictures of early twentieth-century New York City. Using psychoanalysis (object relations theory) and social history, Janice M. Coco explores the individual and social identities that inform Sloan's many representations of women. She examines the ways that he defined defined himself as both man and artist at a time when the ideals of masculinity and artistic identity were at issue. The author contends that Sloan's perception of women, as potentially threatening to his manhood and his career, manifests itself subtextually as the fetishized nature of his windowed compositions. This study links Sloan's controversial viewing practices (his peeping Tomism) to his fear of women and to the critical reception of his art. In particular, his recurring window motif embodies a general anxiety regarding invasion of privacy at the turn of the twentieth century. Finally, Coco attempts to unravel the web of misunderstanding that has shrouded Sloan's nude studies, a large body of self-conscious yet insightful images that has thus far defied explanation. Illustrated.

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1361: Orphaned by the Black Death, all John possesses are the tools that belonged to his father, a carpenter, and an uncanny ability to work wood. His travels bring him to Chesterfield, where he finds work erecting the spire of the new church. But no sooner does he begin than the master carpenter is murdered and John himself becomes a suspect. To prove his innocence John must help the coroner in his search for the killer, a quest that brings him up against some powerful enemies in a town where he is still a stranger and friends are few. Chris Nickson brilliantly evokes the feeling of time and place in this story of corruption and murder.

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Here is the comprehensive two-volume index to all of the compounds, subjects, and authors featured in the eighteen-volume Inorganic Reactions and Methods series. Already deemed "invaluable" by the Journal of Organometallic Chemistry, the series becomes even more essential with the publication of these user-friendly, quick-reference companion indexes.

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Travels of Sir John Maundeville.

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The first biography of John Calvin since 1975 and the only life of the great reformer to analyse his impact on subsequent generations of theologians, politicians, economists and philosophers. This biography is theologically unbiased and is written as much for historians and general readers as for those interested in Calvin the Church reformer.

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Twenty-five years ago, Chesapeake Bay Cooking with John Shields introduced the world to the regional cuisine of the Mid-Atlantic. Nominated for a James Beard Award, the book was praised for its inspiring heritage recipes and its then-revolutionary emphasis on cooking with local and seasonal ingredients. Part history lesson, part travelogue, the book captured the unique character of the Chesapeake region and its people. In this anniversary edition, John Shields combines popular classic dishes with a host of unpublished recipes from his personal archives. Readers will learn how to prepare over 200 recipes from the Mid-Atlantic region, including panfried rockfish, roast mallard, beaten biscuits, oyster fritters, and Lady Baltimore cake. Best of all, they'll learn everything they need to know about crabs-the undisputed star of Chesapeake cuisine-featured here in mouthwatering recipes for seven different kinds of crab cakes. Extensively updated, this edition includes a new chapter on Chesapeake libations, which features Shields' closely held recipe for his notorious Dirty Gertie, an authentic Chesapeake-style Bloody Mary.

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The essays collected here represent the cutting edge of study of the Fourth Gospel. They challenge widely held views about the Gospel and present new hypotheses about its origins and significance. Many papers employ new, narrative theological readings of John, while others challenge standard appraisals of the Gospel with new observations, new research, or new literary methods. Topics explored include a new appraisal of the authenticity of the sayings of Jesus in John; the witness of John to Palestinian messianism; evidence of the importance of the destruction of the Temple to John; the relationship of Luke and John; the reception of John in the second century church; the distinctive aspects of discipleship in John; the importance of Moses motifs in the depiction of the Johannine Christ. Several essays explore how the narrative of the Gospel contributes to the theology found in its expository passages. The book had its genesis at a conference held in Cambridge under the auspicies of the international center for biblical research at Tyndale House.

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Esperanza risked her life fleeing the Dominican Republic for the glittering dream she saw on television but years later she is still stuck in a cramped tenement with her husband, Santo, and their two children, Bobby and Dallas. She works as a home help and, at night, hides unopened bills from the credit card company where Santo won't find them when he returns from driving his minicab. When Santo's mother dies and his father, Don Chan, comes to Nueva York to live out his twilight years with the Colóns, nothing will ever be the same. Don Chan remembers fighting together with Santo in the revolution against Trujillo's cruel regime, the promise of who his son might have been, had he not fallen under Esperanza's spell. Let it Rain Coffee is a sweeping novel about love, loss, family, and the elusive nature of memory and desire.

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Reading with John Clare argues that at the heart of contemporary biopolitical thinking is an insistent repression of poetry. By returning to the moment at which biopolitics is said to emerge simultaneously with romanticism, this project renews our understanding of the operations of contemporary politics and its relation to aesthetics across two centuries. Guyer focuses on a single, exemplary case: the poetry and autobiographical writing of the British poet John Clare (1793–1864). Reading Clare in combination with contemporary theories of biopolitics, Guyer reinterprets romanticism’s political legacies, specifically the belief that romanticism is a direct precursor to the violent nationalisms and redemptive environmentalisms of the twentieth and twenty-first centuries. Guyer offers an alternative account of many of romanticism’s foundational concepts, like home, genius, creativity, and organicism. She shows that contemporary critical theories of biopolitics, despite repeatedly dismissing the aesthetic or poetic dimensions of power as a culpable ideology, emerge within the same rhetorical tradition as the romanticism they denounce. The book thus compels a rethinking of the biopolitical critique of poetry and an attendant reconsideration of romanticism and its concepts.

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Among the Gospels, John's is unique. Its structure incorporates long conversations and extended debates, and much of its content is not found elsewhere. Jesus' relationship to the Father and his teaching on the Holy Spirit are given special prominence. Ultimately, faith, believing in Jesus, is at the centre - with signs highlighted to provoke faith and stories of those who responded to Jesus as examples of faith. Colin Kruse shows how the Fourth Gospel weaves its themes of belief and unbelief into its rich Christology. This exegetical commentary on the Gospel of John is part of the Tyndale New Testament Commentaries series designed to help the reader of the Bible understand what the text says and what it means.

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This book is the first comprehensive chronological study of the works of a significant but little-known figure in early American history. A confidant of Thomas Jefferson, John Taylor of Caroline County, Virginia (1735-1824) represented the anti-Federalist position during the Constitutional debates and wrote extensively on government, economics, slavery, and liberty in each republic. Taylor's ideology blends Lockean liberal and Classical Republican ideas. This study fills an important gap in our understanding of early American political thought. This results in a surprising discovery that redefines the current scholarly debate on early American political thought. It finds that John Taylor reconciles Lockean liberalism and Classical Republicanism in ways that challenge the belief that liberalism's basis in natural rights, individualism, limited, impartial government, and laissez fair economics is incompatible with republican concern for civic virtue, corruption, patronage, public credit, stock companies, centralized government, and standing armies. Taylor's writings provide a revealing perspective on American government that clears away much of the confusion of recent scholarship and offers a view of the Constitution that will be startling to many twentieth-century minds. Ironically, the Classical Republican paradigm which resurrects John Taylor, is seriously challenged by his theories, and yet is responsible for rescuing him from the opprobrium of being the premier "states' rights" philosopher. Taylor's conception of government is based on the Lockean view that people are free, equal, and independent individuals who possess natural rights and should have the moral liberty to choose any form of government that suits them, without obligation to hereditary rulers or established social classes. Taylor acknowledges distinctions based only on individual merit: talents, education, and industry. Progress would occur as human reason improved and, therefore, government should be kept in close touch with its consti

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World-renowned visionary artist John Harris'' unique concept paintings capture the Universe on a massive scale, featuring everything from epic landscapes and towering cities to out-of-this-world science fiction vistas. This collection focuses on his wide variety of futuristic art, as well as his striking covers for a variety of esteemed SF authors, including Arthur C Clarke, John Scalzi, Ben Bova, Hal Clement, Jack McDevitt, Frederik Pohl, Orson Scott Card''s Enders books and many more.

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Shortlisted for the Goodreads Awards 2023.From the bestselling author of The One, now an eight-part NETFLIX series. Set in the same world as The One, The Marriage Act is a dark, high-concept thriller.‘One of the most exciting original thriller writers’ - Simon KernickWhat if marriage was the law? Dare you disobey?Britain. The near future. A right-wing government believes it has the answer to society’s ills – the Sanctity of Marriage Act, which actively encourages marriage as the norm, punishing those who choose to remain single.But four couples are about to discover just how impossible relationships can be when the government is supervising every aspect of our personal lives, monitoring every word, every minor disagreement . . . and will use every tool in its arsenal to ensure everyone will love, honour and obey.'Black Mirror' meets thriller with a dash of Naomi Alderman’s The Power.Praise for John Marrs:'Clever, compelling and terrifyingly plausible . . . And talk about a page-turner. This one will leave you with paper cuts!' - C. J. Tudor, author of A Sliver of Darkness'A brilliantly tricksy read' Liz Nugent, author of Strange Sally Diamond'Dark, immersive speculative fiction at it’s very best!' - Sarah Pearse, author of The Retreat and The Sanatorium

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