Search results for ""Author Art, Culture"

This volume contains a large selection of the invited papers given at the Twelfth Conference of the Association of Cultural Economics International held in Rotterdam in 2002. Two sessions were devoted to what came to be called the cultural industries (movies, television, media, etc.). Two dealt with the history of art and music markets. The last two were more policy oriented. One was devoted to the management of built heritage which becomes larger every year, and will be in need of more and more public funding. The invited speakers in the last session had spent, or are still spending, some or most of their time in the "real world," and try to discuss how cultural economists can contribute to alleviate the hard life of those who have to manage culture. Choices necessarily meant that many fields in which active research is alive were not dealt with, in particular, the contemporary functioning of art markets, artists' labor markets, museums and their management, aesthetic choices and tastes, the meaning of quality in the arts, etc. In this volume, the papers given in the six sessions are reshuffled and grouped into three parts: the cultural industries, historical aspects, and policy issues including the management heritage.

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This volume spotlights the visual arts, vision, and blindness during the Enlightenment in France, Britain, and Germany. The essays range from exploring the musical and cultural impact of an eighteenth-century virtuoso violinist to analyzing lotteries as romance in eighteenth-century England. Contributors and Contents: Mary Sheriff, The King, the Trickster and the Gorgon: On the Illusions of Rococo ArtBeverly Wilcox, The Hissing of Monsieur PaginJessica Richard, Lotteries and the Romance of Chance in Eighteenth-Century EnglandEmrys D. Jones, 'Friendship like mine / Throws all Respects behind it': Male Companionship and the Cult of Frederick, Prince of WalesDavid Hagan, Threading the Needle: Problems in Reading Dennis Diderot's La lettre sur les aveuglesJosephine Touma, From the Playhouse to the Page: Some Visual Sources for Watteau's Theatrical UniverseDaniel O'Quinn, Diversionary Tactics and Coercive Acts: John Burgoyne's Fete ChampetreShelley King, Portrait of a Marriage: John and Amelia Opie and the Sister ArtsDavid Fairer, Where Fuming Trees Refresh the Thirsty AirDorothea Von Mucke, Iconic Turn and the Power of Images: Goethe's Elective AffinitiesLaure Marcellesi, Louis-Sebastien Mercier: Prophet, Abolitionist, Colonialist

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New essays on the influence of politics on 20c. German culture, not only during the Nazi and Cold War eras but in periods when the effects are less obvious. The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the idealsof the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politicsdid not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany. William Niven and James Jordan are readers in German at the University of Nottingham Trent.

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This illustrated book is the culmination of a project to document and conserve the tomb of Menna, one of the most beautiful and complex painted tombs of the ancient Egyptian necropolis at Luxor. Through conservation, the tomb, which previously lay open to environmental influence, was brought back to its former glory. Aided by non-invasive methods of scientific analysis, the historical and cultural importance of Menna’s paintings can now be viewed and studied and enjoyed by a worldwide audience. High-definition photography and drawings complement specialist essays by scholars, scientists, and technicians, who discuss the artistic and cultural significance of the paintings, their architectural context, and scientific importance. Directed by Dr. Hartwig and administered by the American Research Center in Egypt (ARCE) as part of its Egyptian Antiquities Conservation Project, the project was funded by a grant from the United States Agency for International Development (USAID), sponsored by Georgia State University, and carried out in collaboration with Egypt’s Supreme Council of Antiquities.

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Through examining more than 120 organizations on a global scale, this work shows how almost every human expression involves performing culture. Atlas of Performing Culture is an illustrated voyage across five continents Asia, Africa, Europe, Oceania, and the Americas involving the study of venues and events related to performance, the dynamic and unrepeatable mode of artistic activity capable of uniting the audience who becomes the protagonist with artists and works of art, architecture, and nature. The volume is organized around five thematic sections related to the physical spaces, venues, and typologies of events. The unique experience of performing art can involve an island museum in Japan, the Rio Carnival, a Brussels theatrical debut, a rave party in the British countryside, and a cultural center housed in a former funeral home in the outskirts of Paris. Alongside theaters, concert halls, and festivals, we also find museums, sculpture parks, and hybrid cultural centers that elude any attempt of cataloging. By breaking down the traditional frontiers between performance art, visual art, and performing arts, this volume takes the reader whether specialist, practitioner, academic, or simply art aficionado on a journey to some of the main cultural sites and performative experiences around the world. Each section offers a specific overview into leading cultural organizations, as well as a selection of similar international institutions.

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This introduction to American literature and culture from 1900 to 1960 is organized around four major ideas about America: that is it "big", "new", "rich", and "free". Illustrates the artistic and social climate in the USA during this period. Juxtaposes discussion of history, popular culture, literature and other art forms in ways that foster discussion, questioning, and continued study. An appendix lists relevant primary and secondary works, including websites. An ideal supplement to primary texts taught in American literature courses.

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An expert explains and analyzes the beloved art form An iconic symbol of Spain, flamenco has become a global phenomenon. Peter Manuel offers English-language readers a rare portrait of the music’s history, styles, and cultural impact. Beginning with flamenco’s Moorish and Roma influences, Manuel follows the music’s evolution through its consolidation in the mid-1800s and on to the vibrant contemporary scene. An investigation of flamenco’s major song-types looks at rhythm and compás, guitar technique, and many other aspects of the music while Manuel’s description and analysis of the repertoire range from soleares and bulerías to tangos. His overview of contemporary flamenco culture provides insight into issues that surround the music, including globalization, gender dynamics, notions of ownership, and the ongoing debates on purity versus innovation and the relative roles played by Gitanos and non-Gitanos. Multifaceted and entertaining, Flamenco Music is an in-depth study of the indelible art form that inspires enthusiasts and practitioners around the world.

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Margaret Stieg Dalton offers a comprehensive study of the German Catholic cultural movement that lasted from the late nineteenth century until 1933. Rapidly advancing industrialization, higher literacy rates, rising real income, and increased leisure time created a demand for intellectually accessible entertainment. Technological developments not only gave rise to new forms of entertainment, but also to the means by which they were marketed and disseminated. At the same time, the effects of modernism were being felt in all areas of high culture. Dalton’s book examines the encounter of clergy and lay Catholics with both high culture and popular culture in Germany. German Catholic culture was more than the product of an individual who happened to be Catholic; it was intellectual and artistic activity with a specifically Catholic stamp, a unique blend that offered distinctive variants of art, literature, and music. In response to the predominant Protestant, nationalistic culture, German Catholics attempted to create an alternative cultural universe that would insulate them from a world that seemed to threaten their faith. Dalton’s book provides detailed insight into the manner in which Catholics and other Germans tried to determine to what extent the new world could be accepted while still holding on to traditional values. Catholicism, Popular Culture, and the Arts in Germany, 1880-1933 will be welcomed by anyone interested in European intellectual and cultural history.

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Subcritical: Third Culture Field Notes explores an innovative, interdisciplinary collaboration between scientists and artists. Based on a project funded by the National Science Foundation that studies how climate change influences the breakdown of rocks and the cracking of mountains, Subcritical integrates the arts with scientific research to communicate findings. Subcritical brings together scholarly and theoretical essays as well as richly illustrated artwork and case studies of design investigations. This novel work represents the type of multidisciplinary synergies possible when artists and scientists collaborate with each other.

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Throughout the eighteenth century, shifts in political power and social structures were making their way across Europe and into the New World. In this volume of Studies in Eighteenth-Century Culture, editors Ourida Mostefai and Catherine Ingrassia have brought together four clusters of related essays that explore the complexities of national and international identity in light of these changes, integrating such diverse fields of scholarship as women's studies, literary theory, and art history. Topics addressed range from gambling and the relationship between money and power to the way that portrayals of peasantry in art and literature helped to shape the French national identity. Contents:James E. Evans, "'A Sceane of Uttmost Vanity': The Spectacle of Gambling in Late Stuart Culture" Beth Kowaleski Wallace, "A Modest Defense of Gaming Women"Catherine Keohane, "'Spare from your Luxuries': Women, Charity, and Spending in the Eighteenth Century" Brijraj Singh, "'One Soul, tho' not one Soyl': International Protestantism and Ecumenism at the Beginning of the Eighteenth Century"Daniel J. Ennis, "Poetry and American Revolutionary Identity: The Case of Phillis Wheatley and John Paul Jones"Leanne Maunu, "Quelling the French Threat in Frances Burney's Evelina Reginald McGinnis: "The Critique of Originality in French Letters"John R. Iverson, "The First French Literary Centenary: National Sentiment and the Moliere Celebration of 1773"Joe Johnson, "Philosophical Reflection, Happiness and Male Friendship in Prevost's Manon Lescaut"J. David Macey, Jr., " Et in Arcadia Ego?: Thomas Amory, Mary Hamilton, and the (Re)Construction of Arcadia"Howard Irving, "John Marsh and the Ancient-Modern Polemic"Amy Wyngaard, "Revising Rousseau: Young Legrand d'Aussy and the Challenge to Enlightenment Constructions of the Peasantry, 1787-1794"

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The Routledge Encyclopedia of Traditional Chinese Culture offers an in-depth discussion of cultural aspects of China from the ancient period to the pre-modern era, lasting over 5,000 years, comprised of 7,000 word pieces by more than 20 world-leading academics and experts.Addressing areas such as China studies, cultural studies, cultural management, and more specific areas – such as religion, opera, Chinese painting, Chinese calligraphy, material culture, performing arts, and visual arts – this encyclopedia covers all major aspects of traditional Chinese culture.The volume is intended to be a detailed reference for graduate students on a variety of courses, and also for undergraduate students on survey courses to Chinese culture.

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For myriad reasons, breastfeeding is a fraught issue among mothers in the U.S. and other industrialized nations, and breastfeeding advocacy in particular remains a source of contention for feminist scholars and activists. Breastfeeding raises many important concerns surrounding gendered embodiment, reproductive rights and autonomy, essentializing discourses and the struggle against biology as destiny, and public policies that have the potential to support or undermine women, and mothers in particular, in the workplace. The essays in this collection engage with the varied and complicated ways in which cultural attitudes about mothering and female sexuality inform the way people understand, embrace, reject, and talk about breastfeeding, as well as with the promises and limitations of feminist breastfeeding advocacy. They attend to diffuse discourses about and cultural representations of infant feeding, all the while utilizing feminist methodologies to interrogate essentializing ideologies that suggest that women’s bodies are the “natural” choice for infant feeding. These interdisciplinary analyses, which include history, law, art history, literary studies, sociology, critical race studies, media studies, communication studies, and history, are meant to represent a broader conversation about how society understands infant feeding and maternal autonomy.

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A multidisciplinary, authoritative outline of the current intellectual landscape of the field. Over the past three decades, the term ‘diaspora’ has been featured in many research studies and in wider theoretical debates in areas such as communications, the humanities, social sciences, politics, and international relations. The Handbook of Diasporas, Media, and Culture explores new dimensions of human mobility and connectivity—presenting state-of-the-art research and key debates on the intersection of media, cultural, and diasporic studies This innovative and timely book helps readers to understand diasporic cultures and their impact on the globalized world. The Handbook presents contributions from internationally-recognized scholars and researchers to strengthen understanding of diasporas and diasporic cultures, diasporic media and cultural resources, and the various forms of diasporic organization, expression, production, distribution, and consumption. Divided into seven sections, this wide-ranging volume covers topics such as methodological challenges and innovations in diasporic research, the construction of diasporic identity, the politics of diasporic integration, the intersection of gender and generation with the diasporic condition, new technologies in media, and many others. A much-needed resource for anyone with interest diasporic studies, this book: Presents new and original theory, research, and essays Employs unique methodological and conceptual debates Offers contributions from a multidisciplinary team of scholars and researchers Explores new and emerging trends in the study of diasporas and media Applies a wide-ranging, international perspective to the subject Due to its international perspective, interdisciplinary approach, and wide range of authors from around the world, The Handbook of Diasporas, Media, and Culture is ideal for undergraduate and graduate students, teachers, lecturers, and researchers in areas that focus on the relationship of media and society, ethnic identity, race, class and gender, globalization and immigration, and other relevant fields.

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In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad.Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.

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Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union? Taking its title from a Russian word that can refer to the "texture" of life, painting, or writing, Tekstura assembles 13 key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism. Everything visual is deemed worthy of analysis, whether painting or propaganda banners, architecture or candy wrappers, mass celebrations or urban refuse. The editors have selected works of the past 20 years by philosophers, literary critics, film scholars, and art historians as well as influential earlier essays by Bakhtin, Voloshinov, and Eisenstein. Compiled for general readers and specialists alike, Tekstura is a resource for anyone interested in Russian and Soviet cultural history or in new theoretical approaches to the visual.

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The art and literature of our time is pregnant with catastrophe, with weather and water, wildness and weirdness. The Anthropocene - the term given to this geological epoch in which humans, anthropos, are wreaking havoc on the earth - is to be found bubbling away everywhere in contemporary cultural production. Typically, discussions of how culture registers, figures and mediates climate change focus on 'climate fiction' or 'cli-fi', but The Anthropocene Unconscious is more interested in how the Anthropocene and especially anthropogenic climate destabilisation manifests in texts that are not overtly about climate change - that is, unconsciously. The Anthropocene, Mark Bould argues, constitutes the unconscious of 'the art and literature of our time'.Tracing the outlines of the Anthropocene unconscious in a range of film, television and literature - across a range of genres and with utter disregard for high-low culture distinctions - this playful and riveting book draws out some of the things that are repressed and obscured by the term 'the Anthropocene', including capital, class, imperialism, inequality, alienation, violence, commodification, patriarchy and racial formations. The Anthropocene Unconscious is about a kind of rewriting. It asks: what happens when we stop assuming that the text is not about the anthropogenic biosphere crises engulfing us? What if all the stories we tell are stories about the Anthropocene? About climate change?

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The degree to which shopping, or, more broadly, consumerism, is both critiqued and defended in American society confirms the role that commercial goods play in our daily lives. This collection of essays provides case studies depicting selected aspects of this engaging activity. The authors include several historians with diverging specialties: an art historian, an anthropologist, an environmental journalist, a geographer and urban planner, and practicing artists. Each author demonstrates how a material culture perspective—a focus on the relationship between people and their things—can illuminate a specific corner of consumption. Connecting the essays are concerns about the spaces in which shopping occurs; about the experience of shopping itself, both individual and social; and about its economic, environmental, and personal downsides. Collectively, these essays demonstrate how a material culture perspective on shopping yields insights into multiple aspects of American culture.Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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"North or South, the soul of Belgium is in its cafés. I don't know of any book that captures their soul more beautifully and accurately than this one." - Joe Stange, CAMRA's Good Beer Guide Belgium This book is an ode to Belgium's traditional beer cafés, to their landlords and -ladies, and to the regular customers who have become part of the interior. It is also a plea to handle the café patrimony of Belgium with the greatest care. Because we have been taking these little cafés for granted for far too long and now their existence has become fragile, despite the fact that they are an important part of our social and cultural heritage. Regula Ysewijn is a Belgian culinary historian, writer, and photographer. She focuses on food and social history or Britain and the Low countries and consults for organisations such as the UK's National Trust, TV programmes and museums. Ysewijn is the author of six books among which: Pride and Pudding and Oats in the North, Wheat From the South have received international acclaim. She is also a judge on the Flemish version of the Great British Bake Off. For this book Regula visited 45 traditional cafés in Belgium. From the oldest café in the country (it opened in 1515) to the oldest Belgian café landlady, Juliette, who is 96. She visited cafés with beautiful Art Deco interiors, and cafés with the charm and warmth of a living room. In each of these establishments she talked to the landlords and -ladies and to the people who have become part or the soul of these cafés, and she managed to capture all of this in beautiful, touching photographs.

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This collection of original essays examines debates on how written, printed, visual, and performed works produced meaning in American culture before 1900. The contributors argue that America has been a multimedia culture since the eighteenth century. According to Sandra M. Gustafson, the verbal arts before 1900 manifest a strikingly rich pattern of development and change. From the wide variety of indigenous traditions, through the initial productions of settler communities, to the elaborations of colonial, postcolonial, and national expressive forms, the shifting dynamics of performed, manuscript-based, and printed verbal art capture critical elements of rapidly changing societies. The contributors address performances of religion and government, race and gender, poetry, theater, and song. Their studies are based on texts—intended for reading silently or out loud—maps, recovered speech, and pictorial sources. As these essays demonstrate, media, even when they appear to be fixed, reflected a dynamic American experience. Contributors: Caroline F. Sloat, Matthew P. Brown, David S. Shields, Martin Brückner, Jeffrey H. Richards, Phillip H. Round, Hilary E. Wyss, Angela Vietto, Katherine Wilson, Joan Newlon Radner, Ingrid Satelmajer, Joycelyn Moody, Philip F. Gura, Coleman Hutchison, Oz Frankel, Susan S. Williams, Laura Burd Schiavo, and Sandra M. Gustafson

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From couture fashion to opulent perfumes and decadent food, the luxury goods and services industry has grown at an unprecedented rate even in the context of a global recession. But in contemporary digital culture does luxury still reside in material things, or rather the look of things? In this first study of luxury through the lens of visual culture, Armitage argues that luxury is undergoing a shift from material culture to the immaterial culture of the visual, offering new forms of luxury engagement and unparalleled levels of pleasure never before offered to the senses. Calling for a new understanding of luxury in the changing visual landscape of contemporary society, Luxury and Visual Culture embraces an extraordinary range of cultural forms, including fashion, photography, social media, television, and art. From the masterpieces of Damien Hirst and Jeff Koons, to Richard Avedon’s photography and Louis Vuitton's Flagship stores, the book explores key issues of globalization, digitization, consumer identity, “mass” luxury, and the role of art. This text is ideal for all students of contemporary luxury studies, as well as scholars and researchers in the field of visual culture.

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This book questions the sociocultural dimensions of remembering. It offers an overview of the history and theory of memory studies through the lens of sociology, political science, anthropology, psychology, literature, art and media studies; documenting current international and interdisciplinary memory research in an unprecedented way.

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This book questions the sociocultural dimensions of remembering. It offers an overview of the history and theory of memory studies through the lens of sociology, political science, anthropology, psychology, literature, art and media studies; documenting current international and interdisciplinary memory research in an unprecedented way.

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Winner of the Shimada Prize for Outstanding Work of East Asian Art History By the end of the sixth century CE, both the royal courts and the educated elite in China were collecting works of art, particularly scrolls of calligraphy and paintings done by known artists. By the time of Emperor Huizong (1082-1135) of the Song dynasty (960-1279), both scholars and the imperial court were cataloguing their collections and also collecting ancient bronzes and rubbings of ancient inscriptions. The catalogues of Huizong's painting, calligraphy, and antiquities collections list over 9,000 items, and the tiny fraction of the listed items that survive today are all among the masterpieces of early Chinese art. Patricia Ebrey's study of Huizong's collections places them in both political and art historical context. The acts of adding to and cataloguing the imperial collections were political ones, among the strategies that the Song court used to demonstrate its patronage of the culture of the brush, and they need to be seen in the context of contemporary political divisions and controversies. At the same time, court intervention in the art market was both influenced by, and had an impact on, the production, circulation, and imagination of art outside the court. Accumulating Culture provides a rich context for interpreting the three book-length catalogues of Huizong's collection and specific objects that have survived. It contributes to a rethinking of the cultural side of Chinese imperial rule and of the court as a patron of scholars and the arts, neither glorifying Huizong as a man of the arts nor castigating him as a megalomaniac, but rather taking a hardheaded look at the political and cultural ramifications of collecting and the reasons for choices made by Huizong and his curators. The reader is offered glimpses of the magnificence of the collections he formed and the disparate fates of the objects after they were seized as booty by the Jurchen invaders in 1127. The heart of the book examines in detail the primary fields of collecting -- antiquities, calligraphy, and painting. Chapters devoted to each of these use Huizong's catalogues to reconstruct what was in his collection and to probe choices made by the cataloguers. The acts of inclusion, exclusion, and sequencing that they performed allowed them to influence how people thought of the collection, and to attempt to promote or demote particular artists and styles. This book will be of interest to scholars and students of Chinese art history, social history, and culture, as well as art collectors. Published with the assistance of The Getty Foundation.

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Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.

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A collection of forty-two articles, Society, Culture, Leisure, and Play takes on different facets of leisure from the perspective of an anthropologist with almost thirty years experience in the field. The essays range in length and tone, and cover topics from adornment to weaving. The author goes into considerable depth while discussing music and the arts. Utilizing empirical observation and recent theories, the book is a sweeping overview of an integral part of culture. Anthropologists, students of sociology and culture, as well as the general reader, will be interested in Salamone's latest work.

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In recent years scholars in a range of disciplines have begun to re-evaluate the history of the Society of Jesus. Approaching the subject with new questions and methods, they have reconsidered the importance of the Society in many sectors, including those related to the sciences and the arts. They have also looked at the Jesuits as emblematic of certain traits of early modern Europeans, especially as those Europeans interacted with 'the Other' in Asia and the Americas. Originating in an international conference held at Boston College in 1997, the thirty-five essays here reflect this new historiographical trend. Focusing on the Old Society- the Society before its suppression in 1773 by papal edict- they examine the worldwide Jesuit undertaking in such fields as music, art, architecture, devotional writing, mathematics, physics, astronomy, natural history, public performance, and education, and they give special attention to the Jesuits' interaction with non-European cultures, in North and South America, China, India, and the Philippines. A picture emerges not only of the individual Jesuit, who might be missionary, diplomat, architect, and playwright over the course of his life in the Society, but also of the immense and many-faceted Jesuit enterprise as forming a kind of 'cultural ecosystem'. The Jesuits of the Old Society liked to think they had a way of proceeding special to themselves. The question, Was there a Jesuit style, a Jesuit corporate culture? is the thread that runs through this interdisciplinary collection of studies.

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Twenty-first century popular culture has given birth to a peculiar cultural figure: the hipster. Stereotypically associated with nerd glasses, beards and buns, boho clothing, and ironic T-shirts, hipsters represent a (post-)postmodern (post-)subculture whose style, aesthetics, and practices have increasingly become mainstream. Hipster Culture is the first comprehensive collection of original studies that address the hipster and hipster culture from a range of cultural studies perspectives. Analyzing the cultural, economic, aesthetic, and political meanings and implications of a wide range of phenomena prominently associated with hipster culture, the contributors bring their expertise and own research perspectives to bear, thus shaping the volume’s transnational and intersectional approach. Chapters address global and local manifestations of hipster culture, processes of urban gentrification and cultural appropriation, alternative foodways and eclectic fashion styles, the significance of nostalgia, retro technologies and social media, and the aesthetics and cultural politics of literature, film, art, and music marked by self-reflexivity, irony, and a simultaneous longing for an earnest authenticity. Hipster Culture explores the diversification of hipster culture, sheds light on popular constructions of the hipster as cultural Other, and critically investigates hipster culture’s entanglements with and challenges to dominant cultural discourses of gender, ethnicity, race, sexuality, age, religion, and nationality.

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Long a topic of intricate political and social debate, Canadianidentity has come to be understood as fragmented, amorphous, andunstable, a multifaceted and contested space only tenuously linked totraditional concepts of the nation. As Canadians, we are endlesslydefining ourselves, seeking to locate our sense of self in relation tosome Other. By examining how writers and performers have conceptualizedand negotiated issues of personal identity in their work, the essayscollected in Selves and Subjectivities investigate emergingrepresentations of self and other in contemporary Canadian arts andculture. Included are essays on iconic poet and musician Leonard Cohen,Governor General award–winning playwright Colleen Wagner,feminist poet and novelist Daphne Marlatt, film director DavidCronenberg, poet and writer Hédi Bouraoui, author and media scholarMarusya Bociurkiw, puppeteer Ronnie Burkett, and the Aboriginal rapgroup War Party. As critic Diana Brydon has argued, contemporary Canadian writers are“not transcending nation but resituating it.” Drawingtogether themes of gender and sexuality, trauma and displacement,performativity, and linguistic diversity, Selves andSubjectivities offers an exciting new contribution to themultivocal dialogue surrounding the Canadian sense of identity.

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Most would agree that American culture changed dramatically from the 1960s to the 1980s. Yet the 1970s, the decade “in between,” is still somehow thought of as a cultural wasteland. In The Seventies Now Stephen Paul Miller debunks this notion by examining a wide range of political and cultural phenomena—from the long shadow cast by Richard Nixon and the Watergate scandal to Andy Warhol and the disco scene—identifying in these phenomena a pivotal yet previously unidentified social trend, the movement from institutionalized external surveillance to the widespread internalization of such practices.The concept of surveillance and its attendant social ramifications have been powerful agents in U.S. culture for many decades, but in describing how during the 1970s Americans learned to “survey” themselves, Miller shines surprising new light on such subjects as the women’s movement, voting rights enforcement, the Ford presidency, and environmental legislation. He illuminates the significance of what he terms “microperiods” and analyzes relevant themes in many of the decade’s major films—such as The Deer Hunter, Network, Jaws, Star Wars, and Apocalypse Now—and in the literature of writers including John Ashbery, Toni Morrison, Adrienne Rich, and Sam Shepard. In discussing the reverberations of the 1969 Stonewall riots, technological innovations, the philosophy of Michel Foucault, and a host of documents and incidents, Miller shows how the 1970s marked an important period of transition, indeed a time of many transitions, to the world we confront at the end of the millennium.The Seventies Now will interest students and scholars of cultural studies, American history, theories of technology, film and literature, visual arts, and gay and lesbian studies.

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Culture, Technology and the Image explores the technologies deployed when images are archived, accessed and distributed. The chapters discuss the ways in which habits and techniques used in learning and communicating knowledge about images are affected by technological developments. The volume discusses a wide range of issues, including access and participation; research, pedagogy and teaching; curation and documentation; circulation and re-use; and conservation and preservation. The book illustrates how knowledge about images is intertwined with the methods that are used to store, retrieve and analyse those images and the information associated with them. Focusing on the implications of technology for processes and practices brings into view the permeable nature of boundaries between such disciplines as art history, media studies, museum studies and archiving. As such, this text will appeal to a broad academic audience, including art historians interested in the digital; media studies scholars; digital humanities scholars interested in expanding beyond textual scholarship; as well as new students in any of these fields.

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". . . the specificity and breadth of this [work] makes it unique. . . . lively reading . . . particularly recommended for academic collections with a strong focus in Russian history." —Library Journal". . . a remarkable new collection of essays . . . The book reads like a literary hybrid of cookbook, historical treatise, and novella; its subject is, literally, the essence of life itself. . . . Glants and Toomre deserve further praise for the book's consistent, animated directness of style." —The Boston PhoenixThis sparkling collection of thirteen original essays gives surprising insights into what foodways reveal about Russia's history and culture, from Kievan times to post Soviet Russia. Some of the chapters focus on historical topics while others consider images of food in literature and art.

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The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre.'Banks is a phenomenon' William Gibson The Culture - a utopian human-machine symbiotic society - has thrown up many expert Game Players, and one of the greatest is Jernau Morat Gurgeh. He is Master of every board, computer and strategy - he is The Player of Games.Bored with success, Gurgeh travels to the cruel and incredibly wealthy Empire of Azad to try their infamous game . . . a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh plays the game, and faces the challenge of his life - and very possibly his death. Praise for the Culture series: 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday TelegraphThe Culture series:Consider PhlebasThe Player of GamesUse of WeaponsExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataThe State of the ArtOther books by Iain M. Banks:Against a Dark BackgroundFeersum EndjinnThe AlgebraistAlso now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail.

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Thomas Reid saw the three subjects of logic, rhetoric and the fine arts as closely cohering aspects of one endeavour which he called the culture of the mind. This was a topic on which Reid lectured for many years in Glasgow and the volume is as near a reconstruction of these lectures as is now possible. The material is virtually unknown now but in fact it relates closely to Reid's published works and in particular to the two late ones, Essays on the Intellectual Powers of Man and Essays on the Active Powers of Man. When composing these volumes, Reid drew primarily on his lectures on 'pneumatology' which presented a theory of the mental powers, broadly conceived. These lectures were basic to the course on the culture of the mind which explained the cultivation of the mental powers. Although the Essays also included some elements from the material on the culture of the mind, the bulk of the latter was left in manuscript form and Professor Broadie's edition restores this important extension of Reid's overall work. In addition, this volume continues the Edinburgh Edition's attractive combination of manuscript material and published work, in this case Reid's important and well known essay on Aristotle's logic. This text was corrupted in older editions of Reid's works and is now restored to the state in which Reid left it. This volume underscores Reid's great and growing significance, viewed both as an historical figure and as a philosopher. At the same time, it is of great interdisciplinary importance. While the material emerges directly from the core of Reid's philosophy, as now understood, it will appeal widely to people in literary, cultural, historical and communications studies. In this regard, the present volume is a true fruit of the Scottish Enlightenment.

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Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.

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Featuring full-color photographs and illustrations thoughout, this book presents a comprehensive guide to Japanese culture.The richness of Japan's history is renowned worldwide, and the cultural heritage that its society has produced and handed down to future generations is one of Japan's greatest accomplishments. Introduction to Japanese Culture presents an overview, through 68 original and informative essays, of Japan's most notable cultural achievements, including:Holidays and Festivals—Learn how the Japanese celebrate shogatsu (New Year's Day), hanami (the Cherry Blossom Festival), and more.Drama and Art—Discover yakimono (pottery), shodo(calligraphy), haiku poetry, kabuki, and karate. Cuisine—Open your eyes to foods from kome (rice) to raw fish. Home and Recreation—Explore subjects ranging from board games like "Go" to origami, kimonos, and Japanese gardens.The Japan of today is a modern, 21st-century society in nearly every regard. Even so, the elements of an earlier age are clearly visible in the country's arts, festivals, and customs. This book focuses on the essential constants that remain in present-day Japan and their counterparts in Western culture.Edited by Daniel Sosnoski, an American writer who has lived in Japan since 1985, these well-researched articles, color photographs, and line illustrations provide a compact guide to aspects of Japan that may puzzle the outside observer at first. Introduction to Japanese Culture is a wonderfully informative primer on the cultural make-up and behaviors of the Japanese, and is certain to fascinate students, tourists, and anyone who seeks to know and understand Japanese culture, etiquette, and history.

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“[A] well-balanced history and overview of Dakota and Lakota Siouans.”—ChoiceAlthough some aspects of Sioux history such as the Battle of the Little Big Horn and the Massacre at Wounded Knee are included in American history texts, along with mention of famous Sioux leaders such as Sitting Bull and Crazy Horse, little attention is paid to the evolution of Sioux history and culture from their beginnings to the present. The Sioux are a Native American people who live in reservations and communities in Minnesota, Montana, Nebraska, North and South Dakota, Wisconsin, and Canada. According to U.S. Census Report data, over 150,000 individuals identify themselves as Sioux—more than any other tribe besides Cherokee, Navajo, Latin American Indian, and Choctaw.Culture and Customs of the Sioux Indians presents a picture of traditional Sioux culture and history. It shows how the Sioux of today merge traditional customs and beliefs that have survived their tumultuous history with contemporary America. Topics include the development of the Sioux tribe, conflicts and wars with the United States, religion, economy, gender roles, lifestyles, arts, cuisine, education, social customs, and much more.

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First detailed exploration of the role played by Bohemian tradition and customs in the court of Richard II. Bohemian culture exercised an important influence on the court of King Richard II, but it has been somewhat overlooked, with previous scholarship on its writers and artists generally confined to the role played by the French courtof King Charles V and the Italian city states of Milan and Florence. This book aims to fill that gap. It argues that Richard's marriage to Anne of Bohemia, daughter of the Holy Roman Emperor Charles IV, one of the greatest rulersand patrons of the age, exposed England to the full extent of this international court culture. Ricardian writers, including Chaucer, Gower and the Gawain-poet, wrote in their native language not because they felt "English" in the modern national sense but because they aspired to be part of a burgeoning vernacular European culture stretching from Paris to Prague and from Brabant to Brandenburg; thus, one of the major periods of English literature can only be properly understood in relation to this larger European context.

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This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.

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`This collection of classic essays in the study of visual culture fills a major gap in this new and expanding intellectual field. Its major strength is its insistence on the importance of three central aspects of the study of visual culture: the sign, the institution and the viewing subject. It will provide readers, teachers and students with an essential text in visual and cultural studies′ - Janet Wolff, University of Rochester Visual Culture provides an invaluable resource of over 30 key statements from a wide range of disciplines, including four editorial essays which place the readings in their historical and theoretical context. Although underpinned by a focus on contemporary cultural theory, this Reader puts the study of visual culture and the rhetoric of the image at centre stage. Divided into three parts: Cultures of the Visual; Regulating Photographic Meaning; and Looking and Subjectivity, the Reader enables students to make hitherto unmade connections between art, film and photography history and theory, history, semiotics and communications, media studies, and cultural theory. Visual Culture sets the agenda for the study of Visual Culture and will be essential reading for researchers and students alike.

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A sweeping account of one of the cultural centers of Latin America, Specular City tells the history of Buenos Aires during the interregnum after Juan Peron's fall from power and before his restoration. During those two decades, the city experienced a rapid metamorphosis at the behest of its middle class citizens, who were eager to cast off the working-class imprint left by the Peronists. Laura Podalsky discusses the ways in which the proliferation of skyscrapers, the emergence of car culture, and the diffusion of an emerging revolution in the arts helped transform Buenos Aires, and, in so doing, redefine Argentine collective history. More than a cultural and material history of this city, this book also presents Buenos Aires as a crucible for urban life. Examining its structures through films, literatures, new magazines, advertising and architecture, Specular City reveals the prominent place of Buenos Aires in the massive changes that Latin America underwent for a new, modern definition of itself. Author note: Laura Podalsky is Assistant Professor in the Department of Spanish and Portuguese at Ohio State University.

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This introduction to American literature and culture from 1900 to 1960 is organized around four major ideas about America: that is it "big", "new", "rich", and "free". Illustrates the artistic and social climate in the USA during this period. Juxtaposes discussion of history, popular culture, literature and other art forms in ways that foster discussion, questioning, and continued study. An appendix lists relevant primary and secondary works, including websites. An ideal supplement to primary texts taught in American literature courses.

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Combatants from one or other of the "two cultures" (Science versus the arts and humanities) in the so-called "Science Wars" have launcehed bitter attacks but have seldom engaged in constructive dialogue about central issues. This book is about an exchange of opinions and ideas rather than a trading of insults. The contributors find areas of broad agreement in a conversation about science, its legitamacy and authority as a means of understanding the world and whether science studies undermines the practice and finding of science and scientists. The first part of "The One Culture?" consists of papers written by scientists and sociologists, which were distributed to the participants. The second part presents commentaries on the papers and discusses their central themes and arguments. The final part has the participants in the discussion responding to these critiques, offering defenses, clarifications and modifications of their positions. This book shows the reader what is at stake in the "Science Wars" and provides a framework for how to go about seeking the answers to vital questions raised within the debate.

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