Search results for ""author john wiley"

The book bridges the gap between existing health physics textbooks and reference material needed by a practicing health physicist as the 21st century progresses. This material necessarily encompasses emerging radiation-generating technologies, advances in existing technology, and applications of existing technology to new areas. The book is written for advanced undergraduate and graduate science and engineering courses. It is also be a useful reference for scientists and engineers.

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Coralee Harper struggles for justice for her dead brother and her own sanity in Depression-era rural Arkansas. In 1926 in rural Green County, Arkansas, where cotton and poverty reign, young Coralee Harper hopes for a family and a place in her community, but when her brother Buddy is killed by a powerful sheriff, she can’t recover from his death or the injustice of his loss. When she begins to spot her dead brother around town, she wonders—is she clairvoyant, mistaken, or is she losing her mind? What Coralee can’t fathom is that there are forces at work that threaten her and the very fabric of the town: Leroy Harrison, a newly minted, ambitious lawyer who makes a horrible mistake, landing him a judgeship and a guilty conscience for life; an evangelical preacher and his flock of snake-handling parishioners; the women of the town who, along with Coralee’s own mother, make up their own kind of jury for Coralee’s behavior; Sheriff Wiley Slocum who rules the entire field, harboring dark secrets of his own; and finally, Coralee’s husband Earl, who tries to balance his work at the cotton gin with his fight for family and Coralee’s life. When Coralee ends up in a sanity hearing before Judge Leroy Harrison, the judge must decide both Coralee’s fate and his own. The chain of events following his decision draws him more deeply into the sheriff’s far-reaching sphere of influence, and reveals the destructive nature of power, even—and especially—his own.

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Ellen F. Brown is a rare book dealer and freelance writer specializing in stories about antiquarian books and the rare book industry. She lives in Richmond, Virginia. John Wiley, Jr. owns one of the largest collections of Gone With the Wind memorabilia in private hands, including every American edition of the novel and over 600 foreign editions. He writes a quarterly newsletter, The Scarlett Letter, for GWTW fans and collectors.

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This volume includes contributions from experts such as Gil Musolf, Michael Katovich, Joseph Kotarba, Norbert Wiley, Alina Pop, Marco Marzano, John Pruit, Amanda Pruit, Carol Rambo, Norman Conti, Laura Rosenberg, Krzysztof Konecki, Erick Laming, Christopher J. Schneider, Stacey Hannem, Robert Perinbanayagam, Veronica Manlow, and Christopher Ferree to provide a robust and interdisciplinary critique of contemporary culture. For its breadth and depth of research, this volume of Studies in Symbolic Interaction is essential reading for researchers and students across the social sciences interested in current symbolic interactionist thought and contemporary readings of social situations.

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This tender, lyrical and passionate story of unrequited love holds a special place in Russian hearts. Tatyana’s letter scene and the Polonaise are two much loved glories of the score; each act is tightly constructed around an antithesis of public and private scenes, and the dances are integral to the drama. The essence of both opera and poem is yearning, whether the artist’s quest for his muse, or the lover for the beloved. Both poet and composer are true, in different ways, to this theme. The essays included in this guide explore the subtle and unexpected relationship between the words and music in Tchaikovsky’s intimate ‘Lyrical Scenes after Pushkin’. Contents: Pushkin into Tchaikovsky: Caustic Novel, Sentimental Opera, Caryl Emerson; Tchaikovsky’s ‘Eugene Onegin’, Roland John Wiley; An Appreciation of ‘Eugene Onegin’, Natalia Challis; Eugene Onegin: Libretto by Konstantin Shilovsky and Pyotr Tchaikovsky; Eugene Onegin: English translation by David Lloyd-Jones

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One month after her novel Gone With the Wind was published, Margaret Mitchell sold the movie rights for fifty thousand dollars. Fearful of what the studio might do to her story—“I wouldn’t put it beyond Hollywood to have . . . Scarlett seduce General Sherman,” she joked—the author washed her hands of involvement with the film. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long. In this collection of her letters about the 1939 motion picture classic, readers have a front-row seat as the author watches the Dream Factory at work, learning the ins and outs of filmmaking and discovering the peculiarities of a movie-crazed public. Her ability to weave a story, so evident in Gone With the Wind, makes for delightful reading in her correspondence with a who’s who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel. Mitchell also wrote to thousands of others—aspiring actresses eager to play Scarlett O’Hara; fellow Southerners hopeful of seeing their homes or their grandmother’s dress used in the film; rabid movie fans determined that their favorite star be cast; and creators of songs, dolls and Scarlett panties who were convinced the author was their ticket to fame and fortune. During the film’s production, she corrected erring journalists and the producer’s over-the-top publicist who fed the gossip mills, accuracy be damned. Once the movie finished, she struggled to deal with friends and strangers alike who “fought and trampled little children and connived and broke the ties of lifelong friendship” to get tickets to the premiere. But through it all, she retained her sense of humor. Recounting an acquaintance’s denial of the rumor that the author herself was going to play Scarlett, Mitchell noted he “ungallantly stated that I was something like fifty years too old for the part.” After receiving numerous letters and phone calls from the studio about Belle Watling’s accent, the author related her father was “convulsed at the idea of someone telephoning from New York to discover how the madam of a Confederate bordello talked.” And in a chatty letter to Gable after the premiere, Mitchell coyly admitted being “feminine enough to be quite charmed” by his statement to the press that she was “fascinating,” but added: “Even my best friends look at me in a speculative way—probably wondering what they overlooked that your sharp eyes saw!” As Gone With the Wind marks its seventy-fifth anniversary on the silver screen, these letters, edited by Mitchell historian John Wiley, Jr., offer a fresh look at the most popular motion picture of all time through the eyes of the woman who gave birth to Scarlett.

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Ranging from Ta-Nehisi Coates’s case for reparations to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s dazzling essays capture debates at the intersection of art, literature and politics in the twenty-first century with virtuosic intensity. In “Notes on Trap”, McCarthy borrows a conceit from Susan Sontag to dissect the significance of trap music in American society, while in “The Master’s Tools”, Velázquez becomes a lens through which to view Kehinde Wiley’s paintings. Essays on John Edgar Wideman, Terrance Hayes and Claudia Rankine survey the state of black letters. In “The Time of the Assassins”, McCarthy, a black American raised in France, writes about returning to Paris after the Bataclan massacre and finding a nation in mourning but dangerously unchanged. Taken together, these essays portray a brilliant critic at work, making sense of our dislocated times while seeking to transform our understanding of race and art, identity and representation.

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Meet 18 of the Midwest’s most atrocious and vile human beings. Read histories of murder and mayhem committed by individuals with burning anger and contempt for societal norms, and witness the macabre visions of their personal demons driving them to commit acts so reprehensible that they have earned for themselves a place in the annals of criminal history. Meet Micajah and Wiley Harpe, horrendous murderers who left a bloody trail of forty bodies behind them. Find out what happened to Belle Gunness’s beaus. Visit the H. H. Holms “Murder Castle,” and read accounts of Jeffrey Dahmer, John Wayne Gacy, John Dillinger, and more. For those future criminals who would follow in the footsteps of the notorious mentioned here, parting images are given: the gas chamber, gallows, firing squads, lethal injections, electric chairs, and tortured lives listening to the ticking of clocks from behind steel cell doors.

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Ranging from Ta-Nehisi Coates’s case for reparations to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s dazzling essays capture debates at the intersection of art, literature and politics in the twenty-first century with virtuosic intensity. In “Notes on Trap”, McCarthy borrows a conceit from Susan Sontag to dissect the significance of trap music in American society, while in “The Master’s Tools”, Velázquez becomes a lens through which to view Kehinde Wiley’s paintings. Essays on John Edgar Wideman, Terrance Hayes and Claudia Rankine survey the state of black letters. In “The Time of the Assassins”, McCarthy, a black American raised in France, writes about returning to Paris after the Bataclan massacre and finding a nation in mourning but dangerously unchanged. Taken together, these essays portray a brilliant critic at work, making sense of our dislocated times while seeking to transform our understanding of race and art, identity and representation.

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Hary's Wallace is a late fifteenth-century poem in twelve books, recounting the deeds of William Wallace, a leader of the Scots in the First War of Independence. It is an extraordinary and sophisticated piece of work which creates scenes of immense sensual and symbolic intensity to underpin a narrative of Wallace's heroism in the face of struggle, disloyalty and betrayal. Hary draws on other Scottish material, particularly John Barbour's Bruce and Walter Bower's Scotichronicon, to structure his hero's activities, and he uses Chaucerian forms, including the five-stress couplet, to enrich his account and appeal to his contemporary audience. While the poem is best known as the ultimate source for the 1995 film Braveheart, it offers a richer and more complex version of Wallace's career and his contribution to the First War of Independence. This edition, by Matthew P. McDiarmid, now reissued by the Scottish Text Society after several years out of print, is the standard scholarly edition of the poem, and provides a comprehensive and accessible introduction, notes and glossary.

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'A tough, edgy thriller ... I wish like hell that my name were on the cover.' Wiley Cash, New York Times bestseller and winner of the 2014 Gold Dagger for This Dark Road to MercyWINNER of the LA Times Book Award - Thriller/MysteryWINNER of the Edgar Best First NovelLonglisted for the CWA John Creasey (New Blood) DaggerWhen an elderly recluse discovers a corpse on his land, Officer Henry Farrell follows the investigation to strange places in the countryside, and into the depths of his own frayed soul.In Wild Thyme, Pennsylvania, secrets and feuds go back generations. The lone policeman in a small township on the sparse northern border, Henry Farrell expected to spend his mornings hunting and fishing, his evenings playing old-time music. Instead, he has watched the dual encroachment of fracking companies and drug dealers bring money and troubles to the area. As a second body turns up, Henry's search for the killer opens old wounds and dredges up ancient crimes which some people desperately want to keep hidden.With vivid characters and flawless pacing, Tom Bouman immerses readers in this changing landscape. In these derelict woods, full of whitetail deer and history, the hunt is on...

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This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. The case studies in this volume offers new methodologies and models for the subject of corporate patronage, going beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this book looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries. It also contains an extensive bibliography on corporate patronage, art collections and exhibitions, sponsorship, and philanthropy in the United States.

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How a massive agricultural reform movement led by northern farmers before the Civil War recast Americans' relationships to market forces and the state.Recipient of The Center for Civil War Research's 2021 Wiley-Silver Book Prize, Winner of the Theodore Saloutos Memorial Award by the Agricultural History SocietyIn this sweeping look at rural society from the American Revolution to the Civil War, Ariel Ron argues that agricultural history is central to understanding the nation's formative period. Upending the myth that the Civil War pitted an industrial North against an agrarian South, Grassroots Leviathan traces the rise of a powerful agricultural reform movement spurred by northern farmers. Ron shows that farming dominated the lives of most Americans through almost the entire nineteenth century and traces how middle-class farmers in the "Greater Northeast" built a movement of semipublic agricultural societies, fairs, and periodicals that fundamentally recast Americans' relationship to market forces and the state.

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WHAT MAKES A CULT MUSICIAN? Whether pioneering in their craft, fiercely and undeniably unique or critically divisive, cult musicians come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight.Cult Musicians introduces 50 musicians deserving of a cult status. The book charts a plethora of genres and boundary-breakers – from afrobeat and art pop to glam rock and proto punk; Bjork and PJ Harvey to Aphex Twin and Wiley. Discover little knowns with small, devout followings and superstars gracing the covers of magazines – each musician is special in their individuality and their ability to inspire, antagonise and delight. Cult Musicians is an essential addition to any music lover's library, as well as an entertaining introduction to our weird and wonderful world of music. Also in the series: Cult Artists, Cult Filmmakers + Cult WritersThe musicians: Alex Chilton, Alice Coltrane, Aphex Twin, Arthur Lee, Arthur Russell, Betty Davis, Bjork, Bobbie Gentry, Brian Eno, Brigitte Fontaine, Captain Beefheart, Delia Derbyshire, Edith Piaf, Fela Kuti, Frank Zappa, Gil Scott-Heron, Iggy Pop, J Dilla, John Cage, Karlheinz Stockhausen, Kat Bjelland, Kool Keith, Laurie Anderson, Lee 'Scratch' Perry, Lili Boulanger, Lydia Lunch, Manu Chao, Marianne Faithfull, Mark E. Smith, Mark Hollis, Moondog, Nick Cave, Nick Drake, Nico, Patti Smith, Peaches, PJ Harvey, Robert Wyatt, Roky Erickson, Ryuichi Sakamoto, Sandy Denny, Scott Walker, Serge Gainsbourg, Sixto Rodriguez, Sun Ra, Syd Barrett, The Slits, Tom Waits, Wiley, Yoko Ono.

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How a massive agricultural reform movement led by northern farmers before the Civil War recast Americans' relationships to market forces and the state.Recipient of The Center for Civil War Research's 2021 Wiley-Silver Book Prize, Winner of the Theodore Saloutos Memorial Award by the Agricultural History SocietyIn this sweeping look at rural society from the American Revolution to the Civil War, Ariel Ron argues that agricultural history is central to understanding the nation's formative period. Upending the myth that the Civil War pitted an industrial North against an agrarian South, Grassroots Leviathan traces the rise of a powerful agricultural reform movement spurred by northern farmers. Ron shows that farming dominated the lives of most Americans through almost the entire nineteenth century and traces how middle-class farmers in the "Greater Northeast" built a movement of semipublic agricultural societies, fairs, and periodicals that fundamentally recast Americans' relationship to market forces and the state.

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The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.

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As he did for Black women in Black Roses, Harold Green III, poet and founder of the music collective Flowers for the Living, now honors the Black men he most admires—groundbreakers including Tyler Perry, Barry Jenkins, Billy Porter, Chance the Rapper, LeBron James, Colin Kaepernick, and John Legend—and celebrates their achievements which are transforming lives and making history.Black men are changing society and the world through mastery, innovation, and inspiration at a pace never seen before. In awe of the myriad ways in which Black men are using their vision and power to remake culture and society, spoken word artist Harold Green began writing odes recognizing the extraordinary accomplishments of a series of Black men, which heshared on his Instagram account—tributes that went viral and became a social media sensation. Black Oak brings together many of these popular odes with original works written for this collection.Divided into five sections—bravehearts, champions, dreamers, guardians, and humanitarians—Black Oak features iconic men who are spearheading movements, fighting for equality, challenging the status quo, embracing fatherhood, providing a transformative model of masculinity for our children, inspiring a new generation of creators, and more. Through these beautifully written verses, Harold does not simply place the Black men in this book on a pedestal, he transcends even the most positive stereotypes to view these men and their accomplishments in a new light, and creates meaningful connections between these beloved figures and the lives and experiences of readers of all backgrounds. Featuring full-color illustrations by Melissa Koby, Black Oak includes odes to Barry Jenkins, Big K.R.I.T, Billy Porter, Black Thought, Chance the Rapper, Charles Booker, Colin Kaepernick, Dwyane Wade, Edmund Graham III, Eric Hale, Excell Hardy Jr., Harold Green III, Harold Green Jr., Harold Green Sr., Hebru Brantley, Henry Louis Gates Jr., Jamaal Bowman, Jason Reynolds, Jericho Brown, John Legend, Kehinde Wiley, Kerry James Marshall, Kevin Fredricks, Killer Mike, Kyler Broadus, LeBron James, Mahershala Ali, Marc Lamont Hill, Matthew Cherry, Orlando Cooper, Pharrell, Rev. Dr. Otis Moss III, Rev. Dr. William Barber II, Ryan Coogler, Swizz Beatz, Ta-Nehisi Coates, Theaster Gates, Tobe Nwigwe, Tristan Walker, and Tyler Perry.

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This work on the Civil War describes how and why the Confederate leader, John Bell Hood, was ultimately defeated by the Union General, George G. Thomas, at Springhill, Franklin and Nashville after the fall of Atlanta. The story is told from both sides, illuminating both the good and the bad.

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Beginning in 1870, the hunger for scientific discovery in Great Britain drove prominent scientists, philosophers, and others to promote the legitimacy of telepathy. At the same time, mind-reading as a form of entertainment gained increasing popularity as persuasive performers like John Randall Brown, W. I. Bishop, and Stuart C. Cumberland convinced reporters that they truly could read the thoughts of others. The widely publicized, sometimes bizarre, interactions between scientists and these charlatans ushered in the Thought Reader Craze, a period that lasted through 1910 and saw entertainers make and lose fortunes and scientists make and lost reputations. This volume explores this unusual cultural phenomenon, showing how it endured through the years due to public scientific pronouncements, astonishing performances by the thought readers, and the rapidly changing industrial society.

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Medical Anthropology: A Biocultural Approach, Fourth Edition, offers an accessible and contemporary overview of this rapidly expanding field. For each health issue examined in the text, the authors first present basic biological information and then expand their analysis to include evolutionary, historical, and cross-cultural perspectives on how these issues emerged and are understood. Medical Anthropology considers how a biocultural approach can be applied to more effective prevention and treatment efforts and underscores medical anthropology's potential to improve health around the world.

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Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood presents the first comprehensive overview of how this iconic novel became an international phenomenon that has managed to sustain the public's interest for seventy-five years. Various Mitchell biographies and several compilations of her letters tell part of the story, but, until now, no single source has revealed the full saga. This entertaining account of a literary and pop culture phenomenon tells how Mitchell's book was developed, marketed, distributed, and otherwise groomed for success in the 1930s—and the savvy measures taken since then by the author, her publisher, and her estate to ensure its longevity.

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Perfect for fans of John Cena’s Elbow Grease and The Little Engine that Could, this winning, playfully illustrated tale shows that even the new car on the block can accomplish incredible things if he believes in himself!Axle is a brand-new car, fresh off of the assembly line. It feels like his tires have barely hit the pavement when it’s time for all the newbies to move out! Axle watches the other cars zoom onto Earlene, their transport truck, but can’t quite seem to put himself in drive. What will happen at the car dealership? What if he’s not ready for his road test? Axle tells Earlene he feels funny…maybe he’s out of alignment. She should probably just go without him. Even after Earlene gets him moving, Axle still stalls and crawls. But when the crew hits an unexpected roadblock, it may just be Axle who sparks his plugs, revs his engine, and saves the day!

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Económico y versátil, Raspberry Pi puede adaptarse a miles de desarrollos. Este libro le permite explorar todas sus posibilidades mediante la aplicación de principios de ingeniería junto con las técnicas de programación en Linux, y desarrollar las habilidades que necesita para diseñar y construir un sinfín de proyectos.Raspberry Pi a fondo para desarrolladores cubre los conceptos básicos y avanzados de la plataforma de hardware, accesorios recomendados, software, sistemas Linux integrados y técnicas de programación en Linux. También profundiza en la interfaz, el control y de comunicaciones, con información detallada sobre Raspberry Pi GPIOs, buses, dispositivos UART y periféricos USB.Aprenderá a configurar un entorno de compilación cruzada para construir aplicaciones de software a gran escala, así como la forma de combinar hardware y software para permitir que el Raspberry Pi interactúe eficazmente con su entorno físico. Por último, descubrirá cómo utilizar el Raspberry Pi para aplicac

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The powerful, long-repressed classic of Dallas history that examines the violent and suppressed history of race and racism in the city. Written by longtime Dallas political journalist Jim Schutze, formerly of the Dallas Times Herald and Dallas Observer, and currently columnist at D Magazine, The Accommodation follows the story of Dallas from slavery through the Civil Rights Movement, and the city’s desegregation efforts in the 1950s and ‘60s. Known for being an uninhibited and honest account of the city’s institutional and structural racism, Schutze’s book argues that Dallas’ desegregation period came at a great cost to Black leaders in the city. Now, after decades out of print and hand-circulated underground, Schutze’s book serves as a reminder of what an American city will do to protect the white status quo.

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