Search results for ""author isabel"

Japonisme, the 19th-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the 21st-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d’Ennery (1823–98), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d’Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a 50-year patron of Parisian dealers of Asian art, d’Ennery’s struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand-Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d’Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists—Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few— took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women—and many others—actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.

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The Great, the Pious, the Fair; the Wise, the Lame, the Mad. Imprisoned, deposed, exiled. Excommunicated, assassinated; devout, debauched; loved, loathed — the Middle Ages produced a fascinating array of monarchs. From Britain to Russia, from Scandinavia to Sicily, from the 9th century CE to the completion of the Reconquista of Spain in 1492, Kings & Queens of the Medieval World explores the captivating stories of monarchs from all across Europe. Arranged thematically, the book groups the kings and queens by their achievements – military leaders, law-makers, religious reformers, patrons of the arts. These are stories of monarchs leading their armies into battle to expand or defend their territory, and of kings – and queens – going on crusade – both within Europe and to the Holy Land. These, too, are stories of, on the one hand, countries united by marriage, and, on the other, sons scheming against fathers in an effort to gain – and maintain – power. And yet these are also the stories of the people who constructed beautiful cathedrals, who founded universities and supported artists, of religious kings who were later canonised, of kings who created more just legal systems, established parliaments and permanent armies, and laid the foundations for more modern governments and societies. Featuring the major European dynasties, Kings & Queens of the Medieval World is a lively account of monarchs from Charlemagne to Alexander Nevsky to Ferdinand and Isabella. Illustrated with 180 colour and black-and-white artworks, photographs and maps, this is a colourful, accessible history.

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Throughout history, intrepid men and women have related their experiences and perceptions of the world’s great cities to bring them alive to those at home. The thirty-eight cities covered in this entertaining anthology of travellers’ tales are spread over six continents, ranging from Beijing to Berlin, Cairo to Chicago, Lhasa to London, St Petersburg to Sydney and Rio to Rome. This volume features commentators across the millennia, including the great travellers of ancient times, such as Strabo and Pausanias; those who undertook extensive journeys in the medieval world, not least Marco Polo and Ibn Battuta; courageous women such as Isabella Bird and Freya Stark; and enterprising writers and journalists including Mark Twain and Norman Lewis. We see the world’s great cities through the eyes of traders, explorers, soldiers, diplomats, pilgrims and tourists; the experiences of emperors and monarchs sit alongside those of revolutionaries and artists, but also those of ordinary people who found themselves in remarkable situations, like the medieval Chinese abbot who was shown round the Sainte-Chapelle in Paris by the King of France himself. Some of the writers seek to provide a straightforward, accurate description of all they have seen, while others concentrate on their subjective experiences of the city and encounters with the inhabitants. Introduced and contextualized by bestselling historian Peter Furtado, each account provides both a vivid portrait of a distant place and time and an insight into those who journeyed there. The result is a book that delves into the splendours and stories that exist beyond conventional guidebooks and websites.

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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An official Platinum Jubilee souvenir that explores the incredible life and legacy of Queen Elizabeth and how her historic reign has shaped the world.In honour of Queen Elizabeth's Platinum Jubilee 2022, this once in a lifetime history book for kids tells the story of a young princess who grew up to become our longest reigning monarch, and celebrates the achievements, people and places that have become part of her remarkable legacy.There is a treasure box hidden away in Great Granny Joyce's home, bursting with all kinds of things... A photo of a young woman wearing a crown, a map of the world, newspaper clippings, and so much more that reveal the great wonders of the last 70 years. There is so much to look at that little Isabella doesn't even know where to begin! Did you know that Princess Elizabeth was only 27 when she became Queen? Or that she made an appearance at the opening ceremony of the 2010 London Olympics alongside James Bond? And that the most astonishing inventions like the World Wide Web, as well as historic milestones like the first female Prime Minister of the UK happened under our Queen's watch?Delightfully playful illustrations, exciting facts, and information sidebars fill every page to tell the full story of the world's most beloved and inspiring monarch. Embark on this royal journey and show what you know with a surprise quiz at the end!Inside this beautifully illustrated history book for children, you will find everything from the Crown to the Corgis detailed here, including:- An exclusive quiz poster- An illustration mapping out the Royal Family tree- A timeline of the histories of the four UK nations- The story of the Queen's dedication to her country from wartime service during World War II to fundraising and commitments to the Commonwealth and wider world- A timeline of the extraordinary events in history, as well as the incredible achievements of people from the UK and Commonwealth countries that have taken place during The Queen's lifetime- Details of the 14 British Prime Ministers who have served alongside The Queen- A celebration of the amazing people The Queen has recognised

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An examination of WASP culture through the lives of some of its most prominent figures. Envied and lampooned, misunderstood and yet distinctly American, WASPs are as much a culture, socioeconomic and ethnic designation, as a state of mind.From politics to fashion, their style still intrigues us. WASPs produced brilliant reformers—Eleanor, Theodore, and Franklin Roosevelt—and inspired Cold Warriors—Dean Acheson, Averell Harriman, and Joe Alsop. In such dazzling figures as Isabella Stewart Gardner, Edie Sedgwick, Babe Paley, and Marietta Tree they embodied a chic and an allure that drove characters like F. Scott Fitzgerald’s Jay Gatsby mad with desire. They were creatures of glamour, power, and privilege, living amid the splendor of great houses, flashing jewels, and glittering soirées. Envied and lampooned, they had something the rest of America craved. Yet they were unhappy. Descended from families that created the United States, WASPs felt themselves stunted by a civilization that thwarted their higher aspirations at every turn. They were the original lost generation, adrift in the waters of the Gilded Age. Some were sent to lunatic asylums or languished in nervous debility. Others committed suicide. Yet out of the neurotic ruins emerged a group of patriots devoted to public service and the renewal of society. In a groundbreaking study of the WASP revolution in American life, Michael Knox Beran brings the stories of Henry Adams and Henry Stimson, Learned Hand and Vida Scudder, John Jay Chapman and Gertrude Vanderbilt Whitney to life. These characters were driven by a vision of human completeness, one that distinguishes them from the self-complacency of more recent power establishments narrowly founded on money and technical know-how. WASPs shaped the America in which we live: so much so that it is not easy to understand our problems without a knowledge of their mistakes. They came to grief in Vietnam and through their own toxic blood pride, yet before they succumbed to the last temptation of arrogance, they struggled to fill a void in American life, one that many of us still feel. For all their faults, they pointed—in an age of shrunken lives and diminished possibility—to the dream of a new life.

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Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.

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This is the first catalogue of the collection of early modern ceramics in the Courtauld. The pieces in the collection showcase brilliantly the skill of potters and pottery painters working at the time of Raphael and Titian.Maiolica is one of the most revealing expressions of Renaissance art. Its extraordinary range of colours retain the vividness that they had when they left the potter's kiln. Italian potters absorbed techniques and shapes from the Islamic world and incorporated ornament and subject matter from the arts of ancient Rome. This new approach to pottery making, combined with the invention of printing, woodcut and engraving, resulted in an extraordinary type of painted pottery, praised by Vasari in his Lives of the Artists for 'surpassing the ancient with its brilliance of glaze and variety of painting'.The collection boasts a magnificent group of vessels made during the high Renaissance, the golden age of Italian maiolica. It includes precious and delicate Deruta lustreware with imagery deriving from Perugino and Raphael, as well as vessels painted in a narrative style of pottery painting known as istoriato. Highlights include vessels depicting episodes taken from the first printed Bibles of the Renaissance. Istoriato maiolica flourished particularly in the lands of the Dukes of Urbino, who promoted this craft by sending painted pottery to prestigious patrons across Europe.Emblems and devices painted on the pottery help us understand that they were meant to be used and enjoyed by the elites in Renaissance society, such as the Medici and other great Tuscan families. The catalogue will include two recent gifts to the Courtauld, a rare tile of the famous patroness of the arts Marchioness Isabella D'Este, and a refined dish painted with the story of Diana and Actaeon.All major Renaissance pottery centres are represented in the collection, including Siena, Faenza and Venice, as well as splendid examples of the mysterious pharmacy jars made at the foot of the mountain of Gran Sasso in the town of Castelli d'Abruzzo. These achievements of the art of pottery in the early modern period are completed by fine examples of Ottoman pottery, as well as examples of Valencian lustreware.Sani's introductory essay on the Victorian collector Thomas Gambier Parry will shed new light on the development of this fascinating collection, making links between Gambier Parry's artistic practice and his collecting and revealing new insights into his taste as a collector. Each detailed entry uncovers a wealth of new information on the provenance of the pieces.

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The epic battle for control of the Strait of Gibraltar waged by Castile, Morocco, and Granada in the late thirteenth and early fourteenth centuries is a major, but often overlooked, chapter in the history of the Christian reconquest of Spain. After the Castilian conquest of Seville in 1248 and the submission of the Muslim kingdom of Granada as a vassal state, the Moors no longer loomed as a threat and the reconquest seemed to be over. Still, in the following century, the Castilian kings, prompted by ideology and strategy, attempted to dominate the Strait. As self-proclaimed heirs of the Visigoths, they aspired not only to reconstitute the Visigothic kingdom by expelling the Muslims from Spain but also to conquer Morocco as part of the Visigothic legacy. As successive bands of Muslims over the centuries had crossed the Strait from Morocco into Spain, the kings of Castile recognized the strategic importance of securing Algeciras, Gibraltar, and Tarifa, the ports long used by the invaders. At a time when European enthusiasm for the crusade to the Holy Land was on the wane, the Christian struggle for the Strait received the character of a crusade as papal bulls conferred the crusading indulgence as well as ancillary benefits. The Gibraltar Crusade had mixed results. Although the Castilians seized Gibraltar in 1309 and Algeciras in 1344, the Moors eventually repossessed them. Only Tarifa, captured in 1292, remained in Castilian hands. Nevertheless, the power of the Marinid dynasty of Morocco was broken at the battle of Salado in 1340, and for the remainder of the Middle Ages Spain was relieved of the threat of Moroccan invasion. While the reconquest remained dormant during the late fourteenth and early fifteenth centuries, Ferdinand and Isabella conquered Granada, the last Muslim outpost in Spain, in 1492. In subsequent years Castile fulfilled its earlier aspirations by establishing a foothold in Morocco.

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Prepare to be whisked away on a romantic, glamorous and royal adventure!'If you like romance and a fun read, then this is the book''Fabulous, feel-good, uplifting''Not your typical romance novel!'Filled with intrigue, romance and mystery, Lindsay Emory's The Royal Runaway is perfect for fans of The Princess Diaries and The Royal We with a splash of James Bond and The Bourne Identity. *Now optioned for film!*Princess Theodora Isabella Victoria of Drieden of the Royal House of Laurent is so over this princess thing. After her fiance jilted her on their wedding day, she's back home, having spent four months in exile. Aka it's back to putting on a show for the Driedish nation as the perfect princess they expect her to be. But Thea's sick of duty, so when she sneaks out of the palace and meets a sexy Scot named Nick in a local bar, she relishes the chance to be a normal woman for a change. But just as she thinks she's found her Prince Charming, he reveals his intentions are less than honourable: he's a spy and he's not above blackmail. As they join forces to find out what happened the day her fiance disappeared, together they discover a secret that could change life as they know it.Funny, fast-paced, and full of more twists and turns than the castle Thea lives in, The Royal Runaway is a fresh romantic comedy that will leave you cheering for the modern-day royal who chucks the rulebook aside to create her own happily-ever-after.Raves for The Royal Runaway:'Captivating! Full of twists and turns, The Royal Runaway will keep you guessing and cheering for a Royal happily-ever-after!' Geneva Lee'The perfect royal romp, like The Princess Diaries meets James Bond' Teri Wilson'Thea is a whip-smart princess for the modern era... The story's greatest strength is its twisting spy tale, as it takes one unexpected turn after another' Entertainment Weekly'Happily ever after gets a refreshing update. This imaginative, absorbing, and empowering story is a must-read' Kirkus Reviews

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Global warming has reached terrifying heights of severity, human consumption has caused the extinction of countless species and neoliberalism has led to a destructive divide in wealth and a polarization of mainstream politics. The climate crisis demands action. Your planet needs you! Can we shop our way out of a crisis? Will technology save the day? What does it mean to be a citizen and not a consumer? Are the real solutions inside of us? Who Cares Wins provides a plethora of solutions guaranteed to inspire and create lasting global change. Lily Cole has met with some of the millions of people around the world who are working on creative, innovative solutions to our biggest challenges and are committed to creating a more sustainable and peaceful future for humanity. Embracing debate and exploring issues from fast fashion to fast food, farming to plastic waste, renewable energy to gender equality, the book features interviews with diverse voices from entrepreneurs like Stella McCartney and Elon Musk, to activists such as Extinction Rebellion co-founder Dr Gail Bradbrook, Farhana Yamin, Isabella Tree, Putanny Yawanawa and Alice Waters, to offer a beacon of possibility and celebrate the joy and power of collective global creativity in challenging times.Who Cares Wins is a rousing call to action that will instil hope and leave you feeling equipped with the solutions and practical steps needed to make a difference. We are the ancestors of our future: a generation that will either be celebrated for its activism or blamed for its apathy.__________________It is time for us to choose solutions over despair, to act now and create a better future.'It's a positive, useful book - how to make choices. We need to get governments on board. I wish Lily was world controller' Vivienne Westwood, fashion designer and founder of Vivienne Westwood Ltd'A welcome and thorough overview of some of the many aspects of the crisis humanity is now facing alongside the visionary possibilities for change at our fingertips. If we don't act it isn't for lack of good ideas' Dr Gail Bradbrook, co-founder of Extinction Rebellion'Your book is golden, like you' Patti Smith

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Three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie. A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class.Bold and insightful, brilliant in its intimacy and universality, this landmark anthology honours the talents of African daughters and the inspiring legacy that connects them-and all of us.The New Daughters of AfricaDiane AbbottYassmin Abdel-MagiedLeila AboulelaAyobami AdebayoSade AdeniranChimamanda Ngozi AdichieZoe AdjonyohPatience AgbabiAgnès AgbotonCandace AllenLisa Allen-AgostiniEllah Wakatama AllfreyAndaiyeHarriet AnenaJoan Anim-AddoMonica Arac de NyekoYemisi AribisalaYolanda Arroyo PizarroAmma AsanteMichelle AsantewaNana Asma'uSefi AttaAyesha Harruna AttahGabeba BaderoonYaba BadoeYvonne Bailey-SmithDoreen BainganaEllen Banda-AakuAngela BarryMildred K. BaryaJackee Budesta BatandaSimi BedfordLinda BellosJay BernardMarion BethelAma BineyJacqueline BishopMalorie BlackmanTanella BoniMalika BookerNana Ekua Brew-HammondBeverley BryanAkosua BusiaCandice Carty-WilliamsRutendo ChabikwaBarbara Chase-RiboudPanashe ChigumadziGabrielle CivilMaxine Beneba ClarkeAngela CobbinahCarolyn CooperJuanita CoxMeta Davis CumberbatchPatricia CumperStella DadzieYrsa Daley-WardNana-Ama DanquahEdwidge DanticatNadia DavidsTjawangwa DemaYvonne Denis RosarioAnni DomingoNah DoveEdwige-Renée DroCamille T. DungyAnaïs DuplanReni Eddo-LodgeAida EdemariamEsi EdugyanSummer EdwardYvvette EdwardsZena EdwardsSafia ElhilloZetta ElliottNawal El SaadawiDiana EvansBernardine EvaristoEve L. EwingDeise Faria NunesDiana FerrusNikky FinneyAminatta FornaIfeona FulaniVangile GantshoRoxane GayDanielle Legros GeorgesPatricia Glinton-MeicholasHawa Jande GolakaiWangui wa GoroBonnie GreerJane Ulysses GrellRachel Eliza GriffithsCarmen Harriszakia henderson-brownJoanne C. HillhouseAfua HirschZita HolbourneNalo HopkinsonRashidah IsmailiNaomi JacksonSandra Jackson-OpokuDelia Jarrett-MacauleyMargo JeffersonBarbara JenkinsCatherine JohnsonEthel Irene KabwatoElizabeth KeckleyFatimah KelleherDonika KellyAdrienne KennedySusan Nalugwa KiguliRosamond S. KingDonu KogbaraLauri KubuitsileGoretti KyomuhendoBeatrice LamwakaPatrice LawrenceAndrea LevyLesley LokkoKaren LordKaren Ládípò ManyikaRos MartinLebogang MashileIsabella MatambanadzoNomaVenda MathianeImbolo MbueMaaza MengisteArthenia Bates MillicanBridget MinamoreNadifa MohamedNatalia MolebatsiWame MolefheAja MonetSisonke MsimangBlessing MusaririGlaydah NamukasaMarie NDiayeJuliana Makuchi Nfah-AbbenyiWanjiku wa NgugiKetty NivyabandiElizabeth NunezSelina NwuluTrifonia Melibea ObonoNana Oforiatta AyimIrenosen OkojieNnedi OkoraforJuliane Okot BitekChinelo OkparantaYewande OmotosoMakena OnjerikaChibundu OnuzoTess OnwuemeYvonne Adhiambo OwuorLouisa Adjoa ParkerDjaimilia Pereira de AlmeidaAlake PilgrimWinsome PinnockHannah Azieb PoolOlúmìdé Pópó?láClaudia RankineH. Cordelia RaySarah Parker RemondFlorida Ruffin RidleyZandria F. RobinsonZuleica Romay GuerraAndrea Rosario-GborieLeone RossJosephine St. Pierre RuffinMinna SalamiMarina Salandy-BrownSapphireNoo Saro-WiwaTaiye SelasiNamwali SerpellKadija SesayClaire ShepherdVerene A. ShepherdWarsan ShireLola ShoneyinDorothea SmarttZadie SmithAdeola SolankeCelia SorhaindoAttillah SpringerAndrea StuartSuAndiValerie Joan TagwiraJennifer TeegeJean évenetNatasha TretheweyNovuyo Rosa TshumaHilda J. TwongyeirweChika UnigweYvonne VeraPhillippa Yaa de VilliersKit de WaalElizabeth Walcott-HackshawEffie Waller SmithRebecca WalkerAyeta Anne WangusaZukiswa WannerJesmyn WardVerna Allette WilkinsCharlotte WilliamsSue Woodford-HollickMakhosazana XabaTiphanie Yanique

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