Search results for ""author city"

A cosmic disaster erased almost all colour from the world, and now the mutated descendants of humanity live in a moody, noir cityscape draped with shades of grey. There is great power hidden in what little colour remains, and a secretive cult known as the Order hopes to use that power to awaken their mysterious gods. Standing against them is Avidia, a gun-toting investigator and scientist who works outside the law. If he's to prevail, he'll need more power - which means surviving an incredibly dangerous new experiment, even as the Order moves ahead with the consummation of all their schemes!

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With exquisite detail and humble sensibilities, Geoffrey Nutter’s sixth collection of poetry offers myriad delights in language and the imagination. In cityscapes, nature, books, and color, we find respite in the complexities of the commonplace—from clocks to teardrops to moths. The poems in Giant Moth Perishes teach us how to live in the world with curious attention. And at the heart of this daydreaming is a spectacular earnestness, firmly embedded in the idea that the landscape of poetry is limitless and wild.

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Comfortable neither with the self who is made entirely through autonomy or genealogy, SPEECH tracks the western-world idea of freedom, asking whether the person who believes they can say and write whatever they want is more free or less aware of the nature of free speech as a right everywhere. Formally, SPEECH invokes the action of walking and weaving: enjambed lines that accrue, building pages vertically through repetition of sound, syntax, and metrical patterning. In the book, a woman walks, threading her way through a cityscape that overlays west and east, here and there, past and present, self and other, creating a place and person neither and both.

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This volume explores the appropriation of the past in modern British culture. Today, at the beginning of a new millennium, the mass media would have us believe that Britain is suffering an identity crisis. If the pundits are correct, we are witnessing a manipulation of British history at the hands of those keen to project a new national image—or in the language of commodification, to "rebrand" Britain. The twelve essays in Singular Continuities take a different tack. They argue that to distinguish between "the new" and "the traditional" in modern English culture often draws a false dichotomy, that British-ness, in fact, has been the product of continuous creation throughout the nineteenth and twentieth centuries. The contributors strongly suggest that "tradition" derives from constant reimagining, if not from calculated invention. Such reimagining has often assumed surprising forms. Thus, for example, at the end of Victoria's reign, an "enemy" culture—that of the Boer farmer—was recruited to the British ideal of pastoral self-sufficiency. Similarly, the iconoclastic surrealism of the interwar artist Humphrey Jennings was actually suffused with a celebratory sense of the British past. And during the 1970s and 1980s, working-class autobiography eulogized not the triumph of character over circumstance but rather an industrial nostalgia that recalled a cityscape where slum neighbors once knew their turf and the people who occupied it. Related themes are pursued in essays that range from the demonizing of Irish immigrants in early-Victorian London to the impact of reading on suffrage activism, from the professionalization of social work to the selling of the past in Thatcher's Britain. What has been termed "heritage-bashing" finds few echoes in this collection. "Heritage" is a remarkably protean notion, as useful to the political left as to the right, to feminists as well as to would-be patriarchs. It is the malleable nature of British cultural continuity that makes its heritage "singular."

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Robert Frank’s father, Henry, was both the proprietor of a bicycle shop in Zurich, and a keen amateur photographer. Father – Photographer makes public for the first time a selection of Henry Frank’s photographs including landscapes, family portraits, still-lifes and cityscapes. When Robert Frank immigrated to the United States in 1947, a wooden box containing his father’s stereophotographs was one of the few objects he brought with him. In 2008 that box and the fragile photographic glass plates within it were hand-escorted to Steidl in Göttingen, where they were scanned in tri-tone in preparation for this book. Designed by Robert Frank, Father – Photographer reveals Henry Frank to be both a talented photographer and a keen traveller. His pictures include snow-capped Alps and lakes in Switzerland, views of Venice, Pisa and Florence, and depictions of his family and friends including the young Robert. Henry Frank also reveals a passion for modern means of transport in images of aeroplanes, ships, hot-air balloons, and a car fair at the Grand Palais in Paris. Father – Photographer is a revelation of the unknown photographer Henry Frank, a historical photographic document of the early twentieth century, as well as a new chapter in Robert Frank’s ongoing bookmaking.

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Fear is ubiquitous but slippery. It has been defined as a purely biological reality, derided as an excuse for cowardice, attacked as a force for social control, and even denigrated as an unnatural condition that has no place in the disenchanted world of enlightened modernity. In these times of institutionalized insecurity and global terror, Facing Fear sheds light on the meaning, diversity, and dynamism of fear in multiple world-historical contexts, and demonstrates how fear universally binds us to particular presents but also to a broad spectrum of memories, stories, and states in the past. From the eighteenth-century Peruvian highlands and the California borderlands to the urban cityscapes of contemporary Russia and India, this book collectively explores the wide range of causes, experiences, and explanations of this protean emotion. The volume contributes to the thriving literature on the history of emotions and destabilizes narratives that have often understood fear in very specific linguistic, cultural, and geographical settings. Rather, by using a comparative, multidisciplinary framework, the book situates fear in more global terms, breaks new ground in the historical and cultural analysis of emotions, and sets out a new agenda for further research. In addition to the editors, the contributors are Alexander Etkind, Lisbeth Haas, Andreas Killen, David Lederer, Melani McAlister, Ronald Schechter, Marla Stone, Ravi Sundaram, and Charles Walker.

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When American Readers at Home was published in early 2018, it was met with widespread praise. The German weekly Die Zeit called it “a fascinating contemporary document of contradictions.” The manager of a major London art bookshop tweeted on April 10, 2018 that he had “checked ALL the books at London Book Fair today to find the best one and this is it: American Readers at Home […] It’s incredible!” The book soon sold out, not least because it won gold in the 2019 German Design Award and was also among the winners of the 2018 Swiss and German national book design competitions. Swiss graphic designer and photographer Ludovic Balland has now put together a new selection of the compelling material amassed on his road trip across the United States during the 2016 presidential campaign. American Readers at Home - New Cut brings together colour photographs of cityscapes and black-and-white portraits of American citizens with interviews about their use of news media, alongside facsimiles of newspapers and collages with statements about the current state of the country. Four years have passed, yet none of these stories have lost their power or urgency! French journalist Julien Gester, who writes for the French daily Libération, and Swiss curator Hilar Stadler have contributed new forewords.

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Discover how to get the very best from your photography with clear step-by-step guidance from expert photographer, Tom Ang. In this fully comprehensive photography companion, renowned photographer and teacher Tom Ang teaches you how to capture, enhance, and transform your photographs.The first half of the book explains all of the essential techniques that every photographer needs to learn - from how to handle your camera correctly and understand its features, to composing a successful shot.The second half develops your understanding of photography, guiding you through a range of projects that focus on different photographic genres and subjects, including landscapes, cityscapes, and live events. It explains how to digitally enhance your images, not only to improve the original shot, but also to apply creative techniques that will take your image to a new level. This section also gives advice on the best way to share your work, to choosing the most suitable equipment, and should you wish, how to develop a career in photography.

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Step into the world of Cacaform Birds - a world that exists a half-pace to one side of our own, at the confluence of imagination, art and reality. Within these pages we meet the 'Glowerspite' (often dozes in a supine position; converts its tail to a head when startled) and the 'Mare-away' (who carries a small black troll on its back and rouses dreamers from night terrors), along with many more: a fantastical aviary brought to life by Zhu Yingchun's art. The book contains three parts, the first containing doctored photographs that show these birds interacting with sepia cityscapes, alternately goggled at and overlooked by the passers-by. The second introduces us to each individual species through poetic verse, while the third section must be carefully unsealed by the reader in order to reveal how the Cacaform Birds came into being. A blend of bestiary, spotter's guide and poetic anthology, this book demonstrates that art and amusement can be found everywhere, if you only care to look.

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While any subject can be developed with a variety of compositional strategies, in most cases, it is not the subject but the composition of the work that gives a painting its originality and appeal. How you compose your painting determines the way people will view it and how they will be affected by it emotionally. This special 20th edition features the best watercolor paintings selected from an international call for entries, along with instructive, insightful commentary on the theme of Creative Compositions and a special gallery of cover art from the past 19 editions. 128 stunning watercolor paintings by 120+ accomplished artists Artists speak to artists, with captions revealing their inspirations and techniques, allowing readers to appreciate the work on a deeper level Themed chapters include cityscapes, animals, interiors, still lifes, portraits, landscapes, seascapes and more A brilliant representation of contemporary watercolor, this book continues the proud tradition that has made Splash the longest-running "best of watercolor" competition series.

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Over twenty West Virginia glass companies of the early twentieth century, including AlleyTM, BeaumontTM, BlenkoTM, FentonTM, FostoriaTM, MonongahTM, MorgantownTM, Paden CityTM, Seneca GlassTM, Weston GlassTM, and West Virginia Glass SpecialtyTM, are featured. More than 500 color photographs display diverse forms of beautiful glassware produced from the 1920s through the 1940s. Trade journal advertisements and catalog pages along with individual essays about each company, bibliographic references for further research, and current values in the captions make this a valuable resource.

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Blue Ridge Dreaming celebrates the magic and drama of one of the most breathtaking landscapes in the United States. When New York native Mike Poggioli moved to Asheville, North Carolina, he traded in cityscapes for the towering peaks, lush forests, and sparkling rivers of the Blue Ridge Mountains. His moody, dreamy landscapes follow golden light and delicate fog through the changing seasons with his distinctive color palette of oranges and blues.Home to the country’s two most popular national parks – the Blue Ridge Parkway and Great Smoky Mountains National Park – the Blue Ridge area has fascinated nature lovers for centuries with its beauty. Let Mike Poggioli and Blue Ridge Dreaming transport you to this gorgeous terrain.

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A hyper-fast quantum computer is the digital equivalent of a nuclear bomb; whoever possesses one will be able to shred any encryption and break any code in existence. The winner of the race to build the world’s first quantum machine will attain global dominance for generations to come. The question is, who will cross the finish line first: the U.S. or China? In this gripping cyber thriller, the United States’ top-secret quantum research labs are compromised by a suspected Chinese informant, inciting a mole hunt of history-altering proportions. CIA officer Harris Chang leads the charge, pursuing his target from the towering cityscape of Singapore to the lush hills of the Pacific Northwest, the mountains of Mexico, and beyond. The investigation is obsessive, destructive, and—above all—uncertain. Do the leaks expose real secrets, or are they false trails meant to deceive the Chinese? The answer forces Chang to question everything he thought he knew about loyalty, morality, and the primacy of truth. Grounded in the real-world technological arms race, The Quantum Spy presents a sophisticated game of cat and mouse cloaked in an exhilarating and visionary thriller.

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The Empire State Building is the landmark book on one of the world’s most notable landmarks. Since its publication in 1995, John Tauranac’s book, focused on the inception and construction of the building, has stood as the most comprehensive account of the structure. Moreover, it is far more than a work in architectural history; Tauranac tells a larger story of the politics of urban development in and through the interwar years. In a new epilogue to the Cornell edition, Tauranac highlights the continuing resonance and influence of the Empire State Building in the rapidly changing post-9/11 cityscape.

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Kaixo!Txano dut izena, eta anaia biki bat dut: Oscar.Badakizu non hasten den istorio hau?Txinako urrutiko monasterio batean. Han, jadezko dragoi bitxi batek eta hari buruzko kondairak mendeak zeramatzaten soto ilun batean ahaztuta.Behin, lurrikara gogor batek astindu zuen Txinako inguru hura, eta erreskate-taldekoak monasteriora iritsi zirenean, osorik aurkitu zuten, mirariz, dragoia.Patuak hala nahita, Twin Cityra iritsi zen halako batean dragoia, eta guk, nahi gabe, 800 urteko misterio baten erdian aurkitu genuen geure burua.Abentura hau bizitzera gurekin etorri nahi?

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1970s San Francisco: the sights, the sounds, the serial killersAs the '70s draw to a close in San Francisco, things do not bode well for the cityor for ex-con PI Colleen Hayes, whose daughter Pam, in a tragic turn of events, has lost her baby. Pam leaves San Francisco, and Colleen, who moved there to reunite with her, starts to wonder what she's doing in the Bay Area. Meanwhile, a serial killer given the name Night Candy is targeting sex workers, both male and female. The situation doesn't improve when Colleen's friend and allySFPD Inspector Owensis arrested for the murder of his ex-wife, who was found burned in a fire the same night the pair had tried to rekindle their love. Could Owens have really done what they say? Even Colleen has her doubts. But there are people depending on her: Owens, who needs help finding his ex-wife's real killer, and a trio of sex workers Colleen keeps her eye onespecially with Night Candy on the loose. Then, one of the three girls is next to disappear.

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In this book, Gerhard Richter explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer. The Denkbild is a poetic mode of writing, a brief snapshot-in-prose that stages the interrelation of literary, philosophical, political, and cultural insights. Richter's careful analysis of the linguistic characteristics of this mode of writing sheds new light on pivotal concerns of modernity, including the fractured cityscape, philosophical problems of modern music, the experience of exiled homelessness, and the disaster of Auschwitz. Thought-Images not only reorients our understanding of the Frankfurt School of Critical Theory in important ways but also establishes significant links between these writers and contemporary French thinkers such as Jacques Derrida.

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A Victorian scientist and inventor creates a machine for propelling himself through time, and voyages to the year AD 802701, where he discovers a race of humanoids called the Eloi. Their gently indolent way of life, set in a decaying cityscape, leads the scientist to believe that they are the remnants of a once great civilization. He is forced to revise this assessment when he comes across the cave dwellings of threatening ape-like creatures known as Morlocks, whose dark underground world he must explore to discover the terrible secrets of this fractured society, and the means of getting back to his own time. A biting critique of class and social equality as well as an innovative and much imitated piece of science fiction which introduced the idea of time travel into the popular consciousness, The Time Machine is a profound and extraordinarily prescient novel.

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Enhances his status as a mythic avenger. . .You'll be left with a thumping heart and a racing pulse but, be warned, Chapter 63 will give you nightmares." (Evening Standard)Suicide bombers are easy to spot.They give out all kinds of tell-tale signs.There are twelve things to look for.No one who has worked in law enforcement will ever forget them.New York City.The subway, two o'clock in the morning.Jack Reacher studies his fellow passengers.Four are OK.The fifth isn't.The train brakes for Grand Central Station.Will Reacher intervene, and save lives?Or is he wrong?Will his intervention cost lives - including his own?_________Although the Jack Reacher novels can be read in any order, Gone Tomorrow is 13th in the series.And be sure not to miss Reacher's newest adventure, no.26, Better off Dead! ***OUT NOW***

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Learn all about space in this out-of-this-world addition to the bestselling Block Book series!3 . . . 2 . . . 1 . . . Blast off! In this follow-up to Alphablock, Countablock, Dinoblock, Cityblock, Buildablock, Farmblock, Loveblock, and Sharkblock, readers will experience the historic moon landing, learn about what modern astronauts do in space, read about the recent landing of Mars rover Perseverance, and more. In keeping with the rest of the series, Spaceblock features the charming art of British design team Peski Studio, die-cut pages, and ten impressive gatefolds, including one that unfolds to 30 inches wide to showcase all the planets in our solar system!

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George Byrne’s photography depicts the gritty urbanism of Los Angeles in sublime otherworldliness. Arriving a decade ago, the Australian artist was immediately enthralled by the sprawling cityscape of L.A., mesmerised by the way the sunlight transformed it, into two-dimensional, almost painterly abstractions. In his Post Truth series (2015–22), Byrne reassembles his photos of the urban landscape into striking, ascetic collages of colour and geometric fragments, creating a postmodernist oasis in the metropolis. By masterfully harnessing the malleability of the photographic medium, the photographer situates his work in the space between real and imagined. Byrne’s compositions evoke associations with Miami Beach’s Art Deco, the Memphis Group’s designs, as well as the painting of David Hockney or Ed Ruscha, and at the same time tap into the aesthetics of today’s visual culture played out on Instagram.

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Dubai's Burj Khalifa—the world’s tallest building—looks nothing like Microsoft’s Office Suite, and digital surround sound doesn’t work like a citywide telecommunication grid. Yet these engineering feats have much in common. Applied Minds explores the unique visions and mental tools of engineers to reveal the enormous—and often understated—influence they wield in transforming problems into opportunities. The resulting account pairs the innovators of modern history—Thomas Edison, the Wright brothers, Steve Jobs—with everything from ATMs and the ZIP code system to the disposable diaper. An engineer himself, Guru Madhavan introduces a flexible intellectual tool kit called modular systems thinking as he explains the discipline's penchant for seeing structure where there is none. The creations that result from this process express the engineer's answers to the fundamental questions of design: usefulness, functionality, reliability, and user friendliness. Through narratives and case studies spanning the brilliant history of engineering, Madhavan shows how the concepts of prototyping, efficiency, reliability, standards, optimization, and feedback are put to use in fields as diverse as transportation, retail, health care, and entertainment. Equal parts personal, practical, and profound, Applied Minds charts a path to a future where we apply strategies borrowed from engineering to create useful and inspired solutions to our most pressing challenges.

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The lifetime of Johan Huizinga (1872–1945) was marked by dramatic transformations in Europe. Cityscapes, aesthetic codes, social orders, political cultures, international travel and means of warfare developed beyond recognition; entire catalogues of hopes and fears were torn asunder and replaced by new ones during not one but two wars. Amidst all these changes, Huizinga grew to become one of the most famous historians of his time. To this day, his works are treated as monuments in the cultural historical field. This book examines how these transformations and ‘experiences of loss’ affected and informed Huizinga’s historical perspectives. Most centrally, this book contends that Huizinga’s historical works helped to accommodate and give meaning to his own experiences of uncertainty and rupture, thus offering him a way of life in turbulent times. This project offers an original and comprehensive analysis of an iconic historian writing in the age of collapse

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Creativity meets curiosity and critical thinking in Iggy Peck’s Big Project Book for Amazing Architects, the new hands-on STEM project book from the #1 New York Times bestselling team behind Iggy Peck, Architect; Rosie Revere, Engineer; and Ada Twist, Scientist. Iggy Peck has one passion: building. His parents are proud of his fabulous creations, though they’re sometimes surprised by his materials—who could forget the tower he built of dirty diapers? This empowering workbook book features art and the characters from the picture book Iggy Peck, Architect, and it will inspire young readers with activities of all kinds.Iggy Peck takes readers through more than forty exciting STEM and design projects, from drafting and doodling to building and blueprints. Aspiring architects and young dreamers will get a sense of the unique mix of science, technology, and art skills used to create lasting structures. Packed with the same quirky humor and gorgeous illustrations that made Iggy Peck, Architect a favorite with kids, parents, and educators, the project book will appeal to fans who crave more from Miss Lila Greer’s clever class. In this interactive activity book, kids will have the chance to: Imagine a brand-new cityscape Invent energy-saving gizmos Design a dwelling on Mars Draw a gargoyle Build a bridge out of marshmallows and spaghetti And much more! Iggy Peck, Rosie Revere, and Ada Twist have earned their places among the most beloved children’s book characters, and they have inspired countless kids and adults to follow their dreams and passions. In Iggy Peck’s Big Project Book for Amazing Architects, the follow-up to Rosie Revere’s Big Project Book for Bold Engineers, kids will continue their STEM education and strengthen their spatial reasoning skills. Old fans and new readers alike will find inspiration and encouragement from everyone’s favorite precocious young architect, Iggy Peck.

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Urban Chinatowns are dynamic, contested spaces that have persevered amid changes in the American cityscape. These neighborhoods are significant for many, from the residents and workers who rely on them for their livelihoods to the broader Chinese American community and political leaders who recognize their cultural heritage and economic value. In The Power of Chinatown, Laureen D. Hom provides a critical examination of the politics shaping the trajectory of development in Los Angeles Chinatown, one of the oldest urban Chinatowns in the United States. Working from ethnographic fieldwork, Hom chronicles how Chinese Americans continue to gravitate to this spacedespite being a geographically dispersed communityand how they have both resisted and encouraged processes of gentrification and displacement. The Power of Chinatown bridges understandings of community, geography, political economy, and race to show the complexities and contradictions of building community power, illuminating how

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Explore the world's natural habitats and the plants and animals that live there. From the depths of the ocean to soaring mountain peaks - via coral reefs, deserts, rainforests, and even cityscapes - discover how unexpected wildlife partnerships make up the habitats plants and animals call home.Each habitat section starts with a fascinating illustration to explain how it works, exploring the combination of conditions, plants, and animals that make it up. It then delves deeper, telling stories about how the inhabitants interact and find their place in each habitat. Survival strategies can be extreme, including frogs that can survive frozen through winter to emerge unharmed in spring. Vying for resources, plants and animals can work together in intimate partnerships, engage in direct competition - fighting tooth and nail over resources - or adapt in particular ways to find their own niche that only they can exploit. These intricately balanced systems create an incredible and fascinating variety of life on our planet.So what are you waiting for? Dive deep into the pages of this ecological guidebook to discover:- A foreword by broadcaster, naturalist, and conservationist Chris Packham.- Beautiful double-page-spread illustrations introduce each habitat, and detailed interpretation explains how the habitat works.- Conservation stories highlight the challenges we face in preserving natural habitats alongside an expanding human population.- 64-page colour reference section on national parks, wildlife reserves, and other protected areas.Earth's pristine wildernesses are dwindling, so the book includes national parks, wildlife reserves, and other protected areas and the conservation efforts needed to preserve our precious biological diversity.

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American Modern presents a fresh look at The Museum of Modern Art’s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century. Organized thematically and featuring paintings, drawings, prints, photographs, sculpture, and film, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis include urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern form and technological advances, as in Sheeler’s paintings and photographs, and a reflection of anxiety about increasingly urban life-styles and their consequences for the American individual, as in Hopper’s iconic Night Windows. Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Rather than an encyclopedic view of American art of the period, this volume is a focused look at the strengths and surprises of MoMA’s collection in an area that has played a rich and major role in the institution’s history.

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Rod Mengham’s new offering comprises two complementary halves: a poetic meditation on a place (the Bronze Age site of Grimspound on Dartmoor); and a series of short essays on different cultural habitats. Grimspound is a four-part work combining prose and verse, composed on site over the course of ten years. It combines a `wild analysis’ of Hound of the Baskervilles (whose climactic scene takes place at Grimspound), a portrait of the Victorian excavator Sabine Baring-Gould, and a series of poems that draw on the Russian linguist Aharon Dolgopolsky’s experimental Nostratic Dictionary. Inhabiting Art gathers essays on cultural history in relation to landscape and cityscape, viewed either episodically or in the form of a palimpsest, where the present state of the habitat both reveals and conceals its own history and prehistory.

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Art is seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf , haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts.

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Hundreds of oversized images of the world's most spectacular destinations are featured along with service information on the best and most authentic ways to experience them. A candy box full of visual delights, this book will inspire tangible ideas for everyone's next great trip. National Geographic takes you on a photographic tour of our world in this spellbinding new coffee table travel gift book. Hundreds of Earth's most breathtaking locales are illustrated with vivid, oversized full-color images taken by Nat Geo's world-class photographers. These images, coupled with evocative text, feature a plethora of visual wonders: ancient monoliths, scenic islands, stunning artwork, electric cityscapes, white-sand seashores, rain forests, ancient cobbled streets, and both classic and innovative architecture. Loaded with hard service information for each location, Destinations of a Lifetime has it all: when to go, where to eat, where to stay, and what to do to ensure the most enriching and authentic experience.

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A dispatch from a foreign land, when crafted by an attentive and skilled writer, can be magical, transmitting pleasure, drama, and seductive strangeness. In "The Moon, Come to Earth", Philip Graham offers an expanded edition of a popular series of dispatches originally published on McSweeney's, an exuberant yet introspective account of a year's sojourn in Lisbon with his wife and daughter. Casting his attentive gaze on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, Graham renders Lisbon from a perspective that varies between wide-eyed and knowing; though he's unquestionably not a tourist, at the same time he knows he will never be a local. So his lyrical accounts reveal his struggles with (and love of) the Portuguese language, an awkward meeting with Nobel laureate Jose Saramago, being trapped in a budding soccer riot, and his daughter's challenging transition to adolescence while attending a Portuguese school - but he also waxes loving about Portugal's saudade-drenched music, its inventive cuisine, and its vibrant literary culture. And through his humorous, self-deprecating, and wistful explorations, we come to know Graham himself, and his wife and daughter, so when an unexpected crisis hits his family, we can't help but ache alongside them. A thoughtful, finely wrought celebration of the moment-to-moment excitement of diving deep into another culture and confronting one's secret selves, "The Moon, Come to Earth" is literary travel writing of a rare intimacy and immediacy.

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Text in English and German. Ludwig Persius (1803-1845) was a pupil of Karl Friedrich Schinkel and his closest assistant. Very little has been published about him to date. With the aim of providing an exhaustive documentation of all his work that is still in existence, the present volume now shows Persius' architectural work in its current condition in 180 photographs, with numerous as yet unpublished exterior and interior photographs including also many detailed views. Persius' architecture was moulded by the work of Schinkel. He was his site supervisor at the Hofgärtnerhaus in Charlottenhof, adopting its style inspired by Italian domestic architecture for his numerous villas with towers, which are still characteristic features of the Potsdam cityscape. He was a master of the disposition of building volumes and of tying buildings into the landscape. About 50 buildings have survived, including early industrial structures. Persius' work is to be found almost exclusively in Potsdam. King Friedrich Wilhelm IV appointed him to the post of an "Architect to the King", a title he shared only with Friedrich August Stüler. His best-known buildings are the Friedenskirche in Potsdam, the Heilandskirche in Sacrow and the so-called Mosque by the Havel bay in Potsdam, a steam-driven pump-house in the Moorish style for the fountains in the gardens of Sanssouci and an eminent example of the romantic and exotic transfiguration of a simple functional building.

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Revealing the best of Lonely Planet’s travel photography from across the globe, this pictorial does more than display beautiful photographs of classic scenes and locations. Our photographers – in their words – share the backstories of how they got the perfect shot, making this an inspirational and illuminating photography book for every kind of traveller.Featuring over 200 photographs from renowned photographers such as Philip Lee Harvey and Jonathan Gregson, discover the stories behind what makes a good photo and exactly how each photograph was taken. From off-the-map locations barely touched by tourism to iconic cityscapes and UNESCO World Heritage Sites, be transported on a photographic journey all around the world. From the Temples of Angkor to the enchanting Faroe Islands, no corner of the world will be left unturned.This must-have pictorial book is a celebration of classic travel photography and the stories behind the images; get inspired to escape.About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You’ll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, eBooks, and more.

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Wales Book of the Year 2018. Winner of the 2018 Roland Mathias Poetry Award. Shortlisted for the 2017 T.S. Eliot Prize. The opening poem sequence, 'Diary of the Last Man', sets the tone for Robert Minhinnick's book, a celebration of the dwindling Earth, an elegy, a caution. His Wales is a touchstone; other landscapes and cityscapes are tried against it, with its erratic weather, its sudden changes of mood, 'a black tonic'. The sequence remembers all the geographies of his earlier work, old and new world, but now unpeopled and the lonely spirit free to go anywhere, do anything, but meaning with mankind has drained away. Yet still alive, and still with language, registering. The rest of the book is filled with voices: of children, of rivers, terrorists, magicians; and voices translated from the Welsh, and from Turkish and Arabic, shared, enriching with their difference, their other worlds. History washes over and washes up on the strand of this Welsh book. It is seen and recognised, it begins to be transformed. In the long concluding poem, 'The Sand Orchestra', the poet returns to his own voice, and to the voice of a Bechstein piano abandoned in the open air, played now by nature, its winds and sand. The last man, who has been looking for Ulysses, is the very man he has been looking for.

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When Grandpa leaves, where does he go? This raw and comforting book will bring a tear to your eye for all the right reasons. An essential book for anyone with grandparents.Gazing from an elevated window above the cityscape, a child stares into the warmly-lit windows of their neighbouring apartments. Anchored above the rows of civilisation is the wise but weathered stare of the moon. Is their Grandpa up there? Indeed, he is, and little ones will let their imagination take flight as they wander through the endearing world that their precious grandparent calls home.Poetic, raw and heartfelt, When Grandpa Was the Moon helps little ones everywhere understand that a loved one may be gone, but they''re still here in many ways.

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Recent discussions about the culture of images have focused on issues of identity - sexual, racial, national - and the boundaries that define subjectivity. In this context Victor Burgin adopts an original critical strategy. He understands images less in traditional terms of the specific institutions that produce them, such as cinema, photography, advertising, and television, and more as hybrid mental constructs composed of fragments derived from the heterogeneous sources that together constitute the 'media'. Through deft analyses of a photograph by Helmut Newton, Parisian cityscapes, the space of the department store, a film by Ousmane Sembene, and the writings of Henri Lefebvre, Andre Breton, and Roland Barthes, Burgin develops an incisive theory of our culture of images and spectacle. "In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of 'self' and 'us' - in imaginary spatial and temporal relations to 'other' and 'them' - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.

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At times scorching, at times brimming with awe and desire, this debut book of poems resonates with a brilliant new voice.When Justine Chan worked as a park ranger at Zion National Park, she chose to retell a Southern Paiute folktale for her weekly evening program on coyotes. The more that long, hot summer unfolded, the more time she spent alone in the desert, the more she retold the story, the more the story became her life. And in that space, she began to write.Should You Lose All Reason(s) is unafraid of looking hard– back, down, towards, around, forward, at the stories we tell, at herself, at the desert, at the sun, at everything. In conversation with the Southern Paiute folktale, she weaves together a triptych of poems, poems both always on the move and stuck, in exile, in wilderness. Drawing from her experiences serving in AmeriCorps, working as a park ranger, and traveling across the United States, she explores race, loneliness, stories, hauntings, family, landscapes and cityscapes, climate change, survival, music, resilience, the West, and America itself.

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A compact, portable drawing resource book of over 200 highly illustrated pages of sketching and drawing techniques, the book is crafted to be a companion tool which is tucked in your travel gear and referred to regularly. The book is durable with helpful color-coded pages to cross reference with demonstrated drawing tools. The book is organized into three Drawing Chapters: First, Tools +Techniques, from black and white to color drawings: Second, Methods, where perspective drawing rules are established, followed by Learning from The Masters to learn color theory and composition, then drawing Cityscapes + Landscapes, Aerial Perspectives, with demonstrations of Quick Draw and Slow Draw techniques: Third, Drawing as a Way of Thinking, where Analytical Sketching, Sequential Serial View drawings and Developing Design Proposals Using the Story Board Method are illustrated. This book is a tool for everyone - whether you are traveling the globe or drawing in your backyard. With a multitude of examples and helpful insights for both the professional and beginner, this book will help you take the world around you and Draw It.

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Playtest the new edition of Starfinder in style with this collection of two double-sided Flip-Mats featuring four key encounter areas from not one, but two Starfinder Playtest Adventures: A Cosmic Birthday and Empires Devoured! One Flip-Mat features a futuristic space station and a science-fantasy cityscapeboth abandoned and ready for investigation! The other features a dense fungus jungle and a futuristic settlement bordering the jungle, for exciting sci-fi adventures on the borderlands!A special coating on each Flip-Mat allows you to use wet erase, dry erase, AND permanent markers with ease! Removing permanent ink is easysimply trace over any permanent mark with a dry erase marker, wait 10 seconds, then wipe off both marks with a dry cloth or paper towel. Each Flip-Mat measures 24 x 30 unfolded, and 8 x 10 folded.

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In this book, Gerhard Richter explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer. The Denkbild is a poetic mode of writing, a brief snapshot-in-prose that stages the interrelation of literary, philosophical, political, and cultural insights. Richter's careful analysis of the linguistic characteristics of this mode of writing sheds new light on pivotal concerns of modernity, including the fractured cityscape, philosophical problems of modern music, the experience of exiled homelessness, and the disaster of Auschwitz. Thought-Images not only reorients our understanding of the Frankfurt School of Critical Theory in important ways but also establishes significant links between these writers and contemporary French thinkers such as Jacques Derrida.

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The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.'Edna O'Brien writes the most beautiful, aching stories of any writer, anywhere.' Alice MunroA woman walks the streets of Manhattan and contemplates with exquisite longing the precarious affair she has embarked on, amidst the grandeur and cacophony of the cityscape; a young Irish girl and her mother are thrilled to be invited to visit the glamorous Coughlan's but find - for all the promise of their green gorgette, silver shoes and fancy dinner parties - they leave disappointed; an Irishman in north London retraces his life as a young lad with his mates digging the streets and dreaming of the apocryphal gold, an outsider both in Ireland and England, yet he carries the lodestar of his native land.This classic collection glows with Edna O'Brien's trademark lyricism, powerful evocations of place, and heart-breaking insight into the desires and contradictions of humanity.Edna O'Brien's stunning new novel Girl will be published by Faber in September 2019, available to pre-order now.

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Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built.

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`Belfast Transport’ is the story of public transport in Belfast from the horse buses of the 1860s to the Metro buses which were introduced in 2005. It is a fascinating story encompassing the change from horse buses to horse trams; the introduction of motor buses; 30 years of the trolleybuses; the closure of the tramways in the early 1950s; the closure of the trolleybus system in the late 1960s and the total dependence on diesel buses for intra-urban transport in Belfast. The story is told mainly through pictures with extended captions, describing not only the vehicles themselves but also their physical and social contexts. It covers the period of civil disturbances euphemistically known as `The Troubles’ from 1969 during which the Belfast Corporation and its successor Citybus lost members of staff, hundreds of vehicles and millions of pounds. It covers managers from the charismatic Andrew Nance in the late nineteenth and early twentieth century to the equally charismatic Werner Heubeck in the late twentieth and early twenty-first centuries. Different men; different methods but with the same purpose; to provide that best transport that they could in the climate in which they operated.

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C.R.W. Nevinson (1889-1946) is regarded as one of the finest British printmakers of the first half of the twentieth century - admired by contemporaries and modern-day viewers in equal measure. Yet despite this assured reputation, nothing substantial has been published on his remarkable printmaking career until now.Nevinson began creating prints in 1916, only stopping, due to ill health, in 1932. During this period he produced 148 prints, all of which reflecting his distinct vision and outstanding skills as a printmaker. Providing historical and social insights, his body of work is impressive in its range - images depicting the horrors of the First World War sit alongside contrasting cityscapes which present Nevinson's singular interpretation of Paris, New York and London.Drawing on original archival research and including a catalogue raisonne of Nevinson's prints, this unrivalled resource stands as a landmark publication in the literature available on this outstanding British modernist. It is an essential reference volume for all those who collect, sell or study Nevinson's prints and also provides much needed context for those with a general interest in the artist and the period in which he worked.

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An atmospheric, enchanting story, skillfully drawn by exciting new talent, Fiona Woodcock about a little girl with an amazing gift for concealing herself. Heidi and her friends LOVE to play hide and seek. The trouble is, Heidi always win. She can't help it - she's just too good! But sometimes being hard to find can be hard to take, so Heidi needs to come up with a plan... ‘Playful imagery and Heidi’s eventual recognition of her friends’ talents add up to a warm story about compromise and common ground’ Publishers Weekly ‘A very attractive addition to the picture book shelves from an artist to be watched’ Books for KeepsPRAISE FOR POPPY AND THE BLOOMS: ‘Fiona Woodcock’s beautiful illustrations perfectly capture the contrast between a grey cityscape and the joyful kaleidoscope that fresh flowers can add… This gentle little story is a delight from start to finish’ Books for Keeps ‘A beautifully illustrated picture book which feels like a real visual treat… The artwork is stunning and very original and I think this makes it stand out as an interesting read for small children.’Being Mummy blog ‘Blooming wonderful!’ Red Reading Hub

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Containing over 170 photographs, this book illustrates a new era of modern traction in and out of the capital at the start of the 2020s, covering all four corners of London and up to a 30-mile radius outside to give a wonderful blend of both urban and rural imagery. It covers every mainline Passenger operator that run services in and out of London and aims to give an up-to-date account of the most recent changes to both, liveries, operator and motive power. This is illustrated with 180 high quality images, most of which have never been published before, capturing the ever-changing rail scene and cityscape in and around London. With the Department for Transport's quest for newer, more reliable, modernised trains that are fully accessible, this work captures the final days of much life-expired rolling stock, livery transitions under new franchise arrangements and the introduction of the next generation of trains. This book is the ultimate enthusiast's compilation of the new era of trains in and out of London and covers an extensive range of traction some of which is now, or will soon be, confined to the history books.

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As a young girl, Jane Duran moved to Chile with her family, travelling from New York to Valparaiso on the Santa Barbara, one of the Grace Line fleet. This long journey, passing through the Panama Canal and down the Pacific coast of Latin America, has inspired her collection of poems Graceline. These meditative poems cross over continually between illusion and reality, past and present. Although they evoke the journey, and the extraordinary landscapes of Chile, they also explore darker undercurrents. Her sequence Panama Canal evokes the terrors of the Canal's construction; a sequence on the regime of Pinochet (Invisible Ink) interweaves cityscapes and landscapes with allusions to the cruelties and bereavements of that time. But the poems are also about her life as a young girl in Chile, the impact of the Chilean landscape on her, and convey a powerful feeling of love for that country.

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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here"that shattered buildings are not merely "collateral damage," but rather calculated acts of cultural annihilation.From Hitler's Kristallnacht to the toppling of Saddam Hussein's statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture.A passionate and thought-provoking cri de coeur, "The Destruction of Memory "raises questions about the costs of war that run deeper than blood and money."The idea of a global inheritance seems to have fallen by the wayside and lessons that should have long ago been learned are still being recklessly disregarded.This is what makes Bevan's book relevant, even urgent: much of the destruction of which it speaks is still under way. "--"Financial Times Magazine" "The message of Robert Bevan's devastating book is that war is about killing cultures, identities and memories as much as it is about killing people and occupying territory."--"Sunday Times" "As Bevan's fascinating, melancholy book shows, symbolic buildings have long been targeted in and out of war as a particular kind of mnemonic violence against those to whom they are special."--"The Guardian"

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