Search results for ""author four"

A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy. Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalized in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different “Trek” is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.

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THE CHILLING FOURTH NOVEL IN THE BESTSELLING DI HELEN GRACE SERIES'Helen Grace is one of the greatest heroes to come along in years' JEFFERY DEAVER___________In the dead of night, three raging fires light up the city skies. It's more than a tragic coincidence. For DI Helen Grace the flames announce the arrival of an evil she has never encountered before.Because this is no firestarter seeking sick thrills, but something more chilling: a series of careful, calculating acts of murder.But why were the victims chosen? What's driving the killer? And who will be next?A powder keg of fear, suspicion and dread has been laid. Now all it needs is a spark to set it off . . .___________PRAISE FOR M.J. ARLIDGE:'The new Jo Nesbo' JUDY FINNIGAN'Fast paced and nailbitingly tense . . . Gripping' SUN'DI Helen Grace is a genuinely fresh heroine . . . MJ Arlidge weaves together a tapestry that chills to the bone' DAILY MAIL'Chilling stuff' FABULIST'A chilling read' MY WEEKLY'A grisly, gripping thriller' SUNDAY MIRROR'Mesmerizing!' LISA GARDNER 'Expertly pulled off. DI Helen Grace is fiendishly awesome. It's scary as all hell. And it has a full cast of realistically drawn, interesting characters that make the thing read like a bullet' WILL LAVENDER'A fast-paced, twisting police procedural and thriller that's sure to become another bestseller' HUFFINGTON POST

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Explore the entire history of the ancient Egyptian state from 3000 B.C. to 400 A.D. with this authoritative volume The newly revised Second Edition of A History of Ancient Egypt delivers an up-to-date survey of ancient Egypt's history from its origins to the Roman Empire's banning of hieroglyphics in the fourth century A.D. The book covers developments in all aspects of Egypt's history and their historical sources, considering the social and economic life and the rich culture of ancient Egypt. Freshly updated to take into account recent discoveries, the book makes the latest scholarship accessible to a wide audience, including introductory undergraduate students. A History of Ancient Egypt outlines major political and cultural events and places Egypt's history within its regional context and detailing interactions with western Asia and Africa. Each period of history receives equal attention and a discussion of the problems scholars face in its study. The book offers a foundation for all students interested in Egyptian culture by providing coverage of topics like: A thorough introduction to the formation of the Egyptian state between the years of 3400 B.C. and 2686 B.C. An exploration of the end of the Old Kingdom and First Intermediate period, from 2345 B.C. to 2055 B.C. An analysis of the Second Intermediate Period and the Hyksos between 1700 B.C. and 1550 B.C. A discussion of Greek and Roman Egypt between 332 B.C. and A.D. 395. Perfect for students of introductory courses in ancient Egyptian history and as background material for students of courses in Egyptian art, archaeology, and culture, A History of Ancient Egypt will also earn a place in the libraries of students taking surveys of the ancient world and those seeking a companion volume to A History of the Ancient Near East.

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This volume includes two memoirs. In the Sign of the Golden Wheel tells the story of the `middle period’ of the fourteen years Sangharakshita was based in the Indian hill station, Kalimpong. It is a crucial time for Buddhism as the whole Asian world is preparing to celebrate 2,500 years of Buddhism, and Sangharakshita’s abundant energies are brought into play in diverse ways. His commitment to spreading the Dharma as widely as he can and to serving the (few) existing Buddhists in India takes him far afield: from tea estates in Assam to a film studio in Bombay, from the Maha Bodhi Society in Calcutta – he becomes the inspired editor of the internationally read Maha Bodhi Journal – to Kasturchand Park in Nagpur where he speaks to hundreds of thousands of bereaved followers of the great Dr Ambedkar. Whether describing great events of international import or those of more local significance, such as the funeral of Miss Barclay’s cat, the flowing prose descriptions of people, places and events bring it all vividly to life. And through it all the enlightening, inspiring and moving reflections on life, the Dharma, poetry, friendship – and himself. Precious Teachers covers the last period of Sangharakshita’s time in Kalimpong. Here too are vivid encounters with people – a damsel in distress, a dakini, a transsexual and many others. At the forefront, though, are Sangharakshita’s Buddhist teachers: the Tibetans Jamyang Khyentse Rimpoche, Dilgo Khyentse Rimpoche, Dudjom Rimpoche, Kachu Rimpoche, Chattrul Sangye Dorje and Dhardo Rimpoche, and Chinese Yogi Chen. He recalls their meetings, his abhiṣekas or initiations, and the friendship that developed with Dhardo Rimpoche. In the background are events of international significance: the Chinese in Tibet, and the oppression of Buddhists in Vietnam. The memoir concludes with a letter from the English Sangha Trust inviting Sangharakshita back to the West....

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Cette deuxieme edition, entierement revue et augmentee, tient compte des nouveautes intervenues depuis 1991 et se distingue de la premiere par de tres nombreux changements, les uns, ponctuels, les autres, plus substantiels (plan, terminologie, etc.).Dans cet ouvrage, les etudes morphologiques et syntaxiques sont effectuees dans une optique structuraliste. Elles sont toujours menees de pair, de maniere a ce que "signifiant" et "signifie" s'eclairent mutuellement. Pour eviter le danger d'eparpiller la description linguistique en autant de categories qu'il y a d'emplois differents, l'examen syntaxique est centre non pas sur la syntaxe des propositions, mais sur chacune des composantes du systeme (voix, modes, temps, etc.) examinees dans tous leurs emplois.L'aspect verbal grec suscite encore aujourd'hui des difficultes non resolues et donne lieu a des theories contradictoires. Un traitement particulierement approfondi lui a donc ete consacre. Cette nouvelle edition aborde davantage de details que la premiere; une question cruciale, bien que trop rarement discutee: a quels motifs repond le choix des aspects par les locuteurs ? Ceci met en jeu la dynamique de la selection aspectuelle, dont il se confirme qu'elle est vraiment l'un des secteurs les plus prometteurs des etudes syntaxiques grecques anciennes.L'ouvrage fournit la frequence des temps et modes d'un "corpus" de plus de 100 000 formes verbales s'echelonnant depuis Homere jusqu'au IVe siecle, de meme que la liste (avec leur frequence) des 250 verbes les plus usites d'un "corpus" de plus de 140 000 formes verbales du IVe siecle. Il est pourvu de trois index: des passages, des formes verbales, analytique.

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The new MAD, Massive Attacks of Disruption—and not China or Russia—are the most immediate and greatest dangers to the nation. But no one has recognized and thus acted to contain and prevent these potentially existential threats that, if left unchecked, will bring ruin to America and much of the planet.Beyond traditional threats from states such as China and Russia and non-state actors employing violent extremism, can America’s politics and political system withstand the assaults of the Fifth Horseman and the new MAD, Massive Attacks of Disruption? The Covid-19 pandemic, the January 6 insurrection and takeover of the US Capitol, SolarWinds cyber attacks, the Texas storms that cut power, and the blocking of the Suez Canal are harbingers of the new MAD. And the nation is unaware and unprepared to deal with them. What must be done? First, we must recognize the potentially existential dangers posed by MAD. Second, we must reorganize government to meet these dangers. Third, we need new national security strategies to protect, defend, and mitigate these new threats. Fourth, we must create a private-public partnership in a national re-investment fund that can redress many of the risks of MAD. In this transformative and highly innovative and provocative book, Dr. Harlan Ullman issues a dramatic warning about so far unrecognized existential dangers to the nation and offers a plan of action America must take if the Fifth Horseman and the new MAD are to be tamed or broken.

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The United States has been shaped by three sweeping political revolutions: Jefferson's "revolution of 1800," the Civil War, and the New Deal. Each of these upheavals concluded with lasting institutional and cultural adjustments that set the stage for a new phase of political and economic development. Are we on the verge of another upheaval, a "fourth revolution" that will reshape U.S. politics for decades to come? There are signs to suggest that we are. James Piereson describes the inevitable political turmoil that will overtake the United States in the next decade as a consequence of economic stagnation, the unsustainable growth of government, and the exhaustion of postwar arrangements that formerly underpinned American prosperity and power. The challenges of public debt, the retirement of the "baby boom" generation, and slow economic growth have reached a point where they require profound changes in the role of government in American life. At the same time, the widening gulf between the two political parties and the entrenched power of interest groups will make it difficult to negotiate the changes needed to renew the system. Shattered Consensus places this impending upheaval in historical context, reminding readers that Americans have faced and overcome similar trials in the past, in relatively brief but intense periods of political conflict. While others claim that the United States is in decline, Piereson argues that Americans will rise to the challenge of forming a new governing coalition that can guide the nation on a path of dynamism and prosperity.

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Nancy’s sailing trip to Vermont turns into a hunt for a ghostly saboteur’s lost treasure in the twenty-fourth book in the Nancy Drew Diaries, a fresh approach to a classic series.When a family friend, Grace, opens a sailing club on Lake Champlain at the former site of the Gemstone Islands Resort, Nancy, Bess, and George are invited to enjoy a few days of boating before the club’s official grand opening. But when they arrive, they learn there have been some strange things happening on the property, from missing items to holes dug all over the yard. Is someone trying to sabotage the club, and could it have anything to do with the fire that destroyed the old resort twenty years ago? As Nancy tries to pry information from the tight-lipped locals, all clues lead back to Captain Richard Stone, the enigmatic Revolutionary War–era pirate whose tavern once stood on the same site as the resort and sailing club. Legend has it that Captain Stone’s ghost still haunts the property, guarding the treasure he buried there. But it isn’t a ghost that punches a hole in Nancy’s sailboat, leaving her and the girls to sink in the middle of the lake when an unexpected summer storm rolls in. Unraveling the mystery of Captain Stone’s treasure will be the key to finding out who’s been sabotaging Grace’s club. But first, Nancy and her friends will have to make it back to shore in one piece…

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Nancy’s sailing trip to Vermont turns into a hunt for a ghostly saboteur’s lost treasure in the twenty-fourth book in the Nancy Drew Diaries, a fresh approach to a classic series.When a family friend, Grace, opens a sailing club on Lake Champlain at the former site of the Gemstone Islands Resort, Nancy, Bess, and George are invited to enjoy a few days of boating before the club’s official grand opening. But when they arrive, they learn there have been some strange things happening on the property, from missing items to holes dug all over the yard. Is someone trying to sabotage the club, and could it have anything to do with the fire that destroyed the old resort twenty years ago? As Nancy tries to pry information from the tight-lipped locals, all clues lead back to Captain Richard Stone, the enigmatic Revolutionary War–era pirate whose tavern once stood on the same site as the resort and sailing club. Legend has it that Captain Stone’s ghost still haunts the property, guarding the treasure he buried there. But it isn’t a ghost that punches a hole in Nancy’s sailboat, leaving her and the girls to sink in the middle of the lake when an unexpected summer storm rolls in. Unraveling the mystery of Captain Stone’s treasure will be the key to finding out who’s been sabotaging Grace’s club. But first, Nancy and her friends will have to make it back to shore in one piece…

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This book explores the stories behind seventy-five extraordinary maps. It includes unique treasures such as the fourteenth-century Gough Map of Great Britain, exquisite portolan charts made in the fifteenth century, the Selden Map of China – the earliest example of Chinese merchant cartography – and an early world map from the medieval Islamic Book of Curiosities, together with more recent examples of fictional places drawn in the twentieth century, such as C.S. Lewis’s own map of Narnia and J.R.R. Tolkien’s map of Middle Earth. As well as the works of famous mapmakers Mercator, Ortelius, Blaeu, Saxton and Speed, the book also includes lesser known but historically significant works: early maps of the Moon, of the transit of Venus, hand-drawn estate plans and early European maps of the New World. There are also some surprising examples: escape maps printed on silk and carried by pilots in the Second World War in case of capture on enemy territory; the first geological survey of the British Isles showing what lies beneath our feet; a sixteenth-century woven tapestry map of Worcestershire; a map plotting outbreaks of cholera and a jigsaw map of India from the 1850s. Behind each of these lies a story, of intrepid surveyors, ambitious navigators, chance finds or military victories. Drawing on the unique collection in the Bodleian Library, these stunning maps range from single cities to the solar system, span the thirteenth to the twenty-first century and cover most of the world.

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Joshua Mason is an everyday man cursed with immortality.“Borrowed Time soothed my aching heart in many ways. It made me think about the things that really matter in life and the things that don’t. It made me think about true love, about finding one person to spend your life with—something that has always eluded me. And it made me think about death, about why we need to believe there is a hereafter because, without it, life becomes unbearable.” —Sasha Stone, Free Thinking Through the Fourth Turning Joshua Mason has been alive for thousands of years. He doesn’t know how or why it happened, only that he can die like any man, but will always return. When you live forever, everything you love will die, so he decided long ago to not become attached. That all changed when he met Doreen. With her, he found something more than the woman he loves, after thousands of years of wandering, he found his place in the world. Now she’s dying of old age. Distraught, Joshua promises to look after Charlie, Doreen’s grandson, who is thirty-six, but forever a child due to a terrible brain injury. Keeping Charlie safe means making money to keep Charlie’s world—a crumbling motel in the middle of a barren desert—afloat. Mason makes this money by selling his life on the dark web to wealthy people who enjoy the ritual of murdering him. And now, when Mason only wants to mourn the loss of his wife, he discovers he sold his life to some very dangerous people and that Charlie is not as innocent as he seems.

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La mayoría de niños en edades tempranas forman sus pensamientos fundamentales sobre Dios y el lugar que ellos ocupan en el mundo. Este devocional de Rick Warren, guiará a los lectores hacia un entendimiento más profundo de su propósito.Este libro incluye 365 devocionales basados en los temas y las ideas que se encuentran en el best seller Una vida con propósito. Escrito en un nivel de tercero a cuarto grado, cada devocional incluye una escritura, un breve mensaje y una oración o pensamiento para el día para ayudar a los niños a descubrir quiénes son ante los ojos de Dios. Captar los corazones de la nueva generación significa asegurarse de que ellos conocen su propósito y crecen confiados en su valor en Dios y su relación con Cristo.Dios creó a cada uno de sus hijos con un propósito en mente… ahora es el momento de, atentamente y en oración, comenzar el increíble viaje para encontrar esa razón.The Purpose Driven Life Devotional for KidsThe Purpose Driven Life Devotional for Kids includes 365 devotions that tie to the themes and ideas found in the bestselling The Purpose Driven Life written by pastor Rick Warren. Written at a third to fourth grade level, each devotion includes a Scripture, short message, and prayer or thought for the day to help kids discover who they are in God’s eyes.Capturing the hearts of the new generation means ensuring they know their purpose and grow up confident of their value in God and their relationship to Christ.God created each of his children with a purpose in mind … the time for them is now to, thoughtfully and prayerfully, start their incredible journey to finding that reason.

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A bilingual volume that reveals an intriguing world of courtly love and satire in medieval Portugal and SpainThe rich tradition of troubadour poetry in western Iberia had all but vanished from history until the discovery of several ancient cancioneiros, or songbooks, in the nineteenth century. These compendiums revealed close to 1,700 songs, or cantigas, composed by around 150 troubadours from Galicia, Portugal, and Castile in the thirteenth and early fourteenth centuries. In Cantigas, award-winning translator Richard Zenith presents a delightful selection of 124 of these poems in English versions that preserve the musical quality of the originals, which are featured on facing pages. By turns romantic, spiritual, ironic, misogynist, and feminist, these lyrics paint a vibrant picture of their time and place, surprising us with attitudes and behaviors that are both alien and familiar.The book includes the three major kinds of cantigas. While cantigas de amor (love poems in the voice of men) were largely inspired by the troubadour poetry of southern France, cantigas de amigo (love poems voiced by women) derived from a unique native oral tradition in which the narrator pines after her beloved, sings his praises, or mocks him. In turn, cantigas de escárnio are satiric, and sometimes outrageously obscene, lyrics whose targets include aristocrats, corrupt clergy, promiscuous women, and homosexuals.Complete with an illuminating introduction on the history of the cantigas, their poetic characteristics, and the men who composed and performed them, this engaging volume is filled with exuberant and unexpected poems.

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In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record.Instead, they set out to create the future.For more than a year, they battled writer's block, inter-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era, and embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture.What they created was Kid A.At the time, Radiohead's fourth album divided critics. Some called it an instant classic; others, including the U.K. music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the 21st century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture, in time for its 20th anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.

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This is the tenth volume in the Oratory of Classical Greece. This series presents all of the surviving speeches from the late fifth and fourth centuries BC in new translations prepared by classical scholars who are at the forefront of the discipline. These translations are especially designed for the needs and interests of today's undergraduates, Greekless scholars in other disciplines, and the general public. Classical oratory is an invaluable resource for the study of ancient Greek life and culture. The speeches offer evidence on Greek moral views, social and economic conditions, political and social ideology, law and legal procedure, and other aspects of Athenian culture that have recently been attracting particular interest: women and family life, slavery, and religion, to name just a few. Demosthenes is regarded as the greatest orator of classical antiquity. This volume contains his Funeral Oration (Speech 60) for those who died in the Battle of Chaeronea in 338 BC, in which Philip of Macedonia secured his dominance over Greece, as well as the so-called Erotic Essay (Speech 61), a rhetorical exercise in which the speaker eulogizes the youth Epicrates for his looks and physical prowess and encourages him to study philosophy in order to become a virtuous and morally upright citizen. The volume also includes fifty-six prologues (the openings to political speeches to the Athenian Assembly) and six letters apparently written during the orator's exile from Athens. Because so little literature survives from the 330s and 320s BC, these works provide valuable insights into Athenian culture and politics of that era.

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Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come.

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The exhilarating true story of Trudy Ederle, the first woman to swim the English Channel, and inspire a “wave of confidence and emancipation” for women in sports (Parade).By age twenty, at the height of the Jazz Age, Trudy Ederle was the most accomplished swimmer in the world. She’d won Olympic gold and set a host of world records. But the greatest challenge remained: the English Channel. Only a few swimmers, none of them women, had ever made the treacherous twenty-one mile crossing. Trudy’s failed first attempt seemed to confirm what many naysayers believed: No woman could possibly accomplish such a thing.In 1926, Ederle proved them wrong. As her German immigrant parents cheered her, and her sister and fellow swimmer Meg helped fashion both her scandalous two-piece swimsuit and leak-proof goggles, Trudy was determined to succeed. “England or drown is my motto,” she said, plunging into the frigid Channel for her second attempt at the crossing. Fourteen hours later, two hours faster than any man, and after weathering a gale and waves that approached six-feet, she stepped onto Kingsdowne Beach as the most famous woman in the world.Based on years of archival research that unearthed Ederle’s memory from obscurity, Young Woman and the Sea brings to life the real Trudy Ederle, the challenges that came with her fame, and the historic mark her achievement made for all women athletes who followed.

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In Getting Medieval Carolyn Dinshaw examines communities—dissident and orthodox—in late-fourteenth and early-fifteenth-century England to create a new sense of queer history. Reaching beyond both medieval and queer studies, Dinshaw demonstrates in this challenging work how intellectual inquiry into pre-modern societies can contribute invaluably to current issues in cultural studies. In the process, she makes important connections between past and present cultures that until now have not been realized. In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe. She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantino’s Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies.This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.

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The United States has been shaped by three sweeping political revolutions: Jefferson's "revolution of 1800," the Civil War, and the New Deal. Each of these upheavals concluded with lasting institutional and cultural adjustments that set the stage for a new phase of political and economic development. Are we on the verge of another upheaval, a "fourth revolution" that will reshape U.S. politics for decades to come? There are signs to suggest that we are. James Piereson describes the inevitable political turmoil that will overtake the United States in the next decade as a consequence of economic stagnation, the unsustainable growth of government, and the exhaustion of postwar arrangements that formerly underpinned American prosperity and power. The challenges of public debt, the retirement of the "baby boom" generation, and slow economic growth have reached a point where they require profound changes in the role of government in American life. At the same time, the widening gulf between the two political parties and the entrenched power of interest groups will make it difficult to negotiate the changes needed to renew the system. Shattered Consensus places this impending upheaval in historical context, reminding readers that Americans have faced and overcome similar trials in the past, in relatively brief but intense periods of political conflict. While others claim that the United States is in decline, Piereson argues that Americans will rise to the challenge of forming a new governing coalition that can guide the nation on a path of dynamism and prosperity.

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Beth Moon's fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon's finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews - some more than a thousand years old - that grow in English churchyards; the baobabs of Madagascar, called 'upside-down trees' because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon's-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon's narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon's unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

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With Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became ‘spontaneous fixer’ (Flanagan’s description) of the sculptor’s show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor’s singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks. In September 1992 Flanagan and McNeff took the show to Majorca, resulting in a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan’s print-making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there.Subsequently McNeff ran into a fourteen-year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair-bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, this touching memoir is the first retrospective of a major Welsh-born artist. Photographs of him as well as of his drawings and sculpture fully complement the text. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.

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The Human Journey offers a truly concise yet satisfyingly full history of the world from ancient times to the present. The book’s scope, as the title implies, is the whole story of humanity, in planetary context. Its themes include not only the great questions of the humanities—nature versus nurture, the history and meaning of human variation, the sources of wealth and causes of revolution—but also the major transformations in human history: agriculture, cities, iron, writing, universal religions, global trade, industrialization, popular government, justice, and equality. In each conceptually rich chapter, leading historian Kevin Reilly concentrates on a single important period and theme, sustaining a focused narrative and analytical perspective. Chapter 2, for example, discusses the significance of bronze-age urbanization and the advent of the Iron Age. Chapter 3 examines the meaning and significance of the age of “classical” civilizations. Chapter 4 explains the spread of universal religions and new technologies in the postclassical age of Eurasian integration. But these examples also reveal a range of approaches to world history. The first chapter is an example of current “Big History,” the second of history as technological transformations, the third of comparative history, the fourth the history of connections that dominates, and thus narrows, so many texts. Free of either a confined, limiting focus or a mandatory laundry list of topics, this book begins with our most important questions and searches all of our past for answers. Well-grounded in the latest scholarship, this is not a fill-in-the-blanks text, but world history in a grand humanistic tradition.

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At fourteen, Christian Picciolini was recruited by a now notorious skinhead leader and encouraged to fight with the movement to "protect the white race from extinction." Soon, he had become an expert in racist ideology, a neo-Nazi terror who roamed the neighbourhood, quick to throw fists. By the time he left the movement years later and was able to see clearly for the first time, Picciolini found that his life was in shambles and the nation around him was coming apart. Told with startling intimacy and compassion, Breaking Hate is the inside story of how extremists have taken the reins of our political discourse and a guide to how everyday Americans can win it back. The forces pushing to polarise and radicalise us are many-from fake news to coded language to Russian trolls to a White House that often aims to inflame rather than to heal. Increasingly, the information with which we construct our world views is segregated by social media stars and advertisers with murky motives to validate our worst impulses. As Picciolini demonstrates, our modern world systematically normalises extremism in such a way that we grow blind to it, only recognising it in the wake of tragedy. Drawing on profiles of extremists that he works to free from violent ideology and on his own painful history leading and then escaping from an infamous neo-Nazi group, Breaking Hate explains why terrorism and violence have come to characterise our daily lives and why that doesn't need to be the case.

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Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

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'Fast-paced, entertainingly creepy, laugh-out-loud funny, and genuinely moving' Michelle Paver 'Full of magic and delight' Rowan Coleman ‘A darkly comic delight that makes you nostalgic for a simpler time when witches were kicking Hitler’s backside’ C. K. McDonnellThe Holly King is coming, and you’re on his list . . . It's December 1940, and Christmas has come to Woodville. Faye Bright is looking forward to a good old knees-up after a year of supernatural mayhem and Luftwaffe air raids, but it seems glad tidings are in short supply. Already contending with food rationing and sky-high beer prices, the village is upended by the arrival of the Holly King, an ancient power bent on reclaiming his woodland domain. No mortal magic can stand in his way. As the winter solstice draws in and the villagers fall under the Holly King’s spell, Faye, Bertie and the witches race to prevent his sinister Feast of Fools from reaching its deadly conclusion. But when terrible truths threaten to tear them apart, can they confront the mistakes of the past to save the village from destruction? Or has Woodville seen its last Christmas? ***For fans of Lev Grossman and Terry Pratchett comes the fourth novel in this delightful series of war, mystery and a little bit of magic . . . Don't miss the other magical books in the WITCHES OF WOODVILLE series!#1 The Crow Folk#2 Babes in the Wood#3 The Ghost of Ivy Barn

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Catharism was the most successful heresy of the Middle Ages. Flourishing principally in the Languedoc and Italy, the Cathars taught that the world is evil and must be transcended through a simple life of prayer, work, fasting and non-violence. They believed themselves to be the heirs of the true heritage of Christianity going back to apostolic times, and completely rejected the Catholic Church and all its trappings, regarding it as the Church of Satan; Cathar services and ceremonies, by contrast, were held in fields, barns and in people's homes. Finding support from the nobility in the fractious political situation in southern France, the Cathars also found widespread popularity among peasants and artisans. And again unlike the Church, the Cathars respected women, and women played a major role in the movement. Alarmed at the success of Catharism, the Church founded the Inquisition and launched the Albigensian Crusade to exterminate the heresy. While previous Crusades had been directed against Muslims in the Middle East, the Albigensian Crusade was the first Crusade to be directed against fellow Christians, and was also the first European genocide. With the fall of the Cathar fortress of Montsegur in 1244, Catharism was largely obliterated, although the faith survived into the early fourteenth century. Today, the mystique surrounding the Cathars is as strong as ever, and Sean Martin recounts their story and the myths associated with them in this lively and gripping book.

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The Times Food Book of the Year. A soul-searching memoir for foodies everywhere. Let award-winning food writer Clare Finney take you on a passionate exploration of food and love. From family feasts to comfort food, first dates to office cake; how does what we eat define us, and the relationships we have with others? Finney investigates the role that food plays in modern society, exploring how eating unites us in varied ways throughout our lives. She discusses her own childhood spent in her grandmother’s hotel kitchen. She talks about the meals and recipes that have shaped the person she is today. Think of the dance of culinary courtship entailed in dating. Or the funeral foods that remind us of the connections between life and death, Finney examines the power of food and drink to attract, bind and define us—and of course, its power to divide and repel. In this insightful memoir, get access to: Fourteen easy-to-follow meaningful recipes A relatable exploration of what food means in life, love and beyond No-holds-barred look into the world of gastronomy and food writing Touching memories from Finney’s own childhood and life Packed with transformative stories from the heart, this book may just change your relationship with food, dining and mealtimes. At a time when our relationship towards what, when and where we eat has become increasingly complicated, Hungry Heart is a feast. It’s an honest, heart-warming account of humans breaking bread together and what that really means.

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The increase in the number of non-binary children and adults in our society raises important treatment questions as well as much controversy. It seems essential that analysts and candidates grapple with the challenges this change in society presents. As we struggle in our psychoanalytic societies to diversify our membership and broaden our understanding of difference, this collection offers an opportunity for further discussion and study of one of the most important issues of our time. The opening essay by editor Shari Thurer provides a clear overview of recent cultural changes and the evolution of thinking about gender identification by the American Psychoanalytic Association. Next is an autobiographical essay by long-term non-binary individual Robin Haas plus a clinical reflection on Haas’ contribution by Rita Teusch. A recent account of an individual becoming non-binary from Francesca Spence is followed by the reactions of their parents, L. Harry Spence and Robin Ely. After that are psychoanalytic thoughts about the body and gender by Malkah Notman and reflections on gender from Dan Jacobs. The book ends with an extensive bibliography on the subjects of transsexuality and non-binary gender by Oren Gozlan Beyond the Binary: Essays on Gender introduces readers to current ideas about gender fluidity and choice, as well as giving voice to those who have chosen to be non-binary. This is a must-read for all practising clinicians that will help broaden their perspective on this growing issue. This is the fourth publication sponsored by the Library Committee of the Boston Psychoanalytic Society and Institute and the first published by Phoenix.

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Assassin's Reign, the fourth in The Civil War Chronicles, Michael Arnold's acclaimed series of historical thrillers, sees battle-scarred hero Captain Stryker, 'the Sharpe of the Civil War', in the fight of his life.'Stands in comparison with the best of Cornwell' Yorkshire PostThe forces of King Charles are victorious; their Parliamentarian enemies in deep crisis. In the west, the crucial port city of Bristol has fallen, and Royalist eyes fall quickly upon neighbouring Gloucester. Its walls are weak, its garrison under strength, and its governor - Sir Edward Massie - suspected of harbouring sympathy for the King.Stryker and his men are with the army as it converges on Gloucester, still reeling from the loss of a close friend at the bloody Battle of Stratton. Ordered to infiltrate the rebel city on a mission to discover whether Massie will indeed surrender, Stryker reluctantly embarks upon his most desperate mission yet. But Gloucester's defenders are more resolute than any had imagined, and catastrophe soon befalls him. With his life seemingly forfeit, Stryker is spared by an unlikely saviour; Vincent Skaithlocke, his former commander. The mercenary has returned to England to fight for Parliament, and offers Stryker his protection. As old friends adjust to life fighting for opposing sides, Stryker begins to question his own loyalties . . . but a chance discovery makes him realise that all in Gloucester is not what it seems, for a hidden menace threatens his own life, and that of King Charles himself.

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From National Book Award Finalist Laird Hunt, a masterful collection of interwoven stories capturing one summer's day in Reagan-era Indiana.Candy Wilson has forgotten to buy the paprika. Turner Davis needs to get his zinnias in. Della Dorner told her mother she was going to Milky Freeze, but that's not where she's really headed on her new Schwinn five-speed.Float Up, Sing Down is the story of a single day. But in that day, how much teeming life! The residents of this rural town have their routines, their preferences, their joys, grudges, and regrets. The old-timers savor past triumphs, cast back to lives circumscribed and defined by the World Wars, wonder what might have been. Youngsters covet cars, karate moves, kissing; they writhe in the first blushes of love or pain or independence. Gossip is paramount. Lives are entwined. Retired sheriffs climb corn bins and muse on lost love, French teachers throw firecrackers out of barn windows, and teenagers borrow motorcycles to ride the back roads.Each of the fourteen stories of Float Up, Sing Down follows one character's 'day-in-the-life' in one of Hunt's most beloved and enduring landscapes. As the book unfolds these lives echo and glance off of one another with elegance and warmth, a tenderness born of strength. In the tradition of Willa Cather, Sherwood Anderson, Elizabeth Strout, and Edward P. Jones, this is a symphony of souls, a masterful portrait of both loneliness and community by one of our great limners of American experience.

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Bois de Fourcaux, a luxuriant woodland covering 75 acres, set in the area of the battlefields of the Somme, dominates the surrounding landscape today, as it did in the summer of the year 1916. Known to the British Army as 'High Wood', the invading Germans had occupied the wood as it proved to be a natural field fortification and a menace that had to be neutralized if the British were to find a way forward in their attempts to breach the trench systems of the German Army and break out into the 'Green Fields Beyond'. This insightful publication will take the battlefield visitor, and also those who are unable to visit the site, on a journey through the history of the battles for High Wood and its environs. It covers the most significant dates in the British Army's struggle to eject the invader and the Germans determination to hold that which they considered to be their new National Frontier. This is the story of the largely amateur British Army of 1916. Lessons were learned in the roaring furnace of the Somme that would transform the fighting ability of the British irrevocably: High Wood was at the epicentre of that learning process.The book contains detailed maps from the time of the High Wood battles using the excellent British Trench maps and, importantly, an explanation on the use of the numbered grid system, which enables the visitor to locate, to within 5 yards, the site of an action that took place 100 years ago. Photographs are also included to enhance the visitor experience. Join us for the journey

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The fourth book in Marsali Taylor's thrilling Shetland Sailing Mysteries series. Perfect for fans of Agatha Christie, Dorothy L. Sayers, Val McDermid, Faith Martin, J.R. Ellis, LJ Ross and Ann Cleeves!'This series is a must-read for anyone who loves the sea, or islands, or joyous, intricate story-telling.' ANN CLEEVESSailing skipper and amateur detective Cass Lynch has been persuaded to spend a quiet Christmas in the Highlands with her former adversary, DI Gavin Macrae, but neither of them can dodge trouble for long. Their peaceful walk by the loch is interrupted when they discover a skeleton among the bracken. Back home in Shetland, Cass is drawn to the case of Ivor Hughson, who left his wife and failed business months ago and hasn't been heard of since. As she continues to ask questions about Hughson's disappearance, it becomes clear that someone will stop at nothing to cut Cass's investigation - and perhaps her life - short. Previously published as Body in the Bracken._____________________________PRAISE FOR THE CHILLINGLY ADDICTIVE, NAIL-BITING SERIES:'What can I say? Another great success... all the ingredients of a great thriller plus the added delights of a beautiful, historically interesting setting and sailing drama to add another dimension' 5* Reader review'...great characters good story, I got quite emotional in places. Couldn't put it down. Will certainly be recommending this book' 5* Reader review'I felt that the book was a true Whodunnit leaving good clues without being obvious' 5* Reader review'A great read putting the reader right there in the islands' 5* Reader review

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'An endlessly ingenious writer of compelling, brilliantly crafted thrillers' Peter JamesNew York Times bestseller Brenda Novak's fourth novel in the Evelyn Talbot series sees the return of psychiatrist Dr Evelyn Talbot. When you're studying America's most terrifying psychopaths, can you ever really be safe? This is SILENCE OF THE LAMBS meets Karen Rose...SOMETIMES THE DARKEST DEEDS HAPPEN IN BROAD DAYLIGHT With her tortured past finally behind her - and her tormentor, Jasper Moore, locked up, where she can study him along with the other psychopaths at Hanover House - psychiatrist Evelyn Talbot is looking to the future. She's about to have a baby and marry her long-time love, Amarok, the only police presence in Hilltop, Alaska. But when she's snatched from her own driveway, she can only guess at who's taken her captive...and why. Struggling to survive in a tiny, airless cell, Evelyn is relying on Amarok to find her. But he won't have much to go on, a point that becomes even more alarming when her captor reveals a clue to the mastermind behind her abduction. Not only does she know him, she knows he has a particularly gruesome method of disabling his victims. So unless she manages to escape, neither she nor her baby will survive...Look for the other gripping novels in the Evelyn Talbot series - Her Darkest Nightmare, Hello Again, Face Off, and the prequel novella, Hanover House, available now.

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In 1988 IRA terrorist Sean O'Callaghan walked into a Tunbridge Wells police station and gave himself up. Two years later, in a Belfast courtroom, he pleaded guilty to all charges of which he was accused and received a sentence of 539 years. Since being a teenager he had been an active member of the IRA and had risen to be the head of their Southern Command. He was responsible for two murders and many terrorist attacks. He was a linchpin of the organization.But in 1996, he was released from prison by royal prerogative. For fourteen years he had been the most highly placed informer within the IRA and had fed the Irish Garda with countless pieces of invaluable information. He prevented the assassination of the Prince and Princess of Wales at a London theatre, he sabotaged operations, explained strategy and caused the arrests of many IRA members. He has done more than any individual to unlock the code of silence that governs the IRA's members, and has in effect made it possible to fight the war against the terrorists. Under constant threat of IRA revenge, he now works ceaselessly for peace in Ireland. As he says, 'I hope to use the time available to me now to tell the truth about the IRA. I will go on doing that for as long as it takes.The Informer is Sean O'Callaghan's story. It is the story of a courageous life lived under the constant threat of discovery and its fatal consequences. It is the story of a very modern hero, who is not without sin but who has done and is continuing to do everything in his power, and at whatever personal cost, to atone for the past.

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The leading guide to the professional kitchen's cold food station, now fully revised and updated Garde Manger: The Art and Craft of the Cold Kitchen has been the market's leading textbook for culinary students and a key reference for professional chefs since its original publication in 1999. This new edition improves on the last with the most up-to-date recipes, plating techniques, and flavor profiles being used in the field today. New information on topics like artisanal cheeses, contemporary styles of pickles and vinegars, and contemporary cooking methods has been added to reflect the most current industry trends. And the fourth edition includes hundreds of all-new photographs by award-winning photographer Ben Fink, as well as approximately 450 recipes, more than 100 of which are all-new to this edition. Knowledge of garde manger is an essential part of every culinary student's training, and many of the world's most celebrated chefs started in garde manger as apprentices or cooks. The art of garde manger includes a broad base of culinary skills, from basic cold food preparations to roasting, poaching, simmering, and sautéing meats, fish, poultry, vegetables, and legumes. This comprehensive guide includes detailed information on cold sauces and soups; salads; sandwiches; cured and smoked foods; sausages; terrines, pâtes, galantines, and roulades; cheese; appetizers and hors d'oeuvre; condiments, crackers, and pickles; and buffet development and presentation.

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“How should one envisage this subject? With a great pomp of words, or with simplicity?” —Charlotte Brontë, “The Death of Napoleon” The most celebrated general in history, Napoleon Bonaparte (1769–1821) has for centuries attracted eminent male writers. Since Thomas Carlyle first christened him “our last Great Man,” regiments of biographers have marched across the same territory, weighing campaigns and conflicts, military tactics and power politics. Yet in all this time, no definitive portrait of Napoleon has endured, and a mere handful of women have written his biography—a fact that surely would have pleased him. With Napoleon, Ruth Scurr, one of our most eloquent and original historians, emphatically rejects the shibboleth of the “Great Man” theory of history, instead following the dramatic trajectory of Napoleon’s life through gardens, parks, and forests. As Scurr reveals, gardening was the first and last love of Napoleon, offering him a retreat from the manifold frustrations of war and politics. Gardens were, at the same time, a mirror image to the battlefields on which he fought, discrete settings in which terrain and weather were as important as they were in combat, but for creative rather than destructive purposes. Drawing on a wealth of contemporary and historical scholarship, and taking us from his early days at the military school in Brienne-le-Château through his canny seizure of power and eventual exile, Napoleon frames the general’s story through the green spaces he cultivated. Amid Corsican olive groves, ornate menageries in Paris, and lone garden plots on the island of Saint Helena, Scurr introduces a diverse cast of scientists, architects, family members, and gardeners, all of whom stood in the shadows of Napoleon’s meteoric rise and fall. Building a cumulative panorama, she offers indelible portraits of Augustin Bon Joseph de Robespierre, the younger brother of Maximilien Robespierre, who used his position to advance Napoleon’s career; Marianne Peusol, the fourteen-year-old girl manipulated into a Christmas-Eve assassination attempt on Napoleon that resulted in her death; and Emmanuel, comte de Las Cases, the atlas maker to whom Napoleon dictated his memoirs. As Scurr contends, Napoleon’s dealings with these people offer unusual and unguarded opportunities to see how he grafted a new empire onto the remnants of the ancien régime and the French Revolution. Epic in scale and novelistic in its detail, Napoleon, with stunning illustrations, is a work of revelatory range and depth, revealing the contours of the general’s personality and power as no conventional biography can.

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David Ellenson prefaces this fascinating collection of twenty-three essays with a remarkably candid account of his intellectual journey from boyhood in Virginia to the scholarly immersions in the history, thought, and literature of the Jewish people that have informed his research interests in a long and distinguished academic career. Ellenson, President of the Hebrew Union College-Jewish Institute of Religion, has been particularly intrigued by the attempts of religious leaders in all denominations of Judaism, from Liberal to Neo-Orthodox, to redefine and reconceptualize themselves and their traditions in the modern period, as both the Jewish community and individual Jews entered radically new realms of possibility and change. The essays are grouped into five sections. In the first, Ellenson reflects upon the expression of Jewish values and Jewish identity in contemporary America, explains his debt to Jacob Katz's socio-religious approach to Jewish history, and shows how the works of non-Jewish social historian Max Weber highlight the tensions between the universalism of western thought and Jewish demands for a particularistic identity. In the second section, "The Challenge of Emancipation," he indicates how Jewish religious leaders in nineteenth-century Europe laboured to demonstrate that the Jewish religion and Jewish culture were worthy of respect by the larger gentile world. In a third section, "Denominational Responses," Ellenson shows how the leaders of Liberal and Orthodox branches of Judaism in Central Europe constructed novel parameters for their communities through prayer books, legal writings, sermons, and journal articles. The fourth section, "Modern Response," takes a close look at twentieth-century Jewish legal decisions on new issues such as the status of women, fertility treatments, and even the obligations of the Israeli government towards its minority populations. Finally, review essays in the last section analyse a few landmark contemporary works of legal and liturgical creativity: the new Israeli Masorti prayer book, David Hartman's works on covenantal theology, and Marcia Falk's Book of Blessings. As Ellenson demonstrates, "The reality of Jewish cultural and social integration into the larger world after Emancipation did not signal the demise of Judaism. Instead, the modern setting has provided a challenging context where the ongoing creativity and adaptability of Jewish religious leaders of all stripes has been tested and displayed."

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A memoir of life in East London and of 43 years spent in garment factories across the East End. This memoir begins as Alfred Gardner prepares to leave school, ten years after the end of the Second World War. At fourteen, schoolboy Alf becomes interested in girls, and noticing that well dressed boys get the prettiest girls he saves up to buy a suit. The greater part of his book tells of his life at work. His first work, after school, was to earn money to buy a suit, with a Stepney firm, Standard Tailors (Men's Jacket Makers). The title is taken from a warning given when he begins to cut textiles: the ever present danger of cutting fingers as well as cloth. He describes how firms work and who does what: the preparation of designs and markers, cutting, types of machining, new designs, cabbage, commissions, deliveries, and payments. Much depends on a boss: some are unduly trusting, others deserve no trust and fiddle bills NI, PAYE and wages. Few workplaces are well adapted or fit for purpose. In an age where smoking was permitted at work, cloth cutting might easily catch fire, yet many workshops and factories lacked fire escapes. Many were infested with rats and other vermin. They were often badly heated and ventilated, and remained veritable sweat shops. There is a great deal of human interest and humour: he meets diverse characters and makes many new friends. But not always: he disdains the dishonest and the cheat; he refuses to tolerate rudeness. He tells of co-workers, bosses, shop keepers, vicars, and prostitutes. He also tells of friendships and loves; local sights and pubs: conversation and fun in Dirty Dicks, Charlie Brown's, The Eastern Hotel, and The Prospect of Whitby. He tells of the individuals and communities: Asian Moslems, Caribbeans, Jews, Greek-Cypriots, Somalis, Turks and others. Each have something unique. Through each he confronts different aspects of a changing world, and reflects on contemporary events as they affect people. He serves as a merchant seaman and, briefly, in the army. Eventually he sets up his own garment business and becomes a manager and employer. But as more work is done abroad, the garment industry declines. The book ends with a lament for past opportunities, now closed to a new generation in the East End.

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Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

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Everyone knows the story of the murder of young Emmett Till. In August 1955, a fourteen-year-old Chicago boy was murdered in Mississippi for having--supposedly--flirted with a white woman named Carolyn Bryant, who was working behind the counter of a store. Emmett was taken from the home of a relative later that night by white men; three days later, his naked body was recovered in the Tallahatchie River, weighed down by a cotton-gin fan. Till's killers were acquitted, but details of what had happened to him became public; the story gripped the country and sparked outrage. Black journalists drove down to Mississippi and risked their lives interviewing townsfolk, encouraging frightened witnesses, spiriting those in danger out of the region, and above all keeping the news cycle turning. It continues to turn. The murder has been the subject of books and documentaries, rising and falling in number with anniversaries and tie-ins, and shows no sign of letting up. Some have argued that his lynching did more to launch the Civil Rights movement than Rosa Parks or even Brown v. Board of Education. If that argument holds, it is in large part because of the photographs of Emmett Till--the before-photo of a young man jaunty with prospects, and the after-photos of the grotesquely disfigured face of a young man beaten to death and shot. The photographs, first reprinted in African-American journals and newspapers, didn't make their way to their white equivalents until much later, but they focused attention on the horrible, visceral truth of racism. It became impossible to turn away from them. The Till murder continues to haunt the American conscience. Fifty years later, in 2005, the FBI reopened the case. New papers and testimony have come to light, and several participants, including Till's mother, Mamie Till Mobley, have published autobiographies. Using this new evidence and a broadened historical context, Elliott J. Gorn delves into facets of the case never before studied and considers how and why the story of Emmett Till still resonates, and likely always will. Even as it marked a turning point, Gorn shows, hauntingly, it reveals how old patterns of thought and behavior linger in new faces, and how deeply embedded racism in America remains. Gorn does full justice to both Emmett and the Till Case--the boy and the symbol--and shows how and why their intersection illuminates a number of crossroads: of north and south, black and white, city and country, industrialization and agriculture, rich and poor, childhood and adulthood. This is the best book ever written on Emmett Till.

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GAS INSULATED SUBSTATIONS An essential reference guide to gas-insulated substations The second edition of Gas Insulated Substations (GIS) is an all-inclusive reference guide to gas insulated substations (GIS) and its advanced technologies. Updated to the latest technical developments and applications, the guide covers basic physics of gas insulated systems, SF6 insulating gas and its alternatives, safety aspects and factors to choose GIS. GIS technology, its modular structure, control and monitoring systems, testing, installation rules and guidelines for operation, specification, and maintenance. Detailed information on various types for GIS, with 14 reference project explanations and three extensive case studies give information for the best solutions of practical applications. Special solutions using mobile substations concepts, mixed technology switchgear (MTS) with air and gas insulated technology, underground substations, and the use of special GIS substation buildings e.g., shopping centers, parking lots, city parks, business complexes’ or subway stations are explained. Future developments of GIS technology are shown for the next steps in alternatives to SF6, low power instrument transformers, and digitalization of substations. A new chapter explains advanced technologies applied to GIS projects which cover the following; environmental issues for the substation permission process, insulation coordination studies for the network requirements including very fast transients, project scope development, risk-based asset management, health and safety impact, electromagnetic fields, SF6 decomposition byproducts and condition assessment. Disruptive development steps in gas insulated substations technologies are also covered in this second edition. Vacuum breaking and switching technology for rated voltages of up to 500 kV is explained in detail with its physical background. Principle function and possible implementation of low power instrument transformers (LPIT) are explained and examples of applications are given. The principles of digital twin for gas insulated substations (GIS) and gas insulated transmission lines (GIL) are explained in theory and project applications show the practical use and advantage. The wide and fast-growing technical field of offshore GIS applications for AC and DC is explained on many examples and gives information on special requirements when getting offshore. Theoretical requirements on DC gas insulated systems, methods of testing, prototype installation tests, modular design features, and advantages in applications are given. Finally, impact and advantages of digital substations using GIS are explained. Key features: Written by leading GIS experts involved in development and project applications Discusses practical and theoretical aspects Detailed material of GIS for new and experienced GIS users, and project planners Invaluable guide to practicing electrical, mechanical and civil engineers as well as third- and fourth-year electric power engineering students

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Prior to 1967 fewer than a dozen museum exhibitions had featured the work of African American artists. And by the time the civil rights movement reached the American art museum, it had already crested: the first public demonstrations to integrate museums occurred in late 1968, twenty years after the desegregation of the military and fourteen years after the Brown vs. Board of Education decision. In Mounting Frustration Susan E. Cahan investigates the strategies African American artists and museum professionals employed as they wrangled over access to and the direction of New York City's elite museums. Drawing on numerous interviews with artists and analyses of internal museum documents, Cahan gives a detailed and at times surprising picture of the institutional and social forces that both drove and inhibited racial justice in New York's museums. Cahan focuses on high-profile and wildly contested exhibitions that attempted to integrate African American culture and art into museums, each of which ignited debate, dissension, and protest. The Metropolitan Museum's 1969 exhibition Harlem on My Mind was supposed to represent the neighborhood, but it failed to include the work of the black artists living and working there. While the Whitney's 1971 exhibition Contemporary Black Artists in America featured black artists, it was heavily criticized for being haphazard and not representative. The Whitney show revealed the consequences of museums' failure to hire African American curators, or even white curators who possessed knowledge of black art. Cahan also recounts the long history of the Museum of Modern Art's institutional ambivalence toward contemporary artists of color, which reached its zenith in its 1984 exhibition "Primitivism" in Twentieth Century Art. Representing modern art as a white European and American creation that was influenced by the "primitive" art of people of color, the show only served to further devalue and cordon off African American art. In addressing the racial politics of New York's art world, Cahan shows how aesthetic ideas reflected the underlying structural racism and inequalities that African American artists faced. These inequalities are still felt in America's museums, as many fundamental racial hierarchies remain intact: art by people of color is still often shown in marginal spaces; one-person exhibitions are the preferred method of showing the work of minority artists, as they provide curators a way to avoid engaging with the problems of complicated, interlocking histories; and whiteness is still often viewed as the norm. The ongoing process of integrating museums, Cahan demonstrates, is far broader than overcoming past exclusions.

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A fourth-generation soldier tells the story of his father’s tank battalion, the “Spearhead,” that selflessly led the charge on the front lines from Normandy into Germany—against impossible odds, technologically superior weaponry, and a fanatical enemy on its home turf—and the heroes whose sacrifice won World War II.At twenty-eight, Sam Hogan is one of the youngest lieutenant colonels in the US Army. The West Point graduate from Texas stands in the commander’s hatch of his Sherman tank, behind him a steel wedge of seventeen other Shermans of his tank battalion. Two weeks after the now-infamous D-Day landings, Sam is preparing to give the order to advance into the German defenses that enclose the Normandy beachheads. Ahead of Sam lies seemingly impossible odds for survival: technologically superior Nazi tanks, camouflaged anti-tank guns, and infantry armed with new anti-tank rockets. But Sam has prepared for this moment for the past seven years. With a guttural call to move out accompanied by diesel fumes and the squeak of tank treads, Sam and his men begin their long journey to liberate Europe—a journey from which many of them would not return.So begins the story of Sam Hogan and his colorful band of tanker heroes of the Third Armored Division—the “Spearhead”—as they battle on the front lines of some of the war’s toughest fights, from Normandy to the Elbe to the Battle of the Bulge. The soldiers of Task Force Hogan come from all walks of life. There are cooks, tankers, infantrymen, salty old sergeants, and wet-behind-the-ears lieutenants. In common, they have a sense of duty to each other and their country, and the struggle against the most sinister enemy modern history has ever produced.In Task Force Hogan, the story of Sam and his band of heroes comes to life through the writing of his son, Will Hogan—aided by never-before-seen letters, military dispatches, journal entries, and interviews with surviving family of the Task Force. These were the soldiers at the tip of the spear, brave enough to lead the charge and fight against insurmountable odds, and often paying the ultimate price, while liberating French villages and concentration camps as they rolled towards Germany to ultimately win the war. In the pages of this book, Will Hogan finally gives these unsung soldiers the voice and memorial that they all deserve.

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This long-awaited study explores the creation of NBC-TV's landmark 1952-53 WWII documentary series, with particular attention to its evocative Rodgers-Bennett score. Victory at Sea, NBC-TV's innovative 1952-53 WWII documentary, was eventually broadcast to more than 100 million viewers worldwide. Its episodes chronicled the war's conflicts while highlighting the US Navy's contributions, NBC having sourced footage from the military, governments, and newsreel agencies of fourteen nations. Victory's special distinction was its music, with each episode's nonstop score recorded by the acclaimed NBC Symphony Orchestra. The music was credited to Richard Rodgers-then at the height of his fame-as composer, and Robert Russell Bennett as arranger and conductor. In fact, Rodgers composed twelve piano themes; Bennett developed these endlessly for orchestra and, in addition, composed many hours of the score outright. Part One chronicles Victory's gestation and production at NBC, its reception, the series' afterlife in syndication and home video, and the score's "Gold Record" sales success on RCA records. Part Two examines each episode in turn, focusing on how the Bennett-scored music pairs with screen action. Every transformation of the much-used Rodgers themes is cited, along with the episodes' musical inter-relationships. The hundreds of musical examples generously sample the score's 11½ hours of music. NBC's Victory has been neglected by Richard Rodgers's biographers and by film historians. As the series celebrates its 70th anniversary, the Rodgers-Bennett score here finally receives recognition for its artistry and power.

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An exploration of how and why the Constitution's plan for independent courts has failed to protect individuals' constitutional rights, while advancing regressive and reactionary barriers to progressive regulation. Just recently, the Supreme Court rejected an argument by plaintiffs that police officers should no longer be protected by the doctrine of "qualified immunity" when they shoot or brutalize an innocent civilian. "Qualified immunity" is but one of several judicial inventions that shields state violence and thwarts the vindication of our rights. But aren't courts supposed to be protectors of individual rights? As Aziz Huq shows in The Collapse of Constitutional Remedies, history reveals a much more tangled relationship between the Constitution's system of independent courts and the protection of constitutional rights. While doctrines such as "qualified immunity" may seem abstract, their real-world harms are anything but. A highway patrol officer stops a person's car in violation of the Fourth Amendment, violently yanked the person out and threw him to the ground, causing brain damage. A municipal agency fires a person for testifying in a legal proceeding involving her boss's family-and then laughed in her face when she demanded her job back. In all these cases, state defendants walked away with the most minor of penalties (if any at all). Ultimately, we may have rights when challenging the state, but no remedies. In fact, federal courts have long been fickle and unreliable guardians of individual rights. To be sure, through the mid-twentieth century, the courts positioned themselves as the ultimate protector of citizens suffering the state's infringement of their rights. But they have more recently abandoned, and even aggressively repudiated, a role as the protector of individual rights in the face of abuses by the state. Ironically, this collapse highlights the position that the Framers took when setting up federal courts in the first place. A powerful historical account of the how the expansion of the immunity principle generated yawning gap between rights and remedies in contemporary America, The Collapse of Constitutional Remedies will reshape our understanding of why it has become so difficult to effectively challenge crimes committed by the state.

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Social Work and Social Welfare: An Invitation is a best-selling text and website for introduction to social work courses. It provides students with the knowledge, skills, and values that are essential for working with individuals, families, groups, organizations, communities, and public policy in a variety of practice settings. The fifth edition of Social Work and Social Welfare is in full color, with more visuals and photos throughout. As with previous editions, this book is an up-to-date profile of the world in which today’s social workers practice, with current demographic, statistical, legislative, policy, and research information; and sensitive discussions of contemporary ethical issues. The text includes exercises from six interactive cases.Visit www.routledgesw.com for the detailed cases and companion materials that teach students about social work through practice. In this book and companion custom website you will find: ■■ An emphasis on a strengths-based perspective and attention to diversity, social environment, theory and theoretical frameworks, levels of social work practice, and an array of fields of practice. ■■ The histories of social welfare and the social work profession presented as the intertwined phenomena that they are. ■■ A profile of the contemporary landscape of the society in which social workers practice. ■■ Social work practice within the framework of planned change, encompassing: engagement, assessment, intervention, and evaluation and termination. ■■ The opportunity to hear from social work practitioners working in fourteen diverse and challenging practice settings. ■■ Six unique, in-depth, interactive, easy-to-access cases that students can easily reach from any computer, provide a “learning by doing” format unavailable with any other text(s). Students will have an advantage unlike any other they will experience in their social work training. ■■ A wealth of instructor-only resources provide: full-text readings that link to the concepts presented in each of the chapters; a complete bank of objective and essay-type test items, all linked to current CSWE EPAS standards; PowerPoint presentations to help students master key concepts; annotated links to a treasure trove of social work assets on the internet; and a forum inviting all instructors using texts in the series to communicate with each other, and share ideas to improve teaching and learning.

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An insider's look at security analysis and business valuation, as practiced by Wall Street, Corporate America, and international businesses Two major market crashes, numerous financial and accounting scandals, growth in private equity and hedge funds, Sarbanes Oxley and related regulations, and international developments changed security analysis and business valuation substantially over the last fourteen years. These events necessitated a second edition of this modern classic, praised earlier by Barron's as a "welcome successor to Graham and Dodd" and used in the global CFA exam. This authoritative book shows the rational, rigorous analysis is still the most successful way to evaluate securities. It picks up where Graham and Dodd's bestselling Security Analysis - for decades considered the definitive word on the subject - leaves off. Providing a practical viewpoint, Security Analysis on Wall Street shows how the values of common stock are really determined in today's marketplace. Incorporating dozens of real-world examples, and spotlighting many special analysis cases - including cash flow stocks, unusual industries and distressed securities - this comprehensive resources delivers all the answers to your questions about security analysis and corporate valuation on Wall Street. The Second Edition of Security Analysis on Wall Street examines how mutual funds, private equity funds, hedge funds, institutional money managers, investment banks, business appraisers, and corporate acquirers perform their craft of security analysis and business valuation in today's highly charged environment. Completely updated to reflect the latest methodologies, this reliable resource represents the most comprehensive book written by someone who has actually worked as an investment banker, private equity executive, and international institutional investor. Shows the methodical process that practitioners use to value common stocks and operating companies and to make buy/sell decisions Discusses the impact of the two stock market crashes, the accounting and financial scandals, and the new regulations on the evaluation process Covers how Internet and computing power automate portions of the research and analytical effort Includes new case study examples representative of valuation issues faced daily by mutual funds, private equity funds, hedge funds, institutional investors, investment banks, business appraisers, and corporate acquirers Is a perfect tool for professors wishing to show their MBA students the essential tools of equity and business valuation Security analysis and business valuation are core financial disciplines for Wall Streeters, corporate acquirers, and international investors. The Second Edition of Security Analysis on Wall Street is an important book for anyone who needs a solid grounding in these critical finance topics.

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Everything you need to know to record client intake, treatment, and progress—incorporating the latest managed care, accrediting agency, and government regulations Paperwork and record keeping are day-to-day realities in your mental health practice. Records must be kept for managed care reimbursement; for accreditation agencies; for protection in the event of lawsuits; to meet federal HIPAA regulations; and to help streamline patient care in larger group practices, inpatient facilities, and hospitals. The standard professionals and students have turned to for quick and easy, yet comprehensive, guidance to writing a wide range of mental health documents, the Fourth Edition of The Psychotherapy Documentation Primer continues to reflect HIPAA and accreditation agency requirements as well as offer an abundance of examples. Fully updated to include diagnostic criteria of the DSM-5, The Psychotherapy Documentation Primer, 4th Edition is designed to teach documental skills for the course of psychotherapy from the initial interview to the discharge. The documentation principles discussed in the text satisfy the often-rigid requirements of third-party insurance companies, regulating agencies, mental health licensing boards, and federal HIPAA regulations. More importantly, it provides students and professionals with the empirical and succinct documentation techniques and skills that will allow them to provide clear evidence of the effects of mental health treatment while also reducing the amount of their time spent on paperwork.

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