Search results for ""author mary .""

TAR0T REVERSALS reveals everything you need to know for reading the most maligned and misunderstood part of a spread - the reversed cards. These interpretations offer inner support, positive advice, and descriptions of the learning opportunities available, yet with a twist that is uniquely their own. Enhance and deepen the quality of your consultations as you experiment with the eleven different methods of reading reversed cards.

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Mary Katherine Backstrom's Holy Hot Mess was a national bestseller and cemented MK's place as a hilarious writer with a big heart. Now, readers who loved the book can engage more deeply with the text with this interactive guided journal.This giftable guided journal includes snippets from each chapter of the book, as well as scripture verses, reflective questions, prayers journal prompts, and journaling pages. Each chapter will allow readers to dive more deeply into the book, and to understand more deeply how God uses our messes to draw us closer to Him.

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'You meets Parasite' JENNIFER HILLIER'Creepy and gripping - I loved it!' JACKIE KABLER'I've rarely felt as unnerved as I did after reading Mary Dixie Carter's The Photographer, a debut that trains a literary lens on aspiration, envy and obsession ... The depths to which Delta insinuates herself into their lives ...makes the ensuing narrative climax all the more shocking with its unexpected twist' NEW YORK TIMESThey want the perfect family picture.She wants their perfect life.As a photographer for Manhattan's elite, Delta Dawn is intimately familiar with the city's most illustrious families - and all their secrets. She may blend into the background, but she sees everything.When she is booked for a job by the glamorous Amelia Straub, there is a jolt of recognition. This time the family feels special - and wouldn't Delta fit so perfectly here with them, in their gorgeous home, their elegant life? She wants nothing more. And as she steadily befriends them all, she discovers that the one thing Amelia wants most is also the perfect way to ensure Delta will never be asked to leave.Combining pin-sharp storytelling with a tantalising build of menace, and a dangerously magnetic lead character, The Photographer heralds the arrival of a brilliant new crime writer for fans of Netflix drama You by Caroline Kepnes and Gillian Flynn's Gone Girl.RAVE READER REVIEWS'A disturbing and highly entertaining psychological thriller that sets itself apart from the rest''An engaging psychological thriller from start to finish''This is exactly the book we all need right now! I can't remember the last time a book made me forget I had a phone'

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'A brilliant, original read' - Daily Mail'Totally absorbing, this is a story that will keep you gripped' - Janice Hadlow, author of The Other Bennet SisterThe case is unexceptional, that is what I know. A house full of stuff left behind by a dead woman, abandoned at the last . . .When trauma cleaner Essie Pound makes a gruesome discovery in the derelict Edinburgh boarding house she is sent to clean, it brings her into contact with a young policewoman, Emily Noble, who has her own reasons to solve the case. As the two women embark on a journey into the heart of a forgotten family, the investigation prompts fragmented memories of their own traumatic histories – something Emily has spent a lifetime attempting to bury, and Essie a lifetime trying to lay bare.Emily Noble’s Disgrace is the third novel from Mary Paulson-Ellis, the bestselling author of The Other Mrs Walker, a Waterstones Scottish Book of the Year.

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Full of incredible canine capers, tales of doggy derring-do, and plenty of puppy facts, this dog-o-pedia is essential reading for dog lovers everywhere! You'll learn tantalizing trivia and tidbits about all sorts of dogs, breeds, characters, and more! Find out the answers to these questions: Who are the most famous dog trainers in Hollywood, having trained Lassie, Toto, and Old Yeller, among many others? What is the name of Yale’s bulldog mascot? Where does the proverb, “The best thing about a man is his dog,” come from? When did Laika (or Muttnik as she was known in the U.S.) become the first dog to be shot into orbit? Why did Drew Barrymore deed her house to her Labrador Flossie? How do dogs detect cancer in humans?

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Successful transitions to enduring democracy are both difficult and rare. In Scandal and Democracy, Mary E. McCoy explores how newly democratizing nations can avoid reverting to authoritarian solutions in response to the daunting problems brought about by sudden change. The troubled transitions that have derailed democratization in nations worldwide make this problem a major concern for scholars and citizens alike. This study of Indonesia's transition from authoritarian rule sheds light on the fragility not just of democratic transitions but of democracy itself and finds that democratization's durability depends, to a surprising extent, on the role of the media, particularly its airing of political scandal and intraelite conflict. More broadly, Scandal and Democracy examines how the media's use of new freedoms can help ward off a slide into pseudodemocracy or a return to authoritarian rule. As Indonesia marks the twentieth anniversary of its democratic revolution of 1998, it remains among the world's most resilient new democracies and one of the few successful democratic transitions in the Muslim world. McCoy explains the media's central role in this change and corroborates that finding with comparative cases from Mexico, Tunisia, and South Korea, offering counterintuitive insights that help make sense of the success and failure of recent transitions to democracy.

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Courage and Grief illuminates in a nuanced fashion Sweden’s involvement in Europe’s destructive Thirty Years’ War (1618–48). Focusing on the various roles women performed in the bloody and extended conflict, Mary Elizabeth Ailes analyzes how methods of warfare and Swedish society were changing in profound ways. This study considers the experiences of unmarried camp followers and officers’ wives as well as peasant women who remained in the countryside during times of conflict and upheaval. Women contributed to the war effort in a variety of ways. On campaign they provided support services to armies in the field. On the home front they helped to minimize disruptions incurred within their frayed communities. As increasing numbers of men left to fight overseas, women took over local economic activities and defended their families’ interests. Such activities significantly altered the fabric of Swedish society. Examining women’s wartime experiences in the Thirty Years’ War enhances our understanding of women’s roles in society, the nature of female power and authority, and the opportunities and hardships that warfare brought to women’s lives.

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In Scales of Captivity, Mary Pat Brady traces the figure of the captive or cast-off child in Latinx and Chicanx literature and art between chattel slavery’s final years and the mass deportations of the twenty-first century. She shows how Latinx expressive practices expose how every rescaling of economic and military power requires new modalities of capture, new ways to bracket and hedge life. Through readings of novels by Helena María Viramontes, Oscar Casares, Lorraine López, Maceo Montoya, Reyna Grande, Daniel Peña, and others, Brady illustrates how submerged captivities reveal the way mechanisms of constraint such as deportability ground institutional forms of carceral modernity and how such practices scale relations by naturalizing the logic of scalar hierarchies underpinning racial capitalism. By showing how representations of the captive child critique the entrenched logic undergirding colonial power, Brady challenges racialized modes of citizenship while offering visions for living beyond borders.

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Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.

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This stunning keepsake—perfect for fans of the mysterious and macabre—comprises Mary Shelley’s classic tale of a botched experiment in immortality, “The Mortal Immortal,” and “On Ghosts: An Essay,” her appraisal of popular ghost legends.

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A tight, smartly-written romance with an occult twist.

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Defining Visions is a powerful narrative social history that examines television’s rise as the great “certifying agent” in American life. This newly updated and fully revised edition extends its coverage to the end of the 20th century. It defines the “Television Age” as a discrete period in American history bracketed by monumental events—the triumph of the Allied victory of WWII and the devastation of 9/11. A powerful narrative social history that examines television’s rise as the great 'certifying agent' in American life Extends its coverage to the end of the twentieth century, and defines the 'Television Age' as a discrete period in American history that is bracketed by the end of WWII and 9/11 Includes discussions of the Monica Lewinsky scandal and Clinton impeachment; the massacre at Columbine High School; the 2000 presidential election; and the tragic events of September 11, 2001 Considers the cultural impact of recent prime-time programs such as Seinfeld, CSI and Will & Grace Presents a sweeping account of the connections between TV and American culture

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This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium, such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.

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This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.

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Drue Campbell's life and career have recently been derailed. The only thing she has left is the house her mother left her: a ramshackle beach bungalow with a missing roof in the once-sleepy town of Sunset Beach, which is rapidly becoming a hot spot for the rich and well-heeled, who are none too pleased about the shabby eyesore in their perfect neighborhood. When Drue's larger-than-life father unexpectedly turns up at her mother's funeral and offers her a job at his law firm, Drue doesn't know whether to be grateful or resentful that he has suddenly reappeared. She grudgingly accepts the job sifting through cold callers and shysters looking to get rich quick. But when her attention is caught by a suspicious murder case, Drue finds herself entangled in a decades-old mystery - one that may have dire consequences for Drue and the people she loves.

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Thousands of interior design professionals have come to rely on The Interior Design Business Handbook for comprehensive, accessible coverage of the essential procedures, tools, and techniques necessary to manage a successful interior design business. The Fifth Edition of this essential resource has been revised to address the latest trends and changes in the field, with new and updated material on business size and structure, building a brand, client development, social networking and Internet marketing, finances, purchasing, technology and software programs, and other key areas. Complete with more than 75 sample forms and letters, this Fifth Edition is a one-stop resource for all aspects of establishing and running an interior design business—from choosing a location and managing day-to-day operations to growing a business and putting it up for sale. All of the techniques and procedures in the book are rooted in real-world experience and are used daily in successful design firms throughout the United States. Filled with valuable information for solo practices and small firms as well as larger businesses, this book is an indispensable resource for seasoned professionals as well as interior designers who are at the start of their career.

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With the advent of the "steam palace" in the nineteenth century, American women set out to see the world. Women from various walks of life—prototypes of Daisy Miller, Isabel Archer, and Undine Spragg—crossed the oceans in record numbers. As they traveled abroad to faraway destinations in Europe, Africa, the Middle East, China, and India, many recorded their experiences and their impressions of foreign lands. Women speak for themselves in Telling Travels, a selection of narratives from travel books by nineteenth-century American women. Included here are such famed authors as Harriet Beecher Stowe and Nellie Bly, as well as rediscovered travel writers. Whether musing on the vagaries of journeying abroad or commenting on the history, politics, and customs of other lands, the writers express their cultural predispositions and reflect the changing dynamics of gender politics.

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The popularity of television in postwar suburban America had a devastating effect on the traditional Hollywood studio system. Yet many aging Hollywood stars used television to revive their fading careers. In Recycled Stars, Mary R. Desjardins examines the recirculation, ownership, and control of female film stars and their images in television, print, and new media. Female stardom, she argues, is central to understanding both the anxieties and the pleasures that these figures evoke in their audiences’ psyches through patterns of fame, decline, and return. From Gloria Swanson, Loretta Young, Ida Lupino, and Lucille Ball, who found new careers in early television, to Maureen O’Hara’s high-profile 1957 lawsuit against the scandal magazine Confidential, to the reappropriation of iconic star images by experimental filmmakers, video artists, and fans, this book explores the contours of female stars’ resilience as they struggled to create new contexts for their waning images across emerging media.

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A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum—Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality.

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Hours after the collapse of the Twin Towers, the idea that the September 11 attacks had “changed everything” permeated American popular and political discussion. In the period since then, the events of September 11 have been used to justify profound changes in U.S. public policy and foreign relations. Bringing together leading scholars of history, law, literature, and Islam, September 11 in History asks whether the attacks and their aftermath truly marked a transition in U.S. and world history or whether they are best understood in the context of pre-existing historical trajectories. From a variety of perspectives, the contributors to this collection scrutinize claims about September 11, in terms of both their historical validity and their consequences. Essays range from an analysis of terms like “ground zero,” “homeland,” and “the axis of evil” to an argument that the U.S. naval base at Guantánamo Bay has become a site for acting out a repressed imperial history. Examining the effect of the attacks on Islamic self-identity, one contributor argues that Osama bin Laden enacted an interpretation of Islam on September 11 and asserts that progressive Muslims must respond to it. Other essays focus on the deployment of Orientalist tropes in categorizations of those who “look Middle Eastern,” the blurring of domestic and international law evident in a number of legal developments including the use of military tribunals to prosecute suspected terrorists, and the justifications for and consequences of American unilateralism. This collection ultimately reveals that everything did not change on September 11, 2001, but that some foundations of democratic legitimacy have been significantly eroded by claims that it did.ContributorsKhaled Abou el FadlMary L. DudziakChristopher L. EisgruberLaurence R. HelferSherman A. JacksonAmy B. KaplanElaine Tyler MayLawrence G. SagerRuti G. TeitelLeti VolppMarilyn B. Young

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A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.

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America’s Collectible Cookbooks is a wonderful concoction of gossipy morsels and serious reflection about cookbooks and cookbook authors. Although the names Fannie Merritt Farmer, Eliza Leslie, Sarah Josepha Hale, and Irma Rombauer are familiar to generations of American books, few know how really extraordinary these women were. In Mary Anna DuSablon’s look at the two hundred-year evolution of American cookbooks, these authors receive their due—not simply as recipe peddlers, but as shapers of American culture. The book describes how government and industry joined forces to woo women back into the kitchen after the world wars. And it hails the role of the cookbook as a fund-rasier during the many years of social reform. Some other tantalizing topics include: • What did New York’s “Inelligence Offices” have to do with cookbooks? • Where can one find John Steinbeck’s recipe for “Tortilla Flats,” or Joan Crawford’s “Surprise”? • Graham crackers are a descendant of which important New England cookbook author? • Which famous chef (who was not a chef) wrote a cookbook but could not cook? • What cookbooks still found in many American homes are collectible treasures? • Who were the women (and men) behind Betty Crocker, the most successful, but nonexistent, cookbook autor in America? The reach is invited to savor twelve-course dinners, Pork Chops with Truffle Sauce, “Pompkin” Pie, and the wholesome gourmet delicacies of Molly Katzen (The Moosewood Cookbook) and Marian Morash (The Victory Garden Cookbook). In America’s Collectible Cookbooks, we find that DuSablon convincingly reclaims American cuisine as the invention of, who else? American women.

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Traditional literary theory holds that women writers of the Restoration and eighteenth century produced works of limited range and value: simple tales of domestic conflict, seduction, and romance. Bringing a broad range of methodologies (historical, textual, post-structuralist, psychological) to bear on the works of Eliza Haywood, Charlotte Smith, Sarah Fielding, Fanny Burney, Jane Austen, and others. Fetter'd or Free? encourages a re-evaluation of these elder sisters of the Brontes and Eliot. In addition to examining the relationship between the minor female writers and the acknowledged greats of the age, these twenty-three essays focus on such issues as politics and ideology in the novel; the social, cultural, and economic context of the female writer; female character types and iconography; fictional and rhetorical strategies; and the development of such recurrent themes as imprisonment and subversion. What emerges is a much clearer view than we have had of the predicament of the female writer in the eighteenth century, the constraints on her freedom and artistic integrity, and the means by which she recognized, expressed, and responded to the conditions of this turbulent age. The collection includes essays by Paula Backscheider, Patricia M. Spacks, Jerry C. Beasley, Margaret Anne Doody, Robert A. Day, and others. None of the essays has been previously published. In scope and variety, Fetter'd of Free? is unlike anything currently available. It will be of interest to both the specialist and the ambitious general reader and will initiate fresh dialogues among scholars of both eighteenth century literature and women's studies.

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With suffrage secured in 1920, feminists faced the challenge of how to keep their momentum going. As the center of the movement shrank, a small, self-appointed vanguard of “modern” women carried the cause forward in life and work. Feminism as Life’s Work profiles four of these women: the author Inez Haynes Irwin, the historian Mary Ritter Beard, the activist Doris Stevens, and Lorine Pruette, a psychologist. Their life-stories, told here in full for the first time, embody the changes of the first four decades of the twentieth century—and complicate what we know of the period.Through these women’s intertwined stories, Mary Trigg traces the changing nature of the women’s movement across turbulent decades rent by world war, revolution, global depression, and the rise of fascism. Criticizing the standard division of feminist activism as a series of historical waves, Trigg exposes how Irwin, Beard, Stevens, and Pruette helped push the U.S. feminist movement to victory and continued to propel it forward from the 1920s to the 1960s, decades not included in the “wave” model. At a time widely viewed as the “doldrums” of feminism, the women in this book were in fact taking the cause to new sites: the National Women’s Party; sexuality and relations with men; marriage; and work and financial independence. In their utopian efforts to reshape work, sexual relations, and marriage, modern feminists ran headlong into the harsh realities of male power, the sexual double standard, the demands of motherhood, and gendered social structures.In Feminism as Life’s Work, Irwin, Beard, Stevens, and Pruette emerge as the heirs of the suffrage movement, guardians of a long feminist tradition, and catalysts of the belief in equality and difference. Theirs is a story of courage, application, and perseverance—a story that revisits the “bleak and lonely years” of the U.S. women’s movement and emerges with a fresh perspective of the history of this pivotal era.

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After the devastation of the First World War, France welcomed immigrants on an unprecedented scale. To manage these new residents, the French government devised Europe's first guest worker program, then encouraged family settlements and finally cracked down on all foreigners on the eve of the Second World War. Despite France's famous doctrine of universal rights, these policies were egalitarian only in theory, not in reality. Mary Dewhurst Lewis uncovers the French Republic's hidden history of inequality as she reconstructs the life stories of immigrants—from their extraordinary successes to their sometimes heartbreaking failures as they attempted to secure basic rights. Situating migrants' lives within dramatic reversals in the economy, politics, and international affairs, Lewis shows how factors large and small combined to shape immigrant rights. At once an arresting account of European social and political unrest in the 1920s and 1930s and an exposé of the origins of France's enduring conflicts over immigration, The Boundaries of the Republic is an important reflection on both the power and the fragility of rights in democratic societies.

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One of the most dramatic economic changes of the past century has been the increase in married women’s work outside the home. This volume examines the nature of married women’s participation in the economies of three East Asian countries—Japan, Taiwan, and South Korea. In addition to asking what is similar or different about women’s economic participation in this region of the world compared to Western societies, the book also asks how women’s work patterns vary across the three countries. The essays focus on key theoretical questions for the study of women’s labor and, more broadly, economic gender inequality. How do we assess the “value” of work available to married women in different countries and cultural contexts? What forces promote or hinder women’s work outside the home throughout marriage and childrearing? Does wage employment necessarily benefit women more than the “informal” sector (e.g., family-run businesses)? Is full-time work always more desirable than part-time work? Do women who return to the labor force after absences due to family responsibilities incur a heavy wage penalty for interrupted careers? The essays balance comparative assessments in a broad East Asian context with detailed investigations of one or more questions in the context of a specific country. The studies reveal that, although all three countries share common cultural and demographic conditions, patterns of women’s economic participation are distinctly different in Taiwan from those in Japan and South Korea. Whereas women’s participation in Taiwan’s economy shows striking similarities to many Western countries, married women in Japan and Korea participate less in the economy, and their earnings differ more from men’s than in Taiwan or the West. Why is Taiwan more similar to the West while Japan and South Korea are more similar to each other? The book draws on a broad range of materials to explain this puzzle. One of the explanations advanced is that overall labor demand, a greater supply of highly educated men, and more rigid work conditions (especially in large firms) in Japan and South Korea are major obstacles to the equal economic participation of married women in those countries. Also, the greater flexibility in work demands and work hours prevalent in Taiwan is complemented by relatively weaker patriarchal values in the family.

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2018 Alaskana Award from the Alaska Library Association Born in 1893, Walter Harper was the youngest child of Jenny Albert and the legendary Irish gold prospector Arthur Harper. His parents separated shortly after his birth, and his mother raised Walter in the Athabascan tradition, speaking her Koyukon Athabascan language. When Walter was seventeen years old, Episcopal archdeacon Hudson Stuck hired the skilled and charismatic youth as his riverboat pilot and winter trail guide. As the two traveled among Interior Alaska’s Episcopal missions, they developed a father-son-like bond and together summited Mount Denali in 1913. Walter remained grounded in his birth culture as his Western education expanded, and he became a leader and a bridge between Alaska Native peoples and Westerners in the Alaska Territory. He planned to become a medical missionary in Interior Alaska, but his life was cut short at the age of twenty-five, in the SS Princess Sophia disaster near Skagway, Alaska, in 1918. Harper exemplified resilience in an era when rapid socioeconomic and cultural change were wreaking havoc in Alaska Native villages. Walter Harper, Alaska Native Son illuminates the life of the remarkable Irish Athabascan man who was the first person to summit Mount Denali.

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Like a flash of lightning it came to him—the unathletic high school student Ted Kooser saw a future as a famous poet that promised everything: glory, immortality, a bohemian lifestyle (no more doing dishes, no more cleaning his room), and, particularly important to the lonely teenager, girls! Unlike most kids with a sudden ambition, Kooser, winner of the Pulitzer Prize for Poetry and thirteenth poet laureate of the United States, made good on his dream. But glory was a long time coming, and along the way Kooser lived the life that has made his poetry what it is, as deeply grounded in family, work, and the natural world as it is attuned to the nuances of language. Just as so much of Kooser’s own writing weaves geography, history, and family stories into its measures, so does this first critical biography consider the poet’s work and life together: his upbringing in Iowa, his studies in Nebraska with poet Karl Shapiro as mentor, his career in insurance, his family life, his bout with cancer, and, always, his poetry. Combining a fine appreciation of Kooser’s work and life, this book finally provides a fuller and more complex picture of a writer who, perhaps more than any other, has brought the Great Plains and the Midwest, lived large and small, into the poetry of our day.

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Breaking new ground in the study of British literary culture during an important, transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent whose emergence in Britain around 1880 coincided with, and accelerated, the transformation of both publishing and authorship. Like other recent studies in book and print culture, The Professional Literary Agent in Britain, 1880-1920 starts from the central premise that the business of authorship is inextricably linked with the aesthetics of literary praxis. Rather than provide a broad overview of the period, however, Gillies focuses on a specific figure, the professional literary agent. She then traces the influence of two prominent agents - A. P. Watt (generally acknowledged as the first professional literary agent) and J. B. Pinker (the leading figure in the second wave of agents) - focusing on their respective relationships with two key clients. The case studies not only provide insight into the business dynamics of the literary world at this time, but also illustrate the shifting definition of literature itself during the period.

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Ana Domenge, who later founded the Dominican convent in Perpignan, composed a written account of her spiritual intimacies with God while being held in terrible conditions in a secret prison in Barcelona. Ines of Herrera del Duque, a leather tanner's twelve-year-old daughter whose messianic prophesies captivated both children and adults, was burned at the stake along with many of her followers. Nine years after the death of Catarina de San Juan, the Inquisition banned copies of her image and biography, fearing that a cult was forming around this popular holy woman in Puebla, New Spain. Inquisitors enlisted the assistance of Mari Sanchez's daughter to prove that this Jewish converso was guilty of practicing Judaism in secret, an accusation that led to her death. In Women in the Inquisition, Mary E. Giles brings together scholars from literature, history, and religious studies to explore women's experiences under the Inquisition in both Spain and the New World. Based on fresh archival work, the essays provide a broader perspective on the Inquisition than has previously been available. Examining the stories of fifteen women in the context of this fearful Catholic institution in both Spain and the New World, the contributors chronicle a broad range of "crimes" against the Catholic Church, including sexual transgressions, the practice of crypto-Judaism, and the writing and preaching by alumbradas that undermined Catholic orthodoxy. The accounts, representing the experiences of girls and women from different classes and geographical regions, also include the trials' vastly divergent outcomes ranging from burning at the stake to exoneration.

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Surveying exotic travel writing in Europe from late antiquity to the age of discover, The Witness and the Other World illustrates the fundamental human desire to change places, if only in the imagination. Mary B. Campbell looks at works by pilgrims, crusaders, merchants, discoverers, even armchair fantasists such as Mandeville, as well as the writings of Marco Polo, Columbus, and Walter Raleigh. According to Campbell, these travel accounts are exotic because they bear witness to alienated experiences; European travelers, while claiming to relate fact, were often passing on monstrous projections. She contends that their writing not only documented but also made possible the conquest of the peoples whom she travelers described, and she shows how travel literature contributed to the genesis of the modern novel and the modern life sciences.

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In nineteenth-century England, marriage between first cousins was both legally permitted and perfectly acceptable. After mid-century, laws did not explicitly penalize sexual relationships between parents and children, between siblings, or between grandparents and grandchildren. But for a widower to marry his deceased wife's sister was illegal on the grounds that it constituted incest. That these laws and the mores they reflect strike us today as wrongheaded indicates how much ideas about kinship, marriage, and incest have changed. In Family Likeness, Mary Jean Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Brontë, George Eliot, Elizabeth Gaskell, and Virginia Woolf reflected the shifting boundaries of "family" and even helped refine those borders. Corbett takes up historically contingent and culturally variable notions of who is and is not a relative and whom one can and cannot marry. Her argument is informed by legal and political debates; texts in sociology and anthropology; and discussions on the biology of heredity, breeding, and eugenics. In Corbett's view, marriage within families—between cousins, in-laws, or adoptees—offered Victorian women, both real and fictional, an attractive alternative to romance with a stranger, not least because it allowed them to maintain and strengthen relations with other women within the family.

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The Burmese army took political power in Burma in 1962 and has ruled the country ever since. The persistence of this government—even in the face of long-term nonviolent opposition led by activist Aung San Suu Kyi, who was awarded the Nobel Peace Prize in 1991—has puzzled scholars. In a book relevant to current debates about democratization, Mary P. Callahan seeks to explain the extraordinary durability of the Burmese military regime. In her view, the origins of army rule are to be found in the relationship between war and state formation.Burma's colonial past had seen a large imbalance between the military and civil sectors. That imbalance was accentuated soon after formal independence by one of the earliest and most persistent covert Cold War conflicts, involving CIA-funded Kuomintang incursions across the Burmese border into the People's Republic of China. Because this raised concerns in Rangoon about the possibility of a showdown with Communist China, the Burmese Army received even more autonomy and funding to protect the integrity of the new nation-state.The military transformed itself during the late 1940s and the 1950s from a group of anticolonial guerrilla bands into the professional force that seized power in 1962. The army edged out all other state and social institutions in the competition for national power. Making Enemies draws upon Callahan's interviews with former military officers and her archival work in Burmese libraries and halls of power. Callahan's unparalleled access allows her to correct existing explanations of Burmese authoritarianism and to supply new information about the coups of 1958 and 1962.

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The rodeo cowboy is one of the most evocative images of the Wild West. The master of the frontier, he is renowned for his masculinity, toughness, and skill. A Wilder West returns to rodeo's small-town roots to explore how rodeo simultaneously embodies and subverts our traditional understandings of power relations between man and nature, women and men, settlers and Aboriginal peoples.An important contact zone – a chaotic and unpredictable place of encounter – rodeo has challenged expected social hierarchies, bringing people together across racial and gender divides to create friendships, rivalries, and unexpected intimacies. At the rodeo, Aboriginal riders became local heroes, and rodeo queens spoke their minds.A Wilder West complicates the idea of western Canada as a “white man's country” and shows how rural rodeos have been communities in which different rules applied. Lavishly illustrated, this creative history will change the way we see the West's most controversial sport.

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First lost tooth. First colonoscopy. First second mortgage. First chin hair. First comb-over. All of these memorable firsts belong in MY MIDDLE-AGED BABY BOOK: A Place to Write Down All the Things You’ll Soon Forget. A padded and chewable keepsake with room to write in significant firsts, it’s a perfect gift for a milestone birthday, when you’re old enough not to take yourself too seriously.?A comic classic, My Middle-Aged Baby Book is the irrepressibly cheeky celebration of middle age in the form of a fill-in baby book—and the perfect gift for both women (“Is it hot in here, or is it just me?”) and men (remember, it’s prostate not prostrate). It’s a place to record firsts: my first colonoscopy, my first reading glasses, my first words (“everything hurts”). Vital statistics: including married name(s), circumference of abdomen, cholesterol count (bad HDLs, good HDLs). Primary caregivers: urologist, periodontist, colorist. It explains the Seven Stages of Hair Loss, answers the question Am I Smiling . . . or Is It Gas?, covers Sex? (Check one: Yes, No, Can’t Remember), and what happens When I Grow Up—go ahead, be a burden to your children!?And for everyone who forgot where they put their reading glasses, the book is thoughtfully printed on anti-glare paper in large, easy-to-read type.

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What do long-distance travelers gain from their voyages, especially when faraway lands are regarded as the source of esoteric knowledge? Mary Helms explains how various cultures interpret space and distance in cosmological terms, and why they associate political power with information about strange places, peoples, and things. She assesses the diverse goals of travelers, be they Hindu pilgrims in India, Islamic scholars of West Africa, Navajo traders, or Tlingit chiefs, and discusses the most extensive experience of long-distance contact on record--that between Europeans and native peoples--and the clash of cultures that arose from conflicting expectations about the "faraway.". The author describes her work as "especially concerned with the political and ideological contexts or auras within which long-distance interests and activities may be conducted ...Not only exotic materials but also intangible knowledge of distant realms and regions can be politically valuable 'goods,' both for those who have endured the perils of travel and for those sedentary homebodies who are able to acquire such knowledge by indirect means and use it for political advantage." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Mary Dudziak's "Exporting American Dreams" tells the little-known story of Thurgood Marshall's work with Kenyan leaders as they fought with the British for independence in the early 1960s. Not long after he led the legal team in Brown v. Board of Education, Marshall aided Kenya's constitutional negotiations, as adversaries battled over rights and land - not with weapons, but with legal arguments. Set in the context of Marshall's civil rights work in the United States, this transnational history sheds light on legal reform and social change in the midst of violent upheavals in Africa and America. While the struggle for rights on both continents played out on a global stage, it was a deeply personal journey for Marshall. Even as his belief in the equalizing power of law was challenged during his career as a Supreme Court justice, and in Kenya the new government sacrificed the rights he cherished, Kenya's founding moment remained for him a time and place when all things had seemed possible.

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Fiction has always been in a state of transformation and circulation: how does this history of mobility inform the emergence of the novel? The Spread of Novels explores the active movements of English and French fiction in the eighteenth century and argues that the new literary form of the novel was the result of a shift in translation. Demonstrating that translation was both the cause and means by which the novel attained success, Mary Helen McMurran shows how this period was a watershed in translation history, signaling the end of a premodern system of translation and the advent of modern literary exchange. McMurran illuminates aspects of prose fiction translation history, including the radical revision of fiction's origins from that of cross-cultural transfer to one rooted by nation; the contradictory pressures of the book trade, which relied on translators to energize the market, despite the increasing devaluation of their labor; and the dynamic role played by prose fiction translation in Anglo-French relations across the Channel and in the New World. McMurran examines French and British novels, as well as fiction that circulated in colonial North America, and she considers primary source materials by writers as varied as Frances Brooke, Daniel Defoe, Samuel Richardson, and Francoise Graffigny. The Spread of Novels reassesses the novel's embodiment of modernity and individualism, discloses the novel's surprisingly unmodern characteristics, and recasts the genre's rise as part of a burgeoning vernacular cosmopolitanism.

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One of the core assumptions of recent American foreign policy is that China's post-1978 policy of "reform and openness" will lead to political liberalization. This book challenges that assumption and the general relationship between economic liberalization and democratization. Moreover, it analyzes the effect of foreign direct investment (FDI) liberalization on Chinese labor politics. Market reforms and increased integration with the global economy have brought about unprecedented economic growth and social change in China during the last quarter of a century. Contagious Capitalism contends that FDI liberalization played several roles in the process of China's reforms. First, it placed competitive pressure on the state sector to produce more efficiently, thus necessitating new labor practices. Second, it allowed difficult and politically sensitive labor reforms to be extended to other parts of the economy. Third, it caused a reformulation of one of the key ideological debates of reforming socialism: the relative importance of public industry. China's growing integration with the global economy through FDI led to a new focus of debate--away from the public vs. private industry dichotomy and toward a nationalist concern for the fate of Chinese industry. In comparing China with other Eastern European and Asian economies, two important considerations come into play, the book argues: China's pattern of ownership diversification and China's mode of integration into the global economy. This book relates these two factors to the success of economic change without political liberalization and addresses the way FDI liberalization has affected relations between workers and the ruling Communist Party. Its conclusion: reform and openness in this context resulted in a strengthened Chinese state, a weakened civil society (especially labor), and a delay in political liberalization.

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Cities throughout the Roman Empire flourished during the reign of Hadrian (A.D. 117-138), a phenomenon that not only strengthened and legitimized Roman dominion over its possessions but also revealed Hadrian as a masterful negotiator of power relationships. In this comprehensive investigation into the vibrant urban life that existed under Hadrian's rule, Mary T. Boatwright focuses on the emperor's direct interactions with Rome's cities, exploring the many benefactions for which he was celebrated on coins and in literary works and inscriptions. Although such evidence is often as imprecise as it is laudatory, its collective analysis, undertaken for the first time together with all other related material, reveals that over 130 cities received at least one benefaction directly from Hadrian. The benefactions, mediated by members of the empire's municipal elite, touched all aspects of urban life; they included imperial patronage of temples and hero tombs, engineering projects, promotion of athletic and cultural competitions, settlement of boundary disputes, and remission of taxes. Even as he manifested imperial benevolence, Hadrian reaffirmed the self-sufficiency and traditions of cities from Spain to Syria, the major exception being his harsh treatment of Jerusalem, which sparked the Third Jewish Revolt. Overall, the assembled evidence points to Hadrian's recognition of imperial munificence to cities as essential to the peace and prosperity of the empire. Boatwright's treatment of Hadrian and Rome's cities is unique in that it encompasses events throughout the empire, drawing insights from archaeology and art history as well as literature, economy, and religion.

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Contradicting the long-held belief that Aristotle was the first to discuss individuation systematically, Mary Margaret McCabe argues that Plato was concerned with what makes something a something and that he solved the problem in a radically different way than did Aristotle. McCabe explores the centrality of individuation to Plato's thinking, from the Parmenides to the Politicus, illuminating Plato's later metaphysics in an exciting new way. Tradition associates Plato with the contrast between the particulars of the sensible world and transcendent forms, and supposes that therein lies the center of Plato's metaphysical universe. McCabe rebuts this view, arguing that Plato's thinking about individuals--which informs all his thought--comes to focus on the tension between "generous" or complex individuals and "austere" or simple individuals. In dialogues such as the Theaetetus and the Timaeus Plato repeatedly poses the question of individuation but cannot provide an answer. Later, in the Sophist, the Philebus, and the Politicus, Plato devises what McCabe calls the "mesh of identity," an account of how individuals may be identified relative to each other. The mesh of identity, however, fails to explain satisfactorily how individuals are unified or made coherent. McCabe asserts that individuation may be absolute--and she questions philosophy's longtime reliance on Aristotle's solution.

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In this exploration of crisis in Counter-Reformation Spain, Mary Elizabeth Perry reveals the significance of gender for social order by portraying the lives of women who lived on the margins of respectability--prostitutes, healers, visionaries, and other deviants who provoked the concern of a growing central government linked closely to the church. Focusing on Seville, the commercial capital of Habsburg Spain, Perry uses rich archival sources to document the economic and spiritual activity of women, and efforts made by civil and church authorities to control this activity, during a period of local economic change and religious turmoil. In analyzing such sources as art and literature from the period, women's writings, Inquisition records, and laws and regulations, Perry finds that social definitions of what it meant to be a woman or a man persisted due to their sanctification by religious ideas and their adaptation into political order. She describes the tension between gender ideals and actual conditions in women's lives, and shows how some women subverted the gender order by using a surprisingly wide variety of intellectual and physical strategies.

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