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This book covers foreign exchange options from the point of view of the finance practitioner. It contains everything a quant or trader working in a bank or hedge fund would need to know about the mathematics of foreign exchange—not just the theoretical mathematics covered in other books but also comprehensive coverage of implementation, pricing and calibration. With content developed with input from traders and with examples using real-world data, this book introduces many of the more commonly requested products from FX options trading desks, together with the models that capture the risk characteristics necessary to price these products accurately. Crucially, this book describes the numerical methods required for calibration of these models – an area often neglected in the literature, which is nevertheless of paramount importance in practice. Thorough treatment is given in one unified text to the following features: Correct market conventions for FX volatility surface construction Adjustment for settlement and delayed delivery of options Pricing of vanillas and barrier options under the volatility smile Barrier bending for limiting barrier discontinuity risk near expiry Industry strength partial differential equations in one and several spatial variables using finite differences on nonuniform grids Fourier transform methods for pricing European options using characteristic functions Stochastic and local volatility models, and a mixed stochastic/local volatility model Three-factor long-dated FX model Numerical calibration techniques for all the models in this work The augmented state variable approach for pricing strongly path-dependent options using either partial differential equations or Monte Carlo simulation Connecting mathematically rigorous theory with practice, this is the essential guide to foreign exchange options in the context of the real financial marketplace.

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The Ramáyana epic centers around Rama, the crown prince of the city of Ayódhya, providing a profound meditation on the paradox of the hero as both human and divine. After rescuing a sage from persecution by demons. Rama attends a tournament in the neighboring city of Míthila where he wins the prize and the hand of Sita, the princess of Míthila. But a court intrigue involving one of the king’s junior wives and a maidservant forces Rama into a fourteen-year banishment to the jungle with his wife, Sita, and his loyal brother Lákshmana. When Sita is abducted by the demon king Rávana, Rama goes to the monkey capital of Kishkíndha to seek help in finding her. It is there that he meets Hánuman, the greatest of the monkey heroes. In exchange for the assistance of the monkey troops in discovering where Sita is held captive, Rama has to help Sugríva win the monkey throne over his brother, Valin. In the final book of the set, Hánuman leaps across the ocean to the island citadel of Lanka, where he scours the city for the abducted Princess Sita. But when Hánuman reveals himself to the princess and offers to carry her back to Rama, she nevertheless insists that Rama must come himself to avenge the abduction. Included in this set: Ramáyana Book I: Boyhood By Valmíki. Translated by Robert Goldman. 424 pages / 978-0-8147-3163-5 Ramáyana Book II: Ayódhya By Valmíki. Translated by Sheldon I. Pollock. 652 pages / 978-0-8147-6716-0 Ramáyana Book III: The Forest By Valmíki. Translated by Sheldon I. Pollock. 436 pages / 978-0-8147-6722-1 Ramáyana Book IV: Kishkíndha By Valmíki. Translated by Rosalind Lefeber. 415 pages / 978-0-8147-5207-4 Ramáyana Book V: Súndara By Valmíki. Translated by Robert Goldman and Sally Sutherland Goldman. 538 pages / 978-0-8147-3178-9

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The pre-Columbian city we call Tikal was abandoned by its Maya residents during the tenth century A.D. and succumbed to the Guatemalan rain forest. It was not until 1848 that it was brought to the attention of the outside world. For the next century Tikal, remote and isolated, received a surprisingly large number of visitors. Public officials, explorers, academics, military personnel, settlers, petroleum engineers, chicle gatherers, and archaeologists came and went, sometimes leaving behind material traces of their visits. A short-lived hamlet was established among the ancient ruins in the late 1870s. In 1956 the University of Pennsylvania Museum of Archaeology and Anthropology initiated its fourteen-year-long Tikal Project. This report chronicles documented visits to Tikal during the century following its modern discovery, and presents the post-Conquest material culture recovered by the Tikal Project in the course of its investigation of the pre-Columbian city. Further research on the nineteenth-century settlement was carried out in 1998 in its southern part by the Lacandon Archaeological Project (LAP) under the direction of Joel W. Palka of the University of Illinois at Chicago. The material culture recovered by the LAP supplements the Tikal Project collection and is referenced here. Historical Archaeology at Tikal, Guatemala is intended as a contribution to nineteenth and early twentieth century Lowland Mesoamerican research. It is rounded out with several appendices that will be of interest to historians and historical archaeologists. The printed volume includes many black and white photographs and drawings. A gallery of color photographs, several from Palka's 1998 excavations, is included on the accompanying CD-ROM. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/document/376606. University Museum Monograph, 135

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Mathematics for Civil Engineers provides a concise introduction to the fundamental concepts of mathematics that are closely related to civil engineering. By using an informal and theorem-free approach with more than 150 step-by-step examples, all the key mathematical concepts and techniques are introduced. Thus users of this textbook will gain the basic knowledge and understanding required for their work. Exercises are included In each chapter to give readers the opportunity to apply their new knowledge; the answers to these dozens of exercises are provided at the end of the book.Topics include functions, trigonometrical functions, equations, polynomials, vectors and matrices, eigenvalues and eigenvectors, tensors, differentiation, integration, advanced calculus such as double integrals and special integrals, complex numbers, differential equations, Fourier series and transforms, Laplace transforms, probability and statistics, curve-fitting and linear regression. Advanced topics include partial differential equations and integral equations, root-finding algorithms for nonlinear equations, numerical methods for solving differential equations, optimization and nonlinear optimization.Mathematics for Civil Engineers allows undergraduates and civil engineers to develop a necessary, essential, knowledge of engineering mathematics. Many of the worked examples are chosen to reflect situations and problems in civil engineering practise. Examples include moment of inertia, second moment of area, beam buckling, harmonic motion and forced harmonic motion, elasticity, transfer function, waves and heat transfer, maximization and minimization and many others. All these topics and examples will help readers to gain more insight and to build sufficient confidence in applying engineering mathematics for problem solving in real engineering situations. This book may also be useful for practitioners in other engineering disciplines to improve their basic mathematical skills.

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In Cosmos, Liturgy, and the Arts in the Twelfth Century, Margot E. Fassler takes readers into the rich, complex world of Hildegard of Bingen’s Scivias (meaning “Know the ways”) to explore how medieval thinkers understood and imagined the universe. Hildegard, renowned for her contributions to theology, music, literature, and art, developed unique methods for integrating these forms of thought and expression into a complete vision of the cosmos and of the human journey. Scivias was Hildegard’s first major theological work and the only one of her writings that was both illuminated and copied by scribes from her monastery during her lifetime. It contains not just religious visions and theological commentary, but also a shortened version of Hildegard’s play Ordo virtutum (“Play of the virtues”), plus the texts of fourteen musical compositions. These elements of Scivias, Fassler contends, form a coherent whole demonstrating how Hildegard used theology and the liturgical arts to lead and to teach the nuns of her community. Hildegard’s visual and sonic images unfold slowly and deliberately, opening up varied paths of knowing. Hildegard and her nuns adapted forms of singing that they believed to be crucial to the reform of the Church in their day and central to the ongoing turning of the heavens and to the nature of time itself. Hildegard’s vision of the universe is a “Cosmic Egg,” as described in Scivias, filled with strife and striving, and at its center unfolds the epic drama of every human soul, embodied through sound and singing. Though Hildegard’s view of the cosmos is far removed from modern understanding, Fassler’s analysis reveals how this dynamic cosmological framework from the Middle Ages resonates with contemporary thinking in surprising ways, and underscores the vitality of the arts as embodied modes of theological expression and knowledge.

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Everything you need to know to record client intake, treatment, and progress—incorporating the latest managed care, accrediting agency, and government regulations Paperwork and record keeping are day-to-day realities in your mental health practice. Records must be kept for managed care reimbursement; for accreditation agencies; for protection in the event of lawsuits; to meet federal HIPAA regulations; and to help streamline patient care in larger group practices, inpatient facilities, and hospitals. The standard professionals and students have turned to for quick and easy, yet comprehensive, guidance to writing a wide range of mental health documents, the Fourth Edition of The Psychotherapy Documentation Primer continues to reflect HIPAA and accreditation agency requirements as well as offer an abundance of examples. Fully updated to include diagnostic criteria of the DSM-5, The Psychotherapy Documentation Primer, 4th Edition is designed to teach documental skills for the course of psychotherapy from the initial interview to the discharge. The documentation principles discussed in the text satisfy the often-rigid requirements of third-party insurance companies, regulating agencies, mental health licensing boards, and federal HIPAA regulations. More importantly, it provides students and professionals with the empirical and succinct documentation techniques and skills that will allow them to provide clear evidence of the effects of mental health treatment while also reducing the amount of their time spent on paperwork.

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The most thorough, up-to-date reference on channel equalization—from basic concepts to complex modeling techniques In today's instant-access society, a high premium is placed on information that can be stored and communicated effectively. As a result, storage densities and communications rates are being pushed to capacity, causing information symbols to interfere with one another. To help unclog pathways for the clearer conveyance of information, this book offers in-depth discussion of the significant contributions and future adaptability of channel equalization and a set of approaches for solving the problem of intersymbol interference (ISI). Chapter explorations in Channel Equalization include: Channel equalization topics presented with incremental learning methodology—from the very fundamental concept to more advanced mathematical knowledge Coverage of technology used in second-, third- and fourth-generation cellular communication systems A set of homework problems that reinforce concepts discussed in the book Tutorial explanations of recent developments currently captured in IEEE technical journals Unlike existing digital communications books that devote cursory attention to channel equalization, this invaluable guide addresses a crucial need by focusing solely on the background, current state, and future direction of this increasingly important technology. A unique mix of basic concepts and complex frameworks for delivering digitized data make Channel Equalization a valuable reference for all practicing wireless communication engineers and students dealing with the pressing demands of the information age.

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Microeconomics, Growth and Political Economy is the first of two volumes which collect together many of Professor Lipsey's writings on economics, some of which are previously unpublished or currently inaccessible. This book contains papers on economic growth and technical change, monetary and value theory, the theory of second best, international trade theory, political economy and methodology. A separate book, On the Foundations of Monopolistic Competition and Economic Geography, contains works on oligopoly and location theory, all coauthored with Curtis Eaton.The book begins with a new autobiographical introduction to the intellectual development, personal achievements and the fields of interest of Richard G. Lipsey and is divided into five parts. The first part considers various aspects of economic growth and technical change taking into account the structuralist view, markets and the globalization of the economy. Part two is concerned with the microeconomic issues of second-best theory and monetary and value theory. The third part looks at trade theory and surveys customs unions and competitiveness. Political economy is considered in the fourth part, which contains essays on topics such as the balance of payments, the survival of the market economy, international liquidity theory and American trade policy. The final part features papers on methodology.Microeconomics, Growth and Political Economy is an essential reference companion to the work of Richard G. Lipsey, one of the most important economists of our generation.

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In ancient Athenian courts of law, litigants presented their cases before juries of several hundred citizens. Their speeches effectively constituted performances that used the speakers’ appearances, gestures, tones of voice, and emotional appeals as much as their words to persuade the jury. Today, all that remains of Attic forensic speeches from the fifth and fourth centuries BCE are written texts, but, as Peter A. O’Connell convincingly demonstrates in this innovative book, a careful study of the speeches’ rhetoric of seeing can bring their performative aspect to life.Offering new interpretations of a wide range of Athenian forensic speeches, including detailed discussions of Demosthenes’ On the False Embassy, Aeschines’ Against Ktesiphon, and Lysias’ Against Andocides, O’Connell shows how litigants turned the jurors’ scrutiny to their advantage by manipulating their sense of sight. He analyzes how the litigants’ words work together with their movements and physical appearance, how they exploit the Athenian preference for visual evidence through the language of seeing and showing, and how they plant images in their jurors’ minds. These findings, which draw on ancient rhetorical theories about performance, seeing, and knowledge as well as modern legal discourse analysis, deepen our understanding of Athenian notions of visuality. They also uncover parallels among forensic, medical, sophistic, and historiographic discourses that reflect a shared concern with how listeners come to know what they have not seen.

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What are the future prospects for literary knowledge now that literary texts—and the material remains of authorship, publishing, and reading—are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun? These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex. A persistent theme is that bits—the ubiquitous ones and zeros of computing—are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

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Dino Campagni's classic chronicle gives a detailed account of a crucial period in the history of Florence, beginning about 1280 and ending in the first decade of the fourteenth century. During that time Florence was one of the largest cities in Europe and a center of commerce and culture. Its gold florin was the standard international currency; Giotto was revolutionizing the art of painting; Dante Alighieri and Guido Cavalcanti were transforming the vernacular love lyric. The era was marked as well by political turmoil and factional strife. The inexorable escalation of violence, as insult and reprisal led to arson and murder, provides the bitter content of Compagni's story. Dino Compagni was perfectly placed to observe the political turmoil. A successful merchant, a prominent member of the silk guild, an active member of the government. Gompagni—like Dante—sided with the Whites and, after their defeat in 1301, was barred from public office. He lived the rest of his life as an exile in his own city, mulling over the events that had led to the defeat of his party. This chronicle, the fruit of his observation and reflection, studies the damage wrought by uncontrolled factional strife, the causes of conflict, the connections between events, and the motives of the participants. Compagni judges passionately and harshly. Daniel Bornstein supplements his lucid translation with and extensive historical introduction and explanatory notes.

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How, in the years before the advent of urban maps, did city residents conceptualize and navigate their communities? In his strikingly original book, Daniel Lord Smail develops a new method and a new vocabulary for understanding how urban men and women thought about their personal geography. His thorough research of property records of late medieval Marseille leads him to conclude that its inhabitants charted their city, its social structure, and their own identities within that structure through a set of cartographic grammars which powerfully shaped their lives. Prior to the fourteenth century, different interest groups—notaries, royal officials, church officials, artisans—developed their own cartographies in accordance with their own social, political, or administrative agendas. These competing templates were created around units ranging from streets and islands to vicinities and landmarks. Smail shows how the notarial template, which privileged the street as the most basic marker of address, gradually emerged as the cartographic norm. This transformation, he argues, led to the rise of modern urban maps and helped to inaugurate the process whereby street addresses were attached to citizen identities, a crucial development in the larger enterprise of nation building. Imaginary Cartographies opens up powerful new means for exploring late medieval and Renaissance urban society while advancing understanding of the role of social perceptions in history.

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Sparkling Regency Romance from a Captivating New Voice Lady Miranda Hawthorne acts every inch the lady, but inside she longs to be bold and carefree. Entering her fourth Season and approaching spinsterhood in the eyes of society, she pours her innermost feelings out not in a diary but in letters to her brother's old school friend, a duke--with no intention of ever sending these private thoughts to a man she's heard stories about but never met. Meanwhile, she also finds herself intrigued by Marlow, her brother's new valet, and although she may wish to break free of the strictures that bind her, falling in love with a servant is more of a rebellion than she planned. When Marlow accidentally discovers and mails one of the letters to her unwitting confidant, Miranda is beyond mortified. And even more shocked when the duke returns her note with one of his own that initiates a courtship-by-mail. Insecurity about her lack of suitors shifts into confusion at her growing feelings for two men--one she's never met but whose words deeply resonate with her heart, and one she has come to depend on but whose behavior is more and more suspicious. When it becomes apparent state secrets are at risk and Marlow is right in the thick of the conflict, one thing is certain: Miranda's heart is far from all that's at risk for the Hawthornes and those they love.

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Throughout the thirteenth century Western European monarchs were hampered by the failure of their traditional revenues to meet their new expenses. Edward I of England solved the primary problem of acquiring adequate funds with the imposition of a duty on wool and leather and by more frequent direct taxes. But collection was slow and irregular; there still remained the problem of liquidity. To ensure a steady flow of cash to meet his military, administrative, and diplomatic needs Edward developed a special relationship with a company of Italian merchant-bankers, the Societas Riccardorum de Luka. Richard W. Kaeuper analyzes this relationship to provide valuable information on the financial needs of the king's government and its daily routine at a critical stage in its development. Equally interesting is the examination of the operations of the Italian banking houses that were becoming prominent in the economic life of northwestern Europe and were to become famous in the fourteenth century. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Throughout the thirteenth century Western European monarchs were hampered by the failure of their traditional revenues to meet their new expenses. Edward I of England solved the primary problem of acquiring adequate funds with the imposition of a duty on wool and leather and by more frequent direct taxes. But collection was slow and irregular; there still remained the problem of liquidity. To ensure a steady flow of cash to meet his military, administrative, and diplomatic needs Edward developed a special relationship with a company of Italian merchant-bankers, the Societas Riccardorum de Luka. Richard W. Kaeuper analyzes this relationship to provide valuable information on the financial needs of the king's government and its daily routine at a critical stage in its development. Equally interesting is the examination of the operations of the Italian banking houses that were becoming prominent in the economic life of northwestern Europe and were to become famous in the fourteenth century. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The most important primary texts on homosexuality in ancient Greece and Rome are translated into modern, explicit English and collected together for the first time in this comprehensive sourcebook. Covering an extensive period - from the earliest Greek texts in the late seventh century b.c.e. to Greco-Roman texts of the third and fourth centuries c.e. - the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but highly relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These fluently translated texts, together with Thomas K. Hubbard's valuable introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today. The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts each are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while Hubbard's general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism. With its broad, unexpurgated, and thoroughly informed presentation, this unique anthology gives an essential perspective on homosexuality in classical antiquity.

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In her earlier work, The History of the Ancient World, Susan Wise Bauer wrote of the rise of kingship based on might. But in the years between the fourth and twelfth centuries, rulers had to find new justification for their power, and they turned to divine truth or grace to justify political and military action. Right began to replace might as the engine of empire. Not just Christianity and Islam but also the religions of the Persians, the Germans, and the Mayas were pressed into the service of the state. Even Buddhism and Confucianism became tools for nation building. This phenomenon—stretching from the Americas all the way to Japan—changed religion, but it also changed the state. The History of the Medieval World is a true world history, linking the great conflicts of Europe to the titanic struggles for power in India and Asia. In its pages, El Cid and Guanggaeto, Julian the Apostate and the Brilliant Emperor, Charles the Hammer and Krum the Bulgarian stand side by side. From the schism between Rome and Constantinople to the rise of the Song Dynasty, from the mission of Muhammad to the crowning of Charlemagne, from the sacred wars of India to the establishment of the Knights Templar, this erudite book tells the fascinating, often violent story of kings, generals, and the peoples they ruled.

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At its peak in the twelfth and thirteenth centuries, the so-called Spanish Reconquest transformed the societies of the Iberian Peninsula at nearly every level. Among the most vivid signs of this change were the innovative images developed by Christians to depict the subjugated Muslims and Jews within their vastly expanded kingdoms. In Art of Estrangement, Pamela Patton traces the transformation of Iberia’s Jews in the visual culture of Spain’s Christian-ruled kingdoms as those rulers strove to affiliate with mainstream Europe and distance themselves from an uncomfortably multicultural past.Art of Estrangement scrutinizes a wide range of works—from luxury manuscripts and cloister sculptures to household ceramics and scribal doodles—to show how imported and local motifs were brought together to articulate and reinforce the efforts of Spain’s Christian communities to renegotiate their relationships with a vibrant Jewish minority. The arsenal of stereotypes, symbols, and narratives deployed to characterize Jews and their changing social roles often paralleled those found in contemporaneous literature and folklore; they ranged from such time-honored European formulae as the greedy usurer and the “Jewish nose” to locally resonant conflations of Jews with Muslims. The book’s close, contextualized reading of works from the late twelfth through early fourteenth centuries draws on recent scholarship in Iberian history, religion, and cultural studies, shedding new light on the delicate processes by which communal and religious identities were negotiated in medieval Spain.

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Japan in the early seventeenth century was a wild place. Serial killers stalked the streets of Kyoto at night, while noblemen and women mingled freely at the imperial palace, drinking sake and watching kabuki dancing in the presence of the emperor's principal consort. Among these noblewomen was an imperial concubine named Nakanoin Nakako, who in 1609 became embroiled in a sex scandal involving both courtiers and young women in the emperor's service. As punishment, Nakako was banished to an island in the Pacific Ocean, but she never reached her destination. Instead, she was shipwrecked and spent fourteen years in a remote village on the Izu Peninsula before she was finally allowed to return to Kyoto. In 1641, Nakako began a new adventure: she entered a convent and became a Buddhist nun. Recounting the remarkable story of this resilient woman and her war-torn world, G. G. Rowley investigates aristocratic family archives, village storehouses, and the records of imperial convents. She follows the banished concubine as she endures rural exile, receives an unexpected reprieve, and rediscovers herself as the abbess of a nunnery. While unraveling Nakako's unusual tale, Rowley also reveals the little-known lives of samurai women who sacrificed themselves on the fringes of the great battles that brought an end to more than a century of civil war. Written with keen insight and genuine affection, An Imperial Concubine's Tale tells the true story of a woman's extraordinary life in seventeenth-century Japan.

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In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo's writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Now, there's new evidence connected to this historical puzzle: a very curious collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. In The Mysteries of the Marco Polo Maps, historian of cartography Benjamin B. Olshin offers the first credible book-length analysis of these artifacts, charting their course from obscure origins in the private collection of Italian-American immigrant Marcian Rossi in the 1930s; to investigations of their authenticity by the Library of Congress, J. Edgar Hoover, and the FBI; to the work of the late cartographic scholar Leo Bagrow; to Olshin's own efforts to track down and study the Rossi maps. Are the maps forgeries, facsimiles, or modernized copies? Did Marco Polo's daughters - whose names appear on several of the artifacts - preserve in them geographic information about Asia first recorded by their father? Or did they inherit maps created by him? If the maps have no connection to Marco Polo, who made them, when, and why? Regardless of the maps' provenance, Olshin's tale takes readers on a journey into Italian history, the age of exploration, and the wonders of cartography.

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Culture and Society at Lullingstone Roman Villa paints a picture of what life might have been like for the inhabitants of the villa in the late third and fourth centuries AD. The villa today, in the Darent Valley, Kent, has an unusual amount of well-preserved evidence for its interior decoration and architecture. Seventy years on from the commencement of the excavation of the site, this study draws on the original reports but also embraces innovative approaches to examining the archaeological evidence and sheds new light on our understanding of the villa’s use. For the first time, the site of Lullingstone Roman Villa is surveyed holistically, developing a plausible argument that the inhabitants used domestic space to assert their status and cultural identity. An exploration of the landscape setting asks whether property location was as important a factor in the time of Roman Britain as it is today and probes the motives of the villa’s architects and their client. Lullingstone’s celebrated mosaics are also investigated from a fresh perspective. Why were these scenes chosen and what impact did they have on various visitors to the villa? Comparison with some contemporary Romano-British villas allows us to assess whether Lullingstone is what we would expect, or whether it is exceptional. Examples from the wider Roman world are also introduced to enquire how Lullingstone’s residents adopted Roman architecture and potentially the social customs which accompanied it.

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The Actus Vercellenses, a Latin text preserved in only one manuscript copy, is published widely in translation under the title Acts of Peter. The Acts of Peter is thought to be the title of an ancient work, originally in Greek, which is usually said to have been composed in the second-century in Asia Minor. Accordingly, the Vercelli Acts are often treated simply as evidence for second-century Christian discourse. However, many issues relating to the study of the Actus Vercellenses qua Acts of Peter have hitherto been inadequately established, especially: the character, extent, and original time of composition of the ancient Acts of Peter ; the antiquity of the manuscript copy and the Latin version; and the proximity of the Latin Actus Vercellenses to extant Greek parallels in the Martyrium Petri, the Vita Abercii, and the Oxyrhynchus fragment. Through a detailed examination of the external evidence for ancient Petrine acta writings, through a thorough paleographical and philological investigation of manuscript Vercelli Bib. Cap. CLVIII and the Latin text of the Actus, and through an extensive synoptic comparison of all the extant Greek parallels to the Actus Vercellenses, Matthew C. Baldwin investigates and settles all of these issues. Ultimately, the results show that the Actus Vercellenses is probably best understood as evidence for fourth century Christianity in the west. In its current form, this Acts of the Apostle Peter is effectively that of a later, Latin speaking scriptor from the west.

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Selected as a Doody's Core Title for 2022 and 2023! Concise, portable, and user-friendly, The Washington Manual® Gastroenterology Subspecialty Consult, Fourth Edition, provides essential information on inpatient and outpatient management of common gastrointestinal diseases and disorders. This edition offers state-of-the-art content on disease pathophysiology, diagnostic tools, and management options. Ideal for residents, fellows, and practicing physicians who need quick access to current scientific and clinical information in gastroenterology, the manual is also useful as a first-line resource for internists and other primary care providers. Thoroughly revised content, including a new chapter on obesity, keeps you up to date on gastroenterology topics. A highly templated, bulleted format ensures that you can find what you need quickly and easily. Text covers all aspects of gastroenterology, including liver transplantation, genetic testing in gastrointestinal diseases, nutrition and malnutrition, and much more. Content is written by residents, fellows, and clinical faculty of the distinguished Washington University School of Medicine in St. Louis. Enrich Your Ebook Reading Experience Read directly on your preferred device(s),such as computer, tablet, or smartphone. Easily convert to audiobook,powering your content with natural language text-to-speech. The Washington Manual® is a registered mark belonging to Washington University in St. Louis to which international legal protection applies. The mark is used in this publication by Wolters Kluwer Health under license from Washington University.

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This brilliant new text by John Straub (Boston University) is designed to bridge the “mathematics knowledge gap” between what is commonly known by students after completing a year of introductory calculus, and what is required for success in the physical sciences and in physical chemistry courses. Key concepts from the introductory calculus sequence are reviewed and carefully selected topics in multivariate calculus, probability and statistics, ordinary differential equations, and linear algebra are explored. Additional chapters cover advanced topics, including partial differential equations, Fourier analysis, and group theory. Engaging narratives, fully worked examples, hundreds of colourful visualizations, and ample end-of-chapter problems with complete answers combine to make this stunning new text an excellent choice for a one-semester course on mathematical methods, as a supplement for courses in physical chemistry, or as a self-study guide. Ancillaries for adopting faculty include in-class worksheets, sample exams, and an answer manual. Key features: Abundant end-of-chapter exercises, including three difficulty levels, with answers at the back of the book Ample worked examples throughout, with clearly explained steps to guide problem solving Reviews of all basic introductory calculus concepts before the introduction of new topics Over 400 original color figures to help visualize problem solving and interpretation of results Margin notes offering historical context and additional mathematical details Key ancillaries including in-class worksheets, sample exams, and an answer guide for adopting instructors

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This revised PocketGuide blends the format of a dictionary with the contents of a textbook and clinical reference book. With this guide, both the students and the professional clinicians may have, at their fingertips, the encyclopedic knowledge of the entire range of assessment concepts and approaches, common methods and procedures, standardized tests as well as client specific alternatives, and specific techniques to assess ethnoculturally diverse clients. The SLP that has this handy guide in his or her pocket will have a quick as well as a detailed reference to practical assessment procedures and many task-specific outlines that a clinician may readily use in assessing any client of any age. The information may easily be reviewed before the clinical sessions or examinations, because the entries in the guide are in the alphabetical order. Features: *Current knowledge on assessment philosophies, approaches, and techniques *Alphabetical entries for ease of access *Underlined terms that alert the reader for cross-referenced entries on related concepts and procedures *Detailed differential diagnostic guidelines on disorders *Critical developmental norms New to the fourth edition: *Updated entries to reflect current practice, procedures, and the research base *Information on newer standardized tests and evidence-based alternative approaches to assess ethnoculturally diverse individuals *Practical and detailed assessment outlines *More succinct presentation of practical information *New 4.5x8 inch trim size for easier portability

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“As I walked away with my refreshments, I felt something peculiar. It was so strange it stopped me mid-step. I was forty-five years old, and I had felt many things, but never before this particular feeling: I felt a click deep inside. The image the sensation produced in my mind was of a BB, a small round piece of copper-colored lead, falling into a socket. It was a very clear image. A BB is tiny, but the one I imagined felt infinitesimal, microscopic. Yet I felt it, a click, metal on metal—like an expensive, microscopic gear had slipped, some exquisite piece of machinery falling out of alignment. Some medieval example of craftsmanship, a gyroscope, something intricate, needing fine balance. The feeling, the event, was located in my chest, below my left breast. It was thoroughly interior, as if a signal had been sent and registered, what those giant satellite dishes are poised waiting for, a transmission from deep space.” —from Chapter 1 That was October 26, 1991, in what became a singularly awful day in the life of William O’Rourke. Minutes later, at the beginning of a Notre Dame football game, he began to suffer his heart attack. O’Rourke’s account of that day, and everything that followed, is personal, informative, humorous, and highly literate. With its extended description of what an MI feels like and how people around the patient react, his memoir provides a bedside view of his experience and all of the emotions—both extraordinary and quotidian—that accompanied it. What is startling is how that momentous event, the heart attack, divides life irretrievably into a “before” and “after.” Gone are the assumptions of what is safe and healthy; replacing them is a newly-forged relation of mind and body, a treacherous one which breeds a physical paranoia that only lessens after months. O’Rourke vividly describes the extreme pain of the attack, the forced inactivity of recuperation, and the melancholy of embracing life anew while accepting a heightened awareness of mortality. He knows his luck in having supportive family and friends, and uses his time away from normal routine to examine his family history for likely genetic proclivities for heart disease. Through his description of his experience—from MI, to angioplasty, to cardiac catheterization to, fourteen years later, a quintuple bypass and a second round of cardio-rehabilitation—he asks us to change behaviors we can affect and pay attention to our health. It does, after all, come down to this: “Here’s to life.” Enriched with a medical glossary and selected bibliography, this is a helpful compendium for other recuperating patients and their families, or anyone concerned about heart disease, or interested in memoir.

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Enter an addictive world of sizzlingly hot paranormal romance . . .'Strong heroine and a sexy possessive hero, witty banter and sizzling chemistry and an enthralling storyline'⭐ ⭐ ⭐ ⭐ ⭐ reader review..................Harper and Knox are back and better than ever . . . Discover the unmissable fourth book in Suzanne Wright's globally bestselling The Dark in You series.The final horseman awaits . . . and the stakes have never been higher.With the birth of their son, Asher, Harper and Knox are both more powerful and more vulnerable than they've ever been before. Asher's charm has seduced even the devil himself, but Harper knows that the real villain is still out there, and as desperate as ever to see the Primes fall. They're laying low, and there's no way to tell which one of their circle is really a deadly foe . . .When the final horseman makes their move, Harper and Knox will have to use all the considerable power at their disposal - and that may even include Asher's mysterious abilities. One thing's for sure - this is a baby who's more than a match for any demon coming after him.It's time for the world's most formidable family to take the fight to the enemy . . . Find out why readers everywhere are obsessed with Suzanne Wright:'It's been two minutes since my last fix and I need Suzanne Wright to give me more' Edgy Reviews'No words to describe how much I ADORE this extraordinary and magical read!' Gi's Spot Reviews 'A whole lot of action and excitement. Add in lots of sarcastic banter, a sexy alpha demon and his smart-mouthed heroine, an intense, highly passionate romance and a bit of a mystery, and I devoured this book from start to finish!' The Escapist Book Blog 'What a great start to yet another fab Suzanne Wright Series!' Aurora B's Book Blog 'Unique, original and very entertaining' Ramblings from this Chick'Run, don't walk, to your preferred device and click this title immediately. The worst that will happen is you will be compelled to read everything she has ever written!' Amazon Reviewer, 5 stars'Just read it. NOW! A gigantic 5 FREAKING STARS!' Amazon Reviewer, 5 stars'No words to describe how much I ADORE this extraordinary and magical read!!!' Gi's Spot Reviews on BurnIf you love this book, make sure you check out the rest of The Dark In You series - discover how this sizzling hot story began . . . BURN BLAZE ASHES EMBERS SHAD

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The leading guide to the professional kitchen's cold food station, now fully revised and updated Garde Manger: The Art and Craft of the Cold Kitchen has been the market's leading textbook for culinary students and a key reference for professional chefs since its original publication in 1999. This new edition improves on the last with the most up-to-date recipes, plating techniques, and flavor profiles being used in the field today. New information on topics like artisanal cheeses, contemporary styles of pickles and vinegars, and contemporary cooking methods has been added to reflect the most current industry trends. And the fourth edition includes hundreds of all-new photographs by award-winning photographer Ben Fink, as well as approximately 450 recipes, more than 100 of which are all-new to this edition. Knowledge of garde manger is an essential part of every culinary student's training, and many of the world's most celebrated chefs started in garde manger as apprentices or cooks. The art of garde manger includes a broad base of culinary skills, from basic cold food preparations to roasting, poaching, simmering, and sautéing meats, fish, poultry, vegetables, and legumes. This comprehensive guide includes detailed information on cold sauces and soups; salads; sandwiches; cured and smoked foods; sausages; terrines, pâtes, galantines, and roulades; cheese; appetizers and hors d'oeuvre; condiments, crackers, and pickles; and buffet development and presentation.

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This textbook is an introduction to microwave engineering. The scope of this book extends from topics for a first course in electrical engineering, in which impedances are analyzed using complex numbers, through the introduction of transmission lines that are analyzed using the Smith Chart, and on to graduate level subjects, such as equivalent circuits for obstacles in hollow waveguides, analyzed using Green’s Functions. This book is a virtual encyclopedia of circuit design methods. Despite the complexity, topics are presented in a conversational manner for ease of comprehension. The book is not only an excellent text at the undergraduate and graduate levels, but is as well a detailed reference for the practicing engineer. Consider how well informed an engineer will be who has become familiar with these topics as treated in High Frequency Techniques: (in order of presentation) Brief history of wireless (radio) and the Morse codeU.S. Radio Frequency AllocationsIntroduction to vectorsAC analysis and why complex numbers and impedance are usedCircuit and antenna reciprocityDecibel measureMaximum power transferSkin effectComputer simulation and optimization of networksLC matching of one impedance to anotherCoupled ResonatorsUniform transmission lines for propagationVSWR, return Loss and mismatch errorThe Telegrapher Equations (derived)Phase and Group VelocitiesThe Impedance Transformation Equation for lines (derived)Fano's and Bode's matching limitsThe Smith Chart (derived)Slotted Line impedance measurementConstant Q circles on the Smith ChartApproximating a transmission line with lumped L's and C'sABCD, Z, Y and Scattering matrix analysis methods for circuitsStatistical Design and Yield Analysis of productsElectromagnetic FieldsGauss's LawVector Dot Product, Divergence and CurlStatic Potential and GradientAmpere's Law and Vector CurlMaxwell's Equations and their visualizationThe LaplacianRectangular, cylindrical and spherical coordinatesSkin EffectThe Wave EquationThe Helmholtz EquationsPlane Propagating WavesRayleigh FadingCircular (elliptic) PolarizationPoynting's TheoremEM fields on Transmission LinesCalculating the impedance of coaxial linesCalculating and visualizing the fields in waveguidesPropagation constants and waveguide modesThe Taylor Series ExpansionFourier Series and Green's FunctionsHigher order modes and how to suppress themVector Potential and Retarded PotentialsWire and aperture antennasRadio propagation and path lossElectromagnetic computer simulation of structuresDirectional couplersThe Rat Race HybridEven and Odd Mode Analysis applied to the backward wave couplerNetwork analyzer impedance and transmission measurementsTwo-port Scattering Parameters (s matrix)The Hybrid Ring couplerThe Wilkinson power dividerFilter design: Butterworth, Maximally flat & Tchebyscheff responsesFilter QDiplexer, Bandpass and Elliptic filtersRichard's Transformation & Kuroda’s IdentitiesMumford's transmission line stub filtersTransistor Amplifier Design: gain, biasing, stability, and conjugate matchingNoise in systems, noise figure of an amplifier cascadeAmplifier non-linearity, and spurious free dynamic rangeStatistical Design and Yield Analysis

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This long-awaited study explores the creation of NBC-TV's landmark 1952-53 WWII documentary series, with particular attention to its evocative Rodgers-Bennett score. Victory at Sea, NBC-TV's innovative 1952-53 WWII documentary, was eventually broadcast to more than 100 million viewers worldwide. Its episodes chronicled the war's conflicts while highlighting the US Navy's contributions, NBC having sourced footage from the military, governments, and newsreel agencies of fourteen nations. Victory's special distinction was its music, with each episode's nonstop score recorded by the acclaimed NBC Symphony Orchestra. The music was credited to Richard Rodgers-then at the height of his fame-as composer, and Robert Russell Bennett as arranger and conductor. In fact, Rodgers composed twelve piano themes; Bennett developed these endlessly for orchestra and, in addition, composed many hours of the score outright. Part One chronicles Victory's gestation and production at NBC, its reception, the series' afterlife in syndication and home video, and the score's "Gold Record" sales success on RCA records. Part Two examines each episode in turn, focusing on how the Bennett-scored music pairs with screen action. Every transformation of the much-used Rodgers themes is cited, along with the episodes' musical inter-relationships. The hundreds of musical examples generously sample the score's 11½ hours of music. NBC's Victory has been neglected by Richard Rodgers's biographers and by film historians. As the series celebrates its 70th anniversary, the Rodgers-Bennett score here finally receives recognition for its artistry and power.

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When the European Court of Justice and the Court of First Instance drafts its own procedural rules, and when it makes decisions on procedural matters, it turns to the highly regarded Lasok's European Court Practice and Procedure for confirmation and guidance. Fully revised and updated the fourth edition: 1. Explains the implications of Brexit and the residual jurisdiction of the ECJ in relation to the UK under the Withdrawal Agreement. 2. Takes account of and provide in-depth analysis of all case law since the previous edition. 3. Provides guidance on the new General Court Rules of Procedure. 4. Provides new commentary on the Judges and Advocates General caused by Brexit and the current ongoing litigation concerning Advocate General Sharpston. 5. Includes additional commentary on the confidentiality regime for cases raising security concerns. Written by the internationally acknowledged expert in this area of law Lasok's European Court Practice and Procedure is the leading and must have work for anyone preparing a case to be heard before the European Court of Justice. This title is included in Bloomsbury Professional's Practice and Procedure online service.

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Lesley Herbert's Complete Book of Sugar Flowers explains and illustrates the methods of making sugar flowers in more depth than has ever been attempted before. This cake decorating book concentrates on the techniques involved in creating and arranging thirty types of flowers and foliage. In addition, there are fourteen arrangements, each displayed on a finished cake. For the complete beginner, the first steps in making and handling flower paste are shown in the opening chapter, along with photographs of how to use the essential equipment, colors, glazes and finishes.Once the basic skills of handling flower paste are understood, the blooms can be made from start to finish. Every stage for each flower is clearly laid out in the order in which it is prepared, leading you step-by-step from molding the first tiny ball of paste to applying the final dusting of color. The completed sugar flower is shown with its leaves, where suitable,and a photograph of the fresh flowers used for reference is also included.Many of the neat sprays of blossom are ideal for decorating a simple cake, but when you have mastered the knack of making flowers, you will definitely feel inspired to progress to creating stunning arrangements. Grouping complementary flowers, working out the shape of the design, wiring and securing the centerpieces are all illustrated alongside each finished arrangement. The information is completed by showing a cake with the floral decoration displayed to full advantage.By setting out her work in such detail, Lesley Herbert offers a real insight into the professional approach which gives immaculate results. Her book is the perfect individual tutor and worktop companion—follow her instructions, practice the techniques and study the photographs of the beautiful flowers for successful results.From buds to bouquets, Lesley Herbert's Complete Book of Sugar Flowers is the ultimate source of inspiration for sugarcraft artists.This cake decoration book includes: Basic instructions to fill beginners with confidence Templates of cutters to save buying dozens of shapes Fabulous displays of flowers to inspire experienced cake decorators

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The Roman emperor Commodus wanted to kill a rhinoceros with a bow and arrow, and he wanted to do it in the Colosseum. Commodus' passion for hunting animals was so fervent that he dreamt of shooting a tiger, an elephant, and a hippopotamus; his prowess was such that people claimed he never missed when hurling his javelin or firing arrows from his bow. For fourteen days near the end of AD 192, the emperor mounted one of the most lavish and spectacular gladiatorial games Rome had ever seen. Commodus himself was the star attraction, and people rushed from all over Italy to witness the spectacle. But this slaughter was simply the warm-up act to the main event: the emperor was also planning to fight as a gladiator. Why did Roman rulers spend vast resources on such over-the-top displays - and why did some emperors appear in them as combatants? Why did the Roman rabble enjoy watching the slaughter of animals and the sight of men fighting to the death? And how best can we in the modern world understand what was truly at stake in the circus and the arena? In The Day Commodus Killed a Rhino, Jerry Toner set out to answer these questions by vividly describing what it would have been like to attend Commodus' fantastic shows and watch one of his many appearances as both hunter and fighter. Highlighting the massive logistical effort needed to supply the games with animals, performers, and criminals for execution, the book reveals how blood and gore were actually incidental to what really mattered. Gladiatorial games played a key role in establishing a forum for political debate between the rulers and the ruled. Roman crowds were not passive: they were made up of sophisticated consumers with their own political aims, which they used the games to secure. In addition, the games also served as a pure expression of what it meant to be a true Roman. Drawing on notions of personal honor, manly vigor, and sophisticated craftsmanship, the games were a story that the Romans loved to tell themselves about themselves.

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Magic, danger, and adventure abound for messenger Karigan G'ladheon in the fourth book in Kristen Britain's New York Times-bestselling Green Rider fantasy seriesOver a millennium ago, Mornhavon the Black, heir to the Arcosian Empire, crossed the great sea hoping to conquer Sacoridia. Mornhavon and his armies were defeated—but not before their general had resorted to desperate, dark magic that rendered his twisted spirit immortal. Finally, Mornhavon was captured and imprisoned in Blackveil Forest, and the forest’s perimeter was sealed by the magical D’Yer Wall. In the many centuries since, knowledge of magic has disappeared from Sacoridia due to the fear and prejudice of a people traumatized by the memory of Mornhavon’s terrifying sorceries. Even the protective magic that created and maintained the D’Yer Wall has been lost, and the once-impermeable barrier has been breached, allowing Blackveil’s malignant influence to seep into the lands beyond once again. Karigan G’ladheon is a Green Rider—a seasoned member of the elite messenger corps of King Zachary of Sacoridia. But Karigan is no ordinary Rider, for she can traverse the barriers of time and space. Because of this extraordinary ability, she was able to transport the spirit of Mornhavon into the future, buying precious time for her country. During the window of relative safety, King Zachary decides to send Karigan and a small contingent of scouts, accompanied by a small group of Eletians—a magical race who once lived in the lands now tainted by Mornhavon’s magic—into Blackveil Forest. Though Mornhavon is gone, the forest is still a treacherous and unnatural place filled with monstrous creatures and deadly traps. Plus, no one knows how far in the future Mornhavon has been sent—Ten years? One? Maybe even less. And unbeknownst to the band of Eletians and Sacoridians, another small group has entered the forest—Arcosian descendants who have kept Mornhavon’s dark magic alive in secret for centuries, and who now plan to avenge their long-ago defeat by bringing Sacoridia to its knees.

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Original artwork and materials explore children’s literature and its impact in society and culture over time A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children’s books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children’s literature historian Leonard S. Marcus’s insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota’s Kerlan Collection of Children’s Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere. The story of the origins of children’s literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L’Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children’s books and effective ways of putting good books into children’s hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children’s book art, manuscripts, correspondence, and ephemera appeared—the University of Minnesota’s Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever. Regarding children’s literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.

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UP-TO-DATE, TECHNICALLY ACCURATE COVERAGE OF ESSENTIAL TOPICS IN IMAGE AND VIDEO PROCESSING This is the first book to combine image and video processing with a practical MATLAB®-oriented approach in order to demonstrate the most important image and video techniques and algorithms. Utilizing minimal math, the contents are presented in a clear, objective manner, emphasizing and encouraging experimentation. The book has been organized into two parts. Part I: Image Processing begins with an overview of the field, then introduces the fundamental concepts, notation, and terminology associated with image representation and basic image processing operations. Next, it discusses MATLAB® and its Image Processing Toolbox with the start of a series of chapters with hands-on activities and step-by-step tutorials. These chapters cover image acquisition and digitization; arithmetic, logic, and geometric operations; point-based, histogram-based, and neighborhood-based image enhancement techniques; the Fourier Transform and relevant frequency-domain image filtering techniques; image restoration; mathematical morphology; edge detection techniques; image segmentation; image compression and coding; and feature extraction and representation. Part II: Video Processing presents the main concepts and terminology associated with analog video signals and systems, as well as digital video formats and standards. It then describes the technically involved problem of standards conversion, discusses motion estimation and compensation techniques, shows how video sequences can be filtered, and concludes with an example of a solution to object detection and tracking in video sequences using MATLAB®. Extra features of this book include: More than 30 MATLAB® tutorials, which consist of step-by-step guides toexploring image and video processing techniques using MATLAB® Chapters supported by figures, examples, illustrative problems, and exercises Useful websites and an extensive list of bibliographical references This accessible text is ideal for upper-level undergraduate and graduate students in digital image and video processing courses, as well as for engineers, researchers, software developers, practitioners, and anyone who wishes to learn about these increasingly popular topics on their own.

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Marianna Bussalai, the poet and anti-Fascist activist of the Barbagia region, wrote that she felt humiliated at school 'wondering why, in the history of Italy, Sardinia was never mentioned. I deduced that Sardinia was not Italty and had to have a separate history'. It is not surprising that islands tend to be different from the country to which they are in some way attached. But Sardinia's personality differs even more from that of Italy than one might expect. This book explores that difference through the island's women. Sardinia has been inhabited for longer than many European countries; of its earlier peoples, the best-known are the pre-historic Nuraghic. The hundreds of tall and mysterious megalithic towers which still grace the landscape are the most outward distinctive remnants of their civilisation. But it is from the myriad and tantalising clay statuettes found in ritual wells that it is possible to suggest aspects of women's lives. These are now in archaeological museums, such as that of Cagliari; many of the wells still exist. There followed invasions, colonisations and settlements - often bringing women exiles or landowners - by phoenicians, Carthaginians, Romans, Muslims, Catalans, Genoese, Pisans, Spaniards and Savoyards, until finally the island became part of a united Italy, But, as the Swede Amelie Posse-Brazdova, sentenced to exile in Alghero during the First World War, was to write, 'For many centuries the Sardinians had been so fooled and exploited by the Italians, especially the Genoese merchants, that in the end they began to look upon them as their worst enemies.' However much that enmity is now little evident, Sardinia is still very much its own place, with its own languages. This is true of Alghero with its distinctive aura of Catalan occupation, of Marianna Bussalai's always intransigent Barbagia, and of Oristano where perhaps Sardinia's only well-known historical woman, Eleanora d'Arborea, ruled as Giudicessa in the fourteenth century. Although still particularly revered, she epitomised the strong and advanced women, from peasants to poitical activists, who emerge here from those often turbulent centuries.

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Blast off into outer space and explore the mysteries of the red planet with Discovering Mars.Did you know that Mars is twice the size of Earth's moon? Or that it is home to the Valles Marineris--the largest canyon in our solar system? Blast off and explore the surface of the fourth planet from the Sun with Discovering Mars. This book is a complete scientific guide to Mars, including information on geography, atmosphere, unique landscape features, and more. Discover Mars's moons Phobos and Deimos, learn all about unique polar spiders, and investigate past, present, and future life on Mars. Incredible illustrations and NASA imagery of Mars's surface, craters, and volcanoes bring outer space right to your fingertips and let you explore the red planet like never before. Learn all about past missions to Mars, and take a sneak peek into future projects from NASA and beyond.An avid traveler, Alexandra Lefort has lived in France, Scotland, Switzerland, and the U.S., and has now made her home in Vancouver, B.C. Passionate about exploration, she completed a PhD in planetary sciences at the University of Bern, Switzerland, focusing her academic research on the investigations of Martian water, with a particular interest for the question of habitability and extraterrestrial life. This interest in the origin and development of life also translates into artistic representation of terrestrial lifeforms and environments. A self-taught artist, her favorite media are photography, with a portfolio which includes wildlife portraits, macro photography, landscapes, and traditional drawing and painting, including graphite, pastels, acrylics, and digital art. She has designed several coins for the Royal Canadian Mint and has collaborated with paleoartist Julius Csotonyi on realistic depictions of prehistoric wildlife, including a mural for the 2015-2018 exhibit Ice Age Bison Discovery: Our Frozen Past and Thawing Future at the Prince of Wales Northern Heritage Centre, Yellowknife, Northwest Territories, Canada, and collaborative paintings in The paleoart of Julius Csotonyi, Why Did T. rex Have Short Arms?: And Other Questions about Dinosaurs, and Discovering Sharks.

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Much more than a collection of essays by eminent writers, Against the Great Reset is intended to kick off the intellectual resistance to the sweeping restructuring of the western world by globalist elites.In June 2020, prominent business and political leaders gathered for the 50th annual meeting of the World Economic Forum in Davos, Switzerland, under the rubric of “The Great Reset.” In the words of WEF founder Klaus Schwab, the Great Reset is a “unique window of opportunity” afforded by the worldwide COVID-19 panic to build “a new social contract” ushering in a utopian era of economic, social, and environmental justice. But beneath their lofty and inspiring words, what are their actual plans? In this timely and necessary book, Michael Walsh has gathered trenchant critical perspectives on the Great Reset from eighteen eminent writers and journalists from around the world. Victor Davis Hanson places the WEF’s prescriptions and goals in historical context and shows how American politicians justify destructive policies. Michael Anton explains the socialist history of woke capitalism. James Poulos looks at how Big Tech acts as informal government censors. John Tierney lays out the lack of accountability for the unjustified panic over the virus. David Goldman confronts the WEF’s ideas for a fourth industrial revolution with China’s commitment to being the leader of a post-western world. And there are many more. These writers see the goal of the Great Reset as not just a world without racism, disease, economic inequality, or fossil fuels—but rather, a world with no individual autonomy and power in which our betters rig the system for their own purposes. Find out what the Great Resetters ultimately have in store for you, and join the intellectual resistance—before it’s too late. Featuring Essays by: Michael Anton Salvatore Babones Conrad Black Jeremy Black Angelo Codevilla Janice Fiamengo Richard Fernandez David P. Goldman Victor Davis Hanson Martin Hutchinson Roger Kimball Alberto Mingardi Douglas Murray James Poulos Harry Stein John Tierney Michael Walsh

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'One of the best business books I've read in years.' BILL GATES THE #1 NEW YORK TIMES BESTSELLER A SUNDAY TIMES BOOK OF THE YEAR 2019 _____________________________The CEO of Disney, one of Time's most influential people of 2019, shares the ideas and values he embraced to reinvent one of the most beloved companies in the world and inspire the people who bring the magic to life.Robert Iger became CEO of The Walt Disney Company in 2005, during a difficult time. Morale had deteriorated, competition was intense, and technology was changing faster than at any time in the company's history. His vision came down to three clear ideas: Recommit to the concept that quality matters, embrace technology instead of fighting it, and think bigger-think global-and turn Disney into a stronger brand in international markets.Fourteen years later, Disney is the largest, most respected media company in the world, counting Pixar, Marvel, Lucasfilm and 21st Century Fox among its properties. Its value is nearly five times what it was when Iger took over, and he is recognized as one of the most innovative and successful CEOs of our era.In The Ride of a Lifetime, Robert Iger shares the lessons he's learned while running Disney and leading its 200,000 employees, and he explores the principles that are necessary for true leadership, including:Optimism. Even in the face of difficulty, an optimistic leader will find the path toward the best possible outcome and focus on that, rather than give in to pessimism and blaming. Courage. Leaders have to be willing to take risks and place big bets. Fear of failure destroys creativity. Decisiveness. All decisions, no matter how difficult, can be made on a timely basis. Indecisiveness is both wasteful and destructive to morale. Fairness. Treat people decently, with empathy, and be accessible to them.'Bob Iger has not only lived up to ninety-six years of groundbreaking history but has moved the Disney brand far beyond anyone's expectations, and he has done it with grace and audacity. This books shows you how that happened.' STEVEN SPIELBERG

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In June 1973, amid ideological rifts in the U.S. gay liberation movement, thousands of people gathered in New York City's Washington Square Park to commemorate the fourth anniversary of the Stonewall Rebellion. Partway through the rally, Street Transvestite Action Revolutionaries (STAR) co-founder Sylvia Rivera fought her way to the stage to address the predominantly white, middle class lesbian and gay crowd. Over the din of their boos and jeers, Rivera reprimanded the crowd for failing in their responsibilities to their "gay brothers and sisters" in jail, detailed the sacrifices she had made for the movement, and called them into the politics of STAR, "The people who are trying to do something for all of us and not men and women that belong to a white middle class white club! And that is what you all belong to!" Rivera's appeal thus worked through a push-pull of distance and belonging, shaming the movement for its assimilatory turn while invoking forms of kinship and calling her listeners into an expansive multi-issue liberation politics. How does a sense of intimacy call people into political community? If We Were Kin is about the we of politics--how that we is made, fought over, and remade--and how these struggles lie at the very core of questions about power and political change. Across a range of sites in racial justice and queer/trans liberation movements--from speeches by James Baldwin and Sylvia Rivera in the 1960s and 1970s to contemporary immigrant justice campaigns by the antiracist LGBTQ organization Southerners on New Ground (SONG)--Lisa Beard traces a distinct lineage of appeals that challenge atomized and hierarchical racial formations in the United States and advance powerful visions of political relationships rooted in mutuality and shared freedom. In plumbing the deeper registers of identificatory appeals, Beard transforms understandings of identity, solidarity, political confrontation, and apparent loss/failure as points of possibility. If We Were Kin offers an innovative account of racial politics and political theory rooted in Black, Latinx, queer, and trans activism in twentieth and twenty-first century America.

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The 2020 edition of The State of World Fisheries and Aquaculture has a particular focus on sustainability. This reflects a number of specific considerations. First, 2020 marks the twenty-fifth anniversary of the Code of Conduct for Responsible Fisheries (the Code). Second, several Sustainable Development Goal indicators mature in 2020. Third, FAO hosted the International Symposium on Fisheries Sustainability in late 2019, and fourth, 2020 sees the finalization of specific FAO guidelines on sustainable aquaculture growth, and on social sustainability along value chains.While Part 1 retains the format of previous editions, the structure of the rest of the publication has been revised. Part 2 opens with a special section marking the twenty fifth anniversary of the Code. It also focuses on issues coming to the fore, in particular, those related to Sustainable Development Goal 14 and its indicators for which FAO is the “custodian” agency. In addition, Part 2 covers various aspects of fisheries and aquaculture sustainability. The topics discussed range widely, from data and information systems to ocean pollution, product legality, user rights and climate change adaptation. Part 3 now forms the final part of the publication, covering projections and emerging issues such as new technologies and aquaculture biosecurity. It concludes by outlining steps towards a new vision for capture fisheries. The State of World Fisheries and Aquaculture aims to provide objective, reliable and up-to-date information to a wide audience – policymakers, managers, scientists, stakeholders and indeed everyone interested in the fisheries and aquaculture sector.

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Le deuxieme tome de la serie Le nom des langues dirigee par Andree Tabouret-Keller est consacre aux langues les moins parlees en Grece aujourd'hui. Il s'agit de l'aroumain (Stamatis Beis), l'arvanite (Elena Botsi), l'armenien (Evangelia Adamou), le greco-pontique (Georges Drettas), le romani (Irene Sechidou) ainsi que le slave (Evangelia Adamou et Georges Drettas). Ces langues n'ont pas de statut officiel et ne sont ni enseignees ni standardisees. Elles sont diffusees a l'oral (lorsqu'il y a encore transmission intergenerationnelle), dans le cadre familial, et elles ne permettent pas de mobilite sociale aux locuteurs. Elles sont employees en parallele avec une ou deux autres langues dominantes valorisees, en l'occurence le grec, le turc ou l'albanais. Cette publication se veut un ouvrage de reference sur la situation linguistique et sociolinguistique de la Grece qui est encore aujourd'hui un tabou politique et scientifique. On propose une approche scientifique qui se demarque des positions nationalistes, aussi bien celles qui denient la realite plurilingue historique du pays que celles qui se situent dans la victimisation. Il ne s'agit pas seulement d'informer sur ce sujet, mal connu de la majorite des citoyens grecs, et plus largement europeens, mais de proposer des analyses explicatives permettant une comprehension sereine de ces phenomenes complexes. Chaque chapitre presente une langue. Pour chacune, on fournit des informations sur le(s) nom(s) de la langue, sa situation linguistique, sociolinguistique et historique, de maniere a pouvoir apprehender le contexte general et les enjeux de la nomination des langues. Ce volume aborde bien sur le metalangage employe pour parler de ces langues (par les linguistes, les historiens, les hommes politiques), mais l'accent est surtout mis sur le discours epilinguistique des locuteurs eux-memes et sur leurs propres designations de "ce qu'ils parlent". Ces appellations endogenes ne sont pas traitees comme une expression de la "verite", mais sont elles-memes resituees dans des processus de constructions historico-politiques.

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It is common wisdom that language is culturally embedded. Cultural change is often accompanied by a change in idiom, in language or in ideas about language. No period serves as a better example of the formative influence of language on culture than the Renaissance. With the advent of humanism new modes of speaking and writing arose. But not only did classical Latin become the paradigm of clear and elegant writing, it also gave rise to new ideas about language and the teaching of it. Some scholars have argued that the cultural paradigm shift from scholasticism to humanism was causally determined by the rediscovery, study and emulation of the classical language, for learning a new language opens up new possibilities for exploring and describing one's perceptions, thoughts and beliefs. However, the vernacular traditions too rose to prominence and vied with Latin for cultural prestige.This volume, number XXIV in the series "Groningen Studies in Cultural Change", offers the papers presented at a workshop on language and cultural change held in Groningen in February 2004. Ten specialists explore the multifarious ways in which language contributed to the shaping of Renaissance culture. They discuss themes such as the relationship between medieval and classical Latin, between Latin and the vernacular, between humanist and scholastic conceptions of language and grammar, translation from Latin into the vernacular, Jewish ideas about different kinds of Hebrew, and shifting ideas on the power and limits of language in the articulation of truth and divine wisdom. There are essays on major thinkers such as Nicholas of Cusa and Leonardo Bruni, but also on less well-known figures and texts. The volume as a whole hopes to contribute to a deeper understanding of the highly complex interplay between language and culture in the transition period between the fourteenth and sixteenth centuries.

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“Like Outlander with an Italian accent.” —Real Simple “A detailed historical novel, a multifaceted mystery, and a moving tale of improbable love.” —Publishers Weekly, starred review A NEW YORK POST MUST-READ BOOK Readers of Diana Gabaldon’s Outlander and Tracy Chevalier’s Girl with a Pearl Earring…will be swept away by the spell of medieval Siena” (Library Journal, starred review) in this transporting love story and gripping historical mystery.Accomplished neurosurgeon Beatrice Trovato knows that her deep empathy for her patients is starting to impede her work. So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

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Crisis defines the present cultural moment. From the environment, through migration, to democracy, a continuous state of emergency engulfs us – so much so that crisis appears to be one of the few things not in crisis. The Post-Crash Decade of American Cinema: Wall Street, the "Mancession" and the Political Construction of Crisis focuses on two instances of this overwhelming trend: the latest masculinity crisis and what helped trigger it – the 2008 global financial crash. Looking at selected American cinematic texts of culture from the subsequent ten years, depicting both the causes of the crash and its victims, the volume offers answers to the questions: how has (popular) culture, in particular literature and film, responded to the greatest economic upheaval since the Great Depression, and what conclusions can be drawn from this response?Timely, interdisciplinary and in-depth, this analysis combines literary and cultural studies, as well as feminist criticism, gender studies and masculinities studies with research on the latest history of political economy to interrelate such diverse phenomena as capitalism, "Wall Street culture", the "Mancession" myth, Donald Trump, pornography, patriarchy, neoliberalism, precarity, postfeminism, the fourth wave of feminism, the #MeToo movement, 9/11, home, housing studies, positive psychology, and happiness studies. Ultimately, the book problematises the very concept of "crisis", elucidating it as a powerful political construct.Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English> is a bilingual, English-Polish book series dedicated to publishing original research on 20th and 21st century literature in English. Monographs and collective volumes in the series address, but are not restricted to, the following research areas: literary genre studies, comparative literature, cultural poetics and transversality of ideas, as well as transnationalism of literature in English.

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National Jewish Book Awards Finalist for the Visual Arts Award, 2017. The carved wooden Torah arks found in eastern Europe from the seventeenth to nineteenth centuries were magnificent structures, unparalleled in their beauty and mystical significance. The work of Jewish artisans, they dominated the synagogues of numerous towns both large and small throughout the former Polish-Lithuanian Commonwealth, inspiring worshippers with their monumental scale and intricate motifs. Virtually none of these superb pieces survived the devastation of the two world wars. Bracha Yaniv’s pioneering work therefore breathes new life into a lost genre, making it accessible to scholars and students of Jewish art, Jewish heritage, and religious art more generally. Making use of hundreds of pre-war photographs housed in local archives, she develops a vivid portrait of the history and artistic development of these arks, the scope and depth of her meticulous research successfully compensating for the absence of physical remains. In this way she has succeeded in producing a richly illustrated and comprehensive overview of a classic Jewish religious art form. Professor Yaniv’s analysis of the historical context in which these arks emerged includes a broad survey of the traditions that characterized the local workshops of Lithuania, Belarus, and Ukraine. She also provides a detailed analysis of the motifs carved into the Torah arks and explains their mystical significance, among them representations of Temple imagery and messianic themes—and even daring visual metaphors for God. Fourteen arks are discussed in particular detail, with full supporting documentation; appendices relating to the inscriptions on the arks and to the artisans’ names will further facilitate future research. This seminal work throws new light on long-forgotten traditions of Jewish craftsmanship and religious understanding.

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In 2011 the Government of Trinidad & Tobago declared a state of emergency to counter the violent crime associated with the drugs trade. Ground Level confronts the roots of the madness and chaos seething under the surface of this "crude season of curfew from ourselves" when the state becomes a jail. For Rahim, her country is a place "blind to what is going on, hooked on carnival and hedonism/ trivia in the press", where "No-one hears the measure of shadow in any rhythm". It is a place where the air is "made less fresh each year/as forests disappear". It is a place where "poets hurt enough to die". In this dread season, Rahim finds hope and consolation in the word and in those places where it is possible to find salvation in "this landscape of ever-opening doorways", such as Grand Riviere, the subject of a long, twelve-part reflection on the values that can still be found in rural Trinidad. Elsewhere she engages in dialogue with those writers who confronted the Janus face of Caribbean creativity and nihilism: poets such as Eric Roach, Victor Questel, Walcott, Brathwaite and Martin Carter, praying of the last "let his words drop on the conscience of a nation". To the late Jamaican poet Tony McNeill she confides that "The Ungod of things has not changed". This is an ambitious collection that speaks in both a prophetic and a highly literary, intertextual voice, which combines the personal and the public in mutually enriching ways. Rahim knows that it is "craft keeps every story true", that "language playing dead only/ to ambush change." This is Jennifer Rahim's fourth collection of poetry; it shows the assurance of a poet who has constantly worked at her craft, but who also takes formal risks to capture the reality of desperate times.

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