Search results for ""Author Richard""

On the nights of July 16 and 17, 1942, French police rounded up eleven-year-old Joseph Weismann, his family, and 13,000 other Jews. After being held for five days in appalling conditions in the Vélodrome d'Hiver stadium, Joseph and his family were transported by cattle car to the Beaune-la-Rolande internment camp and brutally separated: all the adults and most of the children were transported on to Auschwitz and certain death, but 1,000 children were left behind to wait for a later train. The French guards told the children left behind that they would soon be reunited with their parents, but Joseph and his new friend, Joe Kogan, chose to risk everything in a daring escape attempt. After eluding the guards and crawling under razor-sharp barbed wire, Joseph found freedom. But how would he survive the rest of the war in Nazi-occupied France and build a life for himself? His problems had just begun.Until he was 80, Joseph Weismann kept his story to himself, giving only the slightest hints of it to his wife and three children. Simone Veil, lawyer, politician, President of the European Parliament, and member of the Constitutional Council of France—herself a survivor of Auschwitz—urged him to tell his story. In the original French version of this book and in Roselyne Bosch's 2010 film La Rafle, Joseph shares his compelling and terrifying story of the Roundup of the Vél' d'Hiv and his escape. Now, for the first time in English, Joseph tells the rest of his dramatic story in After the Roundup.

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Volume 35 of Heidegger's Complete Works comprises a lecture course given at the University of Freiburg in 1932, five years after the publication of Being and Time. During this period, Heidegger was at the height of his creative powers, which are on full display in this clear and imaginative text. In it, Heidegger leads his students in a close reading of two of the earliest philosophical source documents, fragments by Greek thinkers Anaximander and Parmenides. Heidegger develops their common theme of Being and non-being and shows that the question of Being is indeed the origin of Western philosophy. His engagement with these Greek texts is as much of a return to beginnings as it is a potential reawakening of philosophical wonder and inquiry in the present.

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During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers. An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.

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While serving as the first Treasury Secretary from 1789 to 1795, Alexander Hamilton engineered a financial revolution. Hamilton established the Treasury debt market, the dollar, and a central bank, while strategically prompting private entrepreneurs to establish securities markets and stock exchanges and encouraging state governments to charter a number of commercial banks and other business corporations. Yet despite a recent surge of interest in Hamilton, U.S. financial modernization has not been fully recognized as one of his greatest achievements.This book traces the development of Hamilton's financial thinking, policies, and actions through a selection of his writings. The financial historians and Hamilton experts Richard Sylla and David J. Cowen provide commentary that demonstrates the impact Hamilton had on the modern economic system, guiding readers through Hamilton's distinguished career. The book showcases Hamilton’s thoughts on the nation's founding, the need for a strong central government, confronting problems such as a depreciating paper currency and weak public credit, and the architecture of the financial system. His great state papers on public credit, the national bank, the mint, and manufactures instructed reform of the nation’s finances and jumpstarted economic growth. Hamilton practiced what he preached: he played a key role in the founding of three banks and a manufacturing corporation, and his deft political maneuvering and economic savvy saved the fledgling republic's economy during the country's first full-blown financial crisis in 1792. Sylla and Cowen center Hamilton's writings on finance among his most important accomplishments, making his brilliance as an economic policy maker accessible to all interested in this Founding Father's legacy.

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Contemporary conversations about religion and culture are framed by two reductive definitions of secularity. In one, multiple faiths and nonfaiths coexist free from a dominant belief in God. In the other, we deny the sacred altogether and exclude religion from rational thought and behavior. But is there a third way for those who wish to rediscover the sacred in a skeptical society? What kind of faith, if any, can be proclaimed after the ravages of the Holocaust and the many religion-based terrors since? Richard Kearney explores these questions with a host of philosophers known for their inclusive, forward-thinking work on the intersection of secularism, politics, and religion. An interreligious dialogue that refuses to paper over religious difference, these conversations locate the sacred within secular society and affirm a positive role for religion in human reflection and action. Drawing on his own philosophical formulations, literary analysis, and personal interreligious experiences, Kearney develops through these engagements a basic gesture of hospitality for approaching the question of God. His work facilitates a fresh encounter with our best-known voices in continental philosophy and their views on issues of importance to all spiritually minded individuals and skeptics: how to reconcile God's goodness with human evil, how to believe in both God and natural science, how to talk about God without indulging in fundamentalist rhetoric, and how to balance God's sovereignty with God's love.

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You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brink's truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after. Parker, the ruthless antihero of Richard Stark's mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to. This season's offerings include volumes 4-6 in the series: "The Mourner", "The Score", and "The Jugger". In "The Jugger", Parker travels to Nebraska to help out a geriatric safecracker who knows too many of his criminal secrets. By the time he arrives, the safecracker is dead and Parker's skeletons are on the verge of escaping from their closet - unless Parker resorts to lethal measures.

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"Not only one of the frankest of autobiographies, but also a brilliantly written book, Leiris' Manhood mingles memories, philosophic reflections, sexual revelation, meditations on bullfighting, and the life-long progress of self-discovery."—Washington Post Book World "Leiris writes to appall, and thereby to receive from his readers the gift of a strong emotion—the emotion needed to defend himself against the indignation and disgust he expects to arouse in his readers."—Susan Sontag, New York Review of Books

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When we think about young people dealing drugs, we tend to picture it happening on urban streets, in disadvantaged, crime-ridden neighborhoods. But drugs are used everywhere - even in upscale suburbs and top-tier high schools - and teenage users in the suburbs tend to buy drugs from their peers, dealers who have their own culture and code, distinct from their urban counterparts. In Code of the Suburb, Scott Jacques and Richard Wright offer a fascinating ethnography of the culture of suburban drug dealers. Drawing on fieldwork among teens in a wealthy suburb of Atlanta, they carefully parse the complicated code that governs relationships among buyers, sellers, police, and other suburbanites. That code differs from the one followed by urban drug dealers in one crucial respect: whereas urban drug dealers see violent vengeance as crucial to status and security, the opposite is true for their suburban counterparts. As Jacques and Wright show, suburban drug dealers accord status to deliberate avoidance of conflict, which helps keep their drug markets more peaceful - and, consequently, less likely to be noticed by law enforcement. Offering new insight into both the little-studied area of suburban drug dealing, and, by extension, the more familiar urban variety, Code of the Suburb will be of interest to scholars and policy makers alike.

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What is a weed," opined Emerson, "but a plant whose virtues have not yet been discovered?" While that may be a worthy notion in theory, these plants of undiscovered virtue cause endless hours of toil for backyard gardeners. Wherever they take root, weeds compete for resources, and most often win. They also wreak havoc on industry-from agriculture to golf courses to civic landscape projects, vast amounts of money are spent to eradicate these virile and versatile invaders. With so much at stake, reliable information on weeds and their characteristics is crucial. Richard Dickinson and France Royer shed light on this complex world with Weeds of North America, the essential reference for all who wish to understand the science of the all-powerful weed. Encyclopedic in scope, the book is the first to cover North American weeds at every stage of growth. The book is organized by plant family, and more than five hundred species are featured. Each receives a two-page spread with images and text identification keys. Species are arranged within family alphabetically by scientific name, and entries include vital information on seed viability and germination requirements. Whether you believe, like Donald Culross Peattie, that "a weed is a plant out of place," or align with Elizabeth Wheeler Wilcox's "weeds are but unloved flowers," Dickinson and Royer provide much-needed background on these intrusive organisms. In the battle with weeds, knowledge truly is power. Weeds of North America is the perfect tool for gardeners, as well as anyone working in the business of weed ecology and control.

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In spite of soaring tuition costs, more and more students go to college every year. A bachelor's degree is now required for entry into a growing number of professions. And some parents begin planning for the expense of sending their kids to college when they're born. Almost everyone strives to go, but almost no one asks the fundamental question posed by Academically Adrift: are undergraduates really learning anything once they get there? For a large proportion of students, Richard Arum and Josipa Roksa's answer to that question is a definitive no. Their extensive research draws on survey responses, transcript data, and, for the first time, the state-of-the-art Collegiate Learning Assessment, a standardized test administered to students in their first semester and then again at the end of their second year. According to their analysis of more than 2,300 undergraduates at twenty-four institutions, forty-five percent of these students demonstrate no significant improvement in a range of skills - including critical thinking, complex reasoning, and writing - during their first two years of college. As troubling as their findings are, Arum and Roksa argue that for many faculty and administrators they will come as no surprise - instead, they are the expected result of a student body distracted by socializing or working and an institutional culture that puts undergraduate learning close to the bottom of the priority list. Academically Adrift holds sobering lessons for students, faculty, administrators, policy makers, and parents - all of whom are implicated in promoting or at least ignoring contemporary campus culture. Higher education faces crises on a number of fronts, but Arum and Roksa's report that colleges are failing at their most basic mission will demand the attention of us all.

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In spite of soaring tuition costs, more and more students go to college every year. A bachelor's degree is now required for entry into a growing number of professions. And some parents begin planning for the expense of sending their kids to college when they're born. Almost everyone strives to go, but almost no one asks the fundamental question posed by "Academically Adrift": are undergraduates really learning anything once they get there? For a large proportion of students, Richard Arum and Josipa Roksa's answer to that question is a definitive no. Their extensive research draws on survey responses, transcript data, and, for the first time, the state-of-the-art Collegiate Learning Assessment, a standardized test administered to students in their first semester and then again at the end of their second year. According to their analysis of more than 2,300 undergraduates at twenty-four institutions, forty-five percent of these students demonstrate no significant improvement in a range of skills - including critical thinking, complex reasoning, and writing - during their first two years of college. As troubling as their findings are, Arum and Roksa argue that for many faculty and administrators they will come as no surprise - instead, they are the expected result of a student body distracted by socializing or working and an institutional culture that puts undergraduate learning close to the bottom of the priority list. Academically Adrift holds sobering lessons for students, faculty, administrators, policy makers, and parents - all of whom are implicated in promoting or at least ignoring contemporary campus culture. Higher education faces crises on a number of fronts, but Arum and Roksa's report that colleges are failing at their most basic mission will demand the attention of us all.

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On the evening of 26th November 1703, a cyclone from the north Atlantic hammered into southern Britain at over seventy miles an hour, claiming the lives of over 8,000 people. Eyewitnesses reported seeing cows left stranded in the branches of trees and windmills ablaze from the friction of their whirling sails. For Defoe, bankrupt and just released from prison for seditious writings, the storm struck during one of his bleakest moments. But it also furnished him with the material for his first book, and in his powerful depiction of private suffering and individual survival played out against a backdrop of public calamity we can trace the outlines of his later masterpieces such as A Journal of the Plague Year and Robinson Crusoe.

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First published in 1865, Alice’s Adventures in Wonderland began as a story told to Alice Liddell and her two sisters on a boating trip in July 1862. The novel follows Alice down a rabbit-hole and into a world of strange and wonderful characters who constantly turn everything upside down with their mind-boggling logic, word play, and fantastic parodies. The sequel, Through the Looking-Glass and What Alice Found There, was published in 1871, and was both a popular success and appreciated by critics for its wit and philosophical sophistication.Along with both novels and the original Tenniel illustrations, this edition includes Carroll’s earlier story Alice’s Adventures Under Ground. Appendices include Carroll’s photographs of the Liddell sisters, materials on film and television adaptations, selections from other “looking-glass” books for children, and “The Wasp in a Wig,” an originally deleted section of Through the Looking-Glass.

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Emerging from Dickens's preoccupation in the early 1840s with issues of poverty, ignorance, and cruelty, this classic story of Ebeneezer Scrooge, visited by four ghosts on Christmas Eve, was first published in 1843 to strong reviews and popular success. The Broadview edition uses the first edition with original drawings by John Leech.This edition also includes Washington Irving's descriptions of English Christmas customs; essays by Dickens on Christmas, and his essay "A Walk in a Workhouse"; a British government report on the lives of child labourers; a speech by Dickens on the importance of educating the poor; selected letters; contemporary reviews; and a listing of film, television, and radio adaptations of the book.

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An award-winning, original and gripping thriller which explores the dangers and temptations of power. From BAFTA-nominated screenwriter Richard Kurti comes a gripping and original thriller exploring the dangers of power. When a troop of Langur monkeys attacks a group of Rhesus monkeys, a terrifying struggle for power begins. A young Langur, Mico, attempts to stop the bloodshed, but becomes entangled in the Langur leadership's dangerous secrets. Mico has to choose between right and wrong, but when monkeys turn on each other, there can be no survivors... Nominated for the CILIP Carnegie Medal and the UKLA Book Award and described as "strikingly original" by Anthony Horowitz, author of the Alex Rider and Power of Five series.

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A poetic meditation on professional sport by one of the major figures of twentieth-century French Literature and thought, published in an elegant paperback gift edition A little-known gem, the text of Barthes’s What Is Sport? was never reprinted in the Seuil editions of his Complete Works—neither the three-volume version nor the later five-volume edition. It is published here in a graceful and faithful English translation by Pulitzer Prize winner Richard Howard. Originally commissioned by the Canadian Broadcasting Corporation as the text for a documentary film directed by Hubert Aquin, What Is Sport? was written three years after the publication of Barthes’s Mythologies (1957) and bears considerable resemblance to that work. Some of Barthes’s best writing seems to have been inspired by popular culture.Once again blurring the distinction between high and low, the great French literary theorist muses philosophically on the question: What is sport? In investigating the phenomenon of sport, Barthes considers five national sports: bullfighting (Spain), car racing (America), cycling (France), hockey (Canada), and soccer (England). For Barthes, sport is spectacle and serves the primary social function that theater once did in antiquity, collecting a city or nation within a shared experience. The real pleasure of this book, however, lies less in its generalities than in its fleeting, strangely haunting moments of insight. It makes an appropriate gift for any sport enthusiast as well as those interested in the writing of Roland Barthes.

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Scarlatti's Selected Keyboard Sonatas have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

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While living in exile in Berlin, the formidable literary critic Viktor Shklovsky fell in love with Elsa Triolet. He fell into the habit of sending Elsa several letters a day, a situation she accepted under one condition: he was forbidden to write about love. Zoo, or Letters Not about Love is an epistolary novel born of this constraint, and although the brilliant and playful letters contained here cover everything from observations about contemporary German and Russian life to theories of art and literature, nonetheless every one of them is indirectly dedicated to the one topic they are all required to avoid: their author's own unrequited love.

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Galileo, one of history's best-known scientists, is introduced in this illuminating activity book. Children will learn how Galileo's revolutionary discoveries and sometimes controversial theories changed his world and laid the groundwork for modern astronomy and physics. This book will inspire kids to be stargazers and future astronauts or scientists as they discover Galileo's life and work. Activities allow children to try some of his theories on their own, with experiments that include playing with gravity and motion, making a pendulum, observing the moon, and painting with light and shadow. Along with the scientific aspects of Galileo's life, his passion for music and art are discussed and exemplified by period engravings, maps, and prints. A time line, glossary, and listings of major science museums, planetariums, and web sites for further exploration complement this activity book.

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This book offers a comprehensive reassessment of ekphrasis: the verbal representation of visual art. Ekphrasis has been traditionally regarded as a form of paragone (competition) between word and image. This interdisciplinary collection of essays seeks to complicate this critical paradigm and proposes a more reciprocal model of ekphrasis that involves an encounter or exchange between visual and textual cultures. This critical and theoretical shift demands a new form of ekphrastic poetics, which is less concerned with representational and institutional struggles, and more concerned with ideas of ethics, affect and intersubjectivity. Ekphrastic encounters brings together leading scholars working in the field of word-and-image studies and offers a fresh exploration of ekphrastic texts from the Renaissance to the present day. Taken together, the chapters establish a new set of theoretical frameworks for exploring the ekphrastic encounter.

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The New York City treasure, newly photographed, is revealed as garden in the city, repository for memory, and a place for repose, inspiration, and delight. Green-Wood is a living cemetery that brings people closer to the world by memorializing the dead even as it embraces the art, history, and natural beauty of New York. Founded in 1838 and now a National Historic Landmark, Green-Wood was one of the first rural cemeteries in America. By the early 1860s, it had earned an international reputation for its beauty, attracting 500,000 visitors a year, second only to Niagara Falls as the nation s greatest tourist attraction. Crowds flocked here to enjoy family outings in the finest of first-generation American landscapes. Green-Wood s popularity helped inspire the creation of public parks, including New York City s Central and Prospect parks. Green-Wood is 478 spectacular acres of hills, valleys, glacial ponds, and paths, throughout which exists one of the largest outdoor collections of nineteenth- and twentieth-century statuary and mausoleums. Four seasons of beauty offer a peaceful oasis to visitors, as well as its 570,000 permanent residents, including Leonard Bernstein, Boss Tweed, Jean-Michel Basquiat, and Louis Comfort Tiffany. At once a celebration and an invitation, the book ranges from a consideration of the natural landscape in which it is set to a close look at its architecture, statuary, symbols, typography, birds and fauna, trees, and typography.

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A Pop Art predecessor, Peter Saul is known for his luridly coloured, contrarian depictions of popular culture and political history. In the 1950s and 60s, reacting against Abstract Expressionism s seriousness and influenced by Surrealist Roberto Matta, Saul began to paint everyday objects like iceboxes, steaks, and toilets in bright colours, along with political works like his series of graphic, cartoonish Vietnam paintings (1960s), which, though they had no clear moral message or political agenda, were evidently anti Vietnam War. Jumbling references like Mickey Mouse, Ethel Rosenberg, and Willem de Kooning, his work also includes darkly humorous self-portraits. His work is often compared to the riotous palettes and caustic wit of artists such as Robert Colescott, Raymond Pettibon, and R. Crumb. The book includes several contributions: Richard Shiff, renowned art historian, writes about the work from a more formalist and historical perspective; Annabelle Teneze provides a substantive essay on every period of the artist s long career; and critic Bruce Hainley addresses the satirical aspect of the artist s work.

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Mathematical models are increasingly being used to examine questions in infectious disease control. Applications include predicting the impact of vaccination strategies against common infections and determining optimal control strategies against HIV and pandemic influenza. This book introduces individuals interested in infectious diseases to this exciting and expanding area. The mathematical level of the book is kept as simple as possible, which makes the book accessible to those who have not studied mathematics to university level. Understanding is further enhanced by models that can be accessed online, which will allow readers to explore the impact of different factors and control strategies, and further adapt and develop the models themselves. The book is based on successful courses developed by the authors at the London School of Hygiene and Tropical Medicine. It will be of interest to epidemiologists, public health researchers, policy makers, veterinary scientists, medical statisticians and infectious disease researchers.

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Rome, 61 BCRECRUITED as a gladiator, young Marcus Cornelius Primus faces a new life of brutal training, governed by strict rules, as he learns the skills of an elite warrior.But Marcus cannot simply forget his past. His father lies murdered by soldiers and his mother has been kidnapped and forced into slavery. Marcus is determined to find his father's old commander, Pompeius the Great, to seek justice for his family and set his mother free. Yet, unbeknown to him, Marcus is hiding a life-threatening secret. And if the Romans discover it, there will be no escape . . .

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Puffin Classics - everyone's favourite stories.In The Adventures of Tom Sawyer by Mark Twain, Tom Sawyer and his friends seek out adventure at every turn. Then one fateful night they witness a murder. The boys swear never to reveal the secret and run away to be pirates and search for hidden treasure. But when Tom gets trapped in a cave with the murderer, can he escape unharmed?The Introduction is written by Richard Peck, an American novelist known for his young adult books. He was awarded American's highly prestigious Newbery Medal in 2001 for his novel A Year Down Yonder.The book includes a behind-the-scenes journey, including an author profile, a guide to who's who, activities and more..The Puffin Classics relaunch includes:A Little PrincessAlice's Adventures in WonderlandAlice's Adventures Through the Looking GlassAnne of Green GablesBlack BeautyHans Andersen's Fairy TalesHeidiJourney to the Centre of the EarthLittle WomenPeter PanTales of the Greek HeroesThe Adventures of Huckleberry FinnThe Adventures of King ArthurThe Adventures of Tom SawyerThe Call of the WildThe Jungle BookThe OdysseyThe Secret GardenThe Wind in the WillowsThe Wizard of OzTreasure Island

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In the middle of the electromagnetic spectrum between the binary extremes of black and white it’s not gray, as you might expect, but green. And within green’s bandwidth there are more tonal variations than any other colour can make. Maybe this is why - envy, naivete, and money aside - green is generally synonymous with good. Green is paradise for Islam, luck for the Irish, and a healthy planet for environmentalists. Whereas the industrial past was grey, the future is green. LA+ Green explores the green spectrum from plants to politics and from art to science, with contributions from: Noam Chomsky; Robert D. Bullard; Kassia St. Clair; Neil M. Maher; Rob Levinthal; Sonja Dümpelmann; Peder Anker; Robert Mcdonald; Parker Sutton; Tamara Toles O’Laughlin; Nicholas Pevzner; Michael Marder; Shannon Mattern; Michael Geffel; Brian Osborn; Julian Bolleter; Cristina Ramalho; Robert Freestone; Richard Weller; Michael Geffel; Brian Osborn; Julian Raxworthy.

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In this moment of seemingly compounding global crises and existential concerns about the future of the planet, LA+ pauses to consider the values and implications of speculation. How are speculative acts understood differently within specific disciplinary structures versus broader cultural perceptions? Whether employed as a means of influence, a method of production, a form of practice, a manner of inquiry, a way of seeing, or a motivating ideology, LA+ Speculation engages speculation and the speculative as world-shaping concepts worthy of deep and critical reflection. Guest edited by Christopher Marcinkoski with Javier Arpa Fernandez, and other contributors include: Merve Bedir, Casey Lance Brown, Stuart Candy, Paul Dobraszyk, Aroussiak Gabrielian, Daisy Ginsberg, Adrian Hawker, Souhei Imamu, Karen Lewis, Min Kyung Lee, Mpho Matsipa, Alexandra Sankova, Jonah Susskind, Ytasha Womak.

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In this volume Christina Di Cerbo and Richard Jasnow publish 92 Demotic graffiti, along with several ostraca and mummy bandages, from Theban Tombs 11, 12, Tomb -399-, and environs recorded and studied under the aegis of the Spanish Mission at Dra Abu el-Naga directed by Jose Galan. These texts from the mid-second century BCE were inscribed on the tomb walls by workers of the Ibis and Falcon cult, who used the New Kingdom tombs as burial places for mummified birds dedicated to the gods Thoth and Horus. This varied corpus of texts includes not only votive formulae and lists of names, but, most unusually, labels for chambers and halls to guide the men depositing the mummies through the labyrinthine catacombs. The cult workers also recorded important burials and memorialized events of special significance, as when a massive conflagration broke out that consumed several mummies and damaged the tomb walls. The Mission's conservators recovered many hitherto virtually invisible graffiti. Numerous inscriptions posed daunting epigraphic challenges; the text editors employed computer applications, especially DStretch, in order to enhance the digital images forming the basis for decipherment. In an introductory chapter Galan discusses the work of the Spanish Mission at Dra Abu Naga and recounts the complicated history of this important area of the Theban Necropolis down to the Roman period. The graffiti illustrate how New Kingdom tombs were reused for the sacred animal cult in the Ptolemaic period. Francisco Bosch-Puche and Salima Ikram contribute a detailed chapter analysing the archaeological context of the graffiti and the material evidence for the animal cult in the site. The volume, a holistic study of this area at the twilight of Pharaonic history, represents a true collaboration between archaeologists and philologists.

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A sumptuous, large-format photographic homage to the end of the analog era Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity and nuance. Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s 1969 book, Notations, which compiles music scores as art, Misrach here envisages the photographic image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result is a series of immense beauty unlike any previous Misrach publication. Richard Misrach (born 1949) is one of the most influential photographers working today. For the past five decades, he has used visually stunning, large-scale color vistas to address human intervention in the natural world. He lives and works in Berkeley, California.

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Over 300 fans, friends and celebrities choose their favourite songs by 'semi-legendary' Indie band The Wedding Present, nominating the one song that means the most to them and why.

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The Classic Wine Library is home to some of the world’s most trusted expert writing on wine. This anthology gathers together selected essays from nearly 30 titles, published over the last 10 years. The chapters cover topics essential to understanding the wines of a range of regions, including their history, wine growing, winemaking and signature wines. The wide range of subjects include: The beginnings of viticulture – explaining how people learned to tame the wild tree-climbing Vitis vinifera and turn it into orderly vineyards; Addressing South Africa’s apartheid legacy – detailing efforts made by the wine industry to create equal opportunities for black and coloured workers; Australia’s old vines – revealing the history and extent of the country’s impressive collection of ungrafted vines; Qvevri: the vessel of dreams – discussing how these traditional clay vessels are formed, and used to make wines; The wines of Japan – looking at one of the world’s most newly emerged wine-producing countries and seeing how its wines have been transformed over the last decade; Tavel – exploring the history and winemaking methods behind the Rhône’s famous rosé wine and learning how changing fashions in wines have affected its fortunes. The articles feature wine regions across the globe, from Old World favourites in the heart of Europe to New World heavyweights such as South Africa and New Zealand to emerging regions like Great Britain and the southwest USA. The Classic Wine Library Reader will expand your wine knowledge and enhance your bookshelf.

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A useful manual for any magician, or for anyone who wonders why the tricks seem so real, this guide examines the psychological aspects of a magician''s work. Exploring the ways in which human psychology plays into the methods of conjuring, rather than focusing on the individual tricks themselves, the book explains general principles of magic. Chapters on the use of misdirection, sleight of hand, and reconstruction, provide a better understanding of this ancient art and a section on psychics warns of their deceptive magic skills.

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A century ago the summits of the world's highest peaks, Everest included, were beyond reach. Pioneering attempts to overcome the dangers of climbing at extremely high altitudes ended in failure, sometimes with disastrous consequences. Yet today high-altitude ascents are frequent, almost commonplace. Everest can be conquered by relatively inexperienced mountaineers, and their exploits barely merit media attention - unless they go fatally wrong. In this fascinating study of the dramatic history of Everest climbs, Richard Sale and George Rodway describe in vivid detail the struggle to conquer the mountain and the advances in scientific knowledge that made the conquest possible. Their account gives a compelling insight into the science of mountaineering as well as the physical and psychological challenges faced by individuals who choose to test themselves in some of the harshest conditions on earth. Dr George Rodway, an assistant professor at the University of Utah, is a physiologist, mountaineer and an expert on mountain medicine and the science of high-altitude climbs. As well as publishing many papers and articles on these subjects, he is the editor of George Ingle Finch's The Struggle for Everest. He has also written extensively on the history of high-altitude physiology for journals such as High Altitude Medicine and Biology.

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Hugely admired by artists and writers from Henri Cartier Bresson to the Booker prize winner Howard Jacobson, the extraordinary life and work of painter Dennis Creffield (1931-2018) are explored in this, the first major monograph on the artist. The narrative traces the artist's 'Dickensian' upbringing, his formative experiences as a teenager under the tutelage of David Bomberg, his conversion to Catholicism and his award-winning years at the Slade. Focus is given to Creffield's passions for the stories of England, not only in the Cathedral drawings, but in his expressive work on Shakespeare's Midsummer Night's Dream, on Blake and in his paintings and drawings of London, the great Petworth House, Cornish tin mines and the eerie military buildings on Orford Ness. Complementing his work on England's sacred and profane identity is an equally audacious body of work on the human body, from tender paintings of mother and child to erotic paintings of women to his late paintings of men near death - Turner, Nelson and Rimbaud. To quote his fellow artist R.B. Kitaj, Creffield's cover has been 'well and truly blown.'

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The work that launched the picturesque movement and changed our ways of looking at landscape forever. A witty, elegant, opinionated pilgrimage of taste. Complete with 17 aquatints drawn by William Gilpin as examples of perfected landscape. Introduced by Richard Humphreys, who was Curator of Programme Research at Tate Britain and lead curator of their A Picture of Britain exhibition.

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Bombay Cinema's Islamicate Histories comprises fourteen essays on the history and influence of cultural Islam on Bombay cinema. These essays are written by major scholars of both South Asian cultural history and Indian cinema working across several continents. Following Marshal Hodgson, the term ‘Islamicate’ is used to describe Muslim cultures in order to distinguish the cultural forms associated with Islam from the religion itself. Such a distinction is especially important to observe in South Asia where, over a thousand-year history, Muslim cultures have commingled with other local religious and cultural traditions to form a rich vein of syncretic aesthetic expression. This volume argues that the influence of Muslim cultures on Bombay cinema can only be grasped against the backdrop of this long history, an argument that informs the shape of the whole. The book is divided into two sections. The first, ‘Islamicate Histories’, charts the historical roots of South Asian Muslim cultures and the precursors of Bombay cinema’s Islamicate idioms in the Urdu Parsi Theatre, the Courtesan cultures of Lucknow, the traditions of miniature painting, poetry, song and their performance, and the various modes of story-telling that derive from Perso-Arabic traditions. The second section, ‘Cinematic Forms’, discusses the way in which these Islamicate histories are partially constitutive of the traditions of representation, performance and story-telling that give Bombay cinema its distinctive character, traditions that have continued into Bollywood. It explores ‘Islamicate’ genres like the ‘Oriental’ film and the ‘Muslim Social’, as well as forms of poetry and performance like the ‘ghazal’ and ‘the qawwali’. Bombay Cinema’s Islamicate Histories is published at a time of acute crisis in the perception and understanding of Islam, where Islamophobia stereotypes Muslims as incipient fifth column and Hindu fundamentalism is ascendant. It demonstrates that Muslim and Hindu cultures in India are inextricably entwined and shows how the syncretic idioms of Islamicate cultural history inform the very identity of Bombay cinema, even as that cinema has also instrumentalized Islamicate idioms to stereotype and even demonise the Muslim, especially in contemporary Bollywood. This book argues that many of the idioms of Bombay cinema that we love are derived from the historical influence of Muslim cultures as they interacted with other traditions in the Indian subcontinent. It traces the emergence of cultures of poetry, dance, song, performance and story-telling out of the thousand-year history of Islam on Indian soil, and describes the ways in which they underlie and inform the expressive forms of Bombay cinema. It is timely to be reminded of the contribution of Muslim cultures to the distinctive and widely recognized popular cinema of India at a historical moment when the cultural influence of Islam on India is being denied by forces which seek to turn the country away from cultural pluralism towards Hindu fundamentalism. Bombay Cinema’s Islamicate Histories features contributions by major scholars of both South Asian cultural history and Indian cinema working across several continents. The audience for this book will be primarily graduate and advanced undergraduate students of film studies. The writing is accessible and lively and individual chapters will be suitable for classroom use. It will be of value in disciplines outside film studies, where the Islamicate tradition in general and its impact on film in particular is taught. It will find an audience in disciplines such as history, cultural studies, women's studies, visual studies and South Asian area studies. It will also be of interest to anyone who wants to know how cinema negotiates the parameters of Muslim identity in response to historical and contemporary events in India.

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