Search results for ""author isabel"

'Jake Fiennes is changing the face of farming in Britain... a revolutionising force' Isabella TreeOur relationship with our land is broken: we must heal it.Jake Fiennes is on a mission to change the face of the English countryside. As Conservation Manager at Holkham in Norfolk, one of the country's largest historic country estates, his radical habitat restoration and agricultural work has nurtured its species and risen its crop yields - bringing back wetlands, hedgerows, birds and butterflies over 25,000 acres of land.But this isn't rewilding - there is no 'wild' in Britain anymore. Mass farming, crop science and industrial chemicals have destroyed the majority of our natural landscape and wildlife over the last century. Land Healer is the story of Fiennes's ambition to bring back our flora and fauna - by reclaiming our traditions and trialling new experiments which could restore our symbiosis with our land, and save our shared future.Following the farming year and the natural cycle of the seasons, Land Healer chronicles a life of conservation lived at the edges, and is a manifesto for rethinking our relationship with the natural world before it's too late.

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Feminist rewriting of history is designed not merely to reshape our collective memory and collective imaginary but also to challenge deeply ingrained paradigms about knowledge production. This feminist rewriting raises important questions for early modern scholars, especially in bringing to life the works of our foremothers and in reconsidering women’s agency.Recovering Women’s Past, edited by Séverine Genieys-Kirk, is a collection of essays that focus on how women born before the nineteenth century have claimed a place in history and how they have been represented in the collective memory from the Renaissance to the twenty-first century. Scrutinizing the legacies of such politically minded women as Catherine de’ Medici, Queen Isabella of Castile, Emilie du Châtelet, and Olympe de Gouges, the volume’s contributors reflect on how our histories of women (in philosophy, literature, history, and the visual and performative arts) have been shaped by the discourses of their representation, how these discourses have been challenged, and how they can be reassessed both within and beyond the confines of academia. Recovering Women’s Past disseminates a more accurate, vital history of women’s past to engage in more creative and artistic encounters with our intellectual foremothers by creating imaginative modes of representing new knowledge. Only in these interactions will we be able to break away from the prevailing stereotypes about women’s roles and potential and advance the future of feminism.

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Two boys spend the day doing nothing but imagining in this poetic ode to the freedom of summer. On a hot summer day that feels like it’s lasted forever, two brothers stretch out in the back seat of an abandoned car in a strip-mall parking lot. They pass the time thinking up another place, scattering ketchup-soaked fries around their whale of a car to attract the garbage gulls. They have to leave just the right amount, the older boy tells the younger, so enough gulls will come. Enough to lift them up in their tangle of wings and take them to the sea. Lyrical text by Dorson Plourde and expressive art by Isabella Fassler - two debut creators - combine to perfectly capture the mood of a languid summer day. Without access to a beach or summer camp, with only fries and colas and a stretch of asphalt, the brothers dream themselves to the sea the only way they can - through their shared imagination. This evocative picture book is sure to transport children throug

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Born in 1451 in the seafaring nation of Genoa in northern Italy, Christopher Columbus grew up watching ships sail into the harbor loaded with riches from Egypt, Spain, England, and Belgium. Columbus was convinced that he could gain gold, silk, ivory, and much personal wealth for himself if he were to sail west from Europe to the East and trade with China and India. When Queen Isabella of Castile and King Ferdinand of Aragon finally provided him with three ships, a crew, and supplies for his journey, Columbus embarked on the first of four voyages to the East in 1492. Although he never reached Asia, he did land in Central and South America, establishing a firm foothold in America and opening up wider European exploration to the new continent and other foreign lands. Demi portrays Columbus as a great navigator and explorer, but she also provides a balanced view of his accomplishments, describing his enslavement of the native Taino Indians of Central America and his mismanagement of the colonies that he established in the Indies. Using Chinese paintbrushes and inks, gold overlays, and Italian marbled paper from Florence, Italy, she paints Columbus’s vast world with characteristic skill and beauty.

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Twenty-Five Women Who Shaped the Italian Renaissance takes readers on a journey through early modern Italy that places women at the heart of the artistic and cultural developments of this transformative era. Highlighted here are figures like Caterina Sforza, who defended her city against an invading army; Veronica Franco, the Venetian courtesan whose erotic verse enthralled Europe; Sofonisba Anguissola, acclaimed for her arresting portraits; Isabella Andreini, the original "prima donna" of Italian theater; and Margherita Sarrocchi, the epic poet and mathematics prodigy who corresponded with Galileo Galilei.Though many of their names have been neglected by history, the artists, writers, performers, leaders, and feminists of Twenty-Five Women Who Shaped the Italian Renaissance overcame daunting obstacles to find their own voices. Excluded from the educational opportunities granted to men, often compelled into arranged marriages or confined to the convent, and subject to ingrained hostility toward female sexuality, each dared to challenge entrenched ideas about what a woman should or could do or be. Springing from a range of backgrounds and circumstances, these women defied conventions about the "proper" place of their sex to make their own mark on the Renaissance.The perfect resource for anyone wishing to broaden their understanding of the Renaissance and early modern women.

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Medieval Spain is brilliantly recreated, in all its variety and richness, in this comprehensive survey. Likely to become the standard work in English, the book treats the entire Iberian Peninsula and all the people who inhabited it, from the coming of the Visigoths in the fifth century to the reign of Ferdinand and Isabella. Integrating a wealth of information about the diverse peoples, institutions, religions, and customs that flourished in the states that are now Spain and Portugal, Joseph F. O'Callaghan focuses on the continuing attempts to impose political unity on the peninsula.O'Callaghan divides his story into five compact historical periods and discusses political, social, economic, and cultural developments in each period. By treating states together, he is able to put into proper perspective the relationships among them, their similarities and differences, and the continuity of development from one period to the next. He gives proper attention to Spain's contacts with the rest of the medieval world, but his main concern is with the events and institutions on the peninsula itself. Illustrations, genealogical charts, maps, and an extensive bibliography round out a book that will be welcomed by scholars and student of Spanish and Portuguese history and literature, as well as by medievalists, as the fullest account to date of Spanish history in the Middle Ages.

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If you loved Sophie Ranald’s Sorry Not Sorry then this is the hilariously feel good novel for you! ‘Funny, poignant and wonderfully descriptive…an unlikely but perfect romcom’ Rachel Burton ‘A lovely, uplifting story…everything I look for in a romantic comedy’ Karen Clarke ‘A proper meet-cute…DEFINITELY unputdownable’ Isabella May ‘If you are looking for a wonderful rom-com, that also had a few surprises in it, then this is definitely worth a read’ Rachel’s Random Reads *** Jen Attison likes her life Just So. But being fished out of a canal in Copenhagen by her knickers is definitely NOT on her to do list. From cinnamon swirls to a spontaneous night of laughter and fireworks, Jen’s city break with the girls takes a turn for the unexpected because of her gorgeous, mystery rescuer. Back home, Jen faces a choice. A surprise proposal from her boyfriend, ‘boring’ Robert has offered Jen the safety net she always thought she wanted. But with the memories of her Danish adventure proving hard to forget, maybe it’s time for Jen to stop listening to her head and start following her heart… A fabulously feel-good rom com that will make you laugh till you cry and fall in love with the romance! This is a must read if you love romantic comedies by Sophie Kinsella, Lindsey Kelk or Mhairi McFarlane!

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In the early twenty-first century, the citizens of many Latin American countries, such as Argentina, Bolivia, Brazil, Ecuador, and Venezuela, elected left-wing governments, explicitly rejecting and attempting to reverse the policies of neoliberal structural economic adjustment that had prevailed in the region during the 1990s. However, in other countries such as Chile, Colombia, Mexico, and Peru continuity and even extension of the neoliberal agenda have been the norm. What were the consequences of rejecting the neoliberal consensus in Latin America? Why did some countries stay on the neoliberal course? Contributors to Latin America Since the Left Turn address these questions and more as they frame the tensions and contradictions that currently characterize Latin American societies and politics. Divided into three sections, the book begins with an examination of the political economy, from models of development, to taxation and spending patterns, to regionalization of trade and human migration. The second section analyzes the changes in democracy and political identities. The last part explores the themes of citizenship, constitutionalism, and new forms of civic participation. With essays by the foremost scholars in the field, Latin America Since the Left Turn not only delves into the cases of specific countries but also surveys the region as a whole. Contributors: Isabella Alcañiz, Sandra Botero, Marcella Cerrutti, George Ciccariello-Maher, Tula G. Falleti, Roberto Gargarella, Adrian Gurza Lavalle, Juliet Hooker, Evelyne Huber, Ernesto Isunza Vera, Nora Lustig, Paulina Ochoa Espejo, Emilio A. Parrado, Claudiney Pereira, Thamy Pogrebinschi, Irina Carlota Silber, David Smilde, John D. Stephens, Maristella Svampa, Oscar Vega Camacho, Gisela Zaremberg.

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Traditionally, the Wars of the Roses – one of the bloodiest conflicts on English soil – began in 1455, when the Duke of York attacked King Henry VI’s army in the narrow streets of St Albans. But this conflict did not spring up overnight. Blood Roses traces it back to the beginning. Starting in 1245 with the founding of the House of Lancaster, Kathryn Warner follows a twisted path of political intrigue, bloody war and fascinating characters for 200 years. From the Barons Wars to the overthrowing of Edward II, Eleanor of Castile to Isabella of France, and true love to Loveday, this is a new look at an infamous era. The first book to look at the origins of both houses, Blood Roses reframes some of the biggest events of the medieval era; not as stand-alone conflicts, but as part of a long-running family feud that would have drastic consequences.

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Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982. "Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)

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Where there’s daring, there’s danger…Isabella Ashton has always been her father’s favourite, but when she gets involved with the new Birth Control Movement, he is scandalised. A decade has elapsed since the end of the Great War and running a family planning clinic in Salford is challenging but rewarding work.Bella is grateful for the help of Violet Howarth, a generous-hearted woman who takes her in off the street. Before long, a friendship with Violet’s son, Dan, blossoms into the beginnings of love.But Bella also crosses paths with handsome ne’er-do-well Billy Quinn, leader of an illegal betting ring, and everything she has worked for is suddenly put at risk.This is a bewitching tale of drama, jealousy and the fight for women's rights, perfect for fans of Dilly Court and Nadine Dorries.Praise for The Favourite Child ‘Compelling and fascinating’ Middlesborough Evening Gazette‘A revelation in telling us what it was like before women had rights’ 5* Reader review‘One of those books that you can’t put down, loved it’ 5* Reader review

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Evelina van Millingen Pisani was a modern woman in the age of Queen Victoria. She was born in Constantinople in 1831 to an eccentric French mother and an English father, who was a doctor accused of having murdered Lord Byron. Educated in Papal Rome until the age of eighteen, she was whisked back to Constantinople by her father, now working for the sultan. While visiting Venice, this striking beauty of twenty-two met and married the wealthy Count Pisani. Evelina became an exotic star in the firmament of wealthy American and English socialites, artists, and writers, for whom the artistic decadence of Venice was an antidote to the factories, materialism, and homophobic laws they saw at home. In her circle of friends were Isabella Stewart Gardner and an admiring Henry James. When her husband died after twenty-seven years of marriage, the grieving countess unexpectedly found herself saddled with his mortgage debts. Inheriting the vast but rundown Pisani estate in the misty flatlands near Padua, Evelina took full charge. Becoming a hands-on farmer, she restored swampland, built an English garden, and created a model farm for hundreds of tenant farmers. Through it all, she remained a pillar in the admiring Venetian set.

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Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages.The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.

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The Crime of Art looks at San Francisco–based artist Kota Ezawa’s (born 1969) oeuvre using crime as a lens. The book presents photographs and reproductions from Ezawa’s recent exhibitions in Los Angeles, New York and Amherst featuring remakes of paintings stolen from the Isabella Stewart Gardner Museum in Boston. In addition, the book draws connections from his current project to other work from the early 2000s to the present that contemplates crime. Among them are his animated films The Simpson Verdict (2002) and The Unbearable Lightness of Being (2005), as well as his ongoing drawing series The History of Photography Remix, which includes hand-drawn re-creations of historic crime-scene photography. While focusing on a single subject, The Crime of Art brings attention to some of Ezawa’s key projects from the last 15 years, and coincides with a solo exhibition at SITE Santa Fe in 2017.

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A new critical perspective on the female auteur that considers her place in the avant-garde tradition of provocation Includes close critical analysis of eight contemporary women filmmakers and their provocative works Provides an exploration and account of provocation as an artistic strategy in cinema Offers a feminist interrogation of the gendering of provocation, and the provocateur, in the discourses of film criticism as a masculine mode Critics regularly use the term provocateur" to describe controversial film directors. Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. Provocation in Women's Filmmaking: Authorship and Art Cinema investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post-millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Ekl f, Lucile Had ihalilovi?, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women's provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper-masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women. "

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For fans of Kate Morton and Tracy Rees comes a captivating novel about two women, separated by centuries, whose fates are bound together by one haunting secret. *** ‘A fascinating tale with intriguing twists.’ Barbara Erskine‘I was hooked from the first pages.’ Gill Paul‘Atmospheric and compelling’ Sarah Morgan‘You just can’t put it down. Brilliant!’ Katie Fforde *** ‘I see it all again: the silver moon swimming beneath the water and the golden gown billowing out about her…’ 1765: Lady Isabella Gerard asks her maid to take her new golden gown and destroy it. Its shimmering beauty has been tainted by the actions of her husband the night before. Three months later: Lord Eustace Gerard stands beside the lake looking down at the woman in the golden gown. As the body slowly rolls over to reveal her face, it’s clear this is not his intended victim… 1996: Fenella Brightwell steals a stunning gown from a stately home. Twenty years later and reeling from the end of an abusive marriage, she wonders if it has cursed her all this time. Now she’s determined to discover the history behind the beautiful golden dress…

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It's Christmas, and Phryne has an invitation to the Last Best party of 1928, a four-day extravaganza being held at Werribee Manor house and grounds by the Golden Twins, Isabella and Gerald Templar. She knew them in Paris, where they caused a sensation. Phryne is in two minds about going when she starts receiving anonymous threats warning her against attending. She promptly decides to accept the invitation - after all, no one tells Phryne what to do. At the Manor, she is accommodated in the Iris room, and at the party meets two polo-playing women, a Goat lady (and goat), a large number of glamorous young men and a very rude child called Tarquin. The acolytes of the golden twins are smoking hashish and dreaming, and Phryne finds that the jazz is as hot as the drinks are cold and indulges in flirtations, dancing, and mint juleps. Heaven.It all seems like good clean fun until three people are kidnapped, one of them the abominable child, and Phryne must puzzle her way through the cryptic clues of the scavenger hunt to retrieve the hostages and save the party from disaster.

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A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world.Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It’s clear that modern day museums can no longer exist without change—and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris—this is Black history like never seen before.

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This new, thoroughly updated and lavishly illustrated fourth edition of Bradt's Galápagos Wildlife is packed with information and magnificent pictures to aid in identifying key species, all in an easy-to-carry format that covers everything from the wildlife that you're likely to encounter, whether flying in the air, running along the ground or swimming underwater, to a succinct history of the islands, their habitats and volcanic origins. This guide includes the most detailed descriptions and maps of the main visitor sites of any book in print, so you can see where a boat will land and what can be seen there - enabling you to plan effectively for a rewarding visit. An overview of conservation efforts is also included, as are unique island trail plans for those looking to explore. Written and illustrated by two expert-naturalist guides, who have both been visiting the islands for decades, this new edition covers all the latest information, from the discovery of an 'extinct' tortoise species not seen for over 100 years on Fernandina island and the discovery of new rare 'pink iguanas' on Isabela island's Wolf volcano (the highest point on the Galápagos), to the change in taxonomy of 'Darwin's finches' and the new species status of the almost-extinct little vermillion flycatcher. Snorkelling with sea lions, penguins and sharks at Devil's Crown, Floreana is included, as is kayaking in pristine locations such as Española's Gardiner Bay. Travelling to the Galápagos is a rite of passage for serious wildlife enthusiasts. Now with more detailed descriptions, more photos, and updated information on conservation efforts, Bradt's Galápagos Wildlife is the perfect companion for this once-in-a-lifetime trip.

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It's 1308 and England hovers on the brink of civil war. Edward II, his wife Isabella and the royal favourite Peter Gaveston Earl of Cornwall, have been forced to retreat to the King's folly. Just an arrowshot away lie the Great Lords and Philip IV of France, who are demanding that the Earl of Cornwall be charged with high treason.Edward is trapped, and worse, he has learnt that Philip has the 'Poison Maiden' on his side, a formidable spy who did untold damage during his father's reign. As Edward tries in vain to unmask the identity of the spy, Mathilde, handmaiden to the Queen, also attempts to identify the source of this threat. Soon the crisis spills over into violence. The Lords attempt to take Gaveston by force and the King and his Court, including Mathilde, are forced to flee. As the enemy closes in, Mathilde finds herself embroiled in a life and death struggle for the English crown.

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Goes beyond the myths and legends to reveal new insights into the real life of Sojourner Truth Many Americans have long since forgotten that there ever was slavery along the Hudson River. Yet Sojourner Truth was born a slave near the Hudson River in Ulster County, New York, in the late 1700s. Called merely Isabella as a slave, once freed she adopted the name of Sojourner Truth and became a national figure in the struggle for the emancipation of both Blacks and women in Civil War America. Despite the dual discrimination she suffered as a Black woman, Truth significantly shaped both her own life and the struggle for human rights in America. Through her fierce intelligence, her resourcefulness, and her eloquence, she became widely acknowledged as a remarkable figure during her life, and she has become one of the most heavily mythologized figures in American history. While some of the myths about Truth offer inspiration, they have also contributed to distortions about American history, especially about the experiences of Black Americans and women. In this landmark work, the product of years of primary research, Pulizter-Prize winning biographer Carleton Mabee has unearthed the best available sources about this remarkable woman to reconstruct the most authentic account of her life to date. Mabee offers new insights on why she never learned to read, on the authenticity of the famous quotations attributed to her (such as Ar'n't I a woman?), her relationship to President Lincoln, her role in the abolitionist movement, her crusade to move freed slaves from the South to the North, and her life as a singer, orator, feminist and woman of faith. This is an engaging, historically precise biography that reassesses the place of Sojourner Truth—slave, prophet, legend—in American history.

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The image of Catherine of Aragon has always suffered in comparison to the heir-providing Jane Seymour or the vivacious eroticism of Anne Boleyn. But when Henry VIII married Catherine, she was an auburn-haired beauty in her twenties with a passion she had inherited from her parents, Isabella and Ferdinand, the joint-rulers of Spain who had driven the Moors from their country.This daughter of conquistadors showed the same steel and sense of command when organising the defeat of the Scots at the Battle of Flodden and Henry was to learn, to his cost, that he had not met a tougher opponent on or off the battlefield when he tried to divorce her.Henry VIII introduced four remarkable women into the tumultuous flow of England's history: Catherine of Aragon and her daughter 'Bloody' Queen Mary; and Anne Boleyn and her daughter, the Virgin Queen Elizabeth. 'From this contest, between two mothers and two daughters, was born the religious passion and violence that inflamed England for centuries,' says David Starkey. Reformation, revolution and Tudor history would all have been vastly different without Catherine of Aragon.Giles Tremlett's new biography is the first in more than four decades to be dedicated entirely and uniquely to the tenacious woman whose marriage lasted twice as long as those of Henry's five other wives put together. It draws on fresh material from Spain to trace the dramatic events of her life through Catherine of Aragon's own eyes. 'Enthralling biography . . . this lively and richly detailed book . . . describing the queen's fierce battle to retain her crown, Tremlett brilliantly breathes life into the shadowy figure of a stubborn and finally heroic woman.' Daily Telegraph

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Victorian London harbours many secrets: alien visitors, strange phenomena and unearthly powers. But a trio of investigators stands ready to delve into such mysteries - the Great Detective, Madame Vastra; her resourceful spouse, Jenny Flint; and their loyal valet, Strax. If an impossible puzzle needs solving, or a grave injustice needs righting, help can be found on Paternoster Row. But even heroes can never escape their past...Contains three new adventures - 1.Dining with Death by Dan Starkey. When negotiations between two warring alien races are sabotaged, Madame Vastra offers Paternoster Row as neutral ground upon which to continue their diplomacy – and the celebrate the treaty with a feast. While Strax frets about hosting two species with very different dietary needs, Jenny investigates the dissenters who want to halt the peace process. But a deadly plot is brewing, and the diners way not survive the cheese course...2.The Screaming Ceiling by Guy Adams. In one of the earliest cases of his illustrious career, Thomas Carnacki heads to the Highlands to embark upon the terrifying investigation of Castle Kraighten. On arrival, he finds that another party of sleuths has been engaged – surely these amateurs of Paternoster Row have nothing to teach the great Ghost Finder? But this is no ordinary haunting. A room in the castle has a mouth in the ceiling. And it screams...3. Spring-Heeled Jack by Gemma Arrowsmith. People are being stolen from the streets by a monster. By all accounts, it has burning eyes, breathes blue flames, and can leap the height of a building at a bound. While Vastra and Jenny fend off an over-eager member of the gutter press, Strax dives into dangerous waters. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax), Hywel Morgan (Baron Gallos Flambo), Polly Kemp (Duchess Callys Flambo), Glen McCready (Auditor-General Otak Lame), Joe Jameson (Carnacki), David Shaw-Parker (John Campbell), Caroline Guthrie(Anna Campbell), Janet Henfrey (Dorothy), Isabella Inchbald (Elizabeth), Daniel Easton (Jimmy), Sophie Cotton (Gwendoline Platt), Joe Sims (Sergeant Grout). Other parts played by members of the cast.

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1326 was one of the most dramatic years in English history. The queen of England, Isabella of France, invaded the country with an army of mercenaries to destroy her husband''s powerful and detested lover, Hugh Despenser the Younger, and brought down her husband King Edward II in the process. It was also a year, however, when the majority of English people carried on living their normal, ordinary lives: Eleyne Glaswreghte ran her own successful glass-making business in London, Jack Cressing the master carpenter repaired the beams in a tower of Kenilworth Castle, Alis Coleman sold her best ale at a penny and a half for a gallon in Byfleet, and Will Muleward made the king ''laugh greatly'' when he spent time with him at a wedding in Marlborough. England sweltered in one of the hottest, driest summers of the Middle Ages, a whale washed ashore at Walton-on-the-Naze, and the unfortunate John Toly died when he relieved himself out of the window of his London house at midnight, and lost his ba

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The Penguin English Library Edition of Northanger Abbey by Jane Austen'To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive'During an eventful season at Bath, young, naïve Catherine Morland experiences the joys of fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who shares Catherine's love of Gothic romance and horror, and sophisticated Henry and Eleanor Tilney, who invite her to their father's mysterious house, Northanger Abbey. There, her imagination influenced by novels of sensation and intrigue, Catherine imagines terrible crimes committed by General Tilney. With its broad comedy and irrepressible heroine, this is the most youthful and and optimistic of Jane Austen's works.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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Capturing Japan in Nineteenth-Century New England Photography Collections examines the evidence left behind from a famous first encounter-that of prominent New England Americans with the remnants of feudal Japan in the 1870s and 1880s. The study reveals that, despite these Americans' varied reasons for traveling to Japan and studying its culture, a common desire united all of their collecting activities: to gather photographic documentation of a Japan they believed was disappearing under the pressures of trade and industrialization. Eleanor Hight focuses on the case studies of six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in the late nineteenth-century Boston area-still visible today in institutions such as the Boston Museum of Fine Arts, the Peabody Essex Museum, and the Isabella Stewart Gardner Museum. The book also explores the history of Japanese photography and its main themes, from images of travel and historic sites, to exotic subjects such as geisha and samurai. The first history of its kind, this study makes fundamental points about the ways photographs, seeming conveyors of fact, imprint mental images and suppositions on their viewers.

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John Keats was a trained surgeon who studied at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected Keats manuscript: the notebook he maintained during this period. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, it seeks to show the intriguing connections between Keats’ medical knowledge and his greatest poetry. It offers new research on Keats’ medical career – including a new edition of his medical Notebook compiled from the manuscript – and recovers the various ways in which Keats’ creativity found expression in his two careers of medicine and poetry, enriching both. Topics explored include the ‘hospital poems’ Keats wrote at Guy’s; the medical milieu of his daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and the collection Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820).John Keats’ Medical Notebook: Text, Context and Poems reveals how Keats’ visceral knowledge of human life, gained during his medical training at Guy’s, transformed him into ‘a mighty poet of the human heart’.

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This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform. Girls Like That explores the pressures caused by technology when a schoolgirl’s naked photograph goes viral. Commissioned in 2013 by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, it has subsequently been performed by school and youth-theatre groups across the UK, at the Unicorn Theatre, London, and in the Houses of Parliament. It won the Writers’ Guild Award for Best Play for Young Audiences. Banana Boys, published here for the first time, is about the challenges of being on the school football team – and secretly gay. It was commissioned and produced by Hampstead Theatre’s heat&light company in 2010. In Holloway Jones, Holloway dreams of being a world-class BMXer, but she is held back by the tough reality of a parent in prison. Also making its debut in print here, the play was commissioned by Synergy Theatre Project, toured schools and the Unicorn Theatre in 2011, and won the 2012 Brian Way Award for Best Play for Young People. Finally, Pronoun is a love story about two childhood sweethearts dealing with the fact that one of them, Isabella, has now become a boy. As one of the plays in the 2014 National Theatre Connections Festival it proved enormously popular with youth theatres and college companies. 'Maybe change starts with plays like this' Lyn Gardner, Guardian, on Girls Like That

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A sweeping history of how Union victory in the American Civil War inspired democratic reforms, revolutions, and emancipation movements in Europe and the AmericasThe Age of Reconstruction looks beyond post–Civil War America to tell the story of how Union victory and Lincoln’s assassination set off a dramatic international reaction that drove European empires out of the Americas, hastened the end of slavery in Latin America, and ignited a host of democratic reforms in Europe.In this international history of Reconstruction, Don Doyle chronicles the world events inspired by the Civil War. Between 1865 and 1870, France withdrew from Mexico, Russia sold Alaska to the United States, and Britain proclaimed the new state of Canada. British workers demanded more voting rights, Spain toppled Queen Isabella II and ended slavery in its Caribbean colonies, Cubans rose against Spanish rule, France overthrew Napoleon III, and the kingdom of Pope Pius IX fel

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Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada—Islam's final bastion on the Iberian peninsula—surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one. With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on the other, Coleman carefully charts the changes in the conquered city's social, political, religious, and physical landscapes. In the process, he sheds light on the local factors contributing to the emergence of tensions between the conquerors and Granada's formerly Muslim, "native" morisco community in the decades leading up to the crown-mandated expulsion of most of the city's moriscos in 1569–1570. Despite the failure to assimilate the moriscos, Granada's status as a frontier Christian community under construction fostered among much of the immigrant community innovative religious reform ideas and programs that shaped in direct ways a variety of church-wide reform movements in the era of the ecumenical Council of Trent (1545–1563). Coleman concludes that the process by which reforms of largely Granadan origin contributed significantly to transformations in the Church as a whole forces a reconsideration of traditional "top-down" conceptions of sixteenth-century Catholic reform.

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Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women—indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as a radical of immense and enduring influence; yet, unlike them, what is remembered of her consists more of myth than of personality. Now, in a masterful blend of scholarship and sympathetic understanding, eminent black historian Nell Irvin Painter goes beyond the myths, words, and photographs to uncover the life of a complex woman who was born into slavery and died a legend. Inspired by religion, Truth transformed herself from a domestic servant named Isabella into an itinerant pentecostal preacher; her words of empowerment have inspired black women and poor people the world over to this day. As an abolitionist and a feminist, Truth defied the notion that slaves were male and women were white, expounding a fact that still bears repeating: among blacks there are women; among women, there are blacks. No one who heard her speak ever forgot Sojourner Truth, the power and pathos of her voice, and the intelligence of her message. No one who reads Painter's groundbreaking biography will forget this landmark figure and the story of her courageous life.

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In the vein of Such a Fun Age, a whip-smart, compulsively readable novel about two upper-class stay-at-home mothers—one white, one Black—living in a "perfect" suburb that explores motherhood, friendship, and the true meaning of sisterhood amidst the backdrop of America’s all-too-familiar racial reckoning. De’Andrea Whitman, her husband Malik, and their five-year-old daughter, Nina, are new to the upper-crust white suburb of Rolling Hills, Virginia—a move motivated by circumstance rather than choice. De’Andrea is heartbroken to leave her comfortable life in the Black oasis of Atlanta, and between her mother-in-law’s Alzheimer's diagnosis, her daughter starting kindergarten, and the overwhelming whiteness of Rolling Hills, she finds herself struggling to adjust to her new community. To ease the transition, her therapist proposes a challenge: make a white girlfriend. When Rebecca Myland learns about her new neighbors, the Whitmans, she's thrilled. As chair of the Parent Diversity Committee at her daughters’ school, she’s championed racial diversity in the community—and what could be better than a brand-new Black family? It’s serendipitous when her daughter, Isabella, and Nina become best friends on the first day of kindergarten. Now, Rebecca can put everything she’s learned about antiracism into practice—especially those oh-so-informative social media posts. And finally, the Parent Diversity Committee will have some… well, diversity. Following her therapist’s suggestion, De’Andrea reluctantly joins Rebecca’s committee. The painfully earnest white woman is so overly eager it makes De’Andrea wonder if Rebecca’s therapist told her to make a Black friend! But when Rolling Hill’s rising racial sentiments bring the two women together in common cause, they find it isn’t the only thing they have in common. . . .

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Set in 15th-century Greece, this young adult novel tells the story of an extraordinary friendship between two boys from different cultural backgrounds. On the surface, Miguel, a refugee from post-Inquisition Spain, and David, the son of a wealthy Greek Jewish fabric merchant, have little in common. As they work together in David’s family shop, they find they share a special connection that goes beyond the divide of rich and poor, Spanish and Greek. Will an argument over David’s sister be more than their friendship can bear? A Shout in the Sunshine sheds light on an often forgotten part of Jewish history - the Greek Jewish experience. Set in tumultuous times for the Greek Jewish community, the book explores what happens when two distinct Jewish communities must learn to live together. In 1492 King Ferdinand and Queen Isabella expelled the Jewish community of Spain. Sultan Beyazit II invited these refugees to Thessalonika, a community already home to a diverse Jewish population with deep roots in Greece. The melding of these different Jewish groups created a vibrant Jewish community that was, tragically, almost entirely destroyed during World War II. This book is a testimony to the remarkable nature of this once thriving world.

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Who is a citizen? What is a person? Who is my neighbor? These fundamental questions about group membership and social formation have been posed repeatedly in political and religious discourses. Citizen-Saint uses keys works by Shakespeare, Marlowe, and Milton to examine the aims, limits, and legacies of classic and modern citizenship in Western literature. Turning to the potent idea of political theology to recover the strange mix of political and religious thinking during the Renaissance, Julia Reinhard Lupton unveils the figure of the citizensaint, who represents at once divine messenger and civil servant, both norm and exception. Embodied by such diverse personages as Antigone, Paul, Barabbas, Shylock, Othello, Caliban, Isabella, and Samson, the citizen-saint is a sacrificial figure: a model of moral and aesthetic extremity that inspires new regimes of citizenship with his or her traumatic passage into the public sphere. And these scenes of civic entry ultimately dramatize the literature of citizenship in both its evident impasses and its enduring potential.

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In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies.Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier’s learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.

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This book was previously published as Sweatpants at Tiffanie’s The knock out romantic comedy of the year! This brilliant, funny love story is perfect for fans of Jo Watson, Mhairi McFarlane and Zara Stoneley. ‘Absolutely loved Sweatpants at Tiffanie’s… I devoured every page’ Holly Martin True love packs a punch… Tiffanie Trent is not having a great week. Gavin, her boyfriend, has dumped her unceremoniously on their tenth anniversary, leaving her heartbroken and homeless. Frank Black, the owner of Blackie’s boxing gym and where Tiff has been book-keeper for the last decade, has dropped dead. He's not having a great week either. And if that wasn’t enough, Mike ‘The Assassin’ Fellner, boxer of international fame and Tiff’s first love, is back in town and more gorgeous than ever. Tiff can’t seem to go anywhere without bumping into his biceps. When she discovers Blackie has left her the gym, Tiff, with her saggy trackies and supermarket trainers, is certain she’ll fail. Can Tiff step up and roll with the punches, or will she be down and out at the first round? Readers love Pernille Hughes: ‘A fun, smart, sassy read full of likeable characters that stayed with me long after the last page’ Alex Brown ‘Punchy, pacy and packed with wit and warmth’ Sunday Times bestseller Cathy Bramley ‘A lovely, uplifting story…everything I look for in a romantic comedy’ Karen Clarke ‘A proper meet-cute…DEFINITELY unputdownable’ Isabella May ‘Funny, poignant and wonderfully descriptive…an unlikely but perfect romcom’ Rachel Burton ‘If you are looking for a wonderful rom-com, that also had a few surprises in it, then this is definitely worth a read’ Rachel’s Random Reads

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On a diplomatic mission in France, Sir Baldwin and Simon encounter more than they bargained for... Baldwin and Simon uncover a deadly assassination plot in The King of Thieves, a gripping mystery in Michael Jecks' hugely popular medieval crime series. Perfect for fans of Paul Doherty and Susanna Gregory. 'Complicated, well-populated, written with cross-cutting gusto, and accompanied by scholarly extras' - Ellery Queen Magazine1325: Sir Baldwin de Furnshill and his friend Simon Puttock are in France guarding King Edward's son on his perilous journey to meet the French king, Charles IV. But they are unaware that King Edward's wife Isabella is disaffected and plotting her revenge...What first appears a simple diplomatic mission is fast becoming lethally dangerous. Meanwhile, two murders in Paris are causing alarm. Is there a connection between the killings and the shadowy 'King' of thieves? Simon and Baldwin know the future of the English crown is at risk. And in order to protect it they must put their own lives in jeopardy. What readers are saying about The King of Thieves: 'Fast pace, intricate plot, well-drawn characters and good period feel make this a must for all fans of this genre''I cannot praise Michael Jecks' writing highly enough, his books always keep me guessing right to the end''Fantastic read - five stars'

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"One unputdownable book" Grazia "A great fashion's-eye view" Vogue Iain R Webb's Postcards from the Edge of the Catwalk documents the glittering brouhaha surrounding ready-to-wear and haute couture fashion collections of New York, London, Paris and Milan. Spanning three decades, this fantastic photographic portfolio captures the show-stopping creativity and individual style of the world's leading fashion designers. Indeed, Webb's photographs give an insight into the exclusive world of catwalk shows and invitation-only parties, portraying the designers, supermodels, style icons and celebrities that frequent them. The book's designer roll call includes John Galliano, Marc Jacobs, Ralph Lauren, Jean Paul Gaultier, Vivienne Westwood, Anna Sui, Valentino, Donatella Versace, Oscar de la Renta, Yves Saint Laurent and Alexander McQueen. Photographs of the following supermodels, style icons and celebrities are also included in Webb's extraordinary portfolio: Linda Evangelista, Catherine Deneuve, Isabella Blow, Naomi Campbell, Natalia Vodianova, Erin O'Connor, Kate Moss, Anna Piaggi, Anna Wintour, Shalom Harlow and Björk, Gwyneth Paltrow, Grace Jones, George Michael, Kate Winslet, Sean Combs, Liz Hurley, Tilda Swinton, Paris Hilton, Bernadette Peters, Nick Cave, Ivana Trump, Roman Polanski and RuPaul.

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The de Clare sisters Eleanor, Margaret and Elizabeth were born in the 1290s as the eldest granddaughters of King Edward I of England and his Spanish queen Eleanor of Castile, and were the daughters of the greatest nobleman in England, Gilbert ‘the Red’ de Clare, earl of Gloucester. They grew to adulthood during the turbulent reign of their uncle Edward II, and all three of them were married to men involved in intense, probably romantic or sexual, relationships with their uncle. When their elder brother Gilbert de Clare, earl of Gloucester, was killed during their uncle’s catastrophic defeat at the battle of Bannockburn in June 1314, the three sisters inherited and shared his vast wealth and lands in three countries, but their inheritance proved a poisoned chalice. Eleanor and Elizabeth, and Margaret’s daughter and heir, were all abducted and forcibly married by men desperate for a share of their riches, and all three sisters were imprisoned at some point either by their uncle Edward II or his queen Isabella of France during the tumultuous decade of the 1320s. Elizabeth was widowed for the third time at twenty-six, lived as a widow for just under forty years, and founded Clare College at the University of Cambridge.

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Analysis of Latin sacred music written during the century illustrates the rapid and marked change in style and sophistication. Winner of the 2007 AMS Robert M. Stevenson prize The arrival of Francisco de Peñalosa at the Aragonese court in May 1498 marks something of an epoch in the history of Spanish music: Peñalosa wrote in a mature, northern-oriented style, and his sacred music influenced Iberian composers for generations after his death. Kenneth Kreitner looks at the church music sung by Spaniards in the decades before Peñalosa, a repertory that has long been ignoredbecause much of it is anonymous and because it is scattered through manuscripts better known for something else. He identifies sixty-seven pieces of surviving Latin sacred music that were written in Spain between 1400 and the early 1500s, and he discusses them source by source, revealing the rapid and dramatic change, not only in the style and sophistication of these pieces, but in the level of composerly self-consciousness shown in the manuscripts. Withina generation or so at the end of the fifteenth century, Spanish musicians created a new national music just as Ferdinand and Isabella were creating a new nation. KENNETH KREITNER teaches at the University of Memphis.

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A collection of beautifully illustrated essays and interviews presenting a rich, inclusive, contemporary, and global vision of design diversity. As the design industry re-examines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, Centered advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume will feature important and underrepresented design work and projects like: Gee's Bend Quilters, by Stephen Child and Isabella D'Agnenica A Chinese Typographic Archive, by YuJune Park and Caspar Lam Indigenous Sovereignty and Design: An Interview with Sadie Red Wing (Her Shawl is Yellow) The Truck Art of India, by Shantanu Suman New Lessons from the Bauhaus: An Interview with Ellen Lupton Vocal Type: An Interview with Tre Seals Decolonizing Graphic Design, A Must, by Cheryl D. Miller And more A must-read for design practitioners, educators, students, and anyone interested in expanding narratives and gaining a more inclusive understanding of design.

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The lives, works and imagery of women artists, patrons and icons in Renaissance Italy The story of the Renaissance in Italy is often told through the work of great male artists such as Michelangelo, Raphael, Donatello and Leonardo. But what about the female half of the population? By exploring works made by, for, or about women, this book aims to reconsider a period of creative ingenuity and artistic excellence from their often-overlooked perspective. Drawing on the rich collection of paintings, ceramics, textiles, illustrated books and prints at the Museum of Fine Arts, Boston, this publication focuses on images of feminine power, both sacred and secular, telling the stories of saints such as Mary Magdalen as examples of strength and ascetic devotion, Biblical heroines such as Judith as civic and domestic role models, and the mythical sorceress Medea as the ideal of a heroic nude. Women also asserted their presence as artists, artisans and patrons: Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi, Vittoria Colonna, Isabella d’Este and Eleonora Gonzaga are just some of the strong women who shaped the life and art of the Italian Renaissance.

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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The No.1 bestselling novel from one of Ireland's most loved writers!With the threat of the First World War looming, tension simmers under the surface of Ireland. Bright, beautiful and intelligent, the Gifford sisters Grace, Muriel and Nellie kick against the conventions of their privileged, wealthy Anglo-Irish background and their mother Isabella's expectations.As War erupts across Europe, the spirited sisters soon find themselves caught up in Ireland's struggle for freedom.Muriel falls deeply in love with writer Thomas MacDonagh, artist Grace meets the enigmatic Joe Plunkett - both leaders of 'The Rising' - while Nellie joins 'The Citizen Army' and takes up arms to fight alongside Countess Markievicz in the rebellion. On Easter Monday 1916, the Rising begins, and the world of the Gifford sisters and everyone they hold dear is torn apart in a fight that is destined for tragedy.____________'Engrossing' Sunday Times'Marvellous ... A gripping read' Irish Independent'Finally, women are being written back into the history of [Ireland's] awakening' Irish Mail on Sunday

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The unmarried "care for the things of the Lord," said St. Paul in his first letter to the Corinthians, while married men and women "care for the things of the world." The doctrine that virginity for both men and women is superior to marriage remained strong in Augustine, who believed that consecrated virgins were "a greater blessing" than the married. Even the current edition of the New Catholic Encyclopedia privileges the state of virginity because "it has as its object a superior good." In Pure Resistance Theodora A. Jankowski surveys the history of virginity in Christian thought from ancient times though the Renaissance, contrasting the Catholic tradition on this issue with Protestant doctrine as it developed in early modern England. With the Reformation, theologians argued that marriage was the ideal, even that vowed virginity was unnatural. If the multiple sexual, erotic, economic, and communal arrangements of Catholic Europe offered possibilities for destabilizing the categories male/female, married/virgin, chaste/unchaste, she contends, Protestant thought rigidified these binary oppositions. Exploring resistance to the patriarchal sexual economy, Jankowski considers representations of female virgins in English stage plays from 1590 to about 1670. In these dramatic texts she finds characters who range from collaborators with patriarchy to women who utterly repudiate marriage, opting instead for a life completely outside the heterosexual gender paradigm-and who thus, like Isabella in Measure for Measure or Moll Cutpurse in Dekker and Middleton's The Roaring Girl, become "queer virgins."

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'The most glorious cornucopia celebrating our enduring love affair with birds - an uplifting and eye opening tribute to the way they enrich our lives.' - Alan Titchmarsh MBE, British TV presenter, broadcaster, and gardener 'Wonderfully illustrated.' - Wall Street Journal Let your imagination take flight and celebrate the beauty and diversity of birds throughout art, science, history, and culture This visually stunning survey of birds, chronicling their scientific and popular appeal throughout the ages and around the world, showcases the remarkable diversity of species in the avian kingdom, from tiny hummingbirds to ostriches taller than humans, and icebound penguins to tropical macaws. With its content curated alongside an international panel of ornithologists, art historians, wildlife photographers, conservationists, and curators, this extraordinary book includes illustrations and artwork of all styles, with works by a diverse and often surprising range of creators from many different backgrounds, including: John James Audubon; Robert Clark; Mark Dion; Charley Harper; Barbara Kruger; Edward Lear; Ustad Mansur; John Ruskin; Joel Sartore; Sarah Stone; and Charles Frederick Tunnicliffe. Arranged in thoughtfully paired juxtapositions, it reveals how artists, illustrators, ornithologists, and photographers - from ancient Egypt to the present - have captured the spirit, likeness, character, and symbolism of birds. Including Tweety pie paired with the Twitter bird; birds as 300-foot desert carvings or 2-inch-tall ivory statuettes; bird bones, bird bank notes, sculptures and birds shaped as beds, the book's three hundred visually stunning entries span four thousand years of fine art, photography, ornithological drawings, popular culture, and scientific discovery from all corners of the globe to create the ultimate celebration of the winged world. Advisory panel: Dawn Balmer, Tim Birkhead FRS, Dr Alexander Bond, Gordon Campbell, Dr Sylke Frahnert, Joëlle Garcia, Elizabeth Hammer, David Lindo aka The Urban Birder, Jen Lobo, Fred G. Meijer, Sabine Meyer, Penny Olsen, Oliver Rampley, Katrina van Grouw and Dr Lisanne Wepler Additional texts: Giovanni Aloi, Sara Bader, Dr Alex Bond, Dr Michael Brooke, Tim Cooke, Clare Coulson, Nick Crumpton, Louisa Elderton, Diane Fortenberry, Carolyn Fry, Elizabeth Hammer, David Lindo, Fred G. Meijer, David B Miller, Rebecca Morrill, Penny Olsen, Michele Robecchi, Gill Saunders, James Smith, David Trigg, Katrina van Grouw, Martin Walters, Isabella Wing-Davey and Dr Lisanne Wepler

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The essential history of an iconic European city, by Cambridge academic Elizabeth Drayson. 'An admirable achievement... [Drayson has] expertise as a scholar and command as a storyteller' BBC History Magazine 'A glittering homage to one of the world's most beautiful and storied cities' Dan Jones 'Beauty built on blood and brutality... A fascinating new tome' Daily Mail From the early Middle Ages to the present, foreign travellers have been bewitched by Granada's peerless beauty. The Andalusian city is also the stuff of story and legend, with an unforgettable history to match. Romans, then Visigoths, settled here, as did a community of Jews; in the eleventh century a Berber chief made Granada his capital, and from 1230 until 1492 the Nasrids – Spain's last Islamic dynasty – ruled the emirate of Granada from their fortress-palace of the Alhambra. After capturing the city to complete the Christian Reconquista, the Catholic monarchs Ferdinand and Isabella made the Alhambra the site of their royal court. In Lost Paradise, Elizabeth Drayson takes the reader on a voyage of discovery that uncovers the many-layered past of Spain's most complex and fascinating city, celebrating and exploring its evolving identity. Her account brings to the fore the image of Granada as a lost paradise, revealing it as a place of perpetual contradiction and linking it to the great dilemma over Spain's true identity as a nation. This is the story of a vanished Eden, of a place that questions and probes Spain's deep obsession with forgetting, and with erasing historical and cultural memory.

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In 1492, Granada, the last independent Muslim city on the Iberian Peninsula, fell to the Catholic forces of Ferdinand and Isabella. A century later, in 1595, treasure hunters unearthed some curious lead tablets inscribed in Arabic. The tablets documented the evangelization of Granada in the first century A.D. by St. Cecilio, the city's first bishop. Granadinos greeted these curious documents, known as the plomos, and the human remains accompanying them as proof that their city-best known as the last outpost of Spanish Islam-was in truth Iberia's most ancient Christian settlement. Critics, however, pointed to the documents' questionable doctrinal content and historical anachronisms. In 1682, the pope condemned the plomos as forgeries. From Muslim to Christian Granada explores how the people of Granada created a new civic identity around these famous forgeries. Through an analysis of the sermons, ceremonies, histories, maps, and devotions that developed around the plomos, it examines the symbolic and mythological aspects of a new historical terrain upon which Granadinos located themselves and their city. Discussing the ways in which one local community's collective identity was constructed and maintained, this work complements ongoing scholarship concerning the development of communal identities in modern Europe. Through its focus on the intersections of local religion and local identity, it offers new perspectives on the impact and implementation of Counter-Reformation Catholicism.

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