Search results for ""Author Isabel"

A fresh, funny and accessible retelling of Jane Austen's classic story, with witty black and white illustrations throughout.Catherine Morland loves nothing more than reading a romantic novel, but as one of ten children she doesn't have much time for reading or for romance.When she is seventeen, her wealthy neighbours invite her to spend the winter season with them in Bath - to experience balls, the theatre and other social delights for the first time. Catherine makes friends with the passionate Isabella, and dances with a handsome man called Henry, and it seems that all her dreams are coming true. But real life doesn't always play out like a novel, and Catherine will have to overcome many obstacles before she can find her happy ending ... Steven Butler is an actor and writer from London. His books for children include The Wrong Pong series and Dennis the Menace. Steven's love of mischief made Northanger Abbey the perfect book to rewrite and he's excited to introduce Catherine Morland to a whole new raft of readers. Eglantine Ceulemans captures all of Austen's satire and wit, bringing her colourful casts to life with warm and funny black and white illustrations.Illustrated and retold editions are also available for: Pride and Prejudice, Emma, Persuasion, Sense and Sensibility, and Mansfield Park. The perfect way to discover Austen for the first time, this bright and bold collection features some of the most inspiring and famous heroines in English literature. For readers aged eight and up.

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Why did the Soviet Union spark war in 1967 between Israel and the Arab states by falsely informing Syria and Egypt that Israel was massing troops on the Syrian border? Based on newly available archival sources, The Soviet Union and the June 1967 Six Day War answers this controversial question more fully than ever before. Directly opposing the thesis of the recently published Foxbats over Dimona by Isabella Ginor and Gideon Remez, the contributors to this volume argue that Moscow had absolutely no intention of starting a war. The Soviet Union's reason for involvement in the region had more to do with enhancing its own status as a Cold War power than any desire for particular outcomes for Syria and Egypt. In addition to assessing Soviet involvement in the June 1967 Arab-Israeli Six Day War, this book covers the USSR's relations with Syria and Egypt, Soviet aims, U.S. and Israeli perceptions of Soviet involvement, Soviet intervention in the Egyptian-Israeli War of Attrition (1969-70), and the impact of the conflicts on Soviet-Jewish attitudes. This book as a whole demonstrates how the Soviet Union's actions gave little consideration to the long- or mid-term consequences of their policy, and how firing the first shot compelled them to react to events.

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The new riveting novel from the West Country's medieval crime master Michael Jecks.King Edward II is furious when he learns that his wife Queen Isabella has defied him and remains in France with their son. As the unfortunate messengers of this unhappy news, Sir Baldwin de Furnshill, Keeper of the King's Peace, and his friend, bailiff Simon Puttock, are instantly dismissed from court. Returning to their homes in Devon, the pair are shocked to find that outlaws now hold sway in the land and the chaos escalates as the bodies of two clerics are found among a party of travellers...

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A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world.Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It’s clear that modern day museums can no longer exist without change—and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris—this is Black history like never seen before.

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Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada—Islam's final bastion on the Iberian peninsula—surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one. With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on the other, Coleman carefully charts the changes in the conquered city's social, political, religious, and physical landscapes. In the process, he sheds light on the local factors contributing to the emergence of tensions between the conquerors and Granada's formerly Muslim, "native" morisco community in the decades leading up to the crown-mandated expulsion of most of the city's moriscos in 1569–1570. Despite the failure to assimilate the moriscos, Granada's status as a frontier Christian community under construction fostered among much of the immigrant community innovative religious reform ideas and programs that shaped in direct ways a variety of church-wide reform movements in the era of the ecumenical Council of Trent (1545–1563). Coleman concludes that the process by which reforms of largely Granadan origin contributed significantly to transformations in the Church as a whole forces a reconsideration of traditional "top-down" conceptions of sixteenth-century Catholic reform.

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La gitanilla, personaje que protagoniza la primera de las doce Novelas ejemplares, tiene gracia, ingenio, encanto. Seducidos por su belleza, por sus cantos y bailes, la seguimos a ella y al grupo de gitanos por las calles de Madrid, por caminos castellanos y murcianos, como también lo hará su enamorado Andrés, todo un caballero. La española inglesa es una historia de amor protagonizada por Isabela, una niña española a la que rapta un capitán inglés y que vivirá su adolescencia en Londres. Pero también es un relato lleno de aventuras, con una batalla naval, traiciones, envidias y maldades, un amor perverso y un cautiverio. Se mezclan en ella escenas heroicas con momentos llenos de sentimiento

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Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women—indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as a radical of immense and enduring influence; yet, unlike them, what is remembered of her consists more of myth than of personality. Now, in a masterful blend of scholarship and sympathetic understanding, eminent black historian Nell Irvin Painter goes beyond the myths, words, and photographs to uncover the life of a complex woman who was born into slavery and died a legend. Inspired by religion, Truth transformed herself from a domestic servant named Isabella into an itinerant pentecostal preacher; her words of empowerment have inspired black women and poor people the world over to this day. As an abolitionist and a feminist, Truth defied the notion that slaves were male and women were white, expounding a fact that still bears repeating: among blacks there are women; among women, there are blacks. No one who heard her speak ever forgot Sojourner Truth, the power and pathos of her voice, and the intelligence of her message. No one who reads Painter's groundbreaking biography will forget this landmark figure and the story of her courageous life.

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'Britain's ten million acres of private gardens add up to a vital haven for wildlife. Chock-a-block with ideas for encouraging wildlife into your plot, this pocket-sized book tells you how to make your off-street parking wildlife-friendly, why you should welcome wasps into the garden and whether you should let ladybirds overwinter in your home. One for budding David Attenboroughs.' - Mail on SundayForeword written by Isabella Tree of the Knepp Wildland Project.RHS How Can I Help Hedgehogs? offers more than 100 ideas for you to help wildlife thrive in your garden. Packed with simple, low-cost ideas that will make a huge difference to the natural world, the book suggests ways to help birds, bees, butterflies, beetles and many other declining species.Hopeful, informative and entertaining, with plenty of 'I-never-knew-that' mini-features, this is a book you and your family need, and one that you'll all enjoy, too. Includes topics such as how to increase the biodiversity of your plot and how to improve your soil without using chemicals.Includes...- Can I make my garden bat-friendly?- Do green roofs work?- Why should I love my weeds?- Should I keep honey bees?- Which flowers are friendliest for moths?- Where's best for a bird box?- Is garden lighting disruptive?...and many more.

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Traditionally, the Wars of the Roses – one of the bloodiest conflicts on English soil – began in 1455, when the Duke of York attacked King Henry VI’s army in the narrow streets of St Albans. But this conflict did not spring up overnight. Blood Roses traces it back to the beginning. Starting in 1245 with the founding of the House of Lancaster, Kathryn Warner follows a twisted path of political intrigue, bloody war and fascinating characters for 200 years. From the Barons Wars to the overthrowing of Edward II, Eleanor of Castile to Isabella of France, and true love to Loveday, this is a new look at an infamous era. The first book to look at the origins of both houses, Blood Roses reframes some of the biggest events of the medieval era; not as stand-alone conflicts, but as part of a long-running family feud that would have drastic consequences.

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This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform. Girls Like That explores the pressures caused by technology when a schoolgirl’s naked photograph goes viral. Commissioned in 2013 by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, it has subsequently been performed by school and youth-theatre groups across the UK, at the Unicorn Theatre, London, and in the Houses of Parliament. It won the Writers’ Guild Award for Best Play for Young Audiences. Banana Boys, published here for the first time, is about the challenges of being on the school football team – and secretly gay. It was commissioned and produced by Hampstead Theatre’s heat&light company in 2010. In Holloway Jones, Holloway dreams of being a world-class BMXer, but she is held back by the tough reality of a parent in prison. Also making its debut in print here, the play was commissioned by Synergy Theatre Project, toured schools and the Unicorn Theatre in 2011, and won the 2012 Brian Way Award for Best Play for Young People. Finally, Pronoun is a love story about two childhood sweethearts dealing with the fact that one of them, Isabella, has now become a boy. As one of the plays in the 2014 National Theatre Connections Festival it proved enormously popular with youth theatres and college companies. 'Maybe change starts with plays like this' Lyn Gardner, Guardian, on Girls Like That

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Goes beyond the myths and legends to reveal new insights into the real life of Sojourner Truth Many Americans have long since forgotten that there ever was slavery along the Hudson River. Yet Sojourner Truth was born a slave near the Hudson River in Ulster County, New York, in the late 1700s. Called merely Isabella as a slave, once freed she adopted the name of Sojourner Truth and became a national figure in the struggle for the emancipation of both Blacks and women in Civil War America. Despite the dual discrimination she suffered as a Black woman, Truth significantly shaped both her own life and the struggle for human rights in America. Through her fierce intelligence, her resourcefulness, and her eloquence, she became widely acknowledged as a remarkable figure during her life, and she has become one of the most heavily mythologized figures in American history. While some of the myths about Truth offer inspiration, they have also contributed to distortions about American history, especially about the experiences of Black Americans and women. In this landmark work, the product of years of primary research, Pulizter-Prize winning biographer Carleton Mabee has unearthed the best available sources about this remarkable woman to reconstruct the most authentic account of her life to date. Mabee offers new insights on why she never learned to read, on the authenticity of the famous quotations attributed to her (such as Ar'n't I a woman?), her relationship to President Lincoln, her role in the abolitionist movement, her crusade to move freed slaves from the South to the North, and her life as a singer, orator, feminist and woman of faith. This is an engaging, historically precise biography that reassesses the place of Sojourner Truth—slave, prophet, legend—in American history.

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The image of Catherine of Aragon has always suffered in comparison to the heir-providing Jane Seymour or the vivacious eroticism of Anne Boleyn. But when Henry VIII married Catherine, she was an auburn-haired beauty in her twenties with a passion she had inherited from her parents, Isabella and Ferdinand, the joint-rulers of Spain who had driven the Moors from their country.This daughter of conquistadors showed the same steel and sense of command when organising the defeat of the Scots at the Battle of Flodden and Henry was to learn, to his cost, that he had not met a tougher opponent on or off the battlefield when he tried to divorce her.Henry VIII introduced four remarkable women into the tumultuous flow of England's history: Catherine of Aragon and her daughter 'Bloody' Queen Mary; and Anne Boleyn and her daughter, the Virgin Queen Elizabeth. 'From this contest, between two mothers and two daughters, was born the religious passion and violence that inflamed England for centuries,' says David Starkey. Reformation, revolution and Tudor history would all have been vastly different without Catherine of Aragon.Giles Tremlett's new biography is the first in more than four decades to be dedicated entirely and uniquely to the tenacious woman whose marriage lasted twice as long as those of Henry's five other wives put together. It draws on fresh material from Spain to trace the dramatic events of her life through Catherine of Aragon's own eyes. 'Enthralling biography . . . this lively and richly detailed book . . . describing the queen's fierce battle to retain her crown, Tremlett brilliantly breathes life into the shadowy figure of a stubborn and finally heroic woman.' Daily Telegraph

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After her parents are killed in a road accident, Delia Yebarra's life is turned upside-down. At fifteen, she leaves the rural Mexican village where she grew up to embark on a new life in America. Arriving at her wealthy Aunt Isabella's huge estate in Palm Springs, California, should be a dream come true for a simple country girl like Delia - so why does it feel like a nightmare? Her aunt refuses to acknowledge Delia's heritage, relegating her to the servants' quarters with a lecherous language tutor who is intent on exploiting the beautiful young foreigner. Her cousin Edward is kind, but cousin Sophia is cruel, manipulative and resentful of Delia's sultry Latin looks. And just when Delia tries to embrace the life of an all-American girl, a heartbreaking chain of events sends her spiralling back to a Mexico she hardly recognises . . .

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In a country where violence and the threat of violence is a constant weather for queer Black people, where can the spirit rest? With lush language, the meditative poems in the Isabella Gardner Award-winning Tenderness examine the fraught nature of intimacy in a nation poisoned by anti-Blackness and homophobia. From the bedroom to the dance floor, from the natural world to The Frick, from the Midwest to Florida to Mexico City, the poems range across interior and exterior landscapes. They look to movies, fine art, childhood memory, history, and mental health with melancholy, anger, and playfulness. Even amidst sorrow and pain, Tenderness uplifts communal spaces as sites of resistance and healing, wonders at the restorative powers of art and erotic love, and celebrates the capaciousness of friendship.

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The Crime of Art looks at San Francisco–based artist Kota Ezawa’s (born 1969) oeuvre using crime as a lens. The book presents photographs and reproductions from Ezawa’s recent exhibitions in Los Angeles, New York and Amherst featuring remakes of paintings stolen from the Isabella Stewart Gardner Museum in Boston. In addition, the book draws connections from his current project to other work from the early 2000s to the present that contemplates crime. Among them are his animated films The Simpson Verdict (2002) and The Unbearable Lightness of Being (2005), as well as his ongoing drawing series The History of Photography Remix, which includes hand-drawn re-creations of historic crime-scene photography. While focusing on a single subject, The Crime of Art brings attention to some of Ezawa’s key projects from the last 15 years, and coincides with a solo exhibition at SITE Santa Fe in 2017.

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Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages.The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.

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The unmarried "care for the things of the Lord," said St. Paul in his first letter to the Corinthians, while married men and women "care for the things of the world." The doctrine that virginity for both men and women is superior to marriage remained strong in Augustine, who believed that consecrated virgins were "a greater blessing" than the married. Even the current edition of the New Catholic Encyclopedia privileges the state of virginity because "it has as its object a superior good." In Pure Resistance Theodora A. Jankowski surveys the history of virginity in Christian thought from ancient times though the Renaissance, contrasting the Catholic tradition on this issue with Protestant doctrine as it developed in early modern England. With the Reformation, theologians argued that marriage was the ideal, even that vowed virginity was unnatural. If the multiple sexual, erotic, economic, and communal arrangements of Catholic Europe offered possibilities for destabilizing the categories male/female, married/virgin, chaste/unchaste, she contends, Protestant thought rigidified these binary oppositions. Exploring resistance to the patriarchal sexual economy, Jankowski considers representations of female virgins in English stage plays from 1590 to about 1670. In these dramatic texts she finds characters who range from collaborators with patriarchy to women who utterly repudiate marriage, opting instead for a life completely outside the heterosexual gender paradigm-and who thus, like Isabella in Measure for Measure or Moll Cutpurse in Dekker and Middleton's The Roaring Girl, become "queer virgins."

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This new, thoroughly updated and lavishly illustrated fourth edition of Bradt's Galápagos Wildlife is packed with information and magnificent pictures to aid in identifying key species, all in an easy-to-carry format that covers everything from the wildlife that you're likely to encounter, whether flying in the air, running along the ground or swimming underwater, to a succinct history of the islands, their habitats and volcanic origins. This guide includes the most detailed descriptions and maps of the main visitor sites of any book in print, so you can see where a boat will land and what can be seen there - enabling you to plan effectively for a rewarding visit. An overview of conservation efforts is also included, as are unique island trail plans for those looking to explore. Written and illustrated by two expert-naturalist guides, who have both been visiting the islands for decades, this new edition covers all the latest information, from the discovery of an 'extinct' tortoise species not seen for over 100 years on Fernandina island and the discovery of new rare 'pink iguanas' on Isabela island's Wolf volcano (the highest point on the Galápagos), to the change in taxonomy of 'Darwin's finches' and the new species status of the almost-extinct little vermillion flycatcher. Snorkelling with sea lions, penguins and sharks at Devil's Crown, Floreana is included, as is kayaking in pristine locations such as Española's Gardiner Bay. Travelling to the Galápagos is a rite of passage for serious wildlife enthusiasts. Now with more detailed descriptions, more photos, and updated information on conservation efforts, Bradt's Galápagos Wildlife is the perfect companion for this once-in-a-lifetime trip.

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In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies.Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier’s learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.

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This book was previously published as Sweatpants at Tiffanie’s The knock out romantic comedy of the year! This brilliant, funny love story is perfect for fans of Jo Watson, Mhairi McFarlane and Zara Stoneley. ‘Absolutely loved Sweatpants at Tiffanie’s… I devoured every page’ Holly Martin True love packs a punch… Tiffanie Trent is not having a great week. Gavin, her boyfriend, has dumped her unceremoniously on their tenth anniversary, leaving her heartbroken and homeless. Frank Black, the owner of Blackie’s boxing gym and where Tiff has been book-keeper for the last decade, has dropped dead. He's not having a great week either. And if that wasn’t enough, Mike ‘The Assassin’ Fellner, boxer of international fame and Tiff’s first love, is back in town and more gorgeous than ever. Tiff can’t seem to go anywhere without bumping into his biceps. When she discovers Blackie has left her the gym, Tiff, with her saggy trackies and supermarket trainers, is certain she’ll fail. Can Tiff step up and roll with the punches, or will she be down and out at the first round? Readers love Pernille Hughes: ‘A fun, smart, sassy read full of likeable characters that stayed with me long after the last page’ Alex Brown ‘Punchy, pacy and packed with wit and warmth’ Sunday Times bestseller Cathy Bramley ‘A lovely, uplifting story…everything I look for in a romantic comedy’ Karen Clarke ‘A proper meet-cute…DEFINITELY unputdownable’ Isabella May ‘Funny, poignant and wonderfully descriptive…an unlikely but perfect romcom’ Rachel Burton ‘If you are looking for a wonderful rom-com, that also had a few surprises in it, then this is definitely worth a read’ Rachel’s Random Reads

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Este libro es importante, pues si es cierto que la tragedia ha muerto, nos hallamos ante una pérdida cultural vital. No cabe duda de que provocará polémica. La pasión y la perspicacia con que Steiner escribe sobre las tragedias que le han conmovido prueban que las palabras todavía pueden ilustrar y revelar.The New York Times Book ReviewTodos los hombres tienen conciencia de la tragedia en la vida. Pero la tragedia como forma teatral no es universal, señala George Steiner, quien, en La muerte de la tragedia, se enfrenta a una cuestión que ha preocupado también, entre otros, a Lukács, Kafka o Sartre: por qué la tragedia, que evolucionó desde la Antigüedad hasta la época de Shakespeare y Racine, calla o declina, a partir de ese momento, en el teatro? George Steiner trata de determinar a qué se debe este ocaso en un riguroso estudio que traza un fascinante recorrido desde el teatro isabelino hasta Brecht o Beckett.

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Abducted by slave traders from her home in Ruthenia - modern-day Ukraine - around 1515, Roxelana was brought to Istanbul and trained in the palace harem as a concubine for Sultan Suleyman the Magnificent, ruler of the Ottoman Empire and one of the world's most powerful men.Suleyman became besotted with Roxelana and foreswore all other concubines, freeing and marrying her. The bold and canny Roxelana became a shrewd diplomat and philanthropist, helping Suleyman keep pace with a changing world in which women - Isabella of Hungary, Catherine de Medici - were increasingly close to power.Until now Roxelana has been seen by historians as a seductress who brought ruin to the empire, but in Empress of the East, acclaimed historian Leslie Peirce reveals with panache the compelling story of an elusive woman who transformed the Ottoman harem into an institution of imperial rule.

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It's 1308 and England hovers on the brink of civil war. Edward II, his wife Isabella and the royal favourite Peter Gaveston Earl of Cornwall, have been forced to retreat to the King's folly. Just an arrowshot away lie the Great Lords and Philip IV of France, who are demanding that the Earl of Cornwall be charged with high treason.Edward is trapped, and worse, he has learnt that Philip has the 'Poison Maiden' on his side, a formidable spy who did untold damage during his father's reign. As Edward tries in vain to unmask the identity of the spy, Mathilde, handmaiden to the Queen, also attempts to identify the source of this threat. Soon the crisis spills over into violence. The Lords attempt to take Gaveston by force and the King and his Court, including Mathilde, are forced to flee. As the enemy closes in, Mathilde finds herself embroiled in a life and death struggle for the English crown.

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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**A SUNDAY TIMES GARDENING BOOK OF THE YEAR 2020**'A must-read for every gardener who wants to up their game for wildlife and do their bit for the planet.' -- Isabella Tree'A refreshing, uplifting and positive look at the true value of a garden.' -- Alan TitchmarshThe perfect book for any gardener looking to get back in touch with their wild side.The rewilding of public spaces and farmland is vitally important to conservation, but how can we support native species and provide rich habitats on our own doorsteps?In this practical, beautifully illustrated guide horticulturalist and Gardener's World presenter Frances Tophill shows you how to plan and maintain a beautiful garden that will attract bees and birds as well as a throng of unsung garden heroes. Whether you have a small balcony or a large open space, discover the joys of welcoming natural ecosystems back into your garden - along with a host of new visitors.

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1326 was one of the most dramatic years in English history. The queen of England, Isabella of France, invaded the country with an army of mercenaries to destroy her husband''s powerful and detested lover, Hugh Despenser the Younger, and brought down her husband King Edward II in the process. It was also a year, however, when the majority of English people carried on living their normal, ordinary lives: Eleyne Glaswreghte ran her own successful glass-making business in London, Jack Cressing the master carpenter repaired the beams in a tower of Kenilworth Castle, Alis Coleman sold her best ale at a penny and a half for a gallon in Byfleet, and Will Muleward made the king ''laugh greatly'' when he spent time with him at a wedding in Marlborough. England sweltered in one of the hottest, driest summers of the Middle Ages, a whale washed ashore at Walton-on-the-Naze, and the unfortunate John Toly died when he relieved himself out of the window of his London house at midnight, and lost his ba

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The Penguin English Library Edition of Northanger Abbey by Jane Austen'To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive'During an eventful season at Bath, young, naïve Catherine Morland experiences the joys of fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who shares Catherine's love of Gothic romance and horror, and sophisticated Henry and Eleanor Tilney, who invite her to their father's mysterious house, Northanger Abbey. There, her imagination influenced by novels of sensation and intrigue, Catherine imagines terrible crimes committed by General Tilney. With its broad comedy and irrepressible heroine, this is the most youthful and and optimistic of Jane Austen's works.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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Victorian London harbours many secrets: alien visitors, strange phenomena and unearthly powers. But a trio of investigators stands ready to delve into such mysteries - the Great Detective, Madame Vastra; her resourceful spouse, Jenny Flint; and their loyal valet, Strax. If an impossible puzzle needs solving, or a grave injustice needs righting, help can be found on Paternoster Row. But even heroes can never escape their past...Contains three new adventures - 1.Dining with Death by Dan Starkey. When negotiations between two warring alien races are sabotaged, Madame Vastra offers Paternoster Row as neutral ground upon which to continue their diplomacy – and the celebrate the treaty with a feast. While Strax frets about hosting two species with very different dietary needs, Jenny investigates the dissenters who want to halt the peace process. But a deadly plot is brewing, and the diners way not survive the cheese course...2.The Screaming Ceiling by Guy Adams. In one of the earliest cases of his illustrious career, Thomas Carnacki heads to the Highlands to embark upon the terrifying investigation of Castle Kraighten. On arrival, he finds that another party of sleuths has been engaged – surely these amateurs of Paternoster Row have nothing to teach the great Ghost Finder? But this is no ordinary haunting. A room in the castle has a mouth in the ceiling. And it screams...3. Spring-Heeled Jack by Gemma Arrowsmith. People are being stolen from the streets by a monster. By all accounts, it has burning eyes, breathes blue flames, and can leap the height of a building at a bound. While Vastra and Jenny fend off an over-eager member of the gutter press, Strax dives into dangerous waters. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax), Hywel Morgan (Baron Gallos Flambo), Polly Kemp (Duchess Callys Flambo), Glen McCready (Auditor-General Otak Lame), Joe Jameson (Carnacki), David Shaw-Parker (John Campbell), Caroline Guthrie(Anna Campbell), Janet Henfrey (Dorothy), Isabella Inchbald (Elizabeth), Daniel Easton (Jimmy), Sophie Cotton (Gwendoline Platt), Joe Sims (Sergeant Grout). Other parts played by members of the cast.

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Demonstrates the central role of Bergson for modernist art and intellectual history in the UK Brings to light new evidence of British artists' direct engagement with Bergson, opening new avenues of research and interpretation for the artists Vanessa Bell, Duncan Grant, John Duncan Fergusson, and artist-writers Roger Fry and Wyndham Lewis Based on archival material in Paris and US not previously accessed? (Biblioteque Jacques Doucet, Isabella Gardner Museum, Boston and Wyndham Lewis' marginalia in his editions of Bergson's texts at The University of Texas at Austin), in addition to primary sources in UK (Universities of Cambridge, Edinburgh, London, and Strathclyde), and US (Universities of Cornell and Texas at Austin) Changes art history's standard readings of these artists as the evidence of their knowledge of and engagement with Bergson is irrefutable Explores concepts of duration, intuition, creativity; the image and perception as they were formulated by Bergson and understood by his contemporaries Demonstrates Bergson's relevance to key problematics for Art History: temporality, intuition, subjectivity, representation, the image. Charlotte de Mille shows that the reception of the philosophy of Henri Bergson by British artists and critics was far more wide spread and of far greater importance in the UK than has been previously thought. Based on archival material in Paris and the US, not all previously accessed, along with primary UK sources, she opens new avenues of research and interpretation on the work of artists Vanessa Bell, Duncan Grant, John Duncan Fergusson and artist-writers Roger Fry and Wyndham Lewis. De Mille demonstrates the profound impact of Bergson's work in UK culture immediately prior to World War One. Her interdisciplinary approach integrates philosophy, art criticism and art history. An Epilogue considers the proximity of Bergson's thought on temporality, perception, intuition and subjectivity to art history, from Alois Riegl and Aby Warburg, to practitioners today.

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An inspired evaluation of women leaders in war by a bestselling historian.Antonia Fraser's Warrior Queens are those women who have both ruled and led in war. They include Catherine the Great, Elizabeth I, Isabella of Spain, the Rani of Jhansi, and the formidable Queen Jinga of Angola. With Boadicea as the definitive example, her female champions from other ages and civilisations make a fascinating and awesome assembly.Yet if Boadicea's apocryphal chariot has ensured her place in history, what are the myths that surround the others? And how different are the democratically elected if less regal warrior queens of our time: Indira Ghandi and Golda Meir? This remarkable book is much more than a biographical selection. It examines how Antonia Fraser's heroines have held and wrested the reins of power from their (consistently male) adversaries.

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A sweeping history of how Union victory in the American Civil War inspired democratic reforms, revolutions, and emancipation movements in Europe and the AmericasThe Age of Reconstruction looks beyond post–Civil War America to tell the story of how Union victory and Lincoln’s assassination set off a dramatic international reaction that drove European empires out of the Americas, hastened the end of slavery in Latin America, and ignited a host of democratic reforms in Europe.In this international history of Reconstruction, Don Doyle chronicles the world events inspired by the Civil War. Between 1865 and 1870, France withdrew from Mexico, Russia sold Alaska to the United States, and Britain proclaimed the new state of Canada. British workers demanded more voting rights, Spain toppled Queen Isabella II and ended slavery in its Caribbean colonies, Cubans rose against Spanish rule, France overthrew Napoleon III, and the kingdom of Pope Pius IX fel

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Aunque reducido a " Las firmezas de Isabela " , a los dos actos de " El doctor Carlino " y al corto fragmento atribuido de la " Comedia venatoria " , el teatro de Góngora abarca, con sus casi seis mil versos, una parte considerable de la obra del autor y constituye un ejemplo singular de perfecta inserción del culteranismo en el género dramático. Desde las primeras escenas, estos textos se muestran como no habituales y el enfoque, siempre distinto, atestigua además una pretendida voluntad de experimentar, transfigurar el deseo de llevar las tablas géneros literarios diferentes. Confirmando su deseo de dirigirse a un público seleccionado, Góngora propone una renovación del arte dramático que eleva su lenguaje y respeta los dictámenes clásicos sin renunciar al dinamismo, los equívocos, engaños, celos, traiciones amorosas, etc.

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''Some rise by sin, and some by virtue fall.''Can one life be measured against another? Can a woman''s body be measured against a man''s life? Can consensual sex be measured against rape? Measure for Measure explores these questions through a series of substitutions: Angelo deputises for the Duke, who disguises himself to spy on his subjects; corrupt Angelo demands that almost-nun Isabella gives her body in exchange for her brother''s life; and the Duke substitutes living bodies and decapitated heads to bring about a ''happy ending'' in this problematic comedy. Exploring corrupt power, state surveillance, and the silencing of women by powerful men, Measure for Measure continues to resonate today.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer

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WHAT IF YOU COULD BE SOMEBODY ELSE? Lou Gilmond's stunning debut literary mystery novel. It's 1960s Mallorca and Thomas Sebastian is an English conman on the run. Hoping to evade his creditors, he's taken an old Spanish finca as his hideout. He discovers the house untouched since the death of its last owner, the renowned and distinguished Senyor Rodriguez - with fine art on the walls, a library of books and cellar full of wine. Thomas slips easily into his new life - walking, reading and drinking; falling in love with his neighbour, the beautiful but impossibly young Isabella Ferretti. But when he puts on Rodriguez's white linen suit and heads into the city, things get a little out of hand... This literary mystery novel is a riotous tale of excess, desire and greed, set in a sultry Spanish island summer of 1964. Lou Gilmond's prose at times crackles with wit and at others is stomach-heavy with sensuality. Through it all, Thomas is thrilling if feverish company.

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‘This is the original game of thrones’ George R.R. Martin From the publishers that brought you A Game of Thrones comes the series that inspired George R.R. Martin’s epic work. “Accursed! Accursed! You shall be accursed to the thirteenth generation!” The Iron King – Philip the Fair – is as cold and silent, as handsome and unblinking as a statue. He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men. A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon himself a curse that will destroy his entire dynasty…

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After a decade trying to accept that London is home, a devastating bereavement pushes 29 year old May to return to the rural Vermont town she fled so long ago. Ignoring her sister’s strong misgivings, she immerses herself in creating a healing garden, bringing people together with the food she loves to cook, and renovating a dilapidated farmhouse until she starts to find a sense of peace and purpose. But as spring turns to sultry summer and she is thrown increasingly together with Harley, the man she loved and left ten years before, May is torn. Will she take a risk and follow her heart, or go back to London where her ever loyal sister is longing for her return? Mish Cromer’s latest novel of love and friendship and the healing power of the natural environment explores the impact of family, trauma and loss, and the powerful need we all have to find the place where we belong. Praise for Mish Cromer’s debut novel: Alabama Chrome You’ll come for the wonderful characters — gruff Cassidy with a dark past, wise Lark, Belle and her beauty parlour, Evangeline the mechanic, Brooke Adler the hard-nosed reality TV presenter... then you’ll be swept away by the fantastic sense of place. Set in small-town Kentucky and focusing on the bar which acts as the town’s front porch where stories are told and secrets are ultimately revealed, Alabama Chrome is a beautifully written page-turner, told in a voice that will stay with you — along with the book's big heart. — Alison Chandler You begin to understand, reading this story, how important it is to allow yourself to be understood, — Joanne Merrison A compassionate and skilful tale of a soulful young man’s struggle, vividly intertwined with the characters of a remote US town who welcomed him, and their reaction to the arrival of a controversial reality TV presenter. A gripping read. — Isabella

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In the vein of Such a Fun Age, a whip-smart, compulsively readable novel about two upper-class stay-at-home mothers—one white, one Black—living in a "perfect" suburb that explores motherhood, friendship, and the true meaning of sisterhood amidst the backdrop of America’s all-too-familiar racial reckoning. De’Andrea Whitman, her husband Malik, and their five-year-old daughter, Nina, are new to the upper-crust white suburb of Rolling Hills, Virginia—a move motivated by circumstance rather than choice. De’Andrea is heartbroken to leave her comfortable life in the Black oasis of Atlanta, and between her mother-in-law’s Alzheimer's diagnosis, her daughter starting kindergarten, and the overwhelming whiteness of Rolling Hills, she finds herself struggling to adjust to her new community. To ease the transition, her therapist proposes a challenge: make a white girlfriend. When Rebecca Myland learns about her new neighbors, the Whitmans, she's thrilled. As chair of the Parent Diversity Committee at her daughters’ school, she’s championed racial diversity in the community—and what could be better than a brand-new Black family? It’s serendipitous when her daughter, Isabella, and Nina become best friends on the first day of kindergarten. Now, Rebecca can put everything she’s learned about antiracism into practice—especially those oh-so-informative social media posts. And finally, the Parent Diversity Committee will have some… well, diversity. Following her therapist’s suggestion, De’Andrea reluctantly joins Rebecca’s committee. The painfully earnest white woman is so overly eager it makes De’Andrea wonder if Rebecca’s therapist told her to make a Black friend! But when Rolling Hill’s rising racial sentiments bring the two women together in common cause, they find it isn’t the only thing they have in common. . . .

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Born in 1451 in the seafaring nation of Genoa in northern Italy, Christopher Columbus grew up watching ships sail into the harbor loaded with riches from Egypt, Spain, England, and Belgium. Columbus was convinced that he could gain gold, silk, ivory, and much personal wealth for himself if he were to sail west from Europe to the East and trade with China and India. When Queen Isabella of Castile and King Ferdinand of Aragon finally provided him with three ships, a crew, and supplies for his journey, Columbus embarked on the first of four voyages to the East in 1492. Although he never reached Asia, he did land in Central and South America, establishing a firm foothold in America and opening up wider European exploration to the new continent and other foreign lands. Demi portrays Columbus as a great navigator and explorer, but she also provides a balanced view of his accomplishments, describing his enslavement of the native Taino Indians of Central America and his mismanagement of the colonies that he established in the Indies. Using Chinese paintbrushes and inks, gold overlays, and Italian marbled paper from Florence, Italy, she paints Columbus’s vast world with characteristic skill and beauty.

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Who is a citizen? What is a person? Who is my neighbor? These fundamental questions about group membership and social formation have been posed repeatedly in political and religious discourses. Citizen-Saint uses keys works by Shakespeare, Marlowe, and Milton to examine the aims, limits, and legacies of classic and modern citizenship in Western literature. Turning to the potent idea of political theology to recover the strange mix of political and religious thinking during the Renaissance, Julia Reinhard Lupton unveils the figure of the citizensaint, who represents at once divine messenger and civil servant, both norm and exception. Embodied by such diverse personages as Antigone, Paul, Barabbas, Shylock, Othello, Caliban, Isabella, and Samson, the citizen-saint is a sacrificial figure: a model of moral and aesthetic extremity that inspires new regimes of citizenship with his or her traumatic passage into the public sphere. And these scenes of civic entry ultimately dramatize the literature of citizenship in both its evident impasses and its enduring potential.

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WINNER OF THE PEOPLE'S BOOK PRIZE FOR NON-FICTION AND LONGLISTED FOR THE JAMES CROPPER WAINWRIGHT PRIZE FOR WRITING ON CONSERVATION. 'Enchanting… a joy to read.' JOANNA LUMLEY 'Vibrant and vital.' CHRIS PACKHAM 'Forget Me Not is a tonic.' TIMES LITERARY SUPPLEMENT 'Remarkable.' NELL FRIZZELL 'A fierce, passionate stand for the wild.' MEGAN MCCUBBIN 'Funny, full of interest and often poignant.' ISABELLA TREE 'Beautiful. Rare. Profound. Hopeful.' CHARLOTTE PHILBY 'Passionate, pragmatic and seriously funny.' GILLIAN BURKE 'Wonderfully refreshing.' BENEDICT MACDONALD Join Sophie Pavelle on a low-carbon journey around Britain in search of ten animals and habitats threatened by climate change in the 21st century. Forget-me-not – a beautiful flower and a plea from our islands’ wildlife. When climate change has driven dozens of our most charismatic species to extinction, will they be forgotten? Like many of her generation, Sophie Pavelle is determined to demand action on climate change. In her hilarious and thought-provoking first book, she describes the trips she took to see ten rare native species: species that could disappear by 2050 and be forgotten by the end of the century if their habitats continue to decline. Sophie challenged herself to find them the low-carbon way, travelling the length of Britain on foot, by bicycle, in an electric car, by kayak, on ferries and in a lot of trains. From Bodmin Moor to the Orkney Islands, Sophie encountered species on the frontline of climate change in Britain. Which are going to be seriously affected, and why? Could some bounce back from the brink? Or are we too late to save them? Forget Me Not is a clarion call: we all need to play a part in tackling this most existential of threats. Everyone can see wildlife in the British Isles without contributing to its destruction. With joyful irreverence, Sophie shows us we can dare to hope. Journey with her, and she may even inspire you to take action for nature and head out on your own low-carbon adventure.

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Two boys spend the day doing nothing but imagining in this poetic ode to the freedom of summer. On a hot summer day that feels like it’s lasted forever, two brothers stretch out in the back seat of an abandoned car in a strip-mall parking lot. They pass the time thinking up another place, scattering ketchup-soaked fries around their whale of a car to attract the garbage gulls. They have to leave just the right amount, the older boy tells the younger, so enough gulls will come. Enough to lift them up in their tangle of wings and take them to the sea. Lyrical text by Dorson Plourde and expressive art by Isabella Fassler - two debut creators - combine to perfectly capture the mood of a languid summer day. Without access to a beach or summer camp, with only fries and colas and a stretch of asphalt, the brothers dream themselves to the sea the only way they can - through their shared imagination. This evocative picture book is sure to transport children throug

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The de Clare sisters Eleanor, Margaret and Elizabeth were born in the 1290s as the eldest granddaughters of King Edward I of England and his Spanish queen Eleanor of Castile, and were the daughters of the greatest nobleman in England, Gilbert ‘the Red’ de Clare, earl of Gloucester. They grew to adulthood during the turbulent reign of their uncle Edward II, and all three of them were married to men involved in intense, probably romantic or sexual, relationships with their uncle. When their elder brother Gilbert de Clare, earl of Gloucester, was killed during their uncle’s catastrophic defeat at the battle of Bannockburn in June 1314, the three sisters inherited and shared his vast wealth and lands in three countries, but their inheritance proved a poisoned chalice. Eleanor and Elizabeth, and Margaret’s daughter and heir, were all abducted and forcibly married by men desperate for a share of their riches, and all three sisters were imprisoned at some point either by their uncle Edward II or his queen Isabella of France during the tumultuous decade of the 1320s. Elizabeth was widowed for the third time at twenty-six, lived as a widow for just under forty years, and founded Clare College at the University of Cambridge.

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Analysis of Latin sacred music written during the century illustrates the rapid and marked change in style and sophistication. Winner of the 2007 AMS Robert M. Stevenson prize The arrival of Francisco de Peñalosa at the Aragonese court in May 1498 marks something of an epoch in the history of Spanish music: Peñalosa wrote in a mature, northern-oriented style, and his sacred music influenced Iberian composers for generations after his death. Kenneth Kreitner looks at the church music sung by Spaniards in the decades before Peñalosa, a repertory that has long been ignoredbecause much of it is anonymous and because it is scattered through manuscripts better known for something else. He identifies sixty-seven pieces of surviving Latin sacred music that were written in Spain between 1400 and the early 1500s, and he discusses them source by source, revealing the rapid and dramatic change, not only in the style and sophistication of these pieces, but in the level of composerly self-consciousness shown in the manuscripts. Withina generation or so at the end of the fifteenth century, Spanish musicians created a new national music just as Ferdinand and Isabella were creating a new nation. KENNETH KREITNER teaches at the University of Memphis.

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A collection of beautifully illustrated essays and interviews presenting a rich, inclusive, contemporary, and global vision of design diversity. As the design industry re-examines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, Centered advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume will feature important and underrepresented design work and projects like: Gee's Bend Quilters, by Stephen Child and Isabella D'Agnenica A Chinese Typographic Archive, by YuJune Park and Caspar Lam Indigenous Sovereignty and Design: An Interview with Sadie Red Wing (Her Shawl is Yellow) The Truck Art of India, by Shantanu Suman New Lessons from the Bauhaus: An Interview with Ellen Lupton Vocal Type: An Interview with Tre Seals Decolonizing Graphic Design, A Must, by Cheryl D. Miller And more A must-read for design practitioners, educators, students, and anyone interested in expanding narratives and gaining a more inclusive understanding of design.

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The lives, works and imagery of women artists, patrons and icons in Renaissance Italy The story of the Renaissance in Italy is often told through the work of great male artists such as Michelangelo, Raphael, Donatello and Leonardo. But what about the female half of the population? By exploring works made by, for, or about women, this book aims to reconsider a period of creative ingenuity and artistic excellence from their often-overlooked perspective. Drawing on the rich collection of paintings, ceramics, textiles, illustrated books and prints at the Museum of Fine Arts, Boston, this publication focuses on images of feminine power, both sacred and secular, telling the stories of saints such as Mary Magdalen as examples of strength and ascetic devotion, Biblical heroines such as Judith as civic and domestic role models, and the mythical sorceress Medea as the ideal of a heroic nude. Women also asserted their presence as artists, artisans and patrons: Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi, Vittoria Colonna, Isabella d’Este and Eleonora Gonzaga are just some of the strong women who shaped the life and art of the Italian Renaissance.

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In the early twenty-first century, the citizens of many Latin American countries, such as Argentina, Bolivia, Brazil, Ecuador, and Venezuela, elected left-wing governments, explicitly rejecting and attempting to reverse the policies of neoliberal structural economic adjustment that had prevailed in the region during the 1990s. However, in other countries such as Chile, Colombia, Mexico, and Peru continuity and even extension of the neoliberal agenda have been the norm. What were the consequences of rejecting the neoliberal consensus in Latin America? Why did some countries stay on the neoliberal course? Contributors to Latin America Since the Left Turn address these questions and more as they frame the tensions and contradictions that currently characterize Latin American societies and politics. Divided into three sections, the book begins with an examination of the political economy, from models of development, to taxation and spending patterns, to regionalization of trade and human migration. The second section analyzes the changes in democracy and political identities. The last part explores the themes of citizenship, constitutionalism, and new forms of civic participation. With essays by the foremost scholars in the field, Latin America Since the Left Turn not only delves into the cases of specific countries but also surveys the region as a whole. Contributors: Isabella Alcañiz, Sandra Botero, Marcella Cerrutti, George Ciccariello-Maher, Tula G. Falleti, Roberto Gargarella, Adrian Gurza Lavalle, Juliet Hooker, Evelyne Huber, Ernesto Isunza Vera, Nora Lustig, Paulina Ochoa Espejo, Emilio A. Parrado, Claudiney Pereira, Thamy Pogrebinschi, Irina Carlota Silber, David Smilde, John D. Stephens, Maristella Svampa, Oscar Vega Camacho, Gisela Zaremberg.

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A collection of more than 100 extraordinary desserts—all with photos and meticulous instructions—by Cenk Sönmezsoy, creator of the internationally acclaimed blog Cafe Fernando. Written, styled, photographed, and designed by Cenk Sönmezsoy, The Artful Baker shares the inspiring story of a passionate home baker, beginning with his years after graduate school in San Francisco and showcasing the fruits of a baking obsession he cultivated after returning home to Istanbul. Sönmezsoy’s stories and uniquely styled images, together with his original creations and fresh take on traditional recipes, offer a thoughtful and emotional window into the life of this luminary artist. The Artful Baker is comprised of almost entirely new content, with a few updated versions of readers’ favorites from his blog, such as Brownie Wears Lace, his signature brownies topped with blond chocolate ganache and bittersweet chocolate lace (originally commissioned by Dolce & Gabbana and awarded “Best Original Baking and Desserts Recipe” by Saveur magazine); Raspberry Jewel Pluot Galette, a recipe inspired by Chez Panisse’s 40th year anniversary celebrations; and Devil Wears Chocolate, his magnificent devil’s food cake that graces the cover of the book. Each chapter highlights a variety of indulgences, from cookies to cakes and tarts to ice creams, including recipes like Pistachio and Matcha Sablés; Tahini and Leblebi (double-roasted chickpeas) Swirl Brownies; Sakura Madeleines; Sourdough Simit, the beloved ring-shaped Turkish bread beaded with sesame seeds; Isabella Grape and Kefir Ice Cream; Pomegranate Jam; and Blanche, a berry tart named after the Golden Girl Blanche Devereaux. Every recipe in The Artful Baker has gone through a meticulous development phase, tested by an army of home bakers having varying levels of skill, equipment, and access to ingredients, and revised to ensure that they will work flawlessly in any kitchen. Measurements of ingredients are provided in both volume and weight (grams). Where a volume measurement isn’t useful, weight measurements are provided in both ounces and grams.

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Japonisme, the 19th-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the 21st-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d’Ennery (1823–98), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d’Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a 50-year patron of Parisian dealers of Asian art, d’Ennery’s struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand-Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d’Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists—Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few— took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women—and many others—actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.

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