Search results for ""Vintage Publishing""

Discover this brooding collection of short stories from one of Britain's finest writers. A world where everyday life crackles with the electricity sparking between men and women, between parents and children, between friends. A son confesses to his mother that he is cheating on his girlfriend; a student falls in love with her lecturer and embarks on an affair with a man in the pub who looks just like him. Young mothers pent-up in childcare dream treacherously of other possibilities; a boy becomes aware of the woman, a guest at his parents' holiday home, who is pressing up too close against him on the beach. Hidden away inside the present, the past is explosive; the future can open unexpectedly out of any chance encounter; ordinary moments are illuminated with lightning flashes of dread or pleasure. These stories about family life are somehow undomesticated and dangerous.'She is the writer we didn't know we were waiting for, until she arrived' Anne Enright, Guardian

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The second volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon.Taken together, Arthur Koestler's volumes of autobiography constitute an unrivalled study of a twentieth-century life. The Invisible Writing picks up where the first volume, Arrow in the Blue, ended, with Koestler joining the Communist Party. This second volume goes on to detail some of the most important, gruelling and electrifying experiences in his life. This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It tells of how he survived in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home.

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A HARLOT'S PROGRESS reinvents William Hogarth's famous painting of 1732 which tells the story of a whore, a Jewish merchant, a magistrate and a quack doctor bound together by sexual and financial greed. Dabydeen's novel endows Hogarth's characters with alternative potential lives, redeeming them for their cliched status as predators or victims. The protagonist - in Hogarth, a black slave boy, in Dabydeen, London's oldest black inhabitant - is forced to tell his story to the Abolitionists in return for their charity. He refuses however to supply parade of grievances, and to give a simplistic account of beatings, sexual abuses, etc. He will not embark upon yet another fictional journey into the dark nature of slavery for the voyeuristic delight of the English reader. Instead, the old man ties the reader up in knots as deftly as a harlot her client: he spins a tale of myths, half-truths and fantasies; recreating Africa and eighteenth-century London in startlingly poetic ways. What matters to him is the odyssey into poetry, the rich texture of his narrative, not its truthfulness. In this, his fourth novel, David Dabydeen opens up history to myriad imaginary interpretations, repopulating a vanished world with a strange, defiantly vivid and compassionate humanity.

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In 1837, two young African princes arrive at the court of Willem I in the Netherlands. They have been given to the Dutch by the King of the Ashanti as surety in a deal over illegal slave trading. The two boys think they have been sent to acquire a European education, but time passes. They forget their native language and become exiles. Treated as curiosities by white people, their friendship suffers and their paths diverge. Years later, as the twentieth century dawns, the elderly Kwasi, now owner of a coffee plantation in Java, sits down to write his autobiography. Based on a true story, The Two Hearts of Kwasi Boachi is both a brilliant piece of storytelling and a moving portrayal of the search for identity and belonging.

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What has made women unhappy in the last decade? Faludi writes 'is not their equality' - which they don't yet have - but the rising pressure to halt, even worse, women's quest for that equality.

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