Search results for ""Jan""

I don’t recall if I saw my first gunman in my childhood nightmares or on my childhood streets. There were plenty in both and they looked very much like each other. So begins Reggie Chamberlain-King’s introduction to The Black Dreams, a thrilling and compelling collection of specially commissioned stories that explore the emotional geography of growing up and living in Northern Ireland. The fourteen stories gathered here criss-cross coast, border and city as they map a ‘strange’ territory of in-between states and unstable realities in which understanding is unreliable. Obsessions, death and rebirth, violence, sexuality, retribution and apocalypse are all part of the rich fabric of The Black Dreams. Bringing together some of Northern Ireland’s finest writers, along with some of the best new talents, The Black Dreams celebrates and extends the rich tradition of the weird, surreal and dream-like in Northern Irish writing. It is also a powerful act of imagining and storytelling – a vibrant, vivid and exhilarating exploration of a world we cannot, or choose not, to see. Contributors: Jo Baker, Jan Carson, Reggie Chamberlain-King, Aislínn Clarke, Emma Devlin, Moyra Donaldson, Michelle Gallen, Carlo Gébler, John Patrick Higgins, Ian McDonald, Gerard McKeown, Bernie McGill, Ian Sansom, Sam Thompson

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'Nothing short of a masterpiece' JAN MORRIS'[This] gloriously ornate account of that epic journey is a classic' ROBERT MACFARLANE'Not only is this journey one of physical adventure but of cultural awakening. Architecture, art, genealogy, quirks of history and language are all devoured -- and here passed on -- with a gusto uniquely his' COLIN THUBRON, Sunday Times'One of the most romantic books of the twentieth century, Patrick Leigh Fermor's account of a long walk across Europe is also a literary treasure, a rich blend of action and observation' GuardianIn 1933, at the age of 18, Patrick Leigh Fermor set out on an extraordinary journey by foot - from the Hook of Holland to Constantinople. A Time of Gifts is the first volume in a trilogy recounting the trip, and takes the reader with him as far as Hungary.It is a book of compelling glimpses - not only of the events which were curdling Europe at that time, but also of its resplendent domes and monasteries, its great rivers, the sun on the Bavarian snow, the storks and frogs, the hospitable burgomasters who welcomed him, and that world's grandeurs and courtesies. His powers of recollection have astonishing sweep and verve, and the scope is majestic.

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Niall Ferguson's acclaimed bestseller on the highs and lows of Britain's empireOnce vast swathes of the globe were coloured imperial red and Britannia ruled not just the waves, but the prairies of America, the plains of Asia, the jungles of Africa and the deserts of Arabia. Just how did a small, rainy island in the North Atlantic achieve all this? And why did the empire on which the sun literally never set finally decline and fall? Niall Ferguson's acclaimed Empire brilliantly unfolds the imperial story in all its splendours and its miseries, showing how a gang of buccaneers and gold-diggers planted the seed of the biggest empire in all history - and set the world on the road to modernity.'The most brilliant British historian of his generation ... Ferguson examines the roles of "pirates, planters, missionaries, mandarins, bankers and bankrupts" in the creation of history's largest empire ... he writes with splendid panache ... and a seemingly effortless, debonair wit' Andrew Roberts 'Dazzling ... wonderfully readable' New York Review of Books'A remarkably readable précis of the whole British imperial story - triumphs, deceits, decencies, kindnesses, cruelties and all' Jan Morris 'Empire is a pleasure to read and brims with insights and intelligence' Sunday Times

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**Winner of the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award** **A Sunday Times Paperback of the Year** **Longlisted for the CWA Gold Dagger 2023** **Longlisted for the Gordon Burn Prize 2022** ‘Oxblood shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough’ FRANCIS SPUFFORD 'The master of northern noir' SUNDAY TIMES 'Brilliant' DENISE MINA 'An absolute triumph' GUARDIAN 'Powerful and so beautifully written' HARRIET TYCE, Sunday Times-bestselling author of BLOOD ORANGE ________________________________________________________________ Wythenshawe, South Manchester. 1985. The Dodds family once ruled Manchester’s underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby and the ghost of a murdered lover. Over the course of a few days, Nedra, Carol and Jan must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good. _______________________________________________________________ ‘If I read a better novel than Oxblood in 2022, it’ll be a blinding year for fiction’ JOSEPH KNOX 'A propulsive, bountiful, fearless work of art' OYINKAN BRAITHWAITE 'One of the most powerful and urgent writers of our times' DAVID PEACE

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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 23, 2019–January 19, 2020)

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How do we live in and with empire? The contributors to Ethnographies of U.S. Empire pursue this question by examining empire as an unequally shared present. Here empire stands as an entrenched, if often invisible, part of everyday life central to making and remaking a world in which it is too often presented as an aberration rather than as a structuring condition. This volume presents scholarship from across U.S. imperial formations: settler colonialism, overseas territories, communities impacted by U.S. military action or political intervention, Cold War alliances and fissures, and, most recently, new forms of U.S. empire after 9/11. From the Mohawk Nation, Korea, and the Philippines to Iraq and the hills of New Jersey, the contributors show how a methodological and theoretical commitment to ethnography sharpens all of our understandings of the novel and timeworn ways people live, thrive, and resist in the imperial present. Contributors: Kevin K. Birth, Joe Bryan, John F. Collins, Jean Dennison, Erin Fitz-Henry, Adriana María Garriga-López, Olívia Maria Gomes da Cunha, Matthew Gutmann, Ju Hui Judy Han, J. Kēhaulani Kauanui, Eleana Kim, Heonik Kwon, Soo Ah Kwon, Darryl Li, Catherine Lutz, Sunaina Maira, Carole McGranahan, Sean T. Mitchell, Jan M. Padios, Melissa Rosario, Audra Simpson, Ann Laura Stoler, Lisa Uperesa, David Vine

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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

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High Praise for High Impact Philanthropy "Successful navigation through today's changing world of philanthropy requires greater understanding by nonprofits and donors. High Impact Philanthropy meets this need."-Roberta W. Gutman, Executive Director, Motorola Foundation "At a time when the terrain of American philanthropy is so rapidly shifting in new and unprecedented ways, this bright and focused analysis stands as a beacon of innovative thinking for donors and community organizers alike. By sketching in bold strokes the case for more effective collaborative giving, this book may well help transform our communities in the twenty-first century."-Peter deCourcy Hero,President, Community Foundation Silicon Valley "High Impact Philanthropy provides a thoughtful analysis of how venture philanthropy is changing the way nonprofits run and how philanthropists give. Important parallels are made to the business world, demonstrating how nonprofits and donors can both benefit from putting their business hats on and running their organizations and giving programs like businesses."-Jan D'Alessandro Wadsworth, Vice President, AOL Foundation "High Impact Philanthropy is an effective and articulate guide to planning a major gifts strategy, soliciting major gifts from individuals in a personable and efficient manner, and integrating this essential task into the very structure of a nonprofit organization."-Claude Rosenberg, Founder, New Tithing Group

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Praise for IT Best Practices "The work of the financial manager revolves around a company's financial systems. Ms. Roehl-Anderson's latest offering addresses the two key aspects of these systems—how to buy and install them. The book covers every conceivable aspect of these systems, including ERP, software as a service, shared services, and supporting controls. As a bonus, the book contains substantial coverage of information technology considerations in an acquisition. This is a definitive desk reference." —Steve Bragg, CFO, XeDAR Corporation, and author of Accounting Best Practices "Sage advice from one of the most adept project managers in the industry! Jan and team have delivered a practical, yet comprehensive guidebook for software selection, implementation, rollout, and ongoing updates. This guidebook will become a valuable reference for every financial manager and IT project manager undertaking ERP implementation."—Valerie Borthwick, former senior vice president, Oracle Consulting "Written by one of the best in the IT business, this book is a must-read for all CFOs and controllers. In one volume, it addresses everything a financial executive needs to know about IT and its impact on the financial function, while also featuring practical guidelines, current hot topics, and IT best practices. This book covers it all."—Jo Marie Dancik, Regional Managing Partner (Retired), Ernst & Young

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Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck’s Arnolfini Portrait, Bruegel’s Netherlandish Proverbs, and Rubens’s Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art.The narrative follows the way painters responded to the emergence of “modern” theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day.

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** Cahokia Jazz, the new novel from Francis Spufford, is available for preorder now. ** 'Best book of the century.' Richard Osman'Just wonderful.' Jan Morris'A marvel.' Zadie Smith 'Every bit as superb as everyone says.' Sarah PerryWinner of the Costa First Novel Award 2016Winner of the RSL Ondaatje Prize 2017Winner of the Desmond Elliott Prize 2017Shortlisted for the Walter Scott Prize for Historical Fiction 2017Shortlisted for the Rathbones Folio Prize 2017Shortlisted for the Authors' Club Best First Novel Award 2017Shortlisted for the British Book Awards Debut Novel of the Year 2017A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURYNew York, a small town on the tip of Manhattan Island, 1746. One rainy evening, a charming and handsome young stranger fresh off the boat from England pitches up to a counting house on Golden Hill Street, with a suspicious yet compelling proposition -- he has an order for a thousand pounds in his pocket that he wishes to cash. But can he be trusted? This is New York in its infancy, a place where a young man with a fast tongue can invent himself afresh, fall in love, and find a world of trouble . . .

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'Highly recommended' John Gwynne 'Madson is an exciting new author in fantasy' Mark Lawrence'A complex tale of war, politics and lust for power' Guardian AS AN EMPIRE DIES, THREE WARRIORS WILL RISE. THEY MUST RIDE THE STORM OR DROWN IN ITS BLOOD.The kingdom of Kisia is divided, held together only by the will of the god-emperor. When an act of betrayal shatters an alliance with the neighbouring land of Chiltae, all that has been won comes crashing down.Now, as the fires of war spread, a warrior, an assassin and a princess must chase their ambitions, no matter the cost.War built the Kisian Empire. And now war will tear it down.'A visceral, intriguing, intense and emotionally charged ride'Grimdark Magazine'Breathtakingly triumphant . . . it has become one of my favourite books of all time'Novel Notions'Buckle your seatbelts and prepare for a hell of a ride' Fantasy Book Critic'Complex and immersive . . . doesn't let go until the final electrifying pages' Fantasy Book Review Books by Devin MadsonThe Reborn Empire We Ride the Storm We Lie with Death (coming Jan '21)The Vengeance TrilogyThe Blood of Whisperers The Gods of ViceThe Grave at Storm's End

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Systemic Therapy has been scientific since 2008 and recognized under social law since the end of 2018. Only a rather small part of the psychosocial specialists currently trained in system therapy will find access to the health care system as a licensed psychotherapist. However, the systemic approach has long been used and valued in numerous areas of social work and related contexts. Although these work contexts often do not pursue a primarily therapeutic mandate, systems therapeutic knowledge and action are highly relevant there. What can and should systemic therapy be in these contexts in the future beyond the healing mandate? What distinctions will have to be made in the future? Which of its own concepts are systemic therapy incumbent on beyond approbation and healing mandates? The book illuminates 14 different fields of practice from a systems therapy perspective and provides fundamental answers to the questions raised. The authors are Mathias Berg, Jörg Breiholz, Benjamin Bulgay, Reinert Hanswille, Michaela Herchenhan, Dina Hollmann, Susanne Kiepke-Ziemes, Mathias Klasen, Rudolf Klein, Martina Kruse, Tanja Kuhnert, Tom Levold, Wolfgang Loth, Marion Ludwig, Martina Nassenstein, Matthias Ochs, Claudia Schiffmann, Herta Schindler, Cornelia Schmellenkamp, ​​Rainer Schwing, Julia Strecker, Barbara Welle, Joachim Wenzel, Jan V. Wirth and Renate Zwicker-Pelzer.

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The foundations for a world-class public art collection in Berlin were laid in 1821: This was the year the Kingdom of Prussia acquired on behalf of the museum to be established in Berlin the painting collection of English merchant Edward Solly (1776-1844). Between 1815 and 1820 this cosmopolitan lover of the arts living in Berlin amassed thousands of paintings above all from Italy, Germany and the Netherlands. Many of the works were by artists little known at the time but who subsequently came to be greatly appreciated and are still renowned today. The exhibition and the accompanying catalogue showcase a representative selection of masterpieces, rediscoveries, and "historical peculiarities", and provide an insight into an age that on the one hand shaped our concepts of art and museums and on the other hand had an entirely different view of the works than we have today. Detailed insights into the history of the Berlin Gemäldegalerie Exhibition: Gemäldegalerie, Berlin, 2022 Artists i.e.: Wilhelm Hensel, Meister der Dossali Veneziani, Puccio di Simone, Giotto, Meister des San Niccolò-Altares, Domenico und Davide Ghirlandaio, Raffael, Girolamo Figino, Johannes Hispanus, Girolamo Romanino, Giovanni Battista Benvenuti, Goossen van der Weyden, Hans Holbein der Jüngere, Hans Maler, Ambrosius Benson, Jan Gossart, Rembrandt, Cornelis Cornelisz van Haarlem, Gian Domenico Cerrini

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Marijuana is the everyman drug. Teenagers surreptitiously toke on it, politicians refuse to inhale it, even your mum and dad have had a go. Marijuana is a mellow, let's put on a Barry Manilow CD, open a bottle of vino, and order a pizza drug. It's the easy drug. The no howling at the moon drug. No shooting up and losing your job.The Marijuana Chronicles presents 17 tales of the weird, wonderful and just plain stoned from some of the coolest most chilled out writers around. From drug busts to recipes, this is the stoner's definitive literary bible. Featuring brand-new stories by Joyce Carol Oates, Lee Child, Linda Yablonsky, Jonathan Santlofer, Thad Ziolkowski, Raymond Mungo, Cheryl Lu-Lien Tan, Edward M. Gómez, Philip Spitzer, Dean Haspiel, Maggie Estep, Amanda Stern, Bob Holman, Rachel Shteir, Abraham Rodriguez, Jan Heller Levi, and Josh Gilbert. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, Tao Lin, etc.), The Cocaine Chronicles (Lee Child, Laura Lippman, etc.), and the The Heroin Chronicles (Eric Bogosian, Jerry Stahl, Lydia Lunch, etc.), comes The Marijuana Chronicles. Joyce Carol Oates, Lee Child, Linda Yablonsky, and other take short fiction to a higher level (though they don't inhale).

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South Africa was born in war, has been cursed by crises and ruptures, and today stands on a precipice once again. This book explores the country’s tumultuous journey from the Second Anglo-Boer War to 2021. Drawing on diaries, letters, oral testimony and diplomatic reports, Thula Simpson follows the South African people through the battles, elections, repression, resistance, strikes, insurrections, massacres, crashes and epidemics that have shaped the nation. Tracking South Africa’s path from colony to Union and from apartheid to democracy, Simpson documents the influence of key figures including Jan Smuts, Nelson Mandela, Steve Biko, P.W. Botha, Thabo Mbeki and Cyril Ramaphosa. He offers detailed accounts of watershed events like the 1922 Rand Revolt, the Defiance Campaign, Sharpeville, the Soweto uprising and the Marikana massacre. He sheds light on the roles of Gandhi, Churchill, Castro and Thatcher, and explores the impact of the World Wars, the armed struggle and the Border War. Simpson’s history charts the post-apartheid transition and the phases of ANC rule, from Rainbow Nation to transformation; state capture to ‘New Dawn’. Along the way, it reveals the divisions and solidarities of sport; the nation’s economic travails; and painful pandemics, from the Spanish flu to AIDS and Covid-19.

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Distant blue hills, soaring trees, vast cloudless skies-the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today, it raises concerns for the welfare of the planet.During the Renaissance, artists from Italy to Flanders andEngland to Germany depicted nature in their religious art tointensify the spiritual experience of the viewer. Devotionalmanuscripts for personal or communal use-from small-scale prayer books to massive choir books-were filled withsome of the most illusionistic nature studies of this period.Sacred Landscapes, which accompanies an exhibition at theJ. Paul Getty Museum, presents some of the mostimpressive examples of this art, gathering a wide range ofilluminated manuscripts made between 1400 and 1600, aswell as panel paintings, drawings, and decorative arts.Readers will see the influ-ence of such masters as AlbrechtDu rer, Jan van Eyck, Leonardo da Vinci, and Piero dellaFrancesca and will gain new appreciation for manuscriptilluminators like Simon Bening, Joris Hoefnagel, Vincent Raymond, and the Spitz Master. These artists were innovative in the early development of landscape painting and were revered through-out the early modern period. The authors provide thoughtful examination of works from the fifteenth through seventeenth centuries.

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Born in a time of anxiety, Words and Worlds examines some of the disquieting challenges that societies now face. Through an inquiry into a political lexicon of commonsense words, ranging from democracy and revolution to knowledge and authority, from inequality and toleration to war and power, the contributors to this book trouble the self-evidence of these terms, bringing into view the hidden transcripts and unexpected trajectories of many settled ideas, such as the human sense of belonging or the call for openness and transparency in research and public life. The case studies conducted over five continents with the tools of eight different disciplines challenge the ethnocentric assumptions, false moralism, and cultural prejudices that underlie much discussion on corruption or even the virtue invested in resilience. The critique of the ubiquitous use of crisis to characterize our times shows how this framing obscures the unjust conditions of existence and the violence of everyday life. Together the essays in this volume offer a fresh look at the deeply connected worlds we inhabit in solidarity and in discord. Contributors. Banu Bargu, Veena Das, Alex de Waal, Didier Fassin, Peter Geschiere, Behrooz Ghamari-Tabrizi, Caroline Humphrey, Ravi Kanbur, Julieta Lemaitre, Uday S. Mehta, Jan-Werner Müller, Jonathan Pugh, Elizabeth F. Sanders, Todd Sanders

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How do we live in and with empire? The contributors to Ethnographies of U.S. Empire pursue this question by examining empire as an unequally shared present. Here empire stands as an entrenched, if often invisible, part of everyday life central to making and remaking a world in which it is too often presented as an aberration rather than as a structuring condition. This volume presents scholarship from across U.S. imperial formations: settler colonialism, overseas territories, communities impacted by U.S. military action or political intervention, Cold War alliances and fissures, and, most recently, new forms of U.S. empire after 9/11. From the Mohawk Nation, Korea, and the Philippines to Iraq and the hills of New Jersey, the contributors show how a methodological and theoretical commitment to ethnography sharpens all of our understandings of the novel and timeworn ways people live, thrive, and resist in the imperial present. Contributors: Kevin K. Birth, Joe Bryan, John F. Collins, Jean Dennison, Erin Fitz-Henry, Adriana María Garriga-López, Olívia Maria Gomes da Cunha, Matthew Gutmann, Ju Hui Judy Han, J. Kēhaulani Kauanui, Eleana Kim, Heonik Kwon, Soo Ah Kwon, Darryl Li, Catherine Lutz, Sunaina Maira, Carole McGranahan, Sean T. Mitchell, Jan M. Padios, Melissa Rosario, Audra Simpson, Ann Laura Stoler, Lisa Uperesa, David Vine

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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

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Raped and colonized, coerced and silenced--this has been the position of Haitian women within their own society, as well as how they have been seen by foreign occupiers. Romanticized symbols of nationhood, they have served, however unwillingly, as a politicized site of contestation between opposing forces. In this first book-length study in English devoted exclusively to Haitian women's literature, Myriam Chancy finds that Haitian women have their own history, traditions, and stories to tell, tales that they are unwilling to suppress or subordinate to narratives of national autonomy. Issues of race, class, color, caste, nationality, and sexuality are all central to their fiction--as is an urgent sense of the historical place of women between the two U.S. occupations of the country. Their novels interrogate women's social and political stance in Haiti from an explicitly female point of view, forcefully responding to overt sexual and political violence within the nation's ambivalent political climate. Through daring and sensitive readings, simultaneously historical, fictional and autobiographical, Chancy explores this literature, seeking to uncover answers to the current crisis facing these women today, both within their country and in exile.The writers surveyed include Anne-christine d'Adesky, Ghislaine Rey Charlier, Marie Chauvet, Jan J. Dominique, Nadine Magloire, and Edwidge Danticat, whose work has recently achieved such high acclaim.

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When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl's epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology's wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. The Far Reaches challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patočka, Karol Wojtyła (Pope John Paul II), and Václav Havel.

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A REESE WITHERSPOON BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)'EERIE AND ATMOSPHERIC'Riley Sager, New York Times bestselling author of The House Across the Lake'CREEPY'The Times'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED'Lisa Gardner, Sunday Times bestselling author of One Step Too Far'SUPERB'M. W. Craven, Sunday Times bestselling author of The Botanist'CHILLED ME TO THE BONE'Andrea Bartz, author of Reese's pick We Were Never Here________Maya is still haunted by the cabin - deep in the woods, where the trees are so dense it's easy to miss.She hasn't been there since the summer she was seventeen. Since the day her best friend Aubrey died and Maya's world shattered.Maya's memories of that summer are fragmented, but there is one thing she knows for sure, and that's who murdered Aubrey. Even if no one believes her.Now, seven years later, another woman from their hometown has died in the same strange, unexplained way.Maya knows only she can uncover the truth and save the next innocent girl. But to do that she'll have to go back - back to the forest, back to the house in the pines . . .

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Tinka Pittoors (b. 1977) is a Belgian visual artist, who regularly exhibits her work in Flanders, Wallonia, the Netherlands and France. Anyone who crosses the threshold of her studio will feel as if they've stepped into an artificial secret garden. An explosion of shapes and colours awaits in a place where everything has the potential of becoming an artwork. In her sculptures and objects, Pittoors examines the utopia of a malleable world, often using the nature‐culture divide as her starting premise. Each presentation is a moment in time, a snapshot, that is tailored to the venue. Les Voyageurs is published on the occasion of her eponymous exhibition in the gardens of Château Seneffe. Many people in Flanders have yet to discover this hidden gem. And yet the castle and gardens of Seneffe are Wallonia's equivalent of Versailles, with fountains, pavilions, pristine nature, and dreamy paths on 22 hectares of land. For this exhibition, Pittoors created a trail that reflects on the various possibilities of travel, displacement and detachment, arriving and leaving, escapes and quests. The introduction was written by Pieter Vermeulen. Other contributors include Marjolaine Hanssens, Veronika Pot, Carine Fol, Isabelle Pouget, Dominique Legrand, Stijn Tormans, Marc Ruyters, Jan Braet and Saskia De Coster. Text in English, French and Dutch.

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Aenne Biermann is regarded as one of the important avant-garde photographers of the twentieth century. Together with Bauhaus artists like Lucia Moholy and Florence Henri she was represented in the pioneering exhibitions of the late 1920s and early 1930s. In 1930 Franz Roh, the art critic and early patron of Biermann, dedicated to her the legendary monograph designed by Jan Tschichold “Aenne Biermannˑ60 Fotos ”which is now being published again as a reprint with commentary. As early as 1928, Franz Roh referred to the “remarkable” photo artist Aenne Biermann (1898–1933), who attracted the attention of experts with her close-up pictures of plants. In the following years the photographer, an autodidact, became an important artist of photographic modernism. Her works created a haunting and aesthetically fascinating pictorial world with close-up views, extreme detail shots and lighting contrasts. She mostly found her motifs in her immediate vicinity: in addition to numerous still lifes with everyday objects and nature photos, she also repeatedly photographed her children, their object world and their activities. Many originals were lost during the Second World War, including the 60 photos in this publication. The authorised reprint of this volume is a tribute to a great artist of the modern age.

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"Robert Hughes is probably the best - and certainly the most accessible - art critic in the world . . . in Barcelona his art-historical and his sociological talents converge in what is often a dazzling collage of Catalan peculiarities" FREDERICK RAPHAEL, Sunday TimesA modern homage to a proud, cosmopolitan city where Gaudí, Picasso and Miró learned how to break all the rules.Before Spain there was Catalunya, a thriving maritime empire with its own language and Barcelona as its capital, last bastion of resistance to Franco in the Spanish Civil War. Exploring 2000 of the city's history, Robert Hughes takes us down the Ramblas, through the "intestinal windings" of the ancient Gothic Quarter, past the bountiful Boqueria market to the Eixample, showcase of the daring, mannered architecture of Catalan modernisme, before resting at Gaudí's celebrated Sagrada Familia: crazy, unfinished symbol of this fiercely independent city of extremes."The pace is brisk, the narrative grasp cool, firm and confident . . . Hughes' prose has the 'capriciousness, symbolic precision and stylistic punch' he attributes to Catalan moustaches" HILARY SPURLING, Daily Telegraph"Nobody has ever represented Catalonia's character more powerfully, or illustrated its claims to self-destiny more persuasively, than Robert Hughes in this monumental work" JAN MORRIS

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Guinea pigs are a popular pet, 'cute but dim' friends for those looking for an alternative to dogs and cats. They are increasingly bred for looks, shaped by humans in search of an ideal appearance. But it was guinea pigs that influenced humans from as early as 5000 bc, when their domestication began a long and fruitful relationship, influencing scientists such as William Harvey, and painters from Jan Brueghel to Beatrix Potter. Guinea pigs are more than simply pets: they have been at the centre of countless works of art and literature, inspiring children and adults alike. Guinea Pig is the first book of its kind totake an in-depth look at the fascinating history of guinea pig and human interaction. It examines guinea pigs' roles as pets alongside their roles as sacrificial offerings to Inca gods, a dish at the Last Supper, and the mascot of the airmen's Guinea Pig Club. The guinea pig is also famous as an experimental subject - the origin of the term now given to anyone who participates in a scientific study or experiment. Guinea Pig is the perfect companion for animal lovers, guinea pig owners and anyonewho is interested in the history of domesticated animals.

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A REESE WITHERSPOON BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED'Lisa Gardner, Sunday Times bestselling author of One Step Too Far'EERIE AND ATMOSPHERIC'Riley Sager, New York Times bestselling author of The House Across the Lake'CREEPY'The Times'SUPERB'M. W. Craven, Sunday Times bestselling author of The Botanist'CHILLED ME TO THE BONE'Andrea Bartz, author of Reese's Book Club pick We Were Never Here________Maya is still haunted by the cabin - deep in the woods, where the trees are so dense it's easy to miss.She hasn't been there since the summer she was seventeen. Since the day her best friend Aubrey died and Maya's world shattered.Maya's memories of that summer are fragmented, but there is one thing she knows for sure, and that's who murdered Aubrey. Even if no one believes her.Now, seven years later, another woman from their hometown has died in the same strange, unexplained way.Maya knows only she can uncover the truth and save the next innocent girl. But to do that she'll have to go back - back to the forest, back to the house in the pines . . .

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The Gift of Death, Jacques Derrida’s most sustained consideration of religion, explores questions first introduced in his book Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Czech philosopher Jan Patocka’s Heretical Essays in the Philosophy of History and develops and compares his ideas to the works of Heidegger, Lévinas, and Kierkegaard. One of Derrida’s major works, The Gift of Death resonates with much of his earlier writing, and this highly anticipated second edition is greatly enhanced by David Wills’s updated translation. This new edition also features the first-ever English translation of Derrida’s Literature in Secret. In it, Derrida continues his discussion of the sacrifice of Isaac, which leads to bracing meditations on secrecy, forgiveness, literature, and democracy. He also offers a reading of Kafka’s Letter to His Father and uses the story of the flood in Genesis as an embarkation point for a consideration of divine sovereignty. “An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of religion . . . [and those] made curious by the controversy that so often attends Derrida.”—Booklist, on the first edition

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This book explores God’s use of violence as depicted in the Hebrew Bible. Focusing on the Pentateuch, it reads biblical narratives and codes of law as documenting formations of theopolitical imagination. Ophir deciphers the logic of divine rule that these documents betray, with a special attention to the place of violence within it. The book draws from contemporary biblical scholarship, while also engaging critically with contemporary political theory and political theology, including the work of Walter Benjamin, Giorgio Agamben, Jan Assmann, Regina Schwartz, and Michael Walzer. Ophir focuses on three distinct theocratic formations: the rule of disaster, where catastrophes are used as means of governance; the biopolitical rule of the holy, where divine violence is spatially demarcated and personally targeted; and the rule of law where divine violence is vividly remembered and its return is projected, anticipated, and yet postponed, creating a prolonged lull for the text’s present. Different as these formations are, Ophir shows how they share an urform that anticipates the main outlines of the modern European state, which has monopolized the entire globe. A critique of the modern state, the book argues, must begin in revisiting the deification of the state, unpacking its mostly repressed theological dimension.

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When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl's epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology's wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. The Far Reaches challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patočka, Karol Wojtyła (Pope John Paul II), and Václav Havel.

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WINNER OF THE 2021 RELIT AWARD FOR SHORT FICTION A sea witch, a bossy Virgin Mary, and a lesbian widow’s wife—in ghost form—walk into a short story collection ... Welcome to Stoop City, where your neighbours include a condo-destroying cat, a teen queen beset by Catholic guilt, and an emergency clinic staffed entirely by lovelorn skeptics. Couples counseling with Marzana, her girlfriend's ghost, might not be enough to resolve past indiscretions; our heroine could need a death goddess ritual or two. Plus, Hoofy’s not sure if his missing scam-artist boyfriend was picked up by the cops, or by that pretty blonde, their last mark. When Jan takes a room at Plague House, her first year of university takes an unexpected turn—into anarcho-politics and direct action, gender studies and late-night shenanigans with Saffy, her captivating yet cagey housemate. From the lovelorn Mary Louise, who struggles with butch bachelorhood, to rural teens finding—and found by—adult sexualities, to Grimm’s “The Golden Goose” rendered as a jazz dance spectacle, Kristyn Dunnion’s freewheeling collection fosters a radical revisioning of community. Dunnion goes wherever there’s a story to tell—and then, out of whispers and shouts, echoes and snippets, gritty realism and speculative fiction, illuminates the delicate strands that hold us all together.

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The essays here provide a series of unusual, varying and complex perspectives on late-medieval society, with a particular focus on the European context. They show how in the north of England the Cliffords and tenants of the honourof Pontefract were forced to weigh up the advantages and disadvantages of their conflicting loyalties to local lords and distant kings; how in East Anglia the growing cult of St Margaret was reinforced by dissemination of her life-story [published here from a manuscript in the British Library]; how at Westminster the court of Henry IV was enhanced by his purchase of luxury items, and how the inept rule of his grandson Henry VI led to the "de-skilling" ofhitherto competent bureaucracies in the exchequer and chancery; how in Normandy a fine line was drawn between brigandage and movements for independence; how in Burgundy the classic ideals of chivalry, as presented in the duchy's literature, contrasted with the grim reality of military and political confrontations; and how in Florence infants were nurtured. Contributors: Frederik Buylaert, Christine Carpenter, Vincent Challet, Juliana Dresvina, Jan Dumolyn, Andy King, Jessica Lutkin, Alessia Meneghin, Sarah Rose

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This book explores God’s use of violence as depicted in the Hebrew Bible. Focusing on the Pentateuch, it reads biblical narratives and codes of law as documenting formations of theopolitical imagination. Ophir deciphers the logic of divine rule that these documents betray, with a special attention to the place of violence within it. The book draws from contemporary biblical scholarship, while also engaging critically with contemporary political theory and political theology, including the work of Walter Benjamin, Giorgio Agamben, Jan Assmann, Regina Schwartz, and Michael Walzer. Ophir focuses on three distinct theocratic formations: the rule of disaster, where catastrophes are used as means of governance; the biopolitical rule of the holy, where divine violence is spatially demarcated and personally targeted; and the rule of law where divine violence is vividly remembered and its return is projected, anticipated, and yet postponed, creating a prolonged lull for the text’s present. Different as these formations are, Ophir shows how they share an urform that anticipates the main outlines of the modern European state, which has monopolized the entire globe. A critique of the modern state, the book argues, must begin in revisiting the deification of the state, unpacking its mostly repressed theological dimension.

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Born in a time of anxiety, Words and Worlds examines some of the disquieting challenges that societies now face. Through an inquiry into a political lexicon of commonsense words, ranging from democracy and revolution to knowledge and authority, from inequality and toleration to war and power, the contributors to this book trouble the self-evidence of these terms, bringing into view the hidden transcripts and unexpected trajectories of many settled ideas, such as the human sense of belonging or the call for openness and transparency in research and public life. The case studies conducted over five continents with the tools of eight different disciplines challenge the ethnocentric assumptions, false moralism, and cultural prejudices that underlie much discussion on corruption or even the virtue invested in resilience. The critique of the ubiquitous use of crisis to characterize our times shows how this framing obscures the unjust conditions of existence and the violence of everyday life. Together the essays in this volume offer a fresh look at the deeply connected worlds we inhabit in solidarity and in discord. Contributors. Banu Bargu, Veena Das, Alex de Waal, Didier Fassin, Peter Geschiere, Behrooz Ghamari-Tabrizi, Caroline Humphrey, Ravi Kanbur, Julieta Lemaitre, Uday S. Mehta, Jan-Werner Müller, Jonathan Pugh, Elizabeth F. Sanders, Todd Sanders

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ContentsSpecial Section: Russia`s Annexation of Crimea IIIGergana Dimova and Andreas Umland: Introduction. Perspectives on Russia's 2014 Annexation of Crimea: Empirical and Theoretical ExplorationsGreta Lynn Uehling: The Personal Stakes of Political Crisis: The 2014 Attempted Annexation of CrimeaKerstin S. Jobst: "Dark" and "Golden" Times: The Crimean Tatar Population under Tsarist and Soviet Rule (1783–1941)Jan Zofka: Agents of Separatism: Social Background to the Pro-Russian Movements in Crimea and the Moldovan Dniester Valley in Comparison (1989–95)A Debate on Prospect Theory and Explaining Russia's Annexation of CrimeaIon Marandici: Loss Aversion, Neo-Imperial Frames, and Territorial Expansion: Using Prospect Theory to Examine the Annexation of CrimeaDiscussionFeaturing contributions by Peter Rutland, Tor Bukkvoll, Mykola Kapitonenko, Rumena Filipova, Martin Malek, Ion MarandiciArticlesChris Monday: Mikhail Putin (1894–1969) and Socialist Competition: Exploring a Neglected Branch of the Putin Family TreeReviews:Inna Chuvychkina on Elizabeth Buchanan; Brendan M. McElmeel on Juliane Fürst; Olga Khabibulina on Hubertus Jahn; Elise Westin on Natalia Knoblock; Manne Wängborg on Andrei Kozyrev; Giulia Prelz Oltramonti on Anna Matveeva; Kimberly St. Julian-Varnon on David Rainbow; John (Ivan) Jaworsky on Josephine von Zitzewitz; Yana Ostapenko on Jessica Zychowicz; Dima Kortukov on Vladislav M. Zubok

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After the dog days of the last three decades, it seems as if the sleeping giant of White Hart Lane is stirring once more. With the management reigns of Christian Gross, Harry Redknapp and AVB now distant memories, the club is on the march once more under the leadership of Daniel Levy, looking forward to bringing back the glory days. With exciting young English talent, such as Eric Lamela, Deli Alli and Ryan Sessegnon, along with experienced internationals Christian Eriksen, Jan Vertonghen and Son Heung-min, and now under Jose Mourinho's unique management style, there is a belief that success is within their reach. Perhaps more than most, the club has had its share of ups and downs and more than its share of characters. This book is a collection of quotes from those who have passed through London N17 and some who are still there, soundbites that range from the inspired to the insane, from the profound to the surreal. From Danny Blanchflower, Jimmy Greaves, Paul Gascoigne and Sir Alan Sugar, to Daniel, Mauricio and Harry Kane, few clubs can boast so many people with so much to say for themselves. Tottenham Hotspur have a proud tradition and a very loyal support, and this book captures the flavour of both.

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The Doctor, Ace and Mel are caught in a forever night. After crossing the threshold, a strange world awaits them. An army of tortured souls. A lift that leads to an alien landscape. An alien warlord, left for dead, and willing to do anything to prolong his life... it's all in a day's work for the Doctor. But when his companions become victims of the desperate and powerful Arkallax, the Doctor will have to do battle in a psychic environment where he must make a choice. Save his companions... or himself.Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. The Doctor in this story is played by Sylvester McCoy, familiar to many viewers and audiences not only as the Doctor, but most recently as Radagast the Brown in Peter Jackson's blockbustingThe Hobbit movie trilogy! Although known to a generation of TV viewers as a significant talent in dance and light entertainment, Bonnie Langford's more recently been award-nominated for her work in BBC1's EastEnders. CAST: Sylvester McCoy (The Doctor), Sophie Aldred (Ace), Bonnie Langford (Melanie Bush), Morgan Watkins (Ruck), Anna Mitcham (Jan), Stirling Gallacher (Isobel), Nick Ellsworth (Arkallax).

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The lives of a bereaved young woman and her neighbour who is consumed by her affair with a married man entwine in this dark, compelling and compassionate coming-of age novel.'A poignant, deft portrayal of love, obsession and grief' STYLIST'Susannah Dickey is a phenomenal talent and I loved this novel.' ELIZABETH DAY'I loved Common Decency . . . such a propulsive joy to read too.' MEGAN NOLAN FROM THE CRITICALLY ACCLAIMED AUTHOR OF TENNIS LESSONSIn an apartment building in Belfast, two women wrestle with the sorrows and spectres of love and loss.Since her mother's death, Lily has withdrawn from the world, trapped between grief and anger. She has to break out of this damaging cycle - but how?Upstairs, Siobhán is consumed by her affair with a married man. Her days revolve around his sporadic texts and rare visits. She barely notices the strange girl who lives below and dawdles in the foyer.But Lily is keeping a close eye on her neighbour, whose life seems so much better and more fulfilling than her own. When resentment evolves into something darker and more urgent, she decides to teach Siobhán a lesson...'Sharp as tacks, extremely funny and deeply moving. This novel is very good company.' JAN CARSON

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In antiquity, “son of god”—meaning a ruler designated by the gods to carry out their will—was a title used by the Roman emperor Augustus and his successors as a way to reinforce their divinely appointed status. But this title was also used by early Christians to speak about Jesus, borrowing the idiom from Israelite and early Jewish discourses on monarchy. This interdisciplinary volume explores what it means to be God’s son(s) in ancient Jewish and early Christian literature. Through close readings of relevant texts from multiple ancient corpora, including the Hebrew Bible, the New Testament, the Dead Sea Scrolls, Greco-Roman texts and inscriptions, early Christian and Islamic texts, and apocalyptic literature, the chapters in this volume engage a range of issues including messianism, deification, eschatological figures, Jesus, interreligious polemics, and the Roman and Jewish backgrounds of early Christianity and the authors of the Dead Sea Scrolls. The essays in this collection demonstrate that divine sonship is an ideal prism through which to better understand the deep interrelationship of ancient religions and their politics of kingship and divinity. In addition to the editors, the contributors to this volume include Richard Bauckham, Max Botner, George J. Brooke, Jan Joosten, Menahem Kister, Reinhard Kratz, Mateusz Kusio, Michael A. Lyons, Matthew V. Novenson, Michael Peppard, Sarah Whittle, and N. T. Wright.

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Great intellectual effort has gone into the development of sophisticated designs and methodologies to study individual policies, programs, and projects. Costly efforts to find the smallest evidence of a policy or program impact have been undertaken in the presumption that such data are central to policy decision making. Meanwhile, the intergovernmental nature of political and policy governance has been ignored. Whether it is Canada, the United States, England, Denmark, Sweden, Germany, Japan, or any other industrial country, the governmental structure is essentially a web of interrelated policies, programs, and projects. To understand local responsibilities and requirements, one must also understand the role that regional and national governmental agencies and administrations play. Politics and Practice of Intergovernmental Evaluation is a landmark work in the area of the evaluation of intergovernmental policies, programs, and projects. Comparative and cross-national in its perspective, the material presented here not only provides a systematic theoretical and empirical treatment of intergovernmental evaluation, but does so with case material from seven nations and the European Union. No other such comparative work exists on this topic. Contributors include: Jan Eric Furubo; Mary Henkel; Linda G. Morra; Robert V. Segsworth and Dale H. Poel; and Willi Zimmermann and Peter Knoepfel. The Politics and Practice of Intergovernmental Evaluation will be of interest to political theorists, policymakers, and scholars and students of government and the evaluation community.

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A wide-ranging collection of interviews and profiles from twenty years of Jonathan Cott’s remarkable writings “All I really need to do is simply ask a question,” Jonathan Cott occasionally reminds himself. “And then listen.” It sounds simple, but in fact few have taken the art of asking questions to such heights—and depths—as Jonathan Cott, whom Jan Morris called “an incomparable interviewer,” one whose skill, according to the great interviewer and oral historian Studs Terkel, “is artless yet impassioned and knowing.” Collected here are twenty-two of Cott’s most illuminating interviews that encourage readers to listen to film directors and musicians, actors and writers, scientists and visionaries. These conversations affirm the indispensable and transformative powers of the imagination and offer us new ways to view these lives and their worlds. What is it like to be Bob Dylan making a movie? Carl Sagan taking on the cosmos? Oliver Sacks doctoring the soul? John Lennon, on December 5, 1980? Elizabeth Taylor, ever? From Chinua Achebe to Dr. Seuss (Theodor Geisel), Federico Fellini to Werner Herzog, and Oriana Fallaci to Studs Terkel, Listening takes readers on a journey to discover not ways of life but ways to life. Within these pages,Cott proves himself to be, in the words of Brain Pickings’s Maria Popova, “an interlocutor extraordinaire,” drawing candid insights and profound observations from these inspired and inspiring individuals.

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Werner Hamacher’s witty and elliptical 95 Theses on Philology challenges the humanities—and particularly academic philology—that assume language to be a given entity rather than an event. In Give the Word eleven scholars of literature and philosophy (Susan Bernstein, Michèle Cohen-Halimi, Peter Fenves, Sean Gurd, Daniel Heller-Roazen, Jan Plug, Gerhard Richter, Avital Ronell, Thomas Schestag, Ann Smock, and Vincent van Gerven Oei) take up the challenge presented by Hamacher’s theses. At the close Hamacher responds to them in a spirited text that elaborates on the context of his 95 Theses and its rich theoretical and philosophical ramifications. The 95 Theses, included in this volume, makes this collection a rich resource for the study and practice of “radical philology.” Hamacher’s philology interrupts and transforms, parting with tradition precisely in order to remain faithful to its radical but increasingly occluded core. The contributors test Hamacher’s break with philology in a variety of ways, attempting a philological practice that does not take language as an object of knowledge, study, or even love. Thus, in responding to Hamacher’s Theses, the authors approach language that, because it can never be an object of any kind, awakens an unfamiliar desire. Taken together these essays problematize philological ontology in a movement toward radical reconceptualizations of labor, action, and historical time.

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Everyday Forms of State Formation is the first book to systematically examine the relationship between popular cultures and state formation in revolutionary and post-revolutionary Mexico. While most accounts have emphasized either the role of peasants and peasant rebellions or that of state formation in Mexico’s past, these original essays reveal the state’s day-to-day engagement with grassroots society by examining popular cultures and forms of the state simultaneously and in relation to one another.Structured in the form of a dialogue between a distinguished array of Mexicanists and comparative social theorists, this volume boldly reassesses past analyses of the Mexican revolution and suggests new directions for future study. Showcasing a wealth of original archival and ethnographic research, this collection provides a new and deeper understanding of Mexico’s revolutionary experience. It also speaks more broadly to a problem of extraordinary contemporary relevance: the manner in which local societies and self-proclaimed "revolutionary" states are articulated historically. The result is a unique collection bridging social history, anthropology, historical sociology, and cultural studies in its formulation of new approaches for rethinking the multifaceted relationship between power, culture, and resistance.Contributors. Ana María Alonso, Armando Bartra, Marjorie Becker, Barry Carr, Philip Corrigan, Romana Falcón, Gilbert M. Joseph, Alan Knight, Florencia E. Mallon, Daniel Nugent, Elsie Rockwell, William Roseberry, Jan Rus, Derek Sayer, James C. Scott

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A virtuoso collage novel about narrative, identity, and exile, from international literary sensation Norman Manea “One of the most eloquent living witnesses of the European 20th century, Norman Manea, at 87, has brought out Exiled Shadow, a contemplative work of fiction . . . [in] a strong, clarion translation into English by Carla Baricz. . . . A fitting summarization of a rich and deeply honorable career.”—Sam Sacks, Wall Street Journal “Exiled Shadow belongs among the great, intricate, and uncompromising works of contemporary literature.”—Jan Knoffeke, Neue Zürcher Zeitung (Switzerland) In this vibrant mosaic of voices, sources, and stories, the protagonist, known only as the Nomadic Misanthrope, leaves communist Romania and is reunited with his friend Gunther, an unrepentant Marxist exiled in Berlin. Their meeting sparks a spirited dialogue that endures throughout the Nomadic Misanthrope’s subsequent decades in the United States. At the center of the plot is the figure of the shadow—the insubstantial shape of the exile, the wandering Jew, the death camp survivor, the individual under totalitarianism, the dark side of the Jungian personality—a figure that calls into question the boundaries of the human condition. Recalling the beloved nineteenth-century German tale of Peter Schlemihl, the man who sold his shadow for a bag of gold, this is Norman Manea’s most daring work yet: an intimate record of alienation and endurance.

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A captivating cultural history of the bagel and its journey through the centuries If smoked salmon and cream cheese bring only one thing to mind, you can count yourself among the world’s millions of bagel mavens. But few people are aware of the bagel’s provenance, let alone its adventuresome history. This charming book tells the remarkable story of the bagel’s journey from the tables of seventeenth-century Poland to the freezers of middle America today, a story of often surprising connections between a cheap market-day snack and centuries of Polish, Jewish, and American history.Research in international archives and numerous personal interviews uncover the bagel’s links with the defeat of the Turks by Polish King Jan Sobieski in 1683, the Yiddish cultural revival of the late nineteenth century, and Jewish migration across the Atlantic to America. There the story moves from the bakeries of New York’s Lower East Side to the Bagel Bakers’ Local 388 Union of the 1960s, and the attentions of the mob. For all its modest size, the bagel has managed to bridge cultural gaps, rescue kings from obscurity, charge the emotions, and challenge received wisdom. Maria Balinska weaves together a rich, quirky, and evocative history of East European Jewry and the unassuming ring-shaped roll the world has taken to its heart.

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The sociologist Daniel Bell was an uncommonly acute observer of the structural forces transforming the United States and other advanced societies in the twentieth century. The titles of Bell’s major books—The End of Ideology (1960), The Coming of Post-Industrial Society (1973), and The Cultural Contradictions of Capitalism (1976)—became hotly debated frameworks for understanding the era when they were published. In Defining the Age, Paul Starr and Julian E. Zelizer bring together a group of distinguished contributors to consider how well Bell’s ideas captured their historical moment and continue to provide profound insights into today’s world. Wide-ranging essays demonstrate how Bell’s writing has informed thinking about subjects such as the history of socialism, the roots of the radical right, the emerging postindustrial society, and the role of the university. The book also examines Bell’s intellectual trajectory and distinctive political stance. Calling himself “a socialist in economics, a liberal in politics, and a conservative in culture,” he resisted being pigeon-holed, especially as a neoconservative.Defining the Age features essays from historians Jenny Andersson, David A. Bell, Michael Kazin, and Margaret O’Mara; sociologist Steven Brint; media scholar Fred Turner; and political theorists Jan-Werner Müller and Stefan Eich. While differing in their judgments, they agree on one premise: Bell’s ideas deserve the kind of nuanced and serious attention that they finally receive in this book.

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The hit BBC series is back! Big Finish bring immortal Time Agent Captain Jack Harkness back to life for the first in a series of six new audio dramas...Captain Jack Harkness has always had his suspicions about the Committee. And now Wilson is also talking about the Committee. Apparently the world really is under the control of alien lizards. That's what Wilson says. People have died, disasters have been staged, the suspicious have disappeared. It's outrageous. Only Jack knows that Wilson is right. The Committee has arrived. The huge, and long-running public interest in new Torchwood adventures resulted in a server melt-down when this release was announced by star John Barrowman on his Sunday night radio slot. John Barrowman reprises the character who starred in four years of hit Doctor Who spin-off Torchwood, screened around the world. John Sessions is one of British TV's most popular and erudite actors, from guest spots on QI to roles in Mr Holmes, Marple, John Sessions' Tall Tales and one of the main voices on Spitting Image. This is the first of six releases in this range, with the rest coming from Jan to May 2016. CAST: John Barrowman (Captain Jack Harkness), John Sessions (Wilson), Sarah Ovens (Kate), Dan Bottomley (Sam). Torchwood contains adult material and may not be suitable for younger listeners.

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