Search results for ""jan""

A REESE WITHERSPOON BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)'EERIE AND ATMOSPHERIC'Riley Sager, New York Times bestselling author of The House Across the Lake'CREEPY'The Times'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED'Lisa Gardner, Sunday Times bestselling author of One Step Too Far'SUPERB'M. W. Craven, Sunday Times bestselling author of The Botanist'CHILLED ME TO THE BONE'Andrea Bartz, author of Reese's pick We Were Never Here________Maya is still haunted by the cabin - deep in the woods, where the trees are so dense it's easy to miss.She hasn't been there since the summer she was seventeen. Since the day her best friend Aubrey died and Maya's world shattered.Maya's memories of that summer are fragmented, but there is one thing she knows for sure, and that's who murdered Aubrey. Even if no one believes her.Now, seven years later, another woman from their hometown has died in the same strange, unexplained way.Maya knows only she can uncover the truth and save the next innocent girl. But to do that she'll have to go back - back to the forest, back to the house in the pines . . .

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Tinka Pittoors (b. 1977) is a Belgian visual artist, who regularly exhibits her work in Flanders, Wallonia, the Netherlands and France. Anyone who crosses the threshold of her studio will feel as if they've stepped into an artificial secret garden. An explosion of shapes and colours awaits in a place where everything has the potential of becoming an artwork. In her sculptures and objects, Pittoors examines the utopia of a malleable world, often using the nature‐culture divide as her starting premise. Each presentation is a moment in time, a snapshot, that is tailored to the venue. Les Voyageurs is published on the occasion of her eponymous exhibition in the gardens of Château Seneffe. Many people in Flanders have yet to discover this hidden gem. And yet the castle and gardens of Seneffe are Wallonia's equivalent of Versailles, with fountains, pavilions, pristine nature, and dreamy paths on 22 hectares of land. For this exhibition, Pittoors created a trail that reflects on the various possibilities of travel, displacement and detachment, arriving and leaving, escapes and quests. The introduction was written by Pieter Vermeulen. Other contributors include Marjolaine Hanssens, Veronika Pot, Carine Fol, Isabelle Pouget, Dominique Legrand, Stijn Tormans, Marc Ruyters, Jan Braet and Saskia De Coster. Text in English, French and Dutch.

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Aenne Biermann is regarded as one of the important avant-garde photographers of the twentieth century. Together with Bauhaus artists like Lucia Moholy and Florence Henri she was represented in the pioneering exhibitions of the late 1920s and early 1930s. In 1930 Franz Roh, the art critic and early patron of Biermann, dedicated to her the legendary monograph designed by Jan Tschichold “Aenne Biermannˑ60 Fotos ”which is now being published again as a reprint with commentary. As early as 1928, Franz Roh referred to the “remarkable” photo artist Aenne Biermann (1898–1933), who attracted the attention of experts with her close-up pictures of plants. In the following years the photographer, an autodidact, became an important artist of photographic modernism. Her works created a haunting and aesthetically fascinating pictorial world with close-up views, extreme detail shots and lighting contrasts. She mostly found her motifs in her immediate vicinity: in addition to numerous still lifes with everyday objects and nature photos, she also repeatedly photographed her children, their object world and their activities. Many originals were lost during the Second World War, including the 60 photos in this publication. The authorised reprint of this volume is a tribute to a great artist of the modern age.

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"Robert Hughes is probably the best - and certainly the most accessible - art critic in the world . . . in Barcelona his art-historical and his sociological talents converge in what is often a dazzling collage of Catalan peculiarities" FREDERICK RAPHAEL, Sunday TimesA modern homage to a proud, cosmopolitan city where Gaudí, Picasso and Miró learned how to break all the rules.Before Spain there was Catalunya, a thriving maritime empire with its own language and Barcelona as its capital, last bastion of resistance to Franco in the Spanish Civil War. Exploring 2000 of the city's history, Robert Hughes takes us down the Ramblas, through the "intestinal windings" of the ancient Gothic Quarter, past the bountiful Boqueria market to the Eixample, showcase of the daring, mannered architecture of Catalan modernisme, before resting at Gaudí's celebrated Sagrada Familia: crazy, unfinished symbol of this fiercely independent city of extremes."The pace is brisk, the narrative grasp cool, firm and confident . . . Hughes' prose has the 'capriciousness, symbolic precision and stylistic punch' he attributes to Catalan moustaches" HILARY SPURLING, Daily Telegraph"Nobody has ever represented Catalonia's character more powerfully, or illustrated its claims to self-destiny more persuasively, than Robert Hughes in this monumental work" JAN MORRIS

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Guinea pigs are a popular pet, 'cute but dim' friends for those looking for an alternative to dogs and cats. They are increasingly bred for looks, shaped by humans in search of an ideal appearance. But it was guinea pigs that influenced humans from as early as 5000 bc, when their domestication began a long and fruitful relationship, influencing scientists such as William Harvey, and painters from Jan Brueghel to Beatrix Potter. Guinea pigs are more than simply pets: they have been at the centre of countless works of art and literature, inspiring children and adults alike. Guinea Pig is the first book of its kind totake an in-depth look at the fascinating history of guinea pig and human interaction. It examines guinea pigs' roles as pets alongside their roles as sacrificial offerings to Inca gods, a dish at the Last Supper, and the mascot of the airmen's Guinea Pig Club. The guinea pig is also famous as an experimental subject - the origin of the term now given to anyone who participates in a scientific study or experiment. Guinea Pig is the perfect companion for animal lovers, guinea pig owners and anyonewho is interested in the history of domesticated animals.

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A REESE WITHERSPOON BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED'Lisa Gardner, Sunday Times bestselling author of One Step Too Far'EERIE AND ATMOSPHERIC'Riley Sager, New York Times bestselling author of The House Across the Lake'CREEPY'The Times'SUPERB'M. W. Craven, Sunday Times bestselling author of The Botanist'CHILLED ME TO THE BONE'Andrea Bartz, author of Reese's Book Club pick We Were Never Here________Maya is still haunted by the cabin - deep in the woods, where the trees are so dense it's easy to miss.She hasn't been there since the summer she was seventeen. Since the day her best friend Aubrey died and Maya's world shattered.Maya's memories of that summer are fragmented, but there is one thing she knows for sure, and that's who murdered Aubrey. Even if no one believes her.Now, seven years later, another woman from their hometown has died in the same strange, unexplained way.Maya knows only she can uncover the truth and save the next innocent girl. But to do that she'll have to go back - back to the forest, back to the house in the pines . . .

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The Gift of Death, Jacques Derrida’s most sustained consideration of religion, explores questions first introduced in his book Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Czech philosopher Jan Patocka’s Heretical Essays in the Philosophy of History and develops and compares his ideas to the works of Heidegger, Lévinas, and Kierkegaard. One of Derrida’s major works, The Gift of Death resonates with much of his earlier writing, and this highly anticipated second edition is greatly enhanced by David Wills’s updated translation. This new edition also features the first-ever English translation of Derrida’s Literature in Secret. In it, Derrida continues his discussion of the sacrifice of Isaac, which leads to bracing meditations on secrecy, forgiveness, literature, and democracy. He also offers a reading of Kafka’s Letter to His Father and uses the story of the flood in Genesis as an embarkation point for a consideration of divine sovereignty. “An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of religion . . . [and those] made curious by the controversy that so often attends Derrida.”—Booklist, on the first edition

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This book explores God’s use of violence as depicted in the Hebrew Bible. Focusing on the Pentateuch, it reads biblical narratives and codes of law as documenting formations of theopolitical imagination. Ophir deciphers the logic of divine rule that these documents betray, with a special attention to the place of violence within it. The book draws from contemporary biblical scholarship, while also engaging critically with contemporary political theory and political theology, including the work of Walter Benjamin, Giorgio Agamben, Jan Assmann, Regina Schwartz, and Michael Walzer. Ophir focuses on three distinct theocratic formations: the rule of disaster, where catastrophes are used as means of governance; the biopolitical rule of the holy, where divine violence is spatially demarcated and personally targeted; and the rule of law where divine violence is vividly remembered and its return is projected, anticipated, and yet postponed, creating a prolonged lull for the text’s present. Different as these formations are, Ophir shows how they share an urform that anticipates the main outlines of the modern European state, which has monopolized the entire globe. A critique of the modern state, the book argues, must begin in revisiting the deification of the state, unpacking its mostly repressed theological dimension.

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When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl's epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology's wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. The Far Reaches challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patočka, Karol Wojtyła (Pope John Paul II), and Václav Havel.

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WINNER OF THE 2021 RELIT AWARD FOR SHORT FICTION A sea witch, a bossy Virgin Mary, and a lesbian widow’s wife—in ghost form—walk into a short story collection ... Welcome to Stoop City, where your neighbours include a condo-destroying cat, a teen queen beset by Catholic guilt, and an emergency clinic staffed entirely by lovelorn skeptics. Couples counseling with Marzana, her girlfriend's ghost, might not be enough to resolve past indiscretions; our heroine could need a death goddess ritual or two. Plus, Hoofy’s not sure if his missing scam-artist boyfriend was picked up by the cops, or by that pretty blonde, their last mark. When Jan takes a room at Plague House, her first year of university takes an unexpected turn—into anarcho-politics and direct action, gender studies and late-night shenanigans with Saffy, her captivating yet cagey housemate. From the lovelorn Mary Louise, who struggles with butch bachelorhood, to rural teens finding—and found by—adult sexualities, to Grimm’s “The Golden Goose” rendered as a jazz dance spectacle, Kristyn Dunnion’s freewheeling collection fosters a radical revisioning of community. Dunnion goes wherever there’s a story to tell—and then, out of whispers and shouts, echoes and snippets, gritty realism and speculative fiction, illuminates the delicate strands that hold us all together.

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The essays here provide a series of unusual, varying and complex perspectives on late-medieval society, with a particular focus on the European context. They show how in the north of England the Cliffords and tenants of the honourof Pontefract were forced to weigh up the advantages and disadvantages of their conflicting loyalties to local lords and distant kings; how in East Anglia the growing cult of St Margaret was reinforced by dissemination of her life-story [published here from a manuscript in the British Library]; how at Westminster the court of Henry IV was enhanced by his purchase of luxury items, and how the inept rule of his grandson Henry VI led to the "de-skilling" ofhitherto competent bureaucracies in the exchequer and chancery; how in Normandy a fine line was drawn between brigandage and movements for independence; how in Burgundy the classic ideals of chivalry, as presented in the duchy's literature, contrasted with the grim reality of military and political confrontations; and how in Florence infants were nurtured. Contributors: Frederik Buylaert, Christine Carpenter, Vincent Challet, Juliana Dresvina, Jan Dumolyn, Andy King, Jessica Lutkin, Alessia Meneghin, Sarah Rose

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This book explores God’s use of violence as depicted in the Hebrew Bible. Focusing on the Pentateuch, it reads biblical narratives and codes of law as documenting formations of theopolitical imagination. Ophir deciphers the logic of divine rule that these documents betray, with a special attention to the place of violence within it. The book draws from contemporary biblical scholarship, while also engaging critically with contemporary political theory and political theology, including the work of Walter Benjamin, Giorgio Agamben, Jan Assmann, Regina Schwartz, and Michael Walzer. Ophir focuses on three distinct theocratic formations: the rule of disaster, where catastrophes are used as means of governance; the biopolitical rule of the holy, where divine violence is spatially demarcated and personally targeted; and the rule of law where divine violence is vividly remembered and its return is projected, anticipated, and yet postponed, creating a prolonged lull for the text’s present. Different as these formations are, Ophir shows how they share an urform that anticipates the main outlines of the modern European state, which has monopolized the entire globe. A critique of the modern state, the book argues, must begin in revisiting the deification of the state, unpacking its mostly repressed theological dimension.

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Born in a time of anxiety, Words and Worlds examines some of the disquieting challenges that societies now face. Through an inquiry into a political lexicon of commonsense words, ranging from democracy and revolution to knowledge and authority, from inequality and toleration to war and power, the contributors to this book trouble the self-evidence of these terms, bringing into view the hidden transcripts and unexpected trajectories of many settled ideas, such as the human sense of belonging or the call for openness and transparency in research and public life. The case studies conducted over five continents with the tools of eight different disciplines challenge the ethnocentric assumptions, false moralism, and cultural prejudices that underlie much discussion on corruption or even the virtue invested in resilience. The critique of the ubiquitous use of crisis to characterize our times shows how this framing obscures the unjust conditions of existence and the violence of everyday life. Together the essays in this volume offer a fresh look at the deeply connected worlds we inhabit in solidarity and in discord. Contributors. Banu Bargu, Veena Das, Alex de Waal, Didier Fassin, Peter Geschiere, Behrooz Ghamari-Tabrizi, Caroline Humphrey, Ravi Kanbur, Julieta Lemaitre, Uday S. Mehta, Jan-Werner Müller, Jonathan Pugh, Elizabeth F. Sanders, Todd Sanders

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ContentsSpecial Section: Russia`s Annexation of Crimea IIIGergana Dimova and Andreas Umland: Introduction. Perspectives on Russia's 2014 Annexation of Crimea: Empirical and Theoretical ExplorationsGreta Lynn Uehling: The Personal Stakes of Political Crisis: The 2014 Attempted Annexation of CrimeaKerstin S. Jobst: "Dark" and "Golden" Times: The Crimean Tatar Population under Tsarist and Soviet Rule (1783–1941)Jan Zofka: Agents of Separatism: Social Background to the Pro-Russian Movements in Crimea and the Moldovan Dniester Valley in Comparison (1989–95)A Debate on Prospect Theory and Explaining Russia's Annexation of CrimeaIon Marandici: Loss Aversion, Neo-Imperial Frames, and Territorial Expansion: Using Prospect Theory to Examine the Annexation of CrimeaDiscussionFeaturing contributions by Peter Rutland, Tor Bukkvoll, Mykola Kapitonenko, Rumena Filipova, Martin Malek, Ion MarandiciArticlesChris Monday: Mikhail Putin (1894–1969) and Socialist Competition: Exploring a Neglected Branch of the Putin Family TreeReviews:Inna Chuvychkina on Elizabeth Buchanan; Brendan M. McElmeel on Juliane Fürst; Olga Khabibulina on Hubertus Jahn; Elise Westin on Natalia Knoblock; Manne Wängborg on Andrei Kozyrev; Giulia Prelz Oltramonti on Anna Matveeva; Kimberly St. Julian-Varnon on David Rainbow; John (Ivan) Jaworsky on Josephine von Zitzewitz; Yana Ostapenko on Jessica Zychowicz; Dima Kortukov on Vladislav M. Zubok

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After the dog days of the last three decades, it seems as if the sleeping giant of White Hart Lane is stirring once more. With the management reigns of Christian Gross, Harry Redknapp and AVB now distant memories, the club is on the march once more under the leadership of Daniel Levy, looking forward to bringing back the glory days. With exciting young English talent, such as Eric Lamela, Deli Alli and Ryan Sessegnon, along with experienced internationals Christian Eriksen, Jan Vertonghen and Son Heung-min, and now under Jose Mourinho's unique management style, there is a belief that success is within their reach. Perhaps more than most, the club has had its share of ups and downs and more than its share of characters. This book is a collection of quotes from those who have passed through London N17 and some who are still there, soundbites that range from the inspired to the insane, from the profound to the surreal. From Danny Blanchflower, Jimmy Greaves, Paul Gascoigne and Sir Alan Sugar, to Daniel, Mauricio and Harry Kane, few clubs can boast so many people with so much to say for themselves. Tottenham Hotspur have a proud tradition and a very loyal support, and this book captures the flavour of both.

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The Doctor, Ace and Mel are caught in a forever night. After crossing the threshold, a strange world awaits them. An army of tortured souls. A lift that leads to an alien landscape. An alien warlord, left for dead, and willing to do anything to prolong his life... it's all in a day's work for the Doctor. But when his companions become victims of the desperate and powerful Arkallax, the Doctor will have to do battle in a psychic environment where he must make a choice. Save his companions... or himself.Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. The Doctor in this story is played by Sylvester McCoy, familiar to many viewers and audiences not only as the Doctor, but most recently as Radagast the Brown in Peter Jackson's blockbustingThe Hobbit movie trilogy! Although known to a generation of TV viewers as a significant talent in dance and light entertainment, Bonnie Langford's more recently been award-nominated for her work in BBC1's EastEnders. CAST: Sylvester McCoy (The Doctor), Sophie Aldred (Ace), Bonnie Langford (Melanie Bush), Morgan Watkins (Ruck), Anna Mitcham (Jan), Stirling Gallacher (Isobel), Nick Ellsworth (Arkallax).

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The lives of a bereaved young woman and her neighbour who is consumed by her affair with a married man entwine in this dark, compelling and compassionate coming-of age novel.'A poignant, deft portrayal of love, obsession and grief' STYLIST'Susannah Dickey is a phenomenal talent and I loved this novel.' ELIZABETH DAY'I loved Common Decency . . . such a propulsive joy to read too.' MEGAN NOLAN FROM THE CRITICALLY ACCLAIMED AUTHOR OF TENNIS LESSONSIn an apartment building in Belfast, two women wrestle with the sorrows and spectres of love and loss.Since her mother's death, Lily has withdrawn from the world, trapped between grief and anger. She has to break out of this damaging cycle - but how?Upstairs, Siobhán is consumed by her affair with a married man. Her days revolve around his sporadic texts and rare visits. She barely notices the strange girl who lives below and dawdles in the foyer.But Lily is keeping a close eye on her neighbour, whose life seems so much better and more fulfilling than her own. When resentment evolves into something darker and more urgent, she decides to teach Siobhán a lesson...'Sharp as tacks, extremely funny and deeply moving. This novel is very good company.' JAN CARSON

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Die Tschechoslowakei bildete sich 1918 als ein neuer demokratischer Staat in Europa. Künstlerinnen und Künstler nahezu aller Bereiche entwickelten in den Folgejahren visionäre Ideen. Die tschechische Avantgarde-Bewegung durchzog nicht nur die bildende Kunst, sondern auch die Architektur, Literatur, Poesie, Musik, das Theater und den Film. Die Publikation zur Ausstellung im Bröhan-Museum gibt einen Überblick über die wichtigsten Strömungen der tschechischen Moderne. Ausgehend vom tschechischen Kubismus und dem Surrealismus über Architektur, Möbeldesign und Fotografie wird die lebendige Kunst- und Designgeschichte Tschechiens vermittelt. Anhand von Gemälden, Grafiken, Collagen, Skulpturen und Fotografien ruft der Band die kreativen Ideen in Erinnerung und würdigt den tschechischen Beitrag zur europäischen Moderne. Künstler/-innen: Stefan Bedřich, Emil Berka, Josef Chochol, František Drtikol, Emil Filla, Bohuslav Fuchs, Jaromír Funke, Josef Gočár, Jindřich Halabala, Jaroslava Hatláková, Pavel Janák, Dušan Jurkovič, Celda Klouček, Miloš Koreček, Jan Kotěra, Emil Králík, Jiří Kroha, Antonín Kybal, František Kysela, František Muzika, Vítězslav Nezval, Otakar Novotný, Karel E. Ort, Antonín Procházka, Miloslav Prokop, Jaroslav Rössler, Robert Slezák, Václav Špála, Oldřich Starý, Jiří Stibral, Jindřich Štyrský, Ladislav Sutnar, Karel Teige, Toyen, Jóža Uprka, Ladislav Žák u. a. Kompakter Überblick über die tschechische Avantgardebewegung der ersten Hälfte des 20. Jahrhunderts Ein Must-have für Fans von Kubismus, Surrealismus, Fotografie, Architektur und funktionalistischem Design Ausstellung: 12.10.2023 – 03.03.2024, Bröhan-Museum, Berlin Blick ins Buch https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_hej_rup_die_tschechische_avantgard

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"He was a Fula. I say 'was', because I haven't seen him for a long time. I don't know if he's still alive or where he might be. He just disappeared."Maria is independent, unconventional and unafraid. She is trying to find an explanation for the disappearance of Ishmael, a refugee from Sierra Leone who came to her door as a newspaper boy and stayed for seven years. He was like a son to her. Vincent is a psychologist. Once he and Maria had an all-encompassing relationship, but since their break-up he has been living in a kind of haze. One day, Maria asks for his help. In the encounters that follow, Ishmael is pushed into the background by a rekindling of the old love between Vincent and Maria. The stories and memories that resurface come to replace the sadness at the loss of the boy. But despite the distraction of their new situation, Ishmael proves impossible to forget.Otto de Kat is known for concise novels that are beautifully observed, subtle and precise, and Freetown is no exception. Translated from the Dutch by Laura WatkinsonLaura Watkinson is a translator from Dutch, Italian and German whose translations include works by Cees Nooteboom, Jan van Mersbergen, Tonke Dragt and Peter Terrin.With the support of the Creative Europe Programme of the European Union

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The literature on women enslaved around the world has grown rapidly in the last ten years, evidencing strong interest in the subject across a range of academic disciplines. Until Women and Slavery, no single collection has focused on female slaves who—as these two volumes reveal—probably constituted the considerable majority of those enslaved in Africa, Asia, and Europe over several millennia and who accounted for a greater proportion of the enslaved in the Americas than is customarily acknowledged. Women enslaved in the Americas came to bear highly gendered reputations among whites—as “scheming Jezebels,” ample and devoted “mammies,” or suffering victims of white male brutality and sexual abuse—that revealed more about the psychology of enslaving than about the courage and creativity of the women enslaved. These strong images of modern New World slavery contrast with the equally expressive virtual invisibility of the women enslaved in the Old—concealed in harems, represented to meddling colonial rulers as “wives” and “nieces,” taken into African families and kin-groups in subtlely nuanced fashion. Women and Slavery presents papers developed from an international conference organized by Gwyn Campbell. Volume 1 Contributors Sharifa Ahjum Richard B. Allen Katrin Bromber Gwyn Campbell Catherine Coquery-Vidrovitch Jan-Georg Deutsch Timothy Fernyhough Philip J. Havik Elizabeth Grzymala Jordan Martin A. Klein George Michael La Rue Paul E. Lovejoy Fred Morton Richard Roberts Kirsten A. Seaver

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Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This third volume in the series, What Do Artists Know?, is about the education of artists. The MFA degree is notoriously poorly conceptualized, and now it is giving way to the PhD in art practice. Meanwhile, conversations on freshman courses in studio art continue to be bogged down by conflicting agendas. This book is about the theories that underwrite art education at all levels, the pertinent history of art education, and the most promising current conceptualizations. The contributors are Areti Adamopoulou, Glenn Adamson, Rina Arya, Louisa Avgita, Jan Baetens, Su Baker, Ciarín Benson, Andrew Blackley, Jeroen Boomgaard, Brad Buckley, William Conger, John Conomos, Christopher Csikszentmihályi, Anders Dahlgren, Jonathan Dronsfield, Marta Edling, Laurie Fendrich, Michael Fotiadis, Christopher Frayling, Miguel González Virgen, R.E.H. Gordon, Charles Green, Vanalyne Green, Barbara Jaffee, Tom McGuirk, William Marotti, Robert Nelson, Håkan Nilsson, Saul Ostrow, Daniel Palmer, Peter Plagens, Stephan Schmidt-Wulffen, Howard Singerman, Henk Slager, George Smith, Martin Søberg, Ann Sobiech Munson, Roy Sorensen, Bert Taken, Hilde Van Gelder, Frank Vigneron, Janneke Wesseling, Frances Whitehead, Gary Willis, and Yeung Yang.

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The sociologist Daniel Bell was an uncommonly acute observer of the structural forces transforming the United States and other advanced societies in the twentieth century. The titles of Bell’s major books—The End of Ideology (1960), The Coming of Post-Industrial Society (1973), and The Cultural Contradictions of Capitalism (1976)—became hotly debated frameworks for understanding the era when they were published. In Defining the Age, Paul Starr and Julian E. Zelizer bring together a group of distinguished contributors to consider how well Bell’s ideas captured their historical moment and continue to provide profound insights into today’s world. Wide-ranging essays demonstrate how Bell’s writing has informed thinking about subjects such as the history of socialism, the roots of the radical right, the emerging postindustrial society, and the role of the university. The book also examines Bell’s intellectual trajectory and distinctive political stance. Calling himself “a socialist in economics, a liberal in politics, and a conservative in culture,” he resisted being pigeon-holed, especially as a neoconservative.Defining the Age features essays from historians Jenny Andersson, David A. Bell, Michael Kazin, and Margaret O’Mara; sociologist Steven Brint; media scholar Fred Turner; and political theorists Jan-Werner Müller and Stefan Eich. While differing in their judgments, they agree on one premise: Bell’s ideas deserve the kind of nuanced and serious attention that they finally receive in this book.

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"Perfect late night reading" JAN MORRIS "Banffy is a born storyteller" PATRICK LEIGH FERMOR "Totally absorbing" MARTHA KEARNEY "So evocative" SIMON JENKINSThe second volume of Miklos Banffy's panoramic trilogy of the dying years of the Habsburg empire. The tale of two Transylvanian cousins, their loves, their ambitions and their fortunes continues in They Were Found Wanting. Balint Abady is forced to part from the beautiful and unhappily married Adrienne Uzdy. Laszlo Gyeroffy is rapidly heading for self-destruction through drink and his own fecklessness. The politicians, quarrelling among themselves and stubbornly ignoring their countrymen's real needs, are still pursuing their vendetta with the Habsburg rule from Vienna. Meanwhile they fail to notice how the Great Powers - through such events as Austria's annexation of Bosnia-Herzagovina in 1908 - are moving ever closer to the conflagration of 1914-1918 that will destroy their world for ever. Banffy's portrait contrasts a life of privilege and corruption with the lives and problems of an expatriate Romanian peasant minority whom Balint tries to help. It is an unrivalled evocation of a rich and fascinating aristocratic world oblivious of its impending demise.#Part two of the trilogy that began with They Were Counted, and ends with They Were Divided.Translated from the Hungarian by Patrick Thursfield and Katalin Banffy-JelenWith a Foreword by Patrick Leigh-FermorWINNER OF THE WEIDENFELD TRANSLATION PRIZE

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Contributions from members of the German Association for Comparative Law will be among the papers presented at this summer's twentieth International Congress of Comparative Law, to be held for the first time in Asia at Fukuoka, Japan, in July. In a strong range of topics, one focus during the six-day congress will be on questions of multiculturalism and language that concern both comparative law methodology and other legal fields such as family law. Further dealt with will be matters particularly relevant to consumer protection, ranging from choice of court agreements to price control in contracts, duty of information, the regulation of crowd-funding, as well as leisure and travel contracts. Another focus will be on digitalisation's far-reaching economic, societal and legal implications, with questions of data protection in the realm of comparative law accentuated by contributions on the right to be forgotten or current national legal orders. Overall, the volume will reflect the present state of discussions within German jurisprudence. With contributions by:Christina Breunig, Moritz Brinkmann, Johanna Croon-Gestefeld, Anatol Dutta, Katharina Erler, Matthias Fervers, Stefan Grundmann, Beate Gsell, Dirk Hanschel, Wolfgang Hau, Leonhard Hübner, Luca Kaller, Jürgen Kühling, Sebastian Mock, Joachim Münch, David Rüther, Anne Sanders, Bianca Scraback, Stefanie Schmahl, Martin Schmidt-Kessel, Boris Schinkels, Andreas Spickhoff, Klaus Tonner; Jan Thiessen, Tobias H. Tröger, Lars Viellechner, Marc-Philippe Weller, Matthias Weller, Bettina Weisser

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The heartstopping story of a once-in-a-life friendship, for fans of Shuggie Bain, My Brilliant Friend and Just Kids'Juno Loves Legs broke my heart. I never wanted it to end' DOUGLAS STUART, bestselling author of Shuggie Bain and Young MungoJuno loves Legs. She's loved him since their first encounter at school in Dublin, where she fought the playground bullies for him. He feels brave with her, she feels safe with him, and together they feel invincible, even if the world has other ideas.The two find their way from the backstreets and city's pubs to its underground parties and squats, where, on the verge of adulthood, they find a breathing space to begin their real lives. Only Legs's might be taking him somewhere Juno can't follow.Set during the political and social unrest of the 1980s, as families struggled to survive and their children struggled to be free, this beautiful, vivid novel of childhood friendship is about being young, being hurt, being seen and, most of all, being loved.'A heartbreaker, and absolutely unforgettable' DONAL RYAN, bestselling author of The Queen of Dirt Island'This will break your heart in the very best way and leave you laughing in spite of yourself. A backstreet epic. I literally couldn't put it down' JAN CARSON, bestselling author of The Raptures

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In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka’s prose poems take us through the stark and disorienting world of a child––a world that excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka’s child-narrator poignantly observes after discovering the body of a dead family member: “Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world.” An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you’re not swallowed up by the vastness of things. Excerpt of “Tights” from To Feed the Stone

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SHORTLISTED FOR THE BUTLER LITERARY AWARD 2022'Powerful' Irish Times'Darkly beautiful' Irish Sunday Independent'Captivating' Jan Carson'Dazzling' Danielle McLaughlin'Utterly absorbing' Kit de Waal'Brilliantly observed' Elaine Feeney'A huge achievement' Niamh BoyceIn 1982, Nuala Malin struggles to stay connected, to her husband, to motherhood, to the smallness of her life in the belly of a place that is built on hate and stagnation. Her daughter Sam and baby son PJ keep her tethered to this life she doesn't want. She finds unexpected refuge with a seventeen-year-old boy, but this relationship is only temporary, a sticking plaster on a festering wound. It cannot last and when her chance to leave Northern Ireland comes, Nuala takes it.In 1994, Sam Malin plans escape. She longs for a life outside her dysfunctional family, far away from the North and all its troubles, free from her quiet brooding father Patsy, who never talks about her mother, Nuala; a woman Sam barely knew, who abandoned them twelve years ago. She finds solace in music, drugs and her best friend Becca, but most of all in an illicit relationship with a jagged, magnetic older man.She is drawn to him, and he to her, in a way she can't yet comprehend.Sam is more like her mother than she knows.

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In 1888, Thomas Edison announced that he was experimenting on "an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion." Just as Edison's investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation and reception that have framed the development of moving images in the last 100 years. Three concerns are of particular interest: the contexts of innovation and reception for moving image technologies; the role of the observer, whose vision and cognitive processes define some of the limits of inquiry and epistemological insight; and the role of new media, which, engaging with the domestic sphere as cultural interface, are transforming our understanding of public and private spheres.The 17 previously unpublished essays in Moving Images represent the best of current research in the history of this field. They make a timely and stimulating contribution to debates concerning the impact of new media on the history of cinema.Contributors include: William Boddy, Carlos Bustamante, Warren Buckland, Valeria Camporesi, Bent Fausing, Oliver Gaycken, Alison Griffiths, Christopher Hales, Jan Holmberg, Solveig Jülich, Frank Kessler, Jay Moman, Sheila C. Murphy, Pelle Snickars, Paul C. Spehr, Björn Thuresson, and Åke Walldius.

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The concept of institutions has become increasingly important in the analysis of both social cohesion and economic change. Institutions and Economic Change reflects the shift of perspective from the allocation of scarce resources to the creation, distribution and use of new resources, especially knowledge. It presents theories of the relationship between institutions and economic change as well as their application in fields such as innovation, the firm, technical change, markets and economic systems. The overall theme of the book focuses on the relationship between institutions and change within the economy, specifically, the roles of learning, knowledge, trust and norms. These issues are addressed from institutional and evolutionary perspectives by an internationally acclaimed group of scholars, including Benjamin Coriat, Giovanni Dosi, Geoffrey Hodgson, Jan Kregel, and Bart Nooteboom. The first section expands these themes, and outlines prospects for future theoretical developments. The second and third parts examine innovation and firms, theoretical and empirical studies of technological change and perspectives on the firm and the relations between firms. In the final part, the authors discuss the economic role of moral norms, a challenge to the idea of optimal allocation of resources in economic equilibrium and evaluate the variety of capitalist economic systems.This innovative book will appeal to economic scholars and students interested in the theory of the firm, economic change, innovation and evolutionary and institutional economics.

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'The Capitol riot was our Chernobyl.'(Guardian interview, Jan 19th 2021)'An absolutely fascinating read.'Emily MaitlisJames Comey, former FBI Director and Sunday Times number one bestselling author of A Higher Loyalty, uses his long career in federal law enforcement to explore issues of justice and fairness in the US justice system.James Comey might best be known as the FBI director that Donald Trump fired in 2017, but he’s had a long, varied career in the law and justice system. He knows better than most just what a force for good the US justice system can be, and how far afield it has strayed during the Trump Presidency.In his much-anticipated follow-up to A Higher Loyalty, Comey uses anecdotes and lessons from his career to show how the federal justice system works. From prosecuting mobsters as an Assistant US Attorney in the Southern District of New York in the 1980s to grappling with the legalities of anti-terrorism work as the Deputy Attorney General in the early 2000s to, of course, his tumultuous stint as FBI director beginning in 2013, Comey shows just how essential it is to pursue the primacy of truth for federal law enforcement.Saving Justice is gracefully written and honestly told, a clarion call for a return to fairness and equity in the law.

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With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...' So begins the essay by Robert Macfarlane that inspired this collection. In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. 'You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. 'You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. 'And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.' Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading.Inspired by Robert Macfarlane Curated by Jennie Orchard

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This book is the product of research which I undertook for my doc- toral thesis. The project was started whilst I was at the Free Univer- sity of Amsterdam, and the State University of Groningen gave me ample opportunity to complete the work. At both universities I was lucky enough to find kind colleagues who were willing to perform my teaching tasks, enabling me to spend much of my time some of on my research. I should like to thank Wietze Boomsma, Kees van den Hoeven and Jan Oosterhaven for their kind help. I was also most encouraged to discover several students at both institutions who were interested in the research topic. This meant that some research could be performed with their co-operation, which proved most stimulating. Harry ter Braak and Henk van Metelen were especially enthusiastic helpers. During the initial stage of research, Fons Bertens did a great deal of meticulous work, with never a com- plaint. In the final stages, Arend Stemerding helped me greatly. The completed manuscript was read by Nol Merkies and Peter Nijkamp, who had some helpful comments on the contents. Pro- fessor Nijkamp succeeded in stimulating me during the research by his interest in the project and subsequent edifying discussions. Several persons helped to type the manuscript, but Yvonne van Tuyl took the lion's share, typing a perfect final copy in record time.

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In antiquity, “son of god”—meaning a ruler designated by the gods to carry out their will—was a title used by the Roman emperor Augustus and his successors as a way to reinforce their divinely appointed status. But this title was also used by early Christians to speak about Jesus, borrowing the idiom from Israelite and early Jewish discourses on monarchy. This interdisciplinary volume explores what it means to be God’s son(s) in ancient Jewish and early Christian literature. Through close readings of relevant texts from multiple ancient corpora, including the Hebrew Bible, the New Testament, the Dead Sea Scrolls, Greco-Roman texts and inscriptions, early Christian and Islamic texts, and apocalyptic literature, the chapters in this volume engage a range of issues including messianism, deification, eschatological figures, Jesus, interreligious polemics, and the Roman and Jewish backgrounds of early Christianity and the authors of the Dead Sea Scrolls. The essays in this collection demonstrate that divine sonship is an ideal prism through which to better understand the deep interrelationship of ancient religions and their politics of kingship and divinity. In addition to the editors, the contributors to this volume include Richard Bauckham, Max Botner, George J. Brooke, Jan Joosten, Menahem Kister, Reinhard Kratz, Mateusz Kusio, Michael A. Lyons, Matthew V. Novenson, Michael Peppard, Sarah Whittle, and N. T. Wright.

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Great intellectual effort has gone into the development of sophisticated designs and methodologies to study individual policies, programs, and projects. Costly efforts to find the smallest evidence of a policy or program impact have been undertaken in the presumption that such data are central to policy decision making. Meanwhile, the intergovernmental nature of political and policy governance has been ignored. Whether it is Canada, the United States, England, Denmark, Sweden, Germany, Japan, or any other industrial country, the governmental structure is essentially a web of interrelated policies, programs, and projects. To understand local responsibilities and requirements, one must also understand the role that regional and national governmental agencies and administrations play. Politics and Practice of Intergovernmental Evaluation is a landmark work in the area of the evaluation of intergovernmental policies, programs, and projects. Comparative and cross-national in its perspective, the material presented here not only provides a systematic theoretical and empirical treatment of intergovernmental evaluation, but does so with case material from seven nations and the European Union. No other such comparative work exists on this topic. Contributors include: Jan Eric Furubo; Mary Henkel; Linda G. Morra; Robert V. Segsworth and Dale H. Poel; and Willi Zimmermann and Peter Knoepfel. The Politics and Practice of Intergovernmental Evaluation will be of interest to political theorists, policymakers, and scholars and students of government and the evaluation community.

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A wide-ranging collection of interviews and profiles from twenty years of Jonathan Cott’s remarkable writings “All I really need to do is simply ask a question,” Jonathan Cott occasionally reminds himself. “And then listen.” It sounds simple, but in fact few have taken the art of asking questions to such heights—and depths—as Jonathan Cott, whom Jan Morris called “an incomparable interviewer,” one whose skill, according to the great interviewer and oral historian Studs Terkel, “is artless yet impassioned and knowing.” Collected here are twenty-two of Cott’s most illuminating interviews that encourage readers to listen to film directors and musicians, actors and writers, scientists and visionaries. These conversations affirm the indispensable and transformative powers of the imagination and offer us new ways to view these lives and their worlds. What is it like to be Bob Dylan making a movie? Carl Sagan taking on the cosmos? Oliver Sacks doctoring the soul? John Lennon, on December 5, 1980? Elizabeth Taylor, ever? From Chinua Achebe to Dr. Seuss (Theodor Geisel), Federico Fellini to Werner Herzog, and Oriana Fallaci to Studs Terkel, Listening takes readers on a journey to discover not ways of life but ways to life. Within these pages,Cott proves himself to be, in the words of Brain Pickings’s Maria Popova, “an interlocutor extraordinaire,” drawing candid insights and profound observations from these inspired and inspiring individuals.

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Werner Hamacher’s witty and elliptical 95 Theses on Philology challenges the humanities—and particularly academic philology—that assume language to be a given entity rather than an event. In Give the Word eleven scholars of literature and philosophy (Susan Bernstein, Michèle Cohen-Halimi, Peter Fenves, Sean Gurd, Daniel Heller-Roazen, Jan Plug, Gerhard Richter, Avital Ronell, Thomas Schestag, Ann Smock, and Vincent van Gerven Oei) take up the challenge presented by Hamacher’s theses. At the close Hamacher responds to them in a spirited text that elaborates on the context of his 95 Theses and its rich theoretical and philosophical ramifications. The 95 Theses, included in this volume, makes this collection a rich resource for the study and practice of “radical philology.” Hamacher’s philology interrupts and transforms, parting with tradition precisely in order to remain faithful to its radical but increasingly occluded core. The contributors test Hamacher’s break with philology in a variety of ways, attempting a philological practice that does not take language as an object of knowledge, study, or even love. Thus, in responding to Hamacher’s Theses, the authors approach language that, because it can never be an object of any kind, awakens an unfamiliar desire. Taken together these essays problematize philological ontology in a movement toward radical reconceptualizations of labor, action, and historical time.

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Everyday Forms of State Formation is the first book to systematically examine the relationship between popular cultures and state formation in revolutionary and post-revolutionary Mexico. While most accounts have emphasized either the role of peasants and peasant rebellions or that of state formation in Mexico’s past, these original essays reveal the state’s day-to-day engagement with grassroots society by examining popular cultures and forms of the state simultaneously and in relation to one another.Structured in the form of a dialogue between a distinguished array of Mexicanists and comparative social theorists, this volume boldly reassesses past analyses of the Mexican revolution and suggests new directions for future study. Showcasing a wealth of original archival and ethnographic research, this collection provides a new and deeper understanding of Mexico’s revolutionary experience. It also speaks more broadly to a problem of extraordinary contemporary relevance: the manner in which local societies and self-proclaimed "revolutionary" states are articulated historically. The result is a unique collection bridging social history, anthropology, historical sociology, and cultural studies in its formulation of new approaches for rethinking the multifaceted relationship between power, culture, and resistance.Contributors. Ana María Alonso, Armando Bartra, Marjorie Becker, Barry Carr, Philip Corrigan, Romana Falcón, Gilbert M. Joseph, Alan Knight, Florencia E. Mallon, Daniel Nugent, Elsie Rockwell, William Roseberry, Jan Rus, Derek Sayer, James C. Scott

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A virtuoso collage novel about narrative, identity, and exile, from international literary sensation Norman Manea “One of the most eloquent living witnesses of the European 20th century, Norman Manea, at 87, has brought out Exiled Shadow, a contemplative work of fiction . . . [in] a strong, clarion translation into English by Carla Baricz. . . . A fitting summarization of a rich and deeply honorable career.”—Sam Sacks, Wall Street Journal “Exiled Shadow belongs among the great, intricate, and uncompromising works of contemporary literature.”—Jan Knoffeke, Neue Zürcher Zeitung (Switzerland) In this vibrant mosaic of voices, sources, and stories, the protagonist, known only as the Nomadic Misanthrope, leaves communist Romania and is reunited with his friend Gunther, an unrepentant Marxist exiled in Berlin. Their meeting sparks a spirited dialogue that endures throughout the Nomadic Misanthrope’s subsequent decades in the United States. At the center of the plot is the figure of the shadow—the insubstantial shape of the exile, the wandering Jew, the death camp survivor, the individual under totalitarianism, the dark side of the Jungian personality—a figure that calls into question the boundaries of the human condition. Recalling the beloved nineteenth-century German tale of Peter Schlemihl, the man who sold his shadow for a bag of gold, this is Norman Manea’s most daring work yet: an intimate record of alienation and endurance.

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A captivating cultural history of the bagel and its journey through the centuries If smoked salmon and cream cheese bring only one thing to mind, you can count yourself among the world’s millions of bagel mavens. But few people are aware of the bagel’s provenance, let alone its adventuresome history. This charming book tells the remarkable story of the bagel’s journey from the tables of seventeenth-century Poland to the freezers of middle America today, a story of often surprising connections between a cheap market-day snack and centuries of Polish, Jewish, and American history.Research in international archives and numerous personal interviews uncover the bagel’s links with the defeat of the Turks by Polish King Jan Sobieski in 1683, the Yiddish cultural revival of the late nineteenth century, and Jewish migration across the Atlantic to America. There the story moves from the bakeries of New York’s Lower East Side to the Bagel Bakers’ Local 388 Union of the 1960s, and the attentions of the mob. For all its modest size, the bagel has managed to bridge cultural gaps, rescue kings from obscurity, charge the emotions, and challenge received wisdom. Maria Balinska weaves together a rich, quirky, and evocative history of East European Jewry and the unassuming ring-shaped roll the world has taken to its heart.

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The sociologist Daniel Bell was an uncommonly acute observer of the structural forces transforming the United States and other advanced societies in the twentieth century. The titles of Bell’s major books—The End of Ideology (1960), The Coming of Post-Industrial Society (1973), and The Cultural Contradictions of Capitalism (1976)—became hotly debated frameworks for understanding the era when they were published. In Defining the Age, Paul Starr and Julian E. Zelizer bring together a group of distinguished contributors to consider how well Bell’s ideas captured their historical moment and continue to provide profound insights into today’s world. Wide-ranging essays demonstrate how Bell’s writing has informed thinking about subjects such as the history of socialism, the roots of the radical right, the emerging postindustrial society, and the role of the university. The book also examines Bell’s intellectual trajectory and distinctive political stance. Calling himself “a socialist in economics, a liberal in politics, and a conservative in culture,” he resisted being pigeon-holed, especially as a neoconservative.Defining the Age features essays from historians Jenny Andersson, David A. Bell, Michael Kazin, and Margaret O’Mara; sociologist Steven Brint; media scholar Fred Turner; and political theorists Jan-Werner Müller and Stefan Eich. While differing in their judgments, they agree on one premise: Bell’s ideas deserve the kind of nuanced and serious attention that they finally receive in this book.

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The hit BBC series is back! Big Finish bring immortal Time Agent Captain Jack Harkness back to life for the first in a series of six new audio dramas...Captain Jack Harkness has always had his suspicions about the Committee. And now Wilson is also talking about the Committee. Apparently the world really is under the control of alien lizards. That's what Wilson says. People have died, disasters have been staged, the suspicious have disappeared. It's outrageous. Only Jack knows that Wilson is right. The Committee has arrived. The huge, and long-running public interest in new Torchwood adventures resulted in a server melt-down when this release was announced by star John Barrowman on his Sunday night radio slot. John Barrowman reprises the character who starred in four years of hit Doctor Who spin-off Torchwood, screened around the world. John Sessions is one of British TV's most popular and erudite actors, from guest spots on QI to roles in Mr Holmes, Marple, John Sessions' Tall Tales and one of the main voices on Spitting Image. This is the first of six releases in this range, with the rest coming from Jan to May 2016. CAST: John Barrowman (Captain Jack Harkness), John Sessions (Wilson), Sarah Ovens (Kate), Dan Bottomley (Sam). Torchwood contains adult material and may not be suitable for younger listeners.

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Though she published only five volumes of poetry over the course of her career, Jane Cooper (1924–2007) was deeply admired by her contemporaries, and teaching at Sarah Lawrence College for nearly forty years, she served as a mentor to many aspiring poets. Her elegant, honest, and emotionally and formally precise poems, often addressing the challenges of women's lives—especially the lives of women in the arts—continue to resonate with a new generation of readers. In Jane Cooper: A Radiance of Attention, Martha Collins and Celia Bland bring together several decades' worth of essential writing on Cooper's poetry. While some pieces offer close examination of Cooper's process or thoughtful consideration of the craft of a single poem, the volume features reviews of her collections, including a previously unpublished piece on her first book, The Weather of Six Mornings (1969), by James Wright, a lifelong champion of her work. Marie Howe, Jan Heller Levi, and Thomas Lux, among others, share personal remembrances of Cooper as a teacher, colleague, and inspiration. L. R. Berger's moving tribute to Cooper's final days closes the volume. Jane Cooper: A Radiance of Attention will be a welcome addition to the collection of anyone who has already come to love Cooper's work and will attract new readers, especially among younger poets, to her enduring poems.

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This catalogue of the Andres Serrano retrospective presents the work of an artist from New York regarded as one of the major figures on the contemporary scene, tracing his creative trajectory in over a hundred photographs. The question of the portrait in the exploration of signs of the times, the dead body in a classical presentation of pictorial inspiration, the abstract space of the studio and the artist's recent immersion in the city, violence in the relationship with the other on the path from procreation to creation, poverty and its relation to place, religious feeling and the collective dynamics of the group portrait are some of the subjects Andres Serrano addresses. The questions he poses give rise to debate and sometimes violence. These freely chosen subjects are thus joined by themes imposed on the work, namely vandalism and censorship. Four experts develop an original discourse on Serrano's work: Nathalie Dietschy, PhD in art history at the University of Lausanne, a specialist on the figure of Christ in contemporary art; Jan Koenot, Jesuit, theologian, PhD in philosophy and specialist on contemporary art; Germano Celant, art critic and specialist on contemporary art, currently artistic director of the Prada Foundation in Milan; Quentin Bajac, curator of photography at the Musée d'Orsay and currently chief curator of photography at the MoMA in New York.

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Lose yourself in this dazzling travelogue of the idyllic Greek Islands by the king of travel writing and real-life family member of The Durrells in Corfu. 'Incandescent.' André Aciman'A magician.' The Times'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'Nobody knows the Greek islands like Durrell.' New York Times White-washed houses drenched in pink bougainvillea; dazzling seascapes and rugged coastlines; colourful harbours in quaint fishing villages; shady olive and cypress groves; terraces bathed in the Aegean sun ... The Greek islands conjure up a treasure-chest of images - but nobody brings them to life as vividly as the legendary travel writer Lawrence Durrell. It was during his youth in Corfu - which his brother Gerald fictionalised in My Family and Other Animals, later filmed as The Durrells In Corfu - that his love affair with the Mediterranean began. Now, in this glorious tour of the Greek islands, he weaves evocative descriptions of these idyllic landscapes with insights into their ancient history, and shares luminous personal memories of his time in the local communities. No traveller to Greece or admirer of Durrell's magic should miss it.'Masterly ... Casts a spell.' Jan Morris'Charming ... Delightful.' Sunday Times 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes'Like long letters from a civilized and very funny friend - the prose as luminous as the Mediterranean air he loves.' Time

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READERS LOVE YOUNG WOMEN:'Hands down, this is an absolutely phenomenonal book! I recommend Young Women to everyone out there, one you'll be hearing about for a long time to come''Young Women instantly grabbed me from the first chapter. I devoured this novel''Incredibly powerful . . . essential reading for all.''Sharp, beautifully written and powerful'AN INTOXICATING FRIENDSHIP.AN UNFORGIVABLE BETRAYAL.From the Observer debut novelist of the year, an addictive new novel where a fierce new female friendship will unearth a secret that could change everything . . .When Emily meets enigmatic and dazzling actress Tamsin, her life changes. Drawn into Tamsin's world of Soho living, boozy dinners and cocktails at impossibly expensive bars, Emily's life shifts from black and white to technicolour and the two women become inseparable.But after a bombshell news article breaks, Emily begins to realise that Tamsin has been hiding a secret about her past. A secret that threatens to unravel everything . . .'Confirms Jessica Moor as one of the most exciting new voices of the decade' Erin KellyAmbitious and arresting' Beth Underdown 'Vividly engaging' Winnie M. Li'Brilliantly written' Kate Sawyer 'Painfully real' Hanna Jameson'Provocative, thought-provoking' Bexy Cameron 'Visceral' Stylist'A timely read' Prima 'A slick cautionary tale' Sunday Times'Utterly engrossing' Louise Nealon*Observer best debut novelists of 2020 - 26th Jan 2020

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Illuminating three centuries of European artistry and ingenuity, this volume in The Met’s acclaimed How to Read series provides a wide-ranging exploration of decorative arts from British writing tables to Russian snuffboxes Spanning three centuries of creativity, from the High Renaissance to the Industrial Revolution, this volume in The Met’s How to Read series provides a peek into daily lives across Europe—from England, Spain, and France to Germany, Denmark, and Russia. Featuring 40 exemplary objects, including furniture, tableware, utilitarian items, articles of personal adornment, devotional objects, and display pieces, this publication covers many aspects of European society and lifestyles, from the modest to the fabulously wealthy. The book considers the contributions of renowned masters, such as the Dutch cabinetmaker Jan van Mekeren and the Italian goldsmith Andrea Boucheron, as well as talented amateurs, among them the anonymous young Englishwoman who embroidered an enchanting chest with scenes from the Story of Esther. The works selected include both masterpieces and less familiar examples, some of them previously unpublished, and are discussed not only in light of their art-historical importance but also with regard to the social issues relevant to each, such as the impact of colonial slavery or the changing status of women artists. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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The 80th Glass Problem Conference (GPC) was organized by the Kazuo Inamori School of Engineering, The New York State College of Ceramics, Alfred University, Alfred, NY 14802 and The Glass Manufacturing Industry Council (GMIC), Westerville, OH 43082. The Program Director was S. K. Sundaram, Inamori Professor of Materials Science and Engineering, Kazuo Inamori School of Engineering, The New York State College of Ceramics, Alfred University, Alfred, NY 14802. The Conference Director was Robert Weisenburger Lipetz, Executive Director, Glass Manufacturing Industry Council (GMIC), Westerville, OH 43082. The GPC Advisory Board (AB) included the Program Director, the Conference Director, and several industry representatives. The Board assembled the technical program. Donna Banks of the GMIC coordinated the events and provided support. The Conference started with a half-day plenary session followed by technical sessions. The themes and chairs of four technical sessions were as follows: Melting and CombustionUyi Iyoha, Praxair, Inc., Peachtree City, GA, Jan Schep, Owens-Illinois, Inc., Perrysburg, OH, and Justin Wang, Guardian Industries, Auburn Hills, MI Batch, Environmental, and ModelingPhil Tucker, Johns Manville, Littleton, CO and Chris Tournour, Corning Inc., Corning, NY RefractoriesLarry McCloskey, Anchor Acquisition, LLC, Lancaster, OH and Eric Dirlam, Ardagh Group, Muncie, IN Sensors and ControlAdam Polycn, Vitro Architectural Glass, Cheswick, PA and Glenn Neff, Glass Service USA, Inc., Stuart, FL

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Attending – patient contemplation focused on a particular being – is a central ethical activity that has not been recognized by any of the main moral systems in the European philosophical tradition. That tradition has imagined that the moral agent is primarily a problem solver and world changer when what might be needed most is a witness.Moral theory has been agonized by dualism – motivation is analyzed into beliefs and desires, descriptions of facts and dissatisfactions with them, while action is represented as an effort to lessen dissatisfaction by altering the empirical world. In Attending Warren Heiti traces an alternative genealogy of ethics, drawing from the Platonism recovered by Simone Weil and developed in the work of Iris Murdoch, John McDowell, and Jan Zwicky. According to Weil, virtue is knowledge, knowledge is embodied, and the knower is nested in an ecosystem of relationships. Instead of analyzing and solving theoretical problems, Heiti aims to clarify the terrain by setting up objects of attention from more than one discipline, including not only philosophy but also literature, psychology, film, and visual art.The traditional picture captures one important type of ethical activity: faced with a moral problem, one looks to a general rule to furnish the solution. But not all problems conform to this model. Heiti offers an alternative: to see what is needed, one attends to the particular being.

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